“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
”
”
Bob Marley
“
To me, “FEARLESS” is not the absence of fear. It’s not being completely unafraid. To me, FEARLESS is having fears. FEARLESS is having doubts. Lots of them. To me, FEARLESS is living in spite of those things that scare you to death. FEARLESS is falling madly in love again, even though you’ve been hurt before. FEARLESS is walking into your freshmen year of high school at fifteen. FEARLESS is getting back up and fighting for what you want over and over again… even though every time you’ve tried before, you’ve lost. It’s FEARLESS to have faith that someday things will change. FEARLESS is having the courage to say goodbye to someone who only hurts you, even if you can’t breathe without them. I think it’s FEARLESS to fall for your best friend, even though he’s in love with someone else. And when someone apologizes to you enough times for things they’ll never stop doing, I think it’s FEARLESS to stop believing them. It’s FEARLESS to say “you’re NOT sorry”, and walk away. I think loving someone despite what people think is FEARLESS. I think allowing yourself to cry on the bathroom floor is FEARLESS. Letting go is FEARLESS. Then, moving on and being alright…That’sFEARLESS too. But no matter what love throws at you, you have to believe in it. You have to believe in love stories and prince charmings and happily ever after. That’s why I write these songs. Because I think love is FEARLESS.
”
”
Taylor Swift
“
I believe everything happens for a reason. Whether it is decided by the Mother, or the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as that prick we're going to face today. If I had not met an Illyrian warrior-in-training," he said to Cassian, "I would not have known the true depths of strength, of resilience, of honor and loyalty." Cassian's eyes gleamed bright. Rhys said to Azriel, "If I had not met a shadowsinger, I would not have known that it is the family you make, not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair." Azriel bowed his head in thanks.
Mor was already crying when Rhys spoke to her. "If I had not met my cousin, I would neer have learned that light can be found in even the darkest of hells. That kidness can thrive even amongst cruelty." She wiped away her teas as she nodded.
I waited for Amren to offer a retort. But she was only waiting.
Rhys bowed his head to her. "If I had not met a tiny monster who hoards jewels more fiercely than a firedrake..." A quite laugh from all of us at that. Rhys smiled softly. "My own power would have consumed me long ago."
Rhys squeezed my hand as he looked to me at last. "And if I had not met my mate..." His words failed him as silver lined his eyes.
He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it.
He wiped away the tears sliding down my face. "I believe that everything happened, exactly the way it had to... so I could find you." He kissed another tear away.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Having a mother helps you believe that everybody wants to hear every little thing you think. Having a mother helps you speak without thinking. It allows you to trust in your most awful self, to yell and scream and cry, knowing that your mother will still love you by the end of it.
”
”
Alison Espach (The Wedding People)
“
Nothing?" Favonius cried. "The one you care for most... plunged into Tartarus, and you still will not allow the truth?"
Suddenly Jason felt like he was eavedropping.
The one you care for most.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
So what do you do? Really? (Kat)
Nothing. Really. It’s boring as hell. Artemis won’t allow me to bring anything here with me. No guitar. No Cartoon Network. Occasionally, I sneak a book in just to watch her wig out when she finds it. (Acheron)
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
I'm always telling myself I don't have many feelings. Even when something does affect me I'm only moderately moved. I almost never cry. It's not that I'm stronger than the ones with teary eyes, I'm weaker. They have courage. When all you are is skin and bones, feelings are a brave thing. I'm more of a coward. The difference is minimal though, I just use my strength not to cry. When I do allow myself a feeling, I take the part that hurts and bandage it up with a story that doesn't cry, that doesn't dwell on homesickness.
”
”
Herta Müller (The Hunger Angel)
“
Tears aren't just for babies. They're proof that you feel something and aren't afraid to show it. It's those that won't ever allow themselves to cry that are the weak ones.
”
”
Morgan Rhodes (A Book of Spirits and Thieves (Spirits and Thieves, #1))
“
That pissed me the hell off. I took in a deep breath and blurted out everything without thinking twice. “Fuck you! You want to know who I am, Marcus. Well here it goes! I am temperamental, over-sensitive, and outspoken. I’m honest! I cry at stupid love movies, and I'm a sucker for a romantic novel. I don’t allow people to walk all over me, I have trust issues, and I have insecurities. I’ve slept with four men in my entire life! And the one thing I don’t do is take shit from men who try to act like they’re better than me as if they don’t have any hidden skeletons! I’m not keeping shit hidden, how ‘bout you? You can fuck off. I'll find my own way home. Have a nice fucking life!” - Mia
”
”
E.L. Montes (Disastrous (Disastrous, #1))
“
Rage, Scarlett. Rage and scream and cry and fall apart. You are allowed to feel and do all those things, but you do not stop fighting. You do not give up. You become a bigger storm.
”
”
Melissa K. Roehrich (Lady of Shadows (Lady of Darkness, #2))
“
Oh!" cried Anne eagerly, "I hope I do justice to all that is felt by you,
and by those who resemble you. God forbid that I should undervalue
the warm and faithful feelings of any of my fellow-creatures!
I should deserve utter contempt if I dared to suppose that true attachment
and constancy were known only by woman. No, I believe you capable
of everything great and good in your married lives. I believe you equal
to every important exertion, and to every domestic forbearance,
so long as--if I may be allowed the expression--so long as you have
an object. I mean while the woman you love lives, and lives for you.
All the privilege I claim for my own sex (it is not a very enviable one;
you need not covet it), is that of loving longest, when existence
or when hope is gone.
”
”
Jane Austen (Persuasion)
“
I'm under strict instructions to write a happy ending. Rule number ninety-seven: You're not allowed to make a dragon cry."
"Right," Said Sophie, starting the engine. "Tears might quench their fire.
”
”
Chris d'Lacey (The Fire Within (The Last Dragon Chronicles, #1))
“
And exactly how does a miserable face help the war effort?" he asked sharply, his mood beginning to change. "Will a frown bring back the dead or fortify a town? If I allow myself to laugh in the face of misery, I rest my mind from the stress of it all, and then it'll work the better for you and your war. And if I'm really to be one of your advisers, Your Majesty, accept this piece of advise: Take happiness where and when you find it, because there is going to be precious little of it in the next few months!
”
”
Stuart Hill (The Cry of the Icemark)
“
She looked up at the sky, now tinged with orange. "Please live. Talk, think, act. And sometimes listen to music..." She stopped briefly. "Look at paintings, allow yourself to be moved. Laugh a lot, and at times, cry. And if you find a wonderful girl, then you go for her, and love her.
”
”
Koushun Takami (Battle Royale)
“
Don't allow the fear of falling stop you from pursuing your dream. Prepare. Practice. Pray. Jump! It's through the fall that you'll realize you can to fly.
”
”
Yvonne Pierre (The Day My Soul Cried: A Memoir)
“
Sophy looked at him. Under his amazed and horrified gaze, large tears slowly welled over her eyelids, and rolled down her cheeks. She did not sniff, or gulp, or even sob: merely allowed her tears to gather and fall.
'Sophy, for God's sake do not cry!'
'Oh, do not stop me!' begged Sophy. 'Sir Horace says it is my only accomplishment.'
Mr. Rivenhall glared at her. 'What!'
'Very few persons are able to do it!' Sophy assured him. 'I discovered it by the veriest accident when I was seven years old. Sir Horace said I should cultivate it, for I would find it most useful.'
'You - you - ' Words failed Mr. Rivenhall. 'Stop at once!
”
”
Georgette Heyer (The Grand Sophy)
“
You are allowed to cry, but you’re not allowed to cry over shitty men. They don’t deserve your love and attention, let alone your tears.
”
”
Chelsea Curto (Face Off (D.C. Stars, #1))
“
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
”
”
Paulo Coelho (Maktub)
“
YOU HAVE TO BE STRONG ENOUGH TO BE WEAK
Allow yourself to feel whatever you are feeling. Notice any labels you attach to crying or feeling vulnerable. Let go of the labels. Just feel what you are feeling, all the while cultivating moment-to-moment awareness, riding the waves of “up” and “down,” “good” and “bad,” “weak” and “strong,” until you see that they are all inadequate to fully describe your experience. Be with the experience itself. Trust in your deepest strength of all: to be present, to be wakeful.
”
”
Jon Kabat-Zinn (Wherever You Go, There You Are: Mindfulness Meditation in Everyday Life)
“
As many times as I had seen them crying or losing sleep over some dumb bitch in a pair of fuck-me heels that never gave a shit about them anyway, I couldn’t understand it. The women that were worth that kind of heartbreak wouldn’t let you fall for them so easy. They wouldn’t bend over your couch, or allow you to charm them into their bedroom on the first- or even the tenth.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
She snorted. I haven´t negotiated near enough where you are concerned, Jacob. If I had, I wouldn´t have suffered with terminal horniness for the past six years. I get my coffee, you get the sex. No limits allowed. No crying foul if you can´t keep up.
How much coffee can you drink? he asked her suspiciously.
Faith made certain her smile was innocent and non-threatening. The question is, Jacob, how often can you fuck?
”
”
Lora Leigh (Jacob's Faith (Breeds, #9))
“
Relying on his own strength and the support of his family and community, Paul faced each stage of his illness with grace—not with bravado or a misguided faith that he would “overcome” or “beat” cancer but with an authenticity that allowed him to grieve the loss of the future he had planned and forge a new one. He cried on the day he was diagnosed. He cried while looking at a drawing we kept on the bathroom mirror that said, “I want to spend all the rest of my days here with you.” He cried on his last day in the operating room. He let himself be open and vulnerable, let himself be comforted. Even while terminally ill, Paul was fully alive; despite physical collapse, he remained vigorous, open, full of hope not for an unlikely cure but for days that were full of purpose and meaning.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
Strength is taking charge of your own destiny and not waiting on others to do so. You don’t have to swear and drink and beat people up and slay monsters. You’re allowed to cry and take care of children and cook and get your heart broken and dress up and date and get pregnant. But when decisions have to be made, a strong character makes them and doesn’t wait for someone else.
”
”
Mur Lafferty
“
On occasion, it occurs to adults that they are allowed to do all the things that being a child prevented them from doing. But those desires change when you're not looking. There was a time when your favorite color transferred from purple to blue to whatever shade it is when you realize having a favorite color is a trite personality crutch, an unstable cultivation of quirk and a possible cry for help. You just don't notice the time of your own metamorphosis. Until you do. Every once in a while time dissolves and you remember what you liked as a kid. You jump on your hotel bed, order dessert first, decide to put every piece of jewelry you own on your body and leave the house. Why? Because you can. Because you're the boss. Because . . . Ooooh. Shiny.
”
”
Sloane Crosley (How Did You Get This Number: Essays)
“
Once in a thousand years, you know, one cat is allowed to speak. My cats are philosophers-neither of them ever cries over spilt milk.
”
”
L.M. Montgomery (The Blue Castle)
“
Under my pillow is an old scrap of paper, where Susannah has scribbled,
I love you x
The thrill of it makes me cry, because I'm not allowed to love her back.
”
”
Chloe Michelle Howarth (Sunburn)
“
He leaned in for a sniff. 'Smells like a horse's arse! I've got Ian!' -'No sniffing allowed! We never discussed sniffing! I cry foul!' Ian was outraged. 'I'm not giving you a shilling!' -'Give him a shilling! It's not his fault you smell like a horse's arse!
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
He found her not even a block away from the house, sitting on a curb.
As he approached, he saw her wiping her face with her forearm.
Sabine was...crying? "What are you doing out here, cwena?" Over the past week, Rydstrom had been pleased when she'd worried about him, and gratified when she'd felt the sting of jealousy. Was he a terrible man to hope she was crying about him?
She glared at him with her bottom lip quivering, allowing him to see her like this instead of using a mask. "I d-don't have anywhere else to g-go." Another swipe of her forearm over her eyes. "Lanthe's gone, and I c-can't get to her for six days. And I'm in a strange t-town and land, and Vrekeners are everywhere."
Sabine hadn't even mentioned what they'd just gone through-
"And you br-broke up with me!" she said, her tears falling faster. "Is that supposed to make me happy?"
"Come inside, Sabine."
"No! You t-told me not to." She sniffled, "You don't want me at your house."
He swooped her up in his arms. "Will you shut up?" With his free hand, he brushed her tears. "I made it ten minutes before I came after you.
”
”
Kresley Cole (Kiss of a Demon King (Immortals After Dark, #6))
“
Sugar, you’re allowed to feel any damn way you want.” Just don’t cry because your tears hurt worse than a knife wound to the gut.
”
”
Jessica Clare (Last Breath (Hitman, #2))
“
He had black fingernails and drove a hearse. Everything about him cried out, 'Look at me, look at me,' and when you looked at him, he would snap, 'Who the fuck are you looking at?' If you subscribe to the idea that addiction is a disease, it is startling to see how many of these children- paranoid, anxious, bruised, tremulous, withered, in some cases psychotic - are seriously ill, slowly dying. We'd never allow such a scene if these kids had any other disease. They would be in a hospital, not on the streets.
”
”
David Sheff
“
Honesty, vulnerability and a good amount of courageous faith allows you to cry out in your bewilderment and not lose your belief in the process. These things allow you to wrestle your faith rather than lose it.
”
”
Bono
“
Stories. Character. Dialouge. Entire worlds created on the page. Worlds that could sweep you away or frighten you, make you laugh or cry. Worlds that allowed you to escape to another country or time. Worlds built piece by piece of ink and punctuation.
”
”
Jamie Michaels (Kiss My Book)
“
Yes, Smoke told him reluctantly, Lucivar had cried. Heart pain. Caught-in-a-trap pain. The Lady had petted and petted, sung and sung. It had been more than a dream, then. In one of the dreamscapes Black Widows spun so well, Jaenelle had met the boy he had been and had drawn the poison from the soul wound. He had wept for the boy, for the things he hadn’t been allowed to do, for the things he hadn’t been allowed to be. But he didn’t weep for the man he’d become.
“Ah, Lucivar,” she’d said regretfully as they’d walked through the dreamscape. “I can heal the scars on your body, but I can’t heal the scars of the soul. Not yours, not mine. You have to learn to live with them. You have to choose to live beyond them.
”
”
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
“
Can we get on with this?" Father Laggan cried out. "In the name of the Father…"
"I'm inviting my aunt Millicent and uncle Herbert to come for a visit, Iain, and I'm not going through the council to get permission first."
"… and of the Son," the priest continued in a much louder voice.
"She'll be wanting King John next," Duncan predicted.
"We can't allow that, lass," Owen muttered.
"Please join hands now and concentrate on this ceremony," Father Laggan shouted, trying to gain everyone's attention.
"I don't want King John to come here," Judith argued. She turned to frown at Owen for making such a shameful suggestion. "I want my aunt and uncle. I'm getting them, too." She turned and had to peek around Graham in order to look up at Iain. "Yes or no, Iain."
"We'll see. Graham, I'm marrying Judith, not you. Let go of her hand. Judith, move over here."
Father Laggan gave up trying to maintain order. He continued on with the ceremony. Iain was paying some attention. He immediately agreed to take Judith for his wife.She wasn't as cooperative. He felt a little sorry for the sweet woman. She looked thoroughly
confused.
"Judith, do you take Iain for your husband?"
She looked up at Iain before giving her answer. "We'll see."
"That won't do, lass. You've got to say I do," he advised.
"Do I?"
Iain smiled. "Your aunt and uncle will be welcomed here."
She smiled back.
....
Judith tried not to laugh. She turned her attention back to Father Laggan. "I will say I do,"
she told him. "Shouldn't we begin now?"
"The lass has trouble following along," Vincent remarked.
Father Laggan gave the final blessing while Judith argued with the elder about his rude comment. Her concentration was just fine, she told him quite vehemently.
She nagged an apology out of Vincent before giving the priest her attention again. "Patrick, would you go and get Frances Catherine? I would like her to stand by my side during the ceremony."
"You may kiss the bride," Father Laggan announced.
”
”
Julie Garwood (The Secret (Highlands' Lairds, #1))
“
Everything I've learned from the time I was born is essentially some form of control. Basic lessons: how to control my hands, my body. Advanced lessons: how to control my volume, my appearance. Having control over myself allows me to choose. I can present myself as loudly or as softly, as boldly or as meekly, as wildly or as calmly as you wish.
”
”
Lilly Dancyger (Burn It Down: Women Writing about Anger)
“
Going back to the basis, the phrase ‘Fight Like A Girl’, and we’ve all heard that growing up. And by that they mean that you’re some kind of weakling and have no skills as a male. It’s said to little boys when they can’t fight yet, and it ridicules us. By the time we were born, the most of us hear things which program you to accept and know that you are less than your male counter part. It comes apparent in the way you’re paid for your job, it comes apparent when yóu are not allowed to go outside after a certain hour because you stand a good chance of getting raped while no one says that to your boyfriend. While women, anywhere, live in some kind of fear, there is no equality and that is mathematically impossible. We cannot see that change or solved in our lifetimes, but we have to do everything that we can. We should remind ourselves that we are fifty-one percent. Everyone should know that fighting like a girl is a positive thing and that there is not inherently anything wrong with us by the fact that we are born like ladies. That is a beautiful thing that we should never be put down because of. Being compared to a woman should only make a man feel stronger. It should be a compliment. In this world we’re creating it actually is.
I remember this one guy who came to our show in Texas or something and he had painted his shirt “real men fight like a girl”, and I cried, because he was going away in the army next day. He bought my book because he wanted something he could read over there. I just hoped that this men, fully straight and fully male can maintain and retain all of those things that make him understand us, and what makes him so beautiful. A lot of military training is step one: you take all those guys and put them in front of bunch of hardcore videogames where you kill a bunch of people and become desensitised. But that is NOT power! I will not do that. I will not become less of a human being and I refuse to give up my femininity because that’s bullshit. I’m not going to have to shave my head and become all buff and all that to be able to say “now I’m powerful” because that’s bullshit. All of this, all of us, we are power. You don’t have to change anything to be strong.
”
”
Emilie Autumn
“
When we ask we are owning our needs. Asking for love, comfort or understanding is a transaction between two people. You are saying: I have a need. It's not your problem. It's not your responsibility. You don't have to respond, but I'd like something from you.
This frees the other person to connect with you freely and without obligation. When we own that our needs are our responsibility we allow others to love us because we have something to offer. Asking is a far cry from demanding. When we demand love, we destroy it.
”
”
Henry Cloud
“
She grabs my hands and holds them while I cry. “Don’t be like me, Lily. I know that you believe he loves you, and I’m sure he does. But he’s not loving you the right way. He doesn’t love you the way you deserve to be loved. If Ryle truly loves you, he wouldn’t allow you to take him back. He would make the decision to leave you himself so that he knows for a fact he can never hurt you again. That’s the kind of love a woman deserves, Lily.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
Don't you dare cry. If you do, then I shall, and I refuse to allow it.
”
”
Patricia Ryan (The Black Sheep (North Moon Bay, #1))
“
if i have never seen you cry.
if you do not cry.
if you do not value or respect the needs of your water.
you and i can not form.
if you can not allow your own being to wash over you.
how will mine ever make it past your skin.
–– available
”
”
Nayyirah Waheed (Salt)
“
Back turned, you don't have to look at what you've left behind. And the person who first turned their back on you can't watch you break down and cry. Never allow an enemy to see weakness in you.
”
”
Ellen Hopkins (Perfect (Impulse, #2))
“
to do list (after the breakup)
1. take refuge in your bed
2. cry. till the tears stop (this will take a few days).
3. don’t listen to slow songs.
4. delete their number from your phone even though it is memorized on your fingertips.
5. don’t look at old photos.
6. find the closest ice cream shop and treat yourself to two scoops of mint chocolate chip. the mint will calm your heart. you deserve the chocolate.
7. buy new bed sheets.
8. collect all the gifts, t-shirts, and everything with their smell on it and drop it off at a donation center.
