Corridor Journey Quotes

I agreed. By this time the drink was beginning to cut the acid and my hallucinations were down to a tolerable level. The room service waiter had a vaguely reptilian cast to his features, but I was no longer seeing huge pterodactyls lumbering around the corridors in pools of fresh blood. The only problem now was a gigantic neon sign outside the window, blocking our view of the mountains -- millions of colored balls running around a very complicated track, strange symbols & filigree, giving off a loud hum.... "Look outside," I said. "Why?" "There's a big ... machine in the sky, ... some kind of electric snake ... coming straight at us." "Shoot it," said my attorney. "Not yet," I said. "I want to study its habits.

The most exhausting of all our adventures is that journey down the long corridors of the mind to the last halls where belief is enthroned.

After my bedroom, this was my favourite place in the world. It was carpeted, and had heavy bookcases and ticking clocks and velvet chairs, just like someone’s living room. It smelled of unturned pages and unseen adventures, and on every shelf were people I had yet to meet, and places I had yet to visit. Each time, I lost myself in the corridors of books and the polished, wooden rooms, deciding which journey to go on next. Mrs

Each of us, in our own personal Factory, may believe we have stumbled down one corridor, and that our fate is sealed and certain (dream or nightmare, humdrum or bizarre, good or bad), but a word, a glance, a slip - anything can change that, alter it entirely, and our marble hall becomes a gutter, or our rat-maze a golden path. Our destination is the same in the end, but our journey - part chosen, part determined- is different for us all, and changes even as we live and grow. I thought one door had snicked shut behind me years ago; in fact I was still crawling about the face. Now the door closes, and my journey begins.

So much of our popular mythology focuses on the negative aspects of power that we forget that gaining power is, perhaps, the only way to enable ourselves to make a difference in our lives and in the lives of others.

A person must claim the meaning behind his or her existence. How we live is our final testament to what we believed in and our journey through the corridor of time determines our decisive character.

The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.

Believing in my great hurt, my literal cutting off from society's mainland, it seems to me that I took life in a sense too seriously, and the lives of others, for the same reason, too lightly. The murders were my own conception; my sex. The Factory was my attempt to construct life, to replace the involvement which otherwise I did not want. Well, it is always easier to succeed at death. Inside this greater machine, things are not quite so cut and dried (or cut and pickled) as they have appeared in my experience. Each of us, in our own personal Factory, may believe we have stumbled down one corridor, and that our fate is sealed and certain (dream or nightmare, humdrum or bizarre, good or bad), but a word, a glance, a slip - anything can change that, alter it entirely, and our marble hall becomes a gutter, or our rat-maze a golden path. Our destination is the same in the end, but our journey - part chosen, part determined- is different for us all, and changes even as we live and grow. I thought one door had snicked shut behind me years ago; in fact I was still crawling about the face. Now the door closes, and my journey begins.

She walked the spiral corridor, running her hand along the painted horizon - sea, beach, dunes, woods, moors - the journey of her people from over the sea. The story of the Anglisc, woven with Woden back to the dawn of their songs. Ships. Fire. Bright swords. Kin and kine. Woods and wold. Hearth and home. Where was Christ in this? Christ didn't fight. Christ didn't farm.

A stab had clearly once been made at de-uglifying these public spaces by painting a corridor a jaunty yellow. This was because, it turned out, babies come here to have their brains tested and someone thought the yellow might calm them. But I couldn’t see how. Such was the oppressive ugliness of this building it would have been like sticking a red nose on a cadaver and calling it Ronald McDonald.

A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper

On the return trip, the atmospheric “re-entry corridor,” or zone of survivability, or whatever you wanted to call it, was only forty miles thick, and hitting a forty-mile target from 230,000 miles is like trying to split a human hair with a razor blade thrown from a distance of twenty feet.

When a train pulls into a great city I am reminded of the closing moments of an overture. All the rural and urban themes of our long journey were picked up again: a factory was followed by a meadow, a patch of autostrada by a country road, a gas-works by a modern church: the houses began to tread on each other’s heels, advertisements for Fiat cars swarmed closer together, the conductor who had brought breakfast passed, working intensely down the corridor to rouse some important passenger, the last fields were squeezed out and at last there were only houses, houses, houses, and Milano, flashed the signs, Milano.

