Cop Land Quotes

We've searched our database for all the quotes and captions related to Cop Land. Here they are! All 65 of them:

We shall never understand the natural environment until we see it as a living organism. Today you can murder land for private profit. You can leave the corpse for all to see and nobody calls the cops.
Paul Brooks
Writing is a cop-out. An excuse to live perpetually in fantasy land, where you can create, direct and watch the products of your own head. Very selfish.
Monica Dickens
I once defenestrated a guy. The cops got all pissed off at me. I was drunk, but they said that was no excuse." "Ah well," Virgil said. Then, "The guy hurt bad?" "Cracked his hip. Landed on a Prius. Really fucked up the Prius, too." "I can tell you, just now is the only time in my life I ever heard 'defenestration' used in a sentence," Virgil said. "It's a word you learn after you done it," Morton said. "Yup. The New Prague AmericInn, 2009." Virgil was amazed. "Really? The defenstration of New Prague?
John Sandford (Mad River (Virgil Flowers, #6))
A word of advice about Ricky ..." Gabriel said as he swung his car from the end of the drive. "Is it going to cost me?" I waved off his answer. "Whatever you're going to say, save your breath." "I overheard him offering you a ride on his motorcycle. I don't believe you understand what that entails." "Grass, gas, or ass. No one rides for free." I looked over at him. "I've seen the T-shirt." "I don't think you're taking this seriously, Olivia. Do you know what a one-percenter is?" I sighed. "Yes, Gabriel. It refers to the portion of bikers who belong to a professional motorcycle club. A gang. Ricky is one. As such, I'm going to guess that the only women who get to ride his bike are also riding him. Am I right?" His mouth tightened as if he didn't appreciate the crass phrasing. "I'm afraid you're under some illusions about Ricky because he does not fit the stereotype." "Oh, I'm not fooled. He may appear to be the heir to a criminal empire, but he's really an undercover cop, working tirelessly to overthrow his father's evil empire and restore justice and goodness to the land." I glanced over. "Am I close?" Not even a hint of a smile.
Kelley Armstrong (Omens (Cainsville, #1))
In America today you can murder land for private profit. You can leave the corpse for all to see, and nobody calls the cops.
Paul Brooks
The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.
Jay-Z (Decoded)
McConnell raised his hand like a traffic cop and said, “You must be under the mistaken impression that I care.
Barack Obama (A Promised Land)
Rent goes up and up and up. The family-owned boedgas keep on closing, replaced by artisanal cupcake shops and overpriced organic grocery stores whose customers hurry past the homeless and the flowers laid on street corners for Black boys shot by the cops. Some people go their whole lives in New York shutting their eyes to the fact that this city was built for the people who took this land from the Lenape.
Zeyn Joukhadar (The Thirty Names of Night)
cops have been calling about a stolen copy of Tamerlane. She takes the book from her bag and hands it to me. I throw it back at her. ‘What am I going to do with this?’ Marian Wallace just shakes her head. The book lands on the floor, and the little
Gabrielle Zevin (The Storied Life of A.J. Fikry)
You rarely saw the celebs protesting anything of substance. The Glades weren't a sexy enough cause, but give the latest blonde-haired twenty-something who'd just hit it big on TV six or seven horn-tailed, red-spotted, sticky-beaked, pigeon-toed, multi-striped tree-owls who might occasionally fly over the two-mile zone pumping millions of barrels of oil out of the ground, and suddenly she began to feel a stronger connection to the land than the Ancient Ones, the Anasazi. Two months later of course, the only red-spotted, sticky-beaked creature in sight would be the little blonde's flush face when she made it on TMZ for failing a breathalyzer test and cursing the cop arresting her, shouting the typical Hollywood star mantra: "Don't you know who I am?
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
Carole King sings on the radio. A white cop beams a light through the window. The little boy’s father is dragged out of the car.” He yells, punching the wind with his words. “Crunching. Beating. Screaming. ‘Shut the fuck up, Injun, go back to your land!’ ‘This is my land!’ ‘Don’t you talk back to us!’” Pools of sweat drip from his forehead. “More screaming. Crunching. Beating. The little boy crawls in the back seat, curls up, cries. The cops drive away. A huge dust cloud blows all around the father and son. The little boy opens the back door. He looks down. His father lies in a river of blood. His eyes, dilated. The little boy’s superhero was dead.
James Brandon (Ziggy, Stardust and Me)
I don't have a car," I said bitterly. "Sorry." The officer stood. "Then you'll have to go on home. We don't give free rides to the station." "Oh yeah?" I said. Then, fast as lightning, I swung my arm all the way around Billy D. and landed a fist smack into Big Mouth's face. His head made a satisfying thunk as it hit the metal car door behind him. I looked up at the cop. "How 'bout now?
Erin Jade Lange (Dead Ends)
McConnell seemed an unlikely Republican leader. He showed no aptitude for schmoozing, backslapping, or rousing oratory. As far as anyone could tell, he had no close friends even in his own caucus; nor did he appear to have any strong convictions beyond an almost religious opposition to any version of campaign finance reform. Joe told me of one run-in he’d had on the Senate floor after the Republican leader blocked a bill Joe was sponsoring; when Joe tried to explain the bill’s merits, McConnell raised his hand like a traffic cop and said, “You must be under the mistaken impression that I care.” But what McConnell lacked in charisma or interest in policy he more than made up for in discipline, shrewdness, and shamelessness—all of which he employed in the single-minded and dispassionate pursuit of power.
Barack Obama (A Promised Land)
Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.
