Wide Angle Quotes

View life through a wide angle lens attitude and see your horizons broaden.

A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread. "Holy Mother of God!" Úrsula shouted.

The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts

It's like a telescope. My dad, no matter what he's doing, zooms right in so he can't see anything except what's right there with him at that minute. My mom, she's always on wide angle.

For reasons unexplained, every person in the world is born with a large gaping hole in the center of their chest...while not uncomfortable, it is widely considered unsightly, and pretty much everyone tries to fill it with something...some people fill it with religion, others just buy a bunch of stuff, and some even fill it with other folks...I left mine alone, though, because I found out if you run against the wind at just the right angle, it makes a whistling noise.

He moved like a bird; twitching and bunching his shoulders. His head angled back and forth to watch me, and as he did, his biceps tightened. His dark hair was chin length and concealed most of his face. His mouth was wide in a disturbing smile that displayed his perfectly white teeth; the upper and lower canines sharpened to fine points.

If I had to pick between knowing just a little about a lot of folks and knowing everything about a few, I'd opt for the long, wide-angle shot, I think.

Things aren't ever what they seem to be when you first look at them. What's important is that you keep your mind wide open and try to understand what's going on from a lot of different angles.

The second I open my car door I'm ready to kill her. "Fucking shit!" I slam my hand on the roof. There, on the back seat, is a guy, eyes wide open and staring lifelessly at the ceiling. His head is at an odd angle, and his jaw is hanging open. She snapped his neck. What is she? Jackie-Fucking-Chan?

I wrenched the door out of my way―ridiculously eager―and there he was, my personal miracle. Time had not made me immune to the perfection of his face, and I was sure that I would never take any aspect of him for granted. My eyes traced over his pale white features: the hard square of his jaw, the softer curve of his full lips―twisted up into a smile now, the straight line of his nose, the sharp angle of his cheekbones, the smooth marble span of his forehead―partially obscured by a tangle of rain-darkened bronze hair . . . I saved his eyes for last, knowing that when I looked into them I was likely to lose my train of thought. They were wide, warm with liquid gold, and framed by a thick fringe of black lashes. Staring into his eyes always made me feel extraordinary―sort of like my bone were turning spongy. I was also a little lightheaded, but that could have been because I'd forgotten to keep breathing. Again.

Our world, seemingly global, is in reality a planet of thousands of the most varied and never intersecting provinces. A trip around the world is a journey from backwater to backwater, each of which considers itself, in its isolation, a shining star. For most people, the real world ends on the threshold of their house, at the edge of their village, or, at the very most, on the border of their valley. That, which is beyond is unreal, unimportant, and even useless, whereas that which we have at our fingertips, in our field of vision, expands until it seems an entire universe, overshadowing all else. Often, the native and the newcomer have difficulty finding a common language, because each looks at the same place through a different lens. The newcomer has a wide-angle lens, which gives him a distant diminished view, although with a long horizon line, while the local always employs a telescopic lens that magnifies the slightest detail.

Tom couldn't take his gaze from Cassandra. Her wide, wondering eyes were like soft blue midnight, star-glittered with forgotten tears. The curves of her body looked firm and sweet, no hard angles or straight lines anywhere... nothing but inviting, sensual softness. If she were his... he might finally have the sense of ease other men had. No more spending every minute of the day striving and hungering and never feeling sated. "I'll marry you," Tom told her. "Any time. Any terms.

Open your mouth, tesoro.” He angled her face higher. “Open your mouth for me.” At his raw demand, her eyes flared wide. For a drunken moment, he drowned in glorious brown, rich, autumnal, sensual.

I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I? Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge. But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.

There I was, throttle wide open, facing the coast. At right angles to the coast and facing it. A lot had happened in a single minute. In the first place, I had not flown out to sea. I had been spat out to sea by a monstrous cough, vomited out of my valley as from the mouth of a howitzer.

We lead telephoto lives in a wide-angle world. We never see the big picture.

My lens is wide-angle. Hers is narrow, but clearer. I like the hyper-logic of it.

When we agglomerate events through the wide-angle lens of history, which sees only the acts of influential leaders, a causative verb will cut the chain at the link immediately connected to the outcome.

Consider the parable of the Chinese farmer. One day, the farmer’s horse ran away. That evening, the neighbors stopped by to offer their sympathies. “So sorry to hear your horse ran away,” they said. “That’s too bad.” “Maybe,” the farmer said. “Maybe not.” The next day the horse returned, bringing seven wild horses with it. “Oh, isn’t that lucky,” said the neighbors. “Now you have eight horses. What a great turn of events.” “Maybe,” said the farmer. “Maybe not.” The next day the farmer’s son was training one of these horses when he was thrown and broke his leg. “Oh dear, that’s too bad,” said the neighbors. “Maybe,” said the farmer. “Maybe not.” The following day, conscription officers came to the village to recruit young men for the army, but they rejected the farmer’s son because he had a broken leg. And all the neighbors said, “Isn’t that great!” “Maybe,” said the farmer. “Maybe not.” We lead telephoto lives in a wide-angle world. We never see the big picture. The only sane response is, like the Chinese farmer, to adopt a philosophy of maybe-ism.

During their brief encounter in the music room, Cassandra had been too flustered to notice much about him. He'd been so very odd, jumping out like that and offering to marry a complete stranger. Also, she'd been absolutely mortified for him to have overheard her tearful disclosure two West, especially the part about having her dress altered. But now it was impossible not to notice how very good-looking he was, tall and elegantly lean, with dark hair, a clear, fair complexion, and thick brows sett at a diabolical slant. If she were to judge his features individually- the long nose, the wide mouth, the narrow eyes, the sharply angled cheeks and jaw- she wouldn't have expected him to be this attractive. But somehow when it was all put together, his looks were striking and interesting in a way she'd remember far longer than conventional handsomeness.

I’ve noticed that ‘news’ is not what’s happened. It’s what’s happened on camera. If a herd of tigers runs amok in a remote Indian village, it’s not news. If a gang of wide-eyed rebels slaughters the inhabitants of a faraway African village, it’s not news. But if it’s a bit windy in America, it is news. Because in America everything that happens is recorded. I find myself wondering if last week’s Israeli raid on a Turkish ship in a flotilla carrying aid to Gaza would have had the coverage it did if the battle hadn’t been captured on film. And likewise the racing driver who broke a leg after crashing in the Indy 500. It only became a big deal because we could watch the accident from several angles in slow motion.

It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen.  Comment Stylistically, this is clearly Chandler’s voice. It’s Omniscient narration, setting a mood for the story to come.  This is a legitimate fiction move, by the way. You can start a novel or story with a sort of “wide angle establishing shot.” Then pull in closer to the POV character.

I was once present at a lecture that Eugene Smith gave to some students at a school of photography. At the end, they protested because he had made no mention of photography, but had spoken the whole time about music. He calmed them by saying that what was valid for one was valid for another. —Henri Cartier-Bresson

Going into wide-angle vision and learning to relax can activate an alpha state. In wide-angle vision, you expand your vision so that you can see out the periphery of your eyes. Take a deep breath, exhale, and expand your vision so that you can see out of the periphery of your eyes, and you will activate the alpha state.

The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.

They'd entered a clearing. A wide, green meadow in the middle of the forest. The entire space was carpeted with bluebells. Thousands upon thousands of sweetly curving green stalks, their tips heavy with sprays of blue-violet blossoms. The sunlight shone from above and slanted through the trees, catching the blooms at different angles. The whole scene splendid. It was magical.

Dark gray, flexible, and infinitely tough. Seven-foot membranous wings of same color, found folded, spread out of furrows between ridges. Wing framework tubular or glandular, of lighter gray, with orifices at wing tips. Spread wings have serrated edge. Around equator, one at central apex of each of the five vertical, stave-like ridges are five systems of light gray flexible arms or tentacles found tightly folded to torso but expansible to maximum length of over three feet. Like arms of primitive crinoid. Single stalks three inches diameter branch after six inches into five substalks, each of which branches after eight inches into small, tapering tentacles or tendrils, giving each stalk a total of twenty-five tentacles. At top of torso blunt, bulbous neck of lighter gray, with gill-like suggestions, holds yellowish five-pointed starfish-shaped apparent head covered with three-inch wiry cilia of various prismatic colors. Head thick and puffy, about two feet point to point, with three-inch flexible yellowish tubes projecting from each point. Slit in exact center of top probably breathing aperture. At end of each tube is spherical expansion where yellowish membrane rolls back on handling to reveal glassy, red-irised globe, evidently an eye. Five slightly longer reddish tubes start from inner angles of starfish-shaped head and end in saclike swellings of same color which, upon pressure, open to bell-shaped orifices two inches maximum diameter and lined with sharp, white tooth like projections - probably mouths. All these tubes, cilia, and points of starfish head, found folded tightly down; tubes and points clinging to bulbous neck and torso. Flexibility surprising despite vast toughness. At bottom of torso, rough but dissimilarly functioning counterparts of head arrangements exist. Bulbous light-gray pseudo-neck, without gill suggestions, holds greenish five-pointed starfish arrangement. Tough, muscular arms four feet long and tapering from seven inches diameter at base to about two and five-tenths at point. To each point is attached small end of a greenish five-veined membranous triangle eight inches long and six wide at farther end. This is the paddle, fin, or pseudofoot which has made prints in rocks from a thousand million to fifty or sixty million years old. From inner angles of starfish-arrangement project two-foot reddish tubes tapering from three inches diameter at base to one at tip. Orifices at tips. All these parts infinitely tough and leathery, but extremely flexible. Four-foot arms with paddles undoubtedly used for locomotion of some sort, marine or otherwise. When moved, display suggestions of exaggerated muscularity. As found, all these projections tightly folded over pseudoneck and end of torso, corresponding to projections at other end.

