Cornell Quotes

We have to recognise that there cannot be relationships unless there is commitment, unless there is loyalty, unless there is love, patience, persistence.

Never forget that justice is what love looks like in public.

He's like fire and ice and rage. He's like the night, and the storm in the heart of the sun. He's ancient and forever. He burns at the center of time and he can see the turn of the universe. And... he's wonderful. - Tim Latimer

You can't lead the people if you don't love the people. You can't save the people if you don't serve the people.

I cannot be an optimist but I am a prisoner of hope.

Nihilism is a natural consequence of a culture (or civilization) ruled and regulated by categories that mask manipulation, mastery and domination of peoples and nature.

I have tried to be a man of letters in love with ideas in order to be a wiser and more loving person, hoping to leave the world just a little better than I found it.

Empathy is not simply a matter of trying to imagine what others are going through, but having the will to muster enough courage to do something about it. In a way, empathy is predicated upon hope.

I like living in my head because in there, everyone is kind and innocent. Once you start integrating yourself into the world, you realize that people are nasty, mean creatures. They're worse than zombies. People try to crush your soul and destroy your happiness, but zombies just want to have a little nibble of your brain.

You must let suffering speak, if you want to hear the truth

The country is in deep trouble. We've forgotten that a rich life consists fundamentally of serving others, trying to leave the world a little better than you found it. We need the courage to question the powers that be, the courage to be impatient with evil and patient with people, the courage to fight for social justice. In many instances we will be stepping out on nothing, and just hoping to land on something. But that's the struggle. To live is to wrestle with despair, yet never allow despair to have the last word.

To be a Christian is to live dangerously, honestly, freely - to step in the name of love as if you may land on nothing, yet to keep on stepping because the something that sustains you no empire can give you and no empire can take away.

The pretty ones are usually unhappy. They expect everyone to be enamored of their beauty. How can a person be content when their happiness lies in someone else's hands, ready to be crushed at any moment? Ordinary-looking people are far superior, because they are forced to actually work hard to achieve their goals, instead of expecting people to fall all over themselves to help them.

Of course, the aim of a constitutional democracy is to safeguard the rights of the minority and avoid the tyranny of the majority. (p. 102)

Music at its best...is the grand archeology into and transfiguration of our guttural cry, the great human effort to grasp in time our deepest passions and yearnings as prisoners of time. Profound music leads us--beyond language--to the dark roots of our scream and the celestial heights of our silence.

In a time in which Communist regimes have been rightfully discredited and yet alternatives to neoliberal capitalist societies are unwisely dismissed, I defend the fundamental claim of Marxist theory: there must be countervailing forces that defend people's needs against the brutality of profit driven capitalism.

I had that trapped feeling, like some sort of a poor insect that you've put inside a downturned glass, and it tries to climb up the sides, and it can't, and it can't, and it can't.

No evil ever came from a woman’s womb that wasn’t placed there first by a man.’... Tantie Neptune, Lucifer's Key by Charles A. Cornell, due 2013

John Smith: Mankind doesn't need warfare and bloodshed to prove itself. Everyday life can provide honour and valour. Let's hope that from now on this country can find its heroes in smaller places. In the most ordinary of deeds.

And I'm lost behind The words I'll never find And I'm left behind As seasons roll on by

To accept your country without betraying it, you must love it for that which shows what it might become. America -- this monument to the genius of ordinary men and women, this place where hope becomes capacity, this long, halting turn of 'no' into the 'yes' -- needs citizens who love it enough to re-imagine and re-make it.

Aesthetics have substantial political consequences. How one views oneself as beautiful or not beautiful or desirable or not desirable has deep consequences in terms of one’s feelings of self-worth and one’s capacity to be a political agent.

We’re beings toward death, we’re featherless, two-legged, linguistically-conscious creatures born between urine and feces whose body will one day be the culinary delight of terrestrial worms. That's us.