James McBride (Deacon King Kong)
These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged. But down on Main Street, down on Towne and San Pedro, and for a mile on lower Fifth Street were the tens of thousands of others; they couldn't afford sunglasses or a four-bit polo shirt and they hid in the alleys by day and slunk off to flop houses by night. A cop won't pick you up for vagrancy in Los Angeles if you wear a fancy polo shirt and a pair of sunglasses. But if there is dust on your shoes and that sweater you wear is thick like the sweaters they wear in the snow countries, he'll grab you. So get yourselves a polo shirt boys, and a pair of sunglasses, and white shoes, if you can. Be collegiate. It'll get you anyway. After a while, after big doses of the Times and the Examiner, you too will whoop it up for the sunny south. You'll eat hamburgers year after year and live in dusty, vermin-infested apartments and hotels, but every morning you'll see the mighty sun, the eternal blue of the sky, and the streets will be full of sleek women you never will possess, and the hot semi-tropical nights will reek of romance, you'll never have, but you'll still be in paradise, boys, in the land of sunshine. As for the folks back home, you can lie to them, because they hate the truth anyway, they won't have it, because soon or late they want to come out to paradise, too.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
When you grow up Indian, you quickly learn that the so-called American Dream isn't for you. For you that dream's a nightmare. Ask any Indian kid: you're out just walking across the street of some little off-reservation town and there's this white cop suddenly comes up to you, grabs you by your long hair, pushes you up against a car, frisks you, gives you a couple good jabs in the ribs with his nightstick, then sends you off with a warning sneer: "Watch yourself, Tonto!" He doesn't do that to white kids, just Indians. You can hear him chuckling with delight as you limp off, clutching your bruised ribs. If you talk smart when they hassle you, off to the slammer you go. Keep these Injuns in their place, you know. Truth is, they actually need us. Who else would they fill up their jails and prisons with in places like the Dakotas and New Mexico if they didn't have Indians? Think of all the cops and judges and guards and lawyers who'd be out of work if they didn't have Indians to oppress! We keep the system going. We help give the American system of injustice the criminals it needs. At least being prison fodder is some kind of reason for being. Prison's the only university, the only finishing school many young Indian brothers ever see. Same for blacks and Latinos. So-called Latinos, of course, are what white man calls Indians who live south of the Rio Grande. White man's books will tell you there are only 2.5 million or so of us Indians here in America. But there are more than 200 million of us right here in this Western Hemisphere, in the Americas, and hundreds of millions more indigenous peoples around this Mother Earth. We are the Original People. We are one of the fingers on the hand of humankind. Why is it we are unrepresented in our own lands, and without a seat — or many seats — in the United Nations? Why is it we're allowed to send our delegates only to prisons and to cemeteries?
Leonard Peltier (Prison Writings: My Life Is My Sun Dance)
So, who are they really, these hundred thousand white supremacists? They're every white guy who believed that this land was his land, made for you and me. They're every down-on-his-luck guy who just wanted to live a decent life but got stepped on, every character in a Bruce Springsteen or Merle Haggard song, every cop, soldier, auto mechanic, steelworker, and construction worker in America's small towns who can't make ends meet and wonders why everyone else is getting a break except him. But instead of becoming Tom Joad, a left-leaning populist, they take a hard right turn, ultimately supporting the very people who have dispossessed them. They're America's Everymen, whose pain at downward mobility and whose anger at what they see as an indifferent government have become twisted by a hate that tells them they are better than others, disfigured by a resentment so deep that there are no more bridges to be built, no more ladders of upward mobility to be climbed, a howl of pain mangled into the scream of a warrior. Their rage is as sad as it is frightening, as impotent as it is shrill.
Michael S. Kimmel (Angry White Men: American Masculinity at the End of an Era)
She's selling CDs on the corner, fifty cents to any stoner, any homeboy with a boner. Sleet and worse - the weather's awful. Will she live? It's very doubtful. Life out here is never healthful. She puts a CD in her Sony. It's the about the pony and a pie with pepperoni and a mom with warm, clean hands who doesn't bring home guys from bands or make some sickening demands. The cold wind bites like icy snakes. She tries to move but merely shakes. Some thief leans down and simply takes. Her next CD's called Land Of Food. No one there can be tattooed or mumble things that might be crude and everything to eat is free, there's always a big Christmas tree and crystal bowls of potpourri. She's weak but still she play one more: She's on a beach with friends galore. They scamper down the sandy shore to watch the towering waves cascade and marvel at the cute mermaids who call to her and serenade. She can't resist. the water's fine. The rocks are like a kind of shrine. The foam goes down like scarlet wine. One cop stands up and says, "She's gone." The other shakes his head and yawns. It's barely 10:00, and life goes on.
Ron Koertge (Lies, Knives, and Girls in Red Dresses)
IS The Mansion haunted, do you think?" "Naw. There ain't no REAL haunted houses--just in the fuckin movies. But if there ever WAS one, it'd be The Mansion. I heard that a couple of years ago, two kids from Norwood Street went in there to bump uglies and the cops found em with their throats cut and all the blood drained out of their bodies. But there wasn't any blood on em or around em. Get it? The blood was ALL GONE." "You shittin me?" "Nope. But that wasn't the worst thing." "What was?" "Their hair was dead white. Both of em. And their eyes were wide open and staring, like they saw the most gross-awful thing in the world." "Aw, gimme a break.
Stephen King (The Waste Lands (The Dark Tower, #3))
In his book Shopping Malls and Other Sacred Spaces, Jon Pahl argues that the consumer aspect of American Christianity is a kind of a feel-good cop-out of deeper truths. But for those who have been hurt by the church, who have been told their bodies are unacceptable in the eyes of God, or have witnessed other’s pain perpetuated by religion, it is nothing of the sort. It’s actually freedom. And it’s freedom that has been sought and found by religious outsiders for millennia. The saints we revere like Joan of Arc and St. Francis of Assisi, were difficult nomadic outsiders who created their own religious spaces when none could be found for them. Even the model of Jesus, walking smelly and dirty in the desert with his band of fishermen, all men, was a rogue, cast out by the religious authorities. But these thoughts can be cold comfort when you are the one deemed unacceptable, deemed sinful by the very community that by its very precepts ought to love you.
Lyz Lenz (God Land: A Story of Faith, Loss, and Renewal in Middle America)
Cotter thinks he sees a path to the turnstile on the right. He drains himself of everything he does not need to make the jump. Some are still jumping, some are thinking about it, some need a haircut, some have girlfriends in woolly sweaters and the rest have landed in the ruck and are trying to get up and scatter. A couple of stadium cops are rumbling down the ramp. Cotter sheds these elements as they appear, sheds a thousand waves of information hitting on his skin. His gaze is trained on the iron bars projected from the post. He picks up speed and seems to lose his gangliness, the slouchy funk of hormones and unbelonging and all the stammering things that seal his adolescence. He is just a running boy, a half-seen figure from the streets, but the way running reveals some clue to being, the way a runner bares himself to consciousness, this is how the dark-skinned kid seems to open to the world, how the bloodrush of a dozen strides brings him into eloquence.
