Corkscrew Quotes

The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.

The Swiss have an interesting army. Five hundred years without a war. Pretty impressive. Also pretty lucky for them. Ever seen that little Swiss Army knife they have to fight with? Not much of a weapon there. Corkscrews. Bottle openers. ‘Come on, buddy, let’s go. You get past me, the guy in the back of me, he’s got a spoon. Back off, I’ve got the toe clippers right here.

They said love made you strong, but in Louise's opinion it made you weak. It corkscrewed into your heart and you couldn't get it out again, not without ripping your heart to pieces.

The day he moved out was terrible – That evening she went through hell. His absence wasn’t a problem But the corkscrew had gone as well.

We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?

There is something about wills which brings out the worst side of human nature. People who under ordinary circumstances are perfectly upright and amiable, go as curly as corkscrews and foam at the mouth, whenever they hear the words 'I devise and bequeath.

Always carry a corkscrew and the wine shall provide itself.

Note to self on waking. Lay off the beer on an empty stomach. This dream is even more screwed up than the time I had a donkey and a corkscrew. (Aiden) Donkey and a corkscrew? (Leta) I don’t know you well enough to fill you in on those details. (Aiden)

I scroll past images every bit as violent and beautiful as Jeb's paintings: luminious, rainbow-skinned creatures with bulbous eyes and sparkly, silken wings who carry knives and swords; hideous, naked hobgoblins in chains who crawl on all fours and have corkscrew tails and cloven feet like pigs; silvery pixielike beings trapped in cages and crying oily black tears.

The problem with the alphabet is that it bears no relation to anything at all, and when words are arranged alphabetically they are uselessly separated. In the OED, for example, aardvarks are 19 volumes away from the zoo, yachts are 18 volumes from the beach, and wine is 17 volumes from the nearest corkscrew.

The desires of the heart...are as crooked as a corkscrew.

The Clock on the Morning Lenape Building Must Clocks be circles? Time is not a circle. Suppose the Mother of All Minutes started right here, on the sidewalk in front of the Morning Lenape Building, and the parade of minutes that followed--each of them, say, one inch long-- headed out that way, down Bridge Street. Where would Now be? This minute? Out past the moon? Jupiter? The nearest star? Who came up with minutes, anyway? Who needs them? Name one good thing a minute's ever done. They shorten fun and measure misery. Get rid of them, I say. Down with minutes! And while you're at it--take hours with you too. Don't get me started on them. Clocks--that's the problem. Every clock is a nest of minutes and hours. Clocks strap us into their shape. Instead of heading for the nearest star, all we do is corkscrew. Clocks lock us into minutes, make Ferris wheel riders of us all, lug us round and round from number to number, dice the time of our lives into tiny bits until the bits are all we know and the only question we care to ask is "What time is it?" As if minutes could tell. As if Arnold could look up at this clock on the Lenape Building and read: 15 Minutes till Found. As if Charlie's time is not forever stuck on Half Past Grace. As if a swarm of stinging minutes waits for Betty Lou to step outside. As if love does not tell all the time the Huffelmeyers need to know.

Emboldened by the dark phase of the moon, the constellations twisted round in their infinite sky, slowly corkscrewing into the future, divining immutable futures for those still awake and gazing up.

THOMASINA: ....the enemy who burned the great library of Alexandria without so much as a fine for all that is overdue. Oh, Septimus! -- can you bear it? All the lost plays of the Athenians! Two hundred at least by Aeschylus, Sophocles, Euripides -- thousands of poems -- Aristotle's own library!....How can we sleep for grief? SEPTIMUS: By counting our stock. Seven plays from Aeschylus, seven from Sophocles, nineteen from Euripides, my lady! You should no more grieve for the rest than for a buckle lost from your first shoe, or for your lesson book which will be lost when you are old. We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?

Was it Brigid Brophy who gave up on a certain Virginia Woolf novel when she discovered that Woolf believed one needed a corkscrew to open a bottle of champagne?

Courtney’s emotions had always been controlled and steady, logical and levelheaded. But around Brett, it was like she was on a high-speed roller coaster with steep drops and corkscrew turns, and she never wanted to get off.

Bring in the bottled lightning, a clean tumbler, and a corkscrew.

fifty years ago did Nathan Swain kill fifteen whales between a sunrise and a sunset. And that harpoon—so like a corkscrew now—was flung

There must be something in here that can drill through eight miles of solid rock.” He considered a hand drill, a tape measure, a corkscrew, and the iron staff we’d almost died retrieving from Geirrod’s fortress. He threw them all to the floor. “Nothing!” he said in disgust. “Useless junk!” Perhaps you could use your head, Hearthstone signed. That is very hard. “Oh, don’t try to console me, Mr. Elf,” said Thor.

Parcifal is one of those corkscrew artifact of culture in which you get the subjective sense that you've learned something from it, something valuable or even priceless; but on closer inspection you suddenly begin to scratch your head and say "Wait a minute. This makes no sense.

They were tower stairs, a tight corkscrew down. The spiraling descent made Karou dizzy: down, around, down, around, hypnotic, until it seemed as if she were caught in a purgatory of stairs and would go down like this forever.

The desires of the heart are as crooked as corkscrews.

I move we get more wine,' Alistair said. 'What does the panel think?'... It was obvious that the entire war could be solved in this way. The trick would be to reach for a corkscrew instead, every time some brass hat ordered artillery.

...beneath the temple of Emesa there is a system of special sewers wherein the human blood rejoins the plasma of certain animals. Through these sewers, coiling into broiling corkscrews whose circles diminish the further they descend to the depths of the earth, the blood of those sacrificed according to the needful rites will find its way back to the geological seams, the congealed cracks of chaos. This pure blood, thinned and refined by the rituals, and rendered acceptable to the god of the underworld, splashes the groaning deities of Erebus, whose breath finally purifies it.

