Cop And Robber Quotes

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I love it here in Boston and I love studying medicine. But it’s not home. Dublin is home. Being back with you felt like home. I miss my best friend. I’ve met some great guys here, but I didn’t grow up with any of them playing cops and robbers in my back garden. I don’t feel like they are real friends. I haven’t kicked them in the shins, stayed up all night on Santa watch with them, hung from trees pretending to be monkeys, played hotel, or laughed my heart out as their stomachs were pumped. It’s kind of hard to beat that.
Cecelia Ahern (Love, Rosie)
Our news bulletins were full of killings and death, so it was natural for Atal to think of coffins and graves. Instead of hide-and-seek and cops and robbers, children were now playing army vs. Taliban.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
Something as superfluous as "play" is also an essential feature of our consciousness. If you ask children why they like to play, they will say, "Because it's fun." But that invites the next question: What is fun? Actually, when children play, they are often trying to reenact complex human interactions in simplified form. Human society is extremely sophisticated, much too involved for the developing brains of young children, so children run simplified simulations of adult society, playing games such as doctor, cops and robber, and school. Each game is a model that allows children to experiment with a small segment of adult behavior and then run simulations into the future. (Similarly, when adults engage in play, such as a game of poker, the brain constantly creates a model of what cards the various players possess, and then projects that model into the future, using previous data about people's personality, ability to bluff, etc. The key to games like chess, cards, and gambling is the ability to simulate the future. Animals, which live largely in the present, are not as good at games as humans are, especially if they involve planning. Infant mammals do engage in a form of play, but this is more for exercise, testing one another, practicing future battles, and establishing the coming social pecking order rather than simulating the future.)
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
Give him Bigfoot with an AK-47, a room full of sugar-induced five-year-olds, or any supermodel on the circuit in a little black dress playing a private game of cops and robbers with his fly, and he’d be fine. Wouldn’t break a sweat. But, put him within fifty feet of Maddie Freemont? He turned into a tongue-tied, forgot-his-own-name, card-carrying member of the idiot brigade.
Kelly Moran (Under Pressure (Redwood Ridge, #5))
In many schools, teachers have been told, falsely, that there is an “opportunity zone” in which a child’s gender identification is malleable. They have used this zone to try to stamp out boyhood: banning same-sex play groups and birthday parties, forcing children to do gender-atypical activities, suspending boys who run during recess or play cops and robbers. In her book the War Against Boys, the philosopher Christina Hoff Sommers rightly calls this agenda “meddlesome, abusive and quite beyond what educators in a free society are mandated to do(172).
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
Somewhere across the interstate Exposure to the drug trade of emotions And the tsunami and typhoon of feelings Has made us all cops and robbers Of what we keep in the cavities In our chests
Iain S. Thomas (25 Love Poems for the NSA)
Consider the games that get all the attention lately: shooters,* fighting games,* and war games. They are not subtle about their love of power. The gap between these games and cops and robbers is small as far as the players are
Raph Koster (Theory of Fun for Game Design)
Cops and Robbers in 1965 England was still a kind of Ealing comedy: crimes rarely involved firearms. The denizens of F-wing were losers in a game they had been playing against the cops. In queues for exercise, the constant questions were 'What you in for, mate?', followed by 'What you reckon you'll get?' When Freddie and I responded with 'Suspicion of drug possession' and 'We're innocent, we'll get off' they would burst into laughter, offering: 'Listen, mate, they wouldn't have you in here if they had any intention of letting you off. You're living in dreamland, you are.
Joe Boyd (White Bicycles: Making Music in the 1960s)
Even the crowded movie theater trick, it turns out, breaks down when the robber is carrying a large enough sack of loot and the cops are watching every exit.
Andy Greenberg (Tracers in the Dark: The Global Hunt for the Crime Lords of Cryptocurrency)
Who are you? Are you a cop, or what? Answer, or we’ll shoot.” “I’m the one doing the shooting here! Well, I’m not, actually!” the bank robber protested. Zara patted the bank robber condescendingly on the arm. “Hmm. Of course you are. Of course you are.” The bank robber stamped the floor in frustration. “No one’s listening to me! You’re the worst hostages ever!