None of us alone can save the nation or the world. But each of us can make a positive difference if we commit ourselves to do so. (p. 109)

Without the presence of black people in America, European-Americans would not be "white"-- they would be Irish, Italians, Poles, Welsh, and other engaged in class, ethnic, and gender struggles over resources and identity. (p. 107-108)

You can't really move forward until you look back. [From Remaking America panel discussion at George Washington University]

In a democracy the poor will have more power than the rich, because there are more of them, and the will of the majority is supreme. --Aristotle

It was as simple as that - they met. As simple as only beautiful things can be beautiful, as only life-changing things, turning-point things, can be simple. ("For The Rest Of Her Life")

The author and intellectual Cornel West has said that 'justice is what love looks like in public.' I often think that neoliberalism is what lovelessness looks like as policy.

I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.

It is a beautiful thing to be on fire for justice… there is no greater joy than inspiring and empowering others––especially the least of these, the precious and priceless wretched of the earth!

Too many young folk have addiction to superficial things and not enough conviction for substantial things like justice, truth and love.

I had some terrific experiences in the wilderness since I wrote you last - overpowering, overwhelming," he gushed to his friend Cornel Tengel. "But since then I am always being overwhelmed. I require it to sustain life. Everett Ruess

I grew up in traditional black patriarchal culture and there is no doubt that I’m going to take a great many unconscious, but present, patriarchal complicities to the grave because it so deeply ensconced in how I look at the world. Therefore, very much like alcoholism, drug addiction, or racism patriarchy is a disease and we are in perennial recovery and relapse. So you have to get up every morning and struggle against it.

Rumpty!" he muttered, which was very rude if you were one of the few people in the universe who understood what it meant.

White supremacist ideology is based first and foremost on the degradation of black bodies in order to control them. One of the best ways to instill fear in people is to terrorize them. Yet this fear is best sustained by convincing them that their bodies are ugly, their intellect is inherently underdeveloped, their culture is less civilized, and their future warrants less concern than that of other peoples.

liberty, which means resisting all forms of cultural authoritarianism, be it from the right wing church, black ideologues, black nationalists, or mainstream white media. We have to accent liberty and freedom of expression and thought in all their forms.

We are neighbors in a modern world where proximity is relative and the threshold to our hearts moves outside time and space.

When you love poor people THAT MUCH, when you love 'working people' THAT MUCH, that makes you the freest man/woman in the country." - Cornel West in explaining that Obama is A fulfillment of MLK's dream not THE fulfillment of MLK's dream

You can't take highways during the apocalypse, because they'll be packed with panicky people.

It's hard to say goodbye for good at any time or any place. It's harder still to say it through a meshed wire. It crisscrossed his face into little diagonals, gave me only little broken-up molecules of it at a time. It stenciled a cold, rigid frame around every kiss.

Small wins are exactly what they sound like, and are part of how keystone habits create widespread changes. A huge body of research has shown that small wins have enormous power, an influence disproportionate to the accomplishments of the victories themselves. “Small wins are a steady application of a small advantage,” one Cornell professor wrote in 1984. “Once a small win has been accomplished, forces are set in motion that favor another small win.”4.14 Small wins fuel transformative changes by leveraging tiny advantages into patterns that convince people that bigger achievements are within reach.

To be humble is to be so sure of one’s self and one’s mission that one can forego calling excessive attention to one’s self and status.

It's more useful to have someone fear you than respect you.

There's an innocuous explanation for everything. Everything is a coin that has two sides to it, and one side is innocuous but the other can be ominous. ("New York Blues")

Be a Voice, not an Echo

My aim is not to provide excuses for black behavior or to absolve blacks of personal responsibility. But when the new black conservatives accent black behavior and responsibility in such a way that the cultural realities of black people are ignored, they are playing a deceptive and dangerous intellectual game with the lives and fortunes of disadvantaged people. We indeed must criticize and condemn immoral acts of black people, but we must do so cognizant of the circumstances into which people are born and under which they live. By overlooking these circumstances, the new black conservatives fall into the trap of blaming black poor people for their predicament. It is imperative to steer a course between the Scylla of environmental determinism and the Charybdis of a blaming-the-victims perspective.