Our personal story has many chapters that reconnoiter universal themes. We each struggle to understand ourselves and aspire to make ourselves known to the world. We struggle to win the love of other people. We seek to pick all the low hanging fruit that we come across in our journey through the corridor of time. We write our story in the Niagara of emotional experiences that flowing watercourse makes us human. We use a profusion of words, symbols, and the nuances pulled from a rich library of language to depict the cascade of our visions, sounds, smells, tastes, feelings, dreams, and infelicitous thoughts. We use logical and dialectal thought processes when communing with our inner self. We use self-speak along with the esemplastic powers of poetic imagination, sprinkled with the fizz of creativity, to cohere disparate chapters of our life into a unified whole and relay the effervescence of our story to other people.

The fears of man are many. He fears the shadow of death and the closed doors of the future. He is afraid for his friends and for his sons and of the specter of tomorrow. All his life’s journey he walks in the lonely corridors of his controlled fears, if he is a man. For only fools will strut, and only cowards dare cringe.

Some time in October, right around Day of the Dead actually, I stayed in a Mexican seaside hotel where the halls flowed with blown curtains and all the rooms were named after flowers. The Azalea Room, the Camellia Room, the Oleander Room. Opulence and splendor, breezy corridors that swept into something like eternity and each room with its different colored door. Peony, Wisteria, Rose, Passion Flower. And who knows – but maybe that’s what’s waiting for us at the end of the journey, a majesty unimaginable until the very moment we find ourselves walking through the doors of it, what we find ourselves gazing at in astonishment when God finally takes His hands off our eyes and says: Look!

He had crept cold and friendless and ignorant out of a great public school, preparing for a silent and solitary journey, and praying as a highest favour that he might be left alone. Cambridge had not answered his prayer. She had taken and soothed him, and warmed him, and had laughed at him a little, saying that he must not be so tragic yet awhile, for his boyhood had been but a dusty corridor that led to the spacious halls of youth. In one year he had made many friends and learnt much,

I continue to be immensely moved by the impermanence of hotels: not in any mundane Travel-and-Leisure way but with a fervor bordering on the transcendent. Some time in October, right around Day of the Dead actually, I stayed in a Mexican seaside hotel where the halls flowed with blown curtains and all the rooms were named after flowers. The Azalea Room, the Camellia Room, the Oleander Room. Opulence and splendor, breezy corridors that swept into something like eternity and each room with its different colored door. Peony, Wisteria, Rose, Passion Flower. And who knows--but maybe that's what's waiting for us at the end of the journey, a majesty unimaginable until the very moment we find ourselves walking through the doors of it, what we find ourselves gazing at in astonishment when God finally takes His hands off our eyes and says: Look!

We are each warriors of our own times. When we step out of our protective shell, we each encounter forces much more powerful than we are. What we learn through testing ourselves on the combat zones of our eon becomes the textbook protocol for how we shall live out the remainder of our life. The glorious skirmishes and daunting conflicts that we encounter, and what we learn from vigorous engagements on the battlefield of time, inscribe the story of our lives. Spiritual leaders help guide us in our times of doubt and self-questioning. Recognizing the value of the mentorship of spiritual guides in their self-questing ventures, persons who endure immense adversity wish to reciprocate their love of humanity by sharing the scored story of their episodic journey through the corridors of time and relay the incisive truths they discovered to any other travelers with a willing ear.

And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./

I am no longer afraid of death, I know well its dark and cold corridors leading to life. I am afraid rather of that life which does not come out of death, which cramps our hands and retards our march. I am afraid of my fear and even more of the fear of others, who do not know where they are going, who continue clinging to what they think is life which we know to be death! I live each day to kill death; I die each day to give birth to life, and in this death of death, I die a thousand times and am reborn another thousand through that love from my People, which nourishes hope!23

In the grand opera of existence, those who yearn to sing will weave their own verses, creating harmonies that echo through the corridors of time.

