β
You never know what worse luck your bad luck has saved you from.
β
β
Cormac McCarthy (No Country for Old Men)
β
Scars have the strange power to remind us that our past is real.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
You forget what you want to remember, and you remember what you want to forget.
β
β
Cormac McCarthy (The Road)
β
Nobody wants to be here and nobody wants to leave.
β
β
Cormac McCarthy (The Road)
β
Whatever in creation exists without my knowledge exists without my consent.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
There is no God and we are his prophets.
β
β
Cormac McCarthy (The Road)
β
Keep a little fire burning; however small, however hidden.
β
β
Cormac McCarthy (The Road)
β
You think when you wake up in the mornin yesterday don't count. But yesterday is all that does count. What else is there? Your life is made out of the days itβs made out of. Nothin else.
β
β
Cormac McCarthy (No Country for Old Men)
β
What's the bravest thing you ever did?
He spat in the road a bloody phlegm. Getting up this morning, he said.
β
β
Cormac McCarthy (The Road)
β
Between the wish and the thing the world lies waiting.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
You have my whole heart. You always did.
β
β
Cormac McCarthy (The Road)
β
War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
Just remember that the things you put into your head are there forever, he said. You might want to think about that.
You forget some things, dont you?
Yes. You forget what you want to remember and you remember what you want to forget.
β
β
Cormac McCarthy (The Road)
β
If trouble comes when you least expect it then maybe the thing to do is to always expect it.
β
β
Cormac McCarthy (The Road)
β
He knew only that his child was his warrant. He said: If he is not the word of God God never spoke.
β
β
Cormac McCarthy (The Road)
β
I can normally tell how intelligent a man is by how stupid he thinks I am.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
β
β
Cormac McCarthy (The Road)
β
When you die it's the same as if everybody else did too.
β
β
Cormac McCarthy (The Road)
β
You have to carry the fire."
I don't know how to."
Yes, you do."
Is the fire real? The fire?"
Yes it is."
Where is it? I don't know where it is."
Yes you do. It's inside you. It always was there. I can see it.
β
β
Cormac McCarthy (The Road)
β
If only my heart were stone.
β
β
Cormac McCarthy (The Road)
β
Your heart's desire is to be told some mystery. The mystery is that there is no mystery.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
The point is there ain't no point.
β
β
Cormac McCarthy (No Country for Old Men)
β
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
β
β
Cormac McCarthy (The Road)
β
He stood at the window of the empty cafe and watched the activites in the square and he said that it was good that God kept the truths of life from the young as they were starting out or else they'd have no heart to start at all.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.
β
β
Cormac McCarthy (The Road)
β
If you break little promises, you'll break big ones.
β
β
Cormac McCarthy (The Road)
β
There is no forgiveness. For women. A man may lose his honor and regain it again. But a woman cannot. She cannot.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
Then they set out along the blacktop in the gunmetal light, shuffling through the ash, each the other's world entire.
β
β
Cormac McCarthy (The Road)
β
When the lambs is lost in the mountain, he said. They is cry. Sometime come the mother. Sometime the wolf.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
Where men can't live gods fare no better.
β
β
Cormac McCarthy (The Road)
β
Deep in each man is the knowledge that something knows of his existence. Something knows, and cannot be fled nor hid from.
β
β
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
β
How does a man decide in what order to abandon his life?
β
β
Cormac McCarthy (No Country for Old Men)
β
They were watching, out there past men's knowing, where stars are drowning and whales ferry their vast souls through the black and seamless sea.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
Listen to me, he said, when your dreams are of some world that never was or some world that never will be, and you're happy again, then you'll have given up. Do you understand? And you can't give up, I won't let you.
β
β
Cormac McCarthy (The Road)
β
By day the banished sun circles the earth like a grieving mother with a lamp.
β
β
Cormac McCarthy (The Road)
β
People complain about the bad things that happen to em that they don't deserve but they seldom mention the good. About what they done to deserve them things
β
β
Cormac McCarthy (No Country for Old Men)
β
Query: How does the never to be differ from what never was?
β
β
Cormac McCarthy (The Road)
β
Men of God and men of war have strange affinities.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
What would you do if I died?
If you died I would want to die too.
So you could be with me?
Yes. So I could be with you.
Okay.
β
β
Cormac McCarthy (The Road)
β
Can you do it? When the time comes? When the time comes there will be no time. Now is the time. Curse God and die.
β
β
Cormac McCarthy (The Road)
β
At one time in the world there were woods that no one owned
β
β
Cormac McCarthy (Child of God)
β
You keep runnin that mouth and I'm goin to take you back there and screw you.
β
β
Cormac McCarthy (No Country for Old Men)
β
I don't know why I started writing. I don't know why anybody does it. Maybe they're bored, or failures at something else.
β
β
Cormac McCarthy
β
No lists of things to be done. The day providential to itself. The hour. There is no later. This is later. All things of grace and beauty such that one holds them to one's heart have a common provenance in pain. Their birth in grief and ashes.
β
β
Cormac McCarthy (The Road)
β
When one has nothing left make ceremonies out of the air and breathe upon them.
β
β
Cormac McCarthy (The Road)
β
Long before morning I knew that what I was seeking to discover was a thing I'd always known. That all courage was a form of constancy. That it is always himself that the coward abandoned first. After this all other betrayals come easily.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
He said that those who have endured some misfortune will always be set apart but that it is just that misfortune which is their gift and which is their strength.