Even she hair itself rough and wiry; long black knotty locks springing from she scalp and corkscrewing all the way down she back... The only thing soft about Tan-Tan is she big molasses-brown eyes that could look on you, and your heart would beat time...

However understandable and self-contained everything seems, that is accompanied by an obscure feeling that it is only half the story. Something is not quite in balance, and a person presses forward, like a tightrope walker, in order not to sway and fall. And as he presses on through life and leaves lived life behind, the life ahead and the life already lived form a wall, and his path in the end resembles the path of a woodworm: no matter how it corkscrews forward or even backward, it always leaves an empty space behind the fullness of everything, this half that is always missing even when everything is a whole, this is what eventually makes one perceive what one calls the soul.

...It's more like a corkscrew than a path!

I'm a lawyer," said the corkscrew, proudly. "I am accustomed to appear at the bar.

The sea is full of saints. You know that? You know that: you're a big boy. The sea's full of saints and it's been full of saints for years. Since longer than anything. Saints were there before there were even gods. They were waiting for them, and they're still there now. Saints eat fish and shellfish. Some of them catch jellyfish and some of them eat rubbish. Some saints eat anything they can find. They hide under rocks; they turn themselves inside out: they spit up spirals. There's nothing saints don't do. Make this shape with your hands. Like that. Move your fingers. There, you made a saint. Look out, here come another one! Now they're fighting! Yours won. There aren't any big corkscrew saints anymore, but there are still ones like sacks and ones like coils, and ones like robes with flapping sleeves. What's your favourite saint? I'll tell you mine. But wait a minute, first, do you know what it is makes them all saints? They're all a holy family, they're all cousins. Of each other, and of ... you know what else they're cousins of? That's right. Of gods. Alright now. Who was it made you? You know what to say. Who made you?

Anoia, Goddess of Things That Get Stuck in Drawers,” said the woman. “Pleased to meet you.” She took another puff at the flaming cigarette, and there were more sparks. Some of them dropped on the floor but didn’t seem to do any damage. “There’s a goddess just for that?” said Tiffany. “Well, I find lost corkscrews and things that roll under furniture,” said Anoia offhandedly. “Sometimes things that get lost under sofa cushions, too. They want me to do stuck zippers, and I’m thinking about that. But mostly I manifest whensoever people rattle stuck drawers and call upon the gods.” She puffed on her cigarette. “Got any tea?

Walter's face was an agony of indecision but, erratic though his thinking might have been, it was no match for Nanny Ogg's meretricious duplicity. He was up against a mind that regarded truth as a reference point but certainly not as a shackle. Nanny Ogg could think her way through a corkscrew in a tornado without touching the sides.

She reaches down into her bulging tote bag and pulls out a small plastic box with a hinged lid. It contains a round pill box with a threaded lid from which she tips out a vitamin pill, a fish-oil pill, and the enzyme tablet that lets her stomach digest milk. Inside the hinged plastic box she also carries packets of salt, pepper, horseradish, and hand-wipes, a doll size bottle of Tabasco sauce, chlorine pills for treating drinking water, Pepto-Bismol chews, and God knows what else. If you go to a concert, Bina has opera glasses. If you need to sit on the grass, she whips out a towel. Ant traps, a corkscrew, candles and matches, a dog muzzle, a penknife, a tiny aerosol can of freon, a magnifying glass - Landsman has seen everything come out of that overstuffed cowhide at one time or another.

Now, of course, having failed in every attempt to subdue the Glades by frontal attack, we are slowly killing it off by tapping the River of Grass. In the questionable name of progress, the state in its vast wisdom lets every two-bit developer divert the flow into drag-lined canals that give him 'waterfront' lots to sell. As far north as Corkscrew Swamp, virgin stands of ancient bald cypress are dying. All the area north of Copeland had been logged out, and will never come back. As the glades dry, the big fires come with increasing frequency. The ecology is changing with egret colonies dwindling, mullet getting scarce, mangrove dying of new diseases born of dryness.

Parsifal is one of those corkscrew artifacts of culture in which you get the subjective sense that you’ve learned something from it, something valuable or even priceless; but on closer inspection you suddenly begin to scratch your head and say, ‘Wait a minute. This makes no sense

In his faded tartan bathrobe and brown leather slippers with the rundown heels, his hair all in sleep corkscrews and Alfalfa cowlicks, he looked to her like an absurd twentieth-century Hamlet, an indecisive figure so mesmerized by onrushing tragedy that he was helpless to divert its course or alter it in any way. (jesus

I’m through being cool. Or, more accurately, I’m through entertaining the notion that anybody could even consider the possibility of coolness emanating from or residing anywhere near me. As any conscientious father knows in his bones, any remaining trace elements of coolness go right out the window from the second you lay eyes on your firstborn. The second you lean in for the action, see your baby’s head make that first quarter-corkscrew turn toward you, well … you know you can and should throw your cherished black leather motorcycle jacket right in the nearest trash bin. Clock’s ticking on the earring, too. It’s somehow … undignified now.

Chet took a sip of lime cordial from his martini glass and asked, 'What does it take to be a librarian?' I started listing off the requirements on my fingers. 'A corkscrew for the wine, a closet full of cardigans, the optimism to assume that all brown mystery stains found in books are chocolate, a desk calendar featuring cats in hilarious costumes, and, um, did I mention the cardigans ? Sometimes you need to wear a cardigan over top of your other cardigan if the library is really cold or you spilled wine on yourself.

That kind of so-called housekeeping where they have six Bibles and no cork-screw.

Stevie girl, do you like me?” He pushes a corkscrew curl away from my face so he can see me.

