Coral Garden Quotes

We've searched our database for all the quotes and captions related to Coral Garden. Here they are! All 36 of them:

Ol' man Simon, planted a diamond. Grew hisself a garden the likes of none. Sprouts all growin' comin' up glowin' Fruit of jewels all shinin' in the sun. Colors of the rainbow. See the sun and the rain grow sapphires and rubies on ivory vines, Grapes of jade, just ripenin' in the shade, just ready for the squeezin' into green jade wine. Pure gold corn there, Blowin' in the warm air. Ol' crow nibblin' on the amnythyst seeds. In between the diamonds, Ol' man Simon crawls about pullin' out platinum weeds. Pink pearl berries, all you can carry, put 'em in a bushel and haul 'em into town. Up in the tree there's opal nuts and gold pears- Hurry quick, grab a stick and shake some down. Take a silver tater, emerald tomater, fresh plump coral melons. Hangin' in reach. Ol' man Simon, diggin' in his diamonds, stops and rests and dreams about one... real... peach.
Shel Silverstein (Where the Sidewalk Ends)
Do you see the Field of Mars, where I walked next to my bride in her white wedding dress, with red sandals in her hands, when we were kids?” “I see it well.” “We spent all our days afraid it was too good to be true, Tatiana,” said Alexander. “We were always afraid all we had was a borrowed five minutes from now.” Her hands went on his face. “That’s all any of us ever has, my love,” she said. “And it all flies by.” “Yes,” he said, looking at her, at the desert, covered coral and yellow with golden eye and globe mallow. “But what a five minutes it’s been.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
The smell of peace is abroad, the air is cold, the skies are brittle, and the leaves have finally fallen. I wear a pony coat with skin like watered silk and muff of lamb. My fingers lie in depths of warmth. I have a jacket of silver sequins and heavy bracelets of rich corals. I wear about my neck a triple thread-like chain of lapis lazulis and pearls. On my face is softness and content like a veil of golden moonlight. And I have never in all my lives been so lonely.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
I wear a pony coat with skin like watered silk and muff of lamb. My fingers lie in depths of warmth. I have a jacket of silver sequins and heavy bracelets of rich corals. I wear about my neck a triple thread-like chain of lapis lazulis and pearls. On my face is softness and content like a veil of golden moonlight. And I have never in all my lives been so lonely.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Can you read my thoughts?" she asked them. "Are you talking to me?" Lee said. "To all of you. Can you read my thoughts?" "What are you trying to do—get me sent to seclusion?" "Go to hell", Helene said pleasantly. "Don't look at me," Miss Coral said, with the genteel horror of a countess visiting an abattoir, "I can't even read my own.
Joanne Greenberg (I Never Promised You a Rose Garden)
One night I had a frightful dream in which I met my grandmother under the sea. She lived in a phosphorescent palace of many terraces, with gardens of strange leprous corals and grotesque brachiate efflorescences, and welcomed me with a warmth that may have been sardonic. She had changed - as those who take to the water change - and told me she had never died. Instead, she had gone to a spot her dead son had learned about, and had leaped to a realm whose wonders - destined for him as well - he had spurned with a smoking pistol. This was to be my realm, too - I could not escape it. I would never die, but would live with those who had lived since before man ever walked the earth.
H.P. Lovecraft (The Shadow over Innsmouth)
I am here now to tell you that you were wrong. Family is not the only thing that matters. There are other things: Pachelbel’s Canon in D matters, and fresh-picked corn on the cob, and true friends, and the sound of the ocean, and the poems of William Carlos Williams, and the constellations in the sky, and random acts of kindness, and a garden on the day when all its flowers are at their peak. Fluffy pancakes matter and crisp clean sheets and the guitar riff in “Layla,” and the way clouds look when you are above them in an airplane. Preserving the coral reef matters, and the thirty-four paintings of Johannes Vermeer matter, and kissing matters.
Elin Hilderbrand (Beautiful Day)
The roses bloomed, thousands of them in a floral amphitheater, blossoms shading from gold and coral at the top of the garden to scarlet and deep pink on tiers below. At the bottom, in the center of the rosy congregation, the palest apricots and ivories perfumed the air.