Don DeLillo (Underworld)
I wiped the blade against my jeans and walked into the bar. It was mid-afternoon, very hot and still. The bar was deserted. I ordered a whisky. The barman looked at the blood and asked: ‘God?’ ‘Yeah.’ ‘S’pose it’s time someone finished that hypocritical little punk, always bragging about his old man’s power…’ He smiled crookedly, insinuatingly, a slight nausea shuddered through me. I replied weakly: ‘It was kind of sick, he didn’t fight back or anything, just kept trying to touch me and shit, like one of those dogs that try to fuck your leg. Something in me snapped, the whingeing had ground me down too low. I really hated that sanctimonious little creep.’ ‘So you snuffed him?’ ‘Yeah, I’ve killed him, knifed the life out of him, once I started I got frenzied, it was an ecstasy, I never knew I could hate so much.’ I felt very calm, slightly light-headed. The whisky tasted good, vaporizing in my throat. We were silent for a few moments. The barman looked at me levelly, the edge of his eyes twitching slightly with anxiety: There’ll be trouble though, don’tcha think?’ ‘I don’t give a shit, the threats are all used up, I just don’t give a shit.’ ‘You know what they say about his old man? Ruthless bastard they say. Cruel…’ ‘I just hope I’ve hurt him, if he even exists.’ ‘Woulden wanna cross him merself,’ he muttered. I wanted to say ‘yeah, well that’s where we differ’, but the energy for it wasn’t there. The fan rotated languidly, casting spidery shadows across the room. We sat in silence a little longer. The barman broke first: ‘So God’s dead?’ ‘If that’s who he was. That fucking kid lied all the time. I just hope it’s true this time.’ The barman worked at one of his teeth with his tongue, uneasily: ‘It’s kindova big crime though, isn’t it? You know how it is, when one of the cops goes down and everything’s dropped ’til they find the guy who did it. I mean, you’re not just breaking a law, your breaking LAW.’ I scraped my finger along my jeans, and suspended it over the bar, so that a thick clot of blood fell down into my whisky, and dissolved. I smiled: ‘Maybe it’s a big crime,’ I mused vaguely ‘but maybe it’s nothing at all…’ ‘…and we have killed him’ writes Nietzsche, but—destituted of community—I crave a little time with him on my own. In perfect communion I lick the dagger foamed with God’s blood.
Nick Land (The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (An Essay in Atheistic Religion))
I backed my car into a cop car the other day Well he just drove off sometimes life's OK I ran my mouth off a bit too much oh what did I say Well you just laughed it off it was all OK And we'll all float on OK And we'll all float on OK And we'll all float on OK And we'll all float on any way Well, a fake Jamaican took every last dime with that scam It was worth it just to learn from sleight of hand Bad news comes don't you worry even when it lands Good news will work its way to all them plans We both got fired on exactly the same day Well we'll float on good news is on the way And we'll all float on OK And we'll all float on OK And we'll all float on OK And we'll all float on alright Already we'll all float on Now don't you worry we'll all float on alright Already we'll all float on alright Don't worry we'll all float on (alright already) And we'll all float on alright Already we'll all float on alright Don't worry even if things end up a bit too heavy We'll all float on alright Already we'll all float on alright Already we'll all float on OK Don't worry we'll all float on Even if things get heavy we'll all float on alright Already we'll all float on alright Don't you worry we'll all float on alright All float on
Modest Mouse
How many drinks have you had today, Livia?” She shakes her head. “Nuh-uh. This is not about me being a tiny, miniscule amount of tipsy.” Her normally precise voice stumbles over the word miniscule. “This is about you lying about your super sperm!” Well. Everyone is certainly staring at us now. I take Liv’s elbow and guide her into a corner of the room, deciding that sober Liv probably wouldn’t want to rant about sperm in front of a room of strangers. Once we get into the corner, Liv yanks her elbow out of my grasp with the unflappable dignity of the drunk. “You said you had super sperm,” she continues in a whispered hiss. “And you don’t. You have the opposite of super sperm! You have unsuper sperm, you have microsperm, you have…” Her eyes glance around as she tries to think of something especially cutting. They land on my arm, where my tattoo peeks out from under my sleeve. “You have Hydra sperm. Captain America would hate your sperm.” Whoa. “Now, let’s not say things we’re going to regret in the heat of the moment.” She growls again. “And baby, you barely know my body at all if you think my sperm is unsuper, micro, Hydra sperm.” “I do know your body, and I know about your giant, awesome cock—” “Okay, well maybe you know my body a little bit—” “—and you were supposed to get me pregnant and you didn’t.” Her eyes get glossy and her chin has the faintest tremble in it. And for some reason, seeing her chin quiver is like being punched in the chest. I can’t stand it. I’m already pulling her into my arms when she manages in a teary whisper, “I got my period this morning. I’m not pregnant.
Laurelin Paige (Hot Cop)
No-knock entries are dangerous for everyone involved—cops, suspects, bystanders. The raids usually occur before dawn; the residents are usually asleep, and then disoriented by the sudden intrusion. There is no warning, and sleepy residents may not always understand that the men breaking down their door are police. At the same time, police procedures allow terribly little room for error. Stan Goff, a retired Special Forces sergeant and SWAT trainer, says that he teaches cops to “Look at hands. If there’s a weapon in their hands during a dynamic entry, it does not matter what that weapon is doing. If there’s a weapon in their hands, that person dies. It’s automatic.” On September 13, 2000, the DEA, FBI, and local police conducted a series of raids throughout Modesto, California. By the end of the day, they had shot and killed an eleven-year-old boy, Alberto Sepulveda, as he was lying facedown on the floor with his arms outstretched, as ordered by police. In January 2011, police in Farmington, Massachusetts similarly shot Eurie Stamp, a sixty-eight-year-old grandfather, as he lay motionless on the floor according to police instructions. In the course of a May 2014 raid in Cornelia, Georgia, a flash-bang grenade landed in the crib of a nineteen-month-old infant. The explosion blew a hole in the face and chest of Bounkham Phonesavanh (“Baby Bou Bou”), covering his body with third degree burns, and exposing part of his ribcage. No guns or drugs were found in the house, and no arrests were made. Sometimes these raids go wrong before they even begin. Walter and Rose Martin, a perfectly innocent couple, both in their eighties, had their home raided by New York Police more than fifty times between 2002 and 2010. It turned out that their address had been entered as the default in the police database.