...The last name had been entered by Samuel Peters' agile pen with much shading of downward strokes and many extra corkscrew appendages...

corkscrew staircase squeezed

I watch him come, I watch him, and I don’t move until he’s almost upon me, and then I swing. I jam the vicious twist of the corkscrew into his neck.

She’s so crooked, if she swallowed a nail, she’d spit up a corkscrew.” Dottie rolled

Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like cork-screws, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. Romero’s bull-fighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each time. He did not have to emphasize their closeness. Brett saw how something that was beautiful done close to the bull was ridiculous if it were done a little way off. I told her how since the death of Joselito all the bull-fighters had been developing a technic that simulated this appearance of danger in order to give a fake emotional feeling, while the bull-fighter was really safe. Romero had the old thing, the holding of his purity of line through the maximum of exposure, while he dominated the bull by making him realize he was unattainable, while he prepared him for the killing.

An even more cringeworthy behavior is exhibited by banana slugs (genus Ariolimax), which become so entwined during sex that they sometimes chew off their partner’s corkscrew-shaped penis in an effort to disengage. During this process, which is known as apophallation, penises are slurped down spaghetti-style, occasionally by their owners. Although this usually puts an end to the festivities, the fact that the penises do not grow back presents fewer problems than one would expect. The hermaphroditic slugs simply carry on the remainder of their lives as females.

He was standing motionless in front of the closed elevator door. In his faded tartan bathrobe and brown leather slippers with the rundown heels, his hair all in sleep corkscrews and Alfalfa cowlicks, he looked to her like an absurd twentieth-century Hamlet, an indecisive figure so mesmerized by onrushing tragedy that he was helpless to divert its course or alter it in any way.

I kept thinking about how, if someone said to pay thirty-five dollars, or to use a corkscrew, I didn’t try to outsmart them. How would I get anywhere in life? How could anyone ever be interested in me?

Anne Marie's beauty and style belie a down-and-dirty education in the particulars of practical AI (artificial insemination). She has miked a boar of his prodigious ejaculate--over two hundred milliliters (a cup), as compared to a man's three milliliters--and she has done it with her hand. For, unlike stallions and bulls, boars don't cotton to artificial vaginas. (in part, because their penis, like their tail, is corkscrewed.) AI techs must squeeze the organ in their hand--hard and without letup--for the entire duration of the ejaculation: from five to fifteen minutes. "You should see the size of their hands," she says, of the men and women who regular ejaculate boars.

Not that this woman would need chains to capture a man's attention under normal circumstances. Her milky skin,soft eyes,and that mad riot of reddish-gold corkscrew curls that gave her a pixie-like appearance would see to the task.

I hate you. I wish you was dead." Mrs. Carey gasped. He said the words so savagely that it gave her quite a start. She had nothing to say. She sat down in her husband's chair; and as she thought of her desire to love the friendless, crippled boy and her eager wish that he should love her--she was a barren woman and, even though it was clearly God's will that she should be childless, she could scarcely bear to look at little children sometimes, her heart ached so--the tears rose to her eyes and one by one, slowly, rolled down her cheeks. Philip watched her in amazement. She took out her handkerchief, and now she cried without restraint. Suddenly Philip realised that she was crying because of what he had said, and he was sorry. He went up to her silently and kissed her. It was the first kiss he had ever given her without being asked. And the poor lady, so small in her black satin, shrivelled up and sallow, with her funny corkscrew curls, took the little boy on her lap and put her arms around him and wept as though her heart would break. But her tears were partly tears of happiness, for she felt that the strangeness between them was gone. She loved him now with a new love because he had made her suffer.

An hour later my porpoises are back. Two of them start spinning in the air like corkscrews. I rush to get the camera, stowed in its locker—too late; they are leaving already. I am as disgusted as if I had dropped an anchor without shackling it to its chain. After missing the terrific shot of the barracuda catching the flying fish in mid-air, I had sworn to leave the Beaulieu in the cockpit during fair weather, all set to go, with a cloth to protect it from the sun. But that is not enough. I am starting to realize that I too need to be protected from the camera. In the beginning, I thought that you just set the lens and released the shutter. It is not like that at all. You have to give the camera something more. And now it is trying to suck my blood. It would be easy to stuff the camera in a waterproof tank and forget it exists, but it is too late—and in any case I am not sorry.

Let's get it over with, so I can stop wondering. How many have there been?" Lauren stared at him."How many what?" "Lovers," he clarified bitterly. She could hardly believe her ears. After treating her as if her standards of morality were childish, after acting as if promiscuity was a virtue, after telling her how man preferred experienced women, he was jealous. Because now he cared. Lauren didn't know whether to hit him, burst out laughing or hug him. Instead she decided to exact just a tiny bit of revenge for all the misery and uncertainty he had put her through. Turning,she walked over to the bar and reached for a bottle of white wine. "Why should the number make any difference?" she asked innocently. "You told me in Harbor Springs that men don't prize virginity anymore, that they don't expect or want a woman to be inexperienced.Right?" "Right," he said grimly, glowering at the ice cubes in his glass. "You also said," she continued, biting back a smile, "that women have the same physical desires men have,and that we have the right to satisfy them with whomever we wish.You were very emphatic about that-" "Lauren," he warned in a low voice, "I asked you a simple question. I don't care what the answer is, I just want an answer so I can stop wondering. Tell me how many there were. Tell me if you liked the, if you didn't give a damn abou them,or if you did it to get even with me.Just tell me.I won't hold it against you." Like hell you wouldn't! Lauren thought happily as she struggled to uncork the bottle of wine. "Of course you won't hold it against me," she said lightly. "You specifically said-" "I know what I said," he snapped tersely. "Now,how many?" She flicked a glance in his direction, implying that she was bewildered by his tone. "Only one." Angry regret flared in his eyes,and his body tensed as if he had just felt a physical blow. "Did you...care about him?" "I thought I loved him at the time," Lauren said brightly, twisting the corkscrew deeper into the cork. "All right.Let's forget him," Nick said curtly. He finally noticed her efforts with the wine bottle and walked over to help her. "Are you going to be able to forget him?" Lauren asked, admiring the ease with which he managed the stubborn cork. "I will...after a while." "What do you mean,after a while? You said there was nothing promiscuous about a woman satisfying her biological-" "I know what I said,dammit!" "Then why do you look so angry? You didn't lie to me,did you?" "I didn't lie," he said, slamming the bottle onto the bar and reaching for a glass from the cabinet. "I believed it at the time." "Why?" she goaded. "Because it was convenient to believe it," he bit out. "I was not in love with you then." Lauren loved him more at that moment than ever. "Would you like me to tell you about him?" "No," he said coldly. Her eyes twinkled, but she backed a cautious step out of his reach. "You would have approved of him. He was tall, dark, and handsome, like you. Very elegant,sophisticated and experienced. He wore down my resistence in two days,and-" "Dammit, stop it!" Nick grated in genuine fury. "His name is John." Nick braced both hands on the liguor cabinet,his back to her. "I do not want to hear this!" "John Nicholas Sinclair," Lauren clarified.

