Cosy Day Quotes

We've searched our database for all the quotes and captions related to Cosy Day. Here they are! All 40 of them:

But now she loved winter. Winter was beautiful "up back" - almost intolerably beautiful. Days of clear brilliance. Evenings that were like cups of glamour - the purest vintage of winter's wine. Nights with their fire of stars. Cold, exquisite winter sunrises. Lovely ferns of ice all over the windows of the Blue Castle. Moonlight on birches in a silver thaw. Ragged shadows on windy evenings - torn, twisted, fantastic shadows. Great silences, austere and searching. Jewelled, barbaric hills. The sun suddenly breaking through grey clouds over long, white Mistawis. Ice-grey twilights, broken by snow-squalls, when their cosy living-room, with its goblins of firelight and inscrutable cats, seemed cosier than ever. Every hour brought a new revalation and wonder.
L.M. Montgomery (The Blue Castle)
When the fiddle had stopped singing Laura called out softly, “What are days of auld lang syne, Pa?” “They are the days of a long time ago, Laura,” Pa said. “Go to sleep, now.” But Laura lay awake a little while, listening to Pa’s fiddle softly playing and to the lonely sound of the wind in the Big Woods. She looked at Pa sitting on the bench by the hearth, the firelight gleaming on his brown hair and beard and glistening on the honey-brown fiddle. She looked at Ma, gently rocking and knitting. She thought to herself, “This is now.” She was glad that the cosy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
At these times she was subject to a peculiar kind of day-dreaming, so vivid as to be almost a hallucination: that she was in the country, at dusk, and alone, and strangely at peace. She did not recall the places which she had visited in holiday-time, these reproached her like opportunities neglected. But while her body sat before the first fires and was cosy with Henry and Caroline, her mind walked by lonely seaboards, in marshes and fens, or came at nightfall to the edge of a wood.
Sylvia Townsend Warner (Lolly Willowes)
How I wish we could spend a couple of Christmas days together, for instance — I would also dearly like to have you in my studio once more. I, too, have been toiling quite hard recently, precisely because I was full of the Christmas feeling, and feeling isn’t enough, one must bring it into one’s work. So I’m now occupied with two large heads of an orphan man, with his white beard and old-fashioned, old top hat. This chap has the sort of old, lively face that one would wish for beside a cosy Christmas fire.
Vincent van Gogh
She remembers these as happy times - tomboy days, when she still glittered like quartz in her father's eye. Until puberty came along, as puberty will, and shattered the cosy sense of conspiracy.
Alison Fell (The Element -inth in Greek)
The day is early with birds beginning and the wren in a cloud piping like the child in the poem, drop thy pipe, thy happy pipe. And the place grows bean flower, pea-green lush of grass, swarm of insects dizzily hitting the high spots; dunny rosette creeping covering shawl ream in a knitted cosy of roses; ah the tipsy wee small hours of insects that jive upon the crippled grass blades and the face of the first flower alive.
Janet Frame (Owls Do Cry)
Pa’s strong, sweet voice was softly singing: “Shall auld acquaintance be forgot, And never brought to mind? Shall auld acquaintance be forgot, And the days of auld lang syne? And the days of auld lang syne, my friend, And the days of auld lang syne, Shall auld acquaintance be forgot, And the days of auld lang syne?” When the fiddle had stopped singing Laura called out softly, “What are days of auld lang syne, Pa?” “They are the days of a long time ago, Laura,” Pa said. “Go to sleep, now.” But Laura lay awake a little while, listening to Pa’s fiddle softly playing and to the lonely sound of the wind in the Big Woods. She looked at Pa siting on the bench by the hearth, and the fire-light gleaming on his brown hair and beard and glistening on the honey-brown fiddle. She looked at Ma, gently rocking and knitting. She thought to herself, “This is now.” She was glad that the cosy house, and Pa and Ma and the fire-light and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
She was bedridden falling a fall which broke her hip. X-rays showed that she had cancer of the colon which had already spreed. To my surprise I found her cheerful and free of pain, perhaps because of the small doses of morphine she was being given. She was surrounded by neighbours and friends who congregated at her bedside day and night. In this cosy, noisy, gregarious world of the "all-chinese" sickbed, so different from the stark, sterile solitude of the American hospital room, her life had assumed the astounding quality of a continuous farewell party.