β
β
Cormac McCarthy (All The Pretty Horses: All The Pretty Horses)
β
Ever step you take is forever. You cant make it go away. None of it. You understand what I'm sayin?
β
β
Cormac McCarthy (No Country for Old Men)
β
It takes very little to govern good people. Very little. And bad people cant be governed at all. Or if they could I never heard of it.
β
β
Cormac McCarthy (No Country for Old Men)
β
There is no such joy in the tavern as upon the road thereto.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
...you fix what you can fix and you let the rest go. If there ain't nothin to be done about it it aint even a problem. It's just a aggravation.
β
β
Cormac McCarthy (No Country for Old Men)
β
When he went back to the fire he knelt and smoothed her hair as she slept and he said if he were God he would have made the world just so and no different.
β
β
Cormac McCarthy (The Road)
β
If the rule you followed brought you to this, of what use was the rule?
β
β
Cormac McCarthy (No Country for Old Men)
β
You have my whole heart. You always did. You're the best guy. You always were.
β
β
Cormac McCarthy (The Road)
β
But there are no absolutes in human misery and things can always get worse
β
β
Cormac McCarthy (Suttree)
β
Perhaps in the world's destruction it would be possible at last to see how it was made. Oceans, mountains. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. The silence.
β
β
Cormac McCarthy (The Road)
β
I think if you were Satan and you were settin around tryin to think up somethin that would just bring the human race to its knees what you would probably come up with is narcotics.
β
β
Cormac McCarthy (No Country for Old Men)
β
Anything that doesn't take years of your life and drive you to suicide hardly seems worth doing.
β
β
Cormac McCarthy
β
It makes no difference what men think of war, said the judge. War endures. As well ask men what they think of stone. War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner. That is the way it was and will be. That way and not some other way.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
All things of grace and beauty such that one holds them to one's heart have a common provenance in pain. Their birth in grief and ashes.
β
β
Cormac McCarthy (The Road)
β
He never sleeps, the judge. He is dancing, dancing. He says that he will never die.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
I think by the time you're grown you're as happy as you're goin to be. You'll have good times and bad times, but in the end you'll be about as happy as you was before. Or as unhappy. I've knowed people that just never did get the hang of it.
β
β
Cormac McCarthy (No Country for Old Men)
β
I always thought when I got older that God would sort of come into my life in some way. He didn't. I don't blame him. If I was him I'd have the same opinion about me that he does.
β
β
Cormac McCarthy (No Country for Old Men)
β
He thought each memory recalled must do some violence to its origins. As in a party game. Say the words and pass it on. So be sparing. What you alter in the remembering has yet a reality, known or not.
β
β
Cormac McCarthy (The Road)
β
He thought that in the beauty of the world were hid a secret. He thought that the worldβs heart beat at some terrible cost and that the worldβs pain and its beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
It is personal. That's what an education does. It makes the world personal.
β
β
Cormac McCarthy (The Sunset Limited)
β
I got what I needed instead of what I wanted and that's just about the best kind of luck you can have.
β
β
Cormac McCarthy (The Sunset Limited)
β
All the time you spend tryin to get back what's been took from you there's more goin out the door. After a while you just try and get a tourniquet on it.
β
β
Cormac McCarthy (No Country for Old Men)
β
The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning.
The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man's mind can compass, that mind itself being but a fact among others.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
The frailty of everything revealed at last. Old and troubling issues resolved into nothingness and night. The last instance of a thing takes the class with it. Turns out the light and is gone. Look around you. Ever is a long time. But the boy knew what he knew. That ever is no time at all.
β
β
Cormac McCarthy (The Road)
β
Just remember that the things you put into your head are there forever, he said.
β
β
Cormac McCarthy (The Road)
β
On this road there are no godspoke men. They are gone and I am left and they have taken with them the world.
β
β
Cormac McCarthy (The Road)
β
I will do what I promised." He whispered. "No matter what. I will not send you into the darkness alone.
β
β
Cormac McCarthy
β
Probably I dont believe in a lot of things that I used to believe in but that doesnt mean I dont believe in anything.
β
β
Cormac McCarthy (The Sunset Limited)
β
Best way to live in California is to be from somewheres else.
β
β
Cormac McCarthy (No Country for Old Men)
β
They spoke less and less between them until at last they were silent altogether as is often the way with travelers approaching the end of a journey.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
The closest bonds we will ever know are bonds of grief. The deepest community one of sorrow.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
The world is quite ruthless in selecting between the dream and the reality, even where we will not.
β
β
Cormac McCarthy (All the Pretty Horses)
β
Carry the fire.
β
β
Cormac McCarthy (The Road)
β
Scared money canβt win and a worried man canβt love.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
I think that when the lies are all told and forgot the truth will be there yet. It dont move about from place to place and it dont change from time to time. You cant corrupt it any more than you can salt salt.
β
β
Cormac McCarthy (No Country for Old Men)
β
If there's one thing on this planet you don't look like it's a bunch of good luck walkin around.
β
β
Cormac McCarthy (No Country for Old Men)
β
I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this.
[Cormac McCarthy's Venomous Fiction, New York Times, April 19, 1992]
β
β
Cormac McCarthy
β
I tried to put things in perspective but sometimes you're just too close to it.