9. plan a trip.
10. perfect the art of smiling and nodding when someone brings their name up in conversation.
11. start a new project.
12. whatever you do. do not call.
13. do not beg for what does not want to stay.
14. stop crying at some point.
15. allow yourself to feel foolish for believing you could’ve built the rest of your life in someone else’s stomach.
16. breathe.
”
”
Rupi Kaur (Milk and honey)
“
All of you, I am sure, have heard many cries about Government interference with business and about "creeping socialism." I should like to remind the gentlemen who make these complaints that if events had been allowed to continue as they were going prior to March 4, 1933, most of them would have no businesses left for the Government or for anyone else to interfere with — and almost surely we would have socialism in this country, real socialism.
”
”
Harry Truman
“
Where is Frankie, anyway?" Dad asks. "It's almost noon. I'm surprised you two can stand the separation."
I take a deep breath and gulp down some orange juice.
Well, Dad, first Frankie lied to me about losing her virginity to the foreign exchange student on the soccer field, and how your first time can't be special and all that. Then we decided to have this twenty boy contest but we only met, like, half, and she lied again about sleeping with one of them when really they just kind of fooled around naked and broke up. Meanwhile, when I was casting off my virginity with boy number five (or was he six?), Frankie read my journal and found out that I was in love with Matt for a million years and by the way, right after you took that picture of us with all the cake and frosting, he kissed me and started this whole long thing that we weren't allowed to tell her about. Frankie was so mad that she threw my journal into the bottom of the ocean, where it was banished for all eternity with a lovesick mermaid who cries out pieces of sea glass. Are you going to eat that bacon?
...
"I'll probably see her later," I say.
”
”
Sarah Ockler (Twenty Boy Summer)
“
And right after your ABC’s you learn that God created everyone equal, pink is not just a girl’s color, and boys are allowed to cry -how it should be
”
”
Emily Curtis (in the absence of the sun)
“
It's OK to feel sad, cry, be who you are. If you are happy smile. If you are sad, cry. This is the beauty of life. Allow yourself to feel it
”
”
Brian E. Miller (Shambhala)
“
No one like crying, but tears water our souls. So, perhaps my thanks should be to allow you to cry for the Chinese women in my books...
”
”
Xinran (Sky Burial: An Epic Love Story of Tibet)
“
When I was a little girl and my teachers sent notes home complaining
that I was as loud as the boys, that it wasn't lady like for a girl
to be this outspoken, this raucous, instead of forcing me to tone it down
to the timber of a stage whisper, just a few notes above a whimper
you took me by the hand to the hilltop by our house,
told me to use my voice by shouting to my heart's content,
told me never to forget that I was a girl not a mouse
and if I believed I had to change myself to suit anyone else I shouldn't
that no matter what they said my voice was so important.
You then visited my school, called a meeting with my teachers
sat them all down and said that you were raising a rebel girl
to be a warrior woman, and if she could not speak,
the same way boys are allowed to, if she had to turn her voice into sighs
then how will she utter the battle cries that were needed when her warrior sisters
called upon her to help them defend the daughters of this world.
”
”
Nikita Gill
“
Music was a kind of penetration. Perhaps absorption is a less freighted word. The penetration or absorption of everything into itself. I don't know if you have ever taken LSD, but when you do so the doors of perception, as Aldous Huxley, Jim Morrison and their adherents ceaselessly remind us, swing wide open. That is actually the sort of phrase, unless you are William Blake, that only makes sense when there is some LSD actually swimming about inside you. In the cold light of the cup of coffee and banana sandwich that are beside me now it appears to be nonsense, but I expect you to know what it is taken to mean. LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to everyone of these essences, but at a fraction of the social or financial cost of a drug and without the need to cry 'Wow!' all the time, which is LSD's most distressing and least endearing side effects.
...Music in the precision of its form and the mathematical tyranny of its laws, escapes into an eternity of abstraction and an absurd sublime that is everywhere and nowhere at once. The grunt of rosin-rubbed catgut, the saliva-bubble blast of a brass tube, the sweaty-fingered squeak on a guitar fret, all that physicality, all that clumsy 'music making', all that grain of human performance...transcends itself at the moment of its happening, that moment when music actually becomes, as it makes the journey from the vibrating instrument, the vibrating hi-fi speaker, as it sends those vibrations across to the human tympanum and through to the inner ear and into the brain, where the mind is set to vibrate to frequencies of its own making.
The nothingness of music can be moulded by the mood of the listener into the most precise shapes or allowed to float as free as thought; music can follow the academic and theoretical pattern of its own modality or adhere to some narrative or dialectical programme imposed by a friend, a scholar or the composer himself. Music is everything and nothing. It is useless and no limit can be set to its use. Music takes me to places of illimitable sensual and insensate joy, accessing points of ecstasy that no angelic lover could ever locate, or plunging me into gibbering weeping hells of pain that no torturer could ever devise. Music makes me write this sort of maundering adolescent nonsense without embarrassment. Music is in fact the dog's bollocks. Nothing else comes close.
”
”
Stephen Fry (Moab Is My Washpot (Memoir, #1))
“
You had no right.” “Ah, the morally outraged cry of the weak: You’re not ‘allowed’ to do that. One is allowed to do anything one can get away with. Only when you understand that will you know your place in this world. And your power. Might is right.
”
”
Karen Marie Moning (Burned (Fever #7))
“
She heard a chirp and a twitter, and when she looked at the bare flower-bed at her left side there he was hopping about and pretending to peck things out of the earth to persuade her that he had not followed her. But she knew he had followed her and the surprise so filled her with delight that she almost trembled a little.
"You do remember me!" she cried out. "You do! You are prettier than anything else in the world!"
She chirped, and talked, and coaxed and he hopped, and flirted his tail and twittered. It was as if he were talking. His red waistcoat was like satin and he puffed his tiny breast out and was so fine and so grand and so pretty that it was really as if he were showing her how important and like a human person a robin could be. Mistress Mary forgot that she had ever been contrary in her life when he allowed her to draw closer and closer to him, and bend down and talk and try to make something like robin sounds.
Oh! to think that he should actually let her come as near to him as that! He knew nothing in the world would make her put out her hand toward him or startle him in the least tiniest way. He knew it because he was a real person—only nicer than any other person in the world. She was so happy that she scarcely dared to breathe.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
There is only so much reading you can do, so many cups of tea you can make, before the loneliness crowds in around you. You breathe it in, you cry it out, and the clock ticks slowly, slowly, until you are allowed to sleep. He hadn’t even dressed up on Christmas Day. Who was there to dress up for?
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
You might not get the apology you deserve. You might not get answers to explain the actions of others. You might not get truth that makes sense to you. You might not get people to understand what you went through because of them. You might not get communication. You might not get maturity. You might not get mercy or even common decency. You might not get respect or the chance to explain your side of the story. However, you do get to choose how people treat you. God loves you enough to bring people into your life who won't hurt you, abuse you, betray you, lie and gossip about you, psycho analyse you, break your heart or make you an option or choice. He will bring people into your life that will love you, respect you, fight for you, show gratitude for your love and want to be a part of your life mission. The best part of this is you don't have to convince them of your worth. They want to be there. They know your value. They know your struggles. They are in touch with their own faults and understand you struggle just like everyone else. They won't hold you to a greater standard then they do themselves. They care about you and don't want to see you cry, feel discouraged or give up on this life. When you know the power of who you are and what you have to accomplish you will scratch your head in disbelief that you allowed other people to dictate who you are based on little knowledge of what God knows about you and your life purpose. Letting go isn't about accepting defeat or acknowledging you were wrong. Sometimes letting go is realizing that God has something better in store for you.
”
”
Shannon L. Alder
“
Are you jealous?" She has a half-smile, a laugh waiting to escape.
"No. Not jealous." I squeeze her to me, lifting her off the ground back onto her tip-toes. "Possessive. You belong to me." I push her away. "Take off that dress." I allow some anger into my voice. "Now!" She jumps in place a little and reaches behind her to unzip. I grab her shoulders and twist her around. Putting my hands at the base of her neck, I rip the dress down the middle, tearing the zipper apart. She half gasps, half cries out. "You won't be wearing that again.
”
”
Willow Madison (True Nature (True, #1))
“
But what if you are a smart girl in love? All because I was a book nerd didn’t mean, I didn’t feel, I didn’t want. Shylock had cried out in excess of pain, “If you prick me do I not bleed!” But a book nerd is not allowed to be human, to say “you make me melt” and still have her mind want something else entirely?
”
”
Candice Raquel Lee (The Innocent: A Myth)
“
My sweet flame, you stand tall, but will be broken in seconds. It’s the way time allows us to breathe. The peak, the hole, reaching for the light it will break you A finger sliding down the back of your neck tracing a line from a flirting heaven to a normal hell. Your ashes, the dance, the wind a silent song. If I say sorry, will you hear? Will you ever understand what this means? Will you become the spark in the dust, the one they don’t see and the one they don’t cry for? I can stand and wait. For time to take me. The ground to swell, soften with our tears, swallow me like the horizon to the day. Never a goodbye. Spoken. But seen.
”
”
Jaxson Kidman (When I'm Gone)
“
When you find yourself sinking in the quicksand, there is little else you can do but cry to the Lord. Sometimes He allows the “quicksand” experiences to turn you to Him. Wait for God. Acknowledge that He is in control. Give Him the pieces of your broken heart and watch Him work for you. You can depend on His faithfulness.
”
”
Warren W. Wiersbe (Prayer, Praise & Promises: A Daily Walk Through the Psalms)
“
Being strong means allowing yourself to cry over the things you can't change; laugh when things are funny; smile when you're happy. It means understanding where your breaking point is, and yet, going further and still remaining whole. Strong people push themselves to the limits of pain and joy. They fall to their knees in agony, then they lift up their faces to find the beautiful morning rays shining down on them, and they rise to their feet. Being strong means never giving up, no matter how crushed you are, and finding happiness in the smallest parts of life.
”
”
D. Nichole King (Love Always, Kate (Love Always, #1))
“
Stephen nodded. 'Tell me,' he said, in a low voice, some moments later. 'Were I under naval discipline, could that fellow have me whipped?'He nodded towards Mr Marshall.
'The master?' cried Jack, with inexpressible amazement.
'Yes,' said Stephen looking attentively at him, with his head slightly inclined to the left.
'But he is the master...' said Jack. If Stephen had called the sophies stem her stern, or her truck her keel, he would have understood the situation directly; but that Stephen should confuse the chain of command, the relative status of a captain and a master, of a commissioned officer and a warrant officer, so subverted the natural order, so undermined the sempiternal universe, that for a moment his mind could hardly encompass it. Yet Jack, though no great scholar, no judge of a hexameter, was tolerably quick, and after gasping no more than twice he said, 'My dear sir, I beleive you have been lead astray by the words master and master and commander- illogical terms, I must confess. The first is subordinate to the second. You must allow me to explain our naval ranks some time. But in any case you will never be flogged- no, no; you shall not be flogged,' he added, gazing with pure affection, and with something like awe, at so magnificent a prodigy, at an ignorance so very far beyond anything that even his wide-ranging mind had yet conceived.
”
”
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
“
They will always criticize you, speak badly of you, it'll be hard to meet someone who will like you as you are, so live, do what your hear tells you to do ... Life is like a play that does not allow testing. So sing, cry, dance, laugh and live intensely every day of your life, before the curtain closes and the piece ends with no applause.
”
”
Charlie Chaplin
“
The most unbearable moments, seeing your dear one crying and you cannot hold her because it is not allowed.
”
”
M.F. Moonzajer
“
You are crying for freedom because you have allowed your temper to go wild.
”
”
Mwanandeke Kindembo
“
You promised,” he cried. “You vowed I could live.” “I allowed you to live as promised.” I turned at the doorway of the cell. “It was you who failed to negotiate how long.
”
”
L.J. Andrews (The Ever Queen (The Ever Seas, #2))
“
You will try to end your life, but the guards will not allow it. They will keep you alive in an endless cycle of darkness, cold, and toil.
”
”
Jack Carr (Cry Havoc (Tom Reece, #1))
“
What is a Gallagher Girl?” Liz asked.
She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word.
“When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.”
She took a deep breath and talked on.
“What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.”
Liz took another deep breath.
“What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.”
Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.”
I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying.
“Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.”
Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again.
“Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay.
“Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.”
Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand.
“You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.”
A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all.
“What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.”
Thunderous, raucous applause filled the student section.
Liz smiled and wiped her eyes. She leaned close to the microphone.
“And, most of all, she is my sister.
”
”
Ally Carter (United We Spy (Gallagher Girls, #6))
“
There is no weakness in crying. If we do not sorrow over what hurts us, how do we ever go past it? I have shed many a tear myself, Barbara Devane, over what life has brought me. Compassion can come from great pain, if you allow it. But compassion takes courage. Bitterness is easier.
”
”
Karleen Koen (Through a Glass Darkly (Tamworth #2))
“
She recommended books. Books about being the child of immature parents. About healing from trauma. It gave me all this perspective I didn't know what to do with. And it hatched this anger. There was suddenly so much of it. Too much. I didn't know how to experience it. I didn't know how to hold it, where to put it. When you're sad, you cry. When you're happy, you smile, you laugh. But what do you do when you're angry? Not just mad, but filled with this ugly, consuming rage? And the thing is women aren't allowed to be angry. Nobody likes a mad woman. They're crazy. Irrational. Obnoxious. Shrill.
”
”
Rachel Harrison (Such Sharp Teeth)
“
We should keep at it. Swearing is a powerful instrument, socially and emotionally. If women and men want to communicate as equals, we need to be equals in the ways in which we are allowed to express ourselves. Sod social censure. Let us allow men to cry and women to swear: we need both means of expression.
”
”
Emma Byrne (Swearing Is Good For You: The Amazing Science of Bad Language)
“
If your boss asks you to do a task... You'll stay late for work to make sure it's done. You'll be confident that your boss wouldn't have asked you if he/she didn't trust that you could do it. You wouldn't allow anyone or anything to distract you. No matter how hard it is, it's not an option, you'll find a way to make it happen. You'll not only find time, you'll try to get it done before the deadline. So, why when God gives you a task... you allow fear to consume you, find excuses, allow distractions, care about what people think and assume it's impossible? If He gave it to you, He trusts you CAN get it done. Yes, they'll be distractions. And no it's not going to be easy, but know that it is POSSIBLE!!! Answer the call!
”
”
Yvonne Pierre (The Day My Soul Cried: A Memoir)
“
Dear Mommy
I’m doing really good,
I get all A’s in school
And I don’t cry at bedtime anymore,
Though my new mom said I could.
I remember how much you hate tears,
You slapped them out of me
To make me strong,
I think it worked.
I learned to use a microscope
And my hair grew two inches.
It’s pretty, just like yours.
I’m not allowed to clean the house,
Only my own room,
Isn’t that a funny rule?
You say kids are so much trouble
Getting born, they better pay it back.
I’m not supposed to take care
Of the other kids, only me, I sort of like it.
I still get the hole in my stomach
When I do something wrong,
I have a saying on my mirror
“Kids make mistakes, It’s OK,”
I read it every day,
Sometimes I even believe it.
I wonder if you ever think of me
Or if you’re glad the troublemaker’s gone,
I never want to see you again.
I love you, Mommy.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
Well, I can’t imagine having a great deal of money,” Ann Blake was saying as the flames crackled. “I’ve never even given it much thought, because all I ever wanted was a great deal of talent – and I’d gladly have settled for even a modest amount of that. Still, I suppose the two things are sort of alike. Having either one sets you apart. Being born with either one can bring you more than most people allow themselves to dream of, but they both require an unfailing sense of responsibility. If you ignore them, or neglect them, all the good of them slides away into idleness and waste. And the terrible thing, Lucy, is how easily idleness and waste can become a way of life.
”
”
Richard Yates (Young Hearts Crying)
“
I strip myself emotionally when I confess need – that I would be lost without you, that I am not necessarily the independent person I have tried to appear, but am a far less admirable weakling with little clue of life’s course or meaning. When I cry and tell you things I trust you will keep for yourself, that would destroy me if others were to learn of them, when I give up the game of gazing seductively at parties and admit it’s you I care about, I am stripping myself of a carefully sculpted illusion of invulnerability. I become as defenseless and trusting as the person in the circus trick, strapped to a board into which another is throwing knives to within inches of my skin, knives I have myself freely given. I allow you to see me humiliated, unsure of myself, vacillating, drained of self-confidence, hating myself and hence unable to convince you [should I need to] to do otherwise. I am weak when I have shown you my panicked face at three in the morning, anxious before existence, free of the blustering, optimistic philosophies I had proclaimed over dinner. I learn to accept the enormous risk that though I am not the confident pin-up of everyday life, though you have at hand an exhaustive catalogue of my fears and phobias, you may nevertheless love me.
”
”
Alain de Botton (The Romantic Movement: Sex, Shopping, and the Novel)
“
Moving forward quietly to Jerott’s side, Adam Blacklock had heard. ‘Don’t you understand? The authorities are afraid of them both,’ he said gently. ‘Why do you supose this cordon is here, which only an unarmed girl was allowed to pass through? Lymond, loyal to Scotland, might be a threat to French power greater than even Gabriel, one of these days—Philippa!’ And a wordless shout, like a cry at a cockfight, rose among the stone pillars and sank muffled into the old, dusty banners above the choir roof. For Philippa Somerville, who believed in action when words were not enough, had leaned over and snatched the knife from Lymond’s left hand.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles #3))
“
Dear Exquisite Black Queen… Being a Strong Black Woman doesn’t mean that you can’t be vulnerable. It’s okay to cry. It’s okay if you’re having a bad day. It’s okay if some days you feel like giving up. It’s okay if you need to ask for help. It’s okay if you’re feeling stressed out. It’s okay if you’re feeling a little depressed. It’s okay if you’re not quite sure about what you’re going to do next. It’s okay if you fall short sometimes. It’s okay if you don’t have all the answers. It’s okay to show your true emotions and not feel weak. I encourage you to not be so hard on yourself! Allow yourself to feel whatever it is you’re feeling, and know that it’s okay. You’re human, and you’re doing your VERY best, Queen. Love, respect, and appreciate the Black Queen you are!
”
”
Stephanie Lahart
“
Oh shame, shame! Oh crying shame! How can we? Why do we allow ourselves? What are we doing? The last little room of dirt is waiting. Without windows. So for God’s sake make a move, Henderson, put forth effort. You, too, will die of this pestilence. Death will annihilate you and nothing will remain, and there will be nothing left but junk...While something still is -- now! For the sake of all, get out!
”
”
Saul Bellow
“
Young people today...it ought not to be allowed... You can't get rich there," he cries at last, quite desperate.
"No, we can't get rich there," I agree.
"Yes, you will get rich," says the young Norwegian, but there is no suggestions of material gain in his gentle smile.
”
”
Christiane Ritter (A Woman in the Polar Night)
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
A feeling struck me one fine day that people call ‘love’,
Before that my life was empty, all I had was loneliness and sorrow…
I loved the way it felt being with him, for I felt up above,
Now everything was complete and nothing remained hollow…
That person who cupid made me fall for, was a God descended from heavens,
I loved him with all I had, a true heart and a pure soul…
I thought I achieved the meaning of life, never did I felt so glad,
But when he left me amidst a chaos, I had no one with me to console…
I cried, it hurt, I wept and screamed, everyone called me ‘mad’,
And still I wonder if in my life, that actually was his role…
But a string still binds me to my past of untold vow,
Some unsaid promises that linger between us even now,
Although I don’t know where he went after that fateful day…
I still try to convince myself every day, I know how,
Each moment has been tough, each day a new challenge…
Each hour passed as if it was my heart that always allowed,
One more day to live without him, one more day to cherish…
One more day to spend without the love of my life somehow,
But he doesn’t know that one day, the girl herself would perish…
Who loved him and lived each day of her life in his wait,
For the man who never returned, for the man who wasn’t in her fate…
”
”
Mehek Bassi (Chained: Can you escape fate?)
