“
She was fire, she was darkness, she was dust and blood and shadow.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
Instead of replying, Alec reached down and took Magnus's hands. Magnus let Alec pull him to his feet, a questioning look in his eyes. Before he could say anything, Alec drew him closer and kissed him. Magnus made a soft, pleased sound, and gripped the back of Alec's shirt, rucking it up, his fingers cool on Alec's spine. Alec leaned into him, pinning Magnus between the table and his own body. Not that Magnus seemed to mind.
'Come on,' Alec said against Magnus's ear. 'It's late. Let's go to bed.
”
”
Cassandra Clare
“
It's amazing how people can sound like retards when they're talking to their girlfriend, especially if they really love her a lot. Because when you're just fucking someone you make a point of keeping your cool, but when you're really in love - it can sound pretty repulsive.
”
”
Etgar Keret (The Nimrod Flipout)
“
Would you like me to grovel with gratitude for bringing me here, High Lord?"
"Ah. The Suriel told you nothing important, did it?"
That smile of his sparked something bold in my chest. "He also said that you liked being brushed, and if I'm a clever girl, I might train you with treats."
Tamlin tipped his head to the sky and roared with laughter. Despite myself, I let out a quiet laugh.
"I might die of surprise," Lucien said behind me. "You made a joke, Feyre."
I turned to look at him with a cool smile. "You don't want to know what the Suriel said about you." I flicked my brows up, and Lucien lifted his hands in defeat.
"I'd pay good money to hear what the Suriel thinks of Lucien," Tamlin said.
A cork popped, followed by the sounds of Lucien chugging the bottle's contents and chuckling with a muttered, "Brushed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
For I had come back, and I dreamed once more in the cool air of the Highlands. And the voice of my dream still echoed through ears and heart, repeated with the sound of Brianna's sleeping breath. "You are mine," it had said. "Mine. And I will not let you go.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
I have my sources." Somehow, saying I'd heard it from my mom sounded less cool. "You've decided, right? I mean, it sounds like a good deal, seeing as she's going to give you fringe benefits..."
He gave me a level look. "What happens between her and me is none of your business," he replied crisply.
...
Dimitri arched an eyebrow, then jerked his head back where we'd come from. "You hang out in his room a lot?"
Several retorts popped into my head, and then a golden one took precedence. "What happens between him and me is none of your business." I managed a tone very similar to he one he'd used on me when making a similar comment about him and Tasha.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Jamie: Please don't pretend like you know me, ok?
Landon: But I do, I do. We've had all the same classes in the same school since kindergarten. Why you're Jamie Sullivan. You sit at lunch table 7. Which isn't exactly the reject table, but is definitely in self exile territory. You have exactly one sweater. You like to look at your feet when you walk. Oh, oh, and yeah, for fun, you like to tutor on weekends and hang out with the cool kids from "Stars and Planets." Now how does that sound?
Jamie: Thoroughly predictable, nothing I haven't heard before.
Landon: You don't care what people think about you?
Jamie: No.
”
”
Nicholas Sparks (A Walk to Remember)
“
I imagine what it must be like to stay hidden, disappear in the dusky nothing and stay still in the night. It’s not sadness, though it may sound like it. I’m thinking about people and trees and how I wish I could be silent more, be more tree than anything else, less clumsy and loud, less crow, more cool white pine, and how it’s hard not to always want something else, not just to let the savage grass grow.
”
”
Ada Limon (Bright Dead Things)
“
Henry patted Charlotte’s shoulder anxiously. “Would you like a cool cloth? What can I do to help?”
“You could ride up to Yorkshire and chop that old goat’s head off.” Charlotte sounded mutinous.
“Won’t that make things rather awkward with the Clave?” asked Henry. “They’re not generally very receptive about, you know, beheadings and things.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Very well, I promise. So, what did you get for me?" Angeline paused for a beat. "Jeans." "What?" croaked Artemis. "And a T-shirt" ...Artemis took several breaths. "Does the T-shirt have any writing on it?" A rustling of paper crackled through the phone's speakers. "Yes, it's so cool. There's a picture of a boy who for some reason has no neck and only three fingers on each hand, and behind him in this sort of graffiti style is the words RANDOMOSIY. I don't know what that means but it sounds really current." Randomosity though Artemis, and he felt like weeping.
”
”
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
“
You are a half-blood," Zoe Nightshade said. Her accent was hard to place. It sounded old-fashioned, like she was reading from a really old book. "One of thy parents was mortal. The other was an Olympian."
"An Olympian athlete?"
"No," Zoe said. "One of the gods."
"Cool!" said Nico.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
My mind, I know, I can prove, hovers on hummingbird wings. It hovers and it churns. And when it's operating at full thrust, the churning does not stop. The machines do not rest, the systems rarely cool. And while I can forget anything of any importance--this is why people tell me secrets--my mind has an uncanny knack for organization when it comes to pain. Nothing tormenting is ever lost, never even diminished in color or intensity or quality of sound.
”
”
Dave Eggers (You Shall Know Our Velocity!)
“
You saved the world," annabeth said.
"We saved the world."
"And Rachel is the new Oracle, which means she won't be dating anybody."
"You don't sound disappointed," I noticed.
Annabeth shrugged. "Oh, I don't care."
"Uh-huh."
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
"You'd probably kick my butt."
"You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because
things could always get better. And I was thinking . . ." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for
you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
He's calling you a Cool Girl to fool you! That's what men do: they try to make it sound like you are the cool girl so you will bow to their wishes. Like a car salesman saying, how much do you want to pay for this beauty? When you didn't agree to buy it yet.
”
”
Gillian Flynn (Gone Girl)
“
Simon whispered to me, “But is everything okay?”
“No,” Tori said. “I kidnapped her and forced her to escape with me. I’ve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.”
“Undying gratitude?” Simon looked at me. “Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.”
I smiled. “I’ll remember that.”
***
“Oh, right. You must be starving.” Simon reached into his pockets. “I can offer one bruised apple and one brown banana. Convenience stores aren’t the place to buy fruit, as I keep telling someone.”
“Better than these. For you, anyway, Simon.” Derek passed a bar to Tori.
“Because you aren’t supposed to have those, are you?” I said. “Which reminds me…” I took out the insulin. “Derek said it’s your backup.”
“So my dark secret is out.”
“I didn’t know it was a secret.”
“Not really. Just not something I advertise.”
...
“Backup?” Tori said. “You mean he didn’t need that?”
“Apparently not,” I murmured.
Simon looked from her to me, confused, then understanding. “You guys thought…”
“That if you didn’t get your medicine in the next twenty-four hours, you’d be dead?” I said. “Not exactly, but close. You know, the old ‘upping the ante with a fatal disease that needs medication’ twist. Apparently, it still works.”
“Kind of a letdown, then, huh?”
“No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.”
“All right, then. Emergency medical situation, take two.”
He leaped to his feet, staggered, keeled over, then lifted his head weakly.
“Chloe? Is that you?” He coughed. “Do you have my insulin?”
I placed it in his outstretched hand.
“You saved my life,” he said. “How can I ever repay you?”
“Undying servitude sounds good. I like my eggs scrambled.”
He held up a piece of fruit. “Would you settle for a bruised apple?”
I laughed.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
It is in vain that a man of sound mind and cool temper understands the condition of such a wretched being... He can no more communicate his own wisdom to him than a healthy man can instil his strength into the invalid by whose bedside he is seated.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
I am not a machine. For what can a machine know of the smell of wet grass in the morning, or the sound of a crying baby? I am the feeling of the warm sun against my skin; I am the sensation of a cool wave breaking over me. I am the places I have never seen, yet imagine when my eyes are closed. I am the taste of another's breath, the color of her hair.
You mock me for the shortness of my life span, but it is this very fear of dying which breathes life into me. I am the thinker who thinks of thought. I am curiosity, I am reason, I am love, and I am hatred. I am indifference. I am the son of a father, who in turn was a father’s son. I am the reason my mother laughed and the reason my mother cried. I am wonder and I am wondrous. Yes, the world may push your buttons as it passes through your circuitry. But the world does not pass through me. It lingers. I am in it and it is in me. I am the means by which the universe has come to know itself. I am the thing no machine can ever make. I am meaning.
”
”
Bernard Beckett (Genesis)
“
I said to him, "State your business, mortal!" There was no need for me to call him "mortal" or to speak like a sixteenth-century knight. It just sounded cool.
”
”
Alan Goldsher (Paul Is Undead: The British Zombie Invasion)
“
The sound of her footsteps was like a stream falling gently downhill over cool stones in the quiet of night.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
YEAH, I KNOW. You guys are going to read about how I died in agony, and you’re going be like, “Wow! That sounds cool, Magnus! Can I die in agony too?” No. Just no. Don’t go jumping off any rooftops. Don’t run into the highway or set yourself on fire. It doesn’t work that way. You will not end up where I ended up.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise.
Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
I am haunted by waters.
”
”
Norman Maclean (A River Runs Through It)
“
Of course, now I am too old to be much of a fisherman, and now of course I usually fish the big waters alone, although some friends think I shouldn’t. Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise.
Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
I am haunted by waters.
”
”
Norman Maclean (A River Runs Through It and Other Stories)
“
But do I need to say anything?" Sophie asked. "Do I need to learn any words?"
"Like what?" Saint-Germain said.
"Well, when you lit up the Eiffel tower, you said something that sounded like eggness."
"Ignis," the count said. "Latin for fire. No, you don't need to say anything."
"Then why did you do it, then?" Sophie asked.
Saint-Germain grinned. "I just thought it sounded cool.
”
”
Michael Scott (The Magician (The Secrets of the Immortal Nicholas Flamel, #2))
“
I am willing to sound dumb. I am willing to be wrong. I am willing to be passionate about something that isn’t perceived as cool. I am willing to express a theory. I am willing to admit I’m afraid. I’m willing to contradict something I’ve said before. I’m willing to have a knee-jerk reaction, even a wrong one. I’m willing to apologize. I’m perfectly willing to be perfectly human.
”
”
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
“
Is this a torture chamber?" Puck asked eagerly. "Listen to all the suffering! Isn't it cool?"
"This is a dental office," the receptionist explained. "People come here to get a healthy smile."
There was another groan.
Puck laughed. "Sure! That guy sounds like he's smiling alright. Are you hiring?
”
”
Michael Buckley (Magic and Other Misdemeanors (The Sisters Grimm, #5))
“
Magic?' Kate snorted. 'There's no such thing. Is there?'
'Magic?' Barnabas shrugged. 'Why not? Magic is cool.'
'But there has to be a rational explanation.'
'Oh there is,' Barnabas led her our of the cave and back to the shore. 'But a rational explanation is rather complex. We're dealing with a psycho-temporal entity manifesting through a critical mass of its sentient shell...um. Magic sounds more fun.
”
”
James Goss (Doctor Who: Summer Falls)
“
Hey, I could be your assistant! I'd be an Assistant Serial Killer Serial Killer. I'd be an Ass. Or do I need the Ks in there? Because that wouldn't sound nearly as cool.
”
”
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
“
He wondered vaguely whether in the abolished past it had been a normal experience to lie in bed like this, in the cool of a summer evening, a man and a woman with no clothes on, making love when they chose, talking of what they chose, not feeling any compulsion to get up, simply lying there and listening to peaceful sounds outside. Surely there could never have been a time when that seemed ordinary?
”
”
George Orwell (1984)
“
Read to your children
Twenty minutes a day;
You have the time,
And so do they.
Read while the laundry is in the machine;
Read while the dinner cooks;
Tuck a child in the crook of your arm
And reach for the library books.
Hide the remote,
Let the computer games cool,
For one day your children will be off to school;
Remedial? Gifted? You have the choice;
Let them hear their first tales
In the sound of your voice.
Read in the morning;
Read over noon;
Read by the light of
Goodnight Moon.
Turn the pages together,
Sitting close as you'll fit,
Till a small voice beside you says,
"Hey, don't quit.
