The Bone Clocks Quotes

Perhaps it’s true that things can change in a day. That a few dozen hours can affect the outcome of whole lifetimes. And that when they do, those few dozen hours, like the salvaged remains of a burned house—the charred clock, the singed photograph, the scorched furniture—must be resurrected from the ruins and examined. Preserved. Accounted for. Little events, ordinary things, smashed and reconstituted. Imbued with new meaning. Suddenly they become the bleached bones of a story.

Funeral Blues Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead Scribbling on the sky the message He is Dead, Put crêpe bows round the white necks of the public doves, Let the traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood; For nothing now can ever come to any good.

Being born's a hell of a lottery.

People are icebergs, with just a bit you can see and loads you can’t.

We live on, as long as there are people to live on in.

Love's pure free joy when it works, but when it goes bad you pay for the good hours at loan-shark prices.

Human cruelty can be infinite. Human generosity can be boundless.

I'd love to know how Dad saw me when I was 6. I'd love to know a hundred things. When a parent dies, a filing cabinet full of all the fascinating stuff also ceases to exist. I never imagined how hungry I'd be one day to look inside it.

Her only friends on the estate were books, and books can talk but do not listen.

This isn’t lust. Lust wants, does the obvious, and pads back into the forest. Love is greedier. Love wants round-the-clock care; protection; rings, vows, joint accounts; scented candles on birthdays; life insurance. Babies. Love’s a dictator.

if you could reason with religious people, there wouldn’t be any religious people.

There's a link between bigotry and bad spelling.

A writer flirts with schizophrenia, nurtures synesthesia, and embraces obsessive-compulsive disorder. Your art feeds on you, your soul, and, yes, to a degree, your sanity. Writing novels worth reading will bugger up your mind, jeopardize your relationships, and distend your life. You have been warned.

Persuasion is not about force; it's about showing a person a door, and making him or her desperate to open it.

You only value something if you know it’ll end.

If life didn’t change, it wouldn’t be life, it’d be a photograph.

... Modesty is Vanity's craftier stepbrother.

He was doing quite well until the last sentence, but if you bare your arse to a vengeful unicorn, the number of possible outcomes dwindles to one.

Here’s the truth: Who is spared love is spared grief.

Experimentally, silently, I mouth I love you ... No one hears, no one sees, but the tree falls in the forest just the same.

Adverbs are cholesterol in the veins of prose. Halve your adverbs and your prose pumps twice as well.

I consider how you don't get to choose whom you're attracted to, you only get to wonder about it retrospectively.

Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers.

I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...

One moment you're carrying this loveable little tyke on your shoulders, the next she's off, and you realize what you suspected all along: However much you love them, your own children are only ever on loan.

Love is the anesthetic applied by Nature to extract babies.

Art feasts upon its maker

If you love and are loved, whatever you do affects others.

Power is crack cocaine for your ego and battery acid for your soul.

While the wealthy are no more likely to be born stupid than the poor, a wealthy upbringing compounds stupidity while a hardscrabble childhood dilutes it, if only for Darwinian reasons. This is why the elite need a prophylactic barrier of shitty state schools, to prevent the clever kids from the working-class post codes ousting them from the Enclave of Privilege.

...if you bare your arse to a vengeful unicorn, the number of possible outcomes dwindles to one.

If an atrocity isn't written about, it stops existing when the last witnesses die. That's what I can't stand. If a mass shooting, a bomb, a whatever, is written about, then at least it's made a tiny dent in the world's memory. Someone, somewhere, some time, has a chance of learning what happened. And, just maybe, acting on it. Or not. But at least it's there.

But it’s the feeling of love that we love, not the person.

For one voyage to begin, another voyage must come to an end, sort of.

Civilisation’s like the economy or Tinkerbell: If people stop believing it’s real, it dies.

Love is a blurring of pronouns. Love is subject and object. The difference between its presence and its absence is the difference between life and death.

Life is a terminal illness.

It’s the edges of the maps that fascinate ...

Shit, meet Fan. Fan, this is Shit.

Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.

