Coral Pink Quotes

We've searched our database for all the quotes and captions related to Coral Pink. Here they are! All 55 of them:

Blue is for cruel bargains; green is for daring what you oughtn’t; violet is for brute force. I will say to you: Coral coaxes; pink insists; red compels. I will say to you: You are dear to me as attar of roses. Please do not get eaten.
Catherynne M. Valente (Deathless)
Ol' man Simon, planted a diamond. Grew hisself a garden the likes of none. Sprouts all growin' comin' up glowin' Fruit of jewels all shinin' in the sun. Colors of the rainbow. See the sun and the rain grow sapphires and rubies on ivory vines, Grapes of jade, just ripenin' in the shade, just ready for the squeezin' into green jade wine. Pure gold corn there, Blowin' in the warm air. Ol' crow nibblin' on the amnythyst seeds. In between the diamonds, Ol' man Simon crawls about pullin' out platinum weeds. Pink pearl berries, all you can carry, put 'em in a bushel and haul 'em into town. Up in the tree there's opal nuts and gold pears- Hurry quick, grab a stick and shake some down. Take a silver tater, emerald tomater, fresh plump coral melons. Hangin' in reach. Ol' man Simon, diggin' in his diamonds, stops and rests and dreams about one... real... peach.
Shel Silverstein (Where the Sidewalk Ends)
Like the color pink, someone always sees the story different. Some see rose and magenta, and other see coral and salmon. When at the end of the day, it’s just regular old pink.
Tiffany D. Jackson (Monday's Not Coming)
My love for you is like a Florida sunset. Orange, coral, pink, and lavender, it exists to warm your heart through the inevitable darkness.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
Where I'm going, anything may happen. Nothing may happen. Maybe I will marry a middle-aged widower, or a longshoreman, or a cattle-hoof-trimmer, or a barrister or a thief. And have my children in time. Or maybe not. Most of the chances are against it. But not, I think, quite all. What will happen? What will happen. It may be that my children will always be temporary, never to be held. But so are everyone's. I may become, in time, slightly more eccentric all the time. I may begin to wear outlandish hats, feathered and sequinned and rosetted, and dangling necklaces made from coy and tiny seashells which I've gathered myself along the beach and painted coral-pink with nail polish. And all the kids will laugh, and I'll laugh, too, in time. I will be light and straight as any feather. The wind will bear me, and I will drift and settle, and drift and settle. Anything may happen, where I'm going.
Margaret Laurence (A Jest of God)
The roses bloomed, thousands of them in a floral amphitheater, blossoms shading from gold and coral at the top of the garden to scarlet and deep pink on tiers below. At the bottom, in the center of the rosy congregation, the palest apricots and ivories perfumed the air.
Allegra Goodman (The Cookbook Collector)
In my mind, no other flower can compete with the perfection and the fragrance of the Peony. The silky petals, delicate shape, romantic shades and graceful foliage make this flower my all time favorite and I’m not alone. Brides plan their wedding dates around peony season. Flower enthusiasts plant them all through their gardens. Florists go crazy over all the different shades available from white, to coral, yellow to reds and every imaginable pink!  Sadly, this bloom can only be enjoyed in nature for a very short time each year. That’s the reason their paper counterparts have become such a hit!
Chantal Larocque (Bold & Beautiful Paper Flowers: More Than 50 Easy Paper Blooms and Gorgeous Arrangements You Can Make at Home)
The fragment of coral, a tiny crinkle of pink like a sugar rosebud from a cake, rolled across the mat. How small, thought Winston, how small it always was!
George Orwell (1984)
surround myself with happy colors—yellow, coral, hot pink, and Mediterranean blues and greens.
Joan Crawford (My Way of Life)
What will I do? I worry about the years slipping by, while I stay on at Eden getting older and older. Living a life with no dreams or ambitions, getting old and wrinkled inside my coral-pink blouse.