Viv rubbed her arms. “A man in the Evening Standard said our winters will go on getting colder and colder, and longer and longer; that in ten years we’ll all be living like Eskimo’s.” “Eskimo’s!” said Helen, picturing fur hats and wide, friendly faces; quite fancying the idea. “That’s what he said. He said it was something to do with the angle of the earth – that we knocked it off-balance with all those bombs. It makes sense, if you think about it. He said it served us right.” “Oh,” said Helen, people in newspapers are always writing things like that. Do you remember someone at the start of the war, saying the whole thing was a punishment on us for letting our king abdicate?” “Yes,” said Viv. “I always thought that was a bit hard on everyone in France and Norway and places like that. I mean, it wasn’t their king, after all.

I should punch him." She looked absolutely thrilled. "Could you?" "Of course I could," he said, vaguely offended. He held up a hand. Fisted it. "I have hands." He turned his wrist to examine his fist from multiple angles. It was very satisfactory. "Big ones." "Yes, you do." In the dim light, Sylvie's wide eyes looked more black than hazel. "Huge. I've noticed that before." The last words dropped, low and husky. Sexy. "Have you?" Deep. Gravelly.

David Lester, a psychology professor at Richard Stockton College in New Jersey, has likely thought about suicide longer, harder, and from more angles than any other human. In more than twenty-five-hundred academic publications, he has explored the relationship between suicide and, among other things, alcohol, anger, antidepressants, astrological signs, biochemistry, blood type, body type, depression, drug abuse, gun control, happiness, holidays, Internet use, IQ, mental illness, migraines, the moon, music, national-anthem lyrics, personality type, sexuality, smoking, spirituality, TV watching, and wide-open spaces. Has all this study led Lester to some grand unified theory of suicide? Hardly. So far he has one compelling notion. It’s what might be called the “no one left to blame” theory of suicide. While one might expect that suicide is highest among people whose lives are the hardest, research by Lester and others suggests the opposite: suicide is more common among people with a higher quality of life. “If you’re unhappy and you have something to blame your unhappiness on—if it’s the government, or the economy, or something—then that kind of immunizes you against committing suicide,” he says. “It’s when you have no external cause to blame for your unhappiness that suicide becomes more likely. I’ve used this idea to explain why African-Americans have lower suicide rates, why blind people whose sight is restored often become suicidal, and why adolescent suicide rates often rise as their quality of life gets better.

I feel shock splinter through him, his body going rigid. Then he relaxes, melting into me, stepping forward until I am caught between him and the wall, the torch crackling beside me. His hands slide down my back, over my hips and thighs, leaving a trail of fire. His heart beats fast enough for the both of us, its thunderous pulse echoing through me. I bury my hands in his dark hair, fingers knotting around those thick locks. Desire pulls at my stomach, and I lean into him, lifting one leg and wrapping it around his waist. He lifts me, and my other leg coils around him, my skirts sliding up my thighs, my back pressed against the column. His lips are soft and warm and gentle, underlined with barely restrained urgency. I cannot get enough of him. I pull his kurta over his head and let it fall on the floor. I press my hands against his bared chest, feel his heart against my palm, his lungs rising and falling. His shoulder is knotted with the scar from the arrow he took for me. He kisses me again, this time more strongly, and I run my hands down his jaw and neck, over his shoulders, the taut muscles of his back. He turns, without letting me go or breaking our kiss, and we tumble onto the soft divan. Aladdin holds himself over me, his abdomen clenched and his hair hanging across his forehead. His lips wander downward, to my chin, to the curve of my jaw, to my neck. My hands are ravenous, exploring the planes and angles of his body. His fingers find mine, and our hands knit together. He raises them over my head, pressing them into the pillow beneath my hair, as his kisses trace my collarbone, and then he sinks lower, parting the buttons of my dress and pressing his lips to my bare stomach. I gasp and open my eyes wide, my borrowed body coursing with sensations I have never felt, never dared to feel, never thought I could feel. “Aladdin,” I murmur. “We shouldn’t . . .” “Sh.” He silences me with a kiss, and I lift my chin to meet him. A warm wind rushes through my body, stirring embers and setting them aflame. I don’t want to stop. I don’t want to think about consequences. I only want Aladdin, everywhere.

The magicked dress danced over to the princess. Despite her misgivings, she stood up to receive it- it would have been rude not to. The dress easily smoothed itself over her. Dark green velvet skirts, full and soft, twirled around down to her ankles. Golden buttons fastened themselves up the placket on the bodice and over the elegant, tight sleeves. From her elbows, wisps of dark green mist flowed to the ground for tippets. A collar around her neck drifted out into a cape of the same material. "Truly, you are the most beautiful princess in the world," a fairy breathed. Aurora Rose looked at herself in the mirror of dewdrops. She was indeed the most beautiful thing she had ever seen. Long neck, golden hair, wide violet eyes, narrow waist, lips perfectly pink and rosy. She turned, just a little bit, to see how her figure looked from a different angle. The green velvet flowed softly and majestically, making delicious little noises when its folds rippled. As talented as the castle seamstresses were, the princess had never worn anything as elegant or perfect as this.

Greg watched in horror as the ball bounced off Bird and dribbled away onto the infield grass. Bird’s eyes went wide with disbelief, confusion. He stood frozen in place on the base path for a long moment. Then both of his hands shot up above his head, and he uttered a shrill cry, long and loud, like the high-pitched whinny of a horse. His eyes rolled up in his head. He sank to his knees and uttered another cry, softer this time. Then he collapsed, sprawling onto his back, his neck at an unnatural angle, his eyes closed. He didn’t move.

She started shaping the face, using a wire loop to gently carve the slope of the strong forehead and brow, then the nose and the lean angle of the cheekbones. In little time, her fingers were moving on automatic pilot, her mind disengaged and gone into its own flow, her subconscious directly commanding her hands into action. She didn’t know how long she’d been working, but when the hard rap sounded on her apartment door some time later, Tess nearly jumped out of her skin. Sleeping next to her feet on the rug, Harvard woke up with a grunt. “You expecting someone?” she asked quietly as she got up from her stool. God, she must have been really zoned out while she was sculpting, because she’d seriously messed up around the mouth area of the piece. The lips were curled back in some kind of snarl, and the teeth . . . The knock sounded again, followed by a deep voice that went through her like a bolt of electricity. “Tess? Are you there?” Dante. Tess’s eyes flew wide, then squeezed into a wince as she did a quick mental inventory of her appearance. Hair flung up into a careless knot on top of her head, braless in her white thermal Henley and faded red sweats that had more than one dried clay smudge on them. Not exactly fit for company. “Dante?” she asked, stalling for time and just wanting to be sure her ears weren’t playing tricks on her. “Is that you?” “Yeah. Can I come in?” “Um, sure. Just a sec,” she called out, trying to sound casual as she threw a dry work cloth over her sculpture and quickly checked her face in the reflection off one of her putty spatulas. Oh, lovely. She had a slightly crazed, starving-artist look going on. Very glamorous. That’ll teach him to do the pop-in visit, she thought, as she padded over to the door and twisted the dead bolt.

When we are awake we are looking through the wrong end of the telescope if transformational creativity is our goal. We take a myopic, hyperfocused, and narrow view that cannot capture the full informational cosmos on offer in the cerebrum. When awake, we see only a narrow set of all possible memory interrelationships. The opposite is true, however, when we enter the dream state and start looking through the other (correct) end of the memory-surveying telescope. Using that wide-angle dream lens, we can apprehend the full constellation of stored information and their diverse combinatorial possibilities, all in creative servitude.

You spoke of Tao the other day" said Kitty, after a pause. "Tell me what it is". Waddington gave her a little look, hesitated an instant, and then with a faint smile on his comic face answered: "It is the Way and the Waygoer. It is the eternal road along which walk all beings, but no being made it, for itself is being. It is everything and nothing. From it all things spring, all things conform to it, and to it at last all things return. It is a square without angles, a sound which ears cannot hear, and an image without form. It is a vast net and though its meshes are as wide as the sea it lets nothing through. It is the sanctuary where all things find refuge. It is nowhere, but without looking out of the window you may see it. Desire not to desire, it teaches, and leave all things to take their course. He that humbles himself shall be preserved entire, He that bends shall be made straight. Failure is the foundation of success and success is the lurking-place of failure; but who can tell when the turning point will come? He who strives after tenderness can become even as a little child. Gentleness brings victory to him who attacks and safety to him who defends. Mighty is he who conquers himself." "Does it mean anything?" "Sometimes, when I've had half a dozen whiskies and look at the stars, I think perhaps it does.

Get your dagger,' he orders. 'What?' My eyes fly wide. He has me defenceless and in the kill position already. 'Get. Your. Dagger,' he repeats, taking my hand in his and retrieving the last blade I have. His fingers curl over mine, clasping the hilt. Fire races along my skin at the feel of his fingers lacing with mine. Toxic. Dangerous. Wants to kill you. Nope, doesn't matter. My pulse still skitters like a teenager. 'You're tiny.' He says it like an insult. 'Well aware.' My eyes narrow. 'So stop going for bigger moves that expose you.' He drags the tip of the dagger down his side. 'A rib shot would've worked just fine.' Then he guides our hands around his back, making himself vulnerable. 'Kidneys are a good fit from this angle, too.' I swallow, refusing to think of other things that are a good fit at this angle. He leads our hands to his waist, his gaze never leaving mine. 'Chances are, if your opponent is in armour, it's weak here. Those are three easy places you could have struck before your opponent would have had time to stop you.' They're also fatal wounds, and I've avoided them at all costs. 'Do you hear me?' I nod. 'Good. Because you can't poison every enemy you come across,' he whispers, and I blanche. 'You're not going to have time to offer tea to some Braevi gryphon rider when they come at you.' 'How did you know?' I finally ask. My muscles lock, including my thighs, which just happen to still be bracketing his hips. His eyes darken. 'Oh, Violence. You're good, but I've known better poison masters. The trick is to not make it quite so obvious.

I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.

His massive hand gripped the closet doorknob, dagger now angled at his side. “Come out, little Crochan,” he crooned. Silent as death, Manon slid up behind him. The fool didn’t even know she was there until she brought her mouth close to his ear and whispered, “Wrong kind of witch.” The man whirled, slamming into the closet door. He raised the dagger between them, his chest heaving. Manon merely smiled, her silver-white hair glinting in the moonlight. He noticed the shut door then, drawing in breath to shout. But Manon smiled broader, and a row of dagger-sharp iron teeth pushed from the slits high in her gums, snapping down like armor. The man started, hitting the door behind him again, eyes so wide that white shone all around them. His dagger clattered on the floorboards. And then, just to really make him soil his pants, she flicked her wrists in the air between them. The iron claws shot over her nails in a stinging, gleaming flash.