Fredrik Backman (Anxious People)
I was outside St. Cecelia's Rectory smoking a cigarette when a goat appeared beside me. It was mostly black and white, with a little reddish brown here and there. When I started to walk away, it followed. I was amused and delighted, but wondered what the laws were on this kind of thing. There's a leash law for dogs, but what about goats? People smiled at me and admired the goat. "It's not my goat," I explained. "It's the town's goat. I'm just taking my turn caring for it." "I didn't know we had a goat," one of them said. "I wonder when my turn is." "Soon," I said. "Be patient. Your time is coming." The goat stayed by my side. It stopped when I stopped. It looked up at me and I stared into its eyes. I felt he knew everything essential about me. We walked on. A police- man on his beat looked us over. "That's a mighty fine goat you got there," he said, stopping to admire. "It's the town's goat," I said. "His family goes back three-hundred years with us," I said, "from the beginning." The officer leaned forward to touch him, then stopped and looked up at me. "Mind if I pat him?" he asked. "Touching this goat will change your life," I said. "It's your decision." He thought real hard for a minute, and then stood up and said, "What's his name?" "He's called the Prince of Peace," I said. "God! This town is like a fairy tale. Everywhere you turn there's mystery and wonder. And I'm just a child playing cops and robbers forever. Please forgive me if I cry." "We forgive you, Officer," I said. "And we understand why you, more than anybody, should never touch the Prince." The goat and I walked on. It was getting dark and we were beginning to wonder where we would spend the night.
James Tate
For against a vast time scale, Hinduism draws a distinction the West is too familiar with- that between chronological age and psychological age. Two people, both forty-six are the same age chronologically, but psychologically one may still be a child and the other an adult. The Hindus extend this distinction to cover multiple life spans, a point we shall take up explicitly when we come to the idea of reincarnation. As a consequence we shall find men and women who play the game of desire with all the zest of nine-year-old cops and robbers; though they know little else, they will die with the sense of having lived to the full and enter their verdict that life is good. But equally, there will be others who play this game as ably, yet find its laurels paltry. Why the difference? The enthusiasts, say the Hindus, are caught in the flush of novelty, whereas the others, having played the game over and over again, seek other worlds to conquer. p18
Huston Smith (The World's Religions)
We put the dogs in a play and invited the parents, since there was no one else to be an audience. But the pets were poorly trained and failed to take direction. There were two soldiers and a fancy lady we’d dressed in a frilly padded bra. The soldiers were cowards. Deserters, basically. They ran away when we issued the battle cry. (A blaring klaxon. It went hoh-onk.) The lady urinated. “Oh, poor old thing, she has a nervous bladder!” exclaimed someone’s chubby mother. “Is that a Persian rug?” Whose mother was it? Unclear. No one would cop to it, of course. We canceled the performance. “Admit it, that was your mother,” said a kid named Rafe to a kid named Sukey, when the parents had filed out. Some of their goblets, highball glasses, and beer bottles were completely empty. Drained. Those parents were in a hurry, then. “No way,” said Sukey firmly, and shook her head. “Then who is your mother? The one with the big ass? Or the one with the clubfoot?” “Neither,” said Sukey. “So fuck you.” THE GREAT HOUSE had been built by robber barons in the nineteenth century, a palatial retreat for the green months. Our parents, those so-called figures of authority, roamed its rooms in vague circuits beneath the broad beams, their objectives murky. And of no general interest.
Lydia Millet (A Children's Bible)
Have you ever tried a role-playing game?” Richard asked me one day over lunch. “I don't know if that's any of your business, pervert.” Richard sneered. “Not sex, idiot. It's a kind of game.” “You mean like, what, Dungeons and Dragons? Wearing a cloak and pretending to cast magic spells with elves? No, I've never done that.” “I'm not talking about pretending to be a elf, dummy. Not every role-playing game is about dragons and gnomes. Some of them are about secret agents, or commandos, or anything else you can think of. A role-playing game is a natural evolution from cops and robbers or cowboys and indians into something much more structured and codified. The principle, however, is the same. A scenario creator posits a challenge, and the participants offer up ways in which they would overcome the challenge, with the creator acting as a referee, determining success or failure.” “If I checked under your bed, I wouldn't find a wizard's hat and a magic wand, would I?” Richard flicked a cracker crumb at me. “It is a tool for training your mind to approach situations analytically, and quickly find a solution to the problem.” “Okay, you win, Bilbo Baggins. Give me a challenge.