Kristian Williams (Our Enemies in Blue: Police and Power in America)
HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....
T.S. Eliot (The Waste Land Facsimile)
Instead of drugs, entire skeletons were being flushed down the john. A lion had escaped from the zoo and been eaten by a child. An old guy had blinded a traffic cop by spitting out a gallstone. A plane had crash-landed on a porn theatre, killing hundreds of lawyers. This very day Beerlight was host to a snipers' convention.
Steve Aylett
America today is not the same nation as when you were born. Depending on your age, if you were born in America, your home nation was a significantly different land than it is today:   ·                    America didn’t allow aborting babies in the womb; ·                     Same sex marriage was not only illegal, no one ever talked about it, or even seriously considered the possibility; (“The speed and breadth of change (in the gay movement) has just been breathtaking.”, New York Times, June 21, 2009) ·                    Mass media was clean and non-offensive. Think of The I Love Lucy Show or The Walton Family, compared with what is aired today; ·                    The United States government did not take $500 million dollars every year from the taxpayers and give it to Planned Parenthood, the nation’s largest abortion provider. ·                    Videogames that glorify violence, cop killing and allow gamesters who have bought millions of copies, to have virtual sex with women before killing them, did not exist. ·                    Americans’ tax dollars did not fund Title X grants to Planned Parenthood who fund a website which features videos that show a “creepy guidance counselor who gives advice to teens on how to have (safe) sex and depict teens engaged in sex.” ·                    Americans didn’t owe $483,000 per household for unfunded retirement and health care obligations (Peter G. Peterson Foundation). ·                    The phrase “sound as a dollar” meant something. ·                    The Federal government’s debt was manageable.            American Christian missionaries who have been abroad for relatively short times say they find it hard to believe how far this nation has declined morally since they were last in the country. In just a two week period, not long ago, these events all occurred: the Iowa Supreme Court declared that same sex marriage was legal in the State; the President on a foreign tour declared that “we do not consider ourselves a Christian nation…” and a day later bowed before the King of the nation that supplied most of the 9/11 terrorists; Vermont became the first State to authorize same sex marriage by legislative action, as opposed to judicial dictate; the CEO of General Motors was fired by the federal government; an American ship was boarded and its crew captured by pirates for the first time in over 200 years; and a major Christian leader/author apologized on Larry King Live for supporting California’s Proposition 8 in defense of traditional marriage, reversing his earlier position. The pace of societal change is rapidly accelerating.
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
Power relations among new people and existing owners evolve, but always as politics. Activists and unions in Los Angeles once fought off a Walmart successfully. It is not biological evolution if Walmarts grow when planted. It’s the struggle of history. Joan Didion left California, sold to McDonald’s, and chose to re-zone the ranch. Her brother, whom she worked with to do this, was a powerful lobbyist for the National Realty Committee during the time when such lobbyists pushed to deregulate mortgage underwriting. He participated in the lead-up to the crisis in mortgage-backed securities in 2008. Powerful land-owning families play a role in how we build our cities, how we claim and imagine the land. I wanted Didion to cop to her role in the process.
Steffie Nelson (Slouching Towards Los Angeles: Living and Writing by Joan Didion’s Light)
A wealthy, famous, five-foot-six, 140-pound, fifty-eight-year-old white Harvard professor who walked with a cane because of a childhood leg injury would not have been handcuffed and taken down to the station merely for being rude to a cop who’d forced him to produce some form of identification while standing on his own damn property.
Barack Obama (A Promised Land)
Elena looked in her rearview mirror and tried on a sympathetic, we’re-all-in-this-together smile. Meh. This part would be a pain in the ass. Cops and egos. Tough recipe. Add in a dollop of territorial bullshit and customary dick swinging plus the rarity of landing a single murder case let alone a double murder, and Elena expected a shitshow of epic proportions.
Harlan Coben (Run Away)
He gave me a summary: four days earlier, he said, on the evening of Friday, April 24th, a gray-white, egg-shaped craft with a strange red insignia had landed on four legs (not three), making deep imprints in the sandy, rocky soil of an empty lot with brush vegetation just south of Socorro, and setting the bushes on fire. A local cop named Lonnie Zamora had watched the whole thing and rushed to the site, thinking there might be an explosion at a nearby dynamite shack. Allen had interviewed the cop and believed him. The Air Force didn’t. Zamora had seen the object on the ground with two humanoid occupants of short stature standing next to it, but he didn’t have much time to note details because the craft had taken off on a sort of thunderous vertical bluish beam that set the vegetation on fire, before flying away horizontally.
Jacques F. Vallée (Trinity: The Best-Kept Secret)
...but when we landed on the Gold Coast the heat was a whole other thing. It was so hot it shocked us when we got off the plane. And there was Pāpā, and we had our new beginning. But of course we didn't. You can't just move somewhere else and expect the problem to change. You're the problem, and you take it with you wherever you go. Be a drug dealer and a rip off and an abuser in New Zealand, you'll be exactly the same in Australia. It was all exactly the same, and the cops started coming around to get my dad, just like they did back home.
Stan Walker (Impossible: My Story)
As an immigrant his mission had been simple. He was brought here by his parents to make money off what an important Jewish author had once termed "the American berserk." You came, they laughed at your accent on an urban playground, and then you were given your degrees and guided into battle. By which point, you were just a scab sent in to reinforce the established order. In the video, as the white policeman was draining the air from his Black victim's lungs with his knee, another cop, a Hmong immigrant, stood in front of him in a wide-open stance, daring anyone to come to the dying man's aid. He could have been a Russian, a Korean, a Gujarati. All of us, Senderovsky thought, are in service to an order that has long predated us. All of us have come to feast on this land of bondage. And all of us are useful and expendable in turn.