The method he adopted in building the bridge was as follows. He took a pair of piles a foot and a half thick, slightly pointed at the lower ends and of a length adapted to the varying depth of the river, and fastened them together two feet apart. These he lowered into the river with appropriate tackle, placed them in position at right angles to the bank, and drove them home with pile-drivers, not vertically, as piles are generally fixed, but obliquely, inclined in the direction of the current. Opposite these, forty feet lower down the river, another pair of piles was planted, similarly fixed together, and inclined in the opposite direction to the current. The two pairs were then joined by a beam two feet wide, whose ends fitted exactly into the spaces between the two piles forming each pair. The upper pair was kept at the right distance from the lower pair by means of iron braces, one of which was used to fasten each pile to the end of the beam. The pairs of piles being thus held apart, and each pair individually strengthened by a diagonal tie between the two piles, the whole structure was so rigid, that, in accordance with the laws of physics, the greater the force of the current, the more tightly were the piles held in position. A series of these piles and transverse beams was carried right across the stream and connected by lengths of timber running in the direction of the bridge; on these were laid poles and bundles of sticks. In spite of the strength of the structure, additional piles were fixed obliquely to each pair of the original piles along the whole length of the downstream side of the bridge, holding them up like a buttress and opposing the force of the current. Others were fixed also a little above the bridge, so that if the natives tried to demolish it by floating down tree-trunks or beams, these buffers would break the force of the impact and preserve the bridge from injury.

Twenty minutes later the three girls rented a small motorboat at Campbell’s Landing. The craft was old and the engine clattered and threw oil, but it was the only boat available. “Lucky we all know how to swim,” Bess said with some misgiving as they pulled away from the dock. “I have a feeling this old tub leaks and may sink before we go very far.” “We’ll be all right if George keeps busy with the bailer!” Nancy laughed, heading the craft upstream. The river was wide near town, but the upper reaches were narrow and twisted and turned at such sharp angles that fast travel was out of the question. At the wheel, Nancy kept an alert watch for shoals. Water was slowly seeping in at the bow. “It’s really pretty out here, but so wild,” Bess commented, her gaze wandering along the solid line of trees fringing the shores. “Better forget the scenery for a while,” Nancy advised, “and give George a hand with the bailing. If you don’t, our shoes will be soaked.

But now, sitting on this airplane on my way back to the life I went on to fashion after she left, I think of her differently. I see her so many ways: sitting back on her heels at the side of the bathtub, singing softly as she washes Sharla and my backs; watching at the window for the six o’clock arrival of our father; wrapping Christmas presents on the wide expanse of her bed; biting her lip as she stood before the open cupboards, making out the grocery list; leaning out the kitchen window that last summer to call Sharla and me in for supper. Most clearly, though, I see her sitting at the kitchen table, in her old, usual spot. There is a cup of coffee before her, but she doesn’t drink it. Instead, she stares out the window. I see the sharp angle of her cheekbone, the beautiful whitish down at the side of face, illuminated by the sun. Her hands are quiet, resting in the cloth bowl of her apron. She sits still as a statue - waiting, I can see now; she was always waiting. -What We Keep

Provincetown is by nature a destination. It is the land’s end; it is not en route to anywhere else. One of its charms is the fact that those who go there have made some effort to do so. Provincetown is three miles long and just slightly more than two blocks wide. Two streets run its entire length from east to west: Commercial, a narrow one-way street where almost all the businesses are, and Bradford, a more utilitarian two-way street a block north of Commercial. Residential roads, some of them barely one car wide, run at right angles on a semiregular grid between Commercial and Bradford streets and then, north of Bradford, meander out into dunes or modest hollows of surviving forest, as the terrain dictates. Although the town has been there since before 1720 (the year it was incorporated) and has survived any number of disastrous storms, it is still possible that a major hurricane, if it hit head-on, would simply sweep everything away, since Provincetown has no bedrock, no firm purchase of any kind. It is a city of sand, more or less the way Arctic settlements are cities of ice.

Don’t cry, Evie.” He rubbed his broad hands on her back, gentling her. “Those things are not true. You aren’t a whore.” She choked. “I’m here aren’t I? At Ford’s?” John always knew exactly how to hurt her. Charley held her away from him, honest intensity in his chocolate eyes. He spoke deliberately, his tone serious. “I know you’re not a whore because I don’t often get denied. Nine out of ten people, man or woman, would have fucked me on the spot when I offered it the first time.” Her mouth dropped open and for a moment she forgot her emotions. He grinned and his eyes twinkled with mischief. Balling her fist, she cuffed him on the chest. Hard. “Ouch!” “You’re an asshole.” She was laughing through her tears. “That’s your whore test?” “No! God, of course not! That’s just my you-have-a-pulse test. My whore test is much more hard-core. I can give you that one if you want. But…” He made a show of looking around the room. “We’re going to need some lube. And possibly some plastic sheeting.” He got up and opened one of the dresser drawers. “Do you have a video recorder with a wide-angle lens? And a zucchini?

Having perfected his arrangements, he would get my pipe, and, lighting it, would hand it to me. Often he was obliged to strike a light for the occasion, and as the mode he adopted was entirely different from what I had ever seen or heard of before I will describe it. A straight, dry, and partly decayed stick of the Hibiscus, about six feet in length, and half as many inches in diameter, with a small, bit of wood not more than a foot long, and scarcely an inch wide, is as invariably to be met with in every house in Typee as a box of lucifer matches in the corner of a kitchen cupboard at home. The islander, placing the larger stick obliquely against some object, with one end elevated at an angle of forty-five degrees, mounts astride of it like an urchin about to gallop off upon a cane, and then grasping the smaller one firmly in both hands, he rubs its pointed end slowly up and down the extent of a few inches on the principal stick, until at last he makes a narrow groove in the wood, with an abrupt termination at the point furthest from him, where all the dusty particles which the friction creates are accumulated in a little heap. At first Kory-Kory goes to work quite leisurely, but gradually quickens his pace, and waxing warm in the employment, drives the stick furiously along the smoking channel, plying his hands to and fro with amazing rapidity, the perspiration starting from every pore. As he approaches the climax of his effort, he pants and gasps for breath, and his eyes almost start from their sockets with the violence of his exertions. This is the critical stage of the operation; all his previous labours are vain if he cannot sustain the rapidity of the movement until the reluctant spark is produced. Suddenly he stops, becoming perfectly motionless. His hands still retain their hold of the smaller stick, which is pressed convulsively against the further end of the channel among the fine powder there accumulated, as if he had just pierced through and through some little viper that was wriggling and struggling to escape from his clutches. The next moment a delicate wreath of smoke curls spirally into the air, the heap of dusty particles glows with fire, and Kory-Kory, almost breathless, dismounts from his steed.

Under a Torremolinos Sky (Psalm 116)8 For Jim The first thing I notice is not the bed, oddly angled as all hospital beds are nor the pillowcase, covered in love notes. Not the table filled with pill bottles nor the sterile tools of a dozen indignities. I’ll notice these things later, on my way out perhaps. But first, my wide-angle lens pulls narrow, as eyes meet eyes and I am seen. How is it, before a word is spoken, you make me know I am known and welcome? What can I give back to God for the blessings he’s poured out on me? I’ll lift high the cup of salvation—a toast to God! You smile behind the plastic that keeps you alive, and as I rest my hand on your chest we conspire together to break the rules. The rhythm of your labored breathing will decide our seconds, our minutes, our hours. Tears to laughter and back again always in that order and rightly so. We bask under a Torremolinos sky and hear the tongues of angels sing of sins forgiven long before the world was made. I’ll pray in the name of God; I’ll complete what I promised God I’d do, and I’ll do it together with his people. Talk turns to motorcycles and mortuaries, to scotch and sons who wear their father’s charm like a crown, daughters who quicken the pulse with just a glance. Time flies and neither of us has time to waste. I’ll make a great looking corpse, you say because we of all people must speak of these things, because we of all people refuse to pretend. This doesn’t bring tears—not yet. Instead a giggle, a shared secret that life is and is not in the body. Soul, you’ve been rescued from death; Eye, you’ve been rescued from tears; And you, Foot, were kept from stumbling. Your chest still rises and falls but you grow weary, my hand tells me so. It’s too soon to ever say goodbye. When it’s my turn, brother, I will find you where the streets shimmer and tears herald only joy where we wear our true names and our true faces. Promise me, there, the dance we never had. When they arrive at the gates of death, God welcomes those who love him. Oh, God, here I am, your servant, your faithful servant: set me free for your service! I’m ready to offer the thanksgiving sacrifice and pray in the name of God. I’ll complete what I promised God I’d do, and I’ll do it in company with his people, In the place of worship, in God’s house, in Jerusalem, God’s city.

She keeps her fingers on Faye’s face. Faye closes her eyes against tears. When she opens them Julie is still looking at her. She’s smiling a wonderful smile. Way past twenty. She takes Faye’s hands.“‘Then tell them to look closely at men’s faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man’s face has nothing on it. Look closely. Tell them to look. And not at what the faces do–men’s faces never stop moving–they’re like antennae. But all the faces do is move through different configurations of blankness.’ Faye looks for Julie’s eyes in the mirror. Julie says, ‘Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to have what you can’t grab onto.’ Julie turns her makeup chair and looks up at Faye. ‘That’s when I love you, if I love you,’ she whispers, running a finger down her white powdered cheek, reaching to trace an angled line of white onto Faye’s own face. 'Is when your face moves into expression. Try to look out from yourself, different, all the time. Tell people that you know your face is at least pretty at rest.’ 'You asked me once how poems informed me,’ she says. Almost a whisper–her microphone voice. 'And you asked whether we, us, depended on the game, to even be. Baby?’–lifting Faye’s face with one finger under the chin–'Remember? Remember the ocean? Our dawn ocean, that we loved? We loved it because it was like us, Faye. That whole ocean was obvious. We were looking at something obvious, the whole time.’ She pinches a nipple, too softly for Faye even to feel. 'Oceans are only oceans when they move,’ Julie whispers. 'Waves are what keep oceans from just being very big puddles. Oceans are just their waves. And every wave in the ocean is finally going to meet what it moves toward, and break. The whole thing we looked at, the whole time you asked, was obvious. It was obvious and a poem because it was us. See things like that, Faye. Your own face, moving into expression. A wave, breaking on a rock, giving up its shape in a gesture that expresses that shape. See?’ It wasn’t at the beach that Faye had asked about the future. It was in Los Angeles. And what about the anomalous wave that came out of nowhere and broke on itself? Julie is looking at Faye. 'See?’ Faye’s eyes are open. They get wide. 'You don’t like my face at rest?

