Cop And A Half Quotes

It's time for a new National Anthem. America is divided into two definite divisions. The easy thing to cop out with is sayin' black and white. You can see a black person. But now to get down to the nitty-gritty, it's getting' to be old and young - not the age, but the way of thinking. Old and new, actually... because there's so many even older people that took half their lives to reach a certain point that little kids understand now.

Kelly looked at the cop, then sighed. “What a cluster. I take it you haven’t been killing young women and leaving their half-eaten bodies in the desert?” Adam was ticked. I could tell it even if he was looking like a reasonably calm businessman. Adam’s temper was the reason he wasn’t one of Bran’s werewolf poster boys. When angered, he often gave in to impulses he wouldn’t otherwise have given in to. “Sorry to disappoint you,” Adam told Kelly in silky tones. “But I prefer rabbits. Humans taste like pork.” And then he smiled. Kelly took an involuntary step backward. Tony gave Adam a sharp look. “Let’s not make things worse, if we can help it, gentlemen.

Great. First the anonymous call. Now letters. Body parts all over town. It was like a scavenger hunt for psychos. Running after clues with a half-deranged, serial-killer-obsessed, recovering-addict cop was not a good idea. Then again...

Okay, listen up, dudes. We have to book. Yesterday, when I find you guys are, like, AWOL? I, like, freak. Yelling at everybody–where are they, why did you let them leave–the hotel people are, like, whaaaa? Anyway, I pack up all your stuff, figuring I may never see the place again, and down in the lobby I find my man Arif. I'm, like, help me, and he takes all of our stuff to this launch–and then we're halfway across the sea when Arif gets this radio message, and he's all excited, but I don't know what he's saying until he's, like, 'POLICE!' in English. And we see these cop cars and somebody's getting a big old boat, so we're, like, sayonara, only in Indonesian, and we tool out into this boat-traffic jam to try to loose them, and I'm hearing these radio reports that are half English–there's been a fire and somebody's dead, yada yada, and I'm totally wigging out–Why did you do that? Why did you and your sister leave me in a hotel without even a note?

The precise ancestry of a black drug dealer or cop killer is irrelevant. His blackness predicts and explains his crime. He reinforces the racist presumption. It is only when that presumption is questioned that a fine analysis of ancestry is invoked. Frederick Douglass was an ordinary nigger while working the fields. But as a famed abolitionist, it was often said that his genius must derive from his white half.

My own acid-eating experience is limited in terms of total consumption, but widely varied as to company and circumstances ... and if I had a choice of repeating any one of the half dozen bouts I recall, I would choose one of those Hell's Angels parties in La Honda, complete with all the mad lighting, cops on the road, a Ron Boise sculpture looming out of the woods, and all the big speakers vibrating with Bob Dylan's "Mr. Tambourine Man." It was a very electric atmosphere. If the Angels lent a feeling of menace, they also made it more interesting ... and far more alive than anything likely to come out of a controlled experiment or a politely brittle gathering of well-educated truth-seekers looking for wisdom in a capsule. Dropping acid with the Angels was an adventure; they were too ignorant to know what to expect, and too wild to care. They just swallowed the stuff and hung on ... which is probably just as dangerous as the experts say, but a far, far nuttier trip than sitting in some sterile chamber with a condescending guide and a handful of nervous, would-be hipsters.

The two women switched to their native tongue. Kate tuned them out. She understood only half of what they were saying. As with most Americans, Dutch sounded to her more like a disease of the throat than an actual language

this morning I go to pay for breakfast and there, right there at the Kroger check-out, staring me in the face is a national magazine with your picture on the cover. Counterfeit Countess, it said. In great big, bold type: Counterfeit! Countess! Counterfeit,” he reiterated, “a word interchangeable with forgery and often associated with arrest.” Ah, yes. Patrice had called from Austin and warned me she had sold the story to Woman’s World magazine. “Last sentence?” Mittwede asked. “You know what it is?’ “No, I’ve not seen it.” “Tanya says, ‘I’m going to grow up and be a con artist.’” It had struck me as pretty funny when I said it, but Mittwede had better delivery. I think it was the hysteria. He was saying, “I remember that story. That was like a year and a half ago. You didn’t tell me you were that girl, the Dallas Countess. I already knew the story but I read it again, and I know all the cops have read it again, too. And now your picture is with Passport Services and at the check-out counter. You think federal agents don’t buy groceries? You’re fucking crazy. We’re going to be arrested.” “You maybe need to take a Valium.” “I threw them all in the fire!”   ~~~~~~

...when one considers that there are more than 750,000 police officers in the United States and that these officers have tens of millions of interactions with citizens each year, it is clear that police shootings are extremely rare events and that few officers--less than one-half of 1 percent each year--ever shoot anyone.

We gotta have a toast." Rocky on her pins, Peabody used the table for balance. She managed to raise her glass without spilling more than half its contents on Eve's head. "To the best fucking cop in the whole stinking city, who's gonna marry the sexiest sumbitch I, personally, have ever laid eyes on, and who, because she's so goddamn smart, has seen to it that I'm perman'ly attached to Homicide. Which is where any half-blind asshole could tell you I belong. So there." She downed the rest of her drink, fell backward into her chair, and grinned foolishly. "Peabody," Eve said and flicked a finger under her eyes. "I've never been more touched." "I'm shit faced. Dallas." "The evidence points to it.

New Mexico is my favorite state,” I declared as we pulled onto I-40. “I'm waiting to see it all before I decide. And by the way, your driving isn't half bad. I expected to be terrified.” “Why?” “I imagined a timid, overly cautious little angel, but you've got an impressive lead foot.” Whoops. “Your car drives so quietly,” I said, "I don't realize how fast I'm going. I'll set the cruise control from now on.” “Don't worry. I'll keep an ear out for cops,” he told me. “Will we be passing the Grand Canyon?” I asked. “I've always wanted to see it.” Kaidan pulled out the map and studied it. “It's a bit out of the way, more than an hour. But how about this? We can go on the way back, since we won't have a time crunch.” I didn't know if it was the desert air or what, but I felt at ease. I still had a thousand questions for Kaidan, but I wasn't in the mood for another heavy conversation just yet. I liked talking to him. We were still guarded, and it wasn't nearly as carefree as talking with Jay, but I was beginning to imagine keeping Kaidan in my life as a friend after this trip. Time would help us forget the kiss. My crush on him would fade. If I could stop analyzing every touch and every look, then maybe it could work. I vowed to myself at that moment: No more jealousy. No more flirting. No more lustful longing for the elusive Kaidan Rowe.

Bennie's corner of Brooklyn looked different every time Sierra passed through it. She stopped at the corner of Washington Avenue and St. John's Place to take in the changing scenery. A half block from where she stood, she'd skinned her knee playing hopscotch while juiced up on iceys and sugar drinks. Bennie's brother, Vincent, had been killed by the cops on the adjacent corner, just a few steps from his own front door. Now her best friend's neighborhood felt like another planet. The place Sierra and Bennie used to get their hair done had turned into a fancy bakery of some kind, and yes, the coffee was good, but you couldn't get a cup for less than three dollars. Plus, every time Sierra went in, the hip, young white kid behind the counter gave her either the don't-cause-no-trouble look or the I-want-to-adopt-you look. The Takeover (as Bennie had dubbed it once) had been going on for a few years now, but tonight its pace seemed to have accelerated tenfold. Sierra couldn't find a single brown face on the block. It looked like a late-night frat party had just let out; she was getting funny stares from all sides--as if she was the out-of-place one, she thought. And then, sadly, she realized she was the out-of-place one.

Chief security officer on an OPA ship was a half-assed kind of position, one part cop, one part efficiency expert, and pretty much all den mother to a crew of a thousand people with their own agendas and petty power struggles and opinions on how he should be doing his job better.

By the way," Devona asked, "how did Lazlo know to come get us?"   "I have no idea. Sometimes he just shows up when I need him."   "That's odd," she said.   I laughed. "You're a half-human vampire who's asked a zombie ex-cop to help you track down a stolen magic crystal – and you think Lazlo's odd?