Adeline Yen Mah (Falling Leaves)
Today is his birthday and my gift to him is warmth and cosiness. Today, on his day, his home will have what Alex craves so badly – a family, albeit an illusory one.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
For me life is an inn where I must stay until the carriage from the abyss calls to collect me [...] I could consider this inn to be a prison, since I’m compelled to stay here; I could consider it a kind of club, because I meet other people here. However, unlike others, I am neither impatient nor sociable. I leave those who chatter in the living room, from where the cosy sound of music and voices reaches me. I sit at the door and fill my eyes and ears with the colours and sounds of the landscape and slowly, just for myself, I sing vague songs that I compose while I wait. Night will fall on all of us and the carriage will arrive. I enjoy the breeze given to me and the soul given to me to enjoy it and I ask no more questions, look no further. If what I leave written in the visitors’ book is one day read by others and entertains them on their journey, that’s fine. If no one reads it or is entertained by it, that’s fine too.
Fernando Pessoa (The Book of Disquiet)
We live each day as if it were merely a rehearsal for the next, and the cosy existence at 7, rue de Grenelle, with its daily proof of continuity, suddenly seems like an island battered by storms.
Muriel Barbery (The Elegance of the Hedgehog)
Piano Softly, in the dusk, a woman is singing to me; Taking me back down the vista of years, till I see A child sitting under the piano, in the boom of the tingling strings And pressing the small, poised feet of a mother who smiles as she sings. In spite of myself, the insidious mastery of song Betrays me back, till the heart of me weeps to belong To the old Sunday evenings at home, with winter outside And hymns in the cosy parlour, the tinkling piano our guide. So now it is vain for the singer to burst into clamour With the great black piano appassionato. The glamour Of childish days is upon me, my manhood is cast Down in the flood of remembrance, I weep like a child for the past.
D.H. Lawrence
The magnificent houses, the three old-money brick houses, each with a small turret and a wraparound porch, had been built uptown near the churches when the town was younger and smaller, before the Great War. The wraparound porches were there to hold rainy-day children and morning tea carts and quiet late-evening converstion, cosy, discreet conversation which could not easily take place in front rooms or kitchens or bedrooms, certainly not on the street.
Bonnie Burnard (A Good House)
Refugee Malcolm Guite  We think of him as safe beneath the steeple,  Or cosy in a crib beside the font,  But he is with a million displaced people  On the long road of weariness and want.  For even as we sing our final carol  His family is up and on that road,  Fleeing the wrath of someone else’s quarrel,  Glancing behind and shouldering their load.  Whilst
Malcolm Guite (Waiting on the Word: A poem a day for Advent, Christmas and Epiphany)
They were striking the set of a play, humble, one-handed domestic drama, without permission from the cast. They started in what she called her sewing room—his old room. She was never coming back, she no longer knew what knitting was, but wrapping up her scores of needles, her thousand patterns, a baby’s half-finished yellow shawl, to give them all away to strangers was to banish her from the living. They worked quickly, almost in a frenzy. She’s not dead, Henry kept telling himself. But her life, all lives, seemed tenuous when he saw how quickly, with what ease, all the trappings, all the fine details of a lifetime could be packed and scattered, or junked. Objects became junk as soon as they were separated from their owner and their pasts—without her, her old tea cosy was repellent, with its faded farmhouse motif and pale brown stains on cheap fabric, and stuffing that was pathetically thin. As the shelves and drawers emptied, and the boxes and bags filled, he saw that no one owned anything really. It’s all rented, or borrowed. Our possessions will outlast us, we’ll desert them in the end. They worked all day, and put out twenty-three bags for the dustmen.
Ian McEwan (Saturday)
The fisherman-painter has the best of the bargain as far as the weather goes, for the weather that is too bright for the trout deluges his hills and his sea with floods of radiant colour; the rain that interrupts picture-making puts water into the rivers and the lochs and sends him hopefully forth with rod and creel; while on cold dull days, when there is neither purple on the hills nor fly on the river, he can join a friendly party in a cosy bar and exchange information about Cardinals and March Browns, and practise making intricate knots in gut.
