Copper Hair Color Quotes

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A lion is a mammal like us; an octopus is put together completely differently, with three hearts, a brain that wraps around its throat, and a covering of slime instead of hair. Even their blood is a different color from ours; it’s blue, because copper, not iron, carries its oxygen.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
When the Devil was a woman, When Lilith wound Her ebony hair in heavy braids, And framed Her pale features all 'round With Botticelli's tangled thoughts, When she, smiling softly, Ringed all her slim fingers In golden bands with brilliant stones, When she leafed through Villiers And loved Huysmans, When she fathomed Maeterlinck's silence And bathed her Soul In Gabriel d'Annunzio's colors, She even laughed And as she laughed, The little princess of serpents sprang Out of her mouth. Then the most beautiful of she-devils Sought after the serpent, She seized the Queen of Serpents With her ringed finger, So that she wound and hissed Hissed, hissed And spit venom. In a heavy copper vase; Damp earth, Black damp earth She scattered upon it. Lightly her great hands caressed This heavy copper vase All around, Her pale lips lightly sang Her ancient curse. Like a children's rhyme her curses chimed, Soft and languid Languid as the kisses, That the damp earth drank From her mouth, But life arose in the vase, And tempted by her languid kisses, And tempted by those sweet tones, From the black earth slowly there crept, Orchids - When the most beloved Adorns her pale features before the mirror All 'round with Botticelli's adders, There creep sideways from the copper vase, Orchids- Devil's blossoms which the ancient earth, Wed by Lilith's curse To serpent's venom, has borne to the light Orchids- The Devil's blossoms- "The Diary Of An Orange Tree
Hanns Heinz Ewers (Nachtmahr: Strange Tales)
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
Francesca Lia Block (I Was a Teenage Fairy)
The surprise lay in the third niche of the high altar, on the side where the Gospels were kept. The stone shattered at the first blow of the pickax, and a stream of living hair the intense color of copper spilled out of the crypt.
Gabriel García Márquez (Of Love and Other Demons)
Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens. It proved to be a woman’s skirt. The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too. She’s altogether too shiny for a woman, he decided, and began to turn away. Which was when she tipped her face up into the light. Everything stopped. The beat of his heart, the pump of his lungs, the march of time. Seconds later, thankfully, it all resumed. Much more violently than previously. And then absurd notions roman-candled in his mind. His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.” Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.
Julie Anne Long
He looks up and up and up to get to her face. His mama's a tall lady, and he's only seven. He's overwhelmed by red. Red heels, red nails, red lips, red hair, red eyes. So help him, the boy has always thought his mama's copper-colored eyes damn near shined red. He looks into those eyes and knows she's come home funny.
Carolyn Lee Adams (Ruthless)
McGrath smoothed his hair with the flat of his hand. He was silently gazing along the copper colored pathway as though it led to a mystical place where men found answers just lying, uncovered on the warm, soft earth. A place where men knew everything and the blackness of infinity was just a ghost story told to scare children.
Mark Arundel (5th Helena Drive or The Washington Sanction)
Baldwin Montclair, as he was known in the financial markets, strode down the hall of the ground floor. His copper-colored hair gleamed in the electric light, and his muscles twitched with the quick reflexes of a born athlete. Trained to wield a sword from childhood, he had been imposing before becoming a vampire, and after his rebirth few dared to cross him.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
The man in front of me was different. His frame was that of a Caucasian Nordic, topping mine by nearly thirty centimeters, but the face was at odds. It began African, broad and deep ebony, but the color ended like a mask under the eyes, and the lower half was divided along the line of the nose, pale copper on the left, corpse white on the right. The nose was both fleshy and aquiline and mediated well between the top and bottom halves of the face, but the mouth was a mismatch of left and right sides that left the lips peculiarly twisted. Long straight black hair was combed manelike back from the forehead, shot through on one side with pure white. The hands, immobile on the metal table, were equipped with claws similar to the ones I’d seen on the giant Freak Fighter in Licktown, but the fingers were long and sensitive. He had breasts, impossibly full on a torso so overmuscled. The eyes, set in jet skin, were a startling pale green. Kadmin had freed himself from conventional perceptions of the physical. In an earlier age, he would have been a shaman; here, the centuries of technology had made him more. An electronic demon, a malignant spirit that dwelled in altered carbon and emerged only to possess flesh and wreak havoc.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
Pike heard a car door slam and once more shifted to the window. Larkin Conner Barkley had gotten out of the limo to meet her father and Kline. She had a heart-shaped face with a narrow nose that bent to the left. Copper-colored hair swirled around her head like coiling snakes. She was wearing tight shorts that started low and finished high, a green T-shirt, and had a small dog slung in a pink designer bag under her arm. It was one of those micro-dogs with swollen eyes that shivered when it was nervous. Pike knew it would bark at the wrong time and get her killed. He turned away from the window.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
She was going to plant a Japanese maple tree on top. She had already procured it, a lovely sapling with pale bark and the most elegant limbs, long and even, fine but strong. It had been one of Edward's favorite trees; the leaves were red in spring, turning by autumn to a most beautiful bright copper color, just like Lily Millington's hair. No, not Lily Millington, she corrected herself, for that had never been her real name. "Albertine," Lucy whispered, thinking back to that mild Hampstead afternoon when she had seen the shock of red in the glass house at the bottom of the garden and Mother had instructed her to take two cups of tea "in the finest china." "Your name was Albertine Bell." Birdie, to those who loved her.