“
Miss Althea?"
"I don't blame you, Jesse," she said at last, taking control of her whirling emotions. "I must have…I must have led you astray somehow. But you must never touch me again."
Jesse's disappointment was palpable. "Never?" That seemed impossible. To be
allowed to know how wonderful it was to feel and smell and taste her and then to
never be allowed that again. It was so unfair. Jesse wanted to cry. It was too unfair.
”
”
Pamela Morsi (Simple Jess (Tales from Marrying Stone, #2))
“
Here’s how you use the Let Them Theory to process your own emotions in a healthy way: When you feel your emotions rising up, Let Them. Allow the anger, the frustration, the hurt, the disappointment, the sadness, the grief, the tears, and the feelings of failure to come up. Let Them. And then, Let Me not react. Don’t reach for your phone. Don’t turn on the TV. Don’t make a drink. Don’t open the fridge. And for crying out loud, don’t text anyone. Just notice the feelings and Let Them rise up. The reason why you must learn how to Let Them rise is that once they do, they also fall.
”
”
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
“
Emotions are physiological cascades that want to complete their cycles, and they will complete those cycles when you allow them to; they want to be travelers, not residents. They want to move on. Let them. You may tremble or shake or cry or curl up in a ball. You may notice your body doing these things without your volition. Your body knows what to do, and it will do it as long as you sit calmly with it, as you would sit calmly beside a sick or grieving child.
”
”
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
“
We are outnumbered and outgunned and have every reason to despair. But it is exactly these odds that cause Fortune to smile upon those of us stupid enough to fight to defend what is decent and what is right. They cannot be allowed to silence the cries of the lives they have taken. You know what you need to do.
”
”
S.G. Redling (Flowertown)
“
Someone shouted her name, making her startle and pull her horse to a quick stop. She turned to find Nicolae riding toward her, his familiar grin quick and easy despite the large gash that ran from the center of his forehead to the bridge of his nose and onto his left cheek.
"Lada! Did you miss me?"
She frowned, tapping her chin. "Have you been gone? I had not noticed."
"You cried yourself to sleep every day."
" I luxuriated in the blessed quiet that you left in your wake."
He clapped a hand on her shoulder, still beaming, and she finally allowed herself a smile in return. In truth, she was overjoyed.
"Tell me everything. Including how that happened." She nodded toward his scar.
"This? Alas, my beautiful face. Is it not tragic?"
"You should be grateful. For the first time in your life you have to eyebrows instead of one."
Nicolae threw his head back, laughter roaring through the square. "My little dragon, always finding the bright side of life. Come. We drink.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.”
They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie
waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles.
“Choosing the soap water means she will marry a poor man,” Daisy explained.
Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.”
The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!”
Lillian gaveher a speaking glance. “You don’t really believe in this, do you?”
“Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head.
Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked.
Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed.
“No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!”
“At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool
liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?”
“No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!”
“Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn
now?”
Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.”
“What does that mean? That you won’t marry at all?”
“It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has
yet to be decided. The good news is that your husband seems to be on the way.”
“If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
My girl got sick. She was constantly nervous because of problems at work, personal life, her failures and children. She lost 30 pounds and weighted about 90 pounds. She got very skinny and was constantly crying. She was not a happy woman. She had suffered from continuing headaches, heart pain and jammed nerves in her back and ribs. She did not sleep well, falling asleep only in the mornings and got tired very quickly during the day. Our relationship was on the verge of a break up. Her beauty was leaving her somewhere, she had bags under her eyes, she was poking her head, and stopped taking care of herself. She refused to shoot the films and rejected any role. I lost hope and thought that we’ll get separated soon… But then I decided to act. After all I’ve got the MOST Beautiful Woman on earth. She is the idol of more than half of men and women on earth, and I was the one allowed to fall asleep next to her and to hug her. I began to shower her with flowers, kisses and compliments. I surprised and pleased her every minute. I gave her a lot of gifts and lived just for her. I spoke in public only about her. I incorporated all themes in her direction. I praised her in front of her own and our mutual friends. You won’t believe it, but she blossomed. She became better. She gained weight, was no longer nervous and loved me even more than ever. I had no clue that she CAN love that much.
And then I realized one thing: the woman is the reflection of her man.
If you love her to the point of madness, she will become it.
”
”
Brad Pitt
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey
“
Never Cry when someone can see, and never show if their words hurt you. In a tank full of sharks, I can't allow myself to bleed, or they would it me alive.
”
”
Neva Altaj
“
I saw a bunch of kids who needed love and acceptance and to be allowed to live as normal children, instead of having to fight to conceal their misery, fear, and weakness.
”
”
Dwight Edgar Abbott (I Cried, You Didn't Listen)
“
• “I go running. It gives me a better perspective on my problems and helps me find solutions.” • “I allow myself one hour to feel sorry for myself and I cry.” • “I take a bath, read my journal, and sleep.” • “I play ball.” • “I lift weights to release the endorphins.” • “Helping others helps you forget about your own problems.” • “I just get out of the house.
”
”
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
“
He brought his other foot to the ground and gingerly tested his ankle. It would be a little sore, but it was still sound. He kept his back half turned from her as he ground his teeth, waiting for the insolent giggle he’d heard in so many other courts when he’d been maneuvered into looking foolish. He was furious for failing, furious because of the sudden despair he felt that she would think him an inadequate companion. He had forgotten that Jaenelle was Jaenelle. “I’m sorry, Daemon,” said a wavering, whispery voice behind him. “I’m sorry. Are you hurt?”
“Only my pride,” Daemon said as he turned around, his lips set in a rueful smile.
“Lady?” Then, alarmed. “Lady! Jaenelle, no, darling, don’t cry.” He gathered her into his arms while her shoulders shuddered with the effort not to make a sound. “Don’t cry,” Daemon crooned as he stroked her hair. “Please don’t cry. I’m not hurt. Honestly I’m not.” Since her face was buried against his chest, he allowed himself a pained smile as he kissed her hair. “I guess I’m too much of a grown-up to learn magic.”
“No, you’re not,” Jaenelle said, pushing away from him and scrubbing the tears off her face with the backs of her hands. “I’ve just never tried to explain it to anyone before.”
“Well, there you are,” he said too brightly. “If you’ve never shown anyone—” “Oh, I’ve shown lots of my other friends,” Jaenelle said brusquely. “I’ve just never tried to explain it.” Daemon was puzzled. “How did you show them?” Instantly he felt her pull away from him. Not physically—she hadn’t moved—but within. Jaenelle glanced at him nervously before ducking behind her veil of hair. “I…touched…them so they could understand.
”
”
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
“
Let me help," said Benedict. "Let me do this for you."
He took the spade from her hand, allowing her to step back and stand beside Maggie. To slip an arm around her crying daughter.
With smooth, slow movements, he turned over the earth. Quietly, doing what needed to be done with a graciousness that meant everything.
And that was when she realized: she had fallen in love with him.
”
”
Theresa Romain (Fortune Favors the Wicked (Royal Rewards #1))
“
You know what a miracle is. Not what Bakunin said. But another world's intrusion into this one. Most of the time we coexist peacefully, but when we do touch there's cataclysm. Like the church we hate, anarchists also believe in another world. Where revolutions break out spontaneous and leaderless, and the soul's talent for consensus allows the masses to work together without effort, automatic as the body itself. And yet, sena, if any of it should ever really happen that perfectly, I would also have to cry miracle. An anarchist miracle. Like your friend. He is too exactly and without flaw the thing we fight. In Mexico the privilegiado is always, to a finite percentage, redeemed -one of the people. Unmiraculous. But your friend, unless he's joking, is as terrifying to me as a Virgin appearing to an Indian.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own?
”
”
Charlotte Brontë (Jane Eyre)
“
Lord, you will have to be our teacher, because the dignity has been drained out of us in so many ways. We have been treated like dirt, and that has stuck on us. We’ve put ourselves against standards of our own making, because we thought it would give us worth. Please touch each person with how unique they are in your eyes and how their dignity in your eyes is so great that you will not even override them; you will woo them and pursue them and help them to accept that you are seeking them and you will allow yourself to be found by them if they simply cry out for help. I pray that great freedom will come across them because of their awareness of where they stand in your kingdom. That will make Jesus very happy, and the angels in heaven will jump up and down. And so we say, Let it be so, and that’s what we mean by amen. Amen. Dallas Willard
”
”
Dallas Willard (Living in Christ's Presence: Final Words on Heaven and the Kingdom of God)
“
In an ideal world, marriage vows would be entirely rewritten. At the alter, a couple would speak thus: "We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, for we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species."
After the solemn repetition of the last sentence by the congregation, the couple would continue: "We will endeavor to be faithful. At the same time, we are certain that never being allowed to sleep with anyone else is one of the tragedies of existence. We apologize that our jealousies have made this peculiar but sound and non-negotiable restriction very necessary. We promise to make each other the sole repository of our regrets rather than distribute them through a life of sexual Don Juanism. We have surveyed the different options for unhappiness, and it is to each other we have chosen to bind ourselves."
Spouses who had been cheated upon would no longer be at liberty furiously to complain that they had expected their partner to be content with them alone. Instead they could more poignantly and justly cry, "I was relying on you to be loyal to the specific variety of compromise and unhappiness which our hard-won marriage represents."
Thereafter, an affair would be a betrayal not of intimate joy but of a reciprocal pledge to endure the disappointments of marriage with bravery and stoic reserve.
”
”
Alain de Botton (The Course of Love)
“
I give myself a good cry if I need it. But then I concentrate on all the good things still in my life. On the people who are coming to see me. On the stories I’m going to hear. On you—if it’s Tuesday. Because we’re Tuesday people.”
I grinned. Tuesday people.
“Mitch, I don’t allow myself any more self-pity than that. A little each morning, a few tears, and that’s all.”
I thought about all the people I knew who spent many of their waking hours feeling sorry for themselves. How useful it would be to put a daily limit on self-pity. Just a few tearful minutes, then on with the day. And if Morrie could do it, with such a horrible disease…
“It’s only horrible if you see it that way,” Morrie said. “It’s horrible to watch my body slowly wilt away to nothing. But it’s also wonderful because of all the time I get to say good-bye.”
He smiled. “Not everyone is so lucky.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
And it's stupid to have rules about how long you're allowed to cry and when you're supposed to flip a switch and stop crying. You can't even think. All you can do is feel. So how the heck are you supposed to follow rules?
”
”
Lynn Plourde (Maxi's Secrets (or what you can learn from a dog))
“
His day is done.
Is done.
The news came on the wings of a wind, reluctant to carry its burden.
Nelson Mandela’s day is done.
The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber.
Our skies were leadened.
His day is done.
We see you, South African people standing speechless at the slamming of that final door through which no traveller returns.
Our spirits reach out to you Bantu, Zulu, Xhosa, Boer.
We think of you and your son of Africa, your father, your one more wonder of the world.
We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath.
Your man of strength, Gideon, emerging triumphant.
Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons.
Would the man survive? Could the man survive?
His answer strengthened men and women around the world.
In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors.
His stupendous heart intact, his gargantuan will hale and hearty.
He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment.
Even here in America, we felt the cool, refreshing breeze of freedom.
When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration.
We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools.
No sun outlasts its sunset, but it will rise again and bring the dawn.
Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet.
He has offered us understanding.
We will not withhold forgiveness even from those who do not ask.
Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you.
Thank you our Gideon, thank you our David, our great courageous man.
We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
”
”
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
“
But I do know that there is incredible value in pain and suffering, if you allow yourself to experience it, to cry, to feel sorrow and grief, to hurt. Walk through the fire and you will emerge on the other end, whole and stronger. I promise. You will ultimately find truth and beauty and wisdom and peace. You will understand that nothing lasts forever, not pain, or joy. You will understand that joy cannot exist without sadness. Relief cannot exist without pain. Compassion cannot exist without cruelty. Courage cannot exist without fear. Hope cannot exist without despair. Wisdom cannot exist without suffering. Gratitude cannot exist without deprivation. Paradoxes abound in this life. Living is an exercise in navigating within them.
”
”
Julie Yip-Williams (The Unwinding of the Miracle: A Memoir of Life, Death, and Everything That Comes After)
“
You thought you were doing the honorable thing by refusing to engage her. But that isn’t going to work now. It won’t stop the craziness. I want you to hear her deeper cry and move toward her. Allow her to vent. Embrace her negativity and anger.” If
”
”
Emerson Eggerichs (Love and Respect: The Love She Most Desires; The Respect He Desperately Needs)
“
He wrapped an arm around her waist and pulled her into another kiss, and she melted into him, pressing as close as she could, and still he wanted to be closer. Her fingers threading into his hair, his around her waist, moving, exploring. Calculations had no room here, probability and chances washed away to a deeper longing. His tongue traced the contour of her lips, memorizing her taste, her motion, her method. The kiss lit a million suns in between his zeroes and ones, and made him infinite.
He did not want to let go. He did not want to leave--he WOULD not. It was that voice that cried this, deep inside him, growing louder and louder. It was selfish. It was damning. But he did not want to forget the taste of her, her warmth, her curves, her smell. It was selfish and it was human.
And for a moment he allowed himself to be.
Until finally, she slid away, coming up for air. "You, too?" she whispered, her breath hot against his lips, hopeful, her eyes blazing like suns rising for him.
He pressed his forehead against hers. "On iron and stars," he promised.
”
”
Ashley Poston (Heart of Iron (Heart of Iron, #1))
“
Well, it is to be confessed that the cold of warm climates always has a peculiarly aggravating effect on the mind. A warm region is just like some people who get such a character for good temper, that they never can indulge themselves even in an earnest disclaimer without everybody crying out upon them, "What puts you in such a passion?" &c. So Nature, if she generally sets up for amiability during the winter months, cannot be allowed a little tiff now and then, a white frost, a cold rain-storm, without being considered a monster.
”
”
Harriet Beecher Stowe (Palmetto-Leaves)
“
Yet the people who cry, “What about the presumption of innocence?” often behave as though there is no objective answer to “Did he do it?” until the trial is over. As though they think people accused of crimes are literally “innocent until proven guilty.” I’m not sure how that would work, exactly—once the verdict comes in, would the accused and the victim travel back in time, so the rape in question could either happen or not happen, based on what the jury decided? If you can’t grasp that any person accused of a crime has already either done it or not done it, regardless of what a future jury has to say, you have a very interesting understanding not only of time and space but of the law. How are police supposed to investigate suspects and make arrests if no one is allowed to draw a reasonable inference that someone is guilty until a jury has officially said so? How are prosecutors supposed to meet their burden of proof, so a jury can officially say so? In reality, lots of people within the justice system—let alone outside it—start to presume guilt after a certain point, because that’s their job
”
”
Kate Harding (Asking for It: The Alarming Rise of Rape Culture--and What We Can Do about It)
“
He looked at Pegasus and frowned. ‘You woke me because Emily was having a dream? What about me? I was having my own amazing dream featuring several water nymphs.’ Pegasus whinnied and shoved Paelen. ‘What!’ Paelen cried. ‘Am I not allowed to dream?’ ‘Paelen, please,’ Emily said. ‘Pegasus is trying to tell me something, but I can’t understand him. I think it’s important.’ Paelen concentrated on Pegasus. ‘What is it?’ The stallion nickered several times and shook his head. ‘This is very strange,’ Paelen said. ‘Pegasus says the world you have been describing from your dream is the world you sent him to when you were shot at the CRU facility in the Nevada desert.’ Emily frowned. ‘How? I’ve never been there or even heard about it. Why would I dream of a place I’ve never seen? And why is it always the same dream?’ Pegasus pawed the floor and whinnied softly. Paelen looked shocked. ‘Really? Why have we not heard about this when it concerns Emily?’ ‘What concerns me?’ Emily asked. ‘Apparently after we returned from Earth, Jupiter had some of his people go to the jungle world to explore it. He was curious why your powers would send
”
”
Kate O'Hearn (Pegasus and the Origins of Olympus: Book 4)
“
Your father didn't go in that box because he wanted to. There was a reason. He had to go. If your father could see from his box and see you crying every day, what do you think he would think? I think it would make him sad. You know how much your father loved you. Don't you think it would be painful for him to see the unhappy face of someone he loved? So why don't you smile every day so that your father can smile from his box? Our smiles allow him to smile. Our happiness allows your father to be happy in his box." On hearing this explanation, Kei's eyes welled up with tears.
”
”
Geoffrey Trousselot (Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1))
“
When a child isn't allowed to deal with his frustrations on his own—to cry, for instance, then to handle the situation, and then to go on playing—because his mother is always there to intervene and rescue him from any discomfort, in adulthood he will be unable to handle even the most minor setbacks.
”
”
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
“
Oh, you wretches who feel all this, who, even as I,
cannot allow yourselves to speak of man’s being
here for a purpose, who, even as I, are so utterly
in the clutch of the Nothing that governs us, so
profoundly aware that we are born for nothing,
that we love a nothing, believe in nothing, work
ourselves to death for nothing only that little by
little we may pass over into nothing – how can I
help it if your knees collapse when you think of it
seriously? Many a time have I, too, sunk into these
bottomless thoughts, and cried out: Why do you lay
the axe to my root, pitiless spirit? – and still I am
here.
”
”
Friedrich HölderlinHölderlin (Hyperion / Empedokles (Text und Kommentar))
“
While filming season three of Stuck in the Middle, my schedule got much busier than usual. I wasn’t praying, and I felt disconnected from the world around me. My anxiety was getting worse. Finally, I sat down with my mom and broke down crying. I told her I didn’t feel like myself. She made me sit there for ten minutes doing nothing, just breathing. Then she asked what I’d done during those few minutes of silence, and I told her I was thinking about all the things I had to do. She asked, Why aren’t you praying? That shook me and made me realize that I was allowing myself to lose the solid ground beneath my feet.
”
”
Jenna Ortega (It's All Love: Reflections for Your Heart & Soul)
“
Rosy lifted her arm, tried to say something, then pointed at the cafe, held her head, covered her mouth and—humiliation of humiliations—she began to cry. Right there in the street. “I’m so confused,” she said but it came out as a great honking wail.
“Come here, you silly girl,” Phyllis said.
The woman put her arms around Rosy, patted her back, and for the first time in forever, Rosy allowed herself to just cry.
A young mother with twins in a pram passed them. The children’s eyes tracked Rosy for a second before their faces crumpled and they started to cry too.
“I’m sorry,” Rosy said, and flapped her arms. “I’m sorry.
”
”
R.G. Manse (Screw Friendship (Frank Friendship, #1))
“
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure.
The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil!
But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt.
Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
”
”
Alexandre Dumas (La dame aux camélias)
“
If you wish to understand this, think of a little child that is given a taste for drugs. As the drug penetrates the body of the child, it becomes addicted and its whole being cries out for the drug. To be without the drug is so unbearable a torment that it seems preferable to die. Now this is exactly what society did to you when you were a child. You were not allowed to enjoy the solid, nutritious food of life: work and play and the company of people and the pleasures of the senses and the mind. You were given a taste for the drug called Approval, Appreciation, Attention, the drug called Success, Prestige, Power. Having
”
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Anthony de Mello (The Way to Love: Meditations for Life)
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There are no winners and losers. We seek a win-win. Seeing opportunity in cri- sis. Believe in yourself, and those around. Celebrate each other’s strengths; we do not celebrate when someone fails. It is a shift. With our insights and consciousness comes our vowed responsibility, our vowed compassion, and our vowed unity— with that comes power. The choice to do right. The choice to include. The choice to forgive. The choice to love anyway. This is your power. No matter what has been taken from you, what society has or hasn’t allowed you, what labels or beliefs limit you, your choice, your response, your action is your power.
