Corset Quotes

We've searched our database for all the quotes and captions related to Corset. Here they are! All 100 of them:

One more thing." "What." "I think we're dating now." As V barked out a laugh, the cop shrugged. "Come on....I got you naked. You wore a damn corset. And don't get me started about the sponge bath afterward." "Fucker." "To the end.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Wield your assets like a blade, Cousin. No man has invented a corset for our brains. Let them think they rule the world. It’s a queen who sits on that throne. Never forget that.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
I’d heard you were dead.” "I heard you wear a red lace corset,” I said matter-of-factly. “But I don’t believe every bit of nonsense that gets rumored about.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
I like a little fight in my girls." She grinned at him,causing blood to dribble down her chin. "Then you're going to love me.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Will." Her hands pulled at his shirt, and it came away, the buttons tearing, his head shaking free of the fabric, all wild dark hair, Heathcliff on the moors. His hands were less sure on her dress, but it came away as well, off over her head, and was cast aside, leaving Tessa in her chemise and corset. She went motionless, shocked at being so undressed in front of anyone but Sophie, and Will took a wild look at her corset that was only part desire. “How—," he said. “Does it come off?" Tessa couldn't help herself; despite everything, she giggled. “It laces," she whispered. “In the back.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Don't mistake me, Treasure. I can offer you many things, but friendship ain't one of them. Now, for once in your life, be a sensible girl and run away.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
I’d like to see you carry on with a corset digging its bones into your rib cage,” I said, returning the favor and eyeing his clothing. “And manage a skirt still covering most of your breeches and whipping around your thighs in this wind.” “If you’d like to see me out of my breeches, simply ask, Wadsworth. I’m more than happy to accommodate you on that front.” “Scoundrel.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
I think we're dating now" "Come on...I got you naked. You wore a damn corset. And don't get me started on the sponge bath afterward.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Europeans condemned Chinese foot binding, but any society that had invented the corset had a lot to answer for.
Mary Jo Putney (The China Bride (The Bride Trilogy, #2))
What's the matter with her? [Jasper] asked Griffin. Griffin shook his head. 'Nothing. She's just two personas struggling for dominance in one body.' [Jasper] ... Poor little thing.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
If I'd been whoring before class and waved a corset at him, no one would have thought twice about it!
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
You know the legend. Stab them in the heart and they’ll die. (Ravyn) Call me Buffy. I’m even blond, but don’t ask me to wear a halter top. Or corset. (Susan)
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
As frightening as we may think her, I believe she finds herself even more so.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Perhaps I won't marry then. Instead, you and I shall live as spinsters in a cottage by the sea. We'll burn our corsets, eat chocolate morning, noon and night and grow fat as hedgehogs.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
I cannot tell my heart what to feel.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Oh, and I [Amy] may also have told him that I quite fancied Dr Smith [The Doctor]. Which in the 1780s was probably punishable by stoning or corsets.
