Coquetry Quotes

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Coquetry, it's a triumph of the spirit over the senses.
Coco Chanel
I sought her eye, desirous to read there the intelligence which I could not discern in her face or hear in her conversation; it was merry, rather small; by turns I saw vivacity, vanity, coquetry, look out through its irid, but I watched in vain for a glimpse of soul. I am no Oriental; white necks, carmine lips and cheeks, clusters of bright curls, do not suffice for me without that Promethean spark which will live after the roses and lilies are faded, the burnished hair grown grey. In sunshine, in prosperity, the flowers are very well; but how many wet days are there in life--November seasons of disaster, when a man's hearth and home would be cold indeed, without the clear, cheering gleam of intellect.
Charlotte Brontë (The Professor)
The air was full of human essence, of artificial enticement, of coquetry, indolence, pleasure—the man-made sense of existence.
O. Henry (Cabbages and Kings)
He saw her as the passionate spirit of innocent youth, now beleaguered by the trick which is played on youth - the trick of treachery in the body, which turns flesh into green bones. Her stupid finery was not vulgar to him, but touching. The girl was still there, still appealing from behind the breaking barricade of rouge. She had made the brave protest: I will not be vanquished. Under the clumsy coquetry, the undignified clothes, there was the human cry for help. The young eyes were puzzled, saying: It is I, inside here - what have they done to me? I will not submit. Some part of her spirit knew that the powder was making a guy of her, and hated it, and tried to hold her lover with the eyes alone. They said: Don't look at all this. Look at me. I am still here, in the eyes. Look at me, here in the prison, and help me out. Another part said: I am not old, it is illusion. I am beautifully made-up. See, I will perform the movements of youth. I will defy the enormous army of age.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
you cannot reproach me with the slightest coquetry. I have always said to you, 'I love you as a brother; but do not ask from me more than sisterly affection, for my heart is another's.' Is not this true, Fernand?
Alexandre Dumas (The Count of Monte Cristo)
I became the victim of ingratitude and cold coquetry—then I desponded, and imagined that my discontent gave me a right to hate the world. I
Mary Wollstonecraft Shelley (The Last Man)
The little princess, like an old war horse that hears the trumpet, unconsciously and quite forgetting her condition, prepared for the familiar gallop of coquetry, without any ulterior motive or any struggle, but with naive and lighthearted gaiety.
Leo Tolstoy (War and Peace)
Pretty, but badly dressed," breath of an oracle which had passed by her and vanished after depositing in her heart one of the two germs which must afterwards fill the whole life of the woman, coquetry. Love is the other.
Victor Hugo (Les Misérables)
Coquetry depends on developing a pattern to keep the other person off balance. The strategy is extremely effective. Experiencing a pleasure once, we yearn to repeat it; so the Coquette gives us pleasure, then withdraws it.
Robert Greene (The Art of Seduction)
Even from the point of view of coquetry, pure and simple," he had told her, "can't you see how much of your attraction you throw away when you stoop to lying?
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
The air was full of human essence, of artificial enticement, of coquetry, indolence, pleasure — the man-made sense of existence.
O. Henry (Delphi Complete Works of O. Henry (Illustrated))
A Turk for toughness, for hands that never tire; An Indian for her rounded bosom bursting with milk; A Persian for her tight crotch and her coquetry; An Uzbeg to thrash as a lesson for the three.
Khushwant Singh (Delhi: A Novel)
At least it was not I who ever encouraged you in that hope, Fernand," replied Mercedes; "you cannot reproach me with the slightest coquetry. I have always said to you, 'I love you as a brother; but do not ask from me more than sisterly affection, for my heart is another's.' Is not this true, Fernand?
Alexandre Dumas (The Count of Monte Cristo)
To such perseverance in willful self-deception Elizabeth would make no reply, and immediately and in silence withdrew; determined, that if he persisted in considering her repeated refusals as flattering encouragement, to apply to her father, whose negative might be uttered in such a manner as must be decisive, and whose behavior at least could not be mistaken for the affectation and coquetry of an elegant female.