The photographer was taking pictures with a small pocket camera but the sergeant sent him back to the car for his big Bertillon camera. Grave Digger and Coffin Ed left the cellar to look around. The apartment was only one room wide but four storeys high. The front was flush with the sidewalk, and the front entrance elevated by two recessed steps. The alleyway at the side slanted down from the sidewalk sufficiently to drop the level of the door six feet below the ground-floor level. The cellar, which could only be entered by the door at the side, was directly below the ground-floor rooms. There were no apartments. Each of the four floors had three bedrooms opening on to the public hall, and to the rear was a kitchen and a bath and a separate toilet to serve each floor. There were three tenants on each floor, their doors secured by hasps and staples to be padlocked when they were absent, bolts and chains and floor locks and angle bars to protect them from intruders when they were present. The doors were pitted and scarred either because of lost keys or attempted burglary, indicating a continuous warfare between the residents and enemies from without, rapists, robbers, homicidal husbands and lovers, or the landlord after his rent. The walls were covered with obscene graffiti, mammoth sexual organs, vulgar limericks, opened legs, telephone numbers, outright boasting, insidious suggestions, and impertinent or pertinent comments about various tenants’ love habits, their mothers and fathers, the legitimacy of their children. “And people live here,” Grave Digger said, his eyes sad. “That’s what it was made for.” “Like maggots in rotten meat.” “It’s rotten enough.” Twelve mailboxes were nailed to the wall in the front hall. Narrow stairs climbed to the top floor. The ground-floor hallway ran through a small back courtyard where four overflowing garbage cans leaned against the wall. “Anybody can come in here day or night,” Grave Digger said. “Good for the whores but hard on the children.” “I wouldn’t want to live here if I had any enemies,” Coffin Ed said. “I’d be scared to go to the john.” “Yeah, but you’d have central heating.” “Personally, I’d rather live in the cellar. It’s private with its own private entrance and I could control the heat.” “But you’d have to put out the garbage cans,” Grave Digger said. “Whoever occupied that whore’s crib ain’t been putting out any garbage cans.” “Well, let’s wake up the brothers on the ground floor.” “If they ain’t already awake.

Oh, for crying out loud. This was like some kind of modern version of My Fair Lady. Only with Vampyres. She made herself breathe evenly for a few moments. "You've made your point." "Have I? How fortuitous." As he lounged back in his chair, all the subtle signs of aggravation disappeared. "Then perhaps we should get back to the task at hand, so that I can determine what you have learned before going on to teach you what you haven't." Okay, that went too far. One small part of her mind--the wary part, the sensible part -- started to whisper, "Don't say it, don't say it..." But the rest of her was too exasperated to listen. She flung out her hands and opened her eyes wide. "Who says fortuitous these days?" He just looked at her. The slanted angle of his mouth had returned, as well as the slight snap to his diction. "Apparently, I do. Now if you are quite through, it might behoove you to remember that a successful attendant is nowhere near this argumentative with her patron." The devil took hold of her tongue. There was no other explanation for it. "Behoove," she said. The angle of his mouth leveled out, and his voice turned exceedingly, dangerously soft. "Yes. Behoove." She opened her mouth. Shut it. Opened it again. "Don't say it." Gray-green eyes narrowed, daring her to cross the line.

I am tied to old ways, which I learned in a hard house. It was a loving house even as it was besieged by its country, but it was hard. Even in Paris, I could not shake the old ways, the instinct to watch my back at every pass, and always be ready to go. A few weeks into our stay, I made a friend who wanted to improve his English as much as I wanted to improve my French. We met one day in the crowd in front of Notre Dame. We walked to the Latin Quarter. We walked to a wine shop. Outside the wine shop there was seating. We sat and drank a bottle of red. We were served heaping piles of meats, bread, and cheese. Was this dinner? Did people do this? I had not even known how to imagine it. And more, was this all some elaborate ritual to get an angle on me? My friend paid. I thanked him. But when we left I made sure he walked out first. He wanted to show me one of those old buildings that seem to be around every corner in that city. And the entire time he was leading me, I was sure he was going to make a quick turn into an alley, where some dudes would be waiting to strip me of … what, exactly? But my new friend simply showed me the building, shook my hand, gave a fine bonne soiree, and walked off into the wide open night. And watching him walk away, I felt that I had missed part of the experience because of my eyes, because my eyes were made in Baltimore, because my eyes were blindfolded by fear.

Suddenly, a rock hits the other side of the hex. It stays there. It's just a few inches away from me. It's roughly triangular, kind of a dark brown, and has rough, jagged edges. Like you might see on the tip of a spear from a caveman. Have I met spacefaring cavemen? Stop being stupid, Ryland. Why did they put a rock there? And is it sticky? Are they trying to block my view? If so, they're doing a terrible job. The little triangle is only a couple of inches wide at the thickest point and the hex is a good 8 inches across. And it gets sillier. Now the rock is bending at articulated joints, and there are two similar rocks that do the same thing, and there's a larger rock attached to them that- That's not a rock. It's a claw! It's a claw with three fingers! ... The alien's claw-er... I'll call it a hand. That's less scary. The alien's hand has three triangular fingers, each one with articulation points. Knuckles, I guess. They can close up in to a raindrop shape of widen out to a sort of three-legged starfish. The skin is weird. It looks like brownish-black rock. It's irregular and bumpy, like someone carved the hand out of granite and hasn't gotten around to smoothing it out yet. Natural armour, maybe? Like a turtle shell, but less organised? There's an arm, too. I can barely see it from this angle, no matter how hard I stupidly press my face in to the Hot Wall of Pain. But there's definitely an arm leading away from the hand. I mean, there'd have to be, right? Not just a magic floating hand.

Nico looked very tall and thin wearing a opaque black sweatshirt hoodie and dark inked skinny jeans. His outer physical structure was handsome and gaunt, straight jet black hair razored and clipped in angles, a few purple highlights, and his white skin toned the color of alabaster. She had always liked the slender salamander type. He totally looked punk rock tonight, and that made him look absolutely awesome! A curtain of fog parted in front of him, giving him even more of the illusion as if he was part of a rock band at a rock band concert. Katty now saw Nico with exaggerated clarity. Nico Rocket looked so freakin' hot! He looked so good-looking at times, especially within the dark scenes of rolling fog and a pitchy darkness. She randomly wondered what he looked like before he was bit and turned into a Vampire. Had he been a Renaissance geek just like her? Before she could really examine him and fantasize of what he must have looked like before turning into a Vampire, the fog closed in all around him again, surrounding him with a ring of solitary imprisonment. He now lurked as a shadow among the shadows, disappearing into the illusion of gray’s. She didn't like him for not showing up on time, but all had been forgiven as soon as she had seen him all dressed up in his Gothic best. So what if he didn't believe in punctuality? His hotness sure made up for the rest! Through the fog, she saw his bright red eyes pierce through the heaviness of the darkness. He then broke free from the fog, leaving a trail of the thickened smoke lingering far behind, and wide.

Before she could think of what to say, he grasped the axe and turned toward her, his face a mass of angles in the lanternlight. "Step back." This was a man who expected to be heeded. He did not wait to see if she followed his direction before he lifted the axe high above his head. She pressed herself into the corner of the dark room as he attacked the furniture with a vengeance, her surprise making her unable to resist watching him. He was built beautifully. Like a glorious Roman statue, all strong, lean muscles outlined by the crisp linen of his shirtsleeves when he lifted the tool overhead, his hands sliding purposefully along the haft, fingers grasping tightly as he brought the steel blade down into the age-old oak with a mighty thwack, sending a splinter of oak flying across the kitchen, landing atop the long-unused stove. He splayed one long-fingered hand flat on the table, gripping the axe once more to work the blade out of the wood. He turned his head as he stood back, making sure she was out of the way of any potential projectiles- a movement she could not help but find comforting- before confronting the furniture and taking his next swing with a mighty heave. The blade sliced into the oak, but the table held. He shook his head and yanked the axe out once more, this time aiming for one of the remaining table legs. Thwack! Penelope's eyes went wide as the lanternlight caught the way his wool trousers wrapped tightly around his massive thighs. She should not notice... should not be paying attention to such obvious... maleness. But she'd never seen legs like his. Thwack! Never imagined they could be so... compelling. Thwack! Could not help it. Thwack!