In many careers, crucial decisions are deliberated in meetings with white boards and breakout sessions. Options are weighed. Exploratory committees are formed. Ideas are mulled over and then discarded. Gourmet coffee is consumed. Perhaps finger sandwiches are ordered from the catering joint down the street. The whole process can take hours, days, weeks. One of the most crucial decisions you make as a cop is Shoot or Don't Shoot. Given how quickly situations can go all sorts of wrong, you will probably have about a second and a half to deliberate before you make this call. Critics then have a lifetime to pick apart your decision over that coffee and those sandwiches.

The story of the rapper and the story of the hustler are like rap itself, two kinds of rhythm working together, having a conversation with each other, doing more together than they could do apart. It's been said that the thing that makes rap special, that makes it different both from pop music and from written poetry, is that it's built around two kinds of rhythm. The first kind of rhythm is the meter. In poetry, the meter is abstract, but in rap, the meter is something you literally hear: it's the beat. The beat in a song never stops, it never varies. No matter what other sounds are on the track, even if it's a Timbaland production with all kinds of offbeat fills and electronics, a rap song is usually built bar by bar, four-beat measure by four-beat measure. It's like time itself, ticking off relentlessly in a rhythm that never varies and never stops. When you think about it like that, you realize the beat is everywhere, you just have to tap into it. You can bang it out on a project wall or an 808 drum machine or just use your hands. You can beatbox it with your mouth. But the beat is only one half of a rap song's rhythm. The other is the flow. When a rapper jumps on a beat, he adds his own rhythm. Sometimes you stay in the pocket of the beat and just let the rhymes land on the square so that the beat and flow become one. But sometimes the flow cops up the beat, breaks the beat into smaller units, forces in multiple syllables and repeated sounds and internal rhymes, or hangs a drunken leg over the last bap and keeps going, sneaks out of that bitch. The flow isn't like time, it's like life. It's like a heartbeat or the way you breathe, it can jump, speed up, slow down, stop, or pound right through like a machine. If the beat is time, flow is what we do with that time, how we live through it. The beat is everywhere, but every life has to find its own flow. Just like beats and flows work together, rapping and hustling, for me at least, live through each other. Those early raps were beautiful in their way and a whole generation of us felt represented for the first time when we heard them. But there's a reason the culture evolved beyond that playful, partying lyrical style. Even when we recognized the voices, and recognized the style, and even personally knew the cats who were on the records, the content didn't always reflect the lives we were leading. There was a distance between what was becoming rap's signature style - the relentlessness, the swagger, the complex wordplay - and the substance of the songs. The culture had to go somewhere else to grow. It had to come home.

His hands came up to my cheeks, his mouth insistent on mine as he deepened the kiss. He had my lower lip between his teeth, giving a soft nibble while a whimper came from the back of my throat that didn't even sound like me. My nipples were tight and aching, rubbing his chest through the thin fabric of my bra. His hand slid under the fabric to cup my goosefleshed skin, his fingers rolling my nipple in a sensation so exquisite it almost hurt. "You have great boobs," he murmured against my neck. "Can I say that?" My bra was half-askew by now, one strap falling down my arm. "If my boobs are out, you're contractually obligated to say that.

Once upon a time, mystery fans had to solve puzzles on their own; now, you not only didn’t need to be the one to solve it, you didn’t even need to be hanging around on the website where someone else had solved it. An Ana Lucia flashback episode in the second season showed Jack’s father, Christian, visiting a blonde Australian woman. Not long after it aired, I saw someone on the Television Without Pity message boards passing along a theory they had read on a different site suggesting that this woman was Claire’s mother, that Christian was her father, and that Jack and Claire were unwitting half-siblings. I hadn’t connected those dots myself, but the theory immediately made sense to me. When I interviewed Cuse that summer, he mentioned Christian Shephard, and I said, “And he’s Claire’s father, too, right?” Cuse looked like he was about to have a heart attack.

As for the job itself, a lifelong crook doing part-time security work wasn't so strange. Half the cops in New York were thieving bitches first and cops second. City like this, it behooves you to embrace the fucking contradictions.

my amazement, another car beat us there. They were cuffing the offender, so it was my duty to console the “half-naked woman.” (You know—We Serve and Protect.) Turned out to be a half-naked post-operative transsexual prostitute. I guess

How long has it been, kitten? How long is ‘a little while’?” “Um, just some time.” I give her jaw a little nip, not hard, just enough to send a shudder through her. “How long?” I repeat. “Two,” she whispers. “Two weeks?” “No.” I frown, pulling away. “Two months?” She draws herself up and meets my eyes with an expression I can’t read. “It’s been two years.” My mind goes blank; her words don’t make any sense to me, don’t compute. Two years without sex? Seven hundred and thirty days? Seven hundred and thirty and a half days, scientifically speaking?

By the time Mitch got out of jail, he looked more the part than ever. The imposing teen had graduated into a towering adult, flecked with the first of many tattoos. Once out, he lasted a month and a half before the curse caught back up with him. He’d gotten a job in food distribution, mostly because he could unload four times the weight of any other guy on the truck, and because he liked physical work. He might be mentally cut out for a desk job, but he doubted he’d fit behind most desks. And everything was going smoothly—shitty apartment and shitty pay but all legally valid—until a man was beaten to death a few blocks from where his crew was unloading peaches. The cops took one look at Mitch and booked him. No bloody knuckles, and two coworkers to swear he had his arms full of fruit the whole time, and none of it mattered. Mitch went straight back to prison.

When he crossed the line into Shelby County, he removed his badge, tossing the five-point star inside the glove box. It slid against a half-empty pint of Wild Turkey he'd forgotten was in there, clinking softly, a siren call he left unanswered for the moment. He felt naked without his beloved badge but also strangely protected by the anonymity of its absence. Without the star, he would draw no undue attention, make no advertisement of his presence to any rank-and-file Brotherhood in the county, rabid dogs always on the hunt. And no word would get back to Houston, where he was stationed, that he was poking around something, unauthorized by his superiors, something he guessed he did hold an outsize interest in as a cop, as a Texan, and as a man. In fact as long as he wasn't wearing the Rangers star, they couldn't stop him from doing any damn thing. Without the badge, he was just a black man traveling the highway alone.

I’ll have to think about it, but I can do that,” Taryn said. “Of course you can,” Dannon said. “But don’t think about ways to trick them or outsmart them. Just focus on your ignorance. You don’t know anything, but you’re willing to speculate, and you’d like some information from them—to hear what they think.” “What about you and Carver?” “We can handle it,” Dannon said. “We’ve spent half our lives lying to cops, of one kind or another. Nobody else on the staff knows. Might not be a bad idea for us to stay away completely . . . unless they ask for us.” “Let’s do that,” Taryn said. “Maybe you two could start doing some advance security work.” “I’ll talk to Ron,” Dannon said. He heard high heels, and said, “Here comes Alice.

A total of 105 patrol officers died on the job in 2012. Less half of those (51) died as the result of violence, and another 48 died in traffic accidents. Between 1961 and 2012, 3,847 cops were murdered and 2,946 died in accidents—averaging about 75 murders and 58 fatal accidents in a typical year. Naturally it is not to be lost sight of that these numbers represent human lives, not widgets or sacks of potatoes. But let’s also remember that there were 4,383 fatal work injuries in 2012. As dangerous professions go, according to the Bureau of Labor Statistics, policing is not even in the top ten. In terms of total fatalities, more truck drivers are killed than any other kind of worker (741 in 2012). A better measure of occupational risk, however, is the rate of work-related deaths per 100,000 workers. In 2012, for example, it was 17.4 for truck drivers. At 15.0 deaths per 100,000, policing is slightly less dangerous than being a maintenance worker (15.7) and slightly more dangerous than supervising the gardener (14.7). The highest rate of fatalities is among loggers at 127.8 per 100,000, just ahead of fishers at 117.0. The rate for all occupations, taken together, is 3.2 per 100,000 workers. Where are the headlines, the memorials, the honor guards, and the sorrowful renderings of Taps for these workers? Where are the mayoral speeches, the newspaper editorials, the sober reflections that these brave men and women died, and that others risk their lives daily, so that we might continue to enjoy the benefits of modern society?