Allegra Goodman (The Cookbook Collector)
I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue.
Evelyn Waugh (Brideshead Revisited)
In my mind, no other flower can compete with the perfection and the fragrance of the Peony. The silky petals, delicate shape, romantic shades and graceful foliage make this flower my all time favorite and I’m not alone. Brides plan their wedding dates around peony season. Flower enthusiasts plant them all through their gardens. Florists go crazy over all the different shades available from white, to coral, yellow to reds and every imaginable pink!  Sadly, this bloom can only be enjoyed in nature for a very short time each year. That’s the reason their paper counterparts have become such a hit!
Chantal Larocque (Bold & Beautiful Paper Flowers: More Than 50 Easy Paper Blooms and Gorgeous Arrangements You Can Make at Home)
After Nicholas hung up the phone, he watched his mother carry buckets and garden tools across the couch grass toward a bed that would, come spring, be brightly ablaze as tropical coral with colorful arctotis, impatiens, and petunias. Katherine dug with hard chopping strokes, pulling out wandering jew and oxalis, tossing the uprooted weeds into a black pot beside her. The garden will be beautiful, he thought. But how do the weeds feel about it? Sacrifices must be made.
Stephen M. Irwin (The Dead Path)
You must know, my loved one, that there are beings in the elements which almost appear like mortals, and which rarely allow themselves to become visible to your race. Wonderful salamanders glitter and sport in the flames; lean and malicious gnomes dwell deep within the earth; spirits, belonging to the air, wander through the forests; and a vast family of water spirits live in the lakes and streams and brooks. In resounding domes of crystal, through which the sky looks in with its sun and stars, these latter spirits find their beautiful abode; lofty trees of coral with blue and crimson fruits gleam in their gardens; they wander over the pure sand of the sea, and among lovely variegated shells, and amid all exquisite treasures of the old world, which the present is no longer worthy to enjoy; all these the floods have covered with their secret veils of silver, and the noble monuments sparkle below, stately and solemn, and bedewed by the loving waters which allure from them many a beautiful moss-flower and entwining cluster of sea grass. Those, however, who dwell there, are very fair and lovely to behold, and for the most part, are more beautiful than human beings. Many a fisherman has been so fortunate as to surprise some tender mermaid, as she rose above the waters and sang. He would then tell afar of her beauty, and such wonderful beings have been given the name of Undines. You, however, are now actually beholding an Undine.
Friedrich de la Motte Fouqué (Undine)
Standing here, as immune to the cold as a marble statue, gazing towards Charlotte Street, towards a foreshortened jumble of façades, scaffolding and pitched roofs, Henry thinks the city is a success, a brilliant invention, a biological masterpiece--millions teeming around the accumulated and layered achievements of the centuries, as though around a coral reef, sleeping, working, entertaining themselves, harmonious for the most part, nearly everyone wanting it to work. And the Perownes own corner, a triumph of congruent proportion; the perfect square laid out by Robert Adam enclosing a perfect circle of garden--an eighteenth century dream bathed and embraced by modernity, by street light from above, and from below by fibre-optic cables, and cool fresh water coursing down pipes, and sewage borne away in an instant of forgetting.
Ian McEwan (Saturday)
Fairchild Tropical Botanic Garden in Coral Gables by
Amanda Harris (Fruits of Eden: David Fairchild and America's Plant Hunters)
Most of this is due to aggressive overfishing: just as with agriculture, corporations have turned fishing into an act of warfare, using industrial megatrawlers to scrape the seafloor in their hunt for increasingly scarce fish, hauling up hundreds of species in order to catch the few that have ‘market value’, turning coral gardens and colourful ecosystems into lifeless plains in the process.