Whispers of the Sou In the quiet realm where shadows play, A restless mind lost in the endless fray. No respite was found in the arms of sleep, Just wandering thoughts, in silence, deep. No words exist to capture the ache, The soul's turmoil, a relentless quake. In this vast expanse of unspoken pain, A heart's echo, a lone refrain. I walk the corridors of my own mind, A ceaseless journey, no rest to find. Words falter to describe the unknown, A symphony of thoughts in a world of their own. If emotion had language, would it speak of woe? Of dreams deferred and seeds that never grow. A paradox unfolds, reality's bitter twist, In the paradox of existence, a mystery persist. I am, yet why not, a question unanswered, In the tapestry of life, a thread unmastered. The universe weaves its cosmic design, Yet, in waiting, I linger, in the labyrinth of time. Thoughts dance like shadows, elusive, untamed, Yet consciousness binds, a truth unclaimed. A grand plan unfolds in the cosmic scheme, Yet, in the unfolding, reality may seem. I ponder the grandeur of the universe's art, Yet reality echoes, tearing worlds apart. For in the waiting, a patience wears thin, A relentless yearning for a destiny to begin. In the symphony of silence, a poet's plea, To articulate the ineffable, set emotions free. No language coined, no verse complete, In the corridors of thought, where echoes repeat. And as the stars bow to the night's embrace, A revelation dawns, a celestial grace. For in the quiet realm where shadows play, A serenade of hope whispers, lighting the way. In the tapestry of silence, a new verse is spun, A symphony of resilience, a battle not yet won. As the echoes fade, a metamorphosis takes flight, In the dance of shadows, emerges the eternal light.

The money came in bundles tied with elastic bands, in exchange for the promise of a lorry ride across the border. In many cases, people were dumped off before they even reached the border, and so they were back to square one, back in Turkey, back in Ali’s Café, but this time without money. It was groundhog day, a Sisyphean sentence – to endlessly go up and down the airless corridor that never changed, though everything else changed. And never to arrive.

They were like mice in a maze, scurrying through narrow corridors within boundaries both physical and mental, set by the men in their lives, their journey often becoming a futile attempt to find an exit to happiness.

Lord Rama, the celestial architect of dharma, weaves his story into the fabric of our souls. His trials and triumphs echo through the corridors of time, resonating with the universal chord that binds humanity, teaching us that the true victory lies in upholding principles over power.

In the silent cloister of the self, where intentions bloom profound, Like whispers of thoughts, soft as breezes ‘mongst leaves found. Nurturing, they do, the seeds of purpose, ever so deep, In this sacred communion, secrets of being, quietly they keep. Echoes ancient, resonate through the corridor of time, “As you sow, so shall you reap,” in rhythmic, eternal rhyme. A truth ageless, a guiding star in the night’s deep sweep, Teaching us, in the mind’s garden, what we sow, we’re destined to reap. For in this fabric, woven of dreams and thoughts so bright, Lies the landscape of our lives, bathed in inner light. Each seed of thought, a promise, in the soul’s keep, On this journey we traverse, sow with care, for ‘tis what we’ll reap.

One map, titled “Mediterranean without Borders,” by French cartographer Sabine Réthoré, turns our view ninety degrees to the right, the “west” facing up—imagine North Africa to the left and Europe into Turkey to the right with equal stature, the Levant stretching to Egypt at the bottom, and the Rock of Gibraltar at top. Our perspective shifts, the Mediterranean Sea unfolding almost like a lake, the shores mirroring each other along these ancient corridors dotted by islands and waterways. It’s a busy thoroughfare. The Mediterranean is “probably the most vigorous place of interaction,” as eminent historian David Abulafia observed, “between different societies on the face of this planet.” There in the upper reaches, the island of Sardinia sits in the middle, a focal point of entry and inspection. Instead of being on the periphery of empires or a nebulous island west of the Italian mainland, Sardinia is central to the Mediterranean story and a nexus for navigators heading in any direction. The idea of isolation, as one medieval historian would note, no longer appears “tenable.

As long as we are wandering mentally through the haunted corridors of time, we render our awareness numb to this direct experience of Presence.

My childhood at Grant Road, next to Novelty Cinema, was lower-middle-class—we weren’t wealthy, but we had what we needed. We lived in an apartment situated on the first floor of the five-storey Arsiwalla building, nearly a century old and in constant need of repair. It had one long corridor with three rooms that held my brother, parents, two aunts and grandparents. The apartment’s sleeping area was indistinguishable from its other rooms. I recall begging family members to switch with me so their bedroom could become the de facto living room for a while. I lived there until the age of sixteen, privileged enough to go to a school where most of my classmates came in cars while I waited forty-five minutes for the B.E.S.T. bus to arrive.

As they opened the door, Maia heard Mrs. Carter’s voice raised loudly in the corridor. “Just remember this, Miss Minton: I shall always know. Always.” The twins looked at each other and giggled. “She’s warning her not to remove her corset,” they whispered. “Some of the other governesses tried to do it, but Mama can always tell!