Gary Shteyngart (Our Country Friends)
AT: oKAYYYY, mY BROMO SAPIEN, AT: r U READY, AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE, AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING, AT: tROLLLLLLLLLLLLLLLLL, TG: dont care AT: oK, lET ME, AT: oRGANIZE MY NOTES HERE, AT: oKAYYY, AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,) AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK, AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY, AT: wHOSE, AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY AT: gOOSE, AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS, AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND, AT: wOW, oK, AT: i AM GETTING OFF THE POINT, wHICH WAS, AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN, AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE, AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN, AT: (aND THEN GOT HANDED BACK TO YOU,) AT: cAUSE THAT'S HOW HUMANS GET SERVED, AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S, AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN, AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,) AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY, AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY, AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,) AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY, AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD, AT: cOMING AT YOU THROUGH TRAFFIC, AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED, AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC, AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,) AT: (aNYTHING SEXUAL,) AT: (eRR, wHOAAAAA,) AT: (nEVERMIND,) AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE, AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,) AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING, AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE, AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE, AT: i'M IN CHARGE, cAUSE i'M CHARGING IN, AT: yOUR CHINASHOP, AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW, AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT, AT: (fUCK,) AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE, AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT, AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT, AT: sO, gIVEN THAT, lET ME BE THE FIRST, AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT, AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,
Andrew Hussie (Homestuck)
But the thing that I remember most about our first meeting was the discussion about marijuana and the changing attitudes about its use and regulation. We speculated about why there hadn’t been appreciable movement toward legalizing recreational cannabis in the southern portion of the United States. At the start of 2016, weed was legal for adult use in four states: Alaska, Colorado, Oregon, and Washington. By the end of that year, four more states had legalized the drug: California, Maine, Massachusetts, and Nevada. None of these states had a black population as high as the national average of 12 percent. By contrast, the proportion of black citizens living in many southern states is larger than the national average, and cops in these regions routinely cite the smell of cannabis as justification for stopping, searching, or detaining black people. Judge Schneider speculated that the law-enforcement community and their supporters would vigorously oppose any legislation seeking to liberalize cannabis laws because they were acutely aware that claiming to detect the weed’s odor is one of the easiest ways for officers to establish probable cause, and judges almost never question the testimony of cops. What’s worse, there have been countless cases during which officers cited the fictitious dangers posed by cannabis to justify their deadly actions. On July 6, 2016, in St. Anthony, Minnesota, officer Jeronimo Yanez shot and killed Philando Castile, a defenseless black motorist, as his girlfriend and young daughter watched helplessly. Castile informed the officer that he had a firearm on him, for which he had a permit. But within a matter of seconds, Yanez had fired seven slugs into Castile for no apparent reason. The smell of weed, Yanez claimed, constituted an apparent imminent danger. He was acquitted of manslaughter.
Carl L. Hart (Drug Use for Grown-Ups: Chasing Liberty in the Land of Fear)
In the early seventies a fog of grievance settled over the land. Never have Americans hated authorities like they did after the Vietnam War turned sour; after Watergate taught us the incorrigible venality of our elected leaders. Big government seemed omnipotent and yet incompetent; it possessed the world’s greatest military machine but it couldn’t do anything right. In the long list of groups it aimed to serve, We the People always seemed to come last. This snarling mood of disillusionment was the characteristic sensibility of the decade: the “wellsprings of trust” had been “poisoned,” two self-designated populist authors wrote back in 1972.1 They are still poisoned today. The whole country was mad as hell, to use a favorite catchphrase, and the discontent seemed to go in every direction at once. It was economic, it was political; it was racial, it was cultural; it was liberal, it was conservative. Americans despised the CIA and also the Soviet Union. We cheered for Clint Eastwood as a rule-breaking cop who blasted lowlifes even when the lawyers told him to stop … and then we cheered for Burt Reynolds as a “bandit” in a black Trans Am, the roads behind him littered with the smoking remains of the Arkansas, Mississippi, Alabama, and Georgia highway patrols. Responding to the new sensibility, our politicians tried to impress us with their humility. They courted us with soft southern accents, with tales of peanut farms and pork rinds. They posed as defenders of the people, the forgotten man, the silent majority, the great overtaxed middle, the “normal” Americans suffering the contempt of shadowy TV network elites.
Thomas Frank (The People, No: The War on Populism and the Fight for Democracy)
darted in first, my pistol up. Lori came in behind me. I scanned the shitty little apartment quickly. Bedroom, bathroom, nothing. The window was open, and I muttered “Shit” as I wedged myself onto the fire-escape landing. It was a long way down. Cops with a thing about heights shouldn’t climb around on fire escapes. But there was no choice.
James Patterson (Haunted (Michael Bennett #10))
I’ve seen a man jailed for shoplifting $11.88 worth of merchandise from Walgreens. I’ve seen a woman jailed for jaywalking and running away from cops after she’d had too much to drink. If people are incarcerated for offenses like these, then nearly all of us have broken the law in ways that would land us in jail. The difference is not our capacity to commit crimes. The difference is our ability to extricate ourselves from their consequences.
Christine Montross (Waiting for an Echo: The Madness of American Incarceration)
The solution to the tragedy of the commons isn’t to get a cop to make sure sociopaths aren’t overgrazing the land, or shunning anyone who does it, turning him into a pariah. The solution is to let a robber-baron own the land that used to be everyone’s, because once he’s running it for profit, he’ll take exquisite care to generate profit forever.” “That’s the tragedy of the commons? A fairy tale about giving public assets to rich people to run as personal empires because that way they’ll make sure they’re better managed than they would be if we just made up some rules?
Cory Doctorow (Walkaway)
They couldn’t sweat him, no matter what they did. Hey, they were gringos—no way were they going to do the kind of things to him the Mexican cops and the Federales would have done. Every Mexican gangster knows this—Los Yunaites is the land of human rights,
Luis Alberto Urrea (The Devil's Highway: A True Story)
Writing is a cop-out. An excuse to live perpetually in fantasy land, where you can create, direct and watch the products of your own head.
Monica Dickens
kilometres of tundra. Summer days north of the 60th parallel—the “land of the midnight sun”—were almost endless.