The world’s twenty-seven richest people own more wealth than the poorest five billion, and people accept that as normal.

Like the best songs, you can't see the next line coming, but once it's sung, how else could it have gone?

Astronomers at the University of Bullshitshire have just found new evidence that, yes, teenagers really are the center of the universe.’ 

Sex may be the antidote to death but it offers life everlasting only to the species, not the individual.

Five years later, I take a deep, shuddery breath to stop myself crying. It’s not just that I can’t hold Aoife again, it’s everything: It’s grief for the regions we deadlanded, the ice caps we melted, the Gulf Stream we redirected, the rivers we drained, the coasts we flooded, the lakes we choked with crap, the seas we killed, the species we drove to extinction, the pollinators we wiped out, the oil we squandered, the drugs we rendered impotent, the comforting liars we voted into office—all so we didn’t have to change our cozy lifestyles.

Books’ll be back,” Esther-in-Unalaq predicts. “Wait till the power grids start failing in the 2030s and the datavats get erased. It’s not far away. The future looks a lot like the past.

Remember: What Cupid gives, Cupid takes away.

At certain rare moments, a library is a kind of mind.

I think about pinball, and how being a kid’s like being shot up the firing lane and there’s no veering left or right; or you’re just sort of propelled. But once you clear the top, like when you’re sixteen, seventeen, or eighteen, suddenly there’s a thousand different paths you can take, some amazing, others not. Tiny little differences in angles and speed’ll totally alter what happens to you later, so a fraction of an inch to the right, and the ball’ll just hit a pinger and a dinger and fly down between your flippers, no messing, a waste of 10 p. But a fraction to the left and it’s action in the play zone, bumpers and kickers, ramps and slingshots and fame on the high-score table.

Can I just ask for an outline –” “Doesn’t work like that. You need a leap of faith to leave your old life behind. True metamorphosis doesn’t come with flowcharts.

Not a clue – and, no, I don’t touch drugs. The world’s unstable enough without scrambling your brain for kicks.

Life’s more science-fictiony by the day.

I’d love to know how Dad saw me when I was a kid. I’d love to know a hundred things. When a parent dies, a filing cabinet full of all the fascinating stuff also ceases to exist. I never imagined how hungry I’d be one day to look inside it.

marriage can, should, and must evolve. Don’t be alarmed, and don’t resent it. Be patient and kind, unflaggingly. In the long run, it’s the unasked-for hot-water bottles on winter nights that matter more than the extravagant gestures.

Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)

Pity is a form of abuse.’ 

Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.

Such narrative arcs make good movies but shitty existences.

Books tended not to switch their stories whenever it suited them.

Spring adds, summer multiplies, autumn subtracts, winter divides.

Rootlessness," I opine, "is the twenty-first century norm." "You're not wrong and that's why we're in the shit we're in, mate. If you belong nowhere, why give a tinker's toss about anywhere?

S’pose heaven’s not like a painting that’s just hanging there forever, but more like … like the best song anyone ever wrote, but a song you only catch in snatches, while you’re alive, from passing cars, or … upstairs windows when you’re lost …

Hobbies are for pleasure, but rituals keep you going.

Glass half empty, glass half full, glass too small?

The secret of happiness is to ignore your reflection in mirrors once you’re over forty.

Up the hill, sheep bleat, oblivious to human empires rising and falling.

Imagine the one god himself has reversed his clock and reversed your regrets. Imagine knowing the bone-deep truth that whatever impossibility would make you truly happy has been granted. Imagine knowing you can once again hold your lost lover or your newborn child. Imagine what you feel during those first seconds of knowing. Now, imagine those first seconds last for days on end. .... Like I said, I'm a chemist. It's all coming back to me.p62

Adverbs are cholesterol in the veins of prose.

A finite infinity,

Don’t mess with the fairies.

Controls is about fear, see. If you’re afraid enough of the reprisals, you don’t say no, you don’t fight back, you don’t run away. Saying yes is how you survive. It becomes normal. Horrible, but normal. Horrible, because it’s normal. Now, lucky you can say ‘Not standing up to him is giving him permission,’ but if you’ve been fed this diet since the year dot, there is no standing up. Victims aren’t cowards. Outsiders, like, they never have a clue how brave you have to be just to carry on.