Jeavon's thick dark hair, with its ridges of corkscrew curls, had now turned quite white, the Charlie Chaplin moustache remaining black. This combination of tones for some reason gave him an oddly Italian appearance, enhanced by blue overalls, obscurely suggesting a railway porter at a station in Italy.

Sickening, the way the youngest de Vibrey girl, to humour the whim of her kinky old father, is actually riding side-saddle today. Twisted round like a blooming corkscrew. Hymen be blowed, think of what it's doing to her innards, poor wretch, think of the strain on her spine when she goes over the fences.

The street called Straight is straighter than a corkscrew, but not as straight as a rainbow. St. Luke is careful not to commit himself; he does not say it is the street which is straight, but the “street which is called Straight.” It is a fine piece of irony; it is the only facetious remark in the Bible, I believe.

Pilots were not excused all these rigorous new checks, and when Woodie Menear’s turn came, the security screener expressed concern about the presence of a pair of tweezers in his cabin baggage. As it happened, tweezers – unlike corkscrews or metal scissors, for example – were not on the list of forbidden items; Menear was not breaching regulations by trying to bring them on board. But the official paused just long enough to spark frustration on the part of the pilot, who, like his colleagues, had been growing ever more exasperated by each new restriction. This time it was too much. Menear did not explode in rage; he merely asked a sarcastic question. But it was one that would lead to his immediate arrest, a night in jail, his suspension by US Airways, and months of legal wranglings before he was finally acquitted of ‘making terroristic threats’ and permitted to return to his job. ‘Why are you worried about tweezers,’ Menear asked, ‘when I could crash the plane?

Reggie made him feel like he was nine years old and out for dinner with his family at the Ponderosa Steak House and he had run into his French teacher and his mother invited her to dine with him. Reggie made him feel like he was sitting in a public bathroom stall and someone had come into the bathroom and began singing a song about what a stinky bastard he was while he was in there sweating it out. Reggie made him feel like someone had taken the red Tonka fire engine he had always wanted and painfully corkscrewed it down the front of his jeans. Reggie made him feel like the ice cream man had just rolled by and all his dead grandparents were mooning him out the truck window.

The more things change, the more they remain the same,

he stares at the TV until the reportage sickens him for a new reason: It seems like the crass exploitation of tragedy for ratings.

in this world of free will, fate is amorphous.

At one of our closing meetings at the College, before the brethren went away for their vacation, I said that I was a poor man, or I would give every student a present, and I told them what I would have selected if I had been rich. I remember one brother to whom I said that I would give him a corkscrew, because he a a good deal in him, but he could not get it out.

He had this look on his face of shock, of hurt. I wanted to say to her, It’s no good, you won’t be able to help him now, but then I realized she wasn’t trying to stop the bleeding. She was making sure. Twisting the corkscrew in, farther and farther, ripping into his throat, and all the time she was talking to him softly, softly. I couldn’t hear what she was saying.

I should see the garden far better," said Alice to herself, "if I could get to the top of that hill: and here's a path that leads straight to it—at least, no it doesn't do that—" (after going a few yards along the path, and turning several sharp corners), "but I suppose it will at last. But how curiously it twists! It's more like a corkscrew than a path! Well, this turn goes to the hill, I suppose—no, it doesn't! This goes straight back to the house! Well then, I'll try it the other way." And so she did: wandering up and down, and trying turn after turn, but always coming back to the house, do what she would. Indeed, once, when she turned a corner rather more quickly than usual, she ran against it before she could stop herself.

And the poor lady, so small in her black satin, shrivelled up and sallow, with her funny corkscrew curls, took the little boy on her lap and put her arms around him and wept as though her heart would break. But her tears were partly tears of happiness, for she felt that the strangeness between them was gone. She loved him now with a new love because he had made her suffer.

Florence lives alone in the great dreary house, and day succeeded day, and still she lived alone; and the blank walls looked down upon her with a vacant stare, as if they had a Gorgon-like mind to stare her youth and beauty into stone. No magic dwelling-place in magic story, shut up in the heart of a thick wood, was ever more solitary and deserted to the fancy, than was her father's mansion in its grim reality, as it stood lowering on the street: always by night, when lightd were shining from neighbouring windows, a blot upon its scanty brightness; always by day, a frown upon its never-smiling face. There were not two dragon sentries keeping ward before the gate of this above, as in magic legend are usually found on duty over the wronged innocence imprisoned; but besides a glowering visage, with its thin lips parted wickedly, that surveyed all comers from above the archway of the door, there was a monstrous fantasy of rusty iron, curling and twisting like a petrification of an arbour over threshold, budding in spikes and corkscrew points, and bearing, one on either side, two ominous extinguishers, that seemed to say, 'Who enter here, leave light behind!