James Goss (Doctor Who: Dead of Winter)
Yes, for education. An actual education, not finishing school—they’re going to squeeze me into corsets and bully me into silence.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
Who do you think keeps this country safe so you can sleep at night?” “I don’t sleep most nights. And to be honest, Your Grace, I don’t feel all that safe.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Wield your assets like a blade, Cousin. No man has invented a corset for our brains. Let them think they rule the world. It’s a queen who sits on that throne. Never forget that. There’s no reason you can’t wear a simple frock to work, then don the finest gown and dance the night away. But only if it pleases you.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
It might not look it but rocking in a corset is harder than you think
Evanescence
Finley hesitated. Maybe he’d move out of her way and let her pass. Or a voice in her head whispered—her voice—you could kick his teeth in.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Don’t cry, Treasure. You’ll get me all wet and then I’ll melt. I’m made of sugar, don’t you know.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
...you shouldn’t have put yourself in that kind of danger for me.” He glanced at her out of the corner of his eye—she knew this because she was doing the same to him. “If not for you, then for whom?” he asked softly.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Really?” asked Nina, tugging at her corset. Pollen from one of the irises had scattered over her bare shoulder. Matthias had the overwhelming urge to brush it away with his lips. It’s probably poisonous, he told himself sternly. Maybe he should take a walk.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I just... I understand you might want to start dating more seriously, and that means dating someone from town. But if you're going to do that..." This time he took a long drink of coffee, and the mug was still at his lips when he said, "I like Daniel. He takes care of you." I blinked. "Oh my God. Did you really just say that? He takes care of me?" Dad flushed. "I didn't mean it like-" "Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Jasper waited until the man was gone before asking, “You ever get tired of folks puckerin’ up to your backside?” Griffin faced him with mock gravity. “Yes. It is deuced tiring, people doing whatever I wish. Makes my life so very disagreeable.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
And yet, despite repeated assurances that women aren't particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about "insatiable" whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality...all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
You’re not going to take advantage of me, are you?” The cushions felt so nice behind her head. It was so nice to lie down. “Novels are always warning young women of the dangers of being taken advantage of by wealthy young men.” “You are perfectly safe. Emily is here to protect your virtue.” “That’s too bad.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
She didn’t want to believe the pretty gentleman capable of such violence, but she had learned the hard way that pretty gentlemen were often the worst of the lot.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
I do hope you’re using that thing to look at photographs of Moulin Rouge ladies as a young man your age should, and not hunting down another bothersome criminal.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
This is delicious,” she said, when she finally recovered enough to speak. Jack was watching her in a curious manner. “You could have ’em every morning if you want.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Humanity, I’m sure I do not have to tell Your Grace, is a strange animal.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
You might loosen your corset strings,” he advised. “It will make your journey more pleasant.” “I’m not wearing a c-corset,” she said without looking at him. “You aren’t? My God.” His gaze slid over her with expert assessment.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
She wore tight corsets to give her a teeny waist - I helped her lace them up - but they had the effect of causing her to faint. Mom called it the vapors and said it was a sign of her high breeding and delicate nature. I thought it was a sign that the corset made it hard to breathe.
Jeannette Walls (Half Broke Horses)
So proper for a circus girl," Mme. Padva says with with a gleam in her eye. "We shall have to loosen those corset laces if we intend to keep you an intimate dinner company." "I expected the corset unlacing would take place after dinner," Celia says mildly, earning a chorus of laughter. "We shall keep Miss Bowen as intimate company regardless of the state of her corset," Chandresh says. "Make a note of that," he adds, waving a hand at Marco. "Miss Bowen's corset is duly noted, sir," Marco replies, and the laghter bubbles over the table again.
Erin Morgenstern (The Night Circus)
Your idea of romance requires a corset and a time machine.
Cath Crowley (Graffiti Moon)
What I have is hardly a talent,” she replied. A curse, perhaps. More than likely a demon. What she needed was a good exorcism.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village. downtown Manhattan, clear winter noon, and I've been up all night, talking, talking, reading the Kaddish aloud, listening to Ray Charles blues shout blind on the phonograph
Allen Ginsberg (Kaddish and Other Poems)
Griffin had to get to the bottom of these automaton attacks. He couldn’t ignore them just because Finley Jayne posed such an intriguing problem in such a pretty package. And she was pretty—even when off her rocker. In that respect, she was every bit as dangerous as Aunt Cordelia seemed to think. It was a good thing, then, that he enjoyed a little danger now and again.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
You didn’t discover a secret passage into someone’s palace and not tell them everything you knew about it.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
You think I pretend weakness?" She nodded. "Not weakness, but you like to let others think they're in control, when it's you.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
She's right. I don't trust her farther than I can run full-steam in a corset, but she's right. The truth is hard and unfair, but there it is.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Heinrich Heine so loosened the corsets of the German language that today every little salesman can fondle her breasts.