β
β
Cormac McCarthy (No Country for Old Men)
β
A man's at odds to know his mind cause his mind is aught he has to know it with. He can know his heart, but he dont want to. Rightly so. Best not to look in there. It aint the heart of a creature that is bound in the way that God has set for it. You can find meanness in the least of creatures, but when God made man the devil was at his elbow. A creature that can do anything. Make a machine. And a machine to make the machine. And evil that can run itself a thousand years, no need to tend it.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
The things that I loved were very frail. Very fragile. I didn't know that. I thought they were indestructible. They weren't.
β
β
Cormac McCarthy (The Sunset Limited)
β
He saw very clearly how all his life led only to this moment and all after led to nowhere at all. He felt something cold and soulless enter him like another being and he imagined that it smiled malignly and he had no reason to believe that it would ever leave.
β
β
Cormac McCarthy (All the Pretty Horses)
β
Things happen to you they happen. They dont ask first. They dont require your permission.
β
β
Cormac McCarthy (No Country for Old Men)
β
I have no enemies. I dont permit such a thing.
β
β
Cormac McCarthy (No Country for Old Men)
β
The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
What he could bear in the waking world he could not by night and he sat awake for fear the dream would return.
β
β
Cormac McCarthy (The Road)
β
He could not construct for the child's pleasure the world he'd lost without constructing the loss as well and he thought perhaps the child had known this better than he.
β
β
Cormac McCarthy (The Road)
β
Suppose you were the last one left? Suppose you did that to yourself?
β
β
Cormac McCarthy (The Road)
β
Every day is a lie. But you are dying. That is not a lie.
β
β
Cormac McCarthy (The Road)
β
Life is a memory, and then it is nothing.
β
β
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
β
This is the nature of war, whose stake is at once the game and the authority and the justification. Seen so, war is the truest form of divination. It is the testing of one's will and the will of another within that larger will which because it binds them is therefore forced to select. War is the ultimate game because war is at last a forcing of the unity of existence.War is god.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
Ive seen the meanness of humans till I dont know why God aint put out the sun and gone away.
β
β
Cormac McCarthy (Outer Dark)
β
In the end we all come to be cured of our sentiments.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
You give up the world line by line. Stoically. And then one day you realize that your courage is farcical. It doesn't mean anything. You've become an accomplice in your own annihilation and there is nothing you can do about it. Everything you do closes a door somewhere ahead of you. And finally there is only one door left.
β
β
Cormac McCarthy (The Sunset Limited)
β
Dope.
They sell that shit to schoolkids.
It's worse than that.
How's that?
Schoolkids buy it.
β
β
Cormac McCarthy (No Country for Old Men)
β
You are either born a writer or you are not.
β
β
Cormac McCarthy
β
Remember her hair in the morning before it was pinned, black, rampant, savage with loveliness. As if she slept in perpetual storm.
β
β
Cormac McCarthy (Suttree)
β
Nor does God whisper through the trees. His voice is not to be mistaken. When men hear it they fall to their knees and their souls are riven and they cry out to Him and there is no fear but only wildness of heart that springs from such longing...
β
β
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
β
This country will kill you in a heartbeat and still people love it.
β
β
Cormac McCarthy (No Country for Old Men)
β
Iβm not interested in writing short stories. Anything that doesnβt take years of your life and drive you to suicide hardly seems worth doing.
β
β
Cormac McCarthy
β
When the shooting starts would you rather be armed or legal?
β
β
Cormac McCarthy (The Road)
β
Our waking life's desire to shape the world to our convenience invites all manner of paradox and difficulty.
β
β
Cormac McCarthy (Cities of the Plain (The Border Trilogy #3))
β
Ever dumb thing I ever done in my life there was a decision I made before that got me into it. It was never the dumb thing. It was always some choice I'd made before it.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall.
β
β
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
β
Hard weather, says the old man. So let it be. Wrap me in the weathers of the earth, I will be hard and hard. My face will wash rain like the stones.
β
β
Cormac McCarthy (Suttree)
β
What deity in the realms of dementia, what rabid god decocted out of the smoking lobes of hydrophobia could have devised a keeping place for souls so poor as is this flesh. This mawky worm-bent tabernacle.
β
β
Cormac McCarthy (Suttree)
β
When you've nothing else construct ceremonies out of the air and breathe upon them.
β
β
Cormac McCarthy (The Road)
β
What business is it of yours where I'm from, friendo?
β
β
Cormac McCarthy (No Country for Old Men)
β
If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creatures could? And is the race of man not more predacious yet?
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
Each the others world entire.
β
β
Cormac McCarthy (The Road)
β
How surely are the dead beyond death. Death is what the living carry with them. A state of dread, like some uncanny foretaste of a bitter memory. But the dead do not remember and nothingness is not a curse. Far from it.
β
β
Cormac McCarthy (Suttree)
β
It starts when you begin to overlook good manners. Any time you quit hearing Sir and Mam the end is pretty much in sight...
β
β
Cormac McCarthy (No Country for Old Men)
β
What could a child know of the darkness of God's plan? Or how flesh is so frail it is hardly more than a dream
β
β
Cormac McCarthy (Suttree)
β
I was afraid I was going to die and then I was afraid I wasnt.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
He sat a long time and he thought about his life and how little of it he could ever have foreseen and he wondered for all his will and all his intent how much of it was his doing.
β
β
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
β
A goodlookin horse is like a goodlookin woman, he said. They're always more trouble than what they're worth. What a man needs is just one that will get the job done.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
It was always himself that the coward abandoned first. After this all other betrayals came easily.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
My daddy used to tell me not to chew on something that was eatin you.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
Here beyond men's judgments all covenants were brittle.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
He'd half meant to speak but those eyes had altered the world forever in the space of a heartbeat.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
This is my child, he said. I wash a dead man's brains out of his hair. That is my job.