At that moment, remarkably, there was a man in the expansive reactor hall of Unit 4 who witnessed all this.121 Night Shift Chief of the Reactor Shop Valeriy Perevozchenko saw the top of the reactor - a 15-meter-wide disk comprised of 2000 individual metal covers which cap safety valves - begin to jump up and down. He ran. The reactor’s uranium fuel was increasing power exponentially, reaching some 3,000°C, while pressure rose at a rate of 15 atmospheres per second. At precisely 01:23:58, a mere 18 seconds after Akimov pressed the SCRAM button, steam pressure overwhelmed Chernobyl’s incapacitated fourth reactor. A steam explosion blew the 450-ton, 3-meter-thick upper biological shield clear off the reactor before it crashed back down, coming to rest at a steep angle in the raging maw it left behind. The core was exposed.122 A split second later, steam and inrushing air reacted with the fuel’s ruined zirconium cladding to create a volatile mixture of hydrogen and oxygen, which triggered a second, far more powerful explosion.123 Fifty tons of vaporised nuclear fuel were thrown into the atmosphere, destined to be carried away in a poisonous cloud that would spread across most of Europe. The mighty explosion ejected a further 700 tons of radioactive material - mostly graphite - from the periphery of the core, scattering it across an area of a few square kilometers. This included the roofs of the turbine hall, Unit 3, and the ventilation stack it shared with Unit 4, all of which erupted into flames. The reactor fuel’s extreme temperature, combined with air rushing into the gaping hole, ignited the core’s remaining graphite and generated an inferno that burned for weeks. Most lights, windows and electrical systems throughout the severely damaged Unit 4 were blown out, leaving only a smattering of emergency lighting to provide illumination.124

Why are you helping me?” It was something I just couldn’t understand. His body shifted, I swear coming into even more contact with mine than it already was. He brought up his free hand and brushed back my hair, pushing it so it fell behind my shoulder. “It’s my job to protect people.” “Is it your job to bring them home, too?” I felt a little breathless. Just beneath my ribs my heart fluttered wildly. It felt like there was a little bird inside me, flapping its wings, trying to fly. “That’s just a perk of the job.” He smirked. “So you do this often?” I said, feeling slightly bruised. “Never.” “Then why me?” He took a few steps, backing me up so I was pinned between him and the wall. From this angle, the hall light fell behind him so his face was in the shadows. But even still, the lightness of his eyes pierced me like a crack of thunder in a storm. “I don’t know.” I wasn’t expecting those words. In fact, I barely heard them over the thundering of the blood in my veins. His nearness affected me in ways I didn’t understand. I felt hot yet cold. Nervous but bold. Part of me wanted to rush away and the other part of me yearned to arch closer, to slide my hands up the hem of his shirt and run my fingers across the wide expanse of his bare back.   “That’s not a very good reason to get mixed up with a girl on the run from a killer.” He cocked his head to the side. “No?” I shook my head. “How about this?” he said, leaning down so his lips brushed my jaw. The stubble on his face tickled my chin. “Because even in the center of a blazing fire, my body reacted to you. Because seeing you so small and helpless in a hospital bed twisted my guts. Because the day I walked into your room and those stormy gray eyes landed on mine, I felt like there was something tethering us together. Or maybe it was because of the way you sighed and leaned into my chest the night I carried you to my bed. Your scent still lingers on my sheets, Katie.” Oh my.

Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.

could stand to be a little scared. “No, let’s spook them,” I whispered back. Lake grinned, Carla shook her head. “They’ll turn us in,” Carla said. “They’ll tell the others.” “They won’t,” I whispered and then motioned for them to get close. When they did, I let them in on the plan. “Let’s sneak around the back. Carla, do you have your flashlight.” With it being a clear night, and the moon glowing above, we hadn’t needed the flashlight. Carla had brought it, though.  She pulled it out of her pocket and held it up. “You stand back,” I told her, figuring she’d want this job. “Shine the light toward the back of the tent. Lake, you and I stand close to the tent wall. When Carla shines the light, you pretend to be a bear and roar. And we’ll make shadows.” “Sounds good to me,” Lake said. “Only we have to be quiet from here out,” I whispered. “North can hear everything.” I wasn’t so sure he couldn’t hear us out here now with his supersonic hearing. Maybe he was asleep... The girls followed me as I tiptoed my way around wide toward the back of the tent. Carla positioned herself near the trees, so her light would cast a good glow. Lake and I stood halfway between. Lake stood really close to me. “So we don’t look like two people,” she explained when I started to back away from her. I realized she was right. Standing together, we’d make one big shadow. We stood hip to hip and I counted down with hand signals to Carla. Three. Two. One. Go! Carla lit up the beam, creating a strong enough glow to spread across the back of the tent wall. She even angled from below so the beam went up, making our shadow taller. Lake raised a curled hand like a claw and growled, doing a great bear impression. I raised my own hand on the other side—another claw. The tent erupted with the sounds of grunts, curses, and a few squeals. “Kota!” Gabriel’s voice erupted over the mix of noises. “Bear!” “Bears don’t have flashlights,” Kota said. “Shit,” Gabriel said. “Fuck. Shit. Fuck.” “Enough,” North said. The three of us outside giggled and started making our way back around the tent, when I was tackled, and on the ground in a heap before I even realized what had happened. The smell of leather and cedar wafted over me. I’d recognize the big bulk of muscle anywhere. “It’s just us!” I cried out in an eruption of giggling, struggling for breath with him on top of me. “I knew it was you,” Nathan said, leaning back while still sitting on my hips. “No one else at this campground would dare.” The others had been tackled, too. Silas was on top of Lake. Luke was on top of Carla. “Get off,” Lake said but she was laughing, pushing on Silas, only Silas

Right now, soles flapping, he was angling at high speed toward the short northwest edge of Red Square, which wasn’t actually square at all, but really a long rectangle – typically Orwellian of the Soviets, declaring that 2+2=5. Anyway, he needed to get onto Tverskaya Street, that grand boulevard, fifteen lanes wide, formerly the route of all those phallic parades, and which met the square up at its top end.

My hope and intent is to provide a wide range of resources and ideas that provoke real questions and considerations under the surface of common dialogue. With a definite thrust toward clues for moving beyond limiting patterns that restrict our personal and communal evolution and experience of, as well as effectiveness in, life. Part of that is about giving different angles of insight into the why and how of developing skills, whatever they may be. I think the larger discussion, or maybe the more relevant one surrounding skills development, involves what quality of fuel is being used to run the skill. Inevitably, and very quickly, this enters into considerations of how much of oneself one brings to the show. For example, anyone can learn a sophisticated skill in an extremely short period of time, once they’re completely convinced of the need, benefit and value of doing so and find enough full-bodied conviction to engage it accordingly (“You never hear anyone practicing a language; they simply listen and then begin to speak.” — Wade Davis).

I’ll notice these things later, on my way out perhaps. But first, my wide-angle lens pulls narrow, as eyes meet eyes and I am seen. How is it, before a word is spoken, you make me know I am known and welcome?

My legs are unsteady as I stand up, my inner thighs aching from being stretched wide. After fucking me from behind, he turned me over and grabbed my ankles, holding my legs open as he drove into me, thrusting so deeply that I begged him to stop. He didn’t, of course. He just shifted his hips, changing the angle of his strokes to hit that sensitive spot within me, and I forgot all about the pain, lost in the overwhelming pleasure of his hard possession.

Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.

God has the capacity to look at the world through two lenses. When God looks at a painful or wicked event through his narrow lens, he sees the tragedy or the sin for what it is in itself and he is angered and grieved. “I do not delight in the death of anyone, says the Lord God” (Ezek. 18:32). But when God looks at a painful or wicked event through his wide-angle lens, he sees the tragedy or the sin in relation to everything leading up to it and everything flowing out from it. He sees it in all the connections and effects that form a pattern or mosaic stretching into eternity. This mosaic, with all its (good and evil) parts he does delight in (Ps. 115:3).

mounted a battery-operated video camera on the living room wall near the fireplace. From this angle, it got all of the living room and some of the kitchen in a wide shot. When Fran was ready to begin telling her story, he was also going to film with his handheld camcorder, moving around to get different angles. Maybe they would even tour the cabin as she told her story.

In light of the well’s legendary status,” Swift said, “I’d hate to overlook a good opportunity.” He reached into a pocket, rummaged briefly and pulled out a large silver coin. It had been forever since Daisy had seen American money. “You’re supposed to throw in a pin,” she said. “I don’t have a pin.” “That’s a five-dollar piece,” Daisy said in disbelief. “You’re not going to throw that away, are you?” “I’m not throwing it away. I’m making an investment. You’d better tell me the proper procedure for making wishes—it’s a lot of money to waste.” “You’re mocking me.” “I’m in deadly earnest. And since I’ve never done this before, some advice would be welcome.” He waited for her reply, and when it became evident that none was forthcoming, a touch of humor lurked in one corner of his mouth. “I’m going to toss the coin in regardless.” Daisy cursed herself. Even though it was obvious he was mocking her, she could not resist. A wish was not something that should be wasted, especially a five-dollar wish. Drat! She approached the well and said curtly, “First hold the coin in your palm until it’s warm from your hand.” Swift came to stand beside her. “And then?” “Close your eyes and concentrate on the thing you want most.” She let a scornful note enter her voice. “And it has to be a personal wish. It can’t be about something like mergers or banking trusts.” “I do think about things other than business affairs.” Daisy gave him a skeptical glance, and he astonished her with a brief smile. Had she ever seen him smile before? Perhaps once or twice. She had a vague past memory of such an occasion, when his face had been so gaunt that all she had received was an impression of white teeth fixed in a grimace that owed little to any feeling of good cheer. But this smile was just a bit off-center, which made it disarming and tantalizing…a flash of warmth that made her wonder exactly what kind of man lurked behind his sober exterior. Daisy was profoundly relieved when the smile disappeared and he was back to his usual stone-faced self. “Close your eyes,” she reminded him. “Put everything out of your mind except the wish.” His heavy lashes fell shut, giving her the chance to stare at him without having him stare back. It was not the sort of face a boy could wear comfortably…the features were too strong-boned, the nose too long, the jaw obstinate. But Swift had finally grown into his looks. The austere angles of his face had been softened by extravagant sweeps of black lashes and a wide mouth that hinted of sensuality. “What now?” he murmured, his eyes still closed. Staring at him, Daisy was horrified by the impulse that surged through her…to step nearer and explore the tanned skin of his cheeks with her fingertips. “When an image is fixed in your mind,” she managed to say, “open your eyes and toss the coin into the well.” His lashes lifted to reveal eyes as bright as fire trapped in blue glass. Without glancing at the well, he threw the coin right into the center of it.

We’ve got too much of what they call spray and pray—put a wide-angle lens on a thing, blast everything in sight, and then pray to God that something is useable.