Karl Kraus
I can't breathe. I'm joing the Rational Dress Society the very moment we are back in London,and I fully intend to leave their pamphlets under Mother's pillow and tucked into her corsets.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
You aligned yourself with the wron fella and there were consequences. Now you can wallow in it, or you can pull that thick head of yours out of your posterior and help us figure out how to fix things.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Yeah,” Thomas said, “if the dude almost beat my ass for helping you out of a corset, he will murder me on the spot when he sees our modern interpretation of the ‘Rape of Persephone’.
Nicole Williams (Clash (Crash, #2))
What I want from you,” he said, and Finley braced herself, “is your trust. Irrevocable and unshakable. I want you to put your life in my hands, and I want to be able to do the same without hesitation.” Disturbed to her very soul, Finley could only shake her head. “You ask too much.” Put his life in her hands? He was deranged! A bedlamite for certain. A crooked grin curved his mouth. “Too much? You strange and wonderful girl, that is the least I’ll ask of you.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Finley’s head jerked up. Griffin King. The Duke of Greythorne. She had overheard Lady Alyss discussing him with several of her friends just last week. They said he was handsome, rich beyond understanding and had a nice bottom.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
She fastened the invisible corset of her composure snugly around herself and prepared to move forward with her plan.
Amanda Quick (The Perfect Poison (Arcane Society, #6))
December is celebrated quite heartily here in the United States. Aggresively, one might say. Every conceivable space is corseted with strands of twinkle lights, buildings are smothered beneath greenery, and a mass mania for erecting oversized, inflatable, waving "snowmen" in front of homes erupts amid the populace. It's quite a hysteria- and the evergreen trees are not just a myth, Vasile. People really do purchase them, in abundance. They are for sale everywhere. Imagine paying for the privilege of dragging a filthy piece of forest into your living area for the purpose of bedecking it with glass balls and staring at it. Why a tree? If one needed to display glass balls-and I highly discorage it-why not just a case of some sort? A rack?
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
The girl stood in the center of the large four-poster bed. She wore a nightgown and robe that Cordelia had generously, and unknowingly, donated. Anything of Emily’s would have been far too short and too small. Her honey-colored hair fell over her shoulders in messy waves and her similarly colored eyes were almost black with wildness, her pupils unnaturally dilated. Fear. He felt it roll off her in great waves. It shimmered around her in a rich red aura Griff knew he alone could see, as it was viewable only on the Aetheric plane. She was afraid of them and, like a trapped animal, her answer to fear was to fight rather than flee. Interesting. She was certainly a sight to behold. Normally she was probably quite pretty, but right now she was…she was… She was bloody magnificent. That’s what she was. Except for the blood, of course.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
The new acts' major influences were movies and their curvy queens Brigitte Bardot and Marilyn Monroe. With their big blonde hair, ample breasts, and highly fertile hips, these bombshells inspired women everywhere to exxagerate their own voluptuousness.
Dita Von Teese (Burlesque and the Art of the Teese / Fetish and the Art of the Teese)
The Machinist ain’t exactly loquacious when it comes down to his nefarious undertakings.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Lord Macon deposited his wife into a chair and then knelt next to her, clutching one of her hands. "Tell me truthfully - how are you feeling?" Alexia took a breath. "Truthfully? I sometimes wonder if I, like Madame Lefoux, should affect masculine dress." "Gracious me, why?" "You mean aside from the issue of greater mobility?" "My love, I don't think that's currently the result of your clothing." "Indeed, I mean after the baby." "I still don't see why should want to." "Oh no? I dare you to spend a week in a corset, long skirts and a bustle." "How do you know I haven't?
Gail Carriger (Heartless (Parasol Protectorate, #4))
I don't trust her father than I can run full-steam in a corset.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Griffin!” Finley cried. She moved to attack the automaton, but Sam stopped her. “Wait. Griff’s got a plan.” “How do you know?” she demanded. Sam and Jasper both looked at her with bemused expressions. “Griff’s always got a plan,” Jasper informed her, as though it was absolute fact.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Sometimes, falling back on or using an old method or habit, is like sliding into a pair of worn running shoes and a corset. Doesn't make sense to others, but it's not for them. It's what keeps you together, what keeps you going.