Michiko Aoyama (What You Are Looking For Is in the Library)
Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever. Valerian's hair shines like polished gold. Nicasia's limbs are long and perfectly shaped, her mouth the pink of coral, her hair the colour of the deepest, coldest part of the sea. Fox-eyed Locke, standing silently behind Valerian, his expression schooled to careful indifference, has a chin as pointed as the tips of his ears. And Cardan is even more beautiful than the rest, with black hair as iridescent as a raven's wing and cheekbones sharp enough to cut out a girl's heart. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
She observed the dumb-show by which her neighbour was expressing her passion for music, but she refrained from copying it. This was not to say that, for once that she had consented to spend a few minutes in Mme. de Saint-Euverte's house, the Princesse des Laumes would not have wished (so that the act of politeness to her hostess which she had performed by coming might, so to speak, 'count double') to shew herself as friendly and obliging as possible. But she had a natural horror of what she called 'exaggerating,' and always made a point of letting people see that she 'simply must not' indulge in any display of emotion that was not in keeping with the tone of the circle in which she moved, although such displays never failed to make an impression upon her, by virtue of that spirit of imitation, akin to timidity, which is developed in the most self-confident persons, by contact with an unfamiliar environment, even though it be inferior to their own. She began to ask herself whether these gesticulations might not, perhaps, be a necessary concomitant of the piece of music that was being played, a piece which, it might be, was in a different category from all the music that she had ever heard before; and whether to abstain from them was not a sign of her own inability to understand the music, and of discourtesy towards the lady of the house; with the result that, in order to express by a compromise both of her contradictory inclinations in turn, at one moment she would merely straighten her shoulder-straps or feel in her golden hair for the little balls of coral or of pink enamel, frosted with tiny diamonds, which formed its simple but effective ornament, studying, with a cold interest, her impassioned neighbour, while at another she would beat time for a few bars with her fan, but, so as not to forfeit her independence, she would beat a different time from the pianist's.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
Her knock was wimpier than she meant it to be—so wimpy that there was a second where she wasn’t sure if Keefe had actually heard her. But then he called out, “Back to nag me already? You seriously need to get yourself a hobby. I hear spelunking’s fun. Oooh, or you could try swimming with the krakens! I doubt they’d eat you—but maybe we’ll get lucky!” Which wasn’t exactly a “come in.” But Sophie still grabbed the silver handle and turned it—realizing only as she was yanking the door open that she should’ve made sure Keefe was dressed before she barged in. Thankfully, he was. Mostly… He lay sprawled across a huge bed that rested on a pedestal made of lacy bleached coral, wearing fuzzy blue pajama bottoms covered in tiny black gremlins, with his head propped against a familiar green gulon stuffed animal. “Foster?” he asked, jolting upright—which only drew more attention to the fact that he was currently shirtless. He crossed his arms, his cheeks flushing with a hint of pink when his ice blue eyes focused on her. “I… um… what are you doing here?” Ro snickered from the corner, where she lounged on a cushioned chaise, painting her claws the same purple she must have recently dyed the ends of her choppy pink pigtails. “Smooth, Lord Hunkyhair. Smooooooooooooooooooth
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.
Ned Beauman (Venomous Lumpsucker)
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
In honor of the beginning of summer, Celina had cut out large shapes of palm trees and sailboats from cardboard and painted them in vivid hues of pink, yellow, and blue to showcase her ornately embellished chocolate eggs fashioned after Richard Cadbury's original Victorian chocolate egg designs in England. Coral rosebuds, trailing green vines, tiny bluebirds, palm trees, starfish, and sailboats. Similar eggs had been popular at Easter, but these had themes of summer in San Francisco. She had even created a large, molded chocolate Golden Gate Bridge for one party.
Jan Moran (The Chocolatier)
The New York sidewalk led us along a little corner park rimmed with yellow-orange and violet pansies that seemed to be smiling, their faces upturned, and past a bagel shop that smelled of sesame and salt, delicious warm air. We passed an empty wine bar with a pink chandelier, whimsical and dim inside, and a neighborhood diner with its blue neon sign huge and lit up, little white line-cook hats—the city seemed in my vision like a multifaceted gem, spectacular. I wished I could keep everything I witnessed like a photograph, to forever hold this electric aliveness. The colors of the flowers and the clothing were crisp and rosy, hyper-bright against the subdued sun-drenched pigments of the streets and the brick buildings, all seeming faded, softer than real. Pops of coral and red—a scarf, a lady’s lips—were pops of life.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
She took me through the parlors and the kitchen, and I marveled at the beautiful ceiling molding, the wooden banisters up to the second floor, the crystalline chandelier in the dining room. The furniture was tasteful and sparse, plastic over the fainting couches and coffee tables and wingback chairs, so that as they stood in stasis they wouldn't collect dust. The second floor was just as gorgeous, the rooms all themed in different flowers. The yellow daffodil room was my favorite. The wall with the headboard had an entire mural of huge daffodils blooming across it. Junie's handiwork, I was sure. Just like the mural on the side of Frank's Auto Shop, and the logo for the Grumpy Possum, and even Gail's bar scene. She showed me all the different rooms, each with a different flower theme and a different focal color--- lavender and coral and sage. The pink ones--- roses--- matched Junie's pastel hair.