”
”
Emma Mildon (Evolution of Goddess: A Modern Girl's Guide to Activating Your Feminine Superpowers)
“
A man is NOT weak if he cries. A man is NOT a punk if he cries. A man is NOT acting like a little b*tch if he cries. He’s a Man! And he’s allowed to have and show his true feelings without feeling less than. Ladies, some of you need to do better. Learn to be compassionate, loving, supportive, and understanding. There’s NOTHING wrong with a man being vulnerable. I encourage you to be his joy, peace, and his safe place. Lift him up and be mindful NOT to tear him down. If you truly care for and love your man, do and say everything with love. Let him know that it’s okay to cry and that he doesn’t have to pretend to be okay when he’s not. Real men DO cry! They experience sadness, disappointments, pain, and many other feelings. A man shouldn’t have to suppress his emotions. That’s pure nonsense! A man that can cry, smile, and let his guards down is a keeper in my book. I couldn’t imagine acting hard all of the time. That’s so unfair! Ladies, strive to be a Queen of substance. PEACE.
”
”
Stephanie Lahart
“
Robert would allow me to cry as I desperately needed to. At least he'd understand that this need to keep up a perfect appearance had been slowly killing me.
Though I hated to admit it; in some ways, Robert had been right all along. You couldn't live without feeling. Denying yourself was a terrible destructive thing that wore on you.
”
”
Maddy Kobar (From Out of Feldspar)
“
Suppose for a moment that you were allowed to enter heaven without holiness. What would you do? What possible enjoyment could you feel there? To which of all the saints would you join yourself, and by whose side would you sit down? Their pleasures are not your pleasures, their tastes not your tastes, their character not your character. How could you possibly be happy, if you had not been holy on earth? Now perhaps you love the company of the light and the careless, the worldly-minded and the covetous, the reveller and the pleasure-seeker, the ungodly and the profane. There will be none such in heaven. Now perhaps you think the saints of God too strict and particular, and serious. You rather avoid them. You have no delight in their society. There will be no other company in heaven. Now perhaps you think praying, and Scripture-reading, and hymn singing, dull and melancholy, and stupid work—a thing to be tolerated now and then, but not enjoyed. You reckon the Sabbath a burden and a weariness; you could not possibly spend more than a small part of it in worshipping God. But remember, heaven is a never-ending Sabbath. The inhabitants thereof rest not day or night, saying, “Holy, holy, holy, Lord God Almighty” and singing the praise of the Lamb. How could an unholy man find pleasure in occupation such as this? Think you that such an one would delight to meet David, and Paul, and John, after a life spent in doing the very things they spoke against? Would he take sweet counsel with them, and find that he and they had much in common?—Think you, above all, that he would rejoice to meet Jesus, the Crucified One, face to face, after cleaving to the sins for which He died, after loving His enemies and despising His friends? Would he stand before Him with confidence, and join in the cry, “This is our God; we have waited for Him, we will be glad and rejoice in His salvation”? (Isa. xxv. 9.) Think you not rather that the tongue of an unholy man would cleave to the roof of his mouth with shame, and his only desire would be to be cast out! He would feel a stranger in a land he knew not, a black sheep amidst Christ’s holy flock. The voice of Cherubim and Seraphim, the song of Angels and Archangels and all the company of heaven, would be a language he could not understand. The very air would seem an air he could not breathe. I know not what others may think, but to me it does seem clear that heaven would be a miserable place to an unholy man. It cannot be otherwise. People may say, in a vague way, “they hope to go to heaven;” but they do not consider what they say. There must be a certain “meetness for the inheritance of the saints in light.” Our hearts must be somewhat in tune. To reach the holiday of glory, we must pass through the training school of grace. We must be heavenly-minded, and have heavenly tastes, in the life that now is, or else we shall never find ourselves in heaven, in the life to come.
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”
J.C. Ryle (Holiness)
“
Here are some other things that science says can genuinely help us not only “feel better” but actually facilitate the completion of the stress response cycle: sleep; affection (more on that in the next section); any form of meditation, including mindfulness, yoga, tai chi, body scans, etc. (more on that in chapter 9); and allowing yourself a good old cry or primal scream
”
”
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
“
ON TIME RUTH HALEY BARTON There have to be times in your life when you move slow, times when you walk rather than run, settling into each step . . . There have to be times when you stop and gaze admiringly at loved ones, marveling that they have been given to you for this life . . . times when hugs linger and kisses are real, when food and drink are savored with gratitude and humility rather than gulped down on your way to something else. There have to be times when you read for the sheer pleasure of it, marveling at the beauty of words and the endless creativity in putting them together . . . times when you settle into the comforts of home and become human once again. There have to be times when you light a candle and find the tender place inside you that loves or sorrows or sings and you pray from that place, times when you let yourself feel, when you allow the tears to come rather than blinking them back because you don’t have time to cry. There have to be times to sink into the soft body of yourself and love what you love simply because love itself is a grace . . . times when you sit with gratitude for the good gifts of your life that get lost and forgotten in the rush of things . . . times to celebrate and play to roll down hills to splash in water or make leaf piles to spread paint on paper or walls or each other. There have to be times to sit and wait for the fullness of God that replenishes body, mind, and soul— if you can even stand to be so full. There has to be time for the fullness of time or time is meaningless.
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Ruth Haley Barton (Embracing Rhythms of Work and Rest: From Sabbath to Sabbatical and Back Again (Transforming Resources))
“
Lex told me I’m not allowed to be an asshole about this, but I am not fucking around here. If you hurt Nessa, even a tiny bit, I’ll make Jim’s scary book look like a fucking princess tea party. Do we have an understanding?” “O’Kane-“ “If I’d been a little smarted, a little better, she’d still have a father. She’s family, in every fucking way that counts. I will ruin anyone that makes her cry.
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Kit Rocha (Beyond Surrender (Beyond, #9))
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The way you grew up is allowed to have left a mark on you,’ she says. ‘You don’t have to meet everyone’s individual trauma yardsticks. You feel how you feel. It affects you how it affects you. If it takes a toll on you then it takes a fucking toll on you. No one else’s opinion can change that, as much as they might try.’ I want to cry. I never realised how long I’d been waiting to be told that.
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Caitlin Devlin (The Real Deal)
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You might just be compelled to hear, that there is folklore about a boy so dear, a legend the fairies readily discern, of a good King’s rule upon his return. A boy, a boy is in front of me, I know not who this human could be. I will just become a part of this tree! Unless he cries a desperate plea, I shall then be allowed to reach out to thee.”
Deetkatu, See the Little People…An Enchanting Adventure
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Chris DiSano-Davenport (See the Little People...An Enchanting Adventure)
“
I have no problem with being fabulous. My problem comes when you won't allow yourself to be an ordinary woman with a decent apartment and an okay job. When only the mom is allowed to be boring—because her life is so rich with meaning.
When I carefully choreographed the story of how amazing I was, I was acting like one of those helicopter parents—you know, the ones who refuse to admit that their Jackson might suck at math or Stella might not be the world's greatest violinist. 'You are special! You are special!' they cry to their children, hoping this will boost their confidence. But the real message is one of panic: You must be special. Ordinary is not okay. When I walked into a party projecting the Shiny Girl—she of the lighthearted flings and glitzy job—I was essentially doing the same thing.
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Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
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Usha is Kavita’s choice alone, a secret name for her secret daughter. The thought brings a smile to her face. That one day she spent with her daughter was precious. Though she was exhausted, she would not sleep. She didn’t want to miss a single moment. Kavita held her baby close, watched her small body rise and fall with breath, traced her delicate eyebrows and the folds of her tender skin. She nursed her when she cried, and in those few moments when Usha was awake, Kavita saw herself unmistakably in the distinctive gold-flecked eyes, more beautiful on her child than on herself. She could hardly believe this lovely creature was hers. She didn’t allow herself to think beyond that day.At least this baby girl will be allowed to live—a chance to grow up, go to school, maybe even marry and have children. Kavita knows, along with her daughter, she is forsaking any hope of helping her along the path of life. Usha will never know her parents, but she has a chance at life, and that will have to be enough. Kavita slides one of the two thin silver bangles she always wears from her own frail wrist and slips it onto Usha’s ankle.
“I’m sorry I cannot give you more, beti,” she whispers into her downy head.
”
”
Shilpi Somaya Gowda (Secret Daughter)
“
Trailing veils of steam, Grandma came and went and came again with covered dishes from kitchen to table while the assembled company waited in silence. No one lifted lids to peer in at the hidden victuals. At last Grandma sat down, Grandpa said grace, and immediately thereafter the silverware flew up like a plague of locusts on the air.
When everyone's mouths were absolutely crammed full of miracles, Grandmother sat back and said, "Well, how do you like it?"
And the relatives, including Aunt Rose, and the boarders, their teeth deliciously mortared together at this moment, faced a terrible dilemma. Speak and break the spell, or continue allowing this honey-syrup food of the gods to dissolve and melt away to glory in their mouths? They looked as if they might laugh or cry at the cruel dilemma. They looked as if they might sit there forever, untouched by fire or earthquake, or shooting in the street, a massacre of innocents in the yard, overwhelmed with effluviums and promises of immortality. All villains were innocent in this moment of tender herbs, sweet celeries, luscious roots. The eye sped over a snow field where lay fricassees, salmagundis, gumbos, freshly invented succotashes, chowders, ragouts.
”
”
Ray Bradbury (Dandelion Wine)
“
I saw and heard all sorts of things in my fever; I was riding a merry-go-round, I wanted to get off but I couldn’t. I was one of many little children sitting in fire engines and hollowed-out swans, on dogs, cats, pigs, and stags, riding round and round. I wanted to get off but I wasn’t allowed to. All the little children were crying, like me they wanted to get out of the fire engines and hollowed-out swans, down from the backs of the cats, dogs, pigs, and stags, they didn’t want to ride on the merry-go-round any more, but they weren’t allowed to get off. The Heavenly Father was standing beside the merry-go-round and every time it stopped, he paid for another turn. And we prayed: “Oh, our Father who art in heaven, we know you have lots of loose change, we know you like to treat us to rides on the merry-go-round, we know you like to prove to us that this world is round. Please put your pocket-book away, say stop, finished, fertig, basta, stoi, closing time—we poor little children are dizzy, they’ve brought us, four thousand of us, to K"asemark on the Vistula, but we can’t get across, because your merry-go-round, your merry-go-round…”
But God our Father, the merry-go-round owner, smiled in his most benevolent manner and another coin came sailing out of his purse to make the merry-go-round keep on turning, carrying four thousand children with Oskar in their midst, in fire engines and hollowed-out swans, on cats, dogs, pigs, and stags, round and round in a ring, and every time my stag—I’m still quite sure it was a stag—carried us past our Father in heaven, the merry-go-round owner, he had a different face: He was Rasputin, laughing and biting the coin for the next ride with his faith healer’s teeth; and then he was Goethe, the poet prince, holding a beautifully embroidered purse, and the coins he took out of it were all stamped with his father-in-heaven profile; and then again Rasputin, tipsy, and again Herr von Goethe, sober. A bit of madness with Rasputin and a bit of rationality with Goethe. The extremists with Rasputin, the forces of order with Goethe.
”
”
Günter Grass
“
There are those who sail through a ‘visit from Auntie Flo’, enduring little more than a twinge in the abdomen. And then there are people like me, who firmly believe their uterus is re-enacting the Battle of the Somme.
Allow me to paint a picture for you. It’s fucking ugly. Your body bloats, your tits hurt and you sweat uncontrollably. Your crevices start to feel like a swamp and your head is pounding all the time. You feel like you have a cold – shivering, aching, nauseous – and have the hair-trigger emotions of someone who has not slept for days. But we’re not done yet. The intense cramping across your lower abdomen feels like the worst diarrhoea you’ve ever had – in fact, you’ll also get diarrhoea, to help with the crying fits. As your internal organs contract and tear themselves to blooded bits so you can lay an egg, blasts of searing pain rip through you.
You bleed so much that all ‘intimate feminine hygiene products’ fail you – it’s like trying to control a lava flow with an oven mitt. You worry people can smell your period. You are terrified to sit on anything or stand up for a week in case you’ve bled through. And as you’re sitting, a crying, sweaty, wobbly, spotty, smelly mess, some bastard asks ‘Time of the month, love?’ And then you have to eat his head.
”
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Kate Lister (A Curious History of Sex)
“
Harry, you are dreadful! I don't know why I like you so much." "You will always like me, Dorian," he replied. "Will you have some coffee, you fellows? Waiter, bring coffee, and fine-champagne, and some cigarettes. No, don't mind the cigarettes--I have some. Basil, I can't allow you to smoke cigars. You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want? Yes, Dorian, you will always be fond of me. I represent to you all the sins you have never had the courage to commit." "What nonsense you talk, Harry!" cried the lad, taking a light from a fire-breathing silver dragon that the waiter had placed on the table. "Let us go down to the theatre. When Sibyl comes on the stage you will have a new ideal of life. She will represent something to you that you have never known." "I have known everything," said Lord Henry, with a tired look in his eyes, "but I am always ready for a new emotion. I am afraid, however, that, for me at any rate, there is no such thing. Still, your wonderful girl may thrill me. I love acting. It is so much more real than life. Let us go. Dorian, you will come with me. I am so sorry, Basil, but there is only room for two in the brougham. You must follow us in a hansom.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
The hit-woman opened the door. No dead body on the floor. Thank God.
I heard an unearthly roar and then Jordan charged Liz from where she’d been hiding beside the door. She tackled her to the floor and stabbed her through the wrist with a small switchblade. The hit-woman shrieked and let go of the gun, allowing Jordan precious seconds to bat it across the room. She landed a couple hard punches to the assassin’s nose, bloodying it, before the other woman got the upper hand.
She grabbed a handful of Jordan’s ponytail and slammed her head into the edge of the coffee table. Jordan cried out, but didn’t let go of the knife. She withdrew it and held it against the assassin’s throat, shouting, “Move again and I’ll kill you, puta!”
Liz panted madly, but stayed put. Jordan glanced up at me. “You okay?”
“Alive,” I said through a grimace. “Not okay.”
“Good enough.” She returned her gaze to the woman pinned beneath her and glared.
“The police are on their way. And not the nice, human police. Angels. Get any ideas about trying to kill me again and you won’t even get to deal with them.”
“I’ve been in jail before,” Liz said, attempting to recapture her former arrogance. “I’ll get over it.”
Jordan leaned down a few inches, lowering her voice. “Really? How’d you like to return without your tongue?”
Liz’s eyes went wide, as did mine. “You wouldn’t dare.”
“You shot my best friend. Multiple times. Lex talionis.”
“You can’t kill me. You’re not a policewoman. You’re just a girl.”
“No. I’m a Seer. You and the rest of your friends had better learn the difference between a sheep and a wolf in sheep’s clothing. Until then…”
She lifted her fist and punched Liz hard in the temple. The assassin went out like a light.
“Vaya con dios, bitch.
”
”
Kyoko M. (The Deadly Seven (The Black Parade, #1.5))
“
Have you ever considered, for even a moment, the list of things I’m not allowed to do because some bitter old men say so? I can’t lead a mass, can’t earn the greens of a priest, let alone claim my birthright. My entire life, from the cradle to the grave, is dictated by ‘traditions’ and rules that you aren’t subject to. My power was taken away from me the moment I was born a woman. So no, you do not get to give me permission to cry!” “I’m
”
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Craig Schaefer (Winter's Reach (Revanche Cycle, #1))
“
What a cruel twist of fate, I thought, my face reddening as I fought back the tears. I had spent my adolescence trying to blend in with my peers in suburban America, and had come of age feeling like my belonging was something to prove. Something that was always in the hands of other people to be given and never my own to take, to decide which side I was on, whom I was allowed to align with. I could never be of both worlds, only half in and half out, waiting to be ejected at will by someone with greater claim than me. Someone full. Someone whole. For a long time I had tried to belong in America, wanted and wished for it more than anything, but in that moment all I wanted was to be accepted as Korean by two people who refused to claim me. You are not one of us, Kye seemed to say. And you will never really understand what it is she needs, no matter how perfect you try to be.
”
”
Michelle Zauner (Crying in H Mart)
“
Blowin' In The Wind
How many roads must a man walk down
Before you call him a man ?
How many seas must a white dove sail
Before she sleeps in the sand ?
Yes, how many times must the cannon balls fly
Before they're forever banned ?
The answer my friend is blowin' in the wind
The answer is blowin' in the wind.
Yes, how many years can a mountain exist
Before it's washed to the sea ?
Yes, how many years can some people exist
Before they're allowed to be free ?
Yes, how many times can a man turn his head
Pretending he just doesn't see ?
The answer my friend is blowin' in the wind
The answer is blowin' in the wind.
Yes, how many times must a man look up
Before he can see the sky ?
Yes, how many ears must one man have
Before he can hear people cry ?
Yes, how many deaths will it take till he knows
That too many people have died ?
The answer my friend is blowin' in the wind
The answer is blowin' in the wind.
”
”
Bob Dylan (The Little Black Songbook: Bob Dylan- Complete Lyrics & Chords, Over 60 Classics!)
“
What can I be thinking of? Just imagine my not having presented myself to you even yet! But as a matter of fact I do not want to tell you my name
out loud; it is a romantic one, utterly inappropriate to the typically modern environment in which we now stand. Ah,
if we were only on the steep side of some mountain with the moon like a great lamp above us, or by the shore of
some wild ocean, there would be some glamour in proclaiming my identity in the silence of the night, or in the midst of lightning and thunder as a hurricane swept the seas! But here in a third-floor suite of the Royal Palace
Hotel, surrounded by telephones and electric lights, and standing by a window overlooking the Champs Elysees-> it would be positively anachronistic!" He took a card out of his pocket and drew near the little writing desk. "Allow me, Princess, to slip my card into this drawer, left open on purpose, it would seem," and while the princess uttered a little cry she could not repress, he did just that. "And now, Princess," he went on, compelling her to retreat before him as he moved to the door of the anteroom opening on to the corridor, "you are too well bred, I am sure, not to wish to conduct your visitor to the door of your suite." His tone altered abruptly, and in a deep imperious voice that made the princess quake he ordered her: "And now, not a word, not a cry, not a movement until I am outside, or I will kill you!
”
”
Marcel Allain (Fantômas (Fantômas, #1))
“
Melancholy isn’t, of course, a disorder that needs to be cured. It’s a species of intelligent grief which arises when we come face to face with the certainty that disappointment is written into the script from the start.
We have not been singled out. Marrying anyone, even the most suitable of beings, comes down to a case of identifying which variety of suffering we would most like to sacrifice ourselves for.
In an ideal world, marriage vows would be entirely rewritten. At the altar, a couple would speak thus: “We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, for we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species.”
After the solemn repetition of the last sentence by the congregation, the couple would continue: “We will endeavor to be faithful. At the same time, we are certain that never being allowed to sleep with anyone else is one of the tragedies of existence. We apologize that our jealousies have made this peculiar but sound and non-negotiable restriction very necessary. We promise to make each other the sole repository of our regrets rather than distribute them through a life of sexual Don Juanism. We have surveyed the different options for unhappiness, and it is to each other we have chosen to bind ourselves.”
Spouses who had been cheated upon would no longer be at liberty furiously to complain that they had expected their partner to be content with them alone. Instead they could more poignantly and justly cry, “I was relying on you to be loyal to the specific variety of compromise and unhappiness which our hard-won marriage represents.”
Thereafter, an affair would be a betrayal not of intimate joy but of a reciprocal pledge to endure the disappointments of marriage with bravery and stoic reserve.
”
”
Alain de Botton (The Course of Love)
“
You seem surprised to find us here,’ the man said.
‘I am,’ I said. ‘I wasn’t expecting to find anyone.’
‘We are everywhere,’ the man said. ‘We are all over the country.’
‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’
‘Jewish refugees.’
[...]
‘Is this your land?’ I asked him.
‘Not yet,’ he said.