The vision has passed, but he feels as though he is standing above a void, with nothing to support him, that his fall is about to begin, that he’ll shatter his bones on the bloody rack and ruin below.

The original Watson and Crick model of DNA, with its hammered metal plates and rickety rods twisting precariously around a steel laboratory stand, is housed behind a glass case. The model looks like a latticework corkscrew invented by a madman, or an impossibly fragile spiral staircase that might connect the human past to its future. Crick’s handwritten scribbles—A, C, T, and G—still adorn the plates.

The crowd started cheering as soon as they seen him, he was one of them, a local lad from Lancashire. In the first round, I tried to put him away but my punches had nothing in them, I might as well as been hitting thin air. It was then that I knew I had to really dig deep if I wanted to hear the final bell; I threw a clever little corkscrew right. A great shot, but ineffective unless it hits with some vigour, which it didn’t!

Smoke By Théophile Gautier Translated by Norman R. Shapiro Over there, trees are sheltering A hunchedback hut... A slum, no more... Roof askew, walls and wainscoting Falling away... Moss hides the door. Only one shutter, hanging... But Seeping over the windowsill, Like frosted breath, proof that this hut, This slum, is living, breathing still. Corkscrew of smoke... A wisp of blue Escapes the hovel, whose soul it is... Rises to God himself, and who Receives the news and makes it his.

In their humility, they can’t easily see themselves as the spine and heart of the world, but if they don’t eventually understand their value, the necessity of their resistance, the future will be an ugly realm of madness, oppression, and endless violence.

open. The two other men ran out, the blond’s hair in corkscrews. He looked lost, baffled by the wreck at the bottom of the incline. But the other —the one with the buzz cut —didn’t look lost at all. He looked like he knew exactly what was happening, angry as a kicked nest of wasps. His head ticked toward Lila. She slunk back, hopefully out of sight. She had no idea if he’d seen her, and couldn’t peek to check. Lila was blind. And he might be coming after her. She had to stay frozen, waiting to be taken like prey.

There were orchids for sale, for one and two and three and five hundred dollars, a madhouse of orchids in every color, in every shape, with wide leaves and skinny leaves and no leaves at all, with fat jutting lips and lips cupped like thimbles, and with blackish-red hoods and freckles, with ruffles, with pleats, with corkscrew curls, big as fists, small as fingernails, smelling of honey, grass, citrus, cinnamon, or of nothing, not a smell at all but just the heavy warm quality that air has after it has been sitting in a flower.

Imagine... There isn't enough cheese in the world, Wesleydale, Stilton and Brie, to make up a bedtime snack capable of giving rise to the sort of bad dream you'd need to picture it in your mind's bloodshot eye. A riot of tentacles, pincers and talons. A maelstrom of pitchforks, meathooks, carving knives and corkscrews. Teeth beyond the wildest opium vision of dentistry, claws beyond even Satan's chiropody. Enough scaled hides to make handbags for all the witches in eternity. Enough plastic red noses... Plastic red noses? Wait a minute...

The fabric of Lady Islay's gown certainly cost as much as Claribel's entire quarterly allowance. It was a pearly silk taffeta shot with threads of silver. Her breasts were scarcely covered, and from there the gown fell straight to the ground in a hauntingly beautiful sweep of cloth. The pink brought out the color of her hair- burnt amber enticed with brandy and buttercup. If only she had left it free around her face and perhaps created some charming curls! Claribel made up her mind to tell her privately about the newest curling irons. She herself had lovely corkscrew curls bobbing next to her ears.

Mrs. Struthers liked me because I fucking loved school,” he says. “I mean, once I figured out how to actually read. Didn’t exactly make me a hit with other kids, though. In high school, things weren’t as bad, and then eventually . . .” “You got hot,” I say somberly. His laugh grates over my skin. “I was going to say ‘I moved to New York.’ ” We’ve stopped moving. Heat corkscrews through my rib cage, coiling tighter with each spiral. I clear my throat enough to joke, “And then you got hot.” “Actually,” he says, “that only happened four or five weeks ago. There was this big meteor shower, and I made a wish and . . .” Charlie holds his arms out as he drifts closer.

March 1898 What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul. They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike! They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels. I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring... I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive. Their vitreous eyes were looking at me... I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting. Am I to be haunted by masks now?

The gnarled pine, I would have said, touch it. This is China. Horticulturalists around the world have come to study it. Yet no one has ever been able to explain why it grows like a corkscrew, just as no one can adequately explain China. But like that tree, there it is, old, resilient, and oddly magnificent. Within that tree are the elements in nature that have inspired Chinese artists for centuries: gesture over geometry, subtlety over symmetry, constant flow over static form. And the temples, walk and touch them. This is China. Don't merely stare at these murals and statues. Fly up to the crossbeams, get down on your hands and knees, and press your head to the floor tiles. Hide behind that pillar and come eye to eye with its flecks of paint. Imagine that you are the interior decorator who is a thousand years in age. Start with a bit of Tibetan Buddhism, plus a dash each of animism and Taoism. A hodgepodge, you say? No, what is in those temples is an amalgam that is pure Chinese, a lovely shabby elegance, a glorious new motley that makes China infinitely intriguing. Nothing is ever completely thrown away and replaced. If one period of influence falls out of favor, it is patched over. The old views still exist, one chipped layer beneath, ready to pop through with the slightest abrasion. That is the Chinese aesthetic and also its spirit. Those are the traces that have affected all who have traveled along China's roads.