Jason Hickel (Less is More: How Degrowth Will Save the World)
We spent all of our days afraid it was too good to be true, Tatiana," said Alexander. "We were always afraid all we had was a borrowed five minutes from now." Her hands went on his face. "That's all any of us ever has, my love," she said. "And it all flies by." "Yes," he said, looking at her, at the desert, covered coral and yellow with golden eye and globe mallow. "But what a five minutes it's been." -- The Summer Garden
Paulina Simmons
Walking in an ancient forest or snorkeling in a coral reef, I have felt an aliveness, a sense of many interlocking pieces clicking together into a living and dynamic whole. These are places that naturally exude abundance. Sadly, this feeling was lacking in any human-made landscape I had experienced. Natural landscapes seem so rich; they seethe with activity; they hum with life in comparison to our own. Why is it that nature can splash riotous abundance across forest or prairie with careless grace, while we humans struggle to grow a few flowers? Why do our gardens offer so little to the rest of life? Our yards seem so one-dimensional, just simple places that offer a few vegetables or flowers, if that much. Yet nature can do a thousand things at once: feed insects and birds, snakes and deer, and offer them shelter; harvest, store, and purify water; renew and enrich the soil; clean the air and scent it with perfume; and on and on.
Toby Hemenway (Gaia's Garden: A Guide to Home-Scale Permaculture Reclaiming Domesticity from a Consumer Culture)
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.... (Book I, Ch. 1) I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue." (Book II, Ch. 1)
Evelyn Waugh (Brideshead Revisited)
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.... (Book I, Ch. 1) I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue." (Book II, Ch. 1)
Evelyn Waugh (Brideshead Revisited)
Family is not the only thing that matters. There are other things: Pachelbel’s Canon in D matters, and fresh-picked corn on the cob, and true friends, and the sound of the ocean, and the poems of William Carlos Williams, and the constellations in the sky, and random acts of kindness, and a garden on the day when all its flowers are at their peak. Fluffy pancakes matter and crisp clean sheets and the guitar riff in “Layla,” and the way clouds look when you are above them in an airplane. Preserving the coral reef matters, and the thirty-four paintings of Johannes Vermeer matter, and kissing matters. Whether or not you register for china, crystal, and silver does not matter. Whether or not you have a full set of Tiffany dessert forks on Thanksgiving does not matter. If you want to register for these things, by all means, go ahead. My Waterford pattern is Lismore, one of the oldest. I do remember one time when I had a harrowing day at the hospital, and Nick had a Rube Goldberg project due and needed my help, and Kevin was playing Quiet Riot at top decibel in his bedroom, and Margot was tying up the house phone, and you had been plunked by the babysitter in front of the TV for five hours, and I came home and took one of my Lismore goblets out of the cabinet. I wanted to smash it against the wall. But instead I filled it with cold white wine and for ten or so minutes I sat in the quiet of the formal living room all by myself and I drank the cold wine out of that beautiful glass crafted by some lovely Irishman, and I felt better. It was probably the wine, not the glass, but you get my meaning. I will remember the impressive heft of the glass in my hand, and the way the cut of the crystal caught the day’s last rays of sunlight, but I will not miss that glass the way I will miss the sound of the ocean, or the taste of fresh-picked corn.
Elin Hilderbrand (Beautiful Day)
to all of you, can you read my thoughts?" (...) "Dont look at me" miss coral said, with the genteel horror of the countless visiting abattori. "i cant even read my own
Joanne Greenberg (I Never Promised You a Rose Garden)
London is more than its museums and landmarks. It’s a living, breathing, thriving organism...a coral reef of humanity. You can enjoy some of Europe’s best people-watching at Covent Garden, Victoria Station, Piccadilly Circus, or any of the major stops on London’s subway system, known affectionately as the Tube.
Rick Steves (Rick Steves London)
Under democratic technics, the only occupation that demanded a lifetime's attention was that of becoming a full human being, able to perform his biological role and to take his share in the social life of the community, absorbing and transmitting the human tradition, deliberately bringing the ceremonies he performed, the food he planted, the images he shaped, the utensils he carved or painted to a higher degree of esthetic perfection. Every part of work was life-work. This archaic attitude toward work was widespread; and despite all the efforts Western man has made, since the sixteenth century, to corrupt and destroy this basic culture, it still lingered in peasant communities, as well as in the surviving tribal enclaves that were intact at the beginning of the present century. Franz Boas noted the high regard for craftsmanship among supposedly primitive peoples; while Malinowski emphasized the same attitude among his near-neolithic 'Coral Gardeners.' Machine culture in its original servile form did not share these life-enhancing propensities: it centered, not on the worker and his life, but on the product, the system of production, and the material or pecuniary gains therefrom. Whether kept in operation by the taskmaster's whip or by the inexorable progression of today's assembly line, the processes derived from the megamachine worked for speed, uniformity, standardization, quantification. What effect these objectives had upon the worker or upon the life that remained to him when the workday was over was no concern of those who commanded these mechanical operations. The compulsions produced by this system were more insidious than outright slavery, but as with slavery, they finally debased the controllers as well as the working force so controlled.