Jack Badelaire (Killer Instincts)
The bar/restaurant was still open, and there was some kind of forgettable baseball game featured there, on the large screen, with no one watching, and you could see this from the uninhabited and threadbare lobby. The young man at the front desk looked like there was no sorrow he had not experienced, and you could imagine that the pariahs of Waterbury - the convicted frauds and disgraced politicians, the collectors of serial-killer memorabilia, the embezzlers of church donations, those found guilty of exposing themselves, the mortuary assistants with suppressed necrophiliac tendencies, the sadistic gym teachers and embittered traffic cops - all settled here when they were in search of the loneliest night imaginable, and nothing made them feel better than exceedingly loud smoove playing in the lobby. If you were experiencing catecholaminergic polymorphic ventricular tachycardia, some flügelhorn soloing just might do the trick, could render you functionally unconscious in that way that hotel life can often do, unaware of any aspect of civilization that involves continuity, stability, devotion. However, it's also possible that smoove could be seen as a music that requires absolute submission to the American economy, to the need to buy and consume, and, as such, it is straight out of the robber-baron playbook, the music that can and must drive you to your knees so that you can do nothing but purchase plastic trinkets of Southeast Asian manufacture.
Rick Moody (Hotels of North America)
Why do women have this perverse talent for sneaking up on a man and whamming him over the head with some inconsequential chore when he has his mind on weightier issues?" "Because men have this perverse talent for weaseling out of the chores on the specious grounds that doing a little honest work around the place is less important than playing Cops & Robbers with Fred Ottermole.
Charlotte MacLeod (Something The Cat Dragged In (Peter Shandy, #4))
The infliction that comes with white feminist anger, with its willingness to create collateral damage, perhaps makes it less of an ‘outlaw’ emotion than we might wish. In the symbolic and material game of ‘cops and robbers’, we are often identified with the cops.
Alison Phipps (Me, Not You: The Trouble with Mainstream Feminism)
himself at the summer camp for gangbangers. Where a dude could be a dude, no mothers nagging or sisters questioning the stupid things you do, just cops, always the police showing up. My brother had signed up for an ongoing game of cops and robbers. He’d been out there for a few weeks now, but it looked like he’d really settled into his new life in the streets. Every time I saw him outside like this,
Toya Wolfe (Last Summer on State Street)
The solution to the tragedy of the commons isn’t to get a cop to make sure sociopaths aren’t overgrazing the land, or shunning anyone who does it, turning him into a pariah. The solution is to let a robber-baron own the land that used to be everyone’s, because once he’s running it for profit, he’ll take exquisite care to generate profit forever.” “That’s the tragedy of the commons? A fairy tale about giving public assets to rich people to run as personal empires because that way they’ll make sure they’re better managed than they would be if we just made up some rules?
Cory Doctorow (Walkaway)
Though I was the youngest of three boys, we did pretty much everything together. When Mando had his initiation, I was only ten and don’t remember much about that night – only that from that night on, he was no longer my fun-loving brother who would play “cops and robbers” with me.
K. Woods (Beautiful Desire (Beautiful Men Series Book 2))
You can't ride with the cops, but root for the robbers.
Supreme Court Justice Antonin Scalia
So since this generation of genre directors were forced to make what at the end of the day they considered silly stories about cowboys and cops and robbers, in order to make those sill stories mean something to them, they based them in metaphors that pertained to their own lives.
Quentin Tarantino (Cinema Speculation)
was a trust fund from his grandfather, but Robyn hadn’t known that. And he hadn’t known or realized his money had been so important to her. Grow up, Mark, stop playing cops and robbers, and do as your dad
Christie Craig (The Cop Who Stole Christmas (Tall, Hot & Texan, #2))
One day I saw my little brother Atal digging furiously in the garden. ‘What are you doing?’ I asked him. ‘Making a grave,’ he said. Our news bulletins were full of killings and death so it was natural for Atal to think of coffins and graves. Instead of hide and seek and cops and robbers, children were now playing Army vs Taliban. They made rockets from branches and used sticks for Kalashnikovs; these were their sports of terror.