Every square inch of the wood-paneled walls is covered with photographs of cops, some black-and-white, some in color. Red-and-white Ws and America's Dairyland, old flaking signs for Lake Monona, Lake Mendota, and the U.P. Posters, with all kinds of beer, half-nude women holding giant mugs of it. All the color, words, images, the vibrant clutter of them, such a stark contrast to the spare tans, beiges, and wood of our home, our church, the school. My life.

The lengths we went to as a society to crush someone of such modest ambitions-Garner's big dream was to someday sit down at work-were awesome to contemplate. What happened to Garner spoke to the increasing desperation of white America to avoid having to even see, much less speak to or live alongside, people like him. Half a century after the civil rights movement, white Americans do not want to know this man. They don't want him walking in their neighborhoods. they want him moved off the corner. Even white liberals seem to, deep down inside, if the policies they advocate and the individual choices they make are any indication. The police are blamed for these deaths, and often rightly so, but the highly confrontational, physically threatening strategies cops such as Daniel Pantaleo employ draw their power from the tacit approval of upscale white voters. Whether they admit it or not, many voters would rather that Eric Garner be dead and removed from view somewhere than living and eating Cheetos on the stoop next door.

Washington’s Green River Killer. As it turned out, this prolific slayer of prostitutes was very much alive and well and living in suburban Seattle. His reason for slowing down? He’d gotten married. “Technology got me,” Gary Ridgway told cops, the verbal equivalent of an upturned middle finger. He was right. He fooled the cops for years by slackening his face and dimming the light in his eyes. No way this half-wit is a diabolical serial killer, they thought, and always, despite mounting evidence, they let him go.

He capitalized on his police department expertise by frequently writing and speaking on law enforcement themes. One of his topics was “dumb cops.” “About one-third to one-half of the policemen in this country are totally unfit to protect you or to solve crimes,” he declared sweepingly in one article. “They are emotionally unstable, low in mentality and psychologically unsound.” Even worse, he claimed that many cops on the beat were paranoiac, sadistic, and actually insane. “They’re just as dangerous as the thug who steps out from behind the

He was going to kiss her. The thought speared through her stunned mind as he closed the distance between them and brushed his warm lips over hers. The rush was like plunging from the high point of a roller coaster: sheer exhilaration, breathlessness, half a heart attack. She made a sound. She hadn't meant it to be encouraging, but it so obviously was, he kissed her deeper. Nobody kissed like Harper. God, she'd almost forgotten how he would begin slow and soft and seduce her mouth little by little until she was hopelessly lost, until she was ruthlessly conquered.

The nuclear thing is harder to figure. The United States, according to a 1998 study by the Brookings Institution, spent nearly eight trillion in today’s dollars on nukes in the last half of the twentieth century, which represents something like a third of our total military spending in the Cold War. Just the nuke budget was more than that half-century’s federal spending on Medicare, education, social services, disaster relief, scientific research (of the non-nuclear stripe), environmental protection, food safety inspectors, highway maintenance, cops, prosecutors, judges, and prisons … combined.

Today blacks are about 13 percent of the population and continue to be responsible for an inordinate amount of crime. Between 1976 and 2005 blacks committed more than half of all murders in the United States. The black arrest rate for most offenses—including robbery, aggravated assault, and property crimes—is still typically two to three times their representation in the population. Blacks as a group are also overrepresented among persons arrested for so-called white-collar crimes such as counterfeiting, fraud, and embezzlement. And blaming this decades-long, well-documented trend on racist cops, prosecutors, judges, sentencing guidelines, and drug laws doesn’t cut it as a plausible explanation.

When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!

Listen, Baxter,” Sam said. “We have crime in direct proportion to freedom. Lots of freedom, lots of crime. All I know for sure is something I’ve believed all my life. And it was verified for me in Vietnam and certified in the four and a half years I’ve been a cop. It’s that people are never more pathetic than when they’re asking themselves that absurd, ridiculous, laughable question, ‘Who am I?’” And then it was Sam’s turn to spill several drops as he tipped his glass. He paused, wiped off his moustache, pressed the nosepiece of his glasses and said, “If most people ever let themselves find the answer to that question they’d go into the toilet and slash their wrists. Because they’re nothing! The sooner you understand that, the sooner you can do police work without torturing yourself.

It was a stick-figure drawing. Two people holding hands. A thin man in black and a girl, half his height with short hair, and wide eyes. The stick-girl’s head was cocked slightly, and a small red spot marked her arm. Three similar spots, no bigger than periods, dotted the stick-man’s chest. The stick-man’s mouth was nothing more than a faint grim line. Beneath the drawing ran a single sentence: I made a friend. Victor. “You okay?” Eli blinked, felt the cop’s hand on his arm. He slid free, folded the paper, and put it in his pocket before anyone could see or say otherwise…Eli went back the way he’d come. He didn’t stop, not until he was safely in his car. In the relative privacy of the side street in Merit, he pressed his hand against the drawing in his pocket, and a phantom pain started in his stomach.

Then, suddenly, a shadowy flash came to me. Tiffany, taking an order, arguing with a girl. Shockingly, not me. Another flash, of Detective Toscano walking into Yummy’s minutes ago. Tiffany nervously kneading a coaster between her fingers. The coaster I held in my hands right now. Tiffany was scared. Why was she scared of the cop? “Hey! Space shot! You want your Coke or not?” I tried to ignore Tiffany’s screeching and hold on to the vision, but it blurred and disappeared. I grabbed my new glass from her outstretched hand. “I heard you got into an argument last night,” I said. Tiffany paled, which I never thought possible since her skin was so fake-and-bake tan. She nervously twirled a lock of her bleach blond hair around her finger. “Where did you hear that?” “Doesn’t matter where I heard it.” I took a chance and added, “But it was pretty juicy gossip, considering who she was.” Tiffany’s pale face turned to green and I involuntarily took a step back ,half expecting an Exorcist-style stream of vomit to shoot out of her gaping mouth. Instead, she narrowed her eyes and leaned closer. “Get away from me,” she growled. And then it became clear. My flash of her argument. Her fear of the detective. She’d argued with the girl who was murdered last night. And she did not want Detective Toscano to find out about it. I stepped away from the bar, giddy with my new knowledge. I had the upper hand on Tiffany Desposito. I could torture her with this. Drag it out. Hold it over her head for days, even weeks. “It’s too bad you’re not with Justin anymore,” she said to my back. “He’s a cutie. And such a good kisser.” And that was my limit. I spun around and dumped my brand-new Coke over her head. She shrieked and flailed her hands as the liquid streamed over her face and down between her giant boobs. She peeled her sticky hair off her eyes and snarled, “I’ll get you for this.” I merely smiled, then sauntered over to the two Toscanos, who had apparently been watching this whole display with entertained grins on their faces. “You’re the new detective?” I asked the elder Toscano. He nodded. Either his mouth was too full with French fries or he was too scared of me to speak at the moment. “Tiffany Desposito, the wet and sticky waitress over there? She had a fight with the girl who was murdered. Last night, at this restaurant. You should question her right away. I wouldn’t even give her a chance to go home and shower first. I think she’s a flight risk.” I strolled back to my booth, sat down, and tore into my pancakes, happy as a kid on Christmas. Nate and Perry stared at me in silence for a few moments. Then Perry said, “Maybe you should have let me go over.” Nate shook his head. “Nah. She did just fine.

Cotter thinks he sees a path to the turnstile on the right. He drains himself of everything he does not need to make the jump. Some are still jumping, some are thinking about it, some need a haircut, some have girlfriends in woolly sweaters and the rest have landed in the ruck and are trying to get up and scatter. A couple of stadium cops are rumbling down the ramp. Cotter sheds these elements as they appear, sheds a thousand waves of information hitting on his skin. His gaze is trained on the iron bars projected from the post. He picks up speed and seems to lose his gangliness, the slouchy funk of hormones and unbelonging and all the stammering things that seal his adolescence. He is just a running boy, a half-seen figure from the streets, but the way running reveals some clue to being, the way a runner bares himself to consciousness, this is how the dark-skinned kid seems to open to the world, how the bloodrush of a dozen strides brings him into eloquence.