β
β
Cormac McCarthy (The Road)
β
My daddy always told me to just do the best you knew how and tell the truth. He said there was nothin to set a manβs mind at ease like wakin up in the morning and not havin to decide who you were. And if you done somethin wrong just stand up and say you done it and say youβre sorry and get on with it. Donβt haul stuff around with you.
β
β
Cormac McCarthy (No Country for Old Men)
β
Only now is the child finally divested of all that he has been. His origins are become remote as is his destiny and not again in all the world's turning will there be terrains so wild and barbarous to try whether the stuff of creation may be shaped to man's will or whether his own heart is not another kind of clay.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
You know that the things you put it your head stay there, right?'
'Yeah. But you remember some things, don't you?'
'Yeah. You remember the things you want to forget and forget the things you want to remember.
β
β
Cormac McCarthy (The Road)
β
What man is such a coward he would not rather fall once than remain forever tottering?
β
β
Cormac McCarthy (Suttree)
β
He can give me what you cannot. Death is not a lover. Oh yes, he is.
β
β
Cormac McCarthy (The Road)
β
I knew that what I was seeking to discover was a thing I'd always known. That all courage was a form of constancy. That it was always himself that the coward abandoned first. After this all other betrayals came easily.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
You think when you wake up in the mornin yesterday dont count. But yesterday is all that does count. What else is there? Your life is made out of the days it's made out of. Nothin else. You might think you could run away and change your name and I dont know what all. Start over. And then one mornin you wake up and look at the ceilin and guess who's layin there?
β
β
Cormac McCarthy (No Country for Old Men)
β
The nights were blinding cold and casket black and the long reach of the morning had a terrible silence to it.
β
β
Cormac McCarthy (The Road)
β
If people knew the story of their lives, how many would then elect to live them?
β
β
Cormac McCarthy
β
I don't know what sort of world she will live in and I have no fixed opinions concerning how she should live in it. I only know that if she does not come to value what is true above what is useful, it will make little difference whether she lives at all.
β
β
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
β
If a man's at odds to know his own mind it's because he hasn't got aught but his mind to know it with.
β
β
Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
β
Every moment in your life is a turning and every one a choosing. Somewhere you made a choice. All followed to this. The accounting is scrupulous. The shape is drawn. No line can be erased. I had no belief in your ability to move a coin to your bidding. How could you? A person's path through the world seldom changes and even more seldom will it change abruptly. And the shape of your path was visible from the beginning.
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Cormac McCarthy
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There is for a man two things in life that are very important, head and shoulders above everything else. Find work you like, and find someone to live with you like. Very few people get both.
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Cormac McCarthy
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The flames sawed in the wind and the embers paled and deepened and paled and deepened like the bloodbeat of some living thing eviscerate upon the ground before them and they watched the fire which does contain within it something of men themselves inasmuch as they are less without it and are divided from their origins and are exiles. For each fire is all fires, and the first fire and the last ever to be.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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The wrath of God lies sleeping. It was hid a million years before men were and only men have the power to wake it. Hell aint half full. Hear me. Ye carry war of a madmanβs making onto a foreign land. Yeβll wake more than the dogs.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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What he loved in horses was what he loved in men, the blood and the heat of the blood that ran them. All his reverence and all his fondness and all the leanings of his life were for the ardenhearted and they would always be so and never be otherwise.
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Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
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Because the question for me was always whether that shape we see in our lives was there from the beginning or whether these random events are only called a pattern after the fact. Because otherwise we are nothing.
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Cormac McCarthy (All The Pretty Horses: All The Pretty Horses)
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It's not about knowing who you are. It's about thinkin you got there without takin anything with you. Your notions about startin over. or anybody's. You dont start over. That's what it's about. Every step you take is forever. You can't make it go away. None of it.
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Cormac McCarthy (No Country for Old Men)
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His feet are light and nimble. He never sleeps. He says that he will never die. He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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He lay listening to the water drip in the woods. Bedrock, this. The cold and the silence. The ashes of the late world carried on the bleak and temporal winds to and fro in the void. Carried forth and scattered and carried forth again. Everything uncoupled from its shoring. Unsupported in the ashen air. Sustained by a breath, trembling and brief. If only my heart were stone.
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Cormac McCarthy (The Road)
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She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.
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Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
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The jagged mountains were pure blue in the dawn and everywhere birds twittered and the sun when it rose caught the moon in the west so that they lay opposed to each other across the earth, the sun whitehot and the moon a pale replica, as if they were the ends of a common bore beyond whose terminals burned worlds past all reckoning.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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What do you believe?
I believe that the last and the first suffer equally. Pari passu.
Equally?
It is not alone in the dark of death that all souls are one soul.
Of what would you repent?
Nothing.
Nothing?
One thing. I spoke with bitterness about my life and I said that I would take my own part against the slander of oblivion and against the monstrous facelessness of it and that I would stand a stone in the very void where all would read my name. Of that vanity I recant all.
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Cormac McCarthy (Suttree)
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Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place.
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Cormac McCarthy (The Crossing (The Border Trilogy, #2))
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He was just hungry, Papa. He's going to die.
He's going to die anyway.
He's so scared, Papa.