When ordinary people wake up, elites begin to tremble in their boots. They can't get away with their abuse. They can't get away with subjection. They can't get away with subjugation. They can't get away with exploitation. They can't get away with domination. It takes courage for folk to stand up.

The brilliant escape, the funny line to cap it, despite the lack of timing. And the girl was still dead. The last act had not materialised. The world, and himself, remained so far from what they should be: so imperfect.

To be great in our times too often means to have great prosperity and no moral magnanimity at all.

If only religion were an opiate. No known narcotic rots the brain so fast.

I'm a bluesman moving through a blues-soaked America, a blues-soaked world, a planet where catastrophe and celebration- joy and pain sit side by side. The blues started off in some field, some plantation, in some mind, in some imagination, in some heart. The blues blew over to the next plantation, and then the next state. The blues went south to north, got electrified and even sanctified. The blues got mixed up with jazz and gospel and rock and roll.

Market moralities and mentalities-- fueled by economic imperatives to make a profit at nearly any cost-- yield unprecedented levels of loneliness, isolation, and sadness. And our public life lies in shambles, shot through with icy cynicism and paralyzing pessimism. To put it bluntly, beneath the record-breaking stock markets on Wall Street and bipartisan budget-balancing deals in the White House lurk ominous clouds of despair across this nation.

To be a jazz freedom fighter is to attempt to galvanize and energize world-weary people into forms of organization with accountable leadership that promote critical exchange and broad reflection. The interplay of individuality and unity is not one of uniformity and unanimity imposed from above but rather of conflict among diverse groupings that reach a dynamic consensus subject to questioning and criticism. As with a soloist in a jazz quartet, quintet or band, individuality is promoted in order to sustain and increase the creative tension with the group--a tension that yields higher levels of performance to achieve the aim of the collective project. This kind of critical and democratic sensibility flies in the face of any policing of borders and boundaries of "blackness", "maleness", "femaleness", or "whiteness".

As long as you're scared you're on the plantation.

There was no time to weigh chances. There was no such thing as chances anyway, in the distorted perspective of the weed fumes.

Like King, we need to put on our cemetery clothes and be coffin-ready for the next great democratic battle.

At Cornell University, professor of European literature Vladimir Nabokov changed the way I read and the way I write. Words could paint pictures, I learned from him. Choosing the right word, and the right word order, he illustrated, could make an enormous difference in conveying an image or an idea.

In these downbeat times, we need as much hope and courage as we do vision and analysis; we must accent the best of each other even as we point out the vicious effects of our racial divide and pernicious consequences of our maldistribution of wealth and power. We simply cannot enter the twenty-first century at each other's throats, even as we acknowledge the weighty forces of racism, patriarchy, economic inequality, homophobia, and ecological abuse on our necks. We are at a crucial crossroad in the history of this nation--and we either hang together by combating these forces that divide and degrade us or we hang separately. Do we have the intelligence, humor, imagination, courage, tolerance, love, respect, and will to meet the challenge? Time will tell. None of us alone can save the nation or world. But each of us can make a positive difference if we commit ourselves to do so.

You have to have a habitual vision of greatness … you have to believe in fact that you will refuse to settle for mediocrity. You won’t confuse your financial security with your personal integrity, you won’t confuse your success with your greatness or your prosperity with your magnanimity … believe in fact that living is connected to giving.

Beside her, her husband could only splutter, and he stopped even that when she half turned to flash him a smile - the instinctive, brilliant smile of a woman who knows what feeble creatures men can be. You couldn't learn to smile like that. It was something a woman either knew the minute she was born, or never knew at all. ("I'm Dangerous Tonight")

Beauty should be shared for it enhances our joys. To explore its mystery is to venture towards the sublime.

That’s why love is so inseparable from any talk about truth and death, because we know that love is fundamentally a death of an old self that was isolated and the emergence of a new self now entangled with another self, the self that you fall in love with.