A few weeks into our stay, I made a friend who wanted to improve his English as much as I wanted to improve my French. We met one day out in the crowd in front of Notre Dame. We walked to the Latin Quarter. We walked to a wine shop. Outside the wine shop there was seating. We sat and drank a bottle of red. We were served heaping piles of meats, bread, and cheese. Was this dinner? Did people do this? I had not even known how to imagine it. And more, was this all some elaborate ritual to get an angle on me? My friend paid. I thanked him. But when we left I made sure he walked out first. He wanted to show me one of those old buildings that seem to be around every corner in that city. And the entire time he was leading me, I was sure he was going to make a quick turn into an alley, where some dudes would be waiting to strip me of…what, exactly? But my new friend simply showed me the building, shook my hand, gave a fine bon soirée, and walked off into the wide open night. And watching him walk away, I felt that I had missed part of the experience because of my eyes, because my eyes were made in Baltimore, because my eyes were blindfolded by fear.

On good nights, Winnie managed to glean five nonconsecutive hours of a shallow and unsatisfying slumber. But those nights were rare. Usually, Winnie was wide awake between midnight and dawn and passed the time by staring at the street below the apartment. Her room did not have its own balcony, just one window outfitted with a cage-like lattice designed to keep out burglars. When the afternoon sun came through at the right angle it created shadowy tessellations on her bed, and Winnie would lie down and position herself so that the scales of light would be cast onto her own skin. After dark, she climbed up and perched motionless on the sill for hours with her legs poking out through the bars, until her lower half went numb. She liked the feeling of having nothing beneath her feet while she was three stories high. It allowed her to pretend for a moment that she was no longer a girl, just a hovering, discorporate displacement of night sky. Safely concealed by the treetops, she could clock the nocturnal comings and goings of the trash collectors and grilled-squid carts and irresponsible, drunk revelers driving home from bars, occasionally wobbling off the road and crashing into a utility pole.

I was resting in the chair. After you started talking, I couldn’t find a good moment to interrupt.” Tom couldn’t take his gaze from Cassandra. Her wide, wondering eyes were like soft blue midnight, star-glittered with forgotten tears. The curves of her body looked firm and sweet, no hard angles or straight lines anywhere . . . nothing but inviting, sensual softness. If she were his . . . he might finally have the sense of ease other men had. No more spending every minute of the day striving and hungering and never feeling sated.

SHERIFF’S DEPARTMENT SUVs were parked at jaunty angles near the main house with their doors wide open, an ambulance driver was arguing with deputies to clear the way so he could back his vehicle in, and the FBI helicopter sat in a back pasture like a giant insect on a break.

Through actively reconnecting with your ability to want and be wanted, you can feel empowered and boost wellbeing, self-esteem and satisfaction, through definition. So doing the Sacral Chakra's work — while sometimes painful and difficult, especially when childhood trauma is triggered— is still a very worthwhile undertaking. When you align and clear the Sacred Chakra you receive an infusion of passion and creative courage throughout your entire life. Stay ready and feel inspired! Nothing is more important, for when it comes to the creation of your mind, no one is more important than you. It's time you put yourself first. SUMMARY •       Where is it: The concentration point for svadhisthana is around the range of two fingers above muladhara chakra. •       What is it: Svadisthana refers to fantasy and pleasure. It is associated with the tongue and genital organs in the physical body. •       When it’s blocked: You may become unemotional and inaccessible to others if your sacral chakra is blocked. A blockage could also lead to low self-worth feelings. •       How to balance this chakra: The aspect of the sacral chakra is water, so that spending time next to a body of water will help open it up. Even taking a bath or shower will help balance your chakra whilst at the same time calming your body. Yoga will concentrate on hip opening poses for curing this chakra. Simple yet effective poses like wide angle pose or bound angle pose. Reflect on steady, breath-linked, soothing motions.

Using these kinds of guides, we can outline Genesis as follows: I. The primeval history 1.1–11.26 A. Creation and violence before the flood 1.1–6.4 B. Re‐ creation through flood and multiplication of humanity 6.5–11.9 II. Transitional genealogy bridging from Shem (the Primeval History) to Abraham (Ancestral History) 11.10–26 III. The ancestral history 11.27–50.26 A. Gift of the divine promise to Abraham and his descendants 11.27–25.11 B. The divergent destinies of the descendants of Ishmael and Isaac (Jacob/ Esau) 25.12–35.29 C. The divergent destinies of the descendants of Esau and Jacob/ Israel 36.1–50.26 By the end of the book, the lens of the narrative camera has moved from a wide‐ angle overview of all the peoples of the world to a narrow focus on one small group, the sons of Jacob (also named “Israel”).

Dominic considered the problem. “I should punch him.” She looked absolutely thrilled. “Could you?” “Of course I could,” he said, vaguely offended. He held up a hand. Fisted it. “I have hands.” He turned his wrist to examine his fist from multiple angles. It was very satisfactory. “Big ones.” “Yes, you do.” In the dim light, Sylvie’s wide eyes looked more black than hazel. “Huge. I’ve noticed that before.” The last words dropped, low and husky. Sexy. “Have you?” Deep. Gravelly. She nodded solemnly and put her fingers back over his, and they studied the result. “Your hand is quite small,” he had to point out.

Feyre,' Lucien pleaded, and dared another step, his hand outraised. My arrow angled toward him, my bowstring groaning. I'd never realised that while Lucien had been trained as a warrior, Cassian, Azriel, Mor, and Rhys were warriors. Cassian could wipe Lucien off the face of the earth in a single blow. 'Put the arrow down,' Lucien murmured, like he was soothing a wild animal. Behind him, the four sentinels closed in. Herding me. The High Lord's pet and possession. 'Don't,' I breathed. 'Touch. Me.' 'You don't understand the mess we're in, Feyre. We- I need you home. Now.' I didn't want to hear it. Peering at the stream below, I calculated my odds. The look cost me. Lucien lunged, hand out. One touch, that was all it'd take- I was no the High Lord's pet any longer. And maybe the world should learn that I did indeed have fangs. Lucien's finger grazed the sleeve of my leather jacket. And I became smoke and ash and night. The world stilled and bent, and there was Lucien, lunging so slowly for what was now blank space as I stepped around him, as I hurtled for the trees behind the sentinels. I stopped, and time resumed its natural flow. Lucien staggered, catching himself before he went over the cliff- and whirled, eye wide to discover me now standing behind his sentinels. Bron and Hart flinched and backed away. From me. And from Rhysand at my side. Lucien froze. I made my face a mirror of ice; the unfeeling twin to the cruel amusement on Rhysand's features as he picked at a fleck of lint on his dark tunic. Dark, elegant clothes- no wings, no fighting leathers. The unruffled, fine clothes... Another weapon. To hide just how skilled and powerful he was; to hide where he came from and what he loved. A weapon worth the cost of the magic he'd used to hide it- even if it put us at risk of being tracked.

Your drawings are brilliant, Miss Makepeace. You're quite talented." "My drawings are brilliant?" What about my smile? What about my eyes? "Yes," he said. "Detailed, accurate, yet still singular and strangely..." he looked upward for a moment, seeking a clean slate for his thought, then returned his eyes to her. "... passionate." He all but purred that last word, his eyes dancing with mirth, and for the life of her, she didn't know what to say. Susannah studied him warily instead, since his face was the one part of his body she hadn't yet sketched in vivid detail. His features were too strong, perhaps, to be considered classically handsome; his face was a bit too long and angular, like a diamond, his nose slightly arched. Light brows, light lashes, and those disconcerting eyes. But in the midst of all those angles, his mouth was a work of art; wide, sensitively curved, indisputably masculine. And of course, the rest of him was beautifully made, too. Almost overwhelmingly so. God help her, she could feel color setting fresh fire to her cheeks at the memory.

Her silence didn't seem to bother him. "Your drawings are brilliant, Miss Makepeace. You're quite talented." "My drawings are brilliant?" What about my smile? What about my eyes? "Yes," he said. "Detailed, accurate, yet still singular and strangely..." he looked upward for a moment, seeking a clean slate for his thought, then returned his eyes to her. "... passionate." He all but purred that last word, his eyes dancing with mirth, and for the life of her, she didn't know what to say. Susannah studied him warily instead, since his face was the one part of his body she hadn't yet sketched in vivid detail. His features were too strong, perhaps, to be considered classically handsome; his face was a bit too long and angular, like a diamond, his nose slightly arched. Light brows, light lashes, and those disconcerting eyes. But in the midst of all those angles, his mouth was a work of art; wide, sensitively curved, indisputably masculine. And of course, the rest of him was beautifully made, too. Almost overwhelmingly so. God help her, she could feel color setting fresh fire to her cheeks at the memory.

If, at the end of the Atlantic, Columbus had found only an absence of water, this English tourist would have been there to capture that void with a wide-angle lens. Here, the wind blows from nowhere to nowhere across a plain transformed by salt into a vision of light. Sometimes a word is found so right it trembles at the slightest explanation. You start out with one thing, end up with another, and nothing’s like it used to be, not even the future.

Karly- Look- at this old photo from- Nevaeh town, and her mother from the past. The uniformed man motioned lazily, not paying attention. Olivia accelerated, edging around him, and heading for the gate. He shouted something at us, All the same, and all, held his ground, waving frantically to keep the next car from following our bad example. The man at the gate wore a matching uniform. As we approached him, the throngs of tourists passed, crowding the sidewalks, staring curiously at the pushy, flashy Porsche. The guard stepped into the middle of the street before us. Olivia angled the car carefully before she came to a full stop. The sun beat against my window that I was now looking out, and she was in shadow. She swiftly reached behind the seat and grabbed something from her bag. The guard came around the car with an irritated expression and tapped on her window angrily. She rolled the window down halfway, and I watched him do a double-take when he saw the face behind the dark glass. ‘I'm sorry, only tour buses allowed in the city today, miss,’ he said in English, with a heavy accent. He was apologetic to both of us, now, as if he wished he had better news for the strikingly beautiful woman such as us. ‘It's a private tour,’ Olivia said, flashing an alluring cute flirty smile. Then and there, she reached her hand out of the window, into the sunlight. I froze some until, at that moment, I realized she was wearing an elbow-length, tan glove. She took his hand, still raised from tapping her window, and pulled it into the car some. She put something into his palm and folded his fingers around it, saying there you go. His face was dazed as he retrieved his hand and stared at the thick roll of money he now held. The outside bill was a thousand-dollar bill. ‘Is this a joke?’ He mumbled. Olivia's smile was blinding. ‘Only if you think it's funny.’ He looked at her, his eyes staring wide. I glanced nervously at the clock on the dash. If Marcel stuck to his plan, we had only five minutes left.

finish cleaning up. A creak overhead let her know Mama was in the small attic. Again. Belinda grasped the lip of the sink, lowered her head, and closed her eyes. Lord, bring healing to Mama’s heart. She misses Papa so, but it’s not healthy for her to sit beside the trunk of his clothes and relive past days. She needs to move forward. A dog barked outside, and Belinda looked out the window. A dark figure moved through the alley—a man, tall and wide-shouldered, his head down and hands thrust deep in his pockets. She recognized him by his size. Herr Ollenburger. No other man in town carried such proportions. His posture exuded sadness, and Belinda’s heart caught in sympathy. So many of Gaeddert’s former residents seemed to have lost their sparkle. She leaned closer to the open window, watching as he turned into the backyard of the house across the alley. If he glanced her way, she would reward him with a cheery expression. To her delight, his chin angled in her direction. She called a greeting. “Good evening! Did you enjoy—” She drew back in embarrassment when she realized the man wasn’t Herr Ollenburger after all.