Lewis Mumford (Technics and Human Development (The Myth of the Machine, Vol 1))
We spent all our days afraid it was too good to be true, Tatiana,” said Alexander. “We were always afraid all we had was a borrowed five minutes from now.” “Her hands went on his face. “That’s all any of us ever has, my love,” she said. “And it all flies by.” “Yes,” he said, looking at her, at the desert, covered coral and yellow with golden eye and globe mallow. “But what a five minutes it’s been.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Western Texas was just flat road amid the dusty plains as far as the eye could see. Alexander was driving and smoking; he had turned off the radio so he could hear Tatiana better—but she had stopped speaking. She was sitting on the passenger side with her eyes closed. She had been telling him and Anthony soothing stories of some of her pranks in Luga. There were few stories Alexander liked better than of her child self in that village by the river. Is she asleep? He glances at her, squeezed in around herself in a floral pink wrap dress that comes down to a V in her chest. Her glistening, slightly tender, coral nectar mouth reminds him of things, stirs him up a little. He checks to see what Anthony is doing—the boy is lying down facing away, playing with his toy soldiers. Alexander reaches over and cups a palmful of her breast, and she instantly opens her eyes and checks for Anthony. “What?” she whispers, and no sooner does she whisper than Anthony turns around, and Alexander takes his hand away, an aching prickle of desire mixed with frustration all swollen behind his eyes and in his loins.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Dark rocks stood waiting to be sculpted by the wind. Tiny seeds rode the air, waiting to fall and take root. Under the sea, corals formed and pearls hardened. Sap rose and juices fed along the vines. White trumpets flowered, and mandarins and lemons shone like drops in fragrant groves.
Deborah Lawrenson (The Sea Garden)
Various kinds of isis, clusters of pure tuft-coral, prickly fungi, and anemones formed a brilliant garden of flowers, decked with their collarettes of blue tentacles, sea-stars studding the sandy bottom. It was a real grief to me to crush under my feet the brilliant specimens of molluscs which strewed the ground by thousands, of hammerheads, donaciæ (veritable bounding shells), of staircases, and red helmet-shells, angel-wings, and many others produced by this inexhaustible ocean.
Jules Verne (20,000 Leagues Under the Sea)
We decorate the heart-shaped snickerdoodles in pink and lilac frosting, topping each one with a tiny rosebud. Roisin brews a pot of passion fruit tea, sweetening it with honey before pouring it over a glass of ice and coconut milk. It turns a cloudy purple color. "This is a specialty at Petals Tea Shop," Roisin says. "Your auntie Laina named it the Midnight Rose Garden. It's one of my favorites." "It's wonderful," I say, taking a sip. It reminds me of family trips I used to take to Hawaii. My parents always said I was such a happy kid and didn't know what went wrong as I grew up. The passion fruit spilling over my tongue transports me back to placid waters--- ones that never whispered. The kind of waves that turtles call home and coral reefs burn bright. The same waves that culled my sunburnt shoulders, kissing my welted flesh and telling me I was okay. I was safe here. The water was safe. With Roisin, I am safe.
Kiana Krystle (Dance of the Starlit Sea)
what do you mean, granddaughter? sell? for money? we! you can't mean that, we didn't pay money for those things. Our animals give milk and eggs, fruits are from the garden, mussels from the bay--black coral the fishermen bring me because I give them medicine when they are ill...