”
”
Richard Peck
“
A new social type was being created by the apartment building, a cool, unemotional personality impervious to the psychological pressures of high-rise life, with minimal needs for privacy, who thrived like an advanced species of machine in the neutral atmosphere. This was the sort of resident who was content to do nothing but sit in his over-priced apartment, watch television with the sound turned down, and wait for his neighbours to make a mistake.
”
”
J.G. Ballard (High-Rise)
“
in her hand she held a harp, and she sang. Sad and sweet was the sound of her voice in the cool clear air.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Still on my knees, I droop against Morpheus’s thighs—a solid support. The cool leather of his pants cushions my cheek. I close my eyes. Yes … I’ve been here before, held safely against him.
At first, I think I’m imagining it when he bends over to scoop me into his arms. But when the scent of licorice and warm skin surrounds me, I know it’s real.
“You left,” I accuse him, fighting to stay awake. “I was hurt … and you left me.”
“A mistake I vow on my life-magic to never make again.” Even though he’s cradling me close, his response sounds far away. But distance doesn’t matter; he gave his word. I’ll be holding him to it.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
She kept her stare locked on his as she let go of his face and slowly, making sure he understood every step of the way,tilted her head back until her throat was arched and bared before him.
"Aelin," he breathed. Not in reprimand or warning, but... a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair's breath away.
She arched her neck farther, a silent invitation.
Rowan let out a soft groan and grazed his teeth against her skin.
One bite, one movement, was all it would take for him to rip out her throat.
His elongated canines slid along her flesh-gently, precisely. She clenched the sheets to keep from running her fingers down on his bare back and drawing him closer.
He braced one hand beside her head, his fingers twining in her hair.
"No one else," she whispered. "I would never allow anyone else at my throat." Showing him was the only way he'd understand that trust, in a manner that only the predatory, Fae side of him would comprehend. "No one else," she said again.
He let out another low groan, answer and confirmation and request, and the rumble echoed inside her. Carefully, he closed his teeth over the spot where her lifeblood thrummed and pounded, his breath hot on her skin.
She shut her eyes, every sense narrowing on that sensation, on the teeth and mouth at her throat, on the powerful body trembling with restraint above hers. His tongue flicked against her skin.
She made a small noise that might have been a moan, or a word, or his name. He shuddered and pulled back, the cool air kissing her neck. Wildness-pure wildness sparked in those eyes.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
It sounds cool to say you are going to fight with a pen not a sword but violence with words is still violence ..
”
”
Yayoi Ogawa (Tramps Like Us, Vol. 10)
“
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch.
The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on.
Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water.
Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
”
”
William Golding (Lord of the Flies)
“
Barrons stood inside the front door, dripping cool old-world elegance.
I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me.
“ ‘One eye is taken for an eye . . .’ ” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare.
He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped.
I’d reached the sound dock, and just turned it off, when he exploded.
I whirled. “I didn’t look that funny,” I snapped.
His shoulders shook.
“Oh, come on! Stop it!”
He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet,
not a hot pink one.
I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs.
“You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder.
I wasn’t sure he even heard me, he was laughing so hard.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. "And what was the point of this again?"
Forget it!" Sam said. "Do you you like this place or not?"
I stoped in my tracks, spinning to face him. "Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. "You didn't think Jack would be here at all, did you?"
His thick black eyebrows went up even farther.
Did you evan intend to look for him at all?"
He held his hands up as if a surrender. "What do you want me to say?"
You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. "YOU told me about this wood somehow. How did you show it to me?"
I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.
So you brought me here to see this." I stepped forward again, and he stepped back.
Do you like it?"
Under false pretence." Anouther step forward; anouther back. The grine widened
So do you like it?"
When you knew we wouldn't come across anybody else."
His teeth flashed in his grin. "Do you like it?"
I punched my hands into his chest. "You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away.
Sam slowly lowered my wrists and relesed them. "I'm glad." he said very quietly.
My arms still hung by my sides, right where Sam had put them. I frowned at him. "You were supposed to kiss me."
I thought about it."
I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. "Why don't you?"
He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. "I have to get inside soon," he whispered "It's getting cold
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
The sound universe is also spectacular around here. In the evenings there's a cricket orchestra with frogs providing the bass line. In the dead of night the dogs howl about how misunderstood they are. Before dawn the roosters for miles around announce how freaking cool it is to be roosters.
”
”
Elizabeth Gilbert
“
I can't wait to get my memory back. It sounds like I am a really cool person
”
”
John C. Wright (Fugitives of Chaos (Chronicles of Chaos, #2))
“
...trees to cool the towns in the boiling summer, trees to hold back the winter winds. There were so many things a tree could do: add color, provide shade, drop fruit, or become a children's playground, a whole sky universe to climb and hang from; an architecture of food and pleasure, that was a tree. But most of all the trees would distill an icy air for the lungs, and a gentle rustling for the ear when you lay nights in your snowy bed and were gentled to sleep by the sound.
”
”
Ray Bradbury (The Martian Chronicles)
“
You sound angry, Elena.” Nicolas’s voice was tainted with something dangerous. “Maybe you should cool off.” My brows knitted. “What? No—” I never got to finish what I had to say. Because, with one hand on my side, Nicolas pushed me into the pool.
”
”
Danielle Lori (The Sweetest Oblivion (Made, #1))
“
When I sound the fairy call, gather here in silent meeting,
Chin to knee on the orchard wall, cooled with dew and cherries eating.
Merry, merry, take a cherry, mine are sounder, mine are rounder,
Mine are sweeter for the eater, when the dews fall, and you'll be fairies all.
”
”
Emily Dickinson
“
What did I want?
I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword,. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get u feeling brisk and go out and break some lances, then pick a like wench for my droit du seigneur--I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles.
I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin.
I wanted Prestor John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be--instead of the tawdry, lousy, fouled-up mess it is.
”
”
Robert A. Heinlein (Glory Road)
“
When there came a sound that I'd never heard the like of in all my born days. Eh, I won't forget that. The whole air was full of it, loud as thunder but far longer, cool and sweet as music over water but strong enough to shake the woods. And I said to myself, 'If that's not the Horn, call me a rabbit.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #4))
“
From the sound of pattering raindrops I recaptured the scent of the lilacs at Combray; from the shifting of the sun's rays on the balcony the pigeons in the Champs-Elysées; from the muffling of sounds in the heat of the morning hours, the cool taste of cherries; the longing for Brittany or Venice from the noise of the wind and the return of Easter. Summer was at hand, the days were long, the weather was warm. It was the season when, early in the morning, pupils and teachers repair to the public gardens to prepare for the final examinations under the trees, seeking to extract the sole drop of coolness vouchsafed by a sky less ardent than in the midday heat but already as sterilely pure.
”
”
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
“
I'm going to go hunt some zombie," he said. It would have sounded pretty cool if his voice hadn't cracked in the middle of the sentence.
”
”
Carrie Harris (Bad Taste in Boys (Kate Grable, #1))
“
Yeah, I get it; you're a vampire," she said. "Creepy. And okay, a little hot, I admit."
"You don't mean that."
"Come on. I still like you, you know, even if you... crave plasma."
Michael blinked and looked at her as if he had never seen her before.
"You what?"
"Like. You." Eve enunciated slowly, as if Michael might not know the words. "Idiot. I always have. What, you didn't know?" Eve sounded cool and grown-up about it, but Claire saw the hectic color in her cheeks, under the makeup.
"How clueless are you? Does it come with the fangs?"
"I guess I... I just thought... Hell. I just didn't think... You're kind of intimidating, you know."
"I'm intimidating? Me? I run like a rabbit from trouble, mostly," Eve said.
"It's all show and makeup. You're the one who's intimidating. I mean, come on. All that talent, and you look... Well, you know how you look."
" How do I look?" He sounded fascinated now, and he'd actually moved a little closer to Eve on the couch.
She laughed. "Oh come on. You're a total model-babe."
"You're kidding."
"You don't think you are?"
He shook his head.
"Then you're kind of an idiot, Glass. Smart, but and idiot." Eve crossed her arms.
“So? What exactly do you think about me, except that I’m intimidating?”
“I think you’re…you’re…ah, interesting?” Michael was amazingly bad at this, Claire thought, but then he saved it by looking away and continuing. “I think you’re beautiful. And really, really strange.”
Eve smiled and looked down, and that looked like a real blush, under the rice powder. “Thanks for that, “ she said, “I never thought you knew I existed, or if you did, that you thought I was anything but Shane’s bratty freak friend.”
“Well, to be fair, you are Shane’s bratty freak friend.”
“Hey!”
“You can be bratty and beautiful,” Michael said. “I think it’s interesting.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
Why don’t I have a cool name like that. Instead of Lucifer and Beelzebub. I mean, seriously, Beelzebub? It sounds like the name of a brothel or a low life bar. Why can’t I be Lu Von Cipher? Sounds good, right?
”
”
Cameron Jace (Mary Mary Quite Contrary (The Grimm Diaries Prequels, #5))
“
It was her turn to frown. “Where are you going?” I kissed her cheek, breathing in her lilac-and-pear scent. “I have some errands that need tending to.” And looking at her, walking beside her, did little to cool the rage that still roiled in me. Not when that beautiful smile made me want to winnow back to the Spring Court and punch my Illyrian blade through Tamlin’s gut. Bigger male indeed. “Go paint my nude portrait,” I told her, winking, and shot into the bitterly cold sky. The sound of her laughter danced with me all the way to the Palace of Thread and Jewels.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
It's not right, man,” Jay said, following my stare. “Some guys have all the luck.”
“What?” I finally broke my trance to look at Jay.
“That guy, the drummer? Get this. He's a killer musician, he gets tons of chicks, his dad's loaded, and as if that wasn't enough, he's got a friggin' English accent!”
I had to smile at Jay's mix of envy and admiration.
“What's his name?” I hollered as the third song started.
“Kaidan Rowe. Oh, and that's another thing. A cool name! Bastard.”
“How do you spell it?” I asked. It sounded like Ky-den.
Jay spelled it for me. “It's A-I, like Thai food,” he explained.
Kai, like Thai, only yummier. Gah! Who was this girl invading my brain?
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Such nights are possible, and we survive them. It is a matter of sleeping next to the adored body you no longer have the right or inclination to love. Whether you are the one who casts off, or are the cast of yourself; whether your arms are the recoilers, or the ones that reach wantingly, then pull back, remembering they are no longer wanted. Two bodies that are used to each other's rhythms and sleep sounds, that know the turnings and breathings, know not to worry about that cough or that brief garbled grunt, that wildly flung arm or that stone-cold foot. Bodies that soon will not know each other's night selves: will touch each other through jackets and jeans and the cooled-down air of reestablished acquaintance, if such a thing is possible between a given pair of ex-lovers.
”
”
Sylvia Brownrigg (Pages for You (Pages for You, #1))
“
oaky sounds grea8~! but can i bring frined earl hes cool ul'l liek him ???/
”
”
Jesse Andrews (Me and Earl and the Dying Girl)
“
my life’s motto: If you’re not willing to invent cool-sounding bullshit about yourself, don’t expect others to.
”
”
Tim Dorsey (Nuclear Jellyfish (Serge Storms, #11))
“
Ah, what sights and sounds and pain lie beneath that mist. And we had thought that our hard climb out of that cruel valley led to some cool, green and peaceful, sunlit place---but it's all jungle here, a wild and savage wilderness that's overrun with ruins. But put on your crown, my Queen, and we will build a New City on these ruins.
”
”
Eldridge Cleaver (Soul on Ice)
“
Her voice sounded much cooler than she felt. Inside, her internal organs were grinding themselves into nervous pulp. Her intestines were gone. Her kidneys were disintegrating. Her stomach was wringing itself out, yanking on her trachea.
”
”
Rainbow Rowell (Fangirl)
“
I was there,” I exclaimed. “I could see myself, and the fire, the cool from the window, the table was piled with books, and I was writing something. And it was life, my life, and…and there were footsteps on the stairs.” “Whose?” “I don’t know. But he sounded like the other half of home.