Dorothy L. Sayers (Five Red Herrings (Lord Peter Wimsey, #7))
-but deep down he knew that change was only the interval of death between two forms of life, destruction necessary to make room for fresher property. What though the board was up, and cosiness to let?--someone would come along and take it again some day. And only one thing really troubled him, sitting there--the melancholy craving in his heart--because the sun was like enchantment on his face and on the clouds and on the golden birch leaves, and the wind's rustle was so gentle, and the yew-tree green so dark, and the sickle of a moon pale in the sky. He might wish and wish and never get it--the beauty and the loving in the world!
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
It was raining outside. It wasn’t heavy, but it left droplets on the windows, making it look like the window was covered in glitter which gleamed and shone in the candlelight. There was something outlandish about the place. It wasn’t only the grand rooms and the exquisite décor and not even the sheer size of the building; there was more to it. It was a feeling. She felt enveloped in it day and night. It wasn’t unpleasant or choking, but it wasn’t cosy and welcoming either. It was just there, like a straitjacket. She hoped that there could have been a bit more glitter and glamour to her days. She wasn’t exactly a sparkly kind of girl, but she missed… something.
Pamela Harju (A World Other Than Her Own)
It's not you it's me' she couldn't use that line. Even though it really was her and not him, everyone thought that line really meant, 'it's not me. It's definitely you.'  There was still a part of her that thought perhaps she shouldn't do it at all. In Andrew she had all the raw ingredients for a perfect life. Here was a grown-up, good-looking, solvent, generous, warm-hearted man who adored her. A man who adored her even when she looked like the loch ness monsters little sister and had a terrible temper to match. It didn't take a huge leap of imagination to see Andrew standing at the top of the aisle, looking back at lou walking towards him with a grin as wide as the English channel. She could see him painting the nursery yellow; pushing a pram that contained two lovely brown haired twins (one boy, one girl); presenting her woth an eternity ring on their tenth anniversary, taking the twins to school, teaching them how to play football on long, summer holidays in Tuscany, giving the daughter away at her own wedding, cosying up to Lou on the veranda of their perfect house as their retirement stretched ahead of them- a long straight road of well-planned for, financially comfortable and perpetually sunny days.  'oh god' Lou poured herself a vodka.
Chris Manby (Getting Personal (Red Dress Ink))
Time is always ticking for women. Whereas men, apparently, live in a timeless realm. In the dimension of men, there is no time - just space. Imagine living the realm of space, not time! You put your dick into spaces, and the bigger your dick, the cosier the space. If you have a very big dick, then space - and life - must be very cosy indeed. Imagine having a very small dick - how vast and unknowable the universe must be to the small-dicked man! But if your dick is the size of most of what you encounter, nothing could be very threatening at all. For women, the problem is different. A fourteen-year-old girl has so much time to be raped and have babies that she is like the greatest Midas. The time-span of a woman’s life is about thirty years. Apparently, during these thirty years - fourteen to fourty-four - everything must be done. She must find a man, make babies, start and accelerate her career, avoid diseases, and collect enough money in a private account so that her husband can’t gamble their life’s savings away. Thirty years is not enough time to live a whole life! It’s not enough time to do all of everything. If I have only done one thing with my time, this is surely what I’ll castigate myself for later. The day will come when I’ll think, ‘What the fuck did you waste all those years putting in commas for?’ I will have no idea how I could have been so naive about how time acts in the life of a woman; how it is the essential realm in which a woman lives. All the things I neglected to do because I refused to believe, fundamentally, that first and foremost I was female. You women who wish to live in the realm of space, not time - you will see what gifts the universe has waiting. ‘Will I?’ Yes. Just look around. ‘But some women are happy!’ But some women are not. ‘How do I know which I will be?’ You cannot know until it’s too late.