I close the book and text Livia back. Okay, Fern Woman. I’ll meet you at 8. Then I add, Are you super sure about the Nite’s Inn? She responds right away. I’ll see you then, and I’m very sure. I’m doing this on a public servant’s budget! And it’s close to a Steak’n Shake, so you know it’s in a good neighborhood. ...Liv. Kitten. They found a body in that Steak’n Shake’s dumpster last year. One body and all of a sudden it’s a ‘bad’ place. You are so judgey! I, for one, won’t be scared away by that one tiny thing. I like to see the best in places. My radio goes off in my ear—a senior is causing a disturbance at a nursing home and they need all available units to respond. With a rueful smile to myself at my idealistic little librarian, I send her a final message and then climb out of my car. See you tonight, Livvy-girl. Don’t get thrown into a dumpster before I get there. Even though I was mostly joking about the Murder Steak’n Shake, I get to the Nite’s Inn half an hour early so that I can be extra sure she’s not in the parking lot alone

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

Boris looked at me. Then he ran both hands through his hair and said: “You’re a blackout drunk, Potter, you know that?... you know, like—oh, that time we went to the play pit at McDonald’s, the kid pit, and you are so drunk on the puffy thing the lady called the cops on you, and I got you out of there fast, standing in Wal Mart half an hour pretending to look at school pencils and then back on the bus, back to the bus stop, and that night you don’t remember any of it? Not one thing? ‘McDonald’s, Boris? What McDonald’s?’ Or,” he said, sniffling lavishly, talking over me, “or, that day you are totalled, wrecked, and make me go with you for ‘walk in the desert’? Okay, we go for a walk. Fine. Only you are so drunk you can barely walk and it is a hundred and five degrees. And you get tired of walking and lay yourself down in the sand. And ask me that I leave you to die. ‘Leave me, Boris, leave me.’ Remember that?... You were unhappy. Drank yourself unconscious all the time... I did plenty of stupid things. Stupider than you! But me,” he said, toying with a cigarette, “I was trying to have fun and be happy. You wanted to be dead. It’s different.

I couldn’t look away from Ares for fear he’d slice me in half, but out of the corner of my eye I saw red lights flashing on the shoreline boulevard. Car doors were slamming. “There, officer!” somebody yelled. “See?” A gruff cop voice: “Looks like that kid on TV…what the heck…” “That guy’s armed,” another cop said. “Call for backup.” I rolled to one side as Ares’s blade slashed the sand. I ran for my sword, scooped it up, and launched a swipe at Ares’s face, only to find my blade deflected again. Ares seemed to know exactly what I was going to do the moment before I did it. I stepped back toward the surf, forcing him to follow. “Admit it, kid,” Ares said. “You got no hope. I’m just toying with you.” My senses were working overtime. I now understood what Annabeth had said about ADHD keeping you alive in battle. I was wide awake, noticing every little detail. I could see where Ares was tensing. I could tell which way he would strike. At the same time, I was aware of Annabeth and Grover, thirty feet to my left. I saw a second cop car pulling up, siren wailing. Spectators, people who had been wandering the streets because of the earthquake, were starting

This Is Not an Elegy At sixteen, I was illegal and brilliant, my fingernails chewed to half-moons. I took off my clothes in a late March field. I had secret car wrecks, secret hysteria. I opened my mouth to swallow stars. In backseats I learned the alchemy of guilt, lust, and distance. I was unformed and total. I swore like a sailor. But slowly the cops stopped coming around. The heat lifted its palms. The radio lost some teeth. Now I see the landscape behind me as through a Claude glass— tinted deeper, framed just so, bits of gilt edging the best parts. I see my unlined face, a thousand film stars behind the eyes. I was every murderess, every whip- thin alcoholic, every heroine with the silver tongue. Always young Paul Newman’s best girl. Always a lightning sky behind each kiss. Some days I watch myself in the third person, speak to her in the second. I say: I will meet you in sleep. I will know you by your stillness and your shaking. By your second-hand gown. By your bruises left by mouths since forgotten. This is not an elegy because I cannot bear for it to be. It is only a tree branch against the window. It is only a cherry tomato slowly reddening in the garden. I will put it in my mouth. It will be sweet, and you will swallow.

Hey,” Marlboro Man said. “Where are you?” Like I knew. I was somewhere between my house and his. “Oh…somewhere between my house and yours,” I said, copping to my directional cluelessness. He chuckled. “Okay, let me put it this way: are you more than halfway to my house? Or have you not gone that far?” He was already learning to speak my language. “Umm…,” I said, looking around and trying to remember what time I’d left my house. “I would say…I would say…I’m exactly halfway there.” “Okay,” he said, his smile evident through the phone. “When you get somewhere in the vicinity of the ranch, I want you to meet me at my brother’s house.” Gulp. Your brother’s house? You mean, we actually have to introduce other people into our relationship? You mean, there are other people in the world besides us? I’m sorry. I forgot. “Oh, okay!” I said, enthusiastically, checking my makeup in the rearview mirror. “Um…how do I get there?” I felt butterflies in my gut. “Okay, about a mile and a half before my turnoff, you’ll see a white gate on the north side of the highway,” he instructed. “You’ll need to turn and head down that road a half mile or so, and his house is right there.” “Okay…,” I said tentatively. “Make sense?” he asked. “Sure,” I replied, pausing. “But…um…which way is north?” I was only halfway kidding.

Americans are Americans and everyone else is sorry. Half the time we don't even know what we're sorry about, it just squeaks out of our sorry gaps before we've even clues into the conversation. Well, I'm sorry YOU'RE all so sorry. You have to know when to be sorry. You can't really be sorry for something you don't want to remember, can you? Selective memory, isn't it? Let's be honest, hell, you can't even apologize for the shit you did yesterday never mind fifty years ago. Indian residential schools, Japanese internment camps, hell, and this is just in your neighborhood. But it's all right... everybody's sorry these days. The politicians are sorry, the cops are sorry, the priests are sorry, the logging companies are sorry, mining companies, electric companies, water companies, wife beaters, serial rapists, child molesters, mommy and daddy. Everybody's sorry. Everybody's sorry they got caught sticking it to someone else... that's what they are sorry about... getting caught. They could give a rat's ass about you, or me, or the people they are saying sorry to. Think about it... Don't be a sorry ass, be sorry before you have to say you are sorry. Be sorry for even thinking about, bringing about something sorry-filled. And the next time someone says, "There is one law for everyone." Say, "I'm sorry, you're an idiot." Just kidding, now that was harsh.

To pass the time, he hunted through the apartment, patting surfaces down with his palms in an attempt to find computers, extra phones, more goddamn guns. He’d just returned to the second bedroom when something ricocheted off the window. Wrath unholstered his forty again and back-flatted it on the wall next to the window. With his hand, he sprang the lock and pushed the sheet of glass open a crack. The cop’s Boston accent was about as subtle as a loudspeaker. “Yo, Rapunzel, you going to let down your frickin’ hair, there?” “Shh, you wanna wake the neighbors?” “Like they can hear anything over that TV? Hey, this is the bat epi…” Wrath left Butch to talk to himself, putting his gun back on his hip, pushing the window wide, then heading for the closet. The only warning he gave the cop as he winged the first two-hundred-pound crate out of the building was, “Brace yourself, Effie.” “Jesus Ch—” A grunt cut off the swearing. Wrath poked his head out of the window and whispered, “You’re supposed to be a good Catholic. Isn’t that blasphemy?” Butch’s tone was like someone had pissed out a fire on his bed. “You just threw half a car at me with nothing but a quote from Mrs. fucking Doubtfire.” “Put on your big-girl pants and deal.” As the cop cursed his way over to the Escalade, which he’d managed to park under some pine trees, Wrath headed back to the closet. When Butch returned, Wrath heaved again. “Two more.” There was another grunt and a rattle. “Fuck me.” “Not on your life.” “Fine. Fuck you.” -Butch & Wrath