Bar-tailed godwits flying with curlew, with knot, with plover; seldom alone, seldom settling; snuffling eccentrics; long-nosed, loud-calling sea-rejoicers; their call a snorting, sneezing, mewing, spitting bark. Their thin upcurved bills turn, their heads turn, their shoulders and whole bodies turn, their wings waggle. They flourish their rococo flight above the surging water. Screaming gulls corkscrewing high under cloud. Islands blazing with birds. A peregrine rising and falling. Godwits ricocheting across water, tumbling, towering. A peregrine following, swooping, clutching. Godwit and peregrine darting, dodging; stitching land and water with flickering shuttle. Godwit climbing, dwindling, tiny, gone: peregrine diving, perching, panting, beaten.

Teddy Roosevelt?" I suggested. Sadie and I had been trying to figure out the second mathlete's costume for a few minutes. He was wearing a 1930's-style suit,had his hair slicked down carefully, and was sporting a fake mustache. "No glasses. And I can't even begin to imagine the connection between Davy Jone's Locker and Teddy Roosevelt." Sadie pulled a long gold hair from her pumpkin-orange punch and sighed. Maybe her mother hadn't topped her Sleepy Hollow triumph, but it wasn't from lack of determination. What Mrs. Winslow hadn't achieved in creativity (she'd gone the mermaid route), she'd made up in the details. The tailed skirt was intricately beaded and embroidered in a dozen shades of blue and green. It was pretty amazing.The problem was the bodice: not a bikini, but not much better as far as Sadie was concerned. It was green, plunging, and edged with itchy-looking scallops. She was managing to stay covered by the wig, but that was an issue in itself. It was massive,made up of hundreds of trailing corkscrew curls in a metallic blonde. To top it all off, the costume included a glittering, three point crown, and a six-foot trident, complete with jewels and trailing silk seaweed. "Sadie," I'd asked quietly when she'd appeared at my house, shivering and tangled in her wig, "why don't you..." Just tell her where she can shove her trident? But that would just have been mean. Sadie gives in and wears the costumes because it's infinitely easier than fighting. "...come next door and we'll see if Sienna has a shawl you can borrow?

Bran snapped into the room in a corkscrew of mist, jerked my robe open and down to clamp my shoulders, and kissed me. His teeth clicked against mine. I kneed him, but he expected it and blocked with his leg. He realized his tongue wouldn’t make it into my mouth and let go. “I’ll still get you,” he promised. Curran lunged at him and caught tendrils of mist. I wiped my mouth with the back of my hand. “Did he hurt you?” Curran said. If my eyes could shoot lightning, I would’ve fried him on the spot. “Depends on how you define hurt. What kind of show are you running here, anyway?” Curran snarled. “Very impressive,” I told him. “He can’t hear you.” I pulled my robe shut, again, climbed into my bed, and covered myself with my blanket. I had had entirely enough embarrassment for one night.

What if he died here, in this forest, alone? What would become of his bones? Would they crumple and fold into the earth, preserved as a riddle for some other species, hacking one day through stone, to solve? He hadn't done enough with his life. He hadn't seen that what he had in common with the world--with the trunks of trees and the marching columns of ants and green shoots corkscrewing up from the mud--was life: the first light that sent every living thing paddling forth into the world every day. He wouldn't die--he couldn't. He was, only now, remembering how to live. Something in him wanted to sing out, wanted to shout: I'm lost completely, lost utterly. The shingling, coarse bark of a tree, raindrops plunking on the leaves, the sound of a toad moaning a love song somewhere nearby: all of it seemed terribly beautiful to him.

This is a dagger,” Bo said, drawing a dark blade as long as his forearm from a sheath hidden somewhere in the back of his armor. “No, this is a dagger,” Tarina countered, pulling an even longer silver weapon from somewhere among the tangled threads of her mossy garment, with a blade that spiraled like a corkscrew. “And those are not for beginners,” Sandor argued. “Let’s also not forget that Sophie is training with her weaker hand.” “But I have Tinker’s bracelet,” Sophie reminded him. “Which improves your strength, not your coordination,” he corrected. “I’d like you to get through today’s lesson without losing any fingers. Besides, any soldier worth the air they’re breathing can fight with any weapon.” “I’d be more willing to believe you,” Sophie noted, “if you weren’t holding that.” She pointed to Sandor’s dagger, which looked more like half a sword. Tarina snorted. “I like this girl.

Look,’ said Giovanni, as we crossed the river. ‘This old whore, Paris, as she turns in bed, is very moving.’ I looked out, beyond his heavy profile, which was grey—from fatigue and from the light of the sky above us. The river was swollen and yellow. Nothing moved on the river. Barges were tied up along the banks. The island of the city widened away from us, bearing the weight of the cathedral; beyond this, dimly, through speed and mist, one made out the individual roofs of Paris, their myriad, squat chimney stacks very beautiful and vari-colored under the pearly sky. Mist clung to the river, softening that army of trees, softening those stones, hiding the city’s dreadful corkscrew alleys and dead-end streets, clinging like a curse to the men who slept beneath the bridges—one of whom flashed by beneath us, very black and lone, walking along the river. ‘Some rats have gone in,’ said Giovanni, ‘and now other rats come out.