Sheila Heti
As the season changed to autumn and the air turned crisp, we took out our cosy sweaters, snuggled in warm blankets, and found comfort in the little things like warm drinks. While we watched the leaves change their colour from green to yellow, bright orange or red, we came to realize that it was also the right time for us to make a change in our life, to make a new beginning. It has been a different kind of year. Things have changed around here, the circumstances we found ourselves in were like a restless wave. A sudden storm came on, producing wind and hail, changing the rule of the game. From one day to the next, there was little room for manoeuvre left. Where was the fun in that, we wondered. Things just didn’t go well and the situation was getting harder. We could sense along the way that it was time to let go of something that no longer served us. Our instincts told us that the time has come to turn the page, to allow new things to happen and think new thoughts. At first, it was hard to admit that there was no way around it of letting go because we fell in a comfort zone and getting out of it can be uncomfortable. We didn’t want to leave a place that was so familiar to us. New beginnings can be scary. But luckily, the autumn season taught us that change can be beautiful.
Surya Raj
The first blast of the snowstorm snatched me up like a scrap of torn newspaper and transported me from a practice in the depths of the countryside to the town. What, you may wonder, is so special about a country town? If like me you have ever spent the winters snowbound and the summers deep in a landscape of sparse, monotonous woodland, without a single day off in more than a year; if you have ever torn the wrapper off last week's newspaper with your heart beating as if you were a lover joyfully ripping open a pale blue envelope; if you have ever driven twelve miles in a tandem-harnessed sleigh to a woman in labor, then you may realize what the town mean to me. Kerosene lamps may be very cosy, but I prefer electricity.
Mikhail Bulgakov (A Country Doctor's Notebook)
Carrie could not remember how long it was since some other person had cherished her. Had said, 'You look tired.' And, 'How about a little rest?' She had spent too many years being strong, looking after others and their problems...The day progressed, and through her window Carrie watched the weather and was glad she did not have to be out in it. Snow showers came and went; the sky was grey. From time to time she heard the faint keening of wind, whining around the old house. It was all rather cosy. She remembered as a child being ill, and in bed, and the awareness of others getting on with the business of day-to-day life without herself having to participate in any sort of way. Telephones rang, and someone else hurried to answer the call. Footsteps came and went; from behind the closed door, voices called and answered. Doors opened and shut. Towards noon, there came smells of cooking. Onions frying, or perhaps a pot of soup on the boil. The luxuries of self-indulgence, idleness, and total irresponsibility were all things that Carrie had long forgotten.
Rosamunde Pilcher (Winter Solstice)
I roll back and forth in bed until about six, when the heating clanks on and I give up. I pull a sweater over my pyjamas and head for the kitchen. It's still pitch black outside the windows. I like these secret hours, just the house and me.
Juno Dawson (Stay Another Day)
I'm so cold. All the time. That's the worst thing. I just can't get warm, not ever. All my heat has to come from without, I'm making none within. My biological central heating is broken. I climb out of the window seat and pull an XXL hoodie out of the bottom drawer and put it on over my sweater. Layers help.
Juno Dawson (Stay Another Day)
The room into which she led them was sunny and filled with a cosy clutter of books, flowers, chintz-covered furniture and the strains of Max Bruch’s Violin Concerto in G Minor.
M.C. Beaton (Agatha Raisin and the Day the Floods Came (Agatha Raisin, #12))
To the young, so much is known and unknown. Before: the mystery, the blueprint, the half-imagined, half-refused. Once on the other side: the always-known, the click into place, acceptance; the unthought unthinkable turned fact, the plunge accomplished, the ship afloat. (Or: revulsion; recoil; regression.) For Flavia the shock – the double shock of recognition was in the heart (pleasure itself still eluded her that day), was a lightening, a light slight puff of happiness such as persists sometimes after awaking from a serene although forgotten dream. She told herself (the mind would not turn off) how cosy, how reassuring, how nice
Sybille Bedford (A Compass Error)
In an enchanting encounter with the myriad books that I met in a cosy book shop today, I couldn't help but get bedazzled with the cornucopia of stories and poetry that lay snuggled in the plethora of shelves at display. You wouldn't believe it dear readers that I heard a real symphony in my ears at that very moment of this august encounter that happened in November. There was no rain today but the bright and sunny spirit of the day was as magical as any rainy day might have made me feel. I do not know about the other people in the book shop, but to me that very moment felt as if I was on cloud nine. Proverbially it felt as if I was listening with a mellifluous ecstasy to the magic of Tchaikovsky's Swan Lake. At that exact moment when I lay my hands or rather I would say I grabbed my hands on the two books that I have been yearning to read since a long time, I guess the entire Universe paused. Now without having an iota of energy within me to any other further delay in experiencing the magic and in experiencing the mad euphoria that has serenaded my entire being, I take your leave my dearest readers to indulge myself with and in the most pleasurable way possible with Franz Kafka & Fyodor Dostoevsky.