This isn’t weird for you, Mark? I mean, not even a little bit?” Green questioned. “Why? Is it for you?” Ruxs inquired, slightly nervous. “No. Not at all. I’ve thought of a million sexual things I could do to you and what I wanted you to do to me. But that’s because I’m bi. You on the other hand, have never been with a man. Now you just had your finger in my ass. I’m just wondering. You’re not the slightest bit weirded out.” Ruxs thought for a second. He stared into those smoky eyes and knew exactly why he wasn’t weirded out. Green was his friend, his best friend. The only person he had, his family. Nothing about them coming together was weird for him. Ruxs was a man who always did his own thing. He wasn’t judgmental and he didn’t worry about labels or societal conformity. If it felt good, then it was all good. He’d lived by that motto since college. Ruxs finally shook his head no. “I feel good about this. You and I being together this way is only strange in a good way. It’s wild to be able to finally touch you like I’ve been wanting too. To see you come, to watch you get off. I’m just trying to wrap my head around you wanting me.” Ruxs had a hard time meeting Green’s eyes. He hoped like hell that Green did want him.  Green cupped his jaw and turned him so he was facing him. “I do want you. More than you think. I want you because you’re an amazing man, Mark Ruxsberg. You have to stop thinkin’ otherwise. You’re smart, caring, loyal, a damn good cop, you’re great to Curtis and…” Green tilted his still half-hard cock against Ruxs’ pelvis. “You’re sexy as fuck. Big and beautiful. Muscles all over the fuckin’ place. It’s a huge turn-on for me.” Ruxs blushed. He loved Green telling him this. Most of all he believed him. Green wasn’t a liar and he didn’t do anything that he didn’t want to do… just like him. “So no more of this self-doubting shit. Or else I won’t blow you anymore.” Green winked, rolling off of him and climbed out of the messy bed. “Now get your lazy ass up, and don’t worry about the sheets, the maid comes today. We got to get going. We’re supposed to be doing surveillance on that damn warehouse.” Ruxs

Come, get out of the way, boys Quick, get out of the way You'd better watch what you say, boys Better watch what you say We've rammed in your harbor and tied to your port And our pistols are hungry and our tempers are short So bring your daughters around to the port 'Cause we're the Cops of the World, boys We're the Cops of the World We pick and choose as please, boys Pick and choose as please You'd best get down on your knees, boys Best get down on your knees We're hairy and horny and ready to shack We don't care if you're yellow or black Just take off your clothes and lie down on your back 'Cause we're the Cops of the World, boys We're the Cops of the World Our boots are needing a shine, boys Boots are needing a shine But our Coca-cola is fine, boys Coca-cola is fine We've got to protect all our citizens fair So we'll send a battalion for everyone there And maybe we'll leave in a couple of years 'Cause we're the Cops of the World, boys We're the Cops of the World Dump the reds in a pile, boys Dump the reds in a pile You'd better wipe of that smile, boys Better wipe off that smile We'll spit through the streets of the cities we wreck We'll find you a leader that you can't elect Those treaties we sighned were a pain in the neck 'Cause we're the Cops of the World, boys We're the Cops of the World Clean the johns with a rag, boys Clean the johns with a rag If you like you can use your flag, boys If you like you can use your flag We've got too much money we're looking for toys And guns will be guns and boys will be boys But we'll gladly pay for all we destroy 'Cause we're the Cops of the World, boys We're the Cops of the World Please stay off of the grass, boys Please stay off of the grass Here's a kick in the ass, boys Here's a kick in the ass We'll smash down your doors, we don't bother to knock We've done it before, so why all the shock? We're the biggest and toughest kids on the block 'Cause we're the Cops of the World, boys We're the Cops of the World When we butchered your son, boys When we butchered your son Have a stick of our gum, boys Have a stick of our buble-gum We own half the world, oh say can you see The name for our profits is democracy So, like it or not, you will have to be free 'Cause we're the Cops of the World, boys We're the Cops of the World

It was getting difficult to see exactly what was going on in the pool and a fourth officer jumped in as one came up with the unconscious form of the first cop. While others pulled the half-drowned man from the pool, three more wrestled Skorzeny to the surface and dragged him to the steps at the shallow end of the pool. He wasn't struggling any longer. Nor was he breathing with any apparent difficulty. The biggest of the three cops later admitted to punching him as hard as he could in the stomach and Skorzey doubled over. Another half-dragged him, still on his feet, shirt torn, jacket ripped, out of the pool and put a handcuff on his left wrist. Skorzeny pulled his arm away from the cop and, suddenly straightening, elbow-jabbed him in the gut, sending him sprawling and rolling back into the pool. Skorzeny turned toward the back fence and was now between the pool and a small palm tree. Before him were two advancing officers, pistols leveled. Behind him two more circled the pool. Skorzeny lunged forward and all fired simultaneously. The noise was deafening. Lights in neighboring houses began to go on. Skorzeny's body twitched and bucked as the heavy slugs ripped through his body. His forward momentum carried him into the officers ahead of him and he half-crawled, half-staggered to the southeast corner of the yard where another gate was set into the fiberglass fencing. Two more officers, across the pool, cut loose with their pistols, emptying them into this writing body which danced like a puppet. Another cop fired two shots from his pump-action shotgun and Skorzeny was lifted clean off his feet and slammed against the gate, sagging to the ground. En masse from both ends of the pool they advanced, when he gave out with a terrible hissing snarl and started to rise once more. All movement ceased as the cops, to a man, stood frozen in their tracks. Skorzeny stood there like some hideous caricature, his shredding clothing and skin hanging like limp rags from his scarecrow form. His flesh was ripped in several places and he was oozing something that looked like watered-down blood. It was pinkish and transparent. He stood there like a living nightmare. Then he straightened and raised his fist with the cuff still dangling from it like a charm bracelet. 'Fools!' he shrieked. 'You can't kill me. You can't even hurt me.' Overhead, the copter hovered, the copilot giving a blow-by-blow description of the fight over the radio. The police on the ground were paralyzed. Nearly thirty shots had been fired (the bullets later tallied in reports turned in by the participating officers) and their quarry was still as strong as ever. He'd been hit repeatedly in the head and legs, so a bulletproof vest wasn't the answer. And at distances sometimes as little as five feet, they could hardly have missed. They'd seen him hit. They stood frozen in an eerie tableau as the still roiling pool water threw weird reflections all over the yard. Then Skorzeny did the most frightening thing of all. He smiled. A red-rimmed, hideous grin revealing fangs that 'would have done justice to a Doberman Pinscher.

Henry Hudson Screamed on the Half-Moon : "Police are a necessary evil !" I dreamed a cop, an old cop, a whitehaired cop bowed sad on a sofa knowing in his years he carried a gun a gun to stop the breath of a breathing being a gun to cause man to push up daisies forever - and when that realization mowed him down on the sofa - he wept to know man

Miller closed his terminal, frowning. “Philosophical. But if it’s the price of doing business, what’re we here for?” “Because I thought you… you people had this shit under control. Ever since we stopped paying the Loca, I’ve been able to turn a decent profit. Now it’s all starting up again.” “Hold on,” Miller said. “You’re telling me the Loca Greiga stopped charging protection?” “Sure. Not just here. Half of the guys I know in the Bough just stopped showing up. We figured the cops had actually done something for once. Now we’ve got these new bastards, and it’s the same damn thing all over again.

A cop car rolled past, slowly, its tires hissing on the blacktop. County Police. Probably spent the first half of its watch ginning up municipal revenue with a radar gun out on the highway, now prowling the back streets of the towns in its jurisdiction. Showing the flag. Paying attention to the trouble spots. The cop inside turned his head and gazed at Reacher. The guy was nothing like the pawnbroker. He was all squared away. His face was lean, and his eyes were wise. He was sitting behind the wheel with a ramrod posture, and his haircut was fresh. A whitewall buzz cut. Maybe just a day old. Not more than two.

The inspector stood up and reached for his leather jacket. There was a whiff of aftershave. He looked every inch TV’s idea of an undercover cop. I had noticed the Princess register his star quality as we arrived at his office half an hour earlier. That was good. An attractive male lead always brought out the best in our unpredictable royal performer. “If you’re ready . . .” he said, heading for the door with an athlete’s easy grace. His amused expression promised further treats in store. The Princess followed him meekly. Her eyes were demurely lowered, as if to retain the image she had just seen. I knew she was enjoying herself—she was fascinated by the forbidden.