Kate Morton (The Clockmaker's Daughter)
Why do you dislike Fulton so much? I do believe you’re pleased that I’m going on a picnic with an outlaw—a man you said yourself was probably just one step ahead of real trouble.” “My reasons for not liking Fulton are my own business,” Chloe replied. “You’d see what’s wrong with him for yourself if you’d just open your eyes. And I’ve changed my mind about you seeing Mr. Fairfax because Big John says he’s solid as bedrock. Fact is, I think he could bring out a side of you the rest of us have never seen.” Reflecting on the way she’d responded to Steven’s kisses, Emma dropped her eyes. “Maybe that side is better left alone,” she said, feeling a stirring of desire as well as shame. “Nonsense,” Chloe said briskly, “it’s as much a part of you as that lovely copper-colored hair of yours and your blue eyes. You’re a woman now, Emma, and it’s time you stopped trying to mold yourself into a bluestocking.” I’m terrified of that other Emma, she thought. “My mother had a passionate side,” she observed aloud. “It brought her to ruin and made her give up her own children.” “She was weak,” Chloe insisted. Emma recalled how easily Steven had been able to make her submit to him. “Perhaps I’m weak, too.” “Only where one man is concerned, I think,” was Chloe’s reply. She rose from her chair and yawned daintily. “I’ll be off to bed now. It’s been a long day.” “Good night,” Emma said, standing. Chloe kissed her cheek. “Good night, Emma, dear. And don’t stay up half the night berating yourself because some cowboy can make your knees melt. It just means you’re a normal, healthy woman, that’s all.” Emma
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
hair—very thick, with a slight wave to it, and all the colors of red and gold mixed; copper and cinnamon, auburn and amber, red and roan and rufous, all mingled together.
Diana Gabaldon (An Outlander Collection, Books 1-3 (Outlander #1-3))
Elle shifted the bags from her left arm to the right and tried—subsequently failing—to smother her smile when Darcy opened the door, this time wearing a camel-colored pencil skirt that hugged her hips, and a polka-dotted pussy-bow blouse in off-white that Darcy would probably dub something fancy like eggshell or mascarpone. On anyone else it would’ve been very blah, but the fall of Darcy’s copper hair over one shoulder and her curves made it less boring and more librarian chic. Never before had Elle met someone so pretty that it pissed her off.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
Her hair was the color of an angry sunset, and it fell to her waist in ripples of copper and red. Her steps-deliberate, prideful, measured-took her eastward along Evans Avenue through clouds of dust raised by the summertime street repair. People stared at the small, wirestrung harp she carried tucked under her arm. She did not appear to notice.
Gael Baudino (Gossamer Axe)
She was a thinner, prettier version of her mother with huge sea-green eyes and straight, long hair the color of golden copper. She hadn’t made peace with her small breasts, huge flat feet or the freckles that spilled across her pert nose but Glorie said she was nice-looking enough to have modeled for any one of the mermaid prints that hung on the walls.
Eleyne-Mari Sharp (Inn Lak'ech)
I remember when I had gowns in every color and the dishes on the tables were white to match the Colier hair. I remember when the bell in the tower was copper, its chime light and clear. Things that were once feather-light now take several men to pick up. Parts that once carried the colors of age and history now glisten as if new. Even the roses in the atrium have been gold-touched, never again to sprout a new bud or fill the air with their perfume.
Raven Kennedy (Glint (Plated Prisoner, #2))
Maester,” said Lady Melisandre, her deep voice flavored with the music of the Jade Sea. “You ought take more care.” As ever, she wore red head to heel, a long loose gown of flowing silk as bright as fire, with dagged sleeves and deep slashes in the bodice that showed glimpses of a darker bloodred fabric beneath. Around her throat was a red gold choker tighter than any maester’s chain, ornamented with a single great ruby. Her hair was not the orange or strawberry color of common red-haired men, but a deep burnished copper that shone in the light of the torches. Even her eyes were red … but her skin was smooth and white, unblemished, pale as cream. Slender she was, graceful, taller than most knights, with full breasts and narrow waist and a heart-shaped face. Men’s eyes that once found her did not quickly look away, not even a maester’s eyes. Many called her beautiful. She was not beautiful. She was red, and terrible, and red. “I … thank you, my lady.” “A man your age must look to where he steps,” Melisandre said courteously. “The night is dark and full of terrors.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
A long, black cloak with embroidered golden edges fell from his broad shoulders, and she could see the large, firm muscles rippling under the thick layer of dark damask fabric. The glistening strands of his sleek ebony hair fell across his forehead in flawless disarray, accentuating the amazing bone structure of his harmoniously proportional face. The copper-colored rings around his charcoal irises shone brighter than ever. His gaze was positively hypnotic. Everything about him radiated ethereal sophistication and supernatural dominance. Just as the rumors had said, this man was no human emperor. He was an omnipotent, divine creature that breathed complete perfection.