Avijeet Das
In an enchanting encounter with the myriad books that I met in a cosy book shop today, I couldn't help but get bedazzled with the cornucopia of stories and poetry that lay snuggled in the plethora of shelves at display. You wouldn't believe it dear readers that I heard a real symphony in my ears at that very moment of this august encounter that happened in November. There was no rain today but the bright and sunny spirit of the day was as magical as any rainy day might have made me feel. I do not know about the other people in the book shop, but to me that very moment felt as if I was on cloud nine. Proverbially it felt as if I was listening with a mellifluous ecstasy to the magic of Tchaikovsky's Swan Lake. At that exact moment when I lay my hands or rather I would say I grabbed my hands on the two books that I have been yearning to read since a long time, I guess the entire Universe paused. Now without having an iota of energy within me to any other further delay in experiencing the magic and in experiencing the mad euphoria that has serenaded my entire being, I take your leave my dearest readers to indulge myself and in the most pleasurable way possible with the words of Franz Kafka and Fyodor Dostoevsky.
Avijeet Das
A snow day is a wild day, a spontaneous holiday when all the tables are turned. This one had a bit of the spirit of Halloween and a little of Christmas. It was wild and cosy at the same time; rebellious and heartwarming. Here was yet another liminal space, a crossing point between the mundane and the magical. Winter, it seems, is full of them: fleeting invitations to step out of the ordinary. Snow may be beautiful, but it is also a very adept con artist. It offers us a whole new world, but just as we buy into it, it's whisked away.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
For the pirates of those days were nothing if not spectacular in fatal invention; where you or I, if we wanted to dispose of an enemy, would simply blip him over the head or butter the stairs, the Coast Brethren got up to dodges you would hardly believe, like leaving tarantula eggs to hatch out in his tea cosy, or suspending him face down over the dreaded maguay plant, which has a nasty sharp point and grows two feet overnight (eek!), or chaining him in an underground cellar with the tide coming in which slowly raises a burning candle inch by inch until it smoulders through a rope from which dangles a glittering blade which falls to break a phial containing acid which eats through the lock of a boxful of black mambas. (The incoming tide will probably drown the brutes, but it's the thought that counts.)
George MacDonald Fraser (The Pyrates)
These people, they were different to anyone I’d met. They’d offered their friendship, their trust, without a second thought. I’d always been wary about new people in my life. That same old barrier I put up to protect myself. I didn’t let anyone close enough to be able to hurt me. My father had left, as though I was as insubstantial as air. As a child, I’d struggled to come to terms with it. He’d been there every single day, and then he wasn’t. So what were we to him? A stopgap until something he determined as better came along? With the Aunt Margot feud, and subsequent alienation of the family, it felt as though people abandoned us like we were yesterday’s newspaper. Could I fall into friendships with these girls, and then leave? Maybe it was time for me to stop worrying about anything other than living in the moment. I was missing out on so much, standing on the edge of life, waiting for something that might never happen.
Rebecca Raisin (Secrets At Maple Syrup Farm)
Just imagine you just went for a brisk walk, on a crisp autumn day. The leaves are beginning to change colour and there's freshness in the air. How do you feel when you return to your nice warm house and have a hot drink? Feels pretty good, right? That is very hygge. You just feel good all over.   So
Sofie Pedersen (Keep Calm & Hygge: A Guide to The Danish Art of Simple & Cosy Living)
Be kind to yourself and those around you. Have a hygge day.