Jane Austen (Pride and Prejudice)
Make your targets afraid that you may be with-drawing, that you may not really be interested, and you arouse their innate insecurity, their fear that as you have gotten to know them they have become less exciting to you. These insecurities are devastating. Then, once you have made them uncertain of you and of themselves, reignite their hope, making them feel desired again. Hot and cold, hot and cold—such coquetry is perversely pleasurable, heightening interest and keeping the initiative on your side. Never be put off by your target’s anger; it is a sure sign of enslavement.
Robert Greene (The Art of Seduction)
How dare you touch him, any of you? How dare you cast eyes on him when I had forbidden it? Back, I tell you all! This man belongs to me! Beware how you meddle with him, or you'll have to deal with me." The fair girl, with a laugh of ribald coquetry, turned to answer him. "You yourself never loved. You never love!" On this the other women joined, and such a mirthless, hard, soulless laughter rang through the room that it almost made me faint to hear. It seemed like the pleasure of fiends.
Bram Stoker (Dracula)
Oh, maybe it started innocently, with a joke, with coquetry, with amorous play, maybe, indeed, with an atom, but this atom of lie penetrated their hearts, and they liked it. Then sensuality was quickly born, sensuality generated jealousy, and jealousy - cruelty. . . Oh, I don’t know, I don’t remember, but soon, very soon, the first blood was shed; they were astonished and horrified, and began to part, to separate. Alliances appeared, but against each other now. Rebukes, reproaches began. They knew shame, and shame was made into a virtue. The notion of honor was born, and each alliance raised its own banner. They began tormenting animals, and the animals withdrew from them into the forests and became their enemies. There began the struggle for separation, for isolation, for the personal, for mine and yours. They started speaking different languages. They knew sorrow and came to love sorrow, they thirsted for suffering and said that truth is attained only through suffering. Then science appeared among them.
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
Yes, yes, it ended in my corrupting them all! How it could come to pass I do not know, but I remember it clearly. The dream embraced thousands of years and left in me only a sense of the whole. I only know that I was the cause of their sin and downfall. Like a vile trichina, like a germ of the plague infecting whole kingdoms, so I contaminated all this earth, so happy and sinless before my coming. They learnt to lie, grew fond of lying, and discovered the charm of falsehood. Oh, at first perhaps it began innocently, with a jest, coquetry, with amorous play, perhaps indeed with a germ, but that germ of falsity made its way into their hearts and pleased them. Then sensuality was soon begotten, sensuality begot jealousy, jealousy—cruelty . . . Oh, I don't know, I don't remember; but soon, very soon the first blood was shed. They marvelled and were horrified, and began to be split up and divided. They formed into unions, but it was against one another. Reproaches, upbraidings followed. They came to know shame, and shame brought them to virtue. The conception of honour sprang up, and every union began waving its flags. They began torturing animals, and the animals withdrew from them into the forests and became hostile to them. They began to struggle for separation, for isolation, for individuality, for mine and thine. They began to talk in different languages. They became acquainted with sorrow and loved sorrow; they thirsted for suffering, and said that truth could only be attained through suffering. Then science appeared. As they became wicked they began talking of brotherhood and humanitarianism, and understood those ideas. As they became criminal, they invented justice and drew up whole legal codes in order to observe it, and to ensure their being kept, set up a guillotine. They hardly remembered what they had lost, in fact refused to believe that they had ever been happy and innocent. They even laughed at the possibility o this happiness in the past, and called it a dream. They could not even imagine it in definite form and shape, but, strange and wonderful to relate, though they lost all faith in their past happiness and called it a legend, they so longed to be happy and innocent once more that they succumbed to this desire like children, made an idol of it, set up temples and worshipped their own idea, their own desire; though at the same time they fully believed that it was unattainable and could not be realised, yet they bowed down to it and adored it with tears! Nevertheless, if it could have happened that they had returned to the innocent and happy condition which they had lost, and if someone had shown it to them again and had asked them whether they wanted to go back to it, they would certainly have refused. They answered me: "We may be deceitful, wicked and unjust, we know it and weep over it, we grieve over it; we torment and punish ourselves more perhaps than that merciful Judge Who will judge us and whose Name we know not. But we have science, and by the means of it we shall find the truth and we shall arrive at it consciously. Knowledge is higher than feeling, the consciousness of life is higher than life. Science will give us wisdom, wisdom will reveal the laws, and the knowledge of the laws of happiness is higher than happiness.