Alyse M. Gardner
If the city of London was a body, Whitechapel would be the groin; a great unwashed area that only showed itself under the cover of darkness, and only for the most salacious of entertainments. No one of “proper” birth ever admitted to going there, but they all did at one time or another—or at least they wanted to. Slumming was very popular these days.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
I want to be his love slave. An image of me in a black corset wearing a collar with a leash attached to it pops into my head. Maybe stupid Lydia was right to cut the smut from the book club for a while.
Helena Hunting (Pucked (Pucked, #1))
You're perfectly safe. Emily is here to protect your virtue." "That's too bad.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
I like Daniel. He takes care of you." I blinked. "Oh my God. Did you really just say that? He takes care of me?" Dad flushed. "I didn't mean it like-" "Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?" Dad sighed as Mom walked in with her empty teacup. "What did I miss?" She said. "Dad's trying to marry me off to Daniel." I looked at him. "You know, if you offer him a new truck for a dowry, he might go for it.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Suddenly he was in the doorway, looming over her in a determined fashion. Gone was sweet, patient Griffin. This was the Duke of Greythorne, one of the most powerful men in England. “I don’t care that you came to Dandy,” he said, his voice low, but sharp. “If you want to blame yourself for Sam’s injury, then go ahead and be a fool. And I don’t care that you could cosh my head in if you wanted. I came here to get you and if I have to, I’ll toss you over my shoulder like a sack of potatoes and carry you all the way to Mayfair. I’m taking you home where you belong.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Brushing dirt from his coat, Sam ignored the wild-eyed looks the other three gave him. Surely a house like this had enough staff to clean up a little dirt? “And who is this young man?” the old lady demanded. Sam opened his mouth to reply, but froze when he saw just who the old woman was. “May I present Sam Morgan, Your Highness,” Griffin said. Bloody hell. It was Queen Victoria. They’d just burrowed their way into Buckingham Palace.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Of all days Sunday was the day for formal afternoon visiting: ladies wore corsets, men wore coats, children wore shoes.
Harper Lee (To Kill a Mockingbird)
You aligned yourself with the wrong fella and there were consequences. Now, you can wallow in it, or you can pull that thick head of yours out of your posterior and help us figure out how to fix things.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Insulated from natural contacts with earth, air and sunlight, by corsets pressing on the solar plexus, by voluminous petticoats, cotton stockings and kid boots, the drowsy well-fed girls lounging in the shade were no more a part of their environment than figures in a photograph album, arbitrarily posed against a backcloth of cork rocks and cardboard trees.
Joan Lindsay (Picnic at Hanging Rock)
I pulled open my window and leaned out. “Are you daft?” I whispered loudly. He bowed extravagantly, deeply, his dark tousled hair falling over his brow. “Such poetry, my lady.
Alyxandra Harvey (Corsets and Crossbows (Drake Chronicles, #0.1))
A woman's reputation is her worth... IT is the way it is. You may hate me for saying so, but there is the truth. Do you not remember that this is how our mother died? She would still be here and Father would be well and none of this would ever have happened if she had simply lived according to the time-trusted codes of society.' Perhaps it proved impossible. Perhaps she could not fit within so tight a corset. Perhaps I am the same.' One does not have to like the rules, Gemma. But one does need to adhere to them. That is what makes civilization. Do you think I agree with every... decision made by my superiors
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
Parking himself on the chaise lounge, he stared at the gown that Lassiter had handled so roughly. The fine satin was bunched up in waves, the disorder creating a wonderful, shimmering display over on the bed. “My beloved is dead,” he said out loud. As the sound of the words faded, something was suddenly, stupidly clear: Wellesandra, blooded daughter of Relix, was never filling out that bodice again. She was never going to put the skirting over her head and wriggle into the corset, or free the ends of her hair from the lace-ups in the back. She wasn’t going to look for matching shoes, or get pissed off because she sneezed right after she put her mascara on, or worry about whether she was going to spill on the skirting. She was… dead.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
What I want is... I want to fall in love. I want to have a big, dramatic, ridiculous love story, like a period piece, and my love interest is played by Saoirse Ronan and I get to wear a fancy corset. I want to write books about the way that feels. And I don't know if I'll ever have any of that here, but I know what I'll lose if I leave.