Astrid Jane Ray (The Queen of Aessarion)
The layers of his gleaming black hair were thick and neatly cut, and his tanned face glowed from a precise shave. He had a long, straight nose and a voluptuary's mouth. And he had a pair of remarkable blue eyes that approximated no other shade she had ever seen. Except, perhaps, at the shop where the local chemist made batches of ink by boiling Indigofera plants and copper sulfate together for days until they formed a blue so dark and deep that it approached violet. And yet his eyes did not have the angelic quality one might associate with such a color. They were shrewd, seasoned, as if he had gazed far too often at an unsavory side of life that she herself had never seen.
Lisa Kleypas (Suddenly You)
As Lara stared in the square Queen Anne mirror poised on the chest of drawers in her room, it seemed that the atmosphere changed, the air suddenly heavy and pressing. It was so quiet in the cottage that she could hear her own mad heartbeat. She caught sight of something in the mirror, a deliberate movement that paralyzed her. Someone had entered the cottage. Skin prickling, Lara stood in frozen silence and stared into the mirror as another reflection joined her own. A man's bronzed face... short, sun-streaked brown hair... dark brown eyes... the hard, wide mouth she remembered so well. Tall... massive chest and shoulders... a physical power and assurance that made the room seem to shrink around him. Lara's breath stopped. She wanted to run, to cry out, faint, but it seemed that she had been turned to stone. He stood just behind her, his head and shoulders looming far above hers. His gaze held hers in the mirror... The eyes were the same color, yet... he had never looked at her like this, with an intensity that made every inch of her skin burn. His was the hard gaze of a predator. She shook in fright as his hands moved gently to her hair. One by one he slipped the confining pins from the shining sable mass, and set them on the dresser before her. Lara watched him, quivering with each light tug on her hair. "It's not true," she whispered. He spoke in Hunter's voice, deep and slightly raspy. "I'm not a ghost, Lara." She tore her gaze from the mirror and stumbled around to face him. He was so much thinner, his body lean, almost rawboned, his heavy muscles thrown into stark prominence. His skin was tanned to a copper blaze that was far too exotic for an Englishman. And his hair had lightened to the mixed gold and brown of a griffin's feathers.
Lisa Kleypas (Stranger in My Arms)
Tarabelle was sixteen and almost as tall as Mama. She had long, jet black hair, a copper-colored complexion, and the cold, black eyes of a dead poker player. I had never seen the eyes of a dead person - in fact, I had never seen a poker game - but I had heard that poker faces were expressionless, and I knew that dead people showed no emotion. That was Tarabelle. She stepped back, regarded our mother with those cold black eyes. Her mouth twitched as if she might smile, but I knew better.
Delores Phillips (The Darkest Child)
It couldn’t be. Devon was supposed to be in London! It was a trick of her imagination…a hallucination. Except that the air was hot and humid, spiced with the fragrance that was unmistakably his…a spicy, clean incense of skin and soap. Apprehensively Kathleen parted her fingers just enough to peek through them. Devon was reclining in the copper tub, looking at her in sardonic inquiry. Hot mist rose around him in a smoke-colored veil. Droplets of water clung to the tautly muscled slopes of his arms and shoulders, and sparkled in the dark fleece of hair on his chest. Kathleen whirled to face the door, her thoughts scattering like the pins in a game of skittles. “What are you doing here?” she managed to ask. His tone was caustic. “I received your summons.” “My…my…you mean the telegram?” It was difficult to pull a coherent thought from the wreckage of her brain. “That wasn’t a summons.” “It read like one.” “I didn’t expect to see you so soon. Certainly not so much of you!” She went crimson as she heard his low laugh.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Thank you for your call yesterday,” she said shyly. “And for the beautiful posy.” “Hardly enough to convey my gratitude,” he said. She had not, of course, supposed the flowers were meant as anything more than an expression of thanks. “We’ll inquire about the Bromyard woman at the Antlers,” she said, grasping at a practical topic. “I have high hopes of her.” “The dahlias reminded me of your hair,” he said pensively. “That deep copper color. Only a little darker.” “Oh,” Callie said. She lifted her skirt and stepped over a tuft of grass. “I do hope she knows how to cook. Truly cook, you know. Something that your mother would like.” “And the roses—pretty and pale, with a flush of pink. Very like your cheeks when you blush.” “A blancmange, perhaps,” Callie said brightly. “Or a custard.” “Your cheeks are nothing like a blancmange, I assure you, my lady. And certainly not a custard.” “A blancmange would be the true test of her skill,” Callie said with difficulty. “I think we should ask her to make a blancmange.” “They’re the classic strawberries and cream. Very English.” “Any sort of fruit trifle would make a good test, I agree,” she said hastily. “But strawberries are out of season.” “Indeed, but they aren’t,” he said.
Laura Kinsale (Lessons in French)