The crows were looking very much the worse for wear. Their black suits were dusty and torn; the maid at the Pension Maria had burnt every one of their shirts as she ironed them. Mr. Trapwood’s face was covered in lumps where the bites of the tabernid fly had gone septic, and both their stomachs had become boiling caverns of agony and wind. “But we can still do it,” said Mr. Trapwood, punching the table. “We’ll try downriver this time. Those houses by the fishing place. The people there look poor enough; they should take some notice of the reward.” Mr. Low nodded and made his way stealthily toward the door. “If you’re thinking of getting to the lavatory before me, don’t try,” said Mr. Trapwood. “I’m going first.” “No, you aren’t. I need it!” “You need it…!” Shoving and jostling, the two detectives raced each other down the corridor.

Many of the people I write about were deliberately left out of the history books that we were forced to read in school. For me, that history was "written wrong" and needed to be corrected. My intention was to make them visible so they could be role models for others. To show how each, in his or her own way, dribbled gracefully around that obstacle in the narrow corridor.

Dr. Coulter, that last patient is really going to be a tough gallbladder to get out. Did you remember that she has had five…FIVE…previous abdominal surgeries?' He came to a screeching halt in the middle of the corridor, as if he had forgotten something and was going to turn around and go back. I stopped so suddenly with him that I almost tripped and fell on my face. We were both just standing there staring at each other. I’m sure I had a look of shock and surprise on my face, not knowing whether I had totally insulted him or what. He put his hand on my arm and looked straight at me with a little smile on his face as he said, 'Listen, Doc, we can do the tough ones too.' " (Page 51)

The journey through the house becomes a journey through time; with its small rooms and hidden corridors, its whispered asides and sudden revelations, it resembles a pilgrimage through life itself.

The officers entered the Clinic with Noda. Passing through the mouth-like lobby, they proceeded along endlessly winding corridors and stairways lit only by red night lights, like a journey through the innards of a body, before at last finding themselves on the fourth floor. Yamaji’s research had already told them that Inui lived on the fourth floor, but it would have been too dangerous to use the elevator. Elevators commonly appear in dreams as symbols of sexual desires. As such, they thought it highly probable that the elevator would be used for an attack from the subconscious.

Nothing voiced—all hisses, a serpent, vengeful, relentless,” they raved. Others attested to languages long dead to the world, though of course known to their reporters. “The man-shaped light shall not deliver you,” it allegedly declared, and, “Flames were always your destiny, my children.” Its children— Is it worth anyone’s while now to journey out those starfish corridors where they suffer, each behind his door of oak and iron, the penance they bear as a condition of that awful witness? My

Nothing voiced—all hisses, a serpent, vengeful, relentless,” they raved. Others attested to languages long dead to the world, though of course known to their reporters. “The man-shaped light shall not deliver you,” it allegedly declared, and, “Flames were always your destiny, my children.” Its children— Is it worth anyone’s while now to journey out those starfish corridors where they suffer, each behind his door of oak and iron, the penance they bear as a condition of that awful

The report paints a particularly frightening picture of the Piedmont region, stretching from Raleigh through Charlotte to Atlanta, with the overall urban footprint nearly tripling in size by 2060. Why? Because of the lure of the New South boomtowns, the car-friendly culture, and the proximity to the mountains and seas. The so-called Piedmont Megaregion would become an uninterrupted, four-hundred-mile ribbon of concrete with Interstate 85 as its spine. Metro Atlanta alone would stretch from Alabama to South Carolina. In 2014, about 7 percent of the Southeast was covered in concrete. By 2060, 18 percent will be. A map of the futuristic landscape accompanies the report. On it, Atlanta looks like an angry fever blister anchoring the southwestern end of the corridor with smaller, yet equally angry red and yellow splotches (Greenville, Charlotte, Greensboro, Durham, Raleigh) running to the northeast. The editors fail to credit Hieronymus Bosch for the map.