Carol Shaben (Into the Abyss: How a Deadly Plane Crash Changed the Lives of a Pilot, a Politician, a Criminal and a Cop)
Contrary to what various media hysterics had lead the public to believe over the years, most people with powers didn’t go into superheroing or supervillainy. Because most people weren’t complete fucking morons and because most powers weren’t impressive enough to give you any kind of edge over an American cop with a gun, twelve layers of body armour, and the reassuring knowledge that he would never, ever go to prison for anything he did.
T.J. Land (A Fight at the Museum)
The lights went back to the green of safety—but she stood trembling, unable to move. That’s how it works for the travel of one’s body, she thought, but what have they done to the traffic of the soul? They have set the signals in reverse—and the road is safe when the lights are the red of evil—but when the lights are the green of virtue, promising that yours is the right-of-way, you venture forth and are ground by the wheels. All over the world, she thought—those inverted lights go reaching into every land, they go on, encircling the earth. And the earth is littered with mangled cripples, who don’t know what has hit them or why, who crawl as best they can on their crushed limbs through their lightless days, with no answer save that pain is the core of existence—and the traffic cops of morality chortle and tell them that man, by his nature, is unable to walk.
Ayn Rand (Atlas Shrugged)
Joe told me of one run-in he'd had on the Senate floor after the Republican leader blocked a bill Joe was sponsoring; when Joe tried to explain the bill's merits, McConnell raised his hand like a traffic cop and said, "You must be under the mistaken impression that I care.
Barack Obama (A Promised Land)
Everything about his life that wasn’t about being an elite badass was imploding. There seemed to be only one sane option: get the hell away from other human beings. Amundson took a leave of absence from work, bought an Airstream trailer, and leased a parcel of land in the mountains near Santa Cruz. For two months, he lived in the woods and rolled back the tape on the last fourteen years of his life as a SWAT team cop, Army reservist, DEA gunslinger, and husband. He wrote an after-action review of his marriage, Your Wife Is Not Your Sister, a self-critique so detailed and unstinting that it could have been subtitled Confessions of a Knuckle-Dragger. The book, lovingly dedicated to his ex-wife, is filled with recollections of moments when he thought he was justified but later realized his behavior was thoughtless, myopic, toxic. At the end of each chapter are concrete “Action Steps” to prevent fellow knuckle-draggers from repeating his mistakes. It’s been well received in the law enforcement community.
J.C. Herz (Learning to Breathe Fire: The Rise of CrossFit and the Primal Future of Fitness)
Everything about his life that wasn’t about being an elite badass was imploding. There seemed to be only one sane option: get the hell away from other human beings. Amundson took a leave of absence from work, bought an Airstream trailer, and leased a parcel of land in the mountains near Santa Cruz. For two months, he lived in the woods and rolled back the tape on the last fourteen years of his life as a SWAT team cop, Army reservist, DEA gunslinger, and husband. He wrote an after-action review of his marriage, Your Wife Is Not Your Sister, a self-critique so detailed and unstinting that it could have been subtitled Confessions of a Knuckle-Dragger. The book, lovingly dedicated to his ex-wife, is filled with recollections of moments when he thought he was justified but later realized his behavior was thoughtless, myopic, toxic. At the end of each chapter are concrete “Action Steps” to prevent fellow knuckle-draggers from repeating his mistakes. It’s been well received in the law enforcement community. At the end of his two-month woodland retreat, Amundson realized two things. The first was that it doesn’t matter how much of a firebreather you are if you can’t cut any slack to the important people in your life. The second was that all his macho law-and-order jobs had defined him, and if he wanted to stop being That Guy, he couldn’t work that kind of job.
J.C. Herz (Learning to Breathe Fire: The Rise of CrossFit and the Primal Future of Fitness)
Other species don’t weaponize their survival advantage abilities. They survive and live. They don’t wage war. If earthworms wanted to, they could tunnel under everything above ground and pretty much sink everything. They could be lords of the land. I guess earthworms are just smarter than us…as are all the other species on Earth because they live and let live. We humans, however, used our cognitive abilities to develop nuclear weapons, slaughterhouses, chemical plants, mono cropping, and governments (military, wars). Not so smart.
Danny Nichols (Cops Don't Kill K9 Cops, Do They?: The Deadly Bad Habit Cops Don't Want You to Read About)
The Arsenal,” said Mal, “is a place for people to live and work who would be … inconvenient on land. Imagine a security concern that supplies heavily armed and unsettling persons to guard ships along the southern Kathic coast from, well.” She grinned. “Pirates. Where should those heavily armed and unsettling people live between assignments? I defy you to find a port eager to welcome forty armed mercs plus gear. Better to find a place far from shorebound gods and Craft and cops where you could stash those mercs when they’re not in use, like action figures in a box.
Max Gladstone (Wicked Problems (The Craft Wars, #2))
As though to prove her point, she pushes to her feet, standing in the deserted walkway. But just as she's reaching for the grab rail, the car jolts again. Her hand flails through the air, missing the bar, and she topples forward, body hurtling toward me. I reach out, but before I can catch her, she slams into me. Her shoulder bangs against my sternum as she tumbles onto my lap. I let out a grunt, wincing as her hand lands right on my crotch. "Oh, my God." Ada snatches her hand away, scrambling backward off me as I bend forward, breathing through the pain that radiates through my gut. “Oh, my God. Oh, my God. Oh, my God. Ewww!" she squeals. "Ew?" I turn to her, incredulous, balls aching like they've got a goddamn migraine. "You just smashed my junk, and all you can say is ew? You know, a normal person would apologize after almost dismembering someone." Ada doesn't bother looking at me, let alone apologizing as she unzips her camera bag and starts frantically digging through it. "What are you doing?" I ask. "Looking for hand sanitizer obviously." She pulls out a miniature bottle of Purell and squeezes an absurd amount into the palm of her hand. "You're ridiculous. You do realize that, right?" I can't count the number of times girls have attempted to cop a feel since Cipher aired. And here she is, acting like she contracted the bubonic plague by accidentally touching me.