Ashley Poston (A Novel Love Story)
Seymour studies the quantities of methane locked in melting Siberian permafrost. Reading about declining owl populations led him to deforestation which led to soil erosion which led to ocean pollution which led to coral bleaching, everything warming, melting, and dying faster than scientists predicted, every system on the planet connected by countless invisible threads to every other: cricket players in Delhi vomiting from Chinese air pollution, Indonesian peat fires pushing billions of tons of carbon into the atmosphere over California, million-acre bushfires in Australia turning what’s left of New Zealand’s glaciers pink. A warmer planet = more water vapor in the atmosphere = even warmer planet = more water vapor = warmer planet still = thawing permafrost = more carbon and methane trapped in that permafrost releasing into the atmosphere = more heat = less permafrost = less polar ice to reflect the sun’s energy, and all this evidence, all these studies are sitting there in the library for anybody to find, but as far as Seymour can tell, he’s the only one looking.
Anthony Doerr (Cloud Cuckoo Land)
His nostrils flared and he couldn't wait any longer. He lifted her bodily, moving her farther up on the bed, placing her head and shoulders against the pillows, and then pushed up her chemise, crawling between her spread thighs and settling to enjoy what he'd found. There. There she was, her pretty, pretty pink cunny, all coral lips and wispy dark-blond curls. He hiked her trembling legs over his arms, ignoring her gasp of shocked surprise. He glanced up at once and saw wide, wondering eyes gazing back at him. Her gentlemanly first husband had evidently never done this to her. More fool he. Then he bent and feasted. His nose pressed into her mound, inhaling her woman's scent, his cock grinding hard into the bed, his tongue licking into tart and salt and her. Oh God, her. She squealed at his first touch and tried to squirm away, but he held her fast with his hands on her hips. He almost smiled against her tender flesh, his teeth scraping oh so gently. She might be startled, might be outraged and shocked, but she liked it. Perhaps even loved it- what he was doing to her. She was moaning now, low in her throat, making little mewling sounds, so erotic and sweet, her hips twitching against his lips, trying to get more. He opened his mouth, covering her, breathing over her. He stiffened his tongue and speared into her as far as he could reach, his jaw aching. She cried out at that and he felt fingers tangling in his hair. He withdrew his tongue and moved to her clitoris, taking the small bit of flesh gently between his teeth and pulling. She froze, trembling all over, and he could hear her gasping breaths. He opened his mouth and licked her. Softly. Tenderly. Thoroughly. And at the same time he shoved two fingers into her, feeling her wet walls contract against his knuckles, smelling the rise of her arousal. She arched under him, her soft thighs thrashing restlessly, making no sound, but he knew. He knew. He curled the fingers inside her and stroked her wet, silky inner walls as he pulled them back. Then he shoved them again into her, hard and firm, repeating the motion as he suckled her clitoris. She moaned- loud in the quiet room- and pushed against him, and he felt her tremble and suddenly grow wetter. She shuddered helplessly and he was drunk on her release, his cock a heavy, near-painful throb. He turned his head and kissed the inside of her soft thigh, listening to her pant.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
Everything has its price," Reverend Willows said. "The sunset costs us the moment in which we pause to look at it. We pay for a great love or a great dream in self-discipline, in self-sacrifice, in the giving of our love and our time and sometimes the sacrificing of our happiness." He grew silent. After a moment she realized that he was praying, his head bowed, his eyes closed. She was embarrassed, thinking that she was an intrusion upon his privacy, but when a moment later he opened his eyes, he smiled with surprising shyness and said, "A very impressive cathedral, isn't it?" He left her there. She looked and saw that the sky had turned pink and coral and gray, and as the light of dawn was born in the sky, a new light was born within her, too. There was a new day before them and with it new hope, new possibilities. A thousand men before her, a thousand million people, had looked up at the reddening sky or had seen the fragile green budding of the trees in spring, had heard the sudden song of a bird winging skywar, and had felt hope rekindled in their breasts. The dark night was over, the long winter ended, God was still in his heaven. How plain, how often repeated those homilies, yet what succor they gave. A bird cried somewhere in the rocks above her, and now in the distant valley she could see the glow of campfires and the smoke rising from the brown bosom of the land. At last she turned and went down the path to the wagons. And she, child of the earth, felt a thrill of response within her. She was thousands of miles from France. Between here and there lay an entire continent and a vast ocean, and yet in her heart she suddenly felt that she had come home.