”
”
Beth Brower (The Unselected Journals of Emma M. Lion: Vol. 5)
“
Well, he wouldn't get fooled again. He wouldn't give anybody the chance. Quentin felt a new attitude of detachment descend on him. His molten anger and grief were cooling into a glossy protective coating, a hard transparent lacquer of uncaring. He felt how infinitely safer and more sound this attitude was. The trick was just not wanting anything. That was power. That was courage: the courage not to love anyone or hope for anything.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
Have you ever noticed that however uncomfortable you might have been when you first went to bed—the room too hot or too cold; the pillows not quite right; the mattress lumpy; the sheets scratchy by the time you should get up, your bed has transformed itself into the Platonic ideal of beds? The room is cool, the bed is soft, and the pillow may as well have been God’s Own Headrest. The transformation inevitably happens, of course, when you’re obligated to get up and out, when nothing sounds better than hunkering down in a pile of cool cotton.
”
”
Chloe Neill
“
How does she do it? She makes it sound like she is so cut up to be giving them this information, and it's all just bumph out of her head. She never told them ANYTHING. I don't think she's given them the right name of any airfield in Britain except Mainsend and Buscot, which of course were where she was stationed. They could have easily checked. It's all so close to truth, and so glib--her aircraft identification is rather good considering what a fuss she makes about it. It makes me think of the first day I met her, giving those directions in German. So cool and crisp, such authority--suddenly she really was a radio operator, a German radio operator, she was so good at faking it. Or when I told her to be Jamie, how she just suddenly turned into Jamie.
This confession of hers is rotten with error...
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
This is the voice of a man who’s seen things. I thought it was so evocative to sound broken the way he did. I didn’t have that. I sounded like a cool new pair of jeans and Billy sounded like the pair you’ve had for years.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Nothing Tastes as Good as Skinny Feels Unless you count your grandmother’s cake, hand mixed while she waits for the sound of your breath at the door. Or if you consider the taste of the sea, arms raised while you enter, salt at your lips. Or maybe you’ve forgotten the taste of a lover, your mouth on his skin. I ask—have you ever tasted the cool swill of freedom? The consuming rush of a quiet, radical love.
”
”
Kate Baer (What Kind of Woman)
“
The pleasures of my life here are simple – simple, inexpensive and democratic. A warm hill of Marmande tomatoes on a roadside vendor’s stall. A cold beer on a pavement table of the Café de France – Marie Thérèse inside making me a sandwich au camembert. Munching the knob of a fresh baguette as I wander back from Sainte-Sabine. The farinaceous smell of the white dust raised by a breeze from the driveway. A cuckoo sounding the perfectly silent woods beyond the meadow. A huge grey, cerise, pink, orange and washed-out blue of a sunset seen from my rear terrace. The drilling of the cicadas at noon – the soft dialing-tone of the crickets at dusk slowly gathers. A good book, a hammock and a cold, beaded bottle of blanc sec. A rough red wine and steak frites. The cool, dark, shuttered silence of my bedroom – and, as I go to sleep, the prospect that all this will be available to me again, unchanged, tomorrow.
”
”
William Boyd (Any Human Heart)
“
What does a river know about this and what does a tree know?
And I, who am no more than those, what do I know?
Every time I look at things and think about what men think about them,
I laugh like how a brook sounds cool on a stone.
”
”
Fernando Pessoa (The Collected Poems of Alberto Caeiro)
“
I have a bachelor’s degree in how to take people canoeing for their mental health, essentially.” “Don’t do that,” Bo says sternly. “What?” I blink at double speed. “Dismiss yourself like that. That sounds really fucking cool and important to me. Don’t trivialise what you accomplished.” “Oh, uh, well… thanks.
”
”
Hannah Bonam-Young (Out on a Limb)
“
I’ve had many names, none of which you would recognize. I am the Night Mother. I am the last, wet gasp of a punctured lung. I am the quiet sound of blood cooling in dead veins. I am the end of all things, and all things that end are my domain.
”
”
Norris Black (Never Whistle at Night: An Indigenous Dark Fiction Anthology)
“
...You can bring a guest to the wedding, but nobody too weird. I get that you're asexual, so, like, it can be a friend or zucchini or...' She trailed off, sounding a bit uncertain. "Yeah. Just. Nobody my parents would hate. They already don't like the groom.'
'Cool. Does my dog count as too weird?
”
”
Darcie Little Badger (Elatsoe (Elatsoe, #1))
“
They could lie drowsing now under the sound of kindly voices in the living room, a sound whose intricately rhythmic rise and fall would slowly turn into the shape of their dreams. And if they came awake later to turn over and reach with their toes for new cool places in the sheets, they knew the sound would still be there—one voice very deep and the other soft and pretty, talking and talking, as substantial and soothing as a blue range of mountains seen from far away.
”
”
Richard Yates (Revolutionary Road)
“
Mirabelle loved the forest. It was cool and full of shadows and little shifting pools of sunlight. It was strange and secret, full of unknown things, magic things perhaps. It sheltered flocks of colored birds, and rabbits and squirrels and the big-eyed, delicate-footed deer. It breathed with the scent of flowers and the sound of running water, and at night it held all the stars in its branches.
”
”
Margaret Greaves (A Net to Catch the Wind)
“
Seeing the future sounds cool until you get this two-second flash and have no idea what it means, or if it will really happen.
”
”
Debora Geary (A Modern Witch (A Modern Witch, #1))
“
First off, he called me a bundle of kick ass hotness, and that really did sound like a cool compliment.
”
”
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
“
Rodney, when I cum, I fill jars,” I said. “Mason jars. The big ones.”
Rodney laughed. “Really?” he said. “Is that supposed to sound cool? You don’t have to build yourself up.
”
”
Ellie Saxx (The Man Who Came Too Much)
“
How cool would it have been to live back when the wind and birds and avalanches sounded like Black Sabbath, and killing gave people these huge fucking hard-ons?
”
”
Dennis Cooper
“
That should cool matters down considerably," Aunt Arianne said, not sounding as if she'd been recently attacked by anything more than mild curiosity.
”
”
Andrea K. Höst (The Pyramids of London (The Trifold Age, #1))
“
More murders are committed at ninety-two degrees Fahrenheit than any other temperature. Over one hundred, it's too hot to move. Under ninety, cool enough to survive. But right at ninety-two degrees lies the apex of irritability, everything is itches and hair and sweat and cooked pork. The brain becomes a rat rushing around a red-hot maze. The least thing - a word, a look, a sound, the drop of a hair and - irritable murder. Irritable murder, there's a pretty and terrifying phrase for you.
- Touched with Fire
”
”
Ray Bradbury (The October Country)
“
Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more.
She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom.
No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“
I am the unseen. For centuries I have been here, beneath this great city, this metropolis. I know your language. I know all languages. . . . My cave is broad and cool. The sun cannot send its heat down here. The damp soil is rich and fragrant. I turn softly on my back and place my eight legs to the cave ceiling. Then, I listen. I am the spider. I see sound. I feel taste. I hear touch. I spin this story. This is the story I’ve spun.
”
”
Nnedi Okorafor (Lagoon)
“
She stopped at a red light and turned to face him. “Look. You must know your eyes are truly distracting, and you keep LOOKING at me. I’ve also never talked to anyone who sounds like a movie trailer announcer before. Your voice is so cool. I’m sure you know that. It’s probably part of your famousness. But here in this car it’s unsettling, because I have this sensation you might suddenly begin sentences with some dramatic start.” She lowered her voice. “like...IN A WORLD, FAR, FAR AWAY...
”
”
Anne Eliot (Unmaking Hunter Kennedy)
“
She sat very still, listening to a stream gurgling, the breeze soughing through upper branches, the melodious kloo-klack of ravens, the nyeep-nyeep of nuthatches - all sounds chokingly beautiful. She felt she could hear the cool clean breath of growing things - fern fronds, maple leaves, white trillium petals, tree trunks, each in its rightful place.
”
”
Susan Vreeland (The Forest Lover)
“
I passed a large dark room where a wall-mounted flat-screen with sound muted showed an overweight rapper performing rap hand gestures, which are supposed to project masculine cool but in fact look like a pointlessly violent version of deaf sign language.
”
”
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
“
Sword rang on sword, the metallic sounds echoing throughout the wide market place and filling the crannies of every dark alley. Strength waged against strength, as, indeed, rivals of evil have ever-battled the adversaries of truth. The face of one combatant appeared cool and certain, the other passionate in his resolve, intent upon seeing the battle through and winning the day with valor...
”
”
Alicia A. Willis
“
A Halt
Lie still, my soul, the Sun of Grace
Is warm within this garden space
Beneath tall kindly trees.
The quiet light is green and fair;
A fragrance fills the swooning air;
Lie still, and take thine ease.
This silent noon of Jesu's love
Is warm about thee and above-
A tender Lord is He.
Lie still an hour- this place is His
He has a thousand pleasaunces,
And each all fair and fragrant is,
And each is all for thee.
Then, Jesu, for a little space
I rest me in this garden place,
All sweet to scent and sight.
Here, from this high-road scarce withdrawn,
I thrust my hot hands in the lawn
Cool yet with dew of far-off dawn
And saturate with light.
But ah, dear Saviour, human-wise,
I yearn to pierce all mysteries,
To catch Thine Hands and see Thine Eyes
When evening sounds begin.
There, in Thy white Robe, Thou wilt wait
At dusk beside some orchard gate,
And smile to see me come so late,
And, smiling, call me in.
”
”
Robert Hugh Benson
“
It starts as a low croon that rolls in with the tide, a sound so faint it might just be the wind blowing through the clapboard shutters, through the portholes of docked fishing boats, and into narrow cracks along sagging doorways. But after the first night, the harmony of voices become undeniable. An enchanting hymn sailing over the water’s surface, cool and soft and alluring. The Swan sisters have awakened.
”
”
Shea Ernshaw (The Wicked Deep)
“
If you asked most kids, “Hey, you want to summon fire or lightning or magical makeup?” they’d think it sounded pretty cool. But those powers went along with hard stuff, like sitting in a sewer in the middle of winter, running from monsters, losing your memory, watching your friends almost get cooked, and having dreams that warned you of your own death.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
It was the cool gray dawn, and there was a delicious sense of repose and peace in the deep pervading calm and silence of the woods. Not a leaf stirred; not a sound obtruded upon great Nature's meditation [...] Gradually the cool dim gray of the morning whitened, and as gradually sounds multiplied and life manifested itself. The marvel of Nature shaking off sleep and going to work unfolded itself to the musing boy [...] All Nature was wide awake and stirring, now; long lances of sunlight pierced down through the dense foliage far and near, and a few butterflies came fluttering upon the scene.
”
”
Mark Twain (The Adventures of Tom Sawyer)
“
And it’s doesn’t sound like much, I know, but if my heartbreak was a fever, my brother is the cool cloth they’d lay on my forehead.
”
”
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
“
I'm in position." Charlie's voice, coming through my earpiece.
"Wish I could say the same. All the blood's rushing to my head."
"Thrope stuff?" Charlie sounds a little worried.
"No, I'm upside down."
"Why?"
"I thought it would make me look all cool and ninja-y."
"No one's supposed to be bale to see you."
"Ah. I knew there was a flaw in my plan. Also, i slipped."
"In fact, the whole point of being a ninja is not to be seen."
"Fortunately I have this nifty safety harness, which is why I'm dangling instead of plummeting. Thanks for asking.
”
”
D.D. Barant (Better Off Undead (The Bloodhound Files, #4))
“
To me, hearing that those girls gave my brother Eric a blow job sounded very nice.
History shows that all boys consider blow job to be a nice-sounding set of words.
I thought a blow job was putting your face in front of an air conditioner, which is something all nine-year-old boys love to do, even though Eric did not look like he had been cooled off very much.