I returned to civilization shortly after that and went to Cornell to teach, and my first impression was a very strange one. I can't understand it any more, but I felt very strongly then. I sat in a restaurant in New York, for example, and I looked out at the buildings and I began to think, you know, about how much the radius of the Hiroshima bomb damage was and so forth... How far from here was 34th street?... All those buildings, all smashed — and so on. And I would go along and I would see people building a bridge, or they'd be making a new road, and I thought, they're crazy, they just don't understand, they don't understand. Why are they making new things? It's so useless. But, fortunately, it's been useless for almost forty years now, hasn't it? So I've been wrong about it being useless making bridges and I'm glad those other people had the sense to go ahead.

I've never really had time for romantic relationships. I have much more important things to worry about, like saving the world from zombies.

It's just some instinct as old as fear: you seek the dark when you hide, you seek the light when the need to hide is gone. All the animals have it too. ("New York Blues")

We need serious strategic and tactical thinking about how to create new models of leadership and forge the kind of persons to actualize these models.

Those who have never despaired have neither lived nor loved. Hope is inseparable from despair. Those of us who truly hope make despair a constant companion whom we out-wrestle every day owing to our commitment to justice, love, and hope.

John: I'm experiencing an odd sensation. I think it might be patriotism. Spitfire: Steady. Too much of that can damage your health.

I hate the world. Everything comes into it so clean and goes out so dirty. (from COVER CHARGE - currently not listed)

The need of black conservatives to gain the respect of their white peers deeply shapes certain elements of their conservatism. In this regard, they simply want what most people want, to be judged by the quality of their skills, not by the color of their skin. But the black conservatives overlook the fact that affirmative action policies were political responses to the pervasive refusal of most white Americans to judge black Americans on that basis.

A first-rate college library with a comfortable campus around it is a fine milieu for a writer. There is, of course, the problem of educating the young. I remember how once, between terms, not at Cornell, a student brought a transistor set with him into the reading room. He managed to state that one, he was playing “classical” music; that two, he was doing it “softly”; and that three, “there were not many readers around in summer.” I was there, a one-man multitude.

Chris Cornell: I think Pearl Jam was the band that set the perfect example. Their big video, "Jeremy," propelled them into becoming TV stars and one of the biggest rock bands on the planet, so they stopped making videos, which was proof positive that that wasn't where they wanted to be. And that made a lot of sense to me. Nirvana doing an Unplugged at the same time that they did it and making a video for "Heart-Shaped Box," that didn't make a lot of sense to me, because it seemed clear to me that Kurt was pretty disillusioned by the situation that he was being put in. It felt like, If he's so unhappy, he shouldn't be doing this kind of stuff.

I turned away from him and went on my way, up the street and about my business. The past was dead. The future was resignation, fatality, and could only end one way now. The present was numbness, that could feel nothing. Like Novocaine needled into your heart. What was there in all the dimensions of time for me? ("Life Is Weird Sometimes" first chapter of unpublished novel THE LOSER)

There were three of them in the room now, where only two had first come in. Death was in the room with the two of them.

collage = reality

A slight concussion of the brain simplifies matters so beautifully. ("Three O'Clock")

As for her perfume, it was the kind you only noticed after she'd left a room, not while she was still in it. Even then you didn't realize it was perfume, you only wondered what had made you think of her just then.

They all call me "Excuse me," even though my nametag clearly says "Jordan." It's like people don't actually exist while they're working. Workers are just tools who aren't supposed to have feelings or personalities. You don't become human until your shift is over. Until then, we're all just zombies. We're dead to the world: infected people who need to be avoided, unless, of course, someone needs to know where the paintbrushes are located.

… the major enemy of black survival in America has been and is neither oppression nor exploitation but rather the nihilistic threat—that is, loss of hope and absence of meaning. For as long as hope remains and meaning is preserved, the possibility of overcoming oppression stays alive. The self-fulfilling prophecy of the nihilistic threat is that without hope there can be no future, that without meaning there can be no struggle.