Victor J. Banis (This Splendid Earth)
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
At Mermaids cove, the pink coral sand sparkled in the afternoon sun. Lucas and Clara kicked off their shoes and walked along the beach, looking for the perfect spot. "Here's a good place" said Clara as she got down on her knees. Lucas looked on as Clara write a message in the sand with a think stick.
Jordan Quinn (The Lost Stone (The Kingdom of Wrenly, #1))
I love pink, every shade of it, from orangey hues like peach and coral to the vivid fluorescent hot pinks and into the purply orchids. Pink can be delicate or bold, sexy or innocent or happy.
Barbara O'Neal (The Starfish Sisters)
It’s Willow, but like a fairy-tale version of Willow. She’s barefoot and wearing a coral-pink dress that somehow makes everything about her more her. More freckles, more pinkish tones to her skin, even her eyes are bigger. I know absolutely nothing about dresses, but I know this one is special—it has a heart-shaped neckline and a full skirt that looks like it comes from another era. But the thing that stops me dead in my tracks is her hair. It’s the first time I’ve seen Willow’s hair down, and looking at it makes me feel like the air has been sucked out of me. It’s long and shiny and it cascades down in chaotic waves that somehow seem to encapsulate her entire personality while also stealing every coherent thought I’ve ever had.
Jenna Evans Welch (Spells for Lost Things)
Colors and Designs - Trends for Toddlers - Motheringo The summer collections this year are flooded with all the bright colors perfect for the summer look. Offering miscellaneous colors from blues and pinks to corals and mints, the basic colors of black and white would never go out of style. The clothing is enhanced with the use of multiple textures, animal prints, and graphics, from the sparkly sequins to the knits, velvets, and denims, making sure your little one is dressed in a convenient yet trendiest of attires. Another element of cuteness that is enchantingly loved by the young toddlers are the intricate yet bold appliques of characters and graphics on the shirts and dresses. From having the ears or tail protruding out, or the frills with a 3-D texture, young kids are fond of such sensory elements in their apparel.
Abbe Kaya
What’s the big deal? You’re here every day doing shit. At least you can do something useful with your time.” I glare, stone faced. Poke. “You entitled bitch,” she snarls. I chuckle, fighting the urge to groan. I’m turned on by the pink hue of her skin because of her anger. She’s hot. I’m sick to be turned on by this. I focus on her coral, pouty lips as I hold up my hands and rise from the sofa. “I’m sorry, firecracker, that came out wrong. What I meant to say is you’re here every afternoon, so I just figured instead of helping your mom, you could help me.
Scarlett Se Leva (Just a Taste (Determined, #1))
She expected looking at the portrait would be like looking into the mirror, but she came around the easel and saw the painted girl and it was like a mallet striking her heart and like her heart was a bronze gong inside her ribs and its sounding somehow unstrung and remade her. She did not see herself. She saw how she was seen. The painted girl’s face seemed stark, stripped, her skin pink here, white there, be-freckled here, be-pimpled there, porcelain here, pebbly there, her pale forehead in shadow beneath the hat she wore, her coral nose flushed by the sun. Bridget saw the girl’s skull, her bones beneath her skin and muscles. The
Paul Harding (This Other Eden)
We turn weightless as we weave between the trees, all movement effortless as if we're floating. Pink and lilac light radiates off my body, tingling as his skin meets mine. I drape my arms around his neck. He's lovely, brimming with an unnatural brightness--- radiant--- like an angel. I smile. He stumbles back, a crooked look on his face shattering the moment. My heartbeat quickens. "What's wrong?" "Lila, are you doing this?" "Doing what?" He spins me around. "This." Gold-kissed magnolias blossom on the trees, multiplying before my eyes. Bright pink roses and coral-colored dahlias sprout from the ground. The buds hum faintly, a sweet sound that swirls around us in glitter. The roses blossom until they're full and round, shimmering with a faint iridescence.