”
”
Andrew Smith (Grasshopper Jungle)
“
Do you not like the Beatles?” Frank asked, sounding shocked, as we finished our cool-down and started walking back toward my house. “Do you also not like sunshine and laughter and puppies?
”
”
Morgan Matson (Since You've Been Gone)
“
After the brightness of the morning, the interior of the pavilion seemed cool and dim. Stannis seated himself on a plain wooden camp stool and waved Davos to another. “One day I may make you a lord, smuggler. If only to irk Celtigar and Florent. You will not thank me, though. It will mean you must suffer through these councils, and feign interest in the braying of mules.”
“Why do you have them, if they serve no purpose?”
“The mules love the sound of their own braying, why else? And I need them to haul my cart.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof.
“You shouldn’t make friends with crows,” he’d told her.
“Why not?” she asked.
He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue.
The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world.
“Why not?” she’d repeated, eyes still closed.
He said the first thing that popped into his head. “They don’t have any manners.”
“Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Somewhere among the commotion I grew rather depressed. The depression stayed with me for over a year; it was like an animal, a well-defined, spatially localizable thing. I would wake up, open my eyes, listen-is it here or isn’t it? No sign of it. Perhaps it’s asleep. Perhaps it will leave me alone today. Carefully, very carefully, I get out of bed. All is quiet. I go to the kitchen, start breakfast. Not a sound. TV-Good Morning America, David what’s-his-name, a guy I can’t stand. I eat and watch the guests. Slowly the food fills my stomach and gives me strength. Now a quick excursion to the bathroom, and out for my morning walk-and here she is, my faithful depression: “Did you think you could leave without me?" I had often warned my students not to identify with their work. I told them, “if you want to achieve something, if you want to write a book, paint a picture, be sure that the center of your existence if somewhere else and that it’s solidly grounded; only then will you be able to keep your cool and laugh at the attacks that are bound to come." I myself had followed this advice in the past, but now I was alone, sick with some unknown affliction; my private life was in a mess, and I was without a defense. I often wished I had never written that fucking book.
”
”
Paul Karl Feyerabend (Killing Time: The Autobiography of Paul Feyerabend)
“
This advice has been given often and more compellingly elsewhere, but my specific piece of wrong procedure back then was, incredibly, to browse through the thesaurus and note words that sounded cool, hip, or likely to produce an effect, usually that of making me look good, without then taking the trouble to go and find out in the dictionary what they meant
”
”
Thomas Pynchon (Slow Learner)
“
When a person dies, they cross over from the realm of freedom to the realm of slavery. Life is freedom, and dying is a gradual denial of freedom. Consciousness first weakens and then disappears. The life-processes – respiration, the metabolism, the circulation – continue for some time, but an irrevocable move has been made towards slavery; consciousness, the flame of freedom, has died out.
The stars have disappeared from the night sky; the Milky Way has vanished; the sun has gone out; Venus, Mars and Jupiter have been extinguished; millions of leaves have died; the wind and the oceans have faded away; flowers have lost their colour and fragrance; bread has vanished; water has vanished; even the air itself, the sometimes cool, sometimes sultry air, has vanished. The universe inside a person has ceased to exist. This universe is astonishingly similar to the universe that exists outside people. It is astonishingly similar to the universes still reflected within the skulls of millions of living people. But still more astonishing is the fact that this universe had something in it that distinguished the sound of its ocean, the smell of its flowers, the rustle of its leaves, the hues of its granite and the sadness of its autumn fields both from those of every other universe that exists and ever has existed within people, and from those of the universe that exists eternally outside people. What constitutes the freedom, the soul of an individual life, is its uniqueness. The reflection of the universe in someone's consciousness is the foundation of his or her power, but life only becomes happiness, is only endowed with freedom and meaning when someone exists as a whole world that has never been repeated in all eternity. Only then can they experience the joy of freedom and kindness, finding in others what they have already found in themselves.
”
”
Vasily Grossman (Life and Fate)
“
Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.
”
”
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
“
But whether Nikolai lived or died this day, there would be no Sainthood for the Darkling. He would have to find some other way to appease the monk. Yuri was a boy in search of a cause, and that at least was something Nikolai could understand. He turned to Zoya. “You have the order? If the monster takes me—”
“I know what to do.”
“You needn’t sound quite so eager.”
To his surprise, Zoya seized his hand. “Come back,” she said. “Promise you’ll come back to us.”
Because he was most likely about to die, he let himself cup his hand briefly to her extraordinary face. Her skin felt cool against his fingers.
“Of course I’ll come back,” he said. “I don’t trust anyone else to deliver my eulogy.”
A smile curled her lips. “You’ve written it already?”
“It’s very good. You’d be surprised how many synonyms there are for handsome.”
Zoya closed her eyes. She turned her face, letting her cheek rest against his palm. “Nikolai—
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled.
The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.”
“Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?”
A growl like none Butch had ever heard came out of the guy.
“Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.”
It took a minute before the model let go.
“That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.”
Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.”
The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly.
“Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?"
“Don’t have one.”
“Then I’m coming after your girlfriend.”
Butch dragged in some air. “Got no woman.”
“So if the chicks won’t do you, what makes you think I’d want to?”
“Was hoping to piss you off.”
“Now why’d you want to do that?” Blondie asked.
“If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight.
Would’ve killed me first. Before I had a chance at you.”
Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone.
“You know, I kind of like this big dummy,” the guy drawled.
Someone cleared a throat. Rather officiously.
Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray.
“Pardon me, gentlemen. Dinner will be served in about fifteen minutes.”
“Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray.
“Yes, Sire.”
“Hot damn.”
The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this?
“Might I ask a favor?” the butler said.
Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.”
Yeah, guess the guy wasn’t really normal. Just relatively so.
The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?”
“No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
I came to California to study oceanography.” “That sounds like a perfectly good reason,” she said. “Well”—he flicked his pen in short strokes around the hedgehog’s face—“as it turns out, I don’t actually like the ocean.” Georgie laughed. Neal’s eyes were laughing with her. “I’d never seen it before I got here,” he said, glancing quickly up at her. “I thought it seemed cool.” “It’s not cool?” “It’s really wet,” he said. “And also outside.” Georgie kept laughing. Neal kept inking. “Sunburn…,” he said, “seasick…” “So now what are you studying?” “I am definitely still studying oceanography,” he said, nodding at his drawing. “I am definitely here on an oceanography scholarship, still studying oceanography.” “But that’s terrible. You can’t study oceanography if you don’t like the ocean.” “I may as well.” He almost smiled again. “I don’t like anything else either.
”
”
Rainbow Rowell (Landline)
“
After practice on lazy summer afternoons, he’d gather the kids around and tell stories about baseball players long dead, players from the old Negro leagues with names that sounded like brands of candy: Cool Papa Bell, Golly Honey Gibson, Smooth Rube Foster, Bullet Rogan, guys who knocked the ball five hundred feet high into the hot August air at some ballpark far away down south someplace, the stories soaring high over their heads, over the harbor, over their dirty baseball field, past the rude, red-hot projects where they lived. The Negro leagues, Sport said, were a dream. Why, Negro league players had leg muscles like rocks.
”
”
James McBride (Deacon King Kong)
“
evening harmony
behold the times when trembling on their stems
the flowers evaporate like thuribles
the sounds and scents turn in the evening cool;
sad waltz, languid intoxication!
the flowers evaporate like thuribles
the viol quivers like a heart that's torn
sad waltz, languid intoxication!
the sky is sad like some memorial.
the viol quivers like a heart that's torn
a heart that hates the void perpetual!
the sky is sad like some memorial
the sun has drowned in it's vermillion
a heart that hates the void perpetual
recalls each glowing moment of times gone!
the sun has drowned in it's vermillion;
your memory shines my monstrance personal
”
”
Charles Baudelaire
“
There's nothing like the very early morning. It's the sweetness of the air, the sweet coolness; it's the bubbling of the creek which, for some strange reaction, always sounds more energetic than it does later on; it's the gargling of the magpies.
”
”
John Marsden (Darkness, Be My Friend (Tomorrow, #4))
“
No, it’s cool,” Mills replied. “I don’t have a boyfriend. I’m single.” It was the first time he had ever defined himself as single, which felt like defining himself as American in a foreign country. It sounded advanced and self-reliant and lonely.
”
”
Christopher Bollen (Orient)
“
Cool morning shadows sadly shift across the floor
Each time we say goodbye it’s harder than before
Even after all the pain of parting still we find
That we must mourn the death of the dreams we leave behind
As I turn my back on all that means the most to me
The sounds and smells, the light that dances on the sea
The greatest gamble is to act on the belief
That only the slave who leaves it all is truly free
The sacrifice that we both lay before His feet
A thousand moments that belonged to us
That now will never be
By faith we hold a better dream inside our hearts
A time when our family will never have to be apart
Till then we struggle with just what it really means
And we will mourn the death of our beautiful dreams
Mourn the death of our beautiful dreams
”
”
Michael Card (A Fragile Stone: The Emotional Life of Simon Peter)
“
Relax enough, and your body becomes so familiar with the cradle-rocking rhythm that you almost forget you’re moving. And once you break through to that soft, half-levitating flow, that’s when the moonlight and champagne show up: “You have to be in tune with your body, and know when you can push it and when to back off,” Ann would explain. You have to listen closely to the sound of your own breathing; be aware of how much sweat is beading on your back; make sure to treat yourself to cool water and a salty snack and ask yourself, honestly and often, exactly how you feel. What could be more sensual than paying exquisite attention to your own body? Sensual counted as romantic, right?
”
”
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
“
There was no water at my grandfather’s
when I was a kid and would go for it
with two zinc buckets. Down the path,
past the cow by the foundation where
the fine people’s house was before
they arranged to have it burned down.
To the neighbor’s cool well. Would
come back with pails too heavy,
so my mouth pulled out of shape.
I see myself, but from the outside.
I keep trying to feel who I was,
and cannot. Hear clearly the sound
the bucket made hitting the sides
of the stone well going down,
but never the sound of me.
”
”
Jack Gilbert
“
For I had come back, and I dreamed once more, in the cool air of the Highlands. And the voice of my dream still echoed through ears and heart, repeated with the sound of Brianna’s sleeping breath. “You are mine,” it had said. “Mine! And I will not let you go.
”
”
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander / Dragonfly in Amber / Voyager / Drums of Autumn / The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone)
“
He said the pleasantest manner of spending a hot July day was lying from morning till evening on a bank of heath in the middle of the moors, with the bees humming dreamily about among the bloom, and the larks singing high up overhead, and the blue sky and bright sun shining steadily and cloudlessly. That was his most perfect idea of heaven's happiness: mine was rocking in a rustling green tree, with a west wind blowing, and bright white clouds flitting rapidly above; and not only larks, but throstles, and blackbirds, and linnets, and cuckoos pouring out music on every side, and the moors seen at a distance, broken into cool dusky dells; but close by great swells of long grass undulating in waves to the breeze; and woods and sounding water, and the whole world awake and wild with joy. He wanted all to lie in an ecstasy of peace; I wanted all to sparkle and dance in a glorious jubilee. I said his heaven would be only half alive; and he said mine would be drunk: I said I should fall asleep in his; and he said he could not breathe in mine
”
”
Emily Brontë (Wuthering Heights)
“
Hey,” I said before he could say anything else that would make the mood even weirder or break it entirely. “You wanna grab some coffee or something someday? I mean, some time when I’m not crawling with maggots,” I added with a laugh that sounded nervous to my own ears and probably sounded desperate and pathetic to his. I totally braced myself for him to hem and haw and say that he couldn’t or had a girlfriend or something. I was shocked instead when he gave me a nod.
“That sounds nice. And I’m cool with the no maggots thing too.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Have peace now,’ she said, ‘until the morning! Heed no nightly noises! For nothing passes door and window here save moonlight and starlight and the wind off the hill-top. Good night!’ She passed out of the room with a glimmer and a rustle. The sound of her footsteps was like a stream falling gently away downhill over cool stones in the quiet of night. Tom
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
Her voice sounds oddly cool and distant, like a recording of her voice played after she herself has gone away or departed for somewhere else.