You're A Big Girl Now" Our conversation was short and sweet It nearly swept me off-a my feet And I'm back in the rain, oh, oh And you are on dry land You made it there somehow You're a big girl now Bird on the horizon, sitting on a fence He's singing his song for me at his own expense And I'm just like that bird, oh, oh Singing just for you I hope that you can hear Hear me singing through these tears Time is a jet plane, it moves too fast Oh, but what a shame that all we've shared can't last I can change, I swear, oh, oh See what you can do I can make it through You can make it too Love is so simple, to quote a phrase You've known it all the time, I'm learning it these days Oh, I know where I can find you, oh, oh In somebody's room It's a price I have to pay You're a big girl all the way A change in the weather is known to be extreme But what's the sense of changing horses in midstream? I'm going out of my mind, oh, oh With a pain that stops and starts Like a corkscrew to my heart Ever since we've been apart Bob Dylan, Blood On The Tracks (1975)

You’re why we have food on our tables and water at the tap, why the lights come on when we flick a switch. More than that, you’re why we have a civil society, why we still feel safe in our homes and have a sense of a common bond, why we still reach out to one another in times of need, why kindness and love still have a chance of defeating the madness of factions encouraged to hate their neighbors, factions enflamed by leaders who believe that seeding contempt and hatred for others will be a convenient ladder to the top of the power structure.

Everywhere you turn you see signs of its place at the top of the Italian food chain: fresh-pasta shops vending every possible iteration of egg and flour; buzzing bars pairing Spritz and Lambrusco with generous spreads of free meat, cheese, and vegetable snacks; and, above all, osteria after osteria, cozy wine-soaked eating establishments from whose ancient kitchens emanates a moist fragrance of simmered pork and local grapes. Osteria al 15 is a beloved dinner den just inside the centro storico known for its crispy flatbreads puffed up in hot lard, and its classic beef-heavy ragù tossed with corkscrew pasta or spooned on top of béchamel and layered between sheets of lasagne. It's far from refined, but the bargain prices and the boisterous staff make it all go down easily. Trattoria Gianni, down a hairpin alleyway a few blocks from Piazza Maggiore, was once my lunch haunt in Bologna, by virtue of its position next to my Italian-language school. I dream regularly of its bollito misto, a heroic mix of braised brisket, capon, and tongue served with salsa verde, but the dish I'm looking for this time, a thick beef-and-pork joint with plenty of jammy tomato, is a solid middle-of-the-road ragù.

You and folks like you are the heart and spine of the world. You’re why we have food on our tables and water at the tap, why the lights come on when we flick a switch. More than that, you’re why we have a civil society, why we still feel safe in our homes and have a sense of a common bond, why we still reach out to one another in times of need, why kindness and love still have a chance of defeating the madness of factions encouraged to hate their neighbors, factions enflamed by leaders who believe that seeding contempt and hatred for others will be a convenient ladder to the top of the power structure.

So are you riding with me?” he asks, like Courtney never happened.   “Dear god. I need wine.” I ignore his question. I clearly do not share his ability to ignore everything going on around us.   “Is that a yes?” he asks.   I nod, watching the smile cross his face before he reaches for my hand and guides me to the bar.   “White or red?” he asks me when the bartender approaches us.   “With alcohol.” Because after the way this night has played out, I have no right to be picky.   “Can she have a bottle of your most popular wine, please?” Gavin asks the bartender, who happily agrees. Both men are looking at me with huge grins on their faces, and the bartender is laughing! Apparently he was one of the unlucky few who didn’t see what just happened. If he had, he’d be looking much more sympathetic and handing me a bottle of Patron.   He’s walking away when I remember one very important detail and yell after him, “Make sure it’s a twist lid!”   “A twist lid bottle of wine? Really?” Gavin says beside me.   “Yes, really. Do you have a corkscrew in your truck?”   He’s full on laughing at me when Mr. Bartender comes back with a bottle in his hand, its metal lid gleaming under the lights.   “It’s not our most popular, but it’s the only one I could find that didn’t have a cork.”   “Do I seem like my standards are sky-high right now? This is perfect.

Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.

It’s not all about hitting. There’s an art to it. A talent. You need power but also smarts. When to hit and where. You have to outthink your opponent. It’s not all about size. Determination and experience play a part.” “Like in business,” she said. “The skill set translates.” She wrinkled her nose. “Doesn’t it hurt when you get hit?” “Some. But boxing is what I knew. Without it, I would have just been some kid on the streets.” “You’re saying hitting people kept you from being bad?” “Something like that. Put down your glass.” She set it on the desk. He did the same, then stepped in front of her. “Hit me,” he said. She tucked both hands behind her back. “I couldn’t.” The amusement was back. “Do you actually think you can hurt me?” She eyed his broad chest. “Probably not. And I might hurt myself.” He shrugged out of his suit jacket, then unfastened his tie. In one of those easy, sexy gestures, he pulled it free of his collar and tossed it over a chair. “Raise your hands and make a fist,” he said. “Thumbs out.” Feeling a little foolish, she did as he requested. He stood in front of her again, this time angled, his left side toward her. “Hit me,” he said. “Put your weight behind it. You can’t hurt me.” “Are you challenging me?” He grinned. “Think you can take me?” Not on her best day, but she was willing to make the effort. She punched him in the arm. Not hard, but not lightly. He frowned. “Anytime now.” “Funny.” “Try again. This time hit me like you mean it or I’ll call you a girl.” “I am a girl.” She punched harder this time and felt the impact back to her shoulder. Duncan didn’t even blink. “Maybe I’d do better at tennis,” she murmured. “It’s all about knowing what to do.” He moved behind her and put his hands on her shoulders. “You want to bend your knees and keep your chin down. As you start the punch, think about a corkscrew.” He demonstrated in slow motion. “That will give you power,” he said. “It’s a jab. A good jab can make a boxer’s career. Lean into the punch.” She was sure his words were making sense, but it was difficult to think with him standing so close. She was aware of his body just inches from hers, of the strength and heat he radiated. The need to simply relax into his arms was powerful. Still, she did her best to pay attention, and when he stepped in front of her again so she could demonstrate, she did her best to remember what he’d said. This time, she felt the impact all the way up her arm. There was a jarring sensation, but also the knowledge that she’d hit a lot harder. “Did I bruise you?” she asked, almost hoping he would say yes, or at least rub his arm. “No, but that was better. Did you feel the difference?” “Yes, but I still wouldn’t want to be a boxer.” “Probably for the best. You’d get your nose broken.” She dropped her arms to her sides. “I wouldn’t want that.” She leaned closer. “Have you had your nose broken?” “A couple of times.” She peered at his handsome face. “I can’t tell.” “I was lucky.” She put her hand on his chin to turn his head. He looked away, giving her a view of his profile. There was a small bump on his nose. Nothing she would have noticed. “You couldn’t just play tennis?” she asked. He laughed, then captured her hand in his and faced her. They were standing close together, his fingers rubbing hers. She shivered slightly, but not from cold. His eyes darkened as he seemed to loom over her. His gaze dropped to her mouth. He swallowed. “Annie.” The word was more breath than sound. She heard the wanting in his voice and felt an answering hunger burning inside her. There were a thousand reasons she should run and not a single reason to stay. She knew that she was the one at risk, knew that he wasn’t looking for anything permanent. But the temptation was too great. Being around Duncan was the best part of her day.