Casey McQuiston (I Kissed Shara Wheeler)
Harry - “No plovers no pigeons no snipe. No oysters mussels clams or whole lobsters. No artichokes no savories no cheese.” He paused for breath then went on “Nothing too rich nothing too highly seasoned. And never more than one glass of wine. Did I miss any no-noes ” Emma - She sighed. “When it comes to my work I do wish you would be serious.” Harry - “I am serious ” he assured her. “After reading this I understand why women have such tiny waists and go about fainting all the time. I thought it was corsets but no. You’re all hungry .
Laura Lee Guhrke (And Then He Kissed Her (Girl Bachelors, #1))
Disturbed to her very soul, Finley could only shake her head. "You ask too much." A crooked grin curved his mouth. "Too much? You strange and wonderful girl, that is the least I'll ask of you.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
There’s darkness in me that I can’t always control. If you like a girl with a secret side, then you’re gonna love me.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
And then Finley seized the spindly metal arm attached to her throat. A normal human would have no hope against such strength, but Finley was not normal. She snapped the arm at the elbow joint and then ripped the offending hand from her neck. Holding the arm by the hand and wrist, she used it to beat the automaton....
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
I rested my forehead against the wall and closed my eyes. It wasn’t just my curiosity, or my fascination with anatomy, or how I could unhesitatingly chop a rabbit’s head off with an ax when a roomful of boys couldn’t. Those things were all symptoms of the same sickness - a kind of madness inherited from my father. It was a dangerous pull in my gut drawing me toward the dark possibilities of science, toward the thin line between life and death, toward the animal impulses hidden behind a corset and a smile.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
Gavin! What’ll I wear home?” “Cloak.” His voice roughened and he ripped harder, tossing the material to the ground. I felt his smile when he kissed my neck, and shivers ran down my back at the sound of his low growl. “I made that! I don’t have many of those, you know.” “Cam,” he snaked one hand around my stomach and made his way north, slipping one hand into my corset top to grope my chest. “You won’t be thinking about it when I’m inside you.” His hips shifted off my back and he separated my legs with his knee, his breathing ragged against my shoulder. “Now forget the damn dress.
Rachael Wade (The Gates (Resistance, #2))
While Mary brushed my pistachio silk carriage dress, Mama tugged the laces of my corset as tight as they would go. She grunted and I groaned, and we sounded like the giant hogs I'd seen at the zoo-except that, rather than play in the mud and eat to my heart's content, I was forced to sit daintily in the parlor without lunch. For two hours. With my mother for company.
Susan Dennard (Something Strange and Deadly (Something Strange and Deadly, #1))
His trees were now hung all over with scrawled pieces of paper and bits of cardboard with maxims from Seneca and Shaftesbury, and with various objects; clusters of feathers, church candles, crowns of leaves, women's corsets, pistols, scales, tied to each other in certain order. The Ombrosians used to spend hours trying to guess what those symbols meant: nobles, Pope, virtue, war? I think some of them had no meaning at all but just served to jog his memory and make him realize that even the most uncommon ideas could be right.