”
”
Sally Rooney (Normal People)
“
They had Rembrandt on the calendar that year, a rather smeary self-portrait due to imperfectly registered color plate. It showed him holding a smeared palette with a dirty thumb and wearing a tam-o’-shanter which wasn’t any too clean either. His other hand held a brush poised in the air, as if he might be going to do a little work after a while, if somebody made a down payment. His face was aging, saggy, full of the disgust of life and the thickening effects of liquor. But it had a hard cheerfulness that I liked, and the eyes were as bright as drops of dew.
I was looking at him across my office desk at about four-thirty when the phone rang and I heard a cool, supercilious voice that sounded as if it thought it was pretty good. It said drawlingly, after I had answered:
“You are Philip Marlowe, a private detective?
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Brain scans prove that patients who’ve sustained significant childhood trauma have brains that look different from people who haven’t. Traumatized brains tend to have an enlarged amygdala—a part of the brain that is generally associated with producing feelings of fear. Which makes sense. But it goes further than that: For survivors of emotional abuse, the part of their brain that is associated with self-awareness and self-evaluation is shrunken and thin.
Women who’ve suffered childhood sexual abuse have smaller somatosensory cortices—the part of the brain that registers sensation in our bodies. Victims who were screamed at might have an altered response to sound. Traumatized brains can result in reductions in the parts of the brain that process semantics, emotion and memory retrieval, perceiving emotions in others, and attention and speech. Not getting enough sleep at night potentially affects developing brains’ plasticity and attention and increases the risk of emotional problems later in life. And the scariest factoid, for me anyway: Child abuse is often associated with reduced thickness in the prefrontal cortex, the part of the brain associated with moderation, decision-making, complex thought, and logical reasoning.
Brains do have workarounds. There are people without amygdalae who don’t feel fear. There are people who have reduced prefrontal cortices who are very logical. And other parts of the brain can compensate, make up the lost parts in other ways. But overall, when I looked at the breadth of evidence, the results felt crushing.
The fact that the brain’s cortical thickness is directly related to IQ was particularly threatening to me. Even if I wasn’t cool, or kind, or personable, I enjoyed the narrative that I was at least effective. Intelligent. What these papers seemed to tell me is that however smart I am, I’m not as smart as I could have been had this not happened to me. The questions arose again: Is this why my pitches didn’t go through? Is this why my boss never respected me? Is this why I was pushed to do grunt work in the back room?
”
”
Stephanie Foo (What My Bones Know)
“
Thus, to give an obvious instance, if I have once enjoyed the cool shade of a tree, and been lulled into a deep repose by the sound of a brook running at its feet, I am sure that wherever I can find a tree and a brook, I can enjoy the same pleasure again. Hence, when I imagine these objects, I can easily form a mystic personification of the friendly power that inhabits them, Dryad or Naiad, offering its cool fountain or its tempting shade. Hence the origin of the Grecian mythology.
”
”
William Hazlitt
“
Up here, far away from everybody, the night is peaceful: there's no sound except the hum of the Earth. At school, when I sang the note to Mr Hughes Music he said it was B flat but he laughed when I said it was the note the Earth hummed. He said: You'll be hearing the music of the spheres next, Gwenni. But he doesn't know how the Earth's deep, never-ending note clothes me in rainbow colors, fills my head with all the books ever written, and feeds me with the smell of Mrs. Sergeant Jones's famous vanilla biscuits and the strawberry taste of Instant Whip and the cool slipperiness of glowing red jelly. I could stay up here for ever without the need for anything else in the whole world.
”
”
Mari Strachan (The Earth Hums in B Flat)
“
In the American Civil War it was a matter of principle that a good officer rode his horse as little as possible. There were sound reasons for this. If you are riding and your soldiers are marching, how can you judge how tired they are, how thirsty, how heavy their packs weigh on their shoulders? I applied the same philosophy in Vietnam, where every battalion commander had his own command-and-control helicopter. Some commanders used their helicopter as their personal mount. I never believed in that. You had to get on the ground with your troops to see and hear what was happening. You have to soak up firsthand information for your instincts to operate accurately. Besides, it’s too easy to be crisp, cool, and detached at 1, 500 feet; too easy to demand the impossible of your troops; too easy to make mistakes that are fatal only to those souls far below in the mud, the blood, and the confusion.
”
”
Harold G. Moore (We Were Soldiers Once . . . and Young: Ia Drang-The Battle That Changed the War in Vietnam)
“
I never rode on the back of an old
Chopper down the highway
Holdin' on tight just him and I
Makin' our getaway
I've always been the good girl
Walked the straight and narrow path all my life,
I like a man with a tan and a twisted chrome kickstand
Leanin' on a big old bike
The low rollin' sound that'll shake the ground
Comin' out of long pipes
I like a tattoo or two
Or even more if they're cool
On the big old arms of a long-haired dude
Inside of me, there's an all I wanna be
Biker chick
”
”
Jo Dee Messina
“
The weather turned cool a few weeks later, and that winter was when Mia had her accident. So that actually turned out to be the last time I went camping. But even if it weren’t, I still think it would be the best trip of my life. Whenever I remember it, I just picture our tent, a little ship glowing in the night, the sounds of Mia’s and my whispers escaping like musical notes, floating out on a moonlit sea.
”
”
Gayle Forman
“
In Europe, nobody will bleep you, if you want to say a "bad" word on TV. The idea that some self-righteous little old lady at the FCC gets to tell other people which words they may or may not use, seems like a pretty strange concept in the rest of the civilized world.
Media censorship is a prohibition of words and pictures. The War on Drugs is a complete failure, and so is the American War on Words. When you forbid a word, you give it power. Self-proclaimed rebels will use words like shit or fuck, simply to shock and sound cool.
”
”
Oliver Markus Malloy (Bad Choices Make Good Stories - Going to New York (How The Great American Opioid Epidemic of The 21st Century Began, #1))
“
I'm going out,” I said.
I loved the way that sounded. It was just like what the heroes say in war movies right before they hurl themselves out of the plane. I felt like I should wink and say something like, “See you around, guys” and be really cool about it – but who was I kidding? I wasn't cool. I'd just sound like an idiot.
”
”
Vicki Grant (Pigboy)
“
How do you find a name?"
"In this case, on a shampoo bottle. It's one of the ingredients; Sodium Laureth Sulphate. He thought it was a beautiful word and sounded like a name."
"He's right."
"Mum didn't think so. He swears he told her at the time where it came from, and maybe he did, but she was too ill to remember. I was seven when she found out, and then she hit the roof. 'You named our daughter after a chemical!' That kind of thing."
"I still think it's a cool name," said Sam, and I could hear the smile in his voice. It was a soft voice, too. I liked it.
"And very beautiful," he added.
"Thank you," I said, feeling a little warm inside.
"And that's why I have such a boring name," said Benjamin.
"Oh, hey," said Sam. "That's a cool name, too."
"No, it's not," said Benjamin. "There are two Bens in my class. Mum said she was going to choose my name when I was born. Dad wasn't allowed. So I got a boring name. But that's why Stan's called Stan."
"Because you wanted him to have a boring name, too?"
"Stan's not a boring name. It's short for Stannous."
"Stannous?"
"Stannous Chloride," I said. "It's a chemical. It was on a tube of toothpaste."
Sam laughed.
"Mum hit the roof," said Benjamin, proudly.
”
”
Marcus Sedgwick (She Is Not Invisible)
“
Speaking of getting some," Nicky said in German. He wheeled on Aaron and flailed at him. "How is he suddenly okay with this? What the hell did you do?"
"I returned the favor," Aaron said with a cool look in Neil's direction. "Neil used Katelyn against me, so I used Neil against Andrew. Depending on how you look at it, Neil's as much a violation of our deal as Katelyn was. Andrew could break our deal and let me go or break things off with Neil."
Neil was fluent in German, but Aaron's words were a jumbled mess he couldn't make sense of. Aaron had warned Neil he was ready to fight for Katelyn, but if Neil was the ammunition he'd used Aaron should have lost. This had to be a misunderstanding or Aaron's skewed take on Andrew's intentions.
Nicky found his tongue first. "Wait, he chose Neil over you? That sounds a little serious for a fling, don't you—" Nicky glanced at Neil's blank face and faltered. "News to you too, huh?
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Dearest Mac,
I love you. I will always love you.
But I can live with you no longer. I've tried to be strong for you, for three years I have tried. I have failed. You tried to remake me in your image, dear Mac, and I tried to be what you wanted, but I no longer can. I am sorry.
I want to write that my heart is breaking, but it is not. It broke some time ago, and I have just now realised that I can leave me heartbreak behind and go on.
The decision to live without you was a painful one and not lightly made. I realise you can legally cause me much harm for taking this step, and I ask you, for the love we once shared, not to. It could be that I will not need to leave forever, but I know that I need time apart, alone, to heal.
You have explained that you sometimes leave me for my own good, so I will have a chance to recover from life with you. Now I am doing the same, leaving so that both of us have a chance to breath, a chance to cool. Living with you is like being with a shooting star, one that burns so brightly that it scorches me. And I am watching the star burn out. In the end, Mac, I fear there will be nothing left of you.
I know you will be angry when you read this, because you can grow so angry! But when you stop being angry, you will realize that my decision is sound. Together, we are destroying each other. Apart, I can remember my love for you. But you are burning me. You have exhausted me, and I have nothing left to give.
Ian has agreed to bring this letter to you, and he will inform me of what steps you decide to take. I trust Ian to help us through. Please do not try to seek me yourself.
I love you, Mac. I will always love you.
Please be well.
Isabella
”
”
Jennifer Ashley (Lady Isabella's Scandalous Marriage (Mackenzies & McBrides, #2))
“
Speaking of cold...
I shiver. "Has the temperature dropped, or is it just me?"
"Here." Etienne unwraps the black scarf that had been tied loosely around his neck,and hands it to me. I take it, gently, and wrap it around mine. It makes me dizzy.It smells like freshly scrubbed boy. It smells like him.
"Your hair looks nice," he says. "You bleached it again.
I touch the stripe self-consciously. "Mom helped me."
"That breeze is wicked,I'm going for coffee." Josh snaps his sketchbook closed. I'd forgotten he was here again. "You coming?"
Etienne looks at me, waiting to see how I answer.
Coffee! I'm dying for a real cup. I smile at Josh. "Sounds perfect."
And then I'm heading down the steps of the Pantheon, cool and white and glittering, in the most beautiful city in the world. I'm with two attractive, intelligent,funny boys and I'm grinning ear to ear. If Bridgette could see me now.
I mean,who needs Christopher when Etienne St. Clair is in the world?
But as soon as I think of Toph, I get that same stomach churching I always do when I think about him now.Shame that I ever thought he might wait. That I wasted so much time on him. Ahead of mine,Etienne laughs at something Josh said. And the sound sends me spiraling into panic as the information hits me again and again and again.
What am I going to do? I'm in love with my new best friend.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
James and the other eight children of 'Superior Dosset,' of whom there are still five alive, may be said to have represented Victorian England, with its principles of trade and individualism at five per cent, and your money back - if you know what that means. At all events they've turned thirty thousand pounds into a cool million between them in the course of their long lives. (...) Their day is passing, and their type, not altogether for the advantage of the country. They were pedestrian, but they too were sound.
”
”
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
“
I saw how the idea, still colourless, nothing but pure and flowing heat, streamed from the furnace of his impulsive excitement like the molten metal to make a bell, then gradually, as it cooled, took shape, I saw how that shape rounded out powerfully and revealed itself, until at last the words rang from it and gave human language to poetic feeling, just as the clapper gives the bell its sound.