Malala Yousafzai (I am Malala: The Story of the Girl Who Stood Up for Education and was Shot by the Taliban)
Commons. Common land that belongs to no one. Villages had commons where anyone could bring their livestock for a day’s grazing. The tragedy part is that if the land isn’t anyone’s, then someone will come along and let their sheep eat until there’s nothing but mud. Everyone knows that that bastard is on the way, so they might as well be that bastard. Better that sheep belonging to a nice guy like you should fill their bellies than the grass going to some selfish dickhead’s sheep.” “Sounds like bullshit to me.” “Oh, it is,” Hubert, Etc said. The thing was moving in his guts, setting his balls and face tingling. “It’s more than mere bullshit. It’s searing, evil, world-changing bullshit. The solution to the tragedy of the commons isn’t to get a cop to make sure sociopaths aren’t overgrazing the land, or shunning anyone who does it, turning him into a pariah. The solution is to let a robber-baron own the land that used to be everyone’s, because once he’s running it for profit, he’ll take exquisite care to generate profit forever.” “That’s the tragedy of the commons? A fairy tale about giving public assets to rich people to run as personal empires because that way they’ll make sure they’re better managed than they would be if we just made up some rules? God, my dad must love that story.
Cory Doctorow (Walkaway)
Not unlike the ancient cities of Sparta and Athens, the Massachusetts State Police and the Federal Bureau of Investigation were a house divided against itself. With separate missions and resources, each agency eyed the other as an unwanted stepchild in the world of cops and robbers. Neither could function without the other, and neither would admit its need for the other.
Timothy M. Burke (The Paradiso Files: Boston's Unknown Serial Killer)
I said he was a shitty agent, not a shitty politician.” Claire still couldn’t read the man’s expression. “You don’t sound like a fan.” Nolan clasped his hands together on the table. “On the surface, it seems like we’re making progress, but when I think back on the last few minutes of our conversation, I get the feeling that you’re questioning me instead of the other way around.” “You’ll make a great detective one day.” “Fingers crossed.” He flashed a grin. “I want to tell you something about the FBI.” “You always win?” “Sure, there’s that, and terrorists, of course. Kidnappers, bank robbers, pedophiles—nasty fuckers—but nuts and bolts, what we at the ol’ FBI deal in day-to-day is curiosities. Did you know that?” Claire didn’t respond. He’d clearly given this speech before. Nolan continued, “Local cops, they find something curious they can’t figure out, and they bring it to us, and we either agree that it’s curious or we don’t. And generally when we agree, it’s not just the one curious thing, it’s several curious things.” He held up his index finger. “Curious thing number one: your husband embezzled three million dollars from his company. Only three million dollars. That’s curious, because you’re loaded, right?” Claire nodded. “Curious thing number two.” He added a second finger. “Paul went to college with Quinn. He shared a dorm room with the guy, and then when they were in grad school together, they shared an apartment, and then Quinn was best man at your wedding, and then they started the business together, right?” Claire nodded again. “They’ve been best friends for almost twenty-one years, and it seemed curious to me that after twenty-one years, Quinn figures out his best buddy is stealing from their company, the one they built together from the ground up, but instead of going to his buddy and saying ‘Hey, what the fuck, buddy?’ Quinn goes straight to the FBI.” The way he put it together did seem curious, but Claire only said, “Okay.” Nolan held up a third finger. “Curious thing number three: Quinn didn’t go to the cops. He went to the FBI.” “You have domain over financial crimes.” “You’ve been reading our Web site.” Nolan seemed pleased. “But lemme ask you again: Is that what you’d do if your best friend of twenty-one years stole a small, almost negligible, amount of money from your zillion-dollar company—find the biggest, baddest stick to fuck him with?” The question gave Claire a different answer: Adam had turned in Paul to the FBI, which meant that Adam and Paul were not getting along. Either Adam Quinn didn’t know about the movies or he knew about the movies and he was trying to screw over Paul.