Krysti Meyer (Not If I Date You First)
Who the hell is that?” Chase barks. He watches Pete’s prideful swagger all the way down the aisle until he disappears from sight. Chase looks down at me. I shrug. “He’s a friend.” “Since when do you have friends like that?” he asks. He steps toward me, and I step back, until my back is against the shelves behind me. I don’t like to be cornered, but Chase has no way of knowing that. I skitter to the side so that I’m not hemmed in. “Friends like what?” I ask. I know he’s referring to the tattoos. Pete walks by the end of the aisle and waves at us, and then he winks at me. A grin tugs at my lips. I shrug again. “He’s really very nice.” “Where did you meet him?” I can tell the truth or I can lie. But then I hear Pete one aisle over as he starts to sing the lyrics to Elvis Presley’s “Jailhouse Rock.” I grin. I can’t help it. “He’s helping out at the camp this week,” I say instead of the truth. Well, it’s sort of the truth. “Where’s he from?” Chase asks. “New York City,” I say. Pete’s song changes from Elvis to AC/DC’s “Jailbreak.” I laugh out loud this time. I can’t help it. “Your dad’s all right with you hanging out with him?” My dad is covered in tattoos, too, but most of his are hidden by his clothing. “He likes Pete,” I say. “I do, too.” Chase puts one arm on the shelf behind me and leans toward my body. I dodge him again, and he looks crossly at me. “Don’t box me in,” I warn. He holds up both hands like he’s surrendering to the cops. But he still looks curious. “So, about tomorrow,” he says. “I can’t,” I blurt out. I think I hear a quickly hissed, “Yes!” from the other side of the aisle, but I can’t be sure. Chase touches my elbow, and it makes my skin crawl. I pull my elbow back. “Don’t touch me,” I say. Suddenly, Pete’s striding down the aisle toward us. His expression is thunderous, and I step in front of him so that he has to run into me instead of pummeling Chase like I’m guessing he wants to do. I lay a hand on his chest. “You ready to go?” I ask. He looks down at me, his eyes asking if I’m all right. His hand lands on my waist and slides around my back, pulling me flush against him. He’s testing me. And I don’t want to fight him. I admit it. Chase makes my skin crawl, and Pete makes my skin tingle. It’s not an altogether pleasant sensation, but only because I can’t control it. He holds me close, one hand on the center of my back, and the other full of breath mints and assorted sundries. He steps toward Chase, and Pete and I are so close together that I have to step backward when he steps forward. I repeat my question. “You get everything?” He finally looks down at me. “I got everything I need,” he says. His tone is polite but clear and soft as butter.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
crossed her arms and stared back at him. “I really don’t have to tell you anything.” “No, you really don’t.” He pointed to the cops and detectives. “But those guys you do. And I’d have a better story prepared than the bullshit you just tried to feed me.” Myers rose. “I need to attend to some things.” “I’m sure. Calling a really good lawyer should be first on the list.” She hurried from the room and disappeared down the hall to her office. On a hunch Puller went over to the bar where one of the waiters was sitting looking exhausted. He held up his set of keys and said, “Ms. Myers asked me to get something from her car, but she was so distraught she forgot to tell me what make and model.” The man said, “Oh, it’s the blue BMW 750. License plate says ‘Grunt.’ She parks it in the back lot.” “Thanks.
David Baldacci (No Man's Land (John Puller, #4))
All this may seem trivial. But in 1997 such corruption at the bottom end of the tourism industry helped to allow a band of heavily armed jihadists to breeze their way through numerous police and army checkpoints leading to the Hatshepsut Temple, near Luxor. There they proceeded to massacre dozens of tourists and Egyptians before escaping into the desert unhindered. Before the attack, the priority of many local soldiers and cops had been to extract bribes from locals working with tour groups, smoke cigarettes, and sleep away the long hot summer afternoons in the backs of their vans.
John R. Bradley (Inside Egypt: The Land of the Pharaohs on the Brink of a Revolution)
Commons. Common land that belongs to no one. Villages had commons where anyone could bring their livestock for a day’s grazing. The tragedy part is that if the land isn’t anyone’s, then someone will come along and let their sheep eat until there’s nothing but mud. Everyone knows that that bastard is on the way, so they might as well be that bastard. Better that sheep belonging to a nice guy like you should fill their bellies than the grass going to some selfish dickhead’s sheep.” “Sounds like bullshit to me.” “Oh, it is,” Hubert, Etc said. The thing was moving in his guts, setting his balls and face tingling. “It’s more than mere bullshit. It’s searing, evil, world-changing bullshit. The solution to the tragedy of the commons isn’t to get a cop to make sure sociopaths aren’t overgrazing the land, or shunning anyone who does it, turning him into a pariah. The solution is to let a robber-baron own the land that used to be everyone’s, because once he’s running it for profit, he’ll take exquisite care to generate profit forever.” “That’s the tragedy of the commons? A fairy tale about giving public assets to rich people to run as personal empires because that way they’ll make sure they’re better managed than they would be if we just made up some rules? God, my dad must love that story.
Cory Doctorow (Walkaway)
Of the four key leaders, I knew Harry best, but I’d had my share of interactions with McConnell during my few years in the Senate. Short, owlish, with a smooth Kentucky accent, McConnell seemed an unlikely Republican leader. He showed no aptitude for schmoozing, backslapping, or rousing oratory. As far as anyone could tell, he had no close friends even in his own caucus; nor did he appear to have any strong convictions beyond an almost religious opposition to any version of campaign finance reform. Joe told me of one run-in he’d had on the Senate floor after the Republican leader blocked a bill Joe was sponsoring; when Joe tried to explain the bill’s merits, McConnell raised his hand like a traffic cop and said, “You must be under the mistaken impression that I care.” But what McConnell lacked in charisma or interest in policy he more than made up for in discipline, shrewdness, and shamelessness—all of which he employed in the single-minded and dispassionate pursuit of power.
Barack Obama (A Promised Land)
It goes without saying that humor is context dependent; jokes that work in the living room won’t necessarily land in the boardroom. At work, keep it PG-13. That means The Avengers, Jumanji, and Kindergarten Cop. If you’re at work, don’t say it unless Arnold Schwarzenegger would say it in front of a bunch of five-year-olds.
Jennifer Aaker (Humor, Seriously: Why Humor Is a Secret Weapon in Business and Life (And how anyone can harness it. Even you.))