Look, nothing personal, guys, but you look like the top half of an S and M wedding cake. Cops don’t like people who look sort of . . .” I wasn’t sure how to say it without being insulting. Cops were meat-and-potatoes people. They weren’t impressed by the exotic. They’d seen it all and cleaned up the mess. Most of the exotic that they saw were bad guys. After a while, policemen seem to think anything exotic is a bad guy; just saves time. If I walked into the police station with Tweedle-punk and Tweedle-slut, it was going to raise the cop’s antennae.

Seventy-five percent of dementia walk-aways on flat terrain would be found within 2.4 kilometers, approximately a mile and a half, far

The only warning he gave the cop as he winged the first two-hundred-pound crate out of the building was, “Brace yourself, Effie.” “Jesus Ch—” A grunt cut off the swearing. Wrath poked his head out of the window and whispered, “You’re supposed to be a good Catholic. Isn’t that blasphemy?” Butch’s tone was like someone had pissed out a fire on his bed. “You just threw half a car at me with nothing but a quote from Mrs. fucking Doubtfire.” “Put on your big-girl pants and deal.

All of them, street cops and supervisors, were now smothered in paperwork designed to prove that they were “reforming” a police force of more than ninety-five hundred souls who ostensibly needed reforming because of the actions of half a dozen convicted cops from both incidents combined.

Have a Profession, Not a Job Everyone except trust fund babies and perennial welfare recipients need to work.  It is an unavoidable fact of life that if you don't want to be homeless, go hungry, constantly beg, or wish to have any semblance of a normal, healthy financial life you need to work.  But in the fact work traditionally consumes half of your waking life (more if you include commute), if your job has a point and purpose to it, then so too does your life.  This isn't to say there is anything wrong with being a general laborer, a barista, or a fast food worker.  We all start somewhere and these low-skilled, entry level jobs are a vital part of the economy and a starting point in everyone's working career.  But if you take the time to learn a skill, develop a trade, or earn an employable degree, you can have a profession, not merely a job.  This confers upon you and your life immediate purpose and value as now you get to declare yourself as an individual with a specific skill. “I'm a plumber.” “I'm a CPA.” “I'm a cop.” Or “I'm a programmer.” And this statement declares how you contribute to the economy, how you earn your keep in this society, and is usually the first thing people ask about you – what do you do? Furthermore, as it just so happens, being a professional pays more.  Admittedly, it takes some training and education, and for some particularly prestigious professions it can take years (for example, being a surgeon).  But if you go that extra mile and invest in yourself a year or eight to develop a skill or a trade, the remaining 50-60 years of your life will not only be more profitable, but will give you purpose and meaning for your entire working career.

I don’t remember where we were going, or if we were coming from somewhere, but it was late, and the highway was empty. Your car was a piece of shit, so Chris wanted you to see how fast it could go. You got all the way up to ninety when you got pulled over. When the cop came to your window, he said, ‘Do you realize how fast you were going?’ You said, ‘Yes, sir. Ninety.’ And then the cop said, ‘Is there a reason you were driving twenty-five miles over the speed limit?’ You paused for a moment and then said, ‘I don’t like for things to go to waste.’ The officer looked at you, and you waved toward your dash. ‘I have this entire speedometer, and most of the time, I don’t even use half of it.

The areas they traveled through became less and less populated. They followed an interminably straight road, thickly surrounded by maples and conifers as far as the eye could see. Only rarely did their path cross a truck or car. Night was falling. Now and again they saw points of light in the distance, boats that must have been navigating the rivers and lakes. They had driven about sixty miles when the man told her to turn onto a path. The headlights lit the massive bases of tree trunks. Lucie felt she was on the edge of the abyss; she had seen only two or three houses in the past half hour. A cabin emerged from the darkness. When the cop stepped onto the ground, feeling feverish, she heard the furious roar of a waterfall.

It’s far easier to argue for the systematic devaluing of women if women are denied the right to own property, to take the bar exam, and to say no to their husbands than it is when women are merely finding it hard to get elected president. There are so many glasses half full: female cops and firefighters, female Supreme Court justices and senators. But for every one there is a glass half empty, too: the harassment female law-enforcement officers still face, the women soldiers who fear rape from their fellows as well as the enemy, the justices who still have to calibrate their fashion choices for the confirmation hearings, the senators who find it harder to raise money than even their dopiest male colleagues. It’s not just that some jerks yelled, “Iron my shirts!” at Hillary Clinton when she was running for president, or that someone asked the Republican candidate, John McCain, “How are we going to beat the bitch?” It’s that no one acted as though either of those things was that big a deal.

There’s a giant homosexual squid downtown wearing a smoking jacket and monocle. He’s destroyed half the dock and the Mayfair Hotel!’ the cop said to Mr. Google.

Redemption Choir. Half-demons who want to be human,” I said. “So they’re the good guys.” “No,” I said. “They’re nuts, and they just kidnapped a priest. They’re the bad guys.” “Who’s AB?” “Special Agent Harmony Black. FBI agent, trying to bust Nicky Agnelli. Honest cop, as far as I know. Straight shooter.” “So she’s a good guy.” “No, because she also wants to bust everyone who Nicky’s ever done business with, including me, and Lauren Carmichael’s pulling her strings. So she’s also a bad guy.” “Who’s S?” Pixie asked. “Sitri. Demon prince.” “Definitely a bad guy.” I sighed. “No. My girlfriend works for him, and she just helped save the world.” “So let me get this straight,” Pixie said. “Some of the bad guys are bad guys, some of the bad guys are the good guys, and there aren’t any good good guys.” “That’s right.” “Hey, Faust?” “Yeah, Pix?” “You ever think,” she said, “your moral compass might be just a little bit fucked up?” “Every damn day.

Furi had hit the nail on the head. Syn did want to feel; feel good, feel cared for. His whole life he’d been going through the motions of life like a damn robot. 'Be a good cop' was his mantra. It’s all he’d fucking known his entire life. Now he was over thirty and he’d let almost half his life pass without letting himself feel something meaningful, intimate. Furi was going to give him that tonight – and if the brief scene in the kitchen was any indication – Furi was going to give it to him just the way he needed it. At

...David Mich is the Hollywood genius who produced and wrote much of the HBO series Deadwood. Mr. Milch's story was an interesting one to me, at least as it emerged from maybe half a dozen profiles written about him back when Deadwood was in its heyday, and it goes like this: Mr. Milch had pined to do a western ever since he was an important writer on an Emmy-winning network cop series and could just as easily have been a novelist, if I remember the story correctly, and after years of research and reading everything available on the old west decided to focus his talents on the town of Deadwood in the 1870s. But hold your horses, Tex. As Mr. Milch explained it, he didn't read everything after all, he read everything except the novel Deadwood, and was not only able on his own to come up with the same setting and feel and characters that populated the novel, but somehow intuited a footnote-in-history sort of character named Charlie Utter into pretty much the same human being who is the central character of the novel. Except Mr. Milch gave him an English accent, and if that's not Hollywood genius I don't know what is. ... --Acknowledgments

Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—” “Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—” “No, I want to fucking know where my shellan is!” Wrath boomed. John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report. A couple of the Brothers muttered in the background as they shook their heads. “In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.” Wrong thing to say. Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious. And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room. The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing. Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off. Talk about your couch-icopters. The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth. Wrath wasn’t finished. The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV. It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last. The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV. The Brothers just let Wrath go. It wasn’t that they were afraid of getting hurt. Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding. They just weren’t stupid. Wrath - Beth x Overnight = Psycho-hose Beast