You screamed and cursed like a woman possessed. Now you think he’s the greatest thing under the sun.” “Point taken. I just know it’s not going to be easy obeying the rules of a new kid on the block. Que sera, sera. Anyway, I’ve come to the conclusion that there’s no use worrying about things beyond my control.” The chief proved how well he knew her and asked, “Are you and Tom having problems?” He reached across the desk and placed a hand over hers. Tears of frustration sprang to her eyes. Without looking up she replied, “Sorry, sir. Slip of the tongue. Ignore me. That package probably affected me more than I realised.” He gripped her hand tightly. “Look at me, Lorne.” She obeyed him. “If you want to talk any time, you know where I am.” Easing her hand from under his, she said, “I’ll remember that, the next time we have an argument and I’m contemplating my life’s journey at three o’clock in the morning.” “Ah, don’t think the wife would be too keen on that idea, do you?” They both smiled, and Lorne stood up to leave the room. “I meant what I said, Lorne. Don’t ever forget it.” She nodded and left his office. As she headed down the corridor towards the conference room, she took a few deep breaths to help push down her bubbling emotions. Chapter 26 “What have we got?” Lorne asked, walking into the incident room. “At 4:32 AM, a suspect delivered the package. Take a look.” Pete nodded at Tracy, and she started the video. A shudder ran up Lorne’s spine as she watched a man, dressed from head to toe in black, deposit the box on the top step of the station. He arrogantly stopped to wave at the camera, obviously knowing his every movement was being taped. His hooded sweatshirt obscured his face; it was impossible to make out his features as he mocked the camera. “Is there any way we can find out how tall he is? It would be a start.” “I’ll line a few of the guys up—varying heights, of course. See what we can come up with. I’ll get on it straightaway,” Pete said. Lorne and Tracy checked the video, frame by frame, for clues. Nothing—no rings, no glimpses of tattoos. Nothing. Mitch burst into the room and threw himself into one of the vacant chairs. He placed a list on the table and slid it across to Lorne. “Fifteen perverts in and around the Chelling Forest area.” “By ‘perverts’, I take it you mean registered sex offenders, Mitch?” she asked, studying the list. “Actually, what I meant to say was, there are fifteen names on the list—thirteen sex offenders and two registered paedophiles.

But before she could press her nose to the button, Rodney Burringo came flying out of his apartment on his fastest broomstick. ‘Kill!’ he yelled, and pointed an evil finger at the lift. The kill spell, which all witches have at their disposal, left his dirty fingernail and travelled down the corridor at high speed. It passed the broken and smouldering apartment door as Minnie pushed the >|< button with her nose. It passed the little old lady as the elevator doors began to close. It reached the elevator doors just after they had closed. Then it bounced off the reflection of the elevator doors and started on its journey back along the corridor just as the little old lady said, ‘Oh hello, Mr Burringo. Did you—’ But that was as far as she got because that is as far as the kill spell got. It hit the little old lady square in the back, and before Rodney Burringo could cover his eyes and mouth, the little old lady exploded all over the corridor. Splat. Gulp. ‘What was that ‘orrible noise?’ said Minnie. ‘No idea,’ said Major.

You’re on your own. And you know what you know. You have come a long way, spilling the light of consciousness into the unconscious' dark corridors and boarded-up walls, all in the name of knowing your birthright: your true self. You have gained useful tools and knowledge throughout this journey to help you stay connected with this self and return as we all wander from time to time. Such habits and values are designed to help you achieve wholeness and joy in the middle of the messiness of everyday life, and, as you have found, you don't have to go up to a mountain top to find them. And even the term "seeking" is inaccurate— this wholeness, this joy has never really been lost, obscured by egoic noise. In any moment, regardless of where you are, what you are doing, or with whom you are, you can choose to remember who you really are: you are a holy luminous light residing in a beautiful physical body. Embrace all facets of your nature— physical and spiritual— because they empower you with amazing abilities that can't be achieved in isolation. The way you learn to live as a special being both real and spiritual is the calling of your soul articulated through your work, partnerships, fitness, hobbies— through every aspect of your life. Nobody else is going to express that duality as you do, and the world needs your special contribution. It's time now. Reclaim the throne inside. The seat cannot be occupied by anyone else; it is reserved for you. Rule with compassion: seek out your hidden aspects, your rejected aspects, and by accepting them at home. Trust that all the pieces, not just the sparkling and glamorous ones, are deserving of this recognition. The more you can embrace your own complexity and inner contradiction, the less you will try to eliminate disparities between people and the world around you. You will know that your True Self is large enough to contain all the paradoxes, and you can walk away from the relentless ego war that no one can win to a beautiful, soul-led life.