Kiana Krystle (Dance of the Starlit Sea)
Taormina sits on a natural platform above the coast, its small streets and tiny staircases climbing to the summit of Mount Tauro, where an ancient Greek theater looks out across the sea. Stunning views aside, its coral-colored stone houses with wrought-iron balconies climb above elegant piazzas lined with cafés and filled with people. Deep green bushes with their bright pink flowers seem to grow everywhere, straight from the baking-hot stone. The town is beautiful, the pearl of the Ionian Sea, recently made famous by the show The White Lotus.
Lizzy Dent (Just One Taste)
I see a fae female with blue skin and a mask of seaweed and coral—an obvious Sea Court fae. A male with dark brown skin, a leafy-green suit, and moss for hair seems a candidate for Earthen. An androgynous fae next to him seems composed entirely of shimmering particles of glitter, making me think Star Court, while the next fae over must be Lunar, with her black dress speckled with glimmering opals and moon-white skin. Or did I get the two swapped? The pixie in a ruffled pink dress with wings the color of a robin’s egg could be Spring. Or perhaps Wind? No, Wind must be the fae with the streaming hair that constantly moves as if in flight. And the two fae with golden skin and bright hair are equally convincing as both Fire and Solar.
Tessonja Odette (The Fair Isle Trilogy: Complete Series Collection)
We decorate the heart-shaped snickerdoodles in pink and lilac frosting, topping each one with a tiny rosebud. Roisin brews a pot of passion fruit tea, sweetening it with honey before pouring it over a glass of ice and coconut milk. It turns a cloudy purple color. "This is a specialty at Petals Tea Shop," Roisin says. "Your auntie Laina named it the Midnight Rose Garden. It's one of my favorites." "It's wonderful," I say, taking a sip. It reminds me of family trips I used to take to Hawaii. My parents always said I was such a happy kid and didn't know what went wrong as I grew up. The passion fruit spilling over my tongue transports me back to placid waters--- ones that never whispered. The kind of waves that turtles call home and coral reefs burn bright. The same waves that culled my sunburnt shoulders, kissing my welted flesh and telling me I was okay. I was safe here. The water was safe. With Roisin, I am safe.
Kiana Krystle (Dance of the Starlit Sea)
We probably started painting our nails Immoral Coral after everybody sensible had already gone on to pink, but heck, at least we were all behind the times together.
Barbara Kingsolver (The Poisonwood Bible)
Sean had never stared into as many blank-eyed faces before. Throughout the high school civics talk, he felt as if he were speaking to the kids in a foreign language, one they had no intention of learning. Scrambling for a way to reach his audience, he ad-libbed, tossing out anecdotes about his own years at Coral Beach High. He confessed that as a teenager his decision to run for student government had been little more than a wily excuse to approach the best-looking girls. But what ultimately hooked his interest in student government was the startling discovery that the kids at school, all so different—jocks, nerds, preppies, and brains—could unite behind a common cause. During his senior year, when he’d been president of the student council, Coral Beach High raised seven thousand dollars to aid Florida’s hurricane victims. Wouldn’t that be something to feel good about? Sean asked his teenage audience. The response he received was as rousing as a herd of cows chewing their cud. Except this group was blowing big pink bubbles with their gum. The question and answer period, too, turned out to be a joke. The teens’ main preoccupation: his salary and whether he got driven around town in a chauffeured limo. When they learned he was willing to work for peanuts and that he drove an eight-year-old convertible, he might as well have stamped a big fat L on his forehead. He was weak-kneed with relief when at last the principal mounted the auditorium steps and thanked Sean for his electrifying speech. While Sean was politically seasoned enough to put the morning’s snafus behind him, and not worry overmuch that the apathetic bunch he’d just talked to represented America’s future voters, it was the high school principal’s long-winded enthusiasm, telling Sean how much of an inspiration he was for these kids, that truly set Sean’s teeth on edge. And made him even later for the final meeting of the day, the coral reef advisory panel.