Shh,” I murmur, taking care to keep my voice low. “It is only a dream. You’re safe. I’ve got you.” [...] "A dream,” she repeats, pupils dilated as she stares up at me. She licks her lips, and I follow the movement with my eyes, a heat pulsing low at the base of my spine. “It was just a dream.” I nod, trying to angle my hips away from her in a futile attempt to hide my thickening cock. But her body is pressed close to mine, tucked beside me under my and Jadi’s wool traveling blankets. I see the moment she realizes, my preternatural vision able to take in the details of her shock. I see the way her pale eyes go wide, cheeks flushing pink. Hear her breath hitch in surprise. I feel my own cheeks heat in response, a flush of shame tightening in my chest. Shame at how much I want her. At how I’ve treated her. Shame at how jealously I guarded Jadi’s affections. At the way I cruelly tried to drive him away from her. “Asterion?” My name is barely a whisper on her lips, but she doesn’t pull away from me. Instead, her thigh presses against my hardening length. Almost like she’s seeking me out. But of course, that can’t be right. No woman would seek me out. Not after the way I’ve treated her. “Yes?” My voice catches in my throat, but I don’t dare look away. “Do you – are you…” her voice trails off, but she keeps her eyes locked on mine. Guilt tightens its hold behind my ribs, but I nod. There’s no point in denying it. No point in lying to her. Not when she can feel the proof of my attraction to her pressing against her. “I’m sorry,” I grit out, pulling my hand away from her face. “I don’t mean to… Please, just ignore it.” I roll away until I’m lying on my back, my erection almost painful as it pushes against the weight of the blankets. “Because of Jadi?” she asks, her voice thready and uncertain. I furrow my brow, glaring with irritation into the darkness. “Jadi? What does Jadi have to do with it?” “I mean – just that you and Jadi are together. Lovers? I not know word,” she babbles. “And I know that. Respect that. I not want come between you and Jadi. At party, he asked if he could court me,” she confesses. “I sorry if I…” I cut her off with a frustrated hiss, hating myself even more for this proof of how I’ve hurt Jadi. How successfully I have pushed her away from him. “You have nothing to apologize for,” I grind out. “Jadi has every right to court you. Every right. The only one who could deny him that is you.” “But you and Jadi…” “Are lovers? Intertwined as closely as two threads woven into the same cloth? Yes.” I bark out a bitter, mirthless laugh. “Which makes my treatment of him – of you – even worse.” The words are spilling out now, like water into the hull of a ship once the wood has cracked. Now that I’ve started, there is no stopping it. “I’ve known for moon cycles that he cares for you, and I hurt him for it. I was cruel to him and tried to chase you away. Because I was afraid you would steal him away from me, and he’s all I have. He’s everything to me. He’s my heart. My heart.” I clutch my fist against my chest in emphasis, still staring at the ceiling, not daring to turn and meet her eyes with my own. “I was jealous, and it was wrong, and now the gods are probably laughing at me. Because I want you. I want you. After trying to drive Jadi away from you, now I want you for myself. But I don’t deserve you. Not after the way I’ve treated you. And even then, even if I hadn’t…” [...] “I want you too.” Her words are no more than a whisper, and I tense, my first instinct to dismiss them the moment I register what she’s said. “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief.

You hear it, too,” she panted. Hear—I couldn’t hear, but just feel— Amren’s small figure darted around a tent, wearing what looked to be Varian’s shirt. It came down to her knees, and its owner was indeed behind her, bare-chested as Rhys was, and wide-eyed. Amren’s bare feet were splattered in mud and grass. “It came here—its power. I can feel it—slithering around. Looking.” “The Cauldron,” Varian said, brows narrowing. “But—it’s aware?” “We pried too deep,” Amren said. “Battle aside, it knows where we are as much as we now know its location.” Nesta raised a hand. “Listen.” And I heard it then. It was a song and invitation, a cluster of notes sung by a voice that was male and female, young and old, haunting and alluring and— “I can’t hear anything,” Rhys said. “You were not Made,” Amren snapped. But we were. The three of us … Again, the Cauldron sang its siren song. My very bones recoiled. “What does it want?” I felt it pulling away—felt it sliding off into the night. Azriel stepped out of a shadow. “What is that,” he hissed. My brows rose. “You hear it?” A shake of the head. “No—but the shadows, the wind … They recoil.” The Cauldron sang again. Distant—withdrawing. “I think it’s leaving,” I whispered. Cassian stumbled and staggered for us a moment later, a hand braced on his chest, Mor on his heels. She did not so much as look at me, nor I her, as Rhys told them. Standing together in the dead of night— The Cauldron sang one final note—then went silent. The presence, the weight … vanished. Amren loosed a sigh. “Hybern knows where we are by now. The Cauldron likely wanted to have a look for itself. After we taunted it.” I rubbed at my face. “Let’s pray that’s the last we see of it.” Varian angled his head. “So you three … because you were Made, you can hear it? Sense it?” “It would appear so,” Amren said, looking inclined to tug him back to wherever they’d been, to finish what they’d no doubt still been in the middle of doing. But Azriel asked softly, “What about Elain?

He can still see the shapes. He can still see the damp forming wide white eyes, and a twisted screaming mouth, and in that mouth the impression of a tongue and of teeth. It keeps him up at night. In his dreams, the shape becomes clearer, becomes a woman, and the screaming woman, her limbs all bent at strange angles around her, pushes out through the brick, through the paper, tearing it away to reach out into his bedroom and grab him.

Veera Loka Books: A Guide for Kannada Writing Veera Loka Books has arisen as a perceived name in the space of Kannada publishing , flagging a promising future for book fans, journalists, and perusers the same. With an emphasis on advancing Kannada writing, the distributing house has taken critical steps in adding to the rich scholarly legacy of Karnataka. Established with the vision of safeguarding and advancing Kannada language and writing, Veera Loka Books has been instrumental in giving a stage to both laid out and growing journalists to feature their ability. The distributing house has gained notoriety for its obligation to quality and variety in scholarly works, making it a go-to objective for fans of Kannada writing. One of the key angles that separates Veera Loka Books is its devotion to supporting arising authors. The distributing house effectively searches out new voices and furnishes them with the chance to expose their imaginative works. This accentuation on advancing new ability has enhanced the Kannada scholarly scene as well as urged hopeful journalists to seek after their energy for composing. As well as encouraging new ability, Veera Loka Books has likewise been an unflinching ally of laid out journalists, furnishing them with a stage to proceed with their scholarly interests. By distributing a different scope of kinds including fiction, verifiable, verse, and that's only the tip of the iceberg, the distributing house has effectively spoke to a wide crowd, further setting its situation as a guide for Kannada writing. Besides, Veera Loka Books has been proactive in exhibiting the social extravagance of Karnataka through its distributions. By including works that dive into the state's set of experiences, customs, and contemporary issues, the distributing house has commended the social legacy of Karnataka as well as worked with a more profound comprehension of the locale's ethos among its perusers. The obligation to quality and genuineness is obvious in each distribution that bears the Veera Loka Books engrave. The distributing house has maintained thorough norms in altering, plan, and creation, guaranteeing that each book is a demonstration of the rich scholarly custom it addresses. For book fans, Veera Loka Books has turned into a believed wellspring of dazzling scholarly works that mirror the embodiment of Kannada writing. Whether it's investigating the profundities of fiction, acquiring experiences from interesting verifiable, or relishing the excellence of Kannada publishing, perusers can find a horde of drawing in titles that take special care of their different scholarly preferences. All in all, Veera Loka Books remains as an excellent power in the realm of Kannada publishing, supporting the language and its scholarly fortunes. Through its faithful help for both laid out and arising essayists, its festival of Karnataka's social embroidery, and its immovable obligation to quality, Veera Loka Books keeps on enlightening the way for Kannada writing fans, journalists, and perusers.

From a sedan windscreen, a wide-angle view of a street. The scene is slipping into a strange perspective, as if she were seeing it all, herself included, from a disembodied eye as urgent and unsteady as a surveillant camera on a mission.