Fyodor Dostoevsky (The Dream of a Ridiculous Man, and the Little Orphan)
...mistaken for the affectation and coquetry of an elegant female.
Jane Austen (Pride & Prejudice)
coquetry came into her mind, and the love
Louisa May Alcott (Little Women)
A Bohemian life, filled with poetry, it cuts like a knife, without coquetry!
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
after depositing in her heart one of the two germs which are destined, later on, to fill the whole life of woman, coquetry. Love is the other.
Victor Hugo
coquetry runs in her blood, blends with her brains, and seasons the marrow of her bones.
Charlotte Brontë (Jane Eyre)
Her look at him was now as aggressive as his had been. ‘It’s all very well for you, you’re a man,’ she said bitterly, and entirely without coquetry; but he said flippantly, even suggestively, ‘It will be all quite well for you too!
Doris Lessing (Martha Quest)
The source of love, as I learned later, is a curiosity which, combined with the inclination which nature is obliged to give us in order to preserve itself. […] Hence women make no mistake in taking such pains over their person and their clothing, for it is only by these that they can arouse a curiosity to read them in those whom nature at their birth declared worthy of something better than blindness. […] As time goes on a man who has loved many women, all of them beautiful, reaches the point of feeling curious about ugly women if they are new to him. He sees a painted woman. The paint is obvious to him, but it does not put him off. His passion, which has become a vice, is ready with the fraudulent title page. ‘It is quite possible,’ he tells himself, ‘that the book is not as bad as all that; indeed, it may have no need of this absurd artifice.’ He decides to scan it, he tries to turn over the pages—but no! the living book objects; it insists on being read properly, and the ‘egnomaniac’ becomes a victim of coquetry, the monstrous persecutor of all men who ply the trade of love. You, Sir, who are a man of intelligence and have read these least twenty lines, which Apollo drew from my pen, permit me to tell you that if they fail to disillusion you, you are lost—that is, you will be the victim of the fair sex to the last moment of your life. If that prospect pleases you, I congratulate you
Giacomo Casanova (History of My Life, Vols. I & II)
In the woodblock prints of the Genroku period one often finds the features of a pair of lovers to be surprisingly similar, with little to distinguish the man from the woman. The universal ideal of beauty in Greek sculpture likewise approaches a close resemblance between the male and female. Might this not be one of the secrets of love? Might it not be that through the innermost recesses of love there courses an unattainable longing in which both the man and the woman desire to become the exact image of the other? Might not this longing drive them on, leading at last to a tragic reaction in which they seek to attain the impossible by going to the opposite extreme? In short, since their mutual love cannot achieve a perfection of mutual identity, is there not a mental process whereby each of them tries instead to emphasize their points of dissimilarity—the man his manliness and the woman her womanliness—and uses this very revolt as a form of coquetry toward the other? Or if they do achieve a similarity, it unfortunately lasts for only a fleeting moment of illusion. Because, as the girl becomes more bold and the boy more shy, there comes an instant at which they pass each other going in opposite directions, overshooting their mark and passing on beyond to some point where the mark no longer exists.