”
”
Stefan Zweig (La Confusion des sentiments)
“
I arrived next to them right as she laughed at something he said. It rang through the air like silver bells, and the tic in my jaw pulsed harder. He didn’t deserve her laugh. “Something funny?” I asked, masking my ire with an expression of cool indifference. Surprise and wariness flared in Ava’s eyes at the sight of me. Good. She should be wary. She should be fucking home, safe and sound, instead of dancing with a manwhore like Colton and letting him put his hands all over her. “I was just telling her a joke.” Colton chuckled but shot me a warning look that said, Why are you cockblocking, man? He was lucky if all I did was cockblock. I was tempted to break every bone in his hand for touching her like that. “You mind? We’re in the middle of a dance.” “Actually, it’s my turn.” I maneuvered myself between them and pulled him off her with a little more force than necessary. Colton flinched. “You have to leave the gala early. Business calls.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
Yes, Gus, because a Ford Taurus screams class,” Casey said, sounding amused.
“It does,” Gus insisted. “Did you know there are message boards on the Internet devoted to Ford Tauruses? I should know. I’m on one of them now. I have conversations with other Ford Taurus enthusiasts.” Which, in hindsight, was something he wished he’d never admitted out loud.
Casey grinned. “Oh really. What’s your username on this message board?”
Gus narrowed his eyes. “Something perfectly normal and not weird at all.”
“Cool, man. What is it?”
“TauruSaurus Rex,” Gus said. “And I really wish I’d thought of a different name now.”
“Dude,” Casey said in awe. “How the hell do you come up with these things?
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
That was pure, dumb Cool Girl bullshit. What a cunt. Again, I don’t get it: If you let a man cancel plans or decline to do things for you, you lose. You don’t get what you want. It’s pretty clear. Sure, he may be happy, he may say you’re the coolest girl ever, but he’s saying it because he got his way. He’s calling you a Cool Girl to fool you! That’s what men do: They try to make it sound like you are the Cool Girl so you will bow to their wishes. Like a car salesman saying, How much do you want to pay for this beauty? when you didn’t agree to buy it yet. That awful phrase men use: “I mean, I know you wouldn’t mind if I …” Yes, I do mind. Just say it. Don’t lose, you dumb little twat.
”
”
Gillian Flynn (Gone Girl)
“
When the Japanese invaded, informers said mother was an important member of the resistance. She was taken in, badly tortured and never confessed. Her life was spared because the Japanese interrogators could not believe a woman could have held such a key role.
When her children were grown-up, mother would tell us, ‘It’s not as bad as it sounds. The first time, you’re scared you’ll give away your friends. But there comes a point when you pass out. Once that happens, you cannot feel pain anymore. Once you have learnt that, you can beat your torturers.
”
”
Ang Swee Chai (From Beirut to Jerusalem)
“
Being the only stranger at dinner with a group of girls who are already close friends doesn't sound appealing at all. I'll have to pretend to laugh at stories I don't get about people I don't know. I'll probably stuff my face just to have something to do while they all gab about their ninth-grade English teacher or some other inside joke that makes me feel like an outsider. It's hard to know how to behave in those situations. You can jump right in, asking "Who?" and "Where was this?" or you can sit back and let them have their laughs. I almost always opt for the latter, sometimes to my detriment. What I think is letting them have their fun, they might takes as she-thinks-she's-too-cool.
”
”
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
“
[N]early every creationist debater will mention the second law of thermodynamics and argue that complex systems like the earth and life cannot evolve, because the second law seems to say that everything in nature is running down and losing energy, not getting more complex. But that's NOT what the second law says; every creationist has heard this but refuses to acknowledge it. The second law only applies to closed systems, like a sealed jar of heated gases that gradually cools down and loses energy. But the earth is not a closed system -- it constantly gets new energy from the sun, and this (through photosynthesis) is what powers life and makes it possible for life to become more complex and evolve. It seems odd that the creationists continue to misuse the second law of thermodynamics when they have been corrected over and over again, but the reason is simple: it sounds impressive to their audience with limited science education, and if a snow job works, you stay with it.
”
”
Donald R. Prothero (Evolution: What the Fossils Say and Why It Matters)
“
Look, back in the old days, ravens used to be gentle and white, like doves, okay? But they were terrible gossips. One time I was dating this girl, Koronis. The ravens found out she was cheating on me, and they told me about it. I was so angry, I got Artemis to kill Koronis for me. Then I punished the ravens for being tattletales by turning them black.”
Reyna stared at me like she was contemplating another kick to my nose. “That story is messed up on so many levels.”
“Just wrong,” Meg agreed. “You had your sister kill a girl who was cheating on you?”
“Well, I—”
“Then you punished the birds that told you about it,” Reyna added, “by turning them black, as if black was bad and white was good?”
“When you put it that way, it doesn’t sound right,” I protested. “It’s just what happened when my curse scorched them. It also made them nasty-tempered flesh-eaters.”
“Oh, that’s much better,” Reyna snarled.
“If we let the birds eat you,” Meg asked, “will they leave Reyna and me alone?”
“I—What?” I worried that Meg might not be kidding. Her facial expression did not say kidding. It said serious about the birds eating you. “Listen, I was angry! Yes, I took it out on the birds, but after a few centuries I cooled down. I apologized. By then, they kind of liked being nasty-tempered flesh-eaters. As for Koronis—I mean, at least I saved the child she was pregnant with when Artemis killed her. He became Asclepius, god of medicine!”
“Your girlfriend was pregnant when you had her killed?” Reyna launched another kick at my face. I managed to dodge it, since I’d had a lot of practice cowering, but it hurt to know that this time she hadn’t been aiming at an incoming raven. Oh, no. She wanted to knock my teeth in.
“You suck,” Meg agreed.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
She would’ve wept if she’d had any tears left, but her eyes were red and dry. She turned out the light. “Good night,” he finally called, and he sounded like himself again. She laid her cool palms against the pulsing heat of her eyelids. She would’ve smiled, but she didn’t have any of those left either.
”
”
Lily Brooks-Dalton (Good Morning, Midnight)
“
The left and right sides of the brain also process the imprints of the past in dramatically different ways.2 The left brain remembers facts, statistics, and the vocabulary of events. We call on it to explain our experiences and put them in order. The right brain stores memories of sound, touch, smell, and the emotions they evoke. It reacts automatically to voices, facial features, and gestures and places experienced in the past. What it recalls feels like intuitive truth—the way things are. Even as we enumerate a loved one’s virtues to a friend, our feelings may be more deeply stirred by how her face recalls the aunt we loved at age four.3 Under ordinary circumstances the two sides of the brain work together more or less smoothly, even in people who might be said to favor one side over the other. However, having one side or the other shut down, even temporarily, or having one side cut off entirely (as sometimes happened in early brain surgery) is disabling. Deactivation of the left hemisphere has a direct impact on the capacity to organize experience into logical sequences and to translate our shifting feelings and perceptions into words. (Broca’s area, which blacks out during flashbacks, is on the left side.) Without sequencing we can’t identify cause and effect, grasp the long-term effects of our actions, or create coherent plans for the future. People who are very upset sometimes say they are “losing their minds.” In technical terms they are experiencing the loss of executive functioning. When something reminds traumatized people of the past, their right brain reacts as if the traumatic event were happening in the present. But because their left brain is not working very well, they may not be aware that they are reexperiencing and reenacting the past—they are just furious, terrified, enraged, ashamed, or frozen. After the emotional storm passes, they may look for something or somebody to blame for it. They behaved the way they did way because you were ten minutes late, or because you burned the potatoes, or because you “never listen to me.” Of course, most of us have done this from time to time, but when we cool down, we hopefully can admit our mistake. Trauma interferes with this kind of awareness, and, over time, our research demonstrated why.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
Only five minutes later he noticed a dozen crocuses growing round the foot of an old tree- gold and purple and white. Then came a sound even more delicious than the sound of water. Close beside the path they were following, a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off. And then, as if that had been a signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds' music, and wherever Edmund's eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks.
"Faster! Faster!" said the Witch.
There was no trace of the fog now. The sky became bluer and bluer, and now there were white clouds hurrying across it from time to time. In the wide glades there were primroses. A light breeze sprang up which scattered drops of moisture from the swaying branches and carried cool, delicious scents against the faces of the travelers. The trees began to come fully alive. The larches and birches were covered with green, the laburnums with gold. Soon the beech trees had put forth their delicate, transparent leaves. As the travelers walked under them the light also became green. A bee buzzed crossed their path.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
As Laura stood waiting she felt a great longing. It weighed upon her like the load of ripened fruit upon a tree. She forgot the shop, the other customers, her own errand. She forgot the winter air outside, the people going by on the wet pavements. She forgot that she was in London, she forgot the whole of her London life. She seemed to be standing alone in a darkening orchard, her feet in the grass, her arms stretched up to the pattern of leaves and fruit, her fingers seeking the rounded ovals of the fruit among the pointed ovals of the leaves. The air about her was cool and moist. There was no sound, for the birds had left off singing and the owls had not yet begun to hoot. No sound, except sometimes the soft thud of a ripe plum falling into the grass, to lie there a compact shadow among shadows. The back of her neck ached a little with the strain of holding up her arms. Her fingers searched among the leaves.
”
”
Sylvia Townsend Warner (Lolly Willowes)
“
The fact is, that people cannot come to heartily like Florida till they accept certain deficiencies as the necessary shadow to certain excellences. If you want to live in an orange-orchard, you must give up wanting to live surrounded by green grass. When we get to the new heaven and the new earth, then we shall have it all right. There we shall have a climate at once cool and bracing, yet hot enough to mature oranges and pine-apples. Our trees of life shall bear twelve manner of fruit, and yield a new one every month. Out of juicy meadows green as emerald, enamelled with every kind of flower, shall grow our golden orange-trees, blossoming and fruiting together as now they do. There shall be no mosquitoes, or gnats, or black-flies, or snakes; and, best of all, there shall be no fretful people. Everybody shall be like a well-tuned instrument, all sounding in accord, and never a semitone out of the way. Meanwhile, we caution everybody coming to Florida, Don't hope for too much. Because you hear that roses and callas blossom in the open air all winter, and flowers abound in the woods, don't expect to find an eternal summer. Prepare yourself to see a great deal that looks rough and desolate and coarse; prepare yourself for some chilly days and nights; and, whatever else you neglect to bring with you, bring the resolution, strong and solid, always to make the best of things.
”
”
Harriet Beecher Stowe (Palmetto-Leaves)
“
It was very quiet. No one else would have seen if not for the desert. But when the desert heard Pete Wyatt singing a love song, it took notice. The desert loved him, after all, and wanted him happy. So when it heard Pete singing, it rose a wind around them until the breeze sang gently like strings, and when it heard Pete singing, it provoked the air to heat and cool around every stone and plant so that each of these things sounded in harmony with his voice, and when it heard Pete singing, it roused Colorado's grasshoppers to action and they rubbed their legs together like a soft horn section, and when it heard Pete singing, it shifted the very ground beneath Bicho Raro so that the sand and the dirt pounded a beat that matched the sound of the incomplete heart that lived in Pete Wyatt.
”
”
Maggie Stiefvater (All the Crooked Saints)
“
What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?”
He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.”
“I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.”
“What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.”
“Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.”
Astonishment fills his eyes. “No, I didn’t.”
“Yes, you did.”
“Is that what he told you?” Logan demands.
“Not in so many words.”
“I see. Well, what words did he actually use?”
I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’”
Logan breaks out in a grin.
I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!”
Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him.
“He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.”
I’m dumbfounded.
Oh my God.
Lorris? As in Logan and Morris? They fucking Brangelina’d themselves?
“What is happening?” I burst out. “You guys are best friends now?”
“He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.”
“Yeah, and what’s that?” I mutter.
“That you and I are perfect for each other.”
No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
To remind myself to never go back to being careful, I made a list of new freedoms. It looked like this:
I am willing to sound dumb
I am willing to be wrong
I am willing to be passionate about something that isn't perceived as cool
I am willing to express a theory
I am willing to admit I'm afraid
I am willing to contradict something I've said before
I'm willing to have a knee-jerk reaction, even a wrong one
I am willing to apologize
I'm perfectly willing to be perfectly human.