Karin Slaughter (Pretty Girls)
Know what’s nice about you, Lily?” he said, laughter still threading his voice. “I can’t imagine,” she snapped. “You never change.” “Neither do you. You’re as obnoxious as ever.” “That’s me. Ran on the obnoxious ticket,” he agreed complacently. “Landslide victory.” She was driving like a maniac, switching lanes as though she were in a chase scene in a cops and robbers film. Throughout, Sean remained aggravatingly relaxed. His fingers threaded behind his neck, he merely observed in a bored drawl, “By the way, we have speed limits in Coral Beach.” “Tough. I can’t get to May Ellen’s fast enough, if it means I get to be rid of you.” He sighed. “There you go, breaking my heart. I was hoping we’d have time to reminisce. No?
Laura Moore (Night Swimming: A Novel)
Broadly speaking, there seem to be two methods for developing combat forces-for successfully cajoling or coercing collections of men into engaging in the violent, profane, sacrificial, uncertain, masochistic, and essentially absurd enterprise known as war. The two methods lead to two kinds of warfare, and the distinction can be an important one. Intuitively, it might seem that the easiest (and cheapest) method for recruiting combatants would be to...enlist those who revel in violence and routinely seek it our or who regularly employ it to enrich themselves, or both. We have in civilian life a name for such people-criminals...Violent conflicts in which people like that dominate can be called criminal warfare, a form in which combatants are induced to wreak violence primarily for the fun and material profit they derive from the experience. Criminal armies seem to arise from a couple of processes. Sometimes criminals-robbers, brigands, freebooters, highwaymen, hooligans, thugs, bandits, pirates, gangsters, outlaws-organize or join together in gangs or bands or mafias. When such organizations become big enough, they can look and act a lot like full-blown armies. Or criminal armies can be formed when a ruler needs combatants to prosecute a war and concludes that the employment or impressment of criminals and thugs is the most sensible and direct method for accomplishing this. In this case, criminals and thugs essentially act as mercenaries. It happens, however, that criminals and thugs tend to be undesirable warriors....To begin with, they are often difficult to control. They can be troublemakers: unruly, disobedient, and mutinous, often committing unauthorized crimes while on (or off) duty that can be detrimental or even destructive of military enterprise.... Most importantly, criminals can be disinclined to stand and fight when things become dangerous, and they often simply desert when whim and opportunity coincide. Ordinary crime, after all, preys on the weak-on little old ladies rather than on husky athletes-and criminals often make willing and able executioners of defenseless people. However, if the cops show up they are given to flight. The motto for the criminal, after all, is not a variation of "Semper fi," "All for one and one for all," "Duty, honor, country," "Banzai," or "Remember Pearl Harbor," but "Take the money and run."... These problems with the employment of criminals as combatants have historically led to efforts to recruit ordinary men as combatants-people who, unlike criminals and thugs, commit violence at no other time in their lives.... The result has been the development of disciplined warfare in which men primarily inflict violence not for fun and profit but because their training and indoctrination have instilled in them a need to follow orders; to observe a carefully contrived and tendentious code of honer; to seek glory and reputation in combat; to love, honor, or fear their officers; to believe in a cause; to fear the shame, humiliation, or costs of surrender; or, in particular, to be loyal to, and to deserve the loyalty of, their fellow combatants.
John Mueller
All television programs are rooted in drama and conflict: good versus evil, cops versus robbers, doctors versus devastating illnesses, space explorers versus evil alien invaders. Siskel & Ebert was the first and perhaps greatest TV show in history where the struggle between the two antagonists was entirely intellectual. Tensions were never resolved with fistfights or shoot-outs, but with conversation and analysis. Hell, for the entirety of their twenty years on television, Roger and Gene clashed and quarreled without ever getting out of their seats-comfy chairs in a Chicago studio designed to look like a cozy movie theater balcony. And yet their verbal sparring matches often contained more suspense than the movies they reviewed.
Matt Singer (Opposable Thumbs: How Siskel & Ebert Changed Movies Forever)