Laura Moore (Night Swimming: A Novel)
Western Texas was just flat road amid the dusty plains as far as the eye could see. Alexander was driving and smoking; he had turned off the radio so he could hear Tatiana better—but she had stopped speaking. She was sitting on the passenger side with her eyes closed. She had been telling him and Anthony soothing stories of some of her pranks in Luga. There were few stories Alexander liked better than of her child self in that village by the river. Is she asleep? He glances at her, squeezed in around herself in a floral pink wrap dress that comes down to a V in her chest. Her glistening, slightly tender, coral nectar mouth reminds him of things, stirs him up a little. He checks to see what Anthony is doing—the boy is lying down facing away, playing with his toy soldiers. Alexander reaches over and cups a palmful of her breast, and she instantly opens her eyes and checks for Anthony. “What?” she whispers, and no sooner does she whisper than Anthony turns around, and Alexander takes his hand away, an aching prickle of desire mixed with frustration all swollen behind his eyes and in his loins.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
I love this place already," Max says as he gazes at the flying saucer not op of the blue-and-coral-pink building that is South Beach Fish Market. The hole-in-the-wall seafood joint is quirky for sure with the random artwork and sculptures all over the exterior. Giant cartoon renderings of fish and crustaceans in vivid colors adorn the outside, while the roof boasts a silver flying saucer and a lighthouse. "Wait until you taste the food," I say. It's a long wait in line, but I know once we get our meals and find a spot to sit down at one of the outdoor picnic tables, it'll be worth it. As we sit down, I savor the clear summer weather with the sun shining bright above us, offering warmth against the brisk coastal breeze. When the aroma of spices, lemon, and batter hits my nose, my stomach roars. I inhale my fish and chips before Max is even halfway done with his oysters and halibut. "Damn," he says around a mouthful of food. "Sometimes I forget how monstrous your appetite is. I would have never guessed given your size. But every time I watch you eat, I'm reminded all over again." I dig into my clam chowder. "Food is my life. I am not ashamed of it.
Sarah Echavarre Smith (The Boy With the Bookstore)
I love this place already," Max says as he gazes at the flying saucer on top of the blue-and-coral-pink building that is South Beach Fish Market. The hole-in-the-wall seafood joint is quirky for sure with the random artwork and sculptures all over the exterior. Giant cartoon renderings of fish and crustaceans in vivid colors adorn the outside, while the roof boasts a silver flying saucer and a lighthouse. "Wait until you taste the food," I say. It's a long wait in line, but I know once we get our meals and find a spot to sit down at one of the outdoor picnic tables, it'll be worth it. As we sit down, I savor the clear summer weather with the sun shining bright above us, offering warmth against the brisk coastal breeze. When the aroma of spices, lemon, and batter hits my nose, my stomach roars. I inhale my fish and chips before Max is even halfway done with his oysters and halibut. "Damn," he says around a mouthful of food. "Sometimes I forget how monstrous your appetite is. I would have never guessed given your size. But every time I watch you eat, I'm reminded all over again." I dig into my clam chowder. "Food is my life. I am not ashamed of it.
Sarah Echavarre Smith (The Boy With the Bookstore)
As the late sun descended into the ocean, it seemed to trail ragged strips of black cloud with it, like a burning red planet settling into the Pacific’s watery green rim. When the entire coastline was awash in a pink light you could see almost every geological and floral characteristic of the American continent tumbling from the purple crests of the Santa Monica Mountains into the curling line of foam that slid up onto the beaches: dry hills of chaparral, mesquite, and scrub oak, clumps of eucalyptus and bottlebrush trees, torrey and ponderosa pine growing between blue-tiled stucco houses, coral walls overgrown with bougainvillea, terraced hillside gardens filled with oleander, yucca plants, and trellises dripping with passion vine, and orange groves whose irrigation ditches looked like quicksilver in the sun’s afterglow. Then millions of lights came on in the canyons, along the freeways, and through the vast sweep of the Los Angeles basin, and it was almost as if you were looking down upon the end point of the American dream, a geographical poem into which all our highways eventually led, a city of illusion founded by conquistadors and missionaries and consigned to the care of angels, where far below the spinning propellers of our seaplane black kids along palm-tree-lined streets in Watts hunted each other with automatic weapons.
James Lee Burke
The ceremony consisted of vibrant pink, purple, and coral details that complemented the rustic wood and lush green vines climbing up the chapel. Abigail's team constructed an arbor made entirely of drooping orchids and palm fronds that framed the wooden doors perfectly. The aisle was lined with thousands of coral-colored rose petals and more orchids spilling over the end of every row of seats. It was a tropical dream.