But as he approached fifty, Kenny yearned to do something different. Someone told him that More Than Money—the same inheritors group Jeff Weissglass got involved with—was hiring an executive director. He landed the position and, in short order, discovered that his pregnant teens had at least one thing in common with these young heirs and heiresses: Society defined and stereotyped both groups by how much money they did or didn’t have. The foundations that funded adolescent pregnancy care assumed the girls were getting knocked up because they were poor, “which was not necessarily true,” Kenny says, whereas the inheritors were pegged as “entitled and spoiled and lazy—and there’s no basis for that.” The anti-inheritor bias proved so toxic that some of Kenny’s former colleagues shunned him after he took the new job. “They’re like, ‘What a sellout! What a cop-out! Why would you do that?’ ” he recalls. “What does it say about our culture that everyone wants to win the lottery in some way, shape, or form, and there’s a whole segment of our culture that hates people who win the big payout.” This is indeed a paradox. Oscar Mayer heir Chuck Collins gave away his $500,000 inheritance in 1986, when he was a young man. (Invested in the S&P 500, it would be worth about $14 million today.) He has since dedicated himself, through the Institute for Policy Studies, to educating the American public about inequality. His memoir, Born on Third Base, includes the following scene: Speaking to a crowd of about 350 people, he asks who among them feels rage toward the wealthiest 1 percent. Almost everyone raises a hand. He then asks, “How many of you wish you were in the wealthiest 1 percent?” They laugh, but again, almost everyone. “People are envious,” Kenny says. “And what you end up doing with envy is demeaning whoever it is that you envy, because they have what we think we deserve.” During his time at More Than Money, Kenny grew friendly with Paul Schervish, then the director of the Center on Wealth and Philanthropy, and when Schervish offered him the associate director job, Kenny jumped. He’d seen how inheritors grappled with their unearned fortunes. Now he wanted to better understand their parents. Havens was the numbers guy “and I was in charge of: ‘I’d like to know what these people are thinking, and nobody ever asks them.’ 
Michael Mechanic (Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All)
The cops down there were terrible, but we were living right near the Bowery, so we couldn’t expect but so much. They wouldn’t put any good cops down there—if there is such a thing as a good cop.
Claude Brown (Manchild in the Promised Land)
Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—” “Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—” “No, I want to fucking know where my shellan is!” Wrath boomed. John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report. A couple of the Brothers muttered in the background as they shook their heads. “In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.” Wrong thing to say. Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious. And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room. The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing. Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off. Talk about your couch-icopters. The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth. Wrath wasn’t finished. The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV. It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last. The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV. The Brothers just let Wrath go. It wasn’t that they were afraid of getting hurt. Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding. They just weren’t stupid. Wrath - Beth x Overnight = Psycho-hose Beast
J.R. Ward (The King (Black Dagger Brotherhood, #12))
road signs pointing to San Francisco and Las Vegas, American cop cars and sixteen lanes of traffic.
Robert Muchamore (Crash Landing (Rock War, #4))
(ha!) or what to wear (hello London wardrobe) can feel like a burden rather than a benefit. Danes specialise in stress-free simplicity and freedom within boundaries. 6. Be proud Find something that you, or folk from your home town, are really good at and Own It. Celebrate success, from football to tiddlywinks (or crab racing). Wave flags and sing at every available opportunity. 7. Value family National holidays become bonding bootcamps in Denmark and family comes first in all aspects of Danish living. Reaching out to relatives and regular rituals can make you happier, so give both a go. Your family not much cop? Start your own with friends or by using tip #3 (the sex part). 8. Equal respect for equal work Remember, there isn’t ‘women’s work’ and ‘men’s work’, there’s just ‘work’. Caregivers are just as crucial as breadwinners and neither could survive without the other. Both types of labour are hard, brilliant and important, all at the same time. 9. Play Danes love an activity for its own sake, and in the land of Lego, playing is considered a worthwhile occupation at any age. So get building. Create, bake, even draw your own Noel Edmonds caricature. Just do and make things as often as possible (the messier the better). 10. Share Life’s easier this way, honest, and you’ll be happier too according to studies. Can’t influence government policy to wangle a Danish-style welfare state? Take some of your cake round to a neighbour’s, or invite someone over to share your hygge and let the warm, fuzzy feelings flow.
Helen Russell (The Year of Living Danishly: Uncovering the Secrets of the World's Happiest Country)
inner-tube journey across the Rio Grande. She suddenly capsizes, is rescued, and then has adventures on the opposite bank. Makina is a Mexican of the present moment: constantly on the move, in space, in time, in cultures. That aspect of its being cosmopolitan seems to me the book’s value. Though the novel is portentous and incoherent in the way it chronicles the stoical Makina’s travels, this blurring also accurately represents the incomprehension of a Mexican migrant in the US. Herrera is deft in rendering the insights of an alien. The brother, reluctant to return home, admits his migrant confusion: “We forget what we came for.” Authority figures and officialdom are a menace throughout the book, with the paradox of Makina needing help in the strange land: “And what was the point of calling the cops when your measure of good fortune consisted of having them not know you exist.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
The county would grow used to hearing the wail of sirens in the middle of the night, the sound of engines and tankers crunching over gravel. The county would see landmarks go up in flames and neighbors eye one another with suspicion at the grocery store. At night, the roads would transform into a sea of checkpoints and cop cars; citizens trying to get home while Accomack turned into a police state and the county lit up around them. The county went about its business. The county burned down.
Monica Hesse (American Fire: Love, Arson, and Life in a Vanishing Land)
cut my lights and motor, fumbled a flashlight out of the glove compartment, and went out the door on the passenger’s side. The unmarked car, the absence of a siren, this dead-end deserted spot he’d directed me to— When I heard him walking I put the flash on him. He stopped dead in the beam of light. He was holding a gun, a blued-steel job. He had on a campaign hat that looked like a Ranger’s hat. His clothes didn’t look anything like a uniform except for the color. The bastard was no more a cop than I was. He brought his gun up and snapped off a shot at me just as I let go at him with the Woodsman. He turned and started to run. I put one in his ankle that brought him down with a crash. He landed all sprawled out, the gun flying off in the bushes. I got over to him fast in case he had another. When I got the flash full on him I saw it didn’t make any difference. He’d been running on reflex. The hard core of the light shone down on a round, dark hole just a hair to the right of center between his eyes. The little old Woodsman might not have the stopping power of a .38, but it gets there just the same.
Dan J. Marlowe (The Name of the Game is Death)