I will unmake him,” said the clock wife simply. “I will pull the marrow from his bones and pour lead into the spaces left behind. I will make his dying into a place and visit it every day until the end of eternity.

The huge round lunar clock was a gristmill. Shake down all the grains of Time—the big grains of centuries, and the small grains of years, and the tiny grains of hours and minutes—and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine…dispensed Time in blowing weathers.

But it wasn't us, personally, who trashed the world," says Mo. "It was the system. We couldn't change it." "Then it's not us, personally, taking your panels," says Hood. "It's the system. We can't change it.

Five years later, I take a deep, shuddery breath to stop myself crying. It’s not just that I can’t hold Aoife again, it’s everything: It’s grief for the regions we deadlanded, the ice caps we melted, the Gulf Stream we redirected, the rivers we drained, the coasts we flooded, the lakes we choked with crap, the seas we killed, the species we drove to extinction, the pollinators we wiped out, the oil we squandered, the drugs we rendered impotent, the comforting liars we voted into office—all so we didn’t have to change our cozy lifestyles. People talk about the Endarkenment like our ancestors talked about the Black Death, as if it’s an act of God. But we summoned it, with every tank of oil we burned our way through. My generation were diners stuffing ourselves senseless at the Restaurant of the Earth’s Riches knowing—while denying—that we’d be doing a runner and leaving our grandchildren a tab that can never be paid.

I’d learn betrayals came in various shapes and sizes, but to betray someone’s dream is the unforgivable one.

Bury the hatchet. Hatchets don't work on ghosts. They cannot hear you. You only end up hatcheting yourself.

Crazy people are hard work.

Think larger. Redraw what is possible.

Faust tends not to have happy endings.

For most of my life, the world shrank and technology progressed; this was the natural order of things. Few of us clocked on that “the natural order of things” is entirely man-made, and that a world that kept expanding as technology regressed was not only possible but waiting in the wings.

If ever a place had a karma of damnation, it's Rottnest. And all those slick galleries selling Aboriginal art were eroding away my will to live. It's as if Germans built a Jewish food hall over Buchenwald.

Firstly: don't touch the hands of your cuckoo-clock heart. Secondly: master your anger. Thirdly: never, ever fall in love. For if you do, the hour hand will poke through your skin, your bones will shatter, and your heart will break once more.

INEZ: To forget about the others? How utterly absurd! I feel you there, in every pore.Your silence clamours in my ears. You can nail up your mouth, cut your tongue out - but you can't prevent your being there. Can you stop your thoughts? I hear them ticking away like a clock, tick-tock, tick-tock, and I'm certain you hear mine. It's all very well skulking on your sofa, but you're everywhere, and every sound comes to me soiled because you've intercepted it on its way. Why, you've even stolen my face; you know it and I don't ! And what about her, about Estelle? You've stolen her from me, too; if she and I were alone do you suppose she'd treat me as she does? No, take your hands from your face, I won't leave you in peace - that would suit your book too well. You'd go on sitting there, in a sort of trance, like a yogi, and even if I didn't see her I'd feel it in my bones - that she was making every sound, even the rustle of her dress, for your benefit, throwing you smiles you didn't see... Well, I won't stand for that, I prefer to choose my hell; I prefer to look you in the eyes and fight it out face to face.

Look around. Walk. Find a cheap bed. Eat what the locals eat. Find a cheap beer. Try not to get fleeced. Talk. Pick up a few words in the local lingo. Just BE there, y'know? Sometimes," Brubeck bites into an apple, "Sometimes I want to be everywhere, all at once, so badly I could just...Do you ever get that feeling?

When it came time to die, we knew and went to deep yards where we lay down and our bones turned to brass. We were picked over. We were used to fix broken clocks, music boxes; our pelvises were fitted onto pinions, our spines soldered into cast works. Our ribs were fitted as gear teeth and tapped and clicked like tusks. This is how, finally, we were joined.