The man squatted and looked at him. I'm scared, he said. Do you understand? I'm scared.
The boy didn't answer. He just sat there with his head down, sobbing.
You're not the one who has to worry about everything.
The boy said something but he couldn't understand him. What? He said.
He looked up, his wet and grimy face. Yes I am, he said. I am the one.
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Cormac McCarthy (The Road)
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A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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Lying under such a myriad of stars. The seaβs black horizon. He rose and walked out and stood barefoot in the sand and watched the pale surf appear all down the shore and roll and crash and darken again. When he went back to the fire he knelt and smoothed her hair as she slept and he said if he were God he would have made the world just so and no different.
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Cormac McCarthy (The Road)
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When we're all gone at last then there'll be nobody here but death and his days will be numbered too. He'll be out in the road there with nothing to do and nobody to do it to. He'll say: where did everybody go? And that's how it will be. What's wrong with that?
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Cormac McCarthy (The Road)
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I yearn for the darkness. I pray for death. Real death. If I thought that in death I would meet the people I've known in life I don't know what I'd do. That would be the ultimate horror. The ultimate despair. If I had to meet my mother again and start all of that all over, only this time without the prospect of death to look forward to? Well. That would be the final nightmare. Kafka on wheels.
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Cormac McCarthy (The Sunset Limited)
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The truth is that the forms I see have been slowly emptied out. They no longer have any content. They are shapes only. A train, a wall, a world. Or a man. A thing dangling in senseless articulation in a howling void. No meaning to its life. Its words. Why would I seek the company of such a thing? Why?
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Cormac McCarthy (The Sunset Limited)
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Your god must once have stood at a dawn of infinite possibilities, and this is what he's made of it. You tell me that I want God's love? I don't. Perhaps I want forgiveness, but there's no-one to ask it of. And there's no going back, there's no setting things right, there's only the hope of nothingness.
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Cormac McCarthy (The Sunset Limited)
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They rode on and the sun in the east flushed pale streaks of light and then a deeper run of color like blood seeping up in sudden reaches flaring planewise and where the earth drained up into the sky at the edge of creation the top of the sun rose out of nothing like the head of a great red phallus until it cleared the unseen rim and sat squat and pulsing and malevolent behind them.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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They heard somewhere in that tenantless night a bell that tolled and ceased where no bell was and they rode out on the round dais of the earth which alone was dark and no light to it and which carried their figures and bore them up into the swarming stars so that they rode not under but among them and they rode at once jaunty and circumspect, like thieves newly loosed in that dark electric, like young thieves in a glowing orchard, loosely jacketed against the cold and ten thousand worlds for the choosing.
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Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
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All other trades are contained in that of war.
Is that why war endures?
No. It endures because young men love it and old men love it in them. Those that fought, those that did not.
That's your notion.
The judge smiled. Men are born for games. Nothing else. Every child knows that play is nobler than work. He knows too that the worth or merit of a game is not inherent in the game itself but rather in the value of that which is put at hazard. Games of chance require a wager to have meaning at all. Games of sport involve the skill and strength of the opponents and the humiliation of defeat and the pride of victory are in themselves sufficient stake because they inhere in the worth of the principals and define them. But trial of chance or trial of worth all games aspire to the condition of war for here that which is wagered swallows up game, player, all.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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He poured the tumbler full. Drink up, he said. The world goes on. We have dancing nightly and this night is no exception. The straight and the winding way are one and now that you are here what do the years count since last we two met together? Men's memories are uncertain and the past that was differs little from the past that was not.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed he'd never pass again. They rode over his face like veils, already some yellow, their veins like slender bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day that ever was and he was riding to his death.
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Cormac McCarthy (Child of God)
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Whatever exists, he said. Whatever in creation exists without my knowledge exists without my consent.
He looked about at the dark forest in which they were bivouacked. He nodded toward the specimens he'd collected. These anonymous creatures, he said, may seem little or nothing in the world. Yet the smallest crumb can devour us. Any smallest thing beneath yon rock out of men's knowing. Only nature can enslave man and only when the existence of each last entity is routed out and made to stand naked before him will he be properly suzerain of the earth.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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I had two dreams about him after he died. I dont remember the first one all that well but it was about meetin him in town somewheres and he give me some money and I think I lost it. But the second one it was like we was both back in older times and I was on horseback goin through the mountains of a night. Goin through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept on goin. Never said nothin. He just rode on past and he had this blanket wrapped around him and he had his head down and when he rode past I seen he was carryin fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.
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Cormac McCarthy (No Country for Old Men)
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From daydreams on the road there was no waking. He plodded on. He could remember everything of her save her scent. Seated in a theatre with her beside him leaning forward listening to the music. Gold scrollwork and sconces and the tall columnar folds of the drapes at either side of the stage. She held his hand in her lap and he could feel the tops of her stockings through the thin stuff of her summer dress. Freeze this frame. Now call down your dark and your cold and be damned.
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Cormac McCarthy (The Road)
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It was the nature of his profession that his experience with death should be greater than for most and he said that while it was true that time heals bereavement it does so only at the cost of the slow extinction of those loved ones from the heart's memory which is the sole place of their abode then or now. Faces fade, voices dim. Seize them back, whispered the sepulturero. Speak with them. Call their names. Do this and do not let sorrow die for it is the sweetening of every gift.