I’m gonna tell you something, and you’re going to act like you never heard it. You get me?” “Sure,” Preacher said, throwing back the shot for courage. “I caught your girl crying today.” Shock settled over Preacher’s face. “That’s right, old man. She can’t figure you out. I think she loves you, Preacher. She’s waiting. She needs some attention. You with me?” Preacher nodded solemnly. He wasn’t going to go there with Mike. “She thinks you don’t find her attractive. Desirable.” “Aw, that’s crap,” Preacher said. He poured himself another shot. “I’m telling you. You don’t have any excuses here, pal. If you don’t step up, she’s going to think you don’t want her. Don’t care about her. I’d hate it if she thought that because I’m looking at the two of you, the three of you, and I think it’d be a damn stupid shame if you three lost one another because you’re an idiot. Now, I’m not going to try to guess why it’s not happening for you two. Preacher, buddy, it’s time to make it happen.” Preacher threw back that second shot while Mike merely lifted his, not drinking. “I thought you were messing with my girl,” Preacher confessed. “No, I was telling her to try to be patient with you because of your, you know, extra-low IQ.” Then he grinned at Preacher’s scowl. “You always used to mess with anybody’s girl,” he said. “Not just anybody’s girl, Preach. I’d never touch a brother’s woman, you should know that. Even I don’t cross that line. Even if you haven’t made it clear to Paige, you’ve made it clear to everyone else—she’s your girl. Besides, I’m no threat to you. It’s you she wants. Bad enough to make her cry about it.” Mike took in about half his drink and stood up. “Do yourself a favor, Preacher. Your girl needs you and you don’t want to let her down now. Don’t waste another minute.” He left the rest of his drink. He stared into Preacher’s eyes. “You better take care of business. You copy?” Copy, Preacher thought. Cop talk. “Yeah. I copy.” *

Cool. I know an awesome spot called Henry’s. They have the absolute best beer selections and the wings are great. They also have darts and pool.” Furi stopped talking when he noticed Syn looking a little pale. “Hey, what’s up?” “Uh, nothing.” They were in Syn’s old faithful truck and Furi sat silently watching the man next to him. “We going or what?” Furi narrowed his eyes, staring at the side of Syn’s face. His jaw was clenched and his neck was flushed. What the hell? “Yeah. Let’s go.” “Okay.” Syn thought he was going to be sick. It was just his goddamn luck that Furi would suggest the one place where half the department liked to hang out. Hell, even his Lieutenants frequented this place. It would be cruel to subject Furi to Day’s inappropriateness so soon. Syn wasn’t necessarily afraid of being with a man; he just wasn’t the type to make his personal life public. Or am I scared? Fuck. Syn didn’t think Furi would go for keeping them a secret. The man had made that quite clear when they were in the alley. Syn gripped the steering wheel and willed his foot to press the accelerator. Maybe … just maybe, there wouldn’t be anyone familiar there. Syn drove under the speed limit and felt Furious’ probing eyes on the side of his face. He tried to smile and keep his jaw from showing his nervous tick. Despite his efforts, they got there in what felt like record time. Furious got out and waited for Syn to slowly make his way toward the entrance. “Are you sure everything is alright?” Furious asked, annoyed. “I’m good. Really. Good. Perfect,” Syn said, mentally kicking himself for sounding like an idiot. Furi took his hand in his and it took every ounce of Syn's willpower not to pull his hand back. Of course he’d be into PDA. Furious pulled open the door and walked in as if he hadn’t a care in the world. It was almost nine p.m. and the though it wasn’t packed, there were quite a few people there. Syn tried not to look around, keeping his eyes on the back of Furious’ head as he led them to a booth; thankfully located in the back of the bar, where it was a little bit darker. Syn made sure to sit so he was facing the door while Furi sat opposite of him. Furi didn’t speak. He picked up one of the menus and started to look through it. “First time out with a man?” Syn's head snapped his up from hiding behind his menu. “Uh. Yeah, but ya know.” “No, I don’t know,” Furi answered quickly. “If you didn’t want to come out, why didn’t you just say so? You look like you're about to pull a disguise out of your coat. Or do you plan to just stay hidden behind your menu all fucking evening?” “Furious.” “Although that’s going to make eating really difficult. Should I be prepared for you to fake a stomach ache?” “Enough,” Syn barked, Furious’ dark eyes widening at his tone. “Look, cut me some slack alright? I am not new to dating men. I’m new to dating: period. Just about all of my adult life I’ve focused on being a cop, a damn good cop. I had little time for anything else in my life including dates. Dating takes time and patience, two things I didn't have. I was prepared to accept being alone the rest of my life until I saw you. I wanted you, and I was more than willing to take the time and effort to be with you. So forgive me if I don’t do everything exactly right on our first date.” “I’m not expecting you to. I haven’t dated in years myself. But one thing I’m not concerned about is being ashamed.” Furi looked Syn dead in the eye. Syn didn’t have a chance to respond, the waitress came to set a pail of peanuts on the table. Speaking in a cheerful voice: “What can I get you guys to drink?

The trembly fellow sighed and said, “I’m all out of whack. I’m going uptown and see my doctor.” Mr. Flood snorted again. “Oh, shut up,” he said. “Damn your doctor! I tell you what you do. You get right out of here and go over to Libby’s oyster house and tell the man you want to eat some of his big oysters. Don’t sit down. Stand up at that fine marble bar they got over there, where you can watch the man knife them open. And tell him you intend to drink the oyster liquor; he’ll knife them on the cup shell, so the liquor won’t spill. And be sure you get the big ones. Get them so big you’ll have to rear back to swallow, the size that most restaurants use for fries and stews; God forgive them, they don’t know any better. Ask for Robbins Islands, Mattitucks, Cape Cods, or Saddle Rocks. And don’t put any of that red sauce on them, that cocktail sauce, that mess, that gurry. Ask the man for half a lemon, poke it a time or two to free the juice, and squeeze it over the oysters. And the first one he knifes, pick it up and smell it, the way you’d smell a rose, or a shot of brandy. That briny, seaweedy fragrance will clear your head; it’ll make your blood run faster. And don’t just eat six; take your time and eat a dozen, eat two dozen, eat three dozen, eat four dozen. And then leave the man a generous tip and go buy yourself a fifty-cent cigar and put your hat on the side of your head and take a walk down to Bowling Green. Look at the sky! Isn’t it blue? And look at the girls a-tap-tap-tapping past on their pretty little feet! Aren’t they just the finest girls you ever saw, the bounciest, the rumpiest, the laughingest? Aren’t you ashamed of yourself for even thinking about spending good money on a damned doctor? And along about here, you better be careful. You’re apt to feel so bucked-up you’ll slap strangers on the back, or kick a window in, or fight a cop, or jump on the tailboard of a truck and steal a ride.

I could see the flashing lights of a police car, some type of van, and about a half dozen “Bobbies” all running around like the Keystone Cops.  One of the “Bobbies” was dressed in a large padded suit, the type used to train attack dogs.  It wasn’t until I actually got to the square that I realized that the “Keystone Bobbies” were chasing MY DOG!!!  He was doing a great job of eluding them all, and according to one of the onlookers, had been doing so for quite a while.      The British are great dog lovers but a German shepherd for some reason places great fear in their hearts, probably a holdover from the war.  I’d seldom seen that breed of dog here and had never seen one on the loose.  According to the bystander this one had been loose for some time and had been generally panicking people all around the square.      I broke into a run and crossed the street into the square itself and started screaming “LICKY, LICKY, HERE BOY!!!” Licky was on the far side of the square with the “Bobbie” wearing the padded outfit in hot pursuit.  At the sound of my voice he made an instant turn and on the dead run came straight at me.  He skidded to a halt in front of me, obviously terrified and really glad to see me.  I gave him the hand signal and at the same time shouted “Sit,” and he did.

matters in life, he said, and focus on that. The rest is bullshit. I was wondering if I was reaching that stage myself, though I was less than half Stewart’s age. I was so tired of the lies. It was enough that I spent my career chasing bad guys—and sometimes bad cops. The bad guys I could deal with. Somebody needed

So you’re a psychiatrist now, Cassie?” She gave him the half-smile again. “You don’t need to be a psychiatrist to know a psychopath,” she began, “any more than you need to be a cop to know a killer.

Anyway, half of them are police agents. It’s the first principle, isn’t it? Whoever’s arguing fiercest for violence is the cop.