Yukio Mishima (Confessions of a Mask)
The term ‘female’ is derogatory not because it emphasises woman’s animality, but because it imprisons her in her sex; and if this sex seems to man to be contemptible and inimical even in harmless dumb animals, it is evidently because of the uneasy hostility stirred up in him by woman. Nevertheless he wishes to find in biology a justification for this sentiment. The word female brings up in his mind a saraband of imagery – a vast, round ovum engulfs and castrates the agile spermatozoan; the monstrous and swollen termite queen rules over the enslaved males; the female praying mantis and the spider, satiated with love, crush and devour their partners; the bitch in heat runs through the alleys, trailing behind her a wake of depraved odours; the she-monkey presents posterior immodestly and then steals away with hypocritical coquetry; and the most superb wild beasts – the tigress, the lioness, the panther – bed down slavishly under the imperial embrace of the male. Females sluggish, eager, artful, stupid, callous, lustful, ferocious, abased – man projects them all at once upon woman.
Simone de Beauvoir (The Second Sex)
determined, if he persisted in considering her repeated refusals as flattering encouragement, to apply to her father, whose negative might be uttered in such a manner as to be decisive, and whose behavior at least could not be mistaken for the affectation and coquetry of an elegant female.
Jane Austen (Pride and Prejudice)
You will find that the woman who is really kind to dogs is always one who has failed to inspire sympathy in men. For the attractive woman, dogs are mere dumb and restless brutes—possibly dangerous, certainly soulless. Yet will coquetry teach her to caress any dog in the presence of a man enslaved by her.
Max Beerbohm (Zuleika Dobson, or, an Oxford love story)
Yes, my dear young gentleman, how could people like us who are brought up on the culture of the tube and the internet understand delicate and subtle matters like the styles and ways of coquetry? But young sir, I meant that we really needed to develop some sense, some understanding about our kukaram, our evil deeds …
Shamsur Rahman Faruqi (The Mirror of Beauty)
It is a very serious thing indeed: Nine times in ten ’tis but caprice or fashion, Coquetry, or a wish to take the lead, The pride of a mere child with a new sash on. Or wish to make a rival’s bosom bleed: But the {tenth} instance will be a tornado, For there’s no saying what they will or may do.” {—Lord Byron,} Don Juan, canto xii. stanza 77.]
François de la Rochefoucauld (Reflections: Or, Sentences and Moral Maxims)
Being a woman, I have found the road rougher than had I been born a man. Different defenses, different codes of ethics, different approaches to problems and personalities are a woman's lot. I have preferred to shun what is known as feminine wiles, the subterfuge of subtlety, reliance on tears and coquetry to shape my way. I am forthright, often blunt. I have learned to be a realist despite my romantic, emotional nature. I have no illusions that age, the rigors of my profession, disappointments, and unfulfilled dreams have not left their mark. I am proud that I have carved my path on earth almost entirely by my own efforts, proud that I have compromised in my career only when I had no other recourse, when financial or contractual commitments dictated. Proud that I have never been involved in a physical liaison unless I was deeply attracted or in love. Proud that, whatever my worldly goods may be, they have been achieved by my own labors.
Joan Fontaine (No Bed of Roses: An Autobiography)
We haven’t beautiful dresses trimmed with lace; we don’t shake our sleeves like this, or twist our bodies like that; we don’t know how to give sidelong glances, and turn our eyes,” said Charlotte, mimicking the air, and attitude, and glances of the marquise. “We haven’t that head voice, nor the interesting little cough, heu! heu! which sounds like the sigh of a spook; we have the misfortune of being healthy and robust, and of loving our friends without coquetry; and when we look at them, we don’t pretend to stick a dart into them, or to watch them slyly; we can’t bend our heads like a weeping willow, just to look the more interesting when we raise them — this way.