Maria Dermoût (The Ten Thousand Things)
Each year fishing trawlers plow an area of seafloor twice the size of the continental United States, obliterating the benthos. Gardens of corals and sponges hosting colorful sea life are reduced to furrowed, lifeless plains.
Peter Brannen (The Ends of the World: Volcanic Apocalypses, Lethal Oceans, and Our Quest to Understand Earth's Past Mass Extinctions)
As the late sun descended into the ocean, it seemed to trail ragged strips of black cloud with it, like a burning red planet settling into the Pacific’s watery green rim. When the entire coastline was awash in a pink light you could see almost every geological and floral characteristic of the American continent tumbling from the purple crests of the Santa Monica Mountains into the curling line of foam that slid up onto the beaches: dry hills of chaparral, mesquite, and scrub oak, clumps of eucalyptus and bottlebrush trees, torrey and ponderosa pine growing between blue-tiled stucco houses, coral walls overgrown with bougainvillea, terraced hillside gardens filled with oleander, yucca plants, and trellises dripping with passion vine, and orange groves whose irrigation ditches looked like quicksilver in the sun’s afterglow. Then millions of lights came on in the canyons, along the freeways, and through the vast sweep of the Los Angeles basin, and it was almost as if you were looking down upon the end point of the American dream, a geographical poem into which all our highways eventually led, a city of illusion founded by conquistadors and missionaries and consigned to the care of angels, where far below the spinning propellers of our seaplane black kids along palm-tree-lined streets in Watts hunted each other with automatic weapons.
James Lee Burke
Perhaps his most triumphant recipe, sandwiched between “surprise bananas” and “Tyrrhenian seaweed foam (with coral garnish),” was “Tactile vegetable garden.” Here the salad is eaten “by burying the face in the plate, without the help of the hands, so as to inspire a true tasting with direct contact between the flavors and the textures of the green leaves on the skin of the cheeks and the lips.” As the eater brings the head up from the plate, a waiter sprays his face with cologne. And then before taking another mouthful, “the guests must let their fingertips feast uninterruptedly on their neighbor’s pajamas.” Because, of course, they’re wearing pajamas.
William Sitwell (A History of Food in 100 Recipes)
Había un viejo manzano en el rincón, un auténtico veterano de guerra que ya había vivido sus mejores días. Su fruto era casi insignificante; eso sí, cuando florecía se te paraba el corazón. Como espuma rompiendo en un arrecife de coral, así era.
Reginald Arkell (Old Herbaceous. A Novel of the Garden)
She pulled up to the curb in front of number 115, a boxy house with a garden so neat that people sometimes slowed down to admire it. A pruned hedge guarded the profusion of roses that bloomed from spring to winter. Each of the roses had a name. Not the proper name of its variety, but Salvatore, Roberto, Rosina- each one planted in honor of their first communion. There were also roses that honored relatives in Italy whom Rosa had never met, and a few for people she didn't know- La Donna, a scarlet beauty, and a coral floribunda whose name she couldn't remember. The sturdy bush by the front step, covered in creamy-white blooms, was the Celesta, of course. A few feet away was the one Rosa, a six-year-old with a passion for Pepto-Bismol pink, had chosen for herself. Mamma had been so proud of her that day, beaming down like an angel from heaven. It was one of those memories Rosa cherished, because it was so clear in her heart and mind.
Susan Wiggs (Summer by the Sea)
The Ranatonga on a level keel, and spilling the wind from her sails, came round in a great curve on the dazzling water, her great shadow following her across the coral gardens of the lagoon floor. Then the rumble of the anchor chain echoed and passed away in the woods, and ship and shadow swung slowly to the tide and came to rest. To port lay the reef booming to the blue and to starboard the island beach of white coral sand, answering the reef with a thudding song, whilst north and south the two arms of the lagoon, curving, lost themselves beyond capes where the banyans and palms trooped to the very water.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
Wonderful things in life take time, like artisan cheese, flavourful wine, delicious kimchi, thriving coral reefs, bountiful vegetable gardens, lush flower fields, deep trust, strong relationships, financial security and a fulfilling career.
Haemin Sunim (When Things Don't Go Your Way: Zen Wisdom for Difficult Times)