Prophetic pragmatism attempts to keep alive the sense of alternative ways of life and of struggle based on the best of the past. In this sense, the praxis of prophetic pragmatism is tragic action with revolutionary intent, usually reformist consequences and always visionary outlook.

I remember a man, a very lonely man, coming up to me at the end of a reading and looking into my face and saying, 'I feel as if I have looked down a corridor and seen into your soul.' And I looked at him and said, 'You haven't.' You know, Here's the good news and the bad news: you haven't! I made something, and you and I could look at it together, but it's not me; you don’t live with me; you're not intimate with me. You're not the man I live with or my friend. You will never know me in that way. I'm making something, like Joseph Cornell makes his boxes and everyone looks into them, but it's the box you look into; it's not the man or the woman. It's alchemy of language and memory and imagination and time and music and sounds that gets made, and that's different from 'Here is what happened to me when I was ten.

Each unto himself has his own world that he looks out upon, and though someone else were to stand on the very selfsame inch of ground your feet were placed upon, guided by chalk marks, he would not see the same things you did.

Without some redistribution of wealth and power, downward mobility and debilitating poverty will continue to drive people into desperate channels. And without principled opposition to xenophobias from above and below, these desperate channels will produce a cold-hearted and mean-spirited America no longer worth fighting for or living in.

‎"If our world is regulated by reductionist, narrow, sophomoric versions of Darwin; or reductionist, narrow, sophomoric versions of religious dogma; you end up being childishly anti-scientific, and childishly anti-religious, and you miss the very complex interaction [they share]

There is no hard and fast line that can be drawn that says: Up to here there was no love; from here on there is now love. Love is a gradual thing, it may take a moment, a month, or a year to come on, and in each two its gradations are different. With some it comes fast, with some it comes slowly. Sometimes one kindles from the other, sometimes both kindle spontaneously. And once in a tragic while one kindles only after the other has already dimmed and gone out, and has to burn forlornly alone. ("Too Nice A Day To Die")

And when you love people, you hate the fact that they’re being treated unfairly. You tell the truth. You sacrifice your popularity for integrity. There is a willingness to give your life back to the people given that, in the end, they basically gave it to you, because we are who we are because somebody loved us anyway.

And every historic effort to forge a democratic project has been undermined by two fundamental realities: poverty and paranoia. The persistence of poverty generates levels of despair that deepen social conflict the escalation of paranoia produces levels of distrust that reinforce cultural division. Rae is the most explosive issue in American life precisely because it forces us to confront the tragic facts of poverty and paranoia despair, and distrust. In short, a candid examination of race matters takes us to the core of the crisis of American democracy (p. 107).

..begin by talking about the kind of existentialist chaos that exists in our own lives and our inability to overcome the sense of alienation and frustration we experience when we try to create bonds of intimacy and solidarity with one another. Now part of this frustration is to be understood again in relation to structures and institutions. In the way in which our culture of consumption has promoted an addiction to stimulation - one that puts a premium on packaged and commodified stimulation. The market does this to convince us that our consumption keeps oiling the economy for it to reproduce itself. But the effect of this addiction to stimulation is an undermining, a waning of our ability for qualitatively rich relationships.

QUALITY leadership is neither the product of one great individual nor the result of odd historical accidents. Rather, it comes from deeply bred traditions and communities that shape and mold talented and gifted persons. Without a vibrant tradition of resistance passed on to new generations, there can be no nurturing of a collective and critical consciousness—only professional conscientiousness survives.

She's a slinky sort of person, no angles at all; and magnetic - you can't take your eyes off her. She's dressed like a Westerner, but her eyes have a slant to them. They are the eyes of an Easterner. She doesn't walk like our women do, she seems to writhe all in one piece - undulates is the word. ("Kiss Of The Cobra")

The political triumph of Donald Trump is a symbol and symptom—not cause or origin—of our imperial meltdown. Trump is neither alien nor extraneous to American culture and history. In fact, he is as American as apple pie. Yet he is a sign of our spiritual bankruptcy—all spectacle and no substance, all narcissism and no empathy, all appetite and greed and no wisdom and maturity.