Honoré de Balzac (Works of Honore de Balzac)
The first symptom of true love in a young man is timidity; in a young girl, boldness. This is surprising, yet nothing is more simple. It is the two sexes tending to approach each other and assuming, each the other’s qualities. That day, Cosette’s glance drove Marius beside himself, and Marius’ glance set Cosette to trembling. Marius went away confident, and Cosette uneasy. From that day forth, they adored each other. The first thing that Cosette felt was a confused and profound melancholy. It seemed to her that her soul had become black since the day before. She no longer recognized it. The whiteness of soul in young girls, which is composed of coldness and gayety, resembles snow. It melts in love, which is its sun. Cosette did not know what love was. She had never heard the word uttered in its terrestrial sense. She did not know what name to give to what she now felt. Is any one the less ill because one does not know the name of one’s malady? She loved with all the more passion because she loved ignorantly. She did not know whether it was a good thing or a bad thing, useful or dangerous, eternal or temporary, allowable or prohibited; she loved. She would have been greatly astonished, had any one said to her: ‘You do not sleep? But that is forbidden! You do not eat? Why, that is very bad! You have oppressions and palpitations of the heart? That must not be! You blush and turn pale, when a certain being clad in black appears at the end of a certain green walk? But that is abominable!’ She would not have understood, and she would have replied: ‘What fault is there of mine in a matter in which I have no power and of which I know nothing?’ It turned out that the love which presented itself was exactly suited to the state of her soul. It was admiration at a distance, the deification of a stranger. It was the apparition of youth to youth, the dream of nights become a reality yet remaining a dream, the longed-for phantom realized and made flesh at last, but having as yet, neither name, nor fault, nor spot, nor exigence, nor defect; in a word, the distant lover who lingered in the ideal, a chimaera with a form. Any nearer and more palpable meeting would have alarmed Cosette at this first stage, when she was still half immersed in the exaggerated mists of the cloister. She had all the fears of children and all the fears of nuns combined. The spirit of the convent, with which she had been permeated for the space of five years, was still in the process of slow evaporation from her person, and made everything tremble around her. In this situation he was not a lover, he was not even an admirer, he was a vision. She set herself to adoring Marius as something charming, luminous, and impossible. As extreme innocence borders on extreme coquetry, she smiled at him with all frankness. Every day, she looked forward to the hour for their walk with impatience, she found Marius there, she felt herself unspeakably happy, and thought in all sincerity that she was expressing her whole thought when she said to Jean Valjean:— ‘What a delicious garden that Luxembourg is!’ Marius and Cosette were in the dark as to one another. They did not address each other, they did not salute each other, they did not know each other; they saw each other; and like stars of heaven which are separated by millions of leagues, they lived by gazing at each other. It was thus that Cosette gradually became a woman and developed, beautiful and loving, with a consciousness of beauty and in ignorance of love.
Victor Hugo
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
The sight of that dear form was unexpected, it had appeared unhoped-for, without giving him time to compose his features. Joy, surprise, and admiration might have painted themselves quite openly upon his face - and just at this second it happened that Tadzio smiled. Smiled at Aschenbach, unabashed and friendly, a speaking, winning, captivating smile, with slowly parting lips. With such a smile it might be that Narcissus bent over the mirroring pool, a smile profound, infatuated, lingering, as he put out his arms to the reflection of his own beauty; the lips just slightly pursed, perhaps half-realizing his own folly in trying to kiss the cold lips of his shadow—with a mingling of coquetry and curiosity and a faint unease, enthralling and enthralled.
Thomas Mann (Death in Venice and Other Stories)
It is a mortifying circumstance, which greatly perplexes many a painstaking philosopher, that nature often refuses to second his most profound and elaborate efforts; so that often after having invented one of the most ingenious and natural theories imaginable, she will have the perverseness to act directly in the teeth of his system, and flatly contradict his most favorite positions. This is a manifest and unmerited grievance, since it throws the censure of the vulgar and unlearned entirely upon the philosopher; whereas the fault is not to be ascribed to his theory, which is unquestionably correct, but to the waywardness of Dame Nature, who, with the proverbial fickleness of her sex, is continually indulging in coquetries and caprices, and seems really to take pleasure in violating all philosophic rules, and jilting the most learned and indefatigable of her adorers.