The whole experience makes me wonder if the time we spend trying to become somebody people will love isn't wasted because the most powerful, most attractive person we can be, is who we already are; an ever-changing being that is becoming, and will never arrive, but has opinions about what is seen along the journey.
”
”
Donald Miller (Scary Close: Dropping the Act and Finding True Intimacy)
“
Hours may have passed before I heard a throat clear behind us, saw Dad appear. His frame blocked out the sun, casting a cool shadow over where we lay.
I registered only once he was there that I had slowly shifted so I was lying with my head on Elliot’s stomach, in our secluded stretch of sand. I pushed to sit up, awkwardly.
“What are you guys doing?”
“Nothing,” we said in unison.
I could hear immediately how guilty our joined answer made us sound.
“Really?” Dad asked.
“Really,” I answered, but he wasn’t looking at me anymore. He and Elliot were having some kind of male Windtalker exchange that included prolonged eye contact, throat clearing, and probably some mysterious form of direct communication between their Y chromosomes.
“We were just reading,” Elliot said finally, his voice shifting deeper midway through the sentence. I’m not sure if this sign of his impending manliness was reassuring or damning as far as my dad was concerned.
“Seriously, Dad,” I said.
His eyes flickered to mine.
“Okay.” Finally he seemed to relax and squatted down next to me. “What are you reading?”
“A Wrinkle in Time.”
“Again?”
“It’s so good.
”
”
Christina Lauren (Love and Other Words)
“
It looks like fallen petals, and it looks like rain. It looks like the sounds the birds make at dawn. It looks like the aisle of grocery stores when a song I love suddenly begins to play overhead, and I cannot help but dance a little dance. It looks like a sigh, a kiss, an unmade bed. It looks like Cheerios in a white bowl with a bit of silence on the side. It looks like a plain vanilla cupcake in white paper, a dance with the wind, pink toenails, warm socks. It looks like a fire against the cold of winter, and a deep lake cool against a summer sky. It looks like chick flicks, books that make you cry, and all the candles blown out on the first try.
”
”
D. Smith Kaich Jones
“
And then Winnie said something she had never said before, but the words were words she had sometimes heard, and often longed to hear. They sounded strange on her own lips and made her sit up straighter. “Mr. Tuck,” she said, “don’t worry. Everything’s going to be all right.”
The constable glanced heavenward and shook his head. Then, clutching his shotgun, he climbed up behind Winnie and turned the horse toward the path. “You first,” he barked at Mae, “I got to keep an eye on you. And as for you,” he added grimly, speaking to Tuck, “you better hope that feller don’t die on you. I’ll be back soon as I can.”
“Everything’ll be all right,” Tuck repeated slowly. Mae, slumped on the back of the fat old horse, did not respond. But Winnie leaned round the constable and looked back at Tuck. “You’ll see,” she said. And then she faced forward, sitting very straight. She was going home, but the thought of that was far from her mind. She watched the rump of the horse ahead, the swish of coarse, dusty hairs as he moved his tail. And she watched the swaying, sagging back of the woman who rode him.
Up through the dim pine trees they went, the constable’s breath wheezing in her ears, and emerging from the coolness and the green, Winnie saw again the wide world spread before her, shimmering with light and possibility. But the possibilities were different now. They did not point to what might happen to her but to what she herself might keep from happening. For the only thing she could think of was the clear and terrible necessity: Mae Tuck must never go to the gallows. Whatever happened to the man in the yellow suit, Mae Tuck must not be hanged. Because if all they had said was true, then Mae, even if she were the cruelest of murderers and deserved to be put to death--Mae Tuck would not be able to die.
”
”
Natalie Babbitt (Tuck Everlasting)
“
As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.”
They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie
waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles.
“Choosing the soap water means she will marry a poor man,” Daisy explained.
Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.”
The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!”
Lillian gaveher a speaking glance. “You don’t really believe in this, do you?”
“Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head.
Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked.
Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed.
“No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!”
“At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool
liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?”
“No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!”
“Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn
now?”
Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.”
“What does that mean? That you won’t marry at all?”
“It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has
yet to be decided. The good news is that your husband seems to be on the way.”
“If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Residents of Niagara Falls, New York complained that bitcoin miners powerful cooling fans, necessary to keep the computers from overheating, were drowning out the sound of the area's massive waterfalls. China, not exactly known for its environmentalism, banned mining due to its massive energy use.
Of course, it was welcomed by Texas.
”
”
Zeke Faux (Number Go Up: Inside Crypto's Wild Rise and Staggering Fall)
“
There was nothing to cool or banish love in these circumstances, though much to create despair. Much, too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous...Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine; she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used repeat sounding phrases from books: she never offered, nor had, any opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this...Other eyes besides mine watched these manifestations of character--watched them closely, keenly shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear conciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that ever-toturing pain arose.
I saw he was going to marry her, for family, perhaps political reasons, because her rank and connecions suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: she could not charm him.
If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and have died to them.
”
”
Charlotte Brontë (Jane Eyre)
“
...many neat holes dug in the dawn hours, seeds dropped in, and water brought....And, the thing that he wanted was Mars grown green and tall with trees and foliage, producing air, more air, growing larger with each season; trees to cool the towns in the boiling summer, trees to hold back the winter winds. There were so many things a tree could do: add color, provide shade, drop fruit or become a children's playground, a whole sky universe to climb and hang from; an architecture of food and pleasure, that was a tree. But most of all the trees would distill an icy air for the lungs, and a gentle rustling for the ear when you lay nights in your snowy bed and were gentled to sleep by the sound.
”
”
Ray Bradbury (The Martian Chronicles)
“
Kenji goes suddenly still.
At the creak of the door Kenji’s eyebrows shoot up; a soft click and his eyes widen; a muted rustle of movement and suddenly the barrel of a gun is pressed against the back of his head. Kenji stares at me, his lips making no sound as he mouths the word psychopath over and over again.
The psychopath in question winks at me from where he’s standing, smiling like he couldn’t possibly be holding a gun to the head of our mutual friend. I manage to suppress a laugh.
“Go on,” Warner says, still smiling. “Please tell me exactly how she’s failed you as a leader.”
“Hey—“ Kenji’s arms fly up in mock surrender. “I never said she failed at anything, okay? And you are clearly over-react—“
Warner knocks Kenji on the side of the head with the weapon. “Idiot.”
Kenji spins around. Yanks the gun out of Warner’s hand. “What the hell is wrong with you, man? I thought we were cool.”
“We were,” Warner says icily. “Until you touched my hair.”
“You asked me to give you a haircut—“
“I said nothing of the sort! I asked you to trim the edges!”
“And that’s what I did.”
“This,” Warner says, spinning around so I might inspect the damage, “is not trimming the edges, you incompetent moron—“
I gasp. The back of Warner’s head is a jagged mess of uneven hair; entire chunks have been buzzed off.
Kenji cringes as he looks over his handiwork. Clears his throat. “Well,” he says, shoving his hand in his pockets. “I mean—whatever, man, beauty is subjective—“
Warner aims another gun at him.
“Hey!” Kenji shouts. “I am not here for this abusive relationship, okay?” He points to Warner. “I did not sign up for this shit!”
Warner glares at him and Kenji retreats, backing out of the room before Warner has another chance to react; and then, just as I let out a sign of relief, Kenji pops his head back into the doorway and says
“I think the cut looks cute, actually”
and Warner slams the door in his face.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
She woke to the sound of the sea, the sound of home. A cool breeze floated through the open window, carrying a dandelion seed inside with it. Jinny-Joes as she called them, although Nana Martha insisted they were called fairies in Yorkshire, and if you caught one you had to make a wish. Olivia watched it dance in a shaft of sunlight before it settled onto the pillow beside her. She picked it up and twirled it around between her thumb and finger. Something about its fragility spoke to her of letting go, of being blown on the wind to some unknown place. She closed her eyes and made a wish.
”
”
Hazel Gaynor (The Cottingley Secret)
“
That is to say: Toward the accomplishment of an aim which in wantonness of malignity would seem to partake of the insane, he will direct a cool judgement sagacious and sound. These men are true madmen, and of the most dangerous sort, for their lunacy is not continuous but occasional, evoked by some special object; it is probably secretive, which is as much to say it is self-contained, so that when moreover, most active, it is to the average mind not distinguishable from sanity, and for the reason above suggested that whatever its aims may be--and the aim is never declared--the method and the outward proceeding are always perfectly rational.
”
”
Herman Melville (Billy Budd, Sailor (Enriched Classics))
“
Lilichka! (Instead of a letter)"
Tobacco smoke eats the air away.
The room,--
a chapter from Kruchenykh's Inferno.
Recall,--
by the window,
that day,
I caressed you ecstatically, with fervor.
Here you sit now,
with your heart in iron armor.
In a day,
you'll scold me perhaps
and tell me to leave.
Frenzied, the trembling arm in the gloomy parlor
will hardly be able to fit the sleeve.
I'll rush out
and hurl my body into the street,--
distraught,
lashed by despair
and sadness.
There's no need for this,
my darling,
my sweet.
Let's part tonight and end this madness.
Either way,
my love is
an arduous weight,
hanging on you
wherever you flee.
Let me bellow out in the final complaint
all of my heartbroken misery.
A laboring bull, if he had enough,
will leave
and find cool water to lie in.
But for me,
there's no sea
except for your love,--
from which even tears won't earn me some quiet.
If an elephant wants to relax, he'll lie,
pompous, outside in the sun-baked dune,
Except for your love,
there's no sun
in the sky
and I don't even know where you are and with whom.
If you thus tormented another poet,
he
would trade in his love for money and fame.
But
nothing sounds as precious to me
as the ringing sound of your darling name.
I won't drink poison,
or jump to demise,
or pull the trigger to take my own life.
Except for your eyes,
no blade can control me,
no sharpened knife.
Tomorrow you'll forget
that it was I who crowned you,
who burned out the blossoming soul with love
and the days will form a whirling carnival
that will ruffle my manuscripts and lift them above...
Will the dry autumn leaves of my sentences
cause you to pause,
breathing hard?
Let me
pave a path with the final tenderness
for your footsteps as you depart.
(1916)
”
”
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
“
It’s like you were driving from San Francisco to Los Angeles for an important meeting. But along the way, you turned here and there to entertain yourself with the scenery. Somewhere along the line, without realizing it, you’re no longer moving north to south. Instead, you’re now headed east toward Denver!
Once you go out horizontally into the intermediate realm, there is no end to the new and interesting stuff you can experience: encounters with angels or entities, psychic abilities, out-of-body experiences, bright lights or colors, past lives, weird internal sounds. The scenery is really cool, but you’re never going to make that important meeting.
”
”
Shinzen Young (The Science of Enlightenment: Teachings and Meditations for Awakening Through Self-Investigation)
“
I take a deep breath and tiptoe to the window only to press my nose against the cool surface. Feel my breath fog up the glass. Close my eyes to the sound of a soft pitter-patter rushing through the wind. Raindrops are my only reminder that clouds have a heartbeat. That I have one, too. I always wonder about raindrops. I wonder about how they’re always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It’s like someone is emptying their pockets over the earth and doesn’t seem to care where the contents fall, doesn’t seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors. I am a raindrop. My parents emptied their pockets of me and left me to evaporate on a concrete slab.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
Let no one persuade you of a single thing. Study your hunger and how to feed it. Trust in whatever sounds twist your viscera. Write in the cadences of first love, of second chances, of air raids, of outrage, of the hideous and the hilarious, of headlong acceptance or curt refusal. Make the bitter music of bumdom, the sad shanties of landlessness, cool at the equator and fluid at the pole. Set the sounds that angels make after an all-night orgy. Whatever lengthens the day, whatever gets you through the night. Make the music that you need, for need will be over, soon enough. Let your progressions predict time’s end and recollect the dead as if they’re all still her. Because they are.