The lights of the city streaked off below him like the luminous spokes of a warped wheel. An indistinctly outlined, pearly moon seemed to drip down the sky, like a clot of incandescent tapioca thrown up against the night by a cosmic comic. He lit the after-the-dance, while-waiting-for-her-to-come-back cigarette. He felt good, looking down at the town that had nearly had him licked once. "I'm all set now," he thought. "I'm young. I've got love. I've got a clear track. The rest is a cinch.

You hear stories like that all your life and think: cool, a ghost bus. But now we have to look at this stuff analytically... a ghost bus?! The “ghost” of a motor vehicle? A public conveyance, presumably, which didn't head towards the light, move on to join the choir invisible in... bus heaven, the great terminus in the sky, where all good buses go when they... I don't know, break down, but instead is doomed to … drive eternally the streets of Earth! How can there be a ghost bus?!

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")

The significance of the resurrection claim within “true” Christian descriptions of the self, world and God is that, despite how tragic and hopeless present situations and circumstances appear to be, there is a God who sits high and looks low, a God who came into this filthy, fallen world in the form of a common peasant in order to commence a new epoch, an epoch in which Easter focuses our attention on the decisive victory of Jesus Christ and hence the possibility of our victory over our creature hood, the old creation and this old world, with its history of oppression and exploitation. So to be a Christian is to have a joyful attitude toward the resurrection claim, to stake one’s life on it and to rest one’s hope upon its promise — the promise of a new heaven and a new earth.

Nihilism is a disease of the soul. It can never be completely cured, and there is always the possibility of relapse. There is always a chance for conversion--a chance for people to believe that there is hope for the future and a meaning to struggle. ...Nihilism is not overcome by arguments or analyses; it is tamed by love and care. Any disease of the soul must be conquered by a turning of one's soul. This turning is done through one's own affirmation of one's worth--an affirmation fueled by the concern of others. A love ethic must be at the center of a politics of conversion. A love ethic has nothing to do with sentimental feelings or tribal connections. Rather it is a last attempt at generating a sense of agency among a downtrodden people.

Black anti-semitism is a form of underdog resentment and envy, directed at another underdog who has made it in American society. The remarkable upward mobility of American Jews--rooted chiefly in a history and culture that places a premium on higher education and self-organization--easily lends itself to myths of Jewish unity and homogeneity that have gained currency among other groups, especially among relatively unorganized groups like black Americans. The high visibility of Jews in the upper reaches of the academy, journalism, the entertainment industry, and the professions--though less so percentage-wise in corporate America and national political office--is viewed less as a result of hard work and success fairly won and more as a matter of favoritism and nepotism among Jews. Ironically, calls for black solidarity and achievement are often modeled on myths of Jewish unity--as both groups respond to American xenophobia and racism. But in times such as these, some blacks view Jews as obstacles rather than allies in the struggle for racial justice.

Home? What is home? Home is where a house is that you come back to when the rainy season is about to begin, to wait until the next dry season comes around. Home is where your woman is, that you come back to in the intervals between a greater love - the only real love - the lust for riches buried in the earth, that are your own if you can find them. Perhaps you do not call it home, even to yourself. Perhaps you call them 'my house,' 'my woman,' What if there was another 'my house,' 'my woman,' before this one? It makes no difference. This woman is enough for now. Perhaps the guns sounded too loud at Anzio or at Omaha Beach, at Guadalcanal or at Okinawa. Perhaps when they stilled again some kind of strength had been blasted from you that other men still have. And then again perhaps it was some kind of weakness that other men still have. What is strength, what is weakness, what is loyalty, what is perfidy? The guns taught only one thing, but they taught it well: of what consequence is life? Of what consequence is a man? And, therefore, of what consequence if he tramples love in one place and goes to find it in the next? The little moment that he has, let him be at peace, far from the guns and all that remind him of them. So the man who once was Bill Taylor has come back to his house, in the dusk, in the mountains, in Anahuac. ("The Moon Of Montezuma")

Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")