Washington Irving (Knickerbocker's History of New York, Complete)
The only real grounds for attack which the expression of Armance’s countenance could offer to her enemies was a singular look which she had at times when her mind was most detached. This fixed and profound gaze was one of extreme attention; there was nothing in it, certainly, that could shock the most severe delicacy; it suggested neither coquetry nor assurance; but no one could deny that it was singular, and, in that respect, out of place in a young person. Madame de Bonnivet’s flatterers, when they were sure of being noticed, would sometimes imitate this look, in discussing Armance among themselves; but these vulgar spirits robbed it of an element that they had never thought of noticing. “It is with such eyes,” Madame de Mali-vert said to them one day, out of patience with their malevolence, “that a pair of angels exiled among men and obliged to disguise themselves in mortal form, would gaze at one another in mutual recognition.
Stendhal (Armance (French Edition))
Her feet now safely planted on level flooring, Willow nervously smoothed her skirts before lifting her head. Turquoise eyes met deep brown. Willow's mouth dropped open in shock. "Lieutenant Numbskull?" Rider stiffened, but recovered quickly. "Freckles?" he pretended surprise. Backing up a step, his appreciative gaze raked her from head to toe. "My God! It is you!" Willow's cheecks burned beneath his conspicuous appraisal. The lieutenant's pleased grin fueled her simmering anger at Miriam's unwelcome matchmaking venture. "What are you doing here?" she huffed. Rider arched a dark brow in ironic amusement. "Is that any way to greet an old friend...Freckles?" "You two know each other?" Miriam interjected, astonished. "You might say that." Rider chuckled. Willow didn't know who she wanted to murder most, Miriam or the lieutenant. But standing here in all her ladylike spendor, she remembered his hurtful maligning of her femininity. For some inexplicable reason she felt compelled to prove that she could be every bit as feminine as any other woman. Despite her stormy emotions, her next words dripped off her lips like warm honey. "Unfortunately, Miriam"-she caressed Rider's coat sleeve and flapped her lashes outrageously-"we were never formally introduced." Rider eyed Willow's hand where it petted his arm, expecting claws to spring from her fingertips at any moment. Then he lifted his gaze to twin pools of mischief. One corner of his mouth crved in a wry grin. "What are you up to, Freckles?" His devastating smile was unnerving. Suddenly all too aware of her ineptitude at coquetry. Willow's confidence slipped a notch. Nevertheless, she was determined not to let him intimidate her. Casting him what she hoped would pass for a coy smile, she answered his question with an innocent shrug. Miriam blinked, agog at Willow s antics. "Well,ah...let me properly introduce you two. Mr. Sinclair, this is Miss Willow Vaughn. Willow, this is Mr. Rider Sinclair." Willow inclined her head with forced politeness. Rider tossed her a sly wink. Befuddled by the stratified undercurrents, Miriam sputtered. "I...ah...I'm sorry to hurry the introductions, but we really are late. My carriage is waiting out front for us. Shall we go?" "But of course." Rider held the door open, indicating they should proceed him. "Ladies..." Willow waited while he closed the door, then draped herself over his proferred arm. Miriam took his other arm and cast a warning glance at the younger woman. The girl smiled back angelically, deciding Miriam deserved to worry-just a little.
Charlotte McPherren (Song of the Willow)
In my early youth, from the moment I ceased to be under the guardianship of my relations, I began madly to enjoy all the pleasures which money could buy—and, of course, such pleasures became irksome to me. Then I launched out into the world of fashion—and that, too, soon palled upon me. I fell in love with fashionable beauties and was loved by them, but my imagination and egoism alone were aroused; my heart remained empty... I began to read, to study—but sciences also became utterly wearisome to me. I saw that neither fame nor happiness depends on them in the least, because the happiest people are the uneducated, and fame is good fortune, to attain which you have only to be smart. Then I grew bored... Soon afterwards I was transferred to the Caucasus; and that was the happiest time of my life. I hoped that under the bullets of the Chechenes boredom could not exist—a vain hope! In a month I grew so accustomed to the buzzing of the bullets and to the proximity of death that, to tell the truth, I paid more attention to the gnats—and I became more bored than ever, because I had lost what was almost my last hope. When I saw Bela in my own house; when, for the first time, I held her on my knee and kissed her black locks, I, fool that I was, thought that she was an angel sent to me by sympathetic fate... Again I was mistaken; the love of a savage is little better than that of your lady of quality, the barbaric ignorance and simplicity of the one weary you as much as the coquetry of the other. I am not saying that I do not love her still; I am grateful to her for a few fairly sweet moments; I would give my life for her—only I am bored with her...