Chewing is fun [on hillbilly heroin]. Who knew it could ever be so much work, though? I’m reasonably sure I’ve been rolling the same spoonful of pasta salad around in my mouth for several minutes now. Delicately freeing the snow peas from their pods. Corkscrew noodles swishing loops across the palate. Garbanzo beans always fumbling off the sides of my tongue.

As he embraced her amiably there came to him on a sudden the disturbing pang of love, a sort of celestial corkscrew.

A notorious dandy, Ray was wearing a derby hat and a plaid vest with a matching suit and a long plaid overcoat. As a final flourish, he was carrying a gnarled corkscrew-shaped shillelagh.

For the first time, I noticed the work being performed by the rest of the team. No conversation, every face serious. A woman removed wrapping from a tray. At some point, I noticed a sealed bag with a needle in it. By my guess, it was six inches long. Then I saw another device that looked like a giant corkscrew, only straight. “Mom?” I said. She was nearby, behind all the staff dashing about. I assumed she had been asking plenty of questions herself that I hadn’t heard. “Yes, Kurt.” “I want you to leave before they do this.

Time stretches put above and below him. A column he can easily move through and get off at any time. Flights of run and risers twisting back on themselves, time becomes a serrated corkscrew edge heading up into future and down into the past. The elevator jumps between the two, slipping the column from the beginning to the end, stopping on demand or randomly at any floor in between. Time is a dog’s years versus tortoise’s years. Time is always happening, all at once.

It's going on within this world wide corporation. Instead of marriage to the One above, it's lust for power and fornication to this currency currently in circulation. Manipulation to the out most, every time a native is manipulated, it's corkscrews and champagne toast, mashed potatoes and beef roast, living in Hell while they sip and dine on the east coast. Only a dream of prosperity through inflated currency, gold bricks which alone could keep up from catastrophe will soon vanish and no rate of interest will tempt it to return for eternity.

I am your shower curtain and I am watching you. I surround you, I shield you, and I like you. I like to see the water touch you, travel down upon you, searching, falling away from you. I like to see you lather. I like to see you rinse. I like to see you thinking your thoughts with your eyes closed. I do not like to hear you hum. I do not like to hear you sing. I like you quiet. I like you thinking, silently, your lips moving, your eyes closed tight. I like your fingers. Your wrists, your toes. I like your shins. Your knees. I like the way the water funnels between your legs and cascades down, turning in corkscrews. I like it when you like yourself. When you give a moment to your thighs. When you give a moment to the back of your neck, to the inner fold of your arm. Take a moment. Give yourself time. Take the soap and make circles on your flesh. Make slow circles on your flesh. Make long elliptical shapes upon your beautiful flesh. Your beautiful flesh today. Tomorrow your flesh will be different. It will be older. Appreciate it now. Your flesh is a miracle. You started from nothing. From an egg too small to see. Then a relentless multiplication of cells, each one a miracle, each one a preposterous happening. And from this ridiculous profusion now you are you. You are a giant. You are a giant and water is falling upon you and you are cleaning yourself because you are beautiful. Please don’t think about anything else. I know I said I liked to see you think but that, i realize now, is not true. I don’t want to see you think. I only want the elliptical touching of your flesh. throw your mind away and enjoy your wet flesh. thrill in your existence. Your persistence. the fact that you can be here, under this falling water. this, as much as any other reason, is why you are here, why you exist. to enjoy this. to feel this. it is good enough. It is good enough to justify everything else.

It has become cliche to talk about faith as a journey, and yet the metaphor holds. Scripture doesn't speak of people who found God. Scripture speaks of people who walked with God. This is a keep-moving, one-foot-in-front-of-the-other, who-knows-what's-next deal, and you never exactly arrive. I don't know if the path's all drawn out ahead of time, or if it corkscrews with each step like Alice's Wonderland, or if, as some like to say, we make the road by walking, but I believe the journey is more labyrinth than maze. No step taken in faith is wasted, not by a God who makes all things new.

You almost killed that dude with nothing but a cell phone and a corkscrew,” Big Tag was saying. “You win employee of the week. Sean, I think we should totally have a program at the restaurant for employees who creatively handle crime.

I have a corkscrew in my pocket. I would go back into the kitchen for a knife, but the block is too close. He would see me so it’s me and the corkscrew. It’s fitting since it’s my favorite tool. I have a decent line of sight on him. Everything else will be pure luck and willpower. Thank you, Tag. For everything. You take care of her if anything happens to me.” “Understood, but you’re a badass and he’s a fucker who could barely handle minimum security prison. Take him out.