‘You mean you are hoping to buy it?’
He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’
‘So where do you go from here?’ I asked him. ‘You and all your orphans?’
‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’
‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’
He smiled again, presumably at the naïvety of my questions.
‘No,’ the man said, ‘I do not think we will become Palestinians.’
‘Then what will you do?’
‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’
‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip.
‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’
‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’
‘That is a very small problem,’ the man said. ‘Ours is much bigger.’
I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him.
‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’
‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours.
I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’
‘You mean the Jews have no country?’
‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’
‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’
‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us.
‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’
‘We don’t want Germany,’ the man said.
‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever.
‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
”
”
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
“
My entrance into the courtyard caused a small stir among the lookouts. I could tell because in the middle of February, in the dark of night, Baxter Terrace suddenly sounded like an Audubon Society refuge - birdcalls being the latest in urban drug - selling counterintelligence...
Birdcalls allowed much more information to be imparted to other members of the operation, without the visitor being aware of what was being communicated. So while a crow's harsh cry could harken the arrival of a member of the city narcotics unit - a significant threat - the sweet song of a chickadee might signal an officer who was merely escorting a social worker to an appointment allowing business to continue in guarded fashion. Someone like me, a stranger on unknown business, might warrant a whipporwill's call.
Where exactly a city kid learned what a whipporwill sounded like, I have no idea. But these kids were nothing if not resourceful. It makes you wonder what they could have accomplished under different circumstances.
”
”
Brad Parks (Eyes of the Innocent (Carter Ross Mystery #2))
“
Yeah, let’s get John here. That way we can stall for a while longer. We can keep on doing nothing for just a little while longer.”
Albert said, “Take it easy, Howard.”
“Take it easy?” Howard jumped to his feet. “Yeah? Where were you last night, Albert? Huh? Because I didn’t see you out there on the street listening to kids screaming, seeing kids running around hurt and scared and choking, and Edilio and Orc struggling, and Dekka hacking up her lungs and Jack crying and…
“You know who couldn’t even take it?” Howard raged. “You know who couldn’t even take what was happening? Orc. Orc, who’s not scared of anything. Orc, who everyone thinks is some kind of monster. He couldn’t take it. He couldn’t…but he did. And where were you, Albert? Counting your money? How about you, Astrid? Praying to Jesus?”
Astrid’s throat tightened. She couldn’t breathe. For a moment panic threatened to overwhelm her. She wanted to run from the room, run away and never look back.
Edilio got to his feet and put an arm around Howard. Howard allowed it, and then he did something Astrid never thought she would see. Howard buried his face in Edilio’s shoulder and cried, racking sobs.
“We’re falling apart,” Astrid whispered for herself alone.
But there was no easy escape. Everything Howard had said was true. She could see the truth reflected in Albert’s stunned expression. The two of them, the smart ones, the clever ones, the great defenders of truth and fairness and justice, had done nothing while others had worked themselves to exhaustion.
”
”
Michael Grant (Lies (Gone, #3))
“
When I heard you were almost surely dead, that’s when I knew what you were to me. My woman. You rode back to me from the dead. I’ll never let you go again.”
Weak and spent, I said desperately, as if I were shouting at him in a foreign language, “You don’t love me or you’d care what I feel!”
“I do care. In a year you’ll love me.”
Even at that moment, when I hated him, my blood quickened as he smiled. I cried defiance as much to my treacherous body as to him. “I won’t. I’ll hate you more than I do know. “
“We’ll see.” He cupped my chin and raised my face. “You’re tired darling. Sleep now. You can give me your answer in the morning.”
I couldn’t let him kill Trace. But to submit to those muscular, golden-haired arms? Let him do the things Trace had? And it wouldn’t be for one time only, I was sure of that. Court might after a season let me go, but I had a frightening dread that if he possessed me long enough, he would drain me till I became his thing, his creature—that I wouldn’t go, even if he allowed it and Trace would take me.
”
”
Jeanne Williams (A Lady Bought with Rifles)
“
How came you to tumble down the stairs as soon as my back was turned?' ... The Earl slipped his arm behind her, and raised the hand he was still holding to his lips ... Miss Morville, finding his shoulder so invitingly close, was glad to rest her head against it ... Her overstrained nerves then found relief in a burst of tears. But as the Earl chose to kiss her at this moment, she was obliged to stop crying, the merest civility compelling her to return his embrace. As soon as she was able to speak, she said, however, in a voice meant only for his ears: 'Oh, no! Pray do not! It was all my folly, behaving in this missish way! You felt yourself obliged to comfort me! I assure you, I don't regard it - shall never think of it again! ... You would become disgusted with my odious commonsense. Try as I will, I *cannot* be romantic!' said Miss Morville despairingly.
His eyes danced. 'Oh, I forbid you to try! Your practical observations, my absurd robin, are the delight of my life!'
Miss Morville looked at him. Then, with a deep sigh, she laid her hand in his. But what she said was: 'You mean a sparrow!'
'I will not allow you to dictate to me, now or ever, Miss Morville! I mean a robin!' said the Earl firmly, lifting her hand to his lips.
This interlude, which was watched with interest by the three servants, with complacence by Mrs Morville, critically by the Viscount, who was trying to unravel the puzzle just set before him, and with hostility by the Dowager and Mr Morville, seemed to break the spell which had hitherto held the rest of the company silent.
”
”
Georgette Heyer (The Quiet Gentleman)
“
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.”
There was a beat. Then John said cautiously, “What do you mean?”
“The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?”
John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me.
And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another.
“Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“
“Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“
I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say.
“Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.”
“I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.”
“I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.”
I raised my gaze to his. “You’re right about that, at least,” I said.
“So am I forgiven?” he asked.
I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his.
Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it.
“Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.”
John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
She buried her face against his shoulder, her face hot. "I want you, Aidan," she said again. This time it was a helpless cry. "I want to be yours."
A low growl erupted from his throat. "Then be mine."
Fiercely, he caught her up against him, his arms like bands of iron around her back, almost crushing her. It was exactly what she wanted, what she needed. He kissed her with fiery greed, almost wild, his tongue twining around hers. He allowed no room for reticence; there was none. She returned in equal measure precisely what he demanded and reveled in it.
”
”
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
“
Feels usually happen in extreme cases where the stress response cycle is interrupted suddenly and not allowed to complete. It’s part of the healing process following a traumatic event or long-term, intense stress. Trust your body. The sensations may bring awareness of their origins, or they may not; doesn’t matter. Awareness and insight are not required in order for the Feels to move through you and out of you. Crying for no apparent reason? Great! Just notice any apparently causeless emotions or sensations or trembling and say, “Ah. There’s some Feels.
”
”
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
“
It was late afternoon and she was sitting alone in her breakfast room, blankly staring out a window at bad weather, when she heard rapid, fierce footfalls striding toward her.
“Stop crying.” Arin’s tone was brutal.
Kestrel lifted fingertips to her cheek. They came away wet. “You shouldn’t be here,” she said, her voice hoarse. The breakfast room was one into which men were not allowed.
“I don’t care.” He tugged Kestrel to her feet, and the shock of it forced her gaze to his. The blacks of his eyes were blown wide with feeling.
With anger. “Stop it,” he said. “Stop pretending to mourn someone who wasn’t your blood.”
His hand was iron around her wrist. She pulled free, the cruelty of what he had said bringing fresh tears to her eyes. “I loved her,” Kestrel whispered.
“You loved her because she did anything you wanted.”
“That’s not true.”
“She didn’t love you. She could never love you. Where is her real family, Kestrel?”
She didn’t know. She had been afraid to ask.
“Where is her daughter? Her grandchildren? If she loved you, it was because she had no choice, and there was no one else left.”
“Get out,” she told him, but he was already gone.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Seven considered the cup B’Elanna held before her. When she still hesitated, B’Elanna added more gently, “I know it must pain you to admit that you are now as frail as the rest of us mortals, but trust me. I know how you feel right now. Infants come into this world knowing how to suck, cry, poop, and deny their caregivers sleep. Five days after Miral was born I hadn’t slept for more than an hour. Then my body simply shut down, and this”—she lifted Seven’s cup—“was the only thing that allowed me to survive it. Grieve the fragile human condition later, hold your nose, and drink.
”
”
Kirsten Beyer (The Eternal Tide (Star Trek: Voyager))
“
...but, if Anne will stay, no one so proper, so capable as Anne!"
She paused a moment to recover from the emotion of hearing herself so spoken of. The other two warmly agreed to what he said, and she then appeared.
"You will stay, I am sure; you will stay and nurse her;" cried he, turning to her and speaking with a glow, and yet a gentleness, which seemed almost restoring the past. -- She coloured deeply; and he recollected himself, and moved away. -- She expressed herself most willing, ready, happy to remain. "It was what she had been thinking of, and wishing to be allowed to do.
”
”
Jane Austen (Persuasion)
“
... You become responsible forever for what you’ve tamed. You’re responsible for your rose.
-----
I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that has not much improved my opinion of them.
----
I am who I am and I have the need to be.
----
It is far more difficult to judge oneself than to judge others. If you succeed in judging yourself correctly, then you are truly a man of wisdom.
-----
Straight ahead you can not go very far.
-----
Grown-ups love figures... When you tell them you've made a new friend they never ask you any questions about essential matters. They never say to you "What does his voice sound like? What games does he love best? Does he collect butterflies? " Instead they demand "How old is he? How much does he weigh? How much money does his father make? " Only from these figures do they think they have learned anything about him. If you say to the grown-ups: 'I've seen a lovely house made of pink brick, with geraniums in the windows and doves on the rood', they are unable to picture such a house. You must say: I saw a house that come a hundred thousand francs.' Then they cry out: 'How pretty!'
----
One runs the risk of crying a bit if one allows oneself to be tamed.
”
”
Richard Howard (The Little Prince)
“
You complain that you cry out, and that God doesn't reply. You feel imprisoned and you're afraid that it is a life sentence... although no one has said anything. Consider then, that you are your own judge and your own gaoler. Prisoner, leave your prison! To your astonishment you will find that no one will stop you. The reality outside prison is indeed terrifying, but never as terrifying as your anguish down in that locked room. Take your first step towards freedom. It is not difficult. The second step is more difficult, but never allow yourself to be defeated by your gaolers who are only your own fear and your own pride.
”
”
Ingmar Bergman (Larmar och gör sig till)
“
On Nov. 8, 2016, we felt a sense of devastation, powerlessness, and disappointment that we had never felt before. So we cried. And then we squared our shoulders, picked each other up, and got to work. We moved onward and onward, keeping in mind that we would never, ever allow ourselves to feel again as we did that day. And though our anger and disappointment fueled us, it did not consume us, make us cynical or cruel. It made us strong. And eventually, eventually one of us will crash through that highest, hardest glass ceiling. And it will be because of our hard work, determination, and resilience. But it will also be because of you. Just you wait.
”
”
Hillary Rodham Clinton (What Happened)
“
He will hear your cry and step in to remove the thing that frightens or troubles you. Call out to Him, and don’t hesitate! 3. God has His purposes in the storms of life. Remember this: No matter what, God is in control and has a plan. So we look to the Lord in our crisis, recognizing that He can accomplish great things in and through our hardships, disappointments, and setbacks. Why? Because God knows all things, past, present, and future, He is uniquely qualified to know when to ordain or permit evil and suffering, and when not to. Therefore, if the Lord allows something to enter your life, He has a plan in mind for dealing with it. We love to follow the Lord when things are
”
”
Greg Laurie (Hope (Hope For Hurting Hearts Book 3))
“
Georgiana, a more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away.
”
”
Charlotte Brontë (Jane Eyre)
“
Ember looked up when he walked in, and when he saw her face, he felt like he’d been gut shot. Heavy bruising discolored the right side up to her eye, and she seemed to be in pain. Her mouth was pinched and her eyes squinted. When she realized he wasn’t one of the wait staff, she immediately turned away. “No customers allowed back here,” she called. She moved down the cook line and motioned to a Hispanic man she was working with to take her place at the grill. Zeke prowled down the parallel aisle until he was right behind her. “L-look at me.” She shook her head stubbornly. “You can’t be back here, Zeke.” “Look at me, please.” After a long pause, she turned her body toward him, but kept her face turned away. Bending his knees enough to peer into her eyes, he waited until she looked at him. Fury rolled through him as he realized he could see finger marks within the bruise. “Who d-did this to you?” She shook her head and refused to answer. Tears glinted in her eyes. “It’s no big deal, okay? Accidents happen. I was just in the wrong place at the right time. It happens when you own a bar.” Her eyes slid away and he thought there was something she wasn’t telling him, but he had a feeling if he called her on it she’d clam up completely. He reached out to touch a length of her dark hair that had escaped from her braid. Her eyes flickered and a single tear rolled down her cheek. He groaned. “D-d-don’t cry. I didn’t come in here to…up-upset you. Just had to check on you.” *****
”
”
J.M. Madden (Embattled Minds (Lost and Found, #2))
“
Snowbound up here with you. Without books or business to occupy my time, I wonder what I’ll do,” he added with a leer.
She blushed gorgeously, but her voice was serious as she studied his face. “If things hadn’t gone so well for you-if you hadn’t accumulated so much wealth-you could have been happy up here, couldn’t you?”
“With you?”
“Of course.”
His smile was as somber as hers. “Absolutely.”
“Although,” he added, linking her hands behind her back and drawing her a little closer, “you may not want to remain up here when you learn your emeralds are back in their cases at Montmayne.”
Her head snapped up, and her eyes shone with love and relief. “I’m so glad. When I realized Robert’s story had been fabrication, it hurt beyond belief to realize I’d sold them.”
“It’s going to hurt more,” he teased outrageously, “when you realize your bank draft to cover their cost was a little bit short. It cost me $45,000 to buy back the pieces that had already been sold, and $5,000 to buy the rest back from the jeweler you sold them to.”
“That-that unconscionable thief!” she burst out. “He only gave me $5,000 for all of them!” She shook her head in despair at Ian’s lack of bargaining prowess. “He took dreadful advantage of you.”
“I wasn’t concerned, however,” Ian continued teasing, enjoying himself hugely, “because I knew I’d get it all back out of your allowance. With interest, of course. According to my figures,” he said, pausing to calculate in his mind what it would have taken Elizabeth several minutes to figure out on paper, “as of today, you now owe me roughly $151,126.”
“One hundred and- what?” she cried, half laughing and half irate.
“There’s the little matter of the cost of Havenhurst. I added that in to the figure.”
Tears of joy clouded her magnificent eyes. “You bought it back from that horrid Mr. Demarcus?”
“Yes. And he is ‘horrid.’ He and your uncle ought to be partners. They both possess the instincts of camel traders. I paid $100,000 for it.”
Her mouth fell open, and admiration lit her face. “$100,000! Oh, Ian-“
“I love it when you say my name.”
She smiled at that, but her mind was still on the splendid bargain he’d gotten. “I could not have done a bit better!” she generously admitted. “That’s exactly what he paid for it, and he told me after the papers were signed that he was certain he could get $150,000 if he waited a year or so.”
“He probably could have.”
“But not from you!” she announced proudly.
“Not from me,” he agreed, grinning.
“Did he try?”
“He tried for $200,000 as soon as he realized how important it was to me to buy it back for you.”
“You must have been very clever and skillful to make him agree to accept so much less.”
Trying desperately not to laugh, Ian put his forehead against hers and nodded. “Very skillful,” he agreed in a suffocated voice.
“Still, I wonder why he was so agreeable?”
Swallowing a surge of laughter, Ian said, “I imagine it was because I showed him that I had something he needed more than he needed an exorbitant profit.”
“Really?” she said, fascinated and impressed. “What did you have?”
“His throat.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Dolphins felt top-heavy, that year, most of the time, and wanted to lie down. When their heads weren’t on top they still felt top-heavy, but metaphysically. In public places they felt sad. They went into restrooms, hugged themselves, and quietly went, ‘Eeeee eee eeee.’ Weekends they went to playgrounds alone. They sat in the top of slides—the enclosed part, where it glowed a little because of the colored plastic—and felt very alert and awake but also very sad and immature. Sometimes they fell asleep and a boy’s mother would prod the dolphin with a broom and the dolphin would go down the slide while still asleep. At the bottom they would feel ashamed and go home and lie in bed. They felt so sad that they believed a little that it was their year to be sad, which made them feel better in a devastated, hollowed-out way. Life was too sad and it was beautiful to really feel it for once; to be allowed to feel it, for one year. When dolphins had these thoughts, usually on weekends at night, it was like dreaming, like a pink flower in a soft breeze on a field was lightly dreaming them. The sadness was like a pink forest that got less dense as you went in and then changed into a field, which the dolphins walked into alone. Sometimes the sadness was like a knife against the face. It made the dolphins cry and not want to move. But sometimes a young dolphin would feel very lonely and ugly and it was beautiful how alone it felt, and it would become restless with how perfect and elegant its sadness was and go away for a long time and then return and sit in its room and feel very alone and beautiful.
”
”
Tao Lin (Eeeee Eee Eeee)
“
Why are you wailing away? What is the matter with you?”
“I was playing and—“ and her lip quivered as she spoke, “—and it was cloudy, and then—“ a sniff, “—and then, as I was playing, the sun came out.”
I gave her a flat look. “You’re crying because the sun came out?”
“Yes,” she moped, wiping the tears from her eyes, “the sun came out, and now—“ she heaved, “—and now, it’s hot! I don’t like it when it’s hot. Being hot is dumb!”
I immediately absolved her of all previous sins. I slumped over the sill and gave her as much sympathy as my now warm face allowed. “Yes, child, being hot is very dumb indeed. Very well, you have a reason for crying. But then why are you outside?”
“Because it was too hot inside and mommy won’t let me have ice cream.”
“Well, there is your problem. You must get an air conditioner and a new mother.
”
”
Michelle Franklin (I Hate Summer: My tribulations with seasonal depression, anxiety, plumbers, spiders, neighbours, and the world.)
“
No, you have to stay here with me, Jamie, the way you said you would always. And for you to stay here with me means the rest of them must die. They keep you from me.”
“I’m not going to stay a boy, Peter. I’m going to grow up,” I said. “I already am.”
He seemed to look at me then for the first time, really look at me. He hadn’t, not properly, since before he took Charlie to the Many-Eyed. Now he took in my taller body and my bigger hands and the hair on my face that hadn’t been there before.
His face twisted into something awful then, something monstrous and terrifying. He pulled Charlie tighter to his body and the younger boy cried out in pain.
“No,” Peter said, stalking closer to me. “No, no, no, no, no! You’re not allowed to grow up. You’re supposed to stay here with me forever, for always. Who am I to play with if you grow up, Jamie?
”
”
Christina Henry
“
My fury at my own long-ago impotence, and my present pain at his suffering, made me start to forget all that I knew about violence and fear, and blaming the victim, I started to hiss at the weeping child. "The next time you come in here crying ... , " and I suddenly caught myself in horror.
This is the way we allow the destruction of our sons to begin - in the name of protection and to ease our own pain. My son get beaten up? I was about to demand that he buy that first lesson in the corruption of power, that might makes right. I could hear myself beginning to perpetuate the age-old distortions about what strength and bravery really are.
And no, Jonathan didn't have to fight if he didn't want to, but somehow he did have to feel better about not fighting. An old horror rolled over me of being the fat kid who ran away, terrified of getting her glasses broken.
”
”
Audre Lorde
“
The spiritual experience of Binah is the Vision of Sorrow. Within this Sephirah, one is to have a vision of the holistic picture of all that is, all that was, why it was, what it is now, why it is, and what it is to become. In essence, true and total understanding of all existence. The Great Mother sees all. She sees our joys but also our pains and our sins. And, in all that she sees, she is indeed in sorrow. We are a very stubborn species. Binah watches as all too often we neglect our children’s future, poison our air and seas, enslave each other, and go to war. We are at home in our own addictions, and unfortunately it frequently takes a major trauma to wake us up from our unhealthy habits or anosognosia. Regrettably, this is another aspect of the mystical experience not taken into consideration by some. It is not all bliss and rainbows. It is not just a possibility, but a necessity, to assimilate the Vision of the Sorrow that compels the Goddess into her eternal cry for her children. The Tree of Life will simply not allow you to proceed unless this is done.