Mikhail Lermontov (A Hero of Our Time)
coquetry
Anonymous
The dream flew through thousands of years and left in me just a sense of the whole. I know only that the cause of the fall was I. Like a foul trichina, like an atom of plague infecting whole countries, so I infected that whole happy and previously sinless earth with myself. They learned to lie and began to love the lie and knew the beauty of the lie. Oh, maybe it started innocently,with a joke, with coquetry, with amorous play, maybe, indeed, with an atom, but this atom of lie penetrated their hearts, and they liked it. Then sensuality was quickly born, sensuality generated jealousy, and jealousy - cruelty. . . Oh, I don’t know, I don’t remember, but soon, very soon, the first blood was shed; they were astonished and horrified, and began to part, to separate. Alliances appeared, but against each other now. Rebukes, reproaches began. They knew shame, and shame was made into a virtue. The notion of honor was born, and each alliance raised its own banner. They began tormenting animals, and the animals withdrew from them into the forests and became their enemies. There began the struggle for separation,for isolation, for the personal, for mine and yours. They started speaking different languages. They knew sorrow and came to love sorrow, they thirsted for suffering and said that truth is attained only through suffering. Then science appeared among them. When they became wicked, they began to talk of brotherhood and humaneness and understood these ideas. When they became criminal, they invented justice and prescribed whole codices for themselves in order to maintain it, and to ensure the codices they set up the guillotine. They just barely remembered what they had lost, and did not even want to believe that they had once been innocent and happy. They even laughed at the possibility of the former happiness and called it a dream. They couldn’t even imagine it in forms and images, but - strange and wonderful thing - having lost all belief in their former happiness, having called it a fairy tale, they wised so much to be innocent and happy again, once more, that they fell down before their hearts’ desires like children, they deified their desire,they built temples and started praying to their own idea, their own “desire,” all the while fully believing in its unrealizability and unfeasibility, but adoring it in tears and worshipping it. And yet, if it had so happened that they could have returned to that innocent and happy condition which they had lost, or if someone had suddenly shown it to them again and asked them: did they want to go back to it? - they would certainly have refused. They used to answer me: “Granted we’re deceitful,wicked and unjust, we know that and weep for it, and we torment ourselves over it,and torture and punish ourselves perhaps even more than that merciful judge who will judge us and whose name we do not know. But we have science, and through it we shall again find the truth, but we shall now accept it consciously, knowledge is higher than feelings, the consciousness of life is higher than life. Science will give us wisdom, wisdom will discover laws, and knowledge of the laws of happiness is higher than happiness.” That’s what they used to say, and after such words each of them loved himself more than anyone else, and they couldn’t have done otherwise. Each of them became so jealous of his own person that he tried as hard as he could to humiliate and belittle it in others, and gave his life to that. Slavery appeared, even voluntary slavery: the weak willingly submitted to the strong, only so as to help them crush those still weaker than themselves. Righteous men appeared, who came to these people in tears and spoke to them of their pride, their lack of measure and harmony, their loss of shame. They were derided or stoned. Holy blood was spilled on the thresholds of temples.
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
Oh, women’s god-damn coyness makes it difficult for men to probe their minds; it could be either a shield for their modesty or a shroud of their coquetry.