Unlocking the Universe: The Best Online Astrology Course with Certificate The Best Online Astrology Course with Certificate - Astrology is a belief system that looks at the connections between things that happen on Earth and celestial bodies like planets and stars. It has been practiced in different ways for thousands of years and is a topic that many people find fascinating and interesting. Here is a General Summary of What is Known About Astrology: Astrological Signs: According to astrology, the zodiac is divided into 12 signs, each of which is linked to particular personality traits and physical qualities. Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius, and Pisces are among these signs. The location of the Sun at the time of your birth determines your astrological sign, which is also known as your "Sun sign." Natal Chart: A natal chart, sometimes referred to as a birth chart or horoscope, is a diagram that shows the positions of the celestial bodies during a person's birth. It is used to shed light on a person's personality, strengths, and life path and involves the positions of the Sun, Moon, planets, and other celestial points. Planetary Influences: According to astrology, several planets are connected to various facets of life and personality traits. Mars is associated with energy and aggressiveness, Venus with love and relationships, and Mercury with intellect and communication. Astrological Houses: The 12 houses that make up the natal chart each symbolize a distinct aspect of life (such as a person's work, relationships, or home). The placement of the planets in the houses might reveal the direction of certain influences or energy in a person's life. Aspects: Aspects are the angular connections between the natal chart's heavenly bodies. Planets that are close together, opposite each other, or at an angle of 120 degrees are known as conjunctions, oppositions, and trines, respectively. Astrologers analyze these aspects in order to comprehend how the planets relate to one another and affect a person's life. Transits and Progressions: Studying the motion of the planets in relation to a person's natal chart is another aspect of astrology. Transits are the heavenly bodies' current positions and how they affect people's lives at specific times. Progressions are symbolic changes to the natal chart that signify personal progress and development. Astrology's Purpose: Astrology is frequently employed to aid in self-discovery, personal development, and life-insight. For advice on important life decisions, such as careers and romantic relationships, some people turn to astrologers. The scientific community does not recognise it as a science, and there is no evidence to support its assertions. Variations: Astrology has many subfields, such as natal astrology, horary astrology (which provides particular answers), and electional astrology (which chooses favorable periods for events). Criticism and Skepticism: Astrology's assertions are not backed up by actual research, according to its detractors. Astrology is frequently regarded by skeptics as pseudoscience since it has no scientific basis. Popularity: Astrology continues to be widely accepted and popular across many cultures in spite of skepticism. It's important to approach astrology with an open mind, realizing that it is largely a belief system and a tool for self-reflection and discovery rather than a scientific science. Astrology is used by people for a variety of purposes, including for personal insight, amusement, and a sense of connection to the cosmos. For More Details: Click Here

Wide angles are favored by slow cinema. A tableau, whether exterior or interior, offers multiple points of interest. One can see the action, the surroundings, the people talking, the people listening, the weather, and so on. The frame doesn’t direct the viewer’s gaze; it frees it to wander.

In a depressed era when most young adults grasped for any foothold they could find, the nineteen-year-old Smith had already given up a major university scholarship and challenged a prominent magazine’s editorial boundaries until he was fired. He wouldn’t follow his father’s burdened, suit-and-tie path to an early death; he might kill himself, but in a different way.

I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,

I asked if that time works for you. Maybe if you weren’t so busy staring at my chest, you might’ve replied faster.” “In my defense, at this angle it’s harder not to stare.” I let my gaze dip down her neck again. Especially with the way she hunches forward over the desk, arms splayed on the surface, I mean, any man in his right mind would be unable to resist. “Did you buy that shirt with the express purpose of distracting your enemies? Because I have to admit, it’s definitely working.” She rolls her eyes skyward. “So you’re blaming me for your inability to keep your eyes to yourself.” “Blaming makes it sound so negative. Let’s call it appreciating. I appreciate that you work what you have, Chloe, and you do it damn well.” Chloe crosses her arms over her chest. Okay, she has to be doing that on purpose. “You’re unbelievable.” “So I’ve been told.” I flash her a wide smile.

Brothers,” he continues, “are lifelong. And though you take that field tonight, you have also taken that field before, just as you will tomorrow, and the next day, and the next. That field is your home—your battlefield—and those other men are intruders. They don’t respect it. They’re trespassing—unwanted guests..“I can assure you they didn’t,” my father says. Again, the room chants, “Hoorah!” I hold my breath because this next part, more than anything that led up to it, is what I’ve been waiting for. I check the camera, my father still centered in my frame and his face as serious as I’ve ever seen it. Our team has won the first two games of the year, but he knows that two is not ten. A loss, at this point, will be unforgiveable. “What’s that word on your backs?” His question echoes, and the answer is swift. “Honor, sir!” they all shout in unison. They always do. It’s more than memorization, and it’s always made me sit in awe of how it all plays out. “Honor! That’s right. There are no individuals in here. We all have one name. It isn’t the mascot. It isn’t your nickname or some fad that will be forgotten the second the yearbook is printed. It’s a word that means heart, that means drive and ambition, that means giving your all and leaving the best of every goddamned thing you’ve got out there on that field. Turn to your right!” They all do, seated in a circle on the benches, looking at the helmets and heads of their teammates. My dad should have been a preacher, or perhaps a general. He was born to stand before boys and make them believe that for two and a half hours, they are men. “Turn to your left!” All heads shift, the sound swift, but mouths quiet. “Honor. Brotherhood. Tradition.” He pauses, his team still sitting with heads angled and eyes wide on the dark blue sheen of the helmets and sweat-drenched heads next to them. “Again…” he says, and this time they say it with him. “Honor. Brotherhood. Tradition.” “Whose house is this?” my father asks, quiet and waiting for a roar. “Our house!” “Whose house is this?” He’s louder now. “Our house!” “Whose house…” My dad’s face is red and his voice is hoarse by the time he shouts the question painted above the door that the Cornwall Tradition runs through to the field. The final chant back is loud enough that it can be heard through the cinderblock walls. I know, because last week, I filmed the speech from outside. With chests full, egos inflated, voices primed and muscles ready for abuse, this packed room of fifty—the number that always takes the field, even though less than half of them will play—stands, each putting a hand on the back of everyone in front of them.

As I progressed, the lower flanks of Seana Bhraigh cleared, revealing the wide gaping valley of Gleann a’ Chadha Dheirg. Teasingly, the spectacle unfolded. With each step came a slight change, my angle of view refined, and those lower flanks moved aside just a little more. After all the tweaks, the full majesty of Gleann a’ Chadha Dheirg presented itself. At times, it appeared menacing. Seana Bhraigh, on one side of this valley, rose and stood proud of everything it surveyed. On the other side, of shorter stature but of no less beauty, stood Meall Glac an Ruighe. Both stood guard like sentinels, one minute placid, the next imposing like the gates of hell itself. Steep sides plummeted from a lofty perch, tumbling down from grey to green lowlands, and a ribbon of shimmering water wound down to meet me. The valley walls ran away, stretching further and converging until they curved and carved in to meet each other

A person gathers all their resources to compose a foursquare philosophy for surviving each day, an engagement driving at a union of seemly inapposite associations to spotlight an androgyny of inspiration for living better. Combating self-alienation, roving after dusk without a map, unsure of the topography that lies ahead, a sincere pathfinder tentatively picks their way by using penetrating low beams and flashing wide-angle high beams. Only by continuing on the bewildering path, can we find what we seek. The writer peers into the encasement of gloom seeking out a deferential of lightness and darkness in the midst of the incongruous elements that foreshadow a person’s peripatetic quest to steer a meaningful life. By displaying the coexistence and intersection of blackened sequential realism overlaid on a snowy field of internalized temporal legend, the narrator assiduously lumbers to shed a ban of moonlight on the battered pages of their brash secular existence.

For the next seven decades the story of Smith attending these sixty-three consecutive shows has been repeated often, including by me. The trouble is, Mexicana was performed only thirty-five times.

could be an antidote to clinical depression. Smith fed off risk and nerves for the rest of his life, noticeable early with his cavalier photo work in combat zones in the Pacific theater of World War II, and he fell into deep depressions when the urgency wasn’t there.

these entries we can see Smith focusing on the human landscape and the tension he felt between isolation and the teeming churn of collectives, a tension he never reconciled, and many themes of home—creating or finding a home, leaving and returning home.

My leg is sore," he told her, clasping her thighs to settle astride his hips. "I thought you could ride me tonight." Her eyes widened, her lips parting on a stunned breath as his wide palms raised her up, then angled her so he could thrust himself inside. "That's right," he urged, showing her how to accept him in this new position. "Take me in. Take me deep." And she did, obeying him implicitly, following his every demand and direction as he taught her each delicious, sinuous move. Her hair fell forward in a pale circle, framing her face and his as he leaned up to take her lips in a series of wild, rapacious kisses. Surrendering completely, she clung as he surged up into her, driving himself completely deep. She moaned, her body burning like white hot ash, need enslaving her as she fell into a dazed, relentless rhythm. When she tired, he took command, pushing her farther and faster than she imagined she could go until finally she broke on a long, tormented cry. Bliss roared through her, everything she was, given over to the ecstasy of the man and the moment. Collapsing over him, she lay drained and dreamy as he thrust into her with relentless intensity. He took his own release seconds later, his rough shout captured against a pillow.

With a wide-angle lens, this book traces the political, economic, racial, and sexual divisions in modern America, but also the cultural and technological changes that confronted and contorted the country along the way. Following these fault lines, in both senses of the term, we examine the history of our divided America.

In fact, so powerful was his theory that he saw a regularity that did not exist. He contended that a pendulum of a given length not only keeps precise time but keeps the same time no matter how wide or narrow the angle of its swing. A wide-swinging pendulum has farther to travel, but it happens to travel just that much faster. In other words, its period remains independent of its amplitude. “If two friends shall set themselves to count the oscillations, one counting the wide ones and the other the narrow, they will see that they may count not just tens, but even hundreds, without disagreeing by even one, or part of one.” Galileo phrased his claim in terms of experimentation, but the theory made it convincing—so much so that it is still taught as gospel in most high school physics courses. But it is wrong. The regularity Galileo saw is only an approximation. The changing angle of the bob’s motion creates a slight nonlinearity in the equations. At low amplitudes, the error is almost nonexistent. But it is there, and it is measurable even in an experiment as crude as the one Galileo describes.

Houston Brown Photography provides luxury real estate photography for upscale homes in Dallas TX and surrounding areas. We are drone photography specialists. We show your home in the best possible fashion, with creative lighting and wide-angle views.

Our problem is that we’re ticker watchers of our own lives. Happiness (however we individually define it) is not best measured by looking at the ticker, zooming in and magnifying moment-by-moment or day-by-day movements. We would be better off thinking about our happiness as a long-term stock holding. We would do well to view our happiness through a wide-angle lens, striving for a long, sustaining upward trend in our happiness stock, so it resembles the first Berkshire Hathaway chart.