Therefore, managing the Vision of Sorrow is best achieved through Binah’s primary virtue: silence. It is necessary to still the noise and the raging waters to Understand all things in their truest vision. By stilling the clamor can the sparkling stars of the Heavens accurately reflect on the mirroring surface of the body of water below. As the archetypal Temple, she is the root of all temples in manifestation, the Inner Church, the sacred space of all sacred spaces. Because of this, Binah truly is the womb of life, the container from which all has been embodied. Approach the Dark Mother’s temple in silence, approach the temple in sorrow, and the vision shall be received.
”
”
Daniel Moler (Shamanic Qabalah: A Mystical Path to Uniting the Tree of Life & the Great Work)
“
Although his intimacy with Stephen Maturin did not allow him to ask questions that might be judged impertinent, it was of such a rare kind that he could ask for money without the least hesitation. "Have you any money, Stephen?" he said, the Marine having vanished in the trees. "How I hope you have. I shall have to borrow the Marine's guinea from you, and a great deal more besides, if his message is what I dearly trust. My half-pay is not due until the month after next, and we are living on credit."
"Money, is it?" said Stephen, who had been thinking about lemurs. There were lemurs in Madagascar: might there not be lemurs on Reunion? Lemurs concealed among the forests and the mountains of the interior? "Money? Oh, yes, I have money galore." He felt in his pockets. "The question is, where is it?" He felt again, patted his bosom, and brought out a couple of greasy two pound notes on a country bank. "That is not it," he muttered, going through his pockets again. "Yet I was sure--was it in my other coat? did I perhaps leave it in London?--you are growing old, Maturin--ah, you dog, there you are!" he cried triumphantly, returning to the first pocket and drawing forth a neat roll, tied with tape. "There. I had confused it with my lancet-case. It was Mrs Broad of the Grapes that did it up, finding it in a Bank of England wrapper that I had--that I had neglected. A most ingenious way of carrying money, calculated to deceive the pick-pocket. I hope it will suffice."
"How much is it?" asked Jack.
"Sixty or seventy pound, I dare say."
"But, Stephen, the top note is a fifty, and so is the next. I do not believe you ever counted them."
"Well, never mind, never mind," said Stephen testily. "I meant a hundred and sixty. Indeed, I said as much, only you did not attend.
”
”
Patrick O'Brian (The Mauritius Command: 4 (Aubrey-Maturin))
“
The last man crossed the deck: the clinking ship’s company was dismissed, and Jack said to the signal-midshipman, ‘To Dryad: Captain repair aboard at once.’ He then turned to Rowan and said, ‘You may part company as soon as I hear from Captain Babbington whether the transports are in Cephalonia or not; then you will not lose a moment of this beautiful leading breeze. Here he is. Captain Babbington, good day to you. Are the transports in Cephalonia? Is all well?’ ‘Yes, sir.’ ‘Mr Rowan, report to the Commander-in-Chief, with my duty, that the transports are in Cephalonia, and that all is well. You need not mention the fact that you saw one of the squadron crammed with women from head to stern; you need not report this open and I may say shameless violation of the Articles of War, for that disagreeable task falls to your superiors; nor need you make any observations about floating brothels or the relaxation of discipline in the warmer eastern waters, for these observations will naturally occur to the Commander-in-Chief without your help. Now pray go aboard our prize and proceed to Malta without the loss of a minute: not all of us can spare the time to dally with the sex.’ ‘Oh sir,’ cried Babbington, as Rowan darted over the side, ‘I really must be allowed to protest – to deny – ’ ‘You will not deny that they are women, surely? I can tell the difference between Adam and Eve as quick as the next man, even if you cannot; just as I can tell the difference between an active zealous officer and a lubber that lies in port indulging his whims. It is of no use trying to impose upon me.’ ‘No, sir. But these are all respectable women.’ ‘Then why are they leering over the side like that, and making gestures?’ ‘It is only their way, sir. They are all Lesbians – ’ ‘And no doubt they are all parsons’ daughters, your cousins in the third degree, like that wench in Ceylon.’ ‘– and Lesbians always join their hands like that, to show respect.’ ‘You are becoming an authority on the motions of Greek women, it appears.’ ‘Oh sir,’ cried Babbington, his voice growing shriller still. ‘I know you do not like women aboard – ’ ‘I believe I have had occasion to mention it to you some fifty or sixty times in the last ten years.’ ‘But if you will allow me to explain – ’ ‘It would be interesting to hear how the presence of thirty-seven, no, thirty-eight young women in one of His Majesty’s sloops can be explained; but since I like some decency to be preserved on my quarterdeck, perhaps the explanation had better take place in the cabin.’ And in the cabin he said, ‘Upon my word, William, this is coming it pretty high. Thirty-eight wenches at a time is coming it pretty high.
”
”
Patrick O'Brian (The Ionian Mission (Aubrey/Maturin, #8))
“
Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“
“No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told.
“No further questions!”
“Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.”
Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?”
“Yes, I do,” Elizabeth emphatically declared.
“My dear, poor woman, could you tell us-all of us-some examples of his cruelty?”
“Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst.
“Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?”
“Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.”
“You were afraid he would beat you for it?”
“No, I was afraid he wouldn’t give me more until next quarter!”
Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.”
“And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?”
“Yes, I believe it was!”
“Why were you weeping, Lady Thornton?”
The galleries tipped further toward her.
“I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed.
Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?”
“Goodness, I don’t know what you are supposed to believe. I only know I did it.”
“Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?”
Elizabeth gave him a vacuous look. “I liked my emeralds.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
”
”
Sally Rooney (Conversations with Friends)
“
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
These girls aren't wounded so much as post-wounded, and I see their sisters everywhere. They're over it. *I am not a melodramatic person.* God help the woman who is. What I'll call "post-wounded" isn't a shift in deep feeling (we understand these women still hurt) but a shift away from wounded affect---these women are aware that "woundedness" is overdone and overrated. They are wary of melodrama so they stay numb or clever instead. Post-wounded women make jokes about being wounded or get impatient with women who hurt too much. The post-wounded woman conducts herself as if preempting certain accusations: don't cry too loud, don't play victim, don't act the old role all over again. Don't ask for pain meds you don't need, don't give those doctors another reason to doubt the other women on their examination tables. Post-wounded women fuck men who don't love them and then they feel mildly sad about it, or just blase about it, more than anything they refuse to care about it, refuse to hurt about it---or else they are endlessly self-aware about the posture they have adopted if they allow themselves this hurting.
The post-wounded posture is claustrophobic. It's full of jadedness, aching gone implicit, sarcasm quick-on-the-heels of anything that might look like self-pity. I see it in female writers and their female narrators, troves of stories about vaguely dissatisfied women who no longer fully own their feelings. Pain is everywhere and nowhere. Post-wounded women know that postures of pain play into limited and outmoded conceptions of womanhood. Their hurt has a new native language spoken in several dialects; sarcastic, apathetic, opaque; cool and clever. They guard against those moments when melodrama or self-pity might split their careful seams of intellect. *I should rather call is a seam.* We have sewn ourselves up. We bring everything to the grindstone.
”
”
Leslie Jamison (The Empathy Exams)
“
Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Georgiana, a more vain and absurd animal than you, was certainly never allowed to cumber the earth. You had no right to be born; for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered—you must have music, dancing, and society—or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes, include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment; you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you...After my mother's death, I wash my hands of you; from the day her coffin is carried to the vault in Gateshead church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim. I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new.
”
”
Charlotte Brontë (Jane Eyre)
“
They are examin’d skeptickally. “Not from the Press, are you?” “ ’Pon my Word,” cry both Surveyors at once. “Drummers of some kind’s my guess,” puts in a Countryman, his Rifle at his Side, “am I right, Gents?” “What’ll we say?” mutters Mason urgently to Dixon. “Oh, do allow me,” says Dixon to Mason. Adverting to the Room, “Why aye, Right as a Right Angle, we’re out here to ruffle up some business with any who may be in need of Surveying, London-Style,— Astronomickally precise, optickally up-to-the-Minute, surprisingly cheap. The Behavior of the Stars is the most perfect Motion there is, and we know how to read it all, just as you’d read a Clock-Face. We have Lenses that never lie, and Micrometers fine enough to subtend the Width of a Hair upon a Martian’s Eye-ball. This looks like a bustling Town, plenty of activity in the Land-Trades, where think yese’d be a good place to start?” with an amiability that Mason recognizes as peculiarly Quaker,— Friendly Business.
”
”
Thomas Pynchon (Mason & Dixon)
“
women who are violent, he says, are most often violent in response to men’s violence. Indeed, this is the single most effective argument I know for why it doesn’t make sense to arm women with guns to protect them against men with guns: because arming a woman with a gun is asking her to behave like a man, to embody the somatic and psychological and cultural experience of a man while simultaneously quelling all that women have been taught. It says to women, if you want to protect yourself from violent men, you need to become violent yourself. To Sinclair, this is exactly the wrong way to the solution. It’s not women who need to learn violence; it’s men who need to learn nonviolence. If men are taught not to cry, women are taught crying is acceptable. If men are taught anger is their sole allowable emotion, women are taught never to be angry. Men who yell are being men; women who yell are shrill or they’re drama queens or they’re hysterical. (Many before me have pointed out that there is no greater “drama” than a mass shooting, but the term “drama kings
”
”
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
“
The word ‘emotion’ comes from the Latin e for exit and motio for movement. So emotion is a natural energy, a dynamic experience that needs to move through and out of the body. As children, however, we are often taught not to express our emotions; for example, we might have been told, ‘boys don’t cry’, or ‘don’t be a baby’. Or when we are angry we are taught that it’s not appropriate to express it: ‘Don’t you dare raise your voice to me!’ At some level most of us are taught that emotions are not OK. As healthy adults, we need to let go of the emotional patterns from the past that mess up our lives and no longer serve us. As Fritz Perls, the founder of Gestalt Therapy, often said, ‘The only way out is through.’ It’s not easy, and the vast majority of people deny the symptoms or anaesthetise themselves through work, TV, food, alcohol or some kind of drug. By discharging negative emotions attached to past memories we become more able to respond spontaneously in any given moment, allowing us to be more present in our relationships and to the gifts of the world around us.
”
”
Patrick Holford (Say No To Cancer: The drug-free guide to preventing and helping fight cancer)
“
Rhys looked them each in the eye, even my sisters, his hand brushing the back of my own.
'Do you want the inspiring talk or the bleak one?' he asked.
'We want the real one,' Amren said.
Rhys pushed his shoulders back, elegantly folding his wings behind him. 'I believe everything happens for a reason. Whether it is decided by the Mother, of the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as the price we're going to face today. If I had not met an Illyrian warrior-in-training,' he said to Cassian, 'I would not have known the true depth of strength, of resilience, of honour and loyalty.' Cassian's eyes gleamed bright. Rhys said to Azriel, 'If I had not met a shadowsinger, I would not have known that it is the family you make not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair.' Azriel bowed his head in thanks.
Mor was already crying when Rhys spoke to her. 'If I had not met my cousin, I would never have learned that light can be found in even the darkest of hells. That kindness can thrive even amongst cruelty.' She wiped away her tears as she nodded.
I waited for Amren to offer a retort. But she was only waiting.
Rhys bowed his head to her. 'If I had not met a tiny monster who hoards jewels more fiercely than a firedrake...' A quiet laugh from all of us at that. Rhys smiled softly. 'My own power would have consumed me long ago.'
Rhys squeezed my hand as he looked to me at last. 'And if I had not met my mate...' His words failed him as silver lined his eyes.
He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it.
He wiped away the tears sliding down my face. 'I believe that everything happened, exactly the way it had to... so I could find you.' He kissed another tear away.
And then he said to my sisters, 'We have not known each other for long. But I have to believe that you were brought here, into our family, for a reason, too. And maybe today we'll find out why.'
He surveyed them all again- and held out his hand to Cassian. Cassian took it, and held out his other for Mor. Then Mor extended her other to Azriel. Azriel to Amren. Amren to Nesta. Nesta to Elain. And Elain to me. Until we were all linked, all bound together.
Rhys said, 'We will walk out onto that field and only accept Death when it comes to haul us away to the Otherworld. We will fight for life, for survival, for our futures. But if it is decided by that tapestry of Fate or the Cauldron or the Mother that we do not walk off that field today...' His chin lifted. 'The great joy and honour of my life has been to know you. To call you my family. And I am grateful- more than I can possibly say- that I was given this time with you all.'
'We are grateful, Rhysand,' Amren said quietly. 'More than you know.'
Rhys gave her a small smile as the others murmured their agreement.
He squeezed my hand again as he said, 'Then let's go make Hybern very ungrateful to have known us, too.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!”
But really, how can a picture hurt you?
Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction.
Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time.
In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Witness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing.
Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.
”
”
Robert Brown Butler (Architecture Laid Bare!: In Shades of Green)
“
The gods had given me almost everything. I had genius, a distinguished name, high social position, brilliancy, intellectual daring: I made art a philosophy, and philosophy an art: I altered the minds of men and the colours of things: there was nothing I said or did that did not make people wonder: I took the drama, the most objective form known to art, and made it as personal a mode of expression as the lyric or the sonnet, at the same time that I widened its range and enriched its characterisation: drama, novel, poem in rhyme, poem in prose, subtle or fantastic dialogue, whatever I touched I made beautiful in a new mode of beauty: to truth itself I gave what is false no less than what is true as its rightful province, and showed that the false and the true are merely forms of intellectual existence. I treated Art as the supreme reality, and life as a mere mode of fiction: I awoke the imagination of my century so that it created myth and legend around me: I summed up all systems in a phrase, and all existence in an epigram.
Along with these things, I had things that were different. I let myself be lured into long spells of senseless and sensual ease. I amused myself with being a flâneur, a dandy, a man of fashion. I surrounded myself with the smaller natures and the meaner minds. I became the spendthrift of my own genius, and to waste an eternal youth gave me a curious joy. Tired of being on the heights I deliberately went to the depths in the search for new sensations. What the paradox was to me in the sphere of thought, perversity became to me in the sphere of passion. Desire, at the end, was a malady, or a madness, or both. I grew careless of the lives of others. I took pleasure where it pleased me and passed on. I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the housetops. I ceased to be Lord over myself. I was no longer the Captain of my Soul, and did not know it. I allowed you to dominate me, and your father to frighten me. I ended in horrible disgrace. There is only one thing for me now, absolute Humility: just as there is only one thing for you, absolute Humility also. You had better come down into the dust and learn it beside me.
”
”
Oscar Wilde (De Profundis)
“
You’re angry at me,” she says.
I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing.
“You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.”
Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away.
She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers.
In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep.
“You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying.
The hard casement inside me breaks.
“Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin.
There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders.
“Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.”
She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep.
“I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
It isn't true about the lambs.
They are not meek.
They are curious and wild,
full of the passion of spring.
They are lovable,
and they are not silent when hungry.
Tonight the last of the triplet lambs
is piercing the quiet with its need.
Its siblings are stronger
and will not let it eat.
I am its keeper, the farmer, its mother.
I will go down to it in the dark,
in the cold barn,
and hold it in my arms.
But it will not lie still--it is not meek.
I will stand in the open doorway
under the weight of watching trees and moon,
and care for it as one of my own.
But it will not love me--it is not meek.
Drink, little one. Take what I can give you.
Tonight the whole world prowls
the perimeters of your life.
Your anger keeps you alive--
it's your only chance.
So I know what I must do
after I have fed you.
I will shape my mouth to the shape
of the sharpest words--
even those bred in silence.
I will impale with words every ear
pressed upon open air.
I will not be meek.
You remind me of the necessity
of having more hope than fear
and of sounding out terrible names.
I am to cry out loud
like a hungry lamb, cry loud
enough to waken wolves in the night.
No one can be allowed to sleep.
”
”
Alice B. Fogel
“
That we never allowed," answered Somel quietly. "Allowed?" I queried. "Allowed a mother to rear her own children?" "Certainly not," said Somel, "unless she was fit for that supreme task." This was rather a blow to my previous convictions. "But I thought motherhood was for each of you--" "Motherhood--yes, that is, maternity, to bear a child. But education is our highest art, only allowed to our highest artists." "Education?" I was puzzled again. "I don't mean education. I mean by motherhood not only child-bearing, but the care of babies." "The care of babies involves education, and is entrusted only to the most fit," she repeated. "Then you separate mother and child!" I cried in cold horror, something of Terry's feeling creeping over me, that there must be something wrong among these many virtues. "Not usually," she patiently explained. "You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands--even our own." "But a mother's love--" I ventured. She studied my face, trying to work out a means of clear explanation. "You told us about your dentists," she said, at length, "those quaintly specialized persons who spend their lives filling little holes in other persons' teeth--even in children's teeth sometimes." "Yes?" I said, not getting her drift. "Does mother-love urge mothers--with you--to fill their own children's teeth? Or to wish to?" "Why no--of course not," I protested. "But that is a highly specialized craft. Surely the care of babies is open to any woman --any mother!" "We do not think so," she gently replied. "Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it--I assure you we have the very best." "But the poor mother--bereaved of her baby--" "Oh no!" she earnestly assured me. "Not in the least bereaved. It is her baby still--it is with her--she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child's sake, she is glad to have for it this highest care.
”
”
Charlotte Perkins Gilman (Herland, The Yellow Wall-Paper, and Selected Writings)
“
That?” cried Charley with astonishment. “A loaf of bread and a flagon of wine? Of course it’s very well painted.” “Yes, you’re right; it’s very well painted; it’s painted with pity and love. It’s not only a loaf of bread and a flagon of wine; it’s the bread of life and the blood of Christ, but not held back from those who starve and thirst for them and doled out by priests on stated occasions; it’s the daily fare of suffering men and women. It’s so humble, so natural, so friendly; it’s the bread and wine of the poor who ask no more than that they should be left in peace, allowed to work and eat their simple food in freedom. It’s the cry of the despised and rejected. It tells you that whatever their sins men at heart are good. That loaf of bread and that flagon of wine are symbols of the joys and sorrows of the meek and lowly. They ask for your mercy and your affection; they tell you that they’re of the same flesh and blood as you. They tell you that life is short and hard and the grave is cold and lonely. It’s not only a loaf of bread and a flagon of wine; it’s the mystery of man’s lot on earth, his craving for a little friendship and a little love, the humility of his resignation when he sees that even they must be denied him.” Lydia
”
”
W. Somerset Maugham (Christmas Holiday (Vintage International))
“
Caxtons are mechanical birds with many wings
and some are treasured for their markings--
they cause the eyes to melt
or the body to shriek without pain.
I have never seen one fly, but
sometimes they perch on the hand.
Mist is when the sky is tired of flight
and rests its soft machine on the ground:
then the world is dim and bookish
like engravings under tissue paper.
Rain is when the earth is television.
It has the properites of making colours darker.
Model T is a room with the lock inside --
a key is turned to free the world
for movement, so quick there is a film
to watch for anything missed.
But time is tied to the wrist
or kept in a box, ticking with impatience.
In homes, a haunted apparatus sleeps,
that snores when you pick it up.
If the ghost cries, they carry it
to their lips and soothe it to sleep
with sounds. And yet, they wake it up
deliberately, by tickling with a finger.
Only the young are allowed to suffer
openly. Adults go to a punishment room
with water but nothing to eat.
They lock the door and suffer the noises
alone. No one is exempt
and everyone's pain has a different smell.
At night, when all the colours die,
they hide in pairs
and read about themselves --
in colour, with their eyelids shut.