B.S. Murthy
patron. Mrs Lennox was a colourful figure, the daughter of an army officer from New York State, married to one of Strahan’s penurious employees, and a self-professed expert on the art of coquetry. When her first book was published, while the Dictionary was in progress, Johnson insisted on a lavish celebration at the Devil Tavern (a hostelry known for its bold sign depicting St Dunstan grabbing the Devil by the nose with a pair of tongs). He, Mrs Lennox and a party of friends commemorated the event by staying up eating hot apple pie—although presumably it was cold apple pie by the time they finished, at eight o’clock in the morning. In the Dictionary his tribute consists of eight quotations, all for words in the second half of the alphabet, from The Female Quixote (1752), a novel to which he contributed not only the dedication but also, very probably, the ending. As
Henry Hitchings (Defining the World: The Extraordinary Story of Dr Johnson's Dictionary)
She looked at him candidly, without coquetry and without fear. “I live only for you, Ross.” A breeze lifted the curtain at one of the open windows. The birds outside were quiet at last and it was dark. He kissed her again, that time on the mouth.
Winston Graham (Ross Poldark (Poldark, #1))
Ellen was so lovely that she was not merely free from the slightest shade of coquetry, she seemed on the contrary ashamed of the too evident, too violent and all-conquering influence of her beauty.
Leo Tolstoy (War and Peace (Modern Library Classics))
Ellen was so lovely that she was not merely free from the slightest shade of coquetry, she seemed on the contrary ashamed of the too evident, too violent and all-conquering influence of her beauty. She seemed to wish but to be unable to soften the effect of her beauty.
Leo Tolstoy (War and Peace (Modern Library Classics))
For myself, never encouraging any of the advances that were made to me, my lovers dropped off like the untimely shoots of spring. I did not even coquet with them; because I found, on examining myself, I could not coquet with a man without loving him a little; and I perceived that I should not be able to stop at the line of what are termed innocent freedoms, did I suffer any.
Mary Wollstonecraft (Maria: or, The Wrongs of Woman)
It’s the character of man woman chemistry that feminine tendencies catalyze male proclivities. Carried away by the euphoria of her coquetry, man begins to woo woman with hope. With her vanity thus addressed by his advances, she turns flirtatious, furthering his passion for her possession. In the excitement of the moment, should he transgress the threshold of her sensitivity, fearing she had compromised her honor, she sinks in shame. Thereafter, she withdraws from him to brood over her infirmity, and in the end, as though to atone for her moment of weakness, she cold-shoulders him altogether, making him wonder what went wrong in the midst of his conquest.
B.S. Murthy (Benign Flame: Saga of Love)
I don’t want to spoil us with the color red," he thought. Sometimes, flirtation that led to nothing was everything. The coquetry remained harmless. If fortunately ceased, momentary sparks would not be damaged by a chair-throwing, divorce-filing, property- debating future. It was one of life’s little treats to meet someone amazing, have perfect chemistry, and walk away flattered and regretful, and best of all, forever remember a stranger who was so right and yet, by then, so far away. A perfect memory tastes sweeter than an exhausting series of normal ones. People could have each other without possession. Nothing needed to last forever when good memories lasted forever.
Kristian Ventura (A Happy Ghost)
The absence of the rights of woman does not consist in the fact that she has not the right to vote, or the right to sit on the bench, but in the fact that in her affectional relations she is not the equal of man, she has not the right to abstain, to choose instead of being chosen. You say that that would be abnormal. Very well! But then do not let man enjoy these rights, while his companion is deprived of them, and finds herself obliged to make use of the coquetry by which she governs, so that the result is that man chooses ‘formally,’ whereas really it is woman who chooses. As soon as she is in possession of her means, she abuses them, and acquires a terrible supremacy.
Leo Tolstoy (The Kreutzer Sonata)
coquetry
Mary Ellis (The Lady and the Officer (Civil War Heroines #2))
The Siren must prepare for age by paying attention early on to the more psychological, less physical forms of coquetry that can continue to bring her power once her beauty starts to fade.
Robert Greene (The Art of Seduction)