The route is also parallel to the corridor of Interstate 5. The journey that stretches this route would be completed within just 35 minutes with a maximum speed of 760 mph.

the enemy tried to steal our joy through our brother Musa. He had been suspicious of our camping trip and through other people in the community had learned what it entailed. The following Sunday he went to church to find us. The service that day was a real celebration as we gave testimonies of what God had done in our lives at the retreat. Adila and I were in the choir, so an usher came to tell Malika that our brother was in the building looking for us. Malika dared not turn around. She knew what was coming. Musa would not come into the sanctuary, not wanting to defile himself, but stayed in the corridor. At the end of the service Adila, Malika, Iman and I went out to meet him. When I saw the anger in his face, I knew we were in for another beating. “Why are you not obeying me? I told you not to go,” he hissed, spitting with rage.

If you leave through the door in the other corner, you’ll go to a room with five doors exiting it. You have to take the second door from the right and go down the hallway into another small room. And then you need to take the door on the left which will take you to another room where you have to go right. And then you’ll go left again and enter a corridor. Take the third door on the right and go down some stairs and you’ll end up at the room with a star.

The corridor of Rostau starts from the northern shaft's opening in the Great Pyramid and ends at the southern shaft's opening. When the Fourth Hour begins, the dead god (in his form as, Afu-Ra) leaves his boat and travels using a snake boat; his journey starts from that corridor's entrance down to the King's Chamber (which is called the, Aheth Chamber). And when the Fifth Hour comes, he proceeds upwards to the southern shaft's opening.

The two hours (4th and 5th) of Afu-Ra's journey over the Land of Seker were (according to Budge) within two boundaries/ends/frontiers/limits/periods (i.e. henti); this further proves my discovery of the location of the passageway of Rostau being the two corridors of the Great Pyramid's shafts.

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Agra-Etawah Toll Road Project: Transforming Uttar Pradesh's Infrastructure Landscape Spanning an impressive 124.52 kilometers, the Agra-Etawah Toll Road Project signifies a monumental stride in reshaping Uttar Pradesh's infrastructure network. Designed to significantly cut travel times and boost regional trade, this essential corridor between Agra and Etawah also promises to catalyze economic growth across the state. Amid India’s rapidly advancing infrastructure endeavors, the Agra-Etawah Toll Road stands as a beacon of modernization. At the helm of this ambitious initiative is Modern Road Creators, a leading name in highway and expressway construction. Their role in this project underscores India’s dedication to creating world-class infrastructure. A Marvel of Engineering Excellence Modern Road Creators’ involvement in the Agra-Etawah Toll Road highlights their expertise in delivering cutting-edge infrastructure solutions. From meticulous planning and advanced surveying techniques to flawless execution, every stage reflects their unwavering commitment to quality, precision, and operational excellence. Modern Road Creators: Pioneers of Progress Unmatched Infrastructure Expertise With extensive experience in transforming India’s landscape, Modern Road Creators bring unparalleled knowledge and skill to the Agra-Etawah project. Their dedicated team ensures adherence to the highest standards of safety, durability, and quality, setting a new benchmark for road construction in the region. Commitment to Sustainability Environmental stewardship is central to Modern Road Creators’ approach. By utilizing eco-friendly construction methods and sustainable practices, the Agra-Etawah project minimizes ecological impact while fostering a balance with nature. Shaping a More Connected Future As the Agra-Etawah Toll Road nears completion, it promises to transform the region into a more interconnected and economically vibrant hub. By championing innovation and integrity, Modern Road Creators are paving the way for a unified and prosperous future for Uttar Pradesh and beyond. Conclusion: Building India’s Future Modern Road Creators play a pivotal role in driving transformative projects like the Agra-Etawah Toll Road. Their contributions go beyond infrastructure, creating employment opportunities, strengthening communities, and accelerating India’s growth trajectory. As this project unfolds, its impact is poised to resonate for generations, reinforcing its place in India’s development journey. Key Project Highlights Length: Six-lane highway spanning 124.52 kilometers Total Road Coverage: 750 kilometers New Road Construction: 84.725 kilometers Bridges: Three major and 30 minor bridges Railway Structures: Seven railway bridges and seven overhead structures Noise Barriers: Stretching 3.08 kilometers Lighting: Road illumination over 44.68 kilometers Project Cost: ₹3,244 crore Concession Period: 24 years

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