”
”
Craig Raine
“
Fuck," he whimpered, mouth at my ear. "You feel--- so --- fucking good." His hips were already picking up speed, his body pistoning into mine so insistently, so needfully, it obliterated all self-doubt. He grabbed both of my hands in one of his, pinning them above my head, and stared transfixed at the way my breasts bounced with his movements. The way he was looking at me--- and the way it felt, my cunt clenching around him as he thrust into me again, and again, and again---
His hands dropped down to grip my ass, lifting my hips and changing the angle of our connection. Something about the new positioning opened me up to him even further, allowed him to go deeper, harder, to brush up against parts of me no one had touched before.
"Reggie," I gasped. "Oh, fuck." Something... something was different. I cried out again, helpless in the face of this delicious mounting pleasure, an ecstatic sort of pressure at the base of my spine that was threatening to pull me under. I felt drunk, wild, and burning hot, my body already racing towards another sharp crescendo as my hips sped up to match his movements.
Without thinking, I flung my head back onto the pillow, the angle leaving my neck completely exposed.
His hips stuttered to a stop, even as he remained fully seated inside me.
He growled.
”
”
Jenna Levine (My Vampire Plus-One (My Vampires, #2))
“
When they come to explain about the two Transits of Venus, and the American Work filling the Years between, “By Heaven, a ‘Sandwich,’” cries Mr. Edgewise. “Take good care, Sirs, that something don’t come along and eat it!” His pleasure at being able to utter a recently minted word, is at once much curtailed by the volatile Chef de Cuisine Armand Allègre, who rushes from the Kitchen screaming. “Sond-weech-uh! Sond-weech-uh!,” gesticulating as well, “To the Sacrament of the Eating, it is ever the grand Insult!” Cries of “Anti-Britannic!” and “Shame, Mounseer!” Mitzi clutches herself. “No Mercy! Oh, he’s so ’cute!” Young Dimdown may be seen working himself up to a level of indignation that will allow him at least to pull out his naked Hanger again, and wave it about a bit. “Where I come from,” he offers, “Lord Sandwich is as much respected for his nobility as admired for his Ingenuity, in creating the great modern Advance in Diet which bears his name, and I would suggest,— without of course wishing to offend,— that it ill behooves some bloody little toad-eating foreigner to speak his name in any but a respectful manner.” “Had I my batterie des couteaux,” replies the Frenchman, with more gallantry than sense, “before that ridiculous little blade is out of his sheath, I can bone you,— like the Veal!
”
”
Thomas Pynchon (Mason & Dixon)
“
Why did you cry off?”
She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed.
“How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun.
She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.”
Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off.
When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it.
“Who’s the other one?”
Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired.
Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!”
“You spoiled my shot,” she countered.
“Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement.
“No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.”
“He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.”
“I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.”
“He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.”
It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
To her astonishment, he did not bear her to the floor, but lifted her in his arms instead, so that her legs wrapped around his waist. He held her weight easily, bracing her against the wall for balance, one arm protecting her from the roughness of the plaster. Her eyes widened as she felt the hard, blunt shape of his sex nudging, probing, sliding easily inside her. She was filled, impaled, her body open and helpless against the heavy intrusion. Gasping in pleasure, she clutched at the backs of his shoulders, her fingers clinging into the soft wool of his coat. It felt strangely erotic to be clasped against his fully clothed body, her bare skin tingling from the abrasion of fabric. Hungering for a taste of his skin, she tugged at his black stock and buried her mouth against the damp side of his neck.
"Do you love me?" he smattered, deliberately allowing her weight to press downward, forcing her even harder onto his stiff erection.
"Yes... oh, Grant..." She arched and cried out as pleasure crested inside her, spreading through her in deep, rolling waves.
"Tell me," he said harshly, moving in deeper, slower thrusts that drove straight into the core of her body. She writhed, her legs flexing as she felt the ebbing sensation build again.
"I love you," she gasped. "Love you... love you..."
The words sent him over the dizzying edge of rapture, and he drove inside her with a groan, all his senses dissolving in blissful release.
”
”
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
“
Hetty was awakened from a doze in a chair by the sound of a door opening. She was about to make herself known to whoever had entered the library when someone else entered, too, and she heard Minerva say, “Well? What do you think? Am I right about Oliver and Miss Butterfield?”
Shrinking into the chair, she prayed she wouldn’t be noticed in the corner.
“It certainly looks that way.” It was Jarret’s voice. “He does seem to have genuine feelings for her. I’ve never witnessed him act like that over a woman. You should have seen him-ready to strike me when I suggested going after her myself.”
“What a brilliant touch!” Minerva cried. “I told you he liked her. And I’ll hazard a guess that she likes him, too. I went up to her room after they got back, and she blushed furiously when I asked if Oliver had behaved himself.”
“That’s the problem. Liking her is one thing, but whether he’ll act on the attraction honorably is another matter entirely. Oliver isn’t used to being around a woman he’s not allowed to…er…”
“Take to bed.”
Hetty blinked.
“My God, Minerva, don’t say things like that! You’re not supposed to know about such matters.”
“Pish posh. I could hardly grow up with a rogue for a father and three rogue brothers without hearing a few things.”
Hetty had to chomp on the inside of her cheek to stifle her laugh.
“Well, at least pretend you don’t know, will you?” Jarret grumbled. “One day you’ll say something like that in public and give me heart failure.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I — The duke didn't ban—" She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now." He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
I call an ambulance and do a mini-intake over the phone but they will not come to help when they hear his background. He is a felon, they say. You have to call the police. I beg. Please help us. This isn’t a criminal matter. They refuse. They disconnect the line. My mother and I go back and forth and decide we have no other choice. I call the local law enforcement office and explain everything. I beg them to go slow. I tell them Monte’s history with police because by now I know how he was beaten and tortured by LA County sheriffs. Two rookies arrive and they are young as fuck. I meet them downstairs. I ask them, What will you do if my brother gets violent? Monte’s never been violent but I am trying to prepare for anything. I’m—we’re—in a place we’ve never been. We’ll just taser him, one responds. No! My God! Absolutely not! I refuse to let them past me until they promise me they won’t hurt him, and when they finally do, I lead them into the apartment, explaining to Monte as I walk through the door, It’s okay. It’s okay. They’re just here to help. And my brother. My big, loving, unwell, good-hearted brother, my brother who has rescued small animals and my brother who has never, never hurt another human being, drops to his knees and begins to cry. His hands are in the air. He is sobbing. Please don’t take me back. Please don’t take me back. I stop cold. I tell the police they have to leave and they do and I get down on the floor. I curl up next to Monte. I hold him as much as he’ll allow.
”
”
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
“
When it begins it is like a light in a tunnel, a rush of steel and
steam across a torn up life. It is a low rumble, an earthquake in the
back of the mind. My spine is a track with cold black steel racing on
it, a trail of steam and dust following behind, ghost like. It feels
like my whole life is holding its breath.
By the time she leaves the room I am surprised that she can’t see the
train. It has jumped the track of my spine and landed in my mothers’
living room. A cold dark thing, black steel and redwood paneling. It
is the old type, from the western movies I loved as a kid.
He throws open the doors to the outside world, to the dark ocean. I
feel a breeze tugging at me, a slender finger of wind that catches at
my shirt. Pulling. Grabbing. I can feel the panic build in me, the
need to scream or cry rising in my throat.
And then I am out the door, running, tumbling down the steps falling
out into the darkened world, falling out into the lifeless ocean. Out
into the blackness. Out among the stars and shadows.
And underneath my skin, in the back of my head and down the back of my
spine I can feel the desperation and I can feel the noise. I can feel
the deep and ancient ache of loudness that litters across my bones.
It’s like an old lover, comfortable and well known, but unwelcome and
inappropriate with her stories of our frolicking.
And then she’s gone and the Conductor is closing the door. The
darkness swells around us, enveloping us in a cocoon, pressing flat
against the train like a storm. I wonder, what is this place?
Those had been heady days, full and intense. It’s funny. I remember
the problems, the confusions and the fears of life we all dealt with.
But, that all seems to fade. It all seems to be replaced by images of
the days when it was all just okay. We all had plans back then,
patterns in which we expected the world to fit, how it was to be
deciphered.
Eventually you just can’t carry yourself any longer, can’t keep your
eyelids open, and can’t focus on anything but the flickering light of
the stars. Hours pass, at first slowly like a river and then all in a
rush, a climax and I am home in the dorm, waking up to the ringing of
the telephone.
When she is gone the apartment is silent, empty, almost like a person
sleeping, waiting to wake up. When she is gone, and I am alone, I curl
up on the bed, wait for the house to eject me from its dying corpse.
Crazy thoughts cross through my head, like slants of light in an
attic.
The Boston 395 rocks a bit, a creaking noise spilling in from the
undercarriage. I have decided that whatever this place is, all these
noises, sensations - all the train-ness of this place - is a
fabrication. It lulls you into a sense of security, allows you to feel
as if it’s a familiar place. But whatever it is, it’s not a train, or
at least not just a train.
The air, heightened, tense against the glass. I can hear the squeak of
shoes on linoleum, I can hear the soft rattle of a dying man’s
breathing. Men in white uniforms, sharp pressed lines, run past,
rolling gurneys down florescent hallways.
”
”
Jason Derr (The Boston 395)
“
A more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person’s strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered - you must have music, dancing, and society - or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes - include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment: you have had to seek no one’s company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you; then you will not want me or any one else, happen what may. Neglect it - go on as heretofore, craving, whining, and idling - and suffer the results of your idiocy, however bad and insuperable they may be.
”
”
Charlotte Brontë
“
Colin. Just the name made Alessandro’s gut burn. He knew the man wanted his wife, even if Brianna was too blind to see it. The moron had been cuckolded by the paragon of supposed virtue, his wife Carrie and now he had finally opened his eyes and seen what Alessandro had known all along. Brianna put every other woman in New York to shame. No woman could come near her beauty, her passion, her fire. Colin had tossed her aside for the angelic Carrie and now he was changing his mind. Oh no you don’t, you miserable fucker. “Her friend indeed,” Bernardo drawled, his Italian accent thick with unmistakable implication. “Dat’s da truth. He no make her cry all da time.” That was directed at Alessandro, with small dark accusatory eyes. “He nice.” Alessandro couldn’t look at those eyes without feeling a sickening pang of guilt. She’s mine! He wanted to scream. Mine! Mine! Mine! “Oh yes. Very nice. He was very nice when he held her at the cemetery and very nice when he was dancing with her at Adresca.” That made Alessandro’s head lift in surprise. “Oh yes, my boy. She’s been there, cleaning up the rubble and word is that she’s working on re-opening it. Her friend Colin has been quite helpful in that endeavour.” “I don’ like how you say dat,” Will said scowling. “Really young William, I only speak the truth,” Bernardo taunted. Alessandro’s mind was racing. NO! Not Colin. He could not let that imbecile take Brianna away from him. He’d have to be eliminated somehow. Alessandro began to plot all the different ways he could ensure that Colin Neally stayed away from his wife, permanently. They all involved grisly, violent methods. He could not be allowed to win Brianna.
”
”
E. Jamie (The Betrayal (Blood Vows, #2))
“
You have to eat the shit," he repeated over and over during one of our first sessions. He had the tone and zeal of a boxing trainer. "Shit tastes good!"
"What does that even mean?" I chuckled.
"Don't laugh," he said sternly. Marshall told me that my job wasn't to cook food. It wasn't about looking at numbers or commanding people, either. My company would live or die based on my capacity to eat shit and like it. "I am going to watch you eat as many bowls of shit as our time will allow," he said. We had plenty of time.
Eating shit meant listening. Eating shit meant acknowledging my errors and shortcomings. Eating shit meant facing confrontations that made me uncomfortable. Eating shit meant putting my cell phone away when someone was talking to me. Eating shit meant not fleeing. Eating shit meant being grateful. Eating shit meant controlling myself when people fell short of expectations. Eating shit meant putting others before myself.
This last detail was important. With Dr. Eliot, I got away with describing my MO as self-destructive--my managerial tendencies were harmful, but only to me. Now, according to Marshall, I was using that assessment as cover for my poor behavior. In my mind, all the people who had left Momofuku were leaving me. When they failed at their jobs, they were betraying me. Marshall pointed out the ugly truth that this belied. I believed that the people at Momofuku were there to serve me.
I had always wielded my dedication to Momofuku with great arrogance. Friendships could crumble, hearts could break, cooks could fall to their knees and cry: all collateral damage in the noble pursuit of bringing good food to more people. I believed that I was Momofuku and that everything I did was for Momofuku. Therefore, whatever was good for me was good for Momofuku.
”
”
David Chang (Eat a Peach)
“
My morning schedule saw me first in Cannan’s office, conferring with my advisor, but our meeting was interrupted within minutes by Narian, who entered without knocking and whose eyes were colder than I had seen them in a long time.
“I thought you intended to control them,” he stated, walking toward the captain’s desk and standing directly beside the chair in which I sat.”
He slammed a lengthy piece of parchment down on the wood surface, an unusual amount of tension in his movements. I glanced toward the open door and caught sight of Rava. She stood with one hand resting against the frame, her calculating eyes evaluating the scene while she awaited orders.
Cannan’s gaze went to the parchment, but he did not reach for it, scanning its contents from a distance. Then he looked at Narian, unruffled.
“I can think of a dozen or more men capable of this.”
“But you know who is responsible.”
Cannan sat back, assessing his opposition. “I don’t know with certainty any more than you do. In the absence of definitive proof of guilt on behalf of my son and his friends, I suggest you and your fellows develop a sense of humor.” Then the captain’s tone changed, becoming more forbidding. “I can prevent an uprising, Narian. This, you’ll have to get used to.”
Not wanting to be in the dark, I snatched up the parchment in question. My mouth opened in shock and dismay as I silently read its contents, the men waiting for me to finish.
On this Thirtieth Day of May in the First Year of Cokyrian dominance over the Province of Hytanica, the following regulations shall be put into practice in order to assist our gracious Grand Provost in her effort to welcome Cokyri into our lands--and to help ensure the enemy does not bungle the first victory it has managed in over a century.
Regulation One. All Hytanican citizens must be willing to provide aid to aimlessly wandering Cokyrian soldiers who cannot on their honor grasp that the road leading back to the city is the very same road that led them away.
Regulation Two. It is strongly recommended that farmers hide their livestock, lest the men of our host empire become confused and attempt to mate with them.
Regulation Three. As per negotiated arrangements, crops grown on Hytanican soil will be divided with fifty percent belonging to Cokyri, and seventy-five percent remaining with the citizens of the province; Hytanicans will be bound by law to wait patiently while the Cokyrians attempt to sort the baffling deficiency in their calculations.
Regulation Four. The Cokyrian envoys assigned to manage the planting and farming effort will also require Hytanican patience while they slowly but surely learn what is a crop and what is a weed, as well as left from right.
Regulation Five. Though the Province Wall is a Cokyrian endeavor, it would be polite and understanding of Hytanicans to remind the enemy of the correct side on which to be standing when the final stone is laid, so no unfortunates may find themselves trapped outside with no way in.
Regulation Six. When at long last foreign trade is allowed to resume, Hytanicans should strive to empathize with the reluctance of neighboring kingdoms to enter our lands, for Cokyri’s stench is sure to deter even the migrating birds.
Regulation Seven. For what little trade and business we do manage in spite of the odor, the imposed ten percent tax may be paid in coins, sweets or shiny objects.
Regulation Eight. It is regrettably prohibited for Hytanicans to throw jeers at Cokyrian soldiers, for fear that any man harried may cry, and the women may spit.
Regulation Nine. In case of an encounter with Cokyrian dignitaries, the boy-invader and the honorable High Priestess included, let it be known that the proper way in which to greet them is with an ass-backward bow.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off?
Then Daniel dropped the ax to the ground.
"What are you doing?" Luce asked.
Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned.
And then-
Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward.
Shouts rang out around the cenote:
"What is he?"
"The boy is winged!"
"He is a god! Sent to us by Chaat!"
Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until-
Until she couldn't move anymore.
Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun.
Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening.
Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed.
She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin.
Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out.
Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke.
Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame.
All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce.
"Ix Cuat!" Daniel reached for her.
His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious."
"Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-"
"I'm still here," Luce insisted.
"You're still-" He was crying. "Can you see me? The true me?"
"I can see you."
And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before.
Hadn't she?
As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her.
"No!" she cried,feeling the fire sear her heart and her body shake free of something.
”
”
Lauren Kate (Passion (Fallen, #3))
“
That night, atrocities were being committed by civilised Germans all over Leipzig, all over the country. Nearly every Jewish home and business in my city was vandalised, burned or otherwise destroyed, as were our synagogues. As were our people. It wasn’t just Nazi soldiers and fascist thugs who turned against us. Ordinary citizens, our friends and neighbours since before I was born, joined in the violence and the looting. When the mob was done destroying property, they rounded up Jewish people – many of them young children – and threw them into the river that I used to skate on as a child. The ice was thin and the water freezing. Men and women I’d grown up with stood on the riverbanks, spitting and jeering as people struggled. ‘Shoot them!’ they cried. ‘Shoot the Jewish dogs!’ What had happened to my German friends that they became murderers? How is it possible to create enemies from friends, to create such hate? Where was the Germany I had been so proud to be a part of, the country where I was born, the country of my ancestors? One day we were friends, neighbours, colleagues, and the next we were told we were sworn enemies. When I think of those Germans relishing our pain, I want to ask them, ‘Have you got a soul? Have you got a heart?’ It was madness, in the true sense of the word – otherwise civilised people lost all ability to tell right from wrong. They committed terrible atrocities, and worse, they enjoyed it. They thought they were doing the right thing. And even those who could not fool themselves that we Jews were the enemy did nothing to stop the mob. If enough people had stood up then, on Kristallnacht, and said, ‘Enough! What are you doing? What is wrong with you?’ then the course of history would have been different. But they did not. They were scared. They were weak. And their weakness allowed them to be manipulated into hatred. As they loaded me onto a truck to take me away, blood mixing with the tears on my face, I stopped being proud to be German. Never again.
”
”
Eddie Jaku (The Happiest Man on Earth: The Beautiful Life of an Auschwitz Survivor – A New York Times Bestseller with Timeless Lessons on Gratitude and Hope)
“
What you did to us—and to me specifically—was wrong, and you had no right to do that.’” The priest stared unblinkingly into Blanchette’s eyes, waiting but unprepared for what came next. “‘Having said that, it brings me to the real reason I’ve come here. The real reason I’ve come here is to ask you to forgive me for the hatred and resentment that I have felt toward you for the last twenty-five years.’ When I said that, he stood up, and in what I would describe as a demonic voice, he said, ‘Why are you asking me to forgive you?’ And through tears I said, ‘Because the Bible tells me to love my enemies and to pray for those who persecute me.’” Blanchette said Birmingham collapsed as if he’d been punched in the chest. The priest dissolved into tears, and soon Blanchette too was crying. Blanchette began to take his leave but asked Birmingham if he could visit again. The priest explained that he was under tight restrictions at the rectory. He said he had been to a residential treatment center in Connecticut, and he returned there once a month. He was not allowed to leave the grounds except in the company of an adult. Blanchette would not see the priest again until Tuesday, April 18, 1989, just hours before his death. Blanchette found his molester at Symmes Hospital in Arlington and discovered the priest—once robust and 215 pounds—was now an eighty-pound skeleton with skin. Morphine dripped into an IV in his arm. Oxygen was fed by a tube into his nostrils. His hair had been claimed by chemotherapy. The priest sat in a padded chair by his bed. His breathing was labored. “I knelt down next to him and held his hand and began to pray. And as I did, he opened his eyes. I said, ‘Father Birmingham, it’s Tommy Blanchette from Sudbury.’” He greeted Blanchette with a raspy and barely audible, “Hi. How are ya?” “I said, ‘Is it all right if I pray for you?’ And he said, ‘Yes.’ And I began to pray, ‘Dear Father, in the name of Jesus Christ, I ask you to heal Father Birmingham’s body, mind, and soul.’ I put my hand over his heart and said, ‘Father, forgive him all his sins.’” Blanchette helped Birmingham into bed. It was about 10 P.M. He died the next morning.