Italo Calvino (The Baron in the Trees)
Can’t you make yourself likeable? Can’t you even try?” Something shifted in Tavi then. She was always so flippant, trailing sarcasm behind her like a duchess trailing furs. But not this time. Hugo had pierced her armor and blood was dripping from the wound. “Try for whom, Hugo?” she repeated, her voice raw. “For the rich boys who get to go to the Sorbonne even though they’re too stupid to solve a simple quadratic equation? For the viscount I was seated next to at a dinner who tried to put his hand up my skirt through all five courses? For the smug society ladies who look me up and down and purse their lips and say no, I won’t do for their sons because my chin is too pointed, my nose is too large, I talk too much about numbers?” “Tavi …” Isabelle whispered. She went to her, tried to put an arm around her, but Tavi shook her off. “I wanted books. I wanted maths and science. I wanted an education,” Tavi said, her eyes bright with emotion. “I got corsets and gowns and high-heeled slippers instead. It made me sad, Hugo. And then it made me angry. So no, I can’t make myself likeable. I’ve tried. Over and over. It doesn’t work. If I don’t like who I am, why should you?
Jennifer Donnelly (Stepsister)
Moments later Griffin had Finley in the carriage, and Jasper sat on the seat across from them. “What’s the matter with her?” he asked Griffin. Griffin shook his head. “Nothing. She’s just two personas struggling for dominance in one body.” The cowboy’s eyebrows shot up, but his expression was sympathetic. “Poor little thing.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.
Paul Gauguin (Noa Noa)
Slowly, Finley rose from the sofa, tilted her head back and looked him dead in the eye. “I have no desire to be any more in your debt than I already am.” He looked thoughtful for a moment. “Would it make you more comfortable if I demanded something in return? Would that put you at ease?” When he put it like that, it made her sound like an awful sort of person for thinking the worst. “It would, yes. At least that would be honest.” It might have been laughter that came scoffing from his throat, but there was little humor in it. He shook his head, the light reflecting glints of russet in his hair. “I’d like to meet whomever it was who made you so distrusting and pull his teeth out one by one.” The vehemence in his tone startled her, yet was strangely warming. “’Twas more than just one.” His face darkened, like clouds overtaking the sun. Suddenly, this was no longer just some seemingly kind, bored aristocrat standing before her, but a young man capable of many dangerous things.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Gavin, I never thought you’d be the irrational one in this relationship, but I’m happy to report that you’ve just thoroughly shocked me.” He rolled to his side to lean on his arm, keeping my hand resting on his chest, buried underneath his shirt. “I know. My timing is impeccable.” He smirked, letting his hungry gaze drift over my body. “But I’m sorry, love. I cannot take seeing you all tucked up in this sexy corset anymore. The ties are so tight, they’re just begging me to undo them.” His fingers trailed over the top of my chest and down over the corset’s binding, tugging at the edges of the lace as he went. “Forcefully,” he winked.
Rachael Wade (The Gates (Resistance, #2))
She wants me to take what magic I have left and blot every memory of this evening from their minds. To make them forget so that they can carry on as before. There will always be Cecilys, Marthas, and Elizabeths of the world - those who cannot bear the burden of truth. They will drink their tea. Weigh their words. Wear hats against the sun. Squeeze their minds into corsets, lest some errant thought should escape and ruin the smooth illusion they hold of themselves and the world as they like it. It is a luxury, this forgetting. No one will come to take away the things I wish I had not seen, the things I wish I did not know. I shall have to live with them. I wrench away from her grip. "Why should I?" I do it anyways. Once I am certain the girls are asleep, I creep into their rooms, one by one, and lay my hands across their furrowed brows, which wear the trouble of all they've witnessed. I watch while those brows ease into smooth, blank canvases beneath my fingers. It is a form of healing, and I am surprised by how much it heals me to do it. When the girls awake, they will remember as strange dream of magic and blood and curious creatures and perhaps a teacher they knew whose name will not spring to their lips. They might strain to remember it for a moment, but then they will tell themselves it was only a dream best forgotten. I have done what Mrs. Nightwing said I should do. But I do not take all their memories from them. I leave them with one small token of the evening: doubt. A feeling that perhaps there is something more. It is nothing more than a seed. Whether it shall grow into something more useful, I cannot say.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
As they walked, the subtle lamplight of a dirigible washed over them. Finley glanced up, watching the light grow closer, slowly descending from the sky in a whirl of propellers as the ship made its way into the London air dock just a few miles away. How amazing it must be to float so high, to travel so quickly. Dandy followed her gaze, but they didn’t stop walking. “I was up in one of them flyers once,” he told her. “I climbed over the rail and hung on to one of the ropes. Freeing it was. I almost let go.” She whipped her head around to gape at him. “The fall would kill you.” He smiled ever so slightly. “Not afore I flew. Worse ways to go.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
In my opinion, the best time to be alive is always right now. People are aways whining about how they were born in the wrong century, but they really haven't thought things through. They picture the old castle they wish they could live in, but they don't think about the drafts in the winter or the pitch darkness at night, or all the spiders and the lice. They can't imagine the everyday pain of a life without movies or recorded music or... or... Interet videos about cats. And don't even get me started on women who idealize the past. Do you have any idea what it was like to be a woman even a hundred years ago? Horrible! And a hundred years before that, the situation practically defies description. We might as well have been slaves. Trussed up in hoop skirts and corsets, married off like racehorses. Good riddance to history, I say!