Mary Hollis Huddleston (Without a Hitch)
He lay sprawled across a huge bed that rested on a pedestal made of lacy bleached coral, wearing fuzzy blue pajama bottoms covered in tiny black gremlins, with his head propped against a familiar green gulon stuffed animal. “Foster?” he asked, jolting upright—which only drew more attention to the fact that he was currently shirtless. He crossed his arms, his cheeks flushing with a hint of pink when his ice blue eyes focused on her. “I… um… what are you doing here?
Shannon Messenger (Legacy (Keeper of the Lost Cities Book 8))
The reef reminded Mary of the forest in spring, teeming with color and movement. Bristles of pink and red coral moved gently with the current. Fish shimmered past. A dark shadow lifted itself from the seabed and floated away. She had never seen so much beauty. Her eyes ached with looking and yet she hardly dared blink. It was as if, for all these years, she had been living with a great thirst, and at last was able to slake it.
Emilia Hart (The Sirens)
In the water, Lucy feels herself bloom. Her throat opens and she is breathing: she can feel the water nourish her, the sweet sting of the salt. She stretches out her hands in front of her, marveling at the webbed flesh. Her blood beats like a drum. She kicks her legs, feels the power in them, the beauty. Ahead of her, Jess moves with the tide, her body at one with the sea, her hair a dark, drifting halo. Lucy sees the dance of the coral, throbbing pink and bright in time with the current. The silver dart of fish, the elegant shadow of a stingray. Above, she knows, the storm rages: ashore, trees bend and sway, the leaves crackle with lightning. The wind picks up the sand in great billows, the waves white. But here, all is peaceful, time slowed to the space between her heartbeats.
Emilia Hart (The Sirens)
American tooth powder. Coral, cuttlefish bone, dragons blood, of each eight drachms; burnt alum and red sanders, of each four drachms; orris root eight drachms; cloves and cinnamon of each half a drachm; rose pink, eight drachms. All to be powdered and mixed.
Ruth Goodman (How to Be a Victorian: A Dawn-to-Dusk Guide to Victorian Life)
Yesterday, she had pulled out of the freezer a few special juices from the Looms that she had frozen last fall and set them in the cooler to thaw. When she had pressed them last October, they hadn't produced as much juice as the apples from younger trees, but even the raw juices by themselves were interesting and complex, layers of apple and honey and something earthier. At the time, she'd decided to save them for inspiration to strike. As she had lain in bed, though, waiting for the first rays of light, a color blossomed. A rosy pink, with a hint of coral, bold and opaque. It didn't have any sharp edges. She knew instantly it required juice from one of the Looms. She measured and blended, noting each of the juices she used and in what combination. Two parts Rambo, one part Winesap, a half part Britegold. She sipped it, but the color was too red, almost searing. She needed something to mute it. She walked into the large freezer where she had stored some of the frozen juices and even a few bushels of frozen apples she was experimenting with. She ran her fingers over the giant apple ice cubes in flattened Ziploc bags, closing her eyes and letting the colors emerge- green, periwinkle, sunshine yellow, and a sunset orange.
Amy E. Reichert (The Simplicity of Cider)
the lids, have taken on a coral-pink, the color of the dunes.
Edward Abbey (Desert Solitaire)
It was a room full of roses. Everywhere she looked, roses climbed out of pots and over trellises, up the windows and into the cupola, every shade imaginable: pink, yellow, white, champagne, sky blue, purple, fuchsia, coral, dusty pink, salmon pink, deep red, an even deeper red so dark it was almost black...
Sarah Beth Durst (The Enchanted Greenhouse (Spellshop, #2))
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chief emmanuel
Jenni parked her bike at a rusted rack near the public beach entrance. She walked down the wooden planks that spanned the dunes, out onto the beach. It was still early, in the day and in the season. The beach was mostly empty. A few stray umbrellas and chairs staked spots for later in the day. A mile down, the flat beachscape became a hotel panorama painted in shades of pink and coral and turquoise blue, a tiki wonderland of ocean-view balconies. The crest of carnival rides gleamed silver-black against the summer sky. The air smelled salty, with a hint of funnel cake. The flat ocean tapered toward low tide, an expanse of golden ripples that went on for nearly ever. Anything could be out there.