When people asked about his schizophrenia, Eric, who didn’t exactly flaunt his illness but wasn’t ashamed of it, either, offered up the comparison of alcoholism. Not every drunk is a single bourbon away from skid row, just like every schizophrenic is not a tatty-haired, crazy-eyed gunman who delights in murdering alien-people from clock towers. There are functioning alcoholics just as there are functioning schizophrenics, individuals who work, maintain homes, and have hobbies, goals, and relationships like every other slob on the planet.

I grew up in a beautiful era, now sadly in the past. In it there was great readiness for change, and a talent for creating revolutionary visions. Nowadays no one still has the courage to think up anything new. All they ever talk about, round the clock, is how things already are, they just keep rolling out the same old ideas. Reality has grown old and gone senile; after all, it is definitely subject to the same laws as every living organism — it ages. Just like the cells of the body, its tiniest components — the senses, succumb to apoptosis. Apoptosis is natural death, brought about by the tiredness and exhaustion of matter. In Greek this word means ‘the dropping of petals.’ The world has dropped its petals.

For most digital-age writers, writing is rewriting. We grope, cut, block, paste, and twitch, panning for gold onscreen by deleting bucketloads of crap. Our analog ancestors had to polish every line mentally before hammering it out mechanically. Rewrites cost them months, meters of ink ribbon, and pints of Tippex. Poor sods.

Mariângela says that the best way to work with dementia is to act as if the person you knew is still inside the wreckage. If you’re wrong, and the person you knew is gone, then no damage is done but the standards of care stay high; if you’re right, and the person you knew is still bricked up inside, then you are the lifeline.

She has four sons,” Nurse Purvis leads me on, “all with a London post code, but they never visit. You’d think old age was a criminal offense, not a destination we’re all heading to.” I consider airing my theory that our culture’s coping strategy towards death is to bury it under consumerism and Sansara, that the Riverside Villas of the world are screens that enable this self-deception, and that the elderly are guilty: guilty of proving to us that our willful myopia about death is exactly that.

In the corridor outside, a trolley squeaks by. The brigadier I knew has left his bombed-out face, leaving me alone with the clock, shelves of handsome books nobody ever reads, and one certainty: that whatever I do with my life, however much power, wealth, experience, knowledge, or beauty I’ll accrue, I, too, will end up like this vulnerable old man. When I look at Brigadier Reginald Philby, I’m looking down time’s telescope at myself.

13. A Buddha In Tokyo in th Meiji era there lived two prominent teachers of opposite characteristics. One, Unsho, an instructor in Shingon, kept Buddha's precepts scrupulously. He never drank intoxicants, nor did he eat after eleven o'clock in the morning. The other teacher, Tanzan, a professor of philosophy at the Imperial University, never observed the precepts. When he felt like eating he ate, and when he felt like sleeping in the daytime he slept. One da Unsho visited Tanzan, who was drinking wine at the time, not even a drop of which is supposed to touch the tongue of a Buddhist. "Hello, brother," Tanzan greeted him. "Won't you have a drink?" "I never drink!" exclaimed Unsho solemnly. "One who never drinks is not even human," said Tanzan. "Do you mean to call me inhuman just because I do not indulge in intoxicating liquids!" exclaimed Unsho in anger. "Then if I am not human, wht am I?" "A Buddha," answered Tanzan.

Empires die, like all of us dancers in the strobe-lit dark. See how the light needs shadows. Look: wrinkles spread like mildew over our peachy sheen; beat-by-beat-by-beat-by-beat-by-beat-by-beat, varicose veins worm through plucked calves; torsos and breasts fatten and sag...as last year's song hurtles into next year's song and the year after that, and the dancers' hairstyles frost, wither, and fall in chemotherapeutic tufts; cancer spatters inside this tarry lung, in that ageing pancreas, in this aching bollock; DNA frays like wool, and down we tumble; a fall on the stairs, a heart-attack, a stroke; not dancing but twitching...They knew it in the Middle Ages. Life is a terminal illness.