Sofie Pedersen (Keep Calm & Hygge: A Guide to The Danish Art of Simple & Cosy Living)
she found herself looking down on the top of Teenie's head; at a small woollen bobble, in fact, which topped a curious tea-cosy style knitted cap which she was wearing. She looked more closely at it, wondering if she could make out an opening through which a tea pot spout might project; she could not see an opening, but there was a very similar tea cosy in the office, she remembered, and perhaps she or Mma Ramotswe might wear it on really cold days. She imagined how Mma Ramotswe would look in a tea cosy and decided that she would probably look rather good: it might add to her authority, perhaps, in some indefinable way.
Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
looking for the cosy armchairs that had originally made Starbucks’ name, back in those distant days of the early 1990s when the hand-written blackboard signage and pierced noses of the baristas deluded people into thinking the cafés were vaguely alternative, even grungy – what with the Seattle connection and all – rather than a corporate chain bent on global domination. The
Sam Bourne (The Final Reckoning)
But what Mick remembered, more than anything, was not being cold and wet, but the feeling of relief when they arrived at some cosy warm pub at the end of the day, both of them ravenous and thirsty and high on what they’d achieved. Good memories, all of them.
Alastair Reynolds (Zima Blue)
My Loving Mother I keep thinking of you out of nowhere I continue talking about you everywhere When days go by, when I am anywhere I wish you would appear from somewhere Though I know you have gone elsewhere Your departure left me feeling empty My heart has been heavy For I have been lonely I hold your memories closely Because you made life a bit cosy Things are not the same, without you in this world I miss the moments of prayer we shared The guidance from your end Precept upon precept Losing you is something hard to accept The silent wishes you had for me The stories you told about your folks The wonderful chats we used to have It is all gone, gone for good Just like you did Yet I appreciate That you have been great And no one can ever take Your special place My loving Mother
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
Refugee Malcolm Guite We think of him as safe beneath the steeple, Or cosy in a crib beside the font, But he is with a million displaced people On the long road of weariness and want. For even as we sing our final carol His family is up and on that road, Fleeing the wrath of someone else’s quarrel, Glancing behind and shouldering their load. Whilst Herod rages still from his dark tower Christ clings to Mary, fingers tightly curled, The lambs are slaughtered by the men of power, And death squads spread their curse across the world. But every Herod dies, and comes alone To stand before the Lamb upon the throne.
Malcolm Guite (Waiting on the Word: A poem a day for Advent, Christmas and Epiphany)
If I find this nostalgia for a "vanished" landscape a bit strange it is probably because as I write I can look from my window over twenty miles of superb countryside to the sea and a sparsely populated coast. This county, like many others, has seemingly limitless landscapes of great beauty and variety, unspoiled by excessive tourism or the uglier forms of industry. Elsewhere big cities have certainly destroyed the surrounding countryside but rapid transport now makes it possible for a Londoner to spend the time they would have needed to get to Box Hill forty years ago in getting to Northumberland. I think it is simple neophobia which makes people hate the modern world and its changing society; it is xenophobia which makes them unable to imagine what rural beauty might lie beyond the boundaries of their particular Shire. They would rather read Miss Read and The Horse Whisperer and share a miserable complaint or two on the commuter train while planning to take their holidays in Bournemouth, as usual, because they can't afford to go to Spain this year. They don't want rural beauty anyway; they want a sunny day, a pretty view. Writers like Tolkien take you to the edge of the Abyss and point out the excellent tea-garden at the bottom, showing you the steps carved into the cliff and reminding you to be a bit careful because the hand-rails are a trifle shaky as you go down; they haven't got the approval yet to put a new one in. I never liked A. A. Milne, even when I was very young. There is an element of conspiratorial persuasion in his tone that a suspicious child can detect early in life. Let's all be cosy, it seems to say (children's books are, after all, often written by conservative adults anxious to maintain an unreal attitude to childhood); let's forget about our troubles and go to sleep. At which I would find myself stirring to a sitting position in my little bed and responding with uncivilized bad taste.
Michael Moorcock (Epic Pooh)