Emily Jane (Here Beside the Rising Tide)
She pulled up to the curb in front of number 115, a boxy house with a garden so neat that people sometimes slowed down to admire it. A pruned hedge guarded the profusion of roses that bloomed from spring to winter. Each of the roses had a name. Not the proper name of its variety, but Salvatore, Roberto, Rosina- each one planted in honor of their first communion. There were also roses that honored relatives in Italy whom Rosa had never met, and a few for people she didn't know- La Donna, a scarlet beauty, and a coral floribunda whose name she couldn't remember. The sturdy bush by the front step, covered in creamy-white blooms, was the Celesta, of course. A few feet away was the one Rosa, a six-year-old with a passion for Pepto-Bismol pink, had chosen for herself. Mamma had been so proud of her that day, beaming down like an angel from heaven. It was one of those memories Rosa cherished, because it was so clear in her heart and mind.
Susan Wiggs (Summer by the Sea)
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It is her mother’s exhausted face leaning over the crib, relieved the colicky screams have stopped at last, such a good girl, both of them happy now as she sucks her sugar water, swallows, sucks, gulps. It is her hopscotch-scraped knee with its grid of blood, her little girl tears, the kiss-it-better not working and so the butterscotch candies uncellophaned fast from grandma’s purse, it is the sticky butter-sweet glowing her blood, and all is fine now, all is good. It is the big girl finishing her glass of milk and so the reward of Whoppers Malted Milk Balls mumping her cheeks, smiles all around. It is look she’s finished her homework cleaned her room eaten her glazed carrots at dinner, and so now the nipple’d sweet of a Hershey’s Kiss poking out her cheek, the tiny crunch of M&M’s candy coatings, and how long can she hold the creamy brown melt in her mouth. It is the Halloween bounty, the season of candy corn and Tootsie Pops, the gritty sweet sand of Pixy Stix, the plastic orange pumpkin weighted with mini Mounds and Snickers and Milky Ways and Baby Ruths, all careful-parent examined for razor blades, for evil tamperings, then given back for sock-drawer hoarding that lasts only days, not the promised months. Fruits are the lab-made, ascorbic-acid flavors of Skittles and Starbursts and Jelly Bellies, raisins are Raisinets, almonds mean marzipan and Almond Joys, milk is a vehicle for Nesquik strawberry or chocolate syrups, sucked through red licorice Twizzler straws. It is the quivering anticipation of birthday cakes with the biggest pinkest prettiest sugar rose for the birthday girl, the backyard piñata attacked and attacked and attacked with baseball bat frenzy until she is showered with manna. Easter is creamy Cadbury Eggs, Thanksgiving is candied yam casserole peaked with marshmallow crust, Christmas is the faux-minty red-and-white swirl of candy canes sucked into spears, the pot of melting caramel meant to golden the popcorn garlands and shellac the apples, instead mouth-spooned away at the stove. It is the zoo the circus the carnival, all ballet-pink gossamer puffs of cotton candy crunched to hard coral between her teeth. It is the bloodbeat rush, the delirium, sailing soar into bliss, and then the plummet and bitter crash, the jitters and shakes. It is acidic pantings and acrid sweatings and belly flesh bulging around the elastic of panties and training bras, it is claiming a stomachache to duck the bleachers-running or rope-climbing or naked locker room of gym, it is the yearly mouthful of Novocain needle and new silver-filling glints rewarded with a gleaming, jewel-colored lollipop. It is the terror of beach parties or swim parties and the mumbled, towel-mummied excuses of sunburning so easily. It is her teenage Saturday nights baking Betty Crocker brownies alchemized into bigger higher happiness soars with added bags of Reese’s Pieces and Nestlé chocolate chips. It is the sweet boy, the cute kind caring boy in English lit who smiles, compliments her understanding of Shakespearean metaphor, comes to her house after school for quiz study, sits on her bed and eats half a pan of her offered brownies while she chatters away, then sweet-mouth kisses her silent, once, the chocolate masking the breath going sour, then nudges her head to his lap, to his opening fly, to the hard sucking candy and sweat and come filling her mouth, her throat, her belly, even as she suspects, knows, this is all she will get, all she deserves, but let me have it now, this sweetness, more and more and more, give it to me, it is so good.
Tara Ison