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Cormac McCarthy (The Crossing (The Border Trilogy, #2))
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You can tell it any way you want but that's the way it is. I should of done it and I didnβt. And some part of me has never quit wishin I could go back. And I cant. I didnβt know you could steal your own life. And I didnβt know that it would bring you no more benefit than about anything else you might steal. I think I done the best with it I knew how but it still wasnβt mine. It never has been.
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Cormac McCarthy (No Country for Old Men)
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In the end we all come to be cured of our sentiments. Those whom life does not cure death will. The world is quite ruthless in selecting between the dream and reality, even where we will not. Between the wish and the thing the world lies waiting. I've thought a great deal about my life and my country. I think there is little that can be truly known. My family has been fortunate. Others were less so. As they are often quick to point out.
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Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
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It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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They lay listening. Can you do it? When the time comes? When the time comes there will be no time. Now is the time. Curse God and die. What if it doesn't fire? It has to fire. What if it doesn't fire? Could you crush that beloved skull with a rock? Is there such a being within you of which you know nothing? Can there be? Hold him in your arms. Just so. The soul is quick. Pull him toward you. Kiss him. Quickly.
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Cormac McCarthy (The Road)
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The one thing I can tell you is that you wont survive for yourself. I know because I would never have come this far. A person who had no one would be well advised to cobble together some passable ghost. Breathe it into being and coax it along with words of love. Offer it each phantom crumb and shield it from harm with your body. As for me my only hope is for eternal nothingness and I hope it with all my heart.
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Cormac McCarthy (The Road)
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A man seeks his own destiny and no other, said the judge. Wil or nill. Any man who could discover his own fate and elect therefore some opposite course could only come at last to that selfsame reckoning at the same appointed time, for each man's destiny is as large as the world he inhabits and contains within it all opposites as well. The desert upon which so many have been broken is vast and calls for largeness of heart but it is also ultimately empty. It is hard, it is barren. Its very nature is stone.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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The names of the cerros and the sierras and the deserts exist only on maps. We name them that we do not lose our way. Yet it was because the way was lost to us already that we have made those names. The world cannot be lost. We are the ones. And it is because these names and these coordinates are our own naming that they cannot save us. They cannot find for us the way again.
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Cormac McCarthy (The Crossing (The Border Trilogy, #2))
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He woke before dawn and watched the gray day break. Slow and half opaque. He rose while the boy slept and pulled on his shoes and wrapped in his blanket he walked out through the trees. He descended into a gryke in the stone and there he crouched coughing and he coughed for a long time. Then he just knelt in the ashes. He raised his face to the paling day. Are you there? he whispered. Will I see you at the last? Have you a neck by which to throttle you? Have you a heart? Damn you eternally have you a soul? Oh God, he whispered. Oh God.
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Cormac McCarthy (The Road)
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The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstitiion will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.
I dont see what that has to do with catchin birds.
The freedom of birds is an insult to me. I'd have them all in zoos.
That would be a hell of a zoo.
The judge smiled. Yes, he said. Even so.
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Cormac McCarthy
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It had ceased raining in the night and he walked out on the road and called for the dog. He called and called. Standing in that inexplicable darkness. Where there was no sound anywhere save only the wind. After a while he sat in the road. He took off his hat and placed it on the tarmac before him and he bowed his head and held his face in his hands and wept. He sat there for a long time and after a while the east did gray and after a while the right and godmade sun did rise, once again, for all and without distinction.
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Cormac McCarthy (The Crossing (The Border Trilogy, #2))
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When I was in school I studied biology. I learned that in making their experiments scientists will take some group--bacteria, mice, people--and subject that group to certain conditions. They compare the results with a second group which has not been disturbed. This second group is called the control group. It is the control group which enables the scientist gauge the effect of his experiment. To judge the significance of what has occurred. In history there are no control groups. There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who o not know history are condemned to repeat it. I don't believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God--who knows all that can be known--seems powerless to change.
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Cormac McCarthy (All the Pretty Horses)
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In history there are no control groups. There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who do not know history are condemned to repeat it. I don't believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God--who knows all that can be known--seems powerless to change.
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Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
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The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no manβs mind can compass, that mind itself being but a fact among others.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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He lay on his back in his blankets and looked our where the quartermoon lay cocked over the heel of the mountains. In the false blue dawn the Pleiades seemed to be rising up into the darkness above the world and dragging all the stars away, the great diamond of Orion and Cepella and the signature of Cassiopeia all rising up through the phosphorous dark like a sea-net. He lay a long time listening to the others breathing in their sleep while he contemplated the wildness about him, the wildness within.
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Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
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I don't believe in God. Can you understand that? Look around you man. Cant you see? The clamor and din of those in torment has to be the sound most pleasing to his ear. And I loathe these discussions. The argument of the village atheist whose single passion is to revile endlessly that which he denies the existence of in the first place. Your fellowship is a fellowship of pain and nothing more. And if that pain were actually collective instead of simply reiterative then the sheer weight of it would drag the world from the walls of the universe and send it crashing and burning through whatever night it might yet be capable of engendering until it was not even ash. And justice? Brotherhood? Eternal life? Good god, man. Show me a religion that prepares one for death. For nothingness. There's a church I might enter. Yours prepares one only for more life. For dreams and illusions and lies. If you could banish the fear of death from men's hearts they wouldnt live a day. Who would want this nightmare if not for fear of the next? The shadow of the axe hangs over every joy. Every road ends in death. Or worse. Every friendship. Every love. Torment, betrayal, loss, suffering, pain, age, indignity, and hideous lingering illness. All with a single conclusion. For you and for every one and everything that you have chosen to care for. There's the true brotherhood. The true fellowship. And everyone is a member for life. You tell me that my brother is my salvation? My salvation? Well then damn him. Damn him in every shape and form and guise. Do I see myself in him? Yes. I do. And what I see sickens me. Do you understand me? Can you understand me?