The difference between a vigilante and a reformer is that a vigilante with their half-baked and insecure notions of justice feels compelled to hide their identity, whereas a reformer has nothing to hide, for a reformer knows, no lasting reform can be brought through anonymity. If you have something to say, say it, and stand by it with your last breath. Doctors save lives, and they have family, yet they don’t hide behind anonymity. Soldiers and cops defend lives, and they have family, yet they don’t hide behind anonymity. Scientists save the world, and they have family, yet they don’t hide behind anonymity. Then what makes a vigilante so special that they have to keep their identity a secret! You don’t need a secret identity to serve the world. You just need to stand up with accountability against the most distressing troubles faced by society, and your very name will turn into an immortal symbol, that will send a shockwave of courage and inspiration through countless generations to come.

He sprang away from the sink and threw his body into Edgar, pinning him against the white-tiled wall. His cuffed hands came up and the left one grabbed a handful of the front of Edgar’s shirt while the right pressed the barrel of a small gun into the stunned detective’s throat. Bosch had covered half of the distance to them when he saw the gun and Powers began to shout. “Back off, Bosch. Back off or you got a dead partner. You want that?” Powers had turned his head so that he was looking back at Bosch. Bosch stopped and raised his hands away from his body. “That’s it,” Powers said. “Now this is what you’re going to do. Take your gun out real slowly and drop it in that first sink there.” Bosch made no move. “Do it. Now.” Powers spoke with measured force, careful to keep his voice low. Bosch looked at the tiny gun in Powers’s hand. He recognized it as a Raven .25, a favored throw-down gun among patrol cops going back to at least his own time in a uniform. It was small—it looked like a toy in Powers’s hand—but deadly and it fit snugly into a sock or boot, virtually unseen with the pants leg pulled down. As Bosch came to the realization that Edgar and Rider had not completely searched Powers, he also knew that a shot from the Raven at point-blank range would certainly kill Edgar. It was against all his instincts to give up his weapon, but he saw no alternative. Powers was desperate and Bosch knew desperate men didn’t think things out. They went against the odds. They were killers. With two fingers he slowly removed his gun and dropped it into the sink. “That’s

When I finally get called, I give my name as Bryan Jackson—Bryan after the Purple People Eater who is married to our old water polo coach, and Jackson after Jackson Hole, Wyoming, where Tamara Dunleavy lives. I’m trying to give my story to a desk sergeant who is about as interested as a hibernating bear. The only time his ears perk up is when I drop the name Gus Alabaster. “You mean the gangster?” “He’s my father,” I resume the telling, “even though we’ve never met. He doesn’t even know I exist. Mom only told me I was his son when she read that he hasn’t got long to live.” The desk sergeant stops making notes and looks up at me. “What exactly is the nature of your complaint?” “I’m not complaining about anything. I just need Gus Alabaster’s address so I can go over there and meet him before he dies.” “So no actual crime has been committed,” he concludes. I shake my head. “No crime. I just need the address.” “We don’t do that here. Sorry, kid. Next!” Diaper Man gets up and heads for the desk. What can I do? I turn to walk away, utterly defeated. But before I can take a step, Laska rushes over and pushes me back into the chair. “Aren’t you going to help him?” she shrills at the desk sergeant, her face flaming bright red. “Don’t you even care?” The cop leans back in his chair. “And you are?” “All he wants to do is have a moment with his dying father!” Tears—real tears—are streaming down her cheeks. “And there’s a time limit for that, you know!” The desk sergeant’s half-closed eyes pop wide open. He’s probably seen it all working this job, but a crying girl turns out to be the one thing he doesn’t know what to do with. And I’ve got to hand it to Laska. As soon as she sees she’s spooking the guy, she switches on the full waterworks. He hustles to his feet. “Uh—follow me.

There was no bar on, and the other two pubs in town shut for the night when they heard about the punk gig, but a few lads broke into one of the pubs, turned the pumps on and started serving themselves! Obviously the cops were called, so they ran back to the gig, and when the police turned up, we all pelted them with snowballs. John Hall, of Society’s Victims, was grabbed and thrown in the back of a cop car, and when the copper went to use his radio, John reached over and ripped it out. He got a smack in the mouth for that. Vans soon arrived with dogs and chased us all over the place, and we kept chucking snowballs at them. About half of us were taken to the police station, and it made the front page of the Matlock Mercury: ‘Punk Rockers Run Riot’!

It isn’t just fellow cops Marty Butler has in his pocket. There are judges for sure, probably at least one congressman or state senator, and maybe, just maybe, the darkest of the dark whispers say, someone or maybe a half-dozen someones in federal law enforcement.

They didn’t scatter and run the way the white cops wanted. Brother Hinton was attacked with nightsticks. His scalp was split open, and a police car came and he was taken to a nearby precinct. The second brother telephoned our restaurant. And with some telephone calls, in less than half an hour about fifty of Temple Seven’s men of the Fruit of Islam were standing in ranks-formation outside the police precinct house.

And now, two years later, Squib hadn’t seen much improvement in the fuzz department, but he was half a foot taller and working on a scrappy attitude that had him on the cops’ radar even at the age of fifteen. There was a constable by the name of Regence Hooke who got shot down by Squib’s momma in the Pearl Bar and Grill one time in front of a packed house, and ever since that night Hooke had himself a hard-on for Squib and made sure to take any complaint against the minor real personal. It seemed to Squib that every time he farted, old Regence would be knocking on the door offering to ‘forget all about it’ for a little consideration from Squib’s momma. Goddamn Hooke, Squib thought. He ain’t

A half-hour later, Zack, Micah and Matt Jordan, Micah’s crime scene specialist, were standing in the lobby of Manistee police headquarters, waiting for Alexander. “What’s he like?” Micah asked. “A little to the right of Buford T. Justice,” replied Zack, referencing Jackie Gleason’s classic portrayal of a country cop in Smokey and the Bandit. “I love Buford T. Justice. If I were an actor and I could choose to play only one part, it would be Buford T. Justice.” “Great role, Micah, but Buford is not the type of cop you want if you are trying to prove your client’s innocence.” “Suppose not.” A door opened, and Alexander walked out into the lobby. Micah started chuckling. Buford T. Justice! “What’s so funny?” Chief Alexander asked.

Omar’s choice of the .357 Magnum was more prosaic, based on a simple bit of advice from a fellow inmate. The man had been an unrepentant infidel, serving a life sentence for rape and murder, but his advice had been sound. Revolvers don’t eject their shell casings. Keep your shots few and effective and you can walk off the crime scene with half the evidence the cops usually depend on.

I’ll tell you why I’m dubious. These will be young people in this garden commune, I assume. That means they’ll be stoned half the time–one of the things you can grow in gardens is Cannabis. That won’t go down well with the neighbors. Neither will free-form marriage or the natural-credit Communist economy. They’ll be visited by the cops every week. They’ll be lucky if the American Legion doesn’t burn them out, or sic the dog catcher on their wild life children.” “None of that has anything to do with them. It only has to do with people outside.” “Sure,” I said, “but those people aren’t going to go away. If they won’t leave the colony alone I’ll give it six months. If it isn’t molested it might last a year or two. By that time half the people will have drifted away in search of bigger kicks, and the rest will be quarreling about some communal woman, or who got the worst corner of the garden patch, or who ate up all the sweet corn. Satisfying natural desires is fine, but natural desires have a way of being both competitive and consequential. And women may be equal to men, but they aren’t equal in attractiveness any more than men are. Affections have a way of fixing on individuals, which breeds jealousy, which breeds possessiveness, which breeds bad feeling. Q.E.D.

Two cops standing in front of the station grabbed their radios when they saw my cab with the bottom half of a limp body hanging out the window.

I think practice what you preach is a half-baked cop out as you need to do more than practice as only when you do will you have the right to preach it

I leaned back in my chair and waited, wondering what she’d do with the video. It was another test. Most likely, she was about to call the cops, but on the off chance she didn’t, she was about to take the first step toward becoming mine. “Is his…?” she said. Hand sliding into his pants? Yes, it was, and I was absolutely going to hell for taking a video of myself stroking my dick to full arousal in her bedroom. Her head fell forward, and a low moan slipped from her lips. Her eyes were half-lidded again when she raised them, cheeks pink, and suddenly, I realized what this expression was: lust.