It was Buckley, as my father and sister joined the group and listened to Grandma Lynn’s countless toasts, who saw me. He saw me standing under the rustic colonial clock and stared. He was drinking champagne. There were strings coming out from all around me, reaching out, waving in the air. Someone passed him a brownie. He held it in his hand but did not eat. He saw my shape and face, which had not changed-the hair still parted down the middle, the chest still flat and hips undeveloped-and wanted to call out my name. It was only a moment, and then I was gone.

There's something oddly comforting about talking to a legal guy once the billable hours clock has started running; you have passed the magical point at which a lawyer becomes your lawyer. Your lawyer is warm, your lawyer is sympathetic, your lawyer makes notes on a yellow pad and nods in all the right places. Most of the questions your lawyer asks are questions you can answer. And if you can't your lawyer will help you find a way to do so, by God. Your lawyer is always on your side. Your enemies are his enemies. To him you are never shit but always Shinola.

Above his bed the clock ticked off the minutes and I thought of the game Lindsey and I had played in the yard together: “he loves me/he loves me not” picked out on daisy’s petals. I could hear the clock casting my own two greatest wishes back to me in the same rhythm: “Die for me/don’t die for me, die for me/don’t die for me.” I could not help myself, it seemed, as I tore at his weakening heart. If he died, I would have him forever. Was this so wrong to want? We stood-the dead child and living-on either side of my father, both wanting the same thing. To have him to ourselves forever. To please us both was an impossibility.

Mom frowned, and I wanted to give her a thumbs-up to let her know I was okay. All I could manage was raising my bound hands in her general direction, clocking Cal on the chin as I did so. "Sorry." "No problem. Must be weird for you, having your mom here." "Weird for me, weird for her, probably weird for you since you had to give up your swinging bachelor pad." "Mrs. Casnoff let me install my heart-shaped Jacuzzi in my new dorm room." "Cal," I said with mock astonishment, "did you just make a joke?" "Maybe," he replied. We'd reached the end of the pier. I looked down at the water and tried not to shudder. "I'll be pretending, of course, but do you have any advice on how I'm supposed to not drown?" I asked Cal. "Don't breathe in water." "Oh,thanks,that's super helpful." Cal shifted me in his arms, and I tensed. Just before he tossed me into the pond, he leaned in and whispered, "Good luck." And then I hit the water. I can't say what my first thought was as I sunk below the surface, because it was mostly a string of four-letter words. The water was way too cold for a pond in Georgia in May, and I could feel the chill sinking all the way into my bones. Plus my chest started burning almost immediately, and I sunk all the way to the bottom, landing in the slimy mud. Okay,Sophie,I thought. Don't panic. Then I glanced over to my right, and through the murky water, made out a skull grinning back at me. I panicked.

And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition? Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast? No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career. There was only one thing sure. Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension: By the pricking of my thumbs, Something wicked this way comes. So vague yet so immense. He did not want to live with it. Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life. At the window he looked out and thought Jim, Will, are you coming? will you get here? Waiting, his flesh took paleness from his bones.

So where did you go, Holly?” Rafiq never tires of this conversation, no matter how often we do it. “Everywhere,” says Lorelei, being brave and selfless. “Colombia, Australia, China, Iceland, Old New York. Didn’t you, Gran?” “I did, yes.” I wonder what life in Cartagena, in Perth, in Shanghai is like now. Ten years ago I could have streetviewed the cities, but the Net’s so torn and ragged now that even when we have reception it runs at prebroadband speed. My tab’s getting old, too, and I only have one more in storage. If any arrive via Ringaskiddy Concession, they never make it out of Cork City. I remember the pictures of seawater flooding Fremantle during the deluge of ’33. Or was it the deluge of ’37? Or am I confusing it with pictures of the sea sluicing into the New York subway, when five thousand people drowned underground? Or was that Athens? Or Mumbai? Footage of catastrophes flowed so thick and fast through the thirties that it was hard to keep track of which coastal region had been devastated this week, or which city had been decimated by Ebola or Ratflu. The news turned into a plotless never-ending disaster movie I could hardly bring myself to watch.