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Cormac McCarthy (The Sunset Limited)
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And the answer, said the judge. If God meant to interfere in the degeneracy of mankind would he not have done so by now? Wolves cull themselves, man. What other creature could? And is the race of man not more predacious yet? The way of the world is to bloom and to flower and die but in the affairs of men there is no waning and the noon of his expression signals the onset of night. His spirit is exhausted at the peak of its achievement. His meridian is at once his darkening and the evening of his day. He loves games? Let him play for stakes. This you see here, these ruins wondered at by tribes of savages, do you not think that this will be again? Aye. And again. With other people, with other sons.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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Every road ends in death. Or worse. Every friendship. Every love. Torment, betrayal, loss, suffering, pain, age, indignity, and hideous lingering illness. All with a single conclusion. For you and for every one and every thing that you have chosen to care for. There's the true brotherhood. The true fellowship. And everyone is a member for life. You tell me that my brother is my salvation? My salvation? Well then damn him. Damn him in every shape and form and guise. Do I see myself in him? Yes. I do. And what I see sickens me. Do you understand me? Can you understand me?
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Cormac McCarthy (The Sunset Limited)
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He shook his head. You're asking that I make myself vulnerable and that I can never do. I have only one way to live. It doesn't allow for special cases. A coin toss perhaps. In this case to small purpose. Most people don't believe that there can be such a person. You see what a problem that must be for them. How to prevail over that which you refuse to acknowledge the existence of. Do you understand? When I came into your life your life was over. It had a beginning, a middle, and an end. This is the end. You can say that things could have turned out differently. That there could have been some other way. But what does that mean? They are not some other way. They are this way. You're asking that I second say the world. Do you see?
Yes, she said sobbing. I do. I truly do.
Good, he said. That's good. Then he shot her.
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Cormac McCarthy (No Country for Old Men)
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By early evening all the sky to the north had darkened and the spare terrain they trod had turned a neuter gray as far as the eye could see. They grouped in the road at the top of a rise and looked back. The storm front towered above them and the wind was cool on their sweating faces. They slumped bleary-eyed in their saddles and looked at one another. Shrouded in the black thunderheads the distant lightning glowed mutely like welding seen through foundry smoke. As if repairs were under way at some flawed place n the iron dark of the world.
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Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
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He mistrusted all of that. He said the right dreams for a man in peril were dreams of peril and all else was the call of languor and of death. He slept little and he slept poorly. He dreamt of walking in a flowering wood where birds flew before them he and the child and the sky was aching blue but he was learning how to wake himself from just such siren worlds. Lying there in the dark with the uncanny taste of a peach from some phantom orchard fading in his mouth. He thought if he lived long enough the world at last would all be lost. Like the dying world the newly blind inhabit, all of it slowly fading from memory.
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Cormac McCarthy (The Road)
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He remembered Alejandra and the sadness he'd first seen in the slope of her shoulders which he'd presumed to understand and of which he knew nothing and he felt a loneliness he'd not known since he was a child and he felt wholly alien to the world although he loved it still. He thought that in the beauty of the world were hid a secret. He thought the world's heart beat at some terrible cost and that the world's pain and it's beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower.
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Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
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Mr. Suttree it is our understanding that at curfew rightly decreed by law and in that hour wherein night draws to its proper close and the new day commences and contrary to conduct befitting a person of your station you betook yourself to various low places within the shire of McAnally and there did squander several ensuing years in the company of thieves, derelicts, miscreants, pariahs, poltroons, spalpeens, curmudgeons, clotpolls, murderers, gamblers, bawds, whores, trulls, brigands, topers, tosspots, sots and archsots, lobcocks, smellsmocks, runagates, rakes, and other assorted and felonious debauchees.
I was drunk, cried Suttree.
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Cormac McCarthy (Suttree)
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Somewhere out there is a true and living prophet of destruction and I dont want to confront him. I know he's real. I have seen his work. I walked in front of those eyes once. I wont do it again. I wont push my chips forward and stand up and go out to meet him. It aint just bein older. I wish that it was. I cant say that it's even what you are willin to do. Because I always knew that you had to be willin to die to even do this job. That was always true. Not to sound glorious about it or nothin but you do. If you aint they'll know it. They'll see it in a heartbeat. I think it is more like what you are willin to become. And I think a man would have to put his soul at hazard. And I wont do that.
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Cormac McCarthy (No Country for Old Men)
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He turned and looked at the boy. Maybe he understood for the first time that to the boy he was himself an alien. A being from a planet that no longer existed. The tales of which were suspect. He could not construct for the child's pleasure the world he'd lost without constructing the loss as well and he thought perhaps the child had known this better than he. He tried to remember the dream but he could not. All that was left was the feeling of it. He thought perhaps they'd come to warn him. Of what? That he could not enkindle in the heart of the child what was ashes in his own. Even now some part of him wished they'd never found this refuge. Some part of him always wished it to be over.
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Cormac McCarthy (The Road)
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And what happens then?
When?
After you're dead.
Dont nothing happen. You're dead.
You told me once you believed in God.