”
”
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
“
Tell me you didn’t,” she groaned, knowing it would not be the truth. “Please tell me you didn’t take advantage of these poor people.”
“I didn’t,” he chirped.
“Liar.”
With an irritated sigh he tried to convince her. “Amora, you’re not seeing things from an immortal perspective. The people who built this temple…”
“Temple?” she cried, cutting him off. “You forced these people to build you a temple? Why? Because all of a sudden you’re God now?”
Perturbed by her interruption, he raised a warning finger. “No, no, Amora, not God. But from their viewpoint I may seem a bit…..god-like.”
She rolled her eyes in an exaggerated manner.
“If you would let me finish,” he went on, “these particular individuals had no part in the construction of that monument; it was their ancestors who erected it. And I must say, they did a fine job. My likeness has weathered the centuries quite well.”
“You’re despicable.”
He frowned at the insult. “Nobody was forced to build us a temple, Amora. They chose to do so.”
“You were that impressive to them, huh?”
“Apparently.” His eyes twinkled at the memory. He took a few steps toward the distant city, pulling Eena along. “Come on, let’s go have some fun.”
“No way.” She planted her feet, refusing. Surprisingly it put a stop to him.
“And why not?”
“Because your sudden appearance will upset them! No doubt you’ll want to show off with some shockingly grand entrance. I’m not going to take part in a game of deceit.”
“I’m not deceiving anyone,” Edgar disputed. “I can’t help it if they happen to think I’m perfectly magnificent.”
His pompous view of himself earned a nasty look as well as a lecture. “I can’t believe you’re okay with selling people lies that affect the way they live and think! You’re not even close to being a god, Edgar, and yet you allow them to accept you as some sort of deity because of your unusual abilities. For centuries now you’ve abandoned this world and a population who probably looked to you and your lousy sisters for help. It’s all a big, disgusting sham!”
Edgar pouted like a child. “Fine—spoil all my fun. We’ll go do something else. Something that doesn’t include your poor, fragile, stupid mortals.”
“They’re not stupid.”
“They think I’m a god,” he snapped.
That was a pretty good argument.
”
”
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.”
― Bob Marley
”
”
Bob Marley
“
Discipline As your baby becomes more mobile and inquisitive, she’ll naturally become more assertive, as well. This is wonderful for her self-esteem and should be encouraged as much as possible. When she wants to do something that’s dangerous or disrupts the rest of the family, however, you’ll need to take charge. For the first six months or so, the best way to deal with such conflicts is to distract her with an alternative toy or activity Standard discipline won’t work until her memory span increases around the end of her seventh month. Only then can you use a variety of techniques to discourage undesired behavior. When you finally begin to discipline your child, it should never be harsh. Remember that discipline means to teach or instruct, not necessarily to punish. Often the most successful approach is simply to reward desired behavior and withhold rewards when she does not behave as desired. For example, if she cries for no apparent reason, make sure there’s nothing wrong physically; then when she stops, reward her with extra attention, kind words, and hugs. If she starts up again, wait a little longer before turning your attention to her, and use a firm tone of voice as you talk to her. This time, don’t reward her with extra attention or hugs. The main goal of discipline is to teach limits to the child, so try to help her understand exactly what she’s doing wrong when she breaks a rule. If you notice her doing something that’s not allowed, such as pulling your hair, let her know that it’s wrong by calmly saying “no,” stopping her, and redirecting her attention to an acceptable activity. If your child is touching or trying to put something in her mouth that she shouldn’t, gently pull her hand away as you tell her this particular object is off-limits. But since you do want to encourage her to touch other things, avoid saying “Don’t touch.” More pointed phrases, such as “Don’t eat the flowers” or “No eating leaves” will convey the message without confusing her. Because it’s still relatively easy to modify her behavior at this age, this is a good time to establish your authority and a sense of consistency Be careful not to overreact, however. She’s still not old enough to misbehave intentionally and won’t understand if you punish her or raise your voice. She may be confused and even become startled when told that she shouldn’t be doing or touching something. Instead, remain calm, firm, consistent, and loving in your approach. If she learns now that you have the final word, it may make life much more comfortable for both of you later on, when she naturally becomes more headstrong.
”
”
American Academy of Pediatrics (AAP) (Your Baby's First Year)
“
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Esther Agrees to Help the Jews ESTHER 4 When Mordecai learned all that had been done, Mordecai tore his clothes o and put on sackcloth and ashes, and went out into the midst of the city, and he cried out with a loud and bitter cry. 2He went up to the entrance of the king’s gate, for no one was allowed to enter the king’s gate clothed in sackcloth. 3And in every province, wherever the king’s command and his decree reached, there was great mourning among the Jews, p with fasting and weeping and lamenting, and many of them q lay in sackcloth and ashes. 4When Esther’s young women and her eunuchs came and told her, the queen was deeply distressed. She sent garments to clothe Mordecai, so that he might take off his sackcloth, but he would not accept them. 5Then Esther called for Hathach, one of the king’s eunuchs, who had been appointed to attend her, and ordered him to go to Mordecai to learn what this was and why it was. 6Hathach went out to Mordecai in the open square of the city in front of the king’s gate, 7and Mordecai told him all that had happened to him, r and the exact sum of money that Haman had promised to pay into the king’s treasuries for the destruction of the Jews. 8Mordecai also gave him s a copy of the written decree issued in Susa for their destruction, that he might show it to Esther and explain it to her and command her to go to the king to beg his favor and plead with him on behalf of her people. 9And Hathach went and told Esther what Mordecai had said. 10Then Esther spoke to Hathach and commanded him to go to Mordecai and say, 11“All the king’s servants and the people of the king’s provinces know that if any man or woman goes to the king inside t the inner court without being called, u there is but one law—to be put to death, except the one v to whom the king holds out the golden scepter so that he may live. But as for me, I have not been called to come in to the king these thirty days.” 12And they told Mordecai what Esther had said. 13Then Mordecai told them to reply to Esther, “Do not think to yourself that in the king’s palace you will escape any more than all the other Jews. 14For if you keep silent at this time, relief and deliverance will rise for the Jews from another place, but you and your father’s house will perish. And who knows whether you have not come to the kingdom for such a time as this?” 15Then Esther told them to reply to Mordecai, 16“Go, gather all the Jews to be found in Susa, and hold a fast on my behalf, and do not eat or drink for w three days, night or day. I and my young women will also fast as you do. Then I will go to the king, though it is against the law, x and if I perish, I perish.” 17Mordecai then went away and did everything as Esther had ordered him.
”
”
Anonymous (Holy Bible: English Standard Version (ESV))
“
Christopher entered the room, having to bend his head to pass through the small medieval doorway. Straightening, he surveyed their surroundings briefly before his piercing gaze found Beatrix. He stared at her with the barely suppressed wrath of a man to whom entirely too much had happened.
Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation.
Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious.
“I’m so sorry,” she croaked.
No reply.
Christopher approached her slowly, as if he thought she might try to bolt again. Reaching her, he took her upper arms in a hard grip that allowed no chance of escape. “Tell me why you did it,” he said, his voice low and vibrant with…hatred? Fury? “No, damn you, don’t cry. Was it a game? Was it only to help Prudence?”
Beatrix looked away with a wretched sob. “No, it wasn’t a game…Pru showed me your letter, and she said she wasn’t going to answer it. And I had to. I felt as if it had been written for me. It was only supposed to be once. But then you wrote back, and I let myself answer just once more…and then one more time, and another…”
“How much of it was the truth?”
“All of it,” Beatrix burst out. “Except for signing Pru’s name. The rest of it was real. If you believe nothing else, please believe that.”
Christopher was quiet for a long moment. He had begun to breathe heavily. “Why did you stop?”
She sensed how difficult it was for him to ask. But God help her, it was infinitely worse to have to answer.
“Because it hurt too much. The words meant too much.” She forced herself to go on, even though she was crying. “I fell in love with you, and I knew I could never have you. I couldn’t pretend to be Pru any longer. I loved you so much, and I couldn’t--”
Her words were abruptly smothered.
He was kissing her, she realized dazedly. What did it mean? What did he want? What…but her thoughts dissolved, and she stopped trying to make sense of anything.
His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn’t care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan.
Christopher forced her to look back at him. “Loved?” he asked hoarsely. “Past tense?”
“Present tense,” she managed to say.
“You told me to find you.”
“I didn’t mean to send you that note.”
“But you did. You wanted me.”
“Yes.” More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief.
Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. “I love you, Beatrix.”
Maybe she was capable of swooning after all.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The name is somewhat familiar, but I can’t recall a face to go with it.”
Obviously disappointed in her reaction, her uncle said irritably, “You apparently have a poor memory. If you can’t recall a knight or an earl,” he added sarcastically, “I doubt you’ll remember a mere mister.”
Stung by his unprovoked remark, she said stiffly, “Who is the third?”
“Mr. Ian Thornton. He’s-“
That name sent Elizabeth jolting to her feet while a blaze of animosity and a sock of terror erupted through her entire body. “Ian Thornton!” she cried, leaning her palms on the desk to steady herself. “Ian Thornton!” she repeated, her voice rising with a mixture of anger and hysterical laughter. “Uncle, if Ian Thornton discussed marrying me, it was at the point of Robert’s gun! His interest in me was never marriage, and Robert dueled with him over his behavior. In fact, Robert shot him!”
Instead of relenting or being upset, her uncle merely regarded her with blank indifference, and Elizabeth said fiercely, “Don’t you understand?”
“What I understand,” he said, glowering, “is that he replied to my message in the affirmative and was very cordial. Perhaps he regrets his earlier behavior and wishes to make amends.”
“Amends!” she cried. “I’ve no idea whether he feels loathing for me or merely contempt, but I can assure you he does not and has never wished to wed me! He’s the reason I can’t show my face in society!”
“In my opinion, you’re better off away from that decadent London influence; however, that’s not to the point. He has accepted my terms.”
“What terms?”
Inured to Elizabeth’s quaking alarm, Julius stated matter-of-factly, “Each of the three candidates has agreed that you will come to visit him briefly in order to allow you to decide if you suit. Lucinda will accompany you as chaperon. You’re to leave in five days. Belhaven is first, then Marchman, then Thornton.”
The room swam before Elizabeth’s eyes. “I can’t believe this!” she burst out, and in her misery she seized on the least of her problems. “Lucinda has taken her first holiday in years! She’s in Devon visiting her sister.”
“Then take Berta instead and have Lucinda join you later when you go to visit Thornton in Scotland.”
“Berta! Berta is a maid. My reputation will be in shreds if I spend a week in the home of a man with no one but a maid for a chaperon.”
“Then don’t say she’s a maid,” he snapped. “Since I already referred to Lucinda Throckmorton-Jones as your chaperon in my letters, you can say that Berta is your aunt No more objections, miss,” he finished, “the matter is settled. That will be all for now. You may go.”
“It’s not settled! There’s been some sort of horrible mistake, I tell you. Ian Thornton would never want to see me, any more than I wish to see him!”
“There’s no mistake,” Julius said with completely finality. “Ian Thornton received my letter and accepted our offer. He even sent directions to his place in Scotland.”
“Your offer,” Elizabeth cried, “not mine!”
“I’ll not debate technicalities any further with you, Elizabeth. This discussion is at an end.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Another common form of mental illness is bipolar disorder, in which a person suffers from extreme bouts of wild, delusional optimism, followed by a crash and then periods of deep depression. Bipolar disorder also seems to run in families and, curiously, strikes frequently in artists; perhaps their great works of art were created during bursts of creativity and optimism. A list of creative people who were afflicted by bipolar disorder reads like a Who’s Who of Hollywood celebrities, musicians, artists, and writers. Although the drug lithium seems to control many of the symptoms of bipolar disorder, the causes are not entirely clear. One theory states that bipolar disorder may be caused by an imbalance between the left and right hemispheres. Dr. Michael Sweeney notes, “Brain scans have led researchers to generally assign negative emotions such as sadness to the right hemisphere and positive emotions such as joy to the left hemisphere. For at least a century, neuroscientists have noticed a link between damage to the brain’s left hemisphere and negative moods, including depression and uncontrollable crying. Damage to the right, however, has been associated with a broad array of positive emotions.” So the left hemisphere, which is analytical and controls language, tends to become manic if left to itself. The right hemisphere, on the contrary, is holistic and tends to check this mania. Dr. V. S. Ramachandran writes, “If left unchecked, the left hemisphere would likely render a person delusional or manic.… So it seems reasonable to postulate a ‘devil’s advocate’ in the right hemisphere that allows ‘you’ to adopt a detached, objective (allocentric) view of yourself.” If human consciousness involves simulating the future, it has to compute the outcomes of future events with certain probabilities. It needs, therefore, a delicate balance between optimism and pessimism to estimate the chances of success or failures for certain courses of action. But in some sense, depression is the price we pay for being able to simulate the future. Our consciousness has the ability to conjure up all sorts of horrific outcomes for the future, and is therefore aware of all the bad things that could happen, even if they are not realistic. It is hard to verify many of these theories, since brain scans of people who are clinically depressed indicate that many brain areas are affected. It is difficult to pinpoint the source of the problem, but among the clinically depressed, activity in the parietal and temporal lobes seems to be suppressed, perhaps indicating that the person is withdrawn from the outside world and living in their own internal world. In particular, the ventromedial cortex seems to play an important role. This area apparently creates the feeling that there is a sense of meaning and wholeness to the world, so that everything seems to have a purpose. Overactivity in this area can cause mania, in which people think they are omnipotent. Underactivity in this area is associated with depression and the feeling that life is pointless. So it is possible that a defect in this area may be responsible for some mood swings.
”
”
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
“
Then he made the mistake of looking into her eyes and froze. Her expression was so open, so full of tenderness and longing as well as heat that he almost balked. This was supposed to be about closure, about having the goodbye they’d never gotten last time. How was he supposed to leave after if she gave herself to him this completely? Her hand came up to cradle the side of his face, her thumb stroking back and forth across his jaw, her touch gentle and loving. “Need you,” she murmured,
It was good. Even better than he remembered. Liam buried his face in the side of her neck and sucked in a breath, struggling to hang on. Being cradled in Honor’s arms, buried to the hilt inside her while she opened her body and heart to him was the most incredible thing in the world. How the f*&^ was he going to walk away later? Without warning his eyes began to sting. As though she sensed how close he was to coming unglued, Honor murmured to him and pressed kisses to the side of his face, her hand urging his head to turn toward her. Liam shook his head, unable to bear that final level of intimacy when he knew this was their last time. Keeping his face in her neck he fought back the swell of emotion and began to move, a slow, shallow rocking motion that was more profound than words could ever be. He loved her. Would always love her, but it wasn’t enough because some things couldn’t be undone and he just couldn’t let her in the way he had before. All they had left was this bittersweet farewell, and he was going to make it memorable. .... A lump settled in his throat and he squeezed his eyes shut, torn between the excruciating pleasure swelling inside him and the need to see her face as he took her this last time. In the end, his heart won out. Powerless to stop himself, he lifted his head and looked down at her. Anguish sliced through his chest when he saw the tears glistening in her beautiful eyes. Don’t. Don’t cry. Shit, he didn’t want either of them to hurt anymore. He was sick of hurting. That’s why he was ending it all tonight. With a low sound of regret he covered her mouth with his, his tongue sliding against hers as he took her. Honor kissed him back deep and slow...
Cupping her cheek with his free hand he gave her everything he had left to give, allowing his emotional shields to drop for these final moments.
She ran her fingertips up and down his back in a soothing motion, her body limp and pliant beneath his, legs still wrapped around him. And all of a sudden he felt like crying. He felt too much, was in too deep again.
He didn’t know what to say to make this any easier. After what they’d just shared he was more conflicted than ever about what to do.
“I’ll miss you,” she murmured, and he caught the slight catch in her voice. Ah, fu&%. He gritted his teeth. It would be so much easier if they could just hate each other. For a moment he considered saying something to make her do exactly that, but couldn’t. Even he wasn’t enough of an a**hole to end things that way. And that look on her face… Against his better judgment, Liam sat back down on the edge of the bed and pulled her into his arms. Honor went willingly into his embrace, pressing her face to his chest as she hugged him tight in return.
“I’ll miss you too.”
Dammit, he should never have come here tonight. “I wish it could be different, but I just… I can’t do this anymore.” I’ll always love you but I can’t afford to let you back in again. “I’m sorry.
”
”
Kaylea Cross (Collateral Damage (Bagram Special Ops, #5))
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According to folk belief that is reflected in the stories and poems, a being who is petrified man and he can revive. In fairy tales, the blind destructiveness of demonic beings can, through humanization psychological demons, transformed into affection and love of the water and freeing petrified beings. In the fairy tale " The Three Sisters " Mezei de-stone petrified people when the hero , which she liked it , obtain them free . In the second story , the hero finding fairy , be petrified to the knee , but since Fairy wish to marry him , she kissed him and freed .
When entering a demonic time and space hero can be saved if it behaves in a manner that protects it from the effects of demonic forces . And the tales of fortune Council hero to not turn around and near the terrifying challenges that will find him in the demon area . These recommendations can be tracked ancient prohibited acts in magical behavior . In one short story Penina ( evil mother in law ) , an old man , with demonic qualities , sheds , first of two brothers and their sister who then asks them , iron Balot the place where it should be zero as chorus, which sings wood and green water . When the ball hits the ground resulting clamor and tumult of a thousand voices, but no one sees - the brothers turned , despite warnings that it should not , and was petrified . The old man has contradictory properties assistants and demons .
Warning of an old man in a related one variant is more developed - the old man tells the hero to be the place where the ball falls to the reputation of stones and hear thousands of voices around him to cry Get him, go kill him, swang with his sword , stick go ! . The young man did not listen to warnings that reveals the danger : the body does not stones , during the site heroes - like you, and was petrified . The initiation rite in which the suffering of a binding part of the ritual of testing allows the understanding of the magical essence of the prohibition looking back . MAGICAL logic respectful direction of movement is particularly strong in relation to the conduct of the world of demons and the dead . From hero - boys are required to be deaf to the daunting threats of death and temporarily overcome evil by not allowing him to touch his terrible content . The temptation in the case of the two brothers shows failed , while the third attempt brothers usually releases the youngest brother or sister . In fairy tales elements of a rite of passage blended with elements of Remembrance lapot .
Silence is one way of preventing the evil demon in a series of ritual acts , thoughts Penina Mezei . Violation of the prohibition of speech allows the communication of man with a demon , and abolishes protection from him . In fairy tales , this ritual obligations lost connection with specific rituals and turned into a motive of testing . The duration of the ban is extended in the spirit of poetic genre in years . Dvanadestorica brothers , to twelve for saving haunted girls , silent for almost seven years, but eleven does not take an oath and petrified ; twelfth brother died three times , defeat the dragon , throw an egg at a crystal mountain , and save the brothers ( Penina Mezei : 115 ) .
Petrify in fairy tales is not necessarily caused by fear , or impatience uneducated hero . Self-sacrificing hero resolves accident of his friend's seemingly irrational moves, but he knows that he will be petrified if it is to warn them in advance , he avoids talking . As his friend persuaded him to explain his actions , he is petrified ( Penina Mezei : 129 ) . Petrified friends can save only the blood of a child , and his " borrower " Strikes sacrifice their own child and revives his rescuers . A child is a sacrificial object that provides its innocence and purity of the sacrificial gift of power that allows the return of the forces of life.
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Penina Mezei (Penina Mezei West Bank Fairy Tales)
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a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is.
It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating.
Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page.
Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien.
There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages.
If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real
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Ayaz mallah