Tommy Wallach (Thanks for the Trouble)
[Dessie's] shop was a unique institution in Salinas. It was a woman's world. Here all the rules, and the fears that created the iron rules, went down. The door was closed to men. It was a sanctuary where women could be themselves- smelly, wanton, mystic, conceited, truthful, and interested. The whalebone corsets came off at Dessie's, the sacred corsets that moulded and warped woman-flesh into goddess-flesh. At Dessie's they were women who went to the toilet and overate and scratched and farted. And from this freedom came laughter, roars of laughter.
John Steinbeck (East of Eden)
What has been valued in the West in women has too often been defined only in relation to the masculine: the good, nurturant mother and wife; the sweet, docile agreeable daughter; the gently supportive of bright achieving partner. This collective model is inadequate for life; we mutilate, depotentiate, silence and enrage ourselves trying to compress our souls into it just as surely as our grandmothers deformed their fully breathing bodies with corsets for the sake of an ideal.
Sylvia Brinton Perera
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .
Ray Bradbury (Dandelion Wine)
I had turned to leave and he had called after me. “Miss Maria, I kin no other woman who could be wearing men’s trousers and be dripping such as ye are and look quite so lovely. It’s a right shame your mother is marrying you off to that great sot!” I had turned to call back to him, “I doubt very much we will have to worry about that after today!
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
- LE VICOMTE, suffoqué : Ces grands airs arrogants ! Un hobereau qui... qui... n'a même pas de gants ! Et qui sort sans rubans, sans bouffettes, sans ganses ! - CYRANO : Moi, c'est moralement que j'ai mes élégances. Je ne m'attife pas ainsi qu'un freluquet, Mais je suis plus soigné si je suis moins coquet ; Je ne sortirais pas avec, par négligence, Un affront pas très bien lavé, la conscience Jaune encore de sommeil dans le coin de son oeil, Un honneur chiffonné, des scrupules en deuil. Mais je marche sans rien sur moi qui ne reluise, Empanaché d'indépendance, et de franchise ; Ce n'est pas une taille avantageuse, c'est Mon âme que je cambre ainsi qu'en un corset, Et tout couvert d'exploits qu'en rubans je m'attache, Retroussant mon esprit ainsi qu'une moustache, Je fais, en traversant les groupes et les ronds, Sonner les vérités comme des éperons." (Acte I, scène IV)
Edmond Rostand (Cyrano de Bergerac)
A Black, E white, I red, U green, O blue: vowels, Someday I shall tell of your mysterious births: A, black velvety corset of dazzling flies Buzzing around cruel smells, Gulfs of shadow; E, white innocence of vapors and of tents, Spears of proud glaciers, white kings, shivers of Queen Anne's lace; I, purples, spitting blood, smile of beautiful lips In anger or in drunken penitence; U, waves, divine shudderings of green seas, The calm of pastures dotted with animals, the peace of furrows Which alchemy prints on wide, studious foreheads; O, sublime Bugle full of strange piercing sound, Silences crossed by Worlds and by Angels; - O the Omega, the violet ray of her Eyes!