The old man waved his hand. Maybe, he said. I got no reason to think he believes in me. Oh I'd like to see him for a minute if I could.
What would you say to him?
Well, I think I'd just tell him. I'd say: Wait a minute. Wait just one minute before you start in on me. Before you say anything, there's just one thing I'd like to know. And he'll say: what's that? And then I'm goin to ast him: What did you have me in that crapgame down there for anyway? I couldnt put any part of it together.
Suttree smiled. What do you think he'll say?
The ragpicker spat and wiped his mouth. I dont believe he can answer it. I dont believe there is an answer.
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Cormac McCarthy (Suttree)
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Then don't. I can't help you. They say that women dream of danger to those in their care and men of danger to themselves. But I don't dream at all. You say you can't? Then don't do it. That's all. Because I am done with my own whorish heart and I have been for a long time. You talk about taking a stand but there is no stand to take. My heart was ripped out of me the night he was born so don't ask for sorrow now. There is none. Maybe you'll be good at this. I doubt it, but who knows. The one thing I can tell you is that you won't survive for yourself. I know because I would have never have come this far. A person who had no one would be well advised to cobble together some passable ghost. Breathe it into being and coax it along with words of love. Offer it each phantom crumb and sheild it from harm with your body. As for me my only hope is for eternal nothingness and I hope it with all my heart.
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Cormac McCarthy (The Road)
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Moral law is an invention of mankind for the disenfranchisement of the powerful in favor of the weak. Historical law subverts it at every turn. A moral view can never be proven right or wrong by any ultimate test. A man falling dead in a duel is not thought thereby to be proven in error as to his views. His very involvement in such a trial gives evidence of a new and broader view. The willingness of the principals to forgo further argument as the triviality which it in fact is and to petition directly the chambers of the historical absolute clearly indicates of how little moment are the opinions and of what great moment the divergences thereof. For the argument is indeed trivial, but not so the separate wills thereby made manifest. Man's vanity may well approach the infinite in capacity but his knowledge remains imperfect and howevermuch he comes to value his judgments ultimately he must submit them before a higher court. Here there can be no special pleading. Here are considerations of equity and rectitude and moral right rendered void and without warrant and here are the views of the litigants despised. Decisions of life and death, of what shall be and what shall not, beggar all question of right. In elections of these magnitudes are all lesser ones subsumed, moral, spiritual, natural.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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That night he dreamt of horses in a field on a high plain where the spring rains had brought up the grass and the wildflowers out of the ground and the flowers ran all blue and yellow far as the eye could see and in the dream he was among the horses running and in the dream he himself could run with the horses and they coursed the young mares and fillies over the plain where their rich bay and their rich chestnut colors shone in the sun and the young colts ran with their dams and trampled down the flowers in a haze of pollen that hung in the sun like powdered gold and they ran he and the horses out along the high mesas where the ground resounded under their running hooves and they flowed and changed and ran and their manes and tails blew off of them like spume and there was nothing else at all in that high world and they moved all of them in a resonance that was like a music among them and they were none of them afraid neither horse nor colt nor mare and they ran in that resonance which is the world itself and which cannot be spoken but only praised.
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Cormac McCarthy (All the Pretty Horses)
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There is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but is a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are also the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale has no abode or place of beind except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And . . . in whatever . . . place by whatever . . . name or by no name at all . . . all tales are one. Rightly heard all tales are one.
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Cormac McCarthy (The Crossing (The Border Trilogy, #2))
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The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
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Cormac McCarthy (The Crossing (The Border Trilogy, #2))
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Suppose two men at cards with nothing to wager save their lives. Who has not heard such a tale? A turn of the card. The whole universe for such a player has labored clanking to his moment which will tell if he is to die at that manβs hand or that man at his. What more certain validation of a manβs worth could there be? This enhancement of the game to its ultimate state admits no argument concerning the notion of fate. The selection of one man over another is a preference absolute and irrevocable and it is a dull man indeed who could reckon so profound a decision without agency or significance either one. In such games as have for their stake the annihilation of the defeated the decisions are quite clear. This man holding this particular arrangement of cards in his hand is thereby removed from existence. This is the nature of war, whose stake is at once the game and the authority and the justification. Seen so, war is the truest form of divination. It is the testing of oneβs will and the will of another within that larger will which because it binds them is therefore forced to select. War is the ultimate game because war is at last a forcing of the unity of existence. War is god.
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Cormac McCarthy (Blood Meridian, or the Evening Redness in the West)
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I read in the papers here a while back some teachers came across a survey that was sent out back in the thirties to a number of schools around the country. Had this questionnaire about what was the problems with teachin in the schools. And they come across these forms, they'd been filled out and sent in from around the country answerin these questions. And the biggest problems they could name was things like talkin in class and runnin in the hallways. Chewin gum. Copyin homework. Things of that nature. So they got one of them forms that was blank and printed up a bunch of em and sent em back out to the same schools. Forty years later. Well, here come the answers back. Rape, arson, murder. Drugs. Suicide. So think about that. Because a lot of the time when I say anything about how the world is goin to hell in a handbasket people will just sort of smile and tell me I'm gettin old. That it's one of the symptoms. But my feelin about that is that anybody that cant tell the difference between rapin and murderin people and chewin gum has got a whole lot bigger of a problem than what I've got. Forty years is not a long time neither. Maybe the next forty of it will bring some of em out from under the ether. If it aint too late.
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Cormac McCarthy (No Country for Old Men)