Arthur Rimbaud
It would take little effort for her to hurt him right now. She could hurt him badly. But Griffin King could hurt her, as well, and he hadn’t. Instead of using force or violence against her, he used patience and understanding. She had no defense against that. When he let her go, she was shaking. Tears filled her eyes as she turned to her mother who stood staring at her in horror. “My sweet little girl,” her mother whispered. “I didn’t know. I would never…” Her words faded into a choked sob. Finley crossed the short distance between them on quivering legs and wrapped her arms around the shorter woman. She didn’t care if Griffin or his nasty aunt saw her tears. If anything was worth crying over, the discovery that her father had made her a monster had to be one.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
If women were as libidinous as men, we’re told, society itself would collapse. Lord Acton was only repeating what everyone knew in 1875 when he declared, “The majority of women, happily for them and for society, are not very much troubled with sexual feeling of any kind.” And yet, despite repeated assurances that women aren’t particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about “insatiable” whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality…all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
And right now, some affiliates of the promiscuous persuasion were beckoning, urging the women to join their huge orgy. ‘Come have a go, ladyships!’ said one of the strumpets. Stella mustered a look so disapproving it made steel feel guilty for being hard. Unabated, the prostitute lit herself a cigarette and winked suggestively. ‘Will make it worth your while and no trouble.’ ‘Er.’ The strumpet sucked on her cigarette with gusto and hastily turned to Aurora. Under the heavy theatrical greasepaint, she saw a hint of black stubble. ‘What about you, hon? Ever swallowed a sword with its sheath?’ ‘Once,’ said Aurora through a wooden expression. ‘It didn’t end too well for the sword.’ ‘Oh leave ‘em be, Kevin,’ another strumpet butted in, as she adjusted the apples in her corset. She had a tall voice, coarse, rugged and edged; the sort of edge you cut protons on. ‘Doncha see they ‘av a lil’un with ‘em?’ ‘And I’ve a wife. What’s your point, Steve?’ the drag queen retorted. ‘Yer wife’s a corpse, mate.’ ‘Guess that makes me a necromancer.
Louise Blackwick (5 Stars)
Dearest Reece, I know you think it improper, or at the very least imprudent, for us to write to one another, but I don't care.There are too many rules as it is and they would choke me if I let them. Between corsets and lessons and curtsies and etiquette, I am hardly myself, and that is how they want it. They would prefer we all dress and talk and think (or not think) alike, like paper dolls. I do not wish to be a paper doll. Surely you can see that I am stronger than that.I don't give a fig for the scandalbroth or the gossipmongers. Let us remove to Paris, where no one knows us to care and where they dine on scandal with eclairs every morning. You will say again that it is impossible but I refuse to believe it. I know with every touch of your hand on mine, with every stolen kiss, that nothing is impossible. Perhaps love isn't meant to be simple. Perhaps this is merely a test, such as Psyche went through to prove herself to Cupid. Would you have me count lentils, beloved? And as you claim I have the most to lose, I pray you will let me decide for myself what it is I want and need. Which is you. Not silks or lobster soup in crystal bowls or diamonds around my neck. Just you. You say again and again that you love me. Prove it.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
Jean Lorrain (Monsieur De Phocas)
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.” “I don’t believe in reincarnation,” she muttered. There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.” Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?” He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.” Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?” “No. They want to stay near the hive. Their main concern is to protect the queen from predators.” “She has nothing to fear from me!” Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.” Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks. “Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.” She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness. After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure. “There you are,” came a low murmur. Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest. Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…” “You weren’t breathing well. I thought it best to loosen your corset.” “I’ve never fainted before,” she said groggily, struggling to sit up. “You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))