”
”
Richard Powers
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
PRONUNCIATION GUIDE:
Ailith: A-lith ("noble war"; "ascending, rising")
Andriana: An-dree-ana, or Dree, for "Dri" ("warrior")
Asher: Ash-er ("happy one")
Azarel: Ah-zah-rell ("helper")
Bellona: Bell-oh-na ("warlike")
Chaza'el: Chazah-ell ("one who sees")
Kapriel: Kah-pree-ell (variant of "warrior")
Keallach: Key-lock ("battle")
Killian: Kill-ee-un ("little warrior"--though he's not so little in my novel!)
Raniero: Rah-near-oh ("wise warrior")
Ronan: Row-nun ("little seal"; I know. Not as cool, right? But he was named Duncan at first draft and I had to change it due to publisher request, and "Ronan" sounded like a medieval, cool warrior name to me. I overlooked the real translation in favor of the man he became in my story. And that guy, to my mind, is more like a warrior, with the spray of the sea upon his face as he takes on the storm--which is like a seal!)
Tressa: Tre-sah ("late summer")
Vidar: Vee-dar ("forest warrior")
”
”
Lisa Tawn Bergren (Season of Wonder (The Remnants, #1))
“
I told Seven the Bartender that true love is felonious.
"Not if they're over eighteen," he said, shutting the till of the cash register.
By then the bar itself had become an appendage, a second torso holding up my first. "You take someone's breath away," I stressed. "You rob them of the ability to utter a single word." I tipped the neck of the empty liquor bottle toward him. "You steal a heart."
He wiped up in front of me with a dishrag. "Any judge would toss that case out on its ass."
"You'd be surprised."
Seven spread the rag out on the brass bar to dry. "Sounds like a misdemeanor, if you ask me."
I rested my cheek on the cool, damp wood. "No way," I said. "Once you're in, it's for life.
”
”
Jodi Picoult (My Sister's Keeper)
“
Why would I what?” Will asked, wanting another bite of his burger. “Why would you risk your job teaching some stupid fantasy book?” “Because alternative universe literature promotes critical thinking, imagination, empathy, and creative problem solving. Children who are fluent in fiction are more able to interpret nonfiction and are better at understanding things like basic cause and effect, sociology, politics, and the impact of historical events on current events. Many of our technological advances were imagined by science fiction writers before the tech became available to create them, and many of today’s inventors were inspired by science fiction and fantasy to make a world more like the world in the story. Many of today’s political conundrums were anticipated by science fiction writers like Orwell, Huxley, and Heinlein, and sci-fi and fantasy tackle ethical problems in a way that allows people to analyze the problem with some emotional remove, which is important because the high emotions are often what lead to violence. Works like Harry Potter tackle the idea of abuse of power and—” Will stopped himself and swallowed. Everybody at the table, including Kenny, was staring at him in openmouthed surprise. “Anyway,” he said before taking a monster bite of his cooling hamburger on a sudden attack of nerves, “iss goomfer umf.” “It’s good for us,” Kenny translated, sounding a little stunned
”
”
Amy Lane (Shiny!)
“
It was becoming more and more evident that Salem was a town that celebrated individuality, a real live-and-let-live kind of place. Melody felt a gut punch of regret. Her old nose would have fit in here.
"Look!" She pointed at the multicolored car whizzing by. Its black door were from a Mercedes coupe, the white hood from a BMW; the silver trunk was Jaguar, the red convertible top was Lexus, the whitewall tires were Bentley, the sound system was Bose, and the music was classical. A hood ornament from each model dangled from the rear view mirror. Its license plate appropriately read MUTT.
"That car looks like a moving Benton ad."
"Or a pileup on Rodeo drive." Candace snapped a picture with her iPhone and e-mailed to her friends back home. They responded instantly with a shot of what they were doing. It must have involved the mall because Candace picked up her pace and began asking anyone under the age of fifty where the cool people hung out.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
Listen, Wesley, this may sound weird coming from me, since I hate you and all, but you can tell me stuff if you want.” It sounded like something out of a cheesy G-rated movie. Great. “I mean, I vented all of my shit about Jake to you, so if you want to do the same,… well, I’m cool with that.”
The smirk slipped for a second. “I’ll keep that in mind.” Then he cleared his throat and added stiffly, “Didn’t you say that you needed to go home? You don’t want to be late for school.”
“Right.”
I started to stand, but his warm hand closed around my wrist. I turned around and found him looking at me. He leaned forward and pressed his lips against mine. Before I even realized what was happening, he pulled away and whispered, “Thank you, Bianca.
”
”
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
“
If he doesn’t get here soon, I’m going to fall asleep, Susan grumbled.
He loved hearing her voice in his head even when she was cranky.
The thought made him smile. I’ve been keeping you up too late.
Not really, she replied. I’ve always been a night owl. I just haven’t been sleeping late the way I usually do.
And had had one scare after another whilst awake.
Did I mention I’m still sore from digging your handsome ass up?
He laughed.
It was totally worth it, of course, she went on.But if we find out you’re single, I might hit you up for a nice long massage.
He cursed when his body immediately responded to the image of her naked and laid out before him, waiting for him to run his hands all over her body. Now who’s flirting?
Ooh, she purred. That’s so cool. Even in your thoughts, your voice deepens and gets all growly when you’re turned on. Before he could respond, she made a sound of impatience.Damn it. Now I’m turned on.
He laughed, delighted that she inspired him to do so even in such grim circumstances.
”
”
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
“
I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain’s cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see!—
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and thrust
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.
”
”
Edna St. Vincent Millay (Collected Poems)
“
Captain West advanced to meet me, and before our outstretched hands touched, before his face broke from repose to greeting and the lips moved to speech, I got the first astonishing impact of his personality. Long, lean, in his face a touch of race I as yet could only sense, he was as cool as the day was cold, as poised as a king or emperor, as remote as the farthest fixed star, as neutral as a proposition of Euclid. And then, just ere our hands met, a twinkle of--oh--such distant and controlled geniality quickened the many tiny wrinkles in the corner of the eyes; the clear blue of the eyes was suffused by an almost colourful warmth; the face, too, seemed similarly to suffuse; the thin lips, harsh-set the instant before, were as gracious as Bernhardt's when she moulds sound into speech.
”
”
Jack London (The Mutiny of the Elsinore)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I have a great idea, Gregori," she told him wickedly. "Let's take a commercial flight."
"What?" He was staring at her mouth. She had a great mouth.A perfect mouth. A sexy mouth. Mon Dieu, he wanted her mouth.
"Doesn't a commercial flight sound fun? We could take a night flight, mingle with people.It might even throw off the reporter."
"Nothing is going to throw off the reporter.He is tenacious.And there will be no commercial flight.There will be no discussion on this,either. None. If we go to New Orleans,and I am not saying we will, commercial flights are out."
"Oh,Gregori,I was only kidding. Naturally we'll do things your way," she added demurely.
He shook his head,exasperated at himself. Of course she had been teasing. He wasn't used to anyone treating him as Savannah did. Outrageous woman. "I need to go out and talk with Wade Carter."
She stood up instantly, expectantly, her blue eyes wide in anticipation. "Tell me what you want me to do. I can probably manage mist.I'm stronger now,using your blood.I can back you up."
Amusement warmed the cool silver of his eyes. "Mon Dieu, Savannah, you sound like a cop movie.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Digging
Between my finger and my thumb
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down
Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.
The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.
By God, the old man could handle a spade.
Just like his old man.
My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.
The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.
Between my finger and my thumb
The squat pen rests.
I’ll dig with it.
”
”
Seamus Heaney
“
He began his new life standing up, surrounded by cold darkness and stale, dusty air. Metal ground against metal; a lurching shudder shook the floor beneath him. He fell down at the sudden movement and shuffled backward on his hands and feet, drops of sweat beading on his forehead despite the cool air. His back struck a hard metal wall; he slid along it until he hit the corner of the room. Sinking to the floor, he pulled his legs up tight against his body, hoping his eyes would soon adjust to the darkness. With another jolt, the room jerked upward like an old lift in a mine shaft. Harsh sounds of chains and pulleys, like the workings of an ancient steel factory, echoed through the room, bouncing off the walls with a hollow, tinny whine. The lightless elevator swayed back and forth as it ascended, turning the boy’s stomach sour with nausea; a smell like burnt oil invaded his senses,
”
”
James Dashner (The Maze Runner Series Complete Collection)
“
Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread.
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
”
”
Hunter S. Thompson
“
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one—
—and froze.
Barrons stood inside the front door, dripping cool-world elegance.
I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me.
“‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped.
I’d reached the sound dock, and just turned it off, when he exploded.
I whirled. “I didn’t look that funny,” I snapped.
His shoulders shook.
“Oh, come on! Stop it!”
He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one.
I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs.
“You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder.
I wasn’t sure he even heard me, he was laughing so hard.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur - I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is. I had had one chance - for ten minutes yesterday afternoon. Helen of Troy, whatever your true name may be - and I had known it and I had let it slip away. Maybe one chance is all you ever get.
”
”
Robert A. Heinlein (Glory Road)
“
It goes something like this. You're walking along minding your own business, or you're on the underground or you're on a bus or something, but generally you're not paying much attention. And suddenly you look around and see all these other people and think, Hey, they can look at me and see me and I can see in my mind what I think they see, and when I'm gone they're going to keep on walking and theyr'e going to go and live their lives, and their thoughts are going to be just like mine, but different, but real and solid and alive and full of feeling and confusion and colour just like life, and, hey, isnt that cool! And it is.
And roughly around this time you're going to notice that you can feel trains under your feet or pipes bubbling, and you can hear the sound of traffic and voices and stuff; and then you'll probably look up at the things around you and think, Those buildings with the lights on look almost alive, like giant trees lit up with their own constellation of stars in every window, or maybe not if you're underground; and you'll realise that you can see the city all around, and it's so full of lives and life, and they're all buzzing around you, and every single individual is real and alive and passionate and full of mystery, and it's not just Joe Bloggs walking by who's like this, but that every part of the city is crawling with life. And you'll think, Hey, that's pretty damn sweet, everywhere I look there's life, and roughly around that point you'll realise you can hear rats and pigeons and thoughts and spells and colours and electricity, and that's probably when you started going a bit mad.
”
”
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
“
As the day heats up, Peter convinces me to put down my French book and jump in the pool with him. The pool is crowded with little kids, no one as old as us. Steve Bledell has a pool at his house, but I wanted to come here, for old times’ sake.
“Don’t you dare dunk me,” I warn. Peter starts circling me like a shark, coming closer and closer. “I’m serious!”
He makes a dive for me and grabs me by the waist, but he doesn’t dunk me; he kisses me. His skin is cool and smooth against mine; so are his lips.
I push him away and whisper, “Don’t kiss me--there are kids around!”
“So?”
“So nobody wants to see teenagers kissing in the pool where kids are trying to play. It isn’t right.” I know I sound like a priss, but I don’t care. When I was little, and there were teenagers horsing around in the pool, I always felt nervous to go in, because it was like the pool was theirs.
Peter bursts out laughing. “You’re funny, Covey.” Swimming sideways, he says, “It isn’t right,” and then starts laughing again.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
He remembered the black sands beach along California’s lost coast where his mother finally gave up the fight. He hadn’t even realized she’d been injured so badly after running into his father in Seattle. She’d bled most of the way though Oregon, but he hadn’t thought it was serious. He hadn’t known she was bleeding out on the inside, a kidney and her liver ruptured, her intestines bruised beyond repair.
[…] They stopped six feet from the tide and she made him repeat every promise she’d ever dragged out of him: don’t look back, don’t slow down, and don’t trust anyone. Be anyone but himself, and never be anyone for too long.
By the time Neil understood she was saying goodbye, it was too late.
She died gasping for one more breath, panting with something that might have been words or his name or fear. Neil could still feel her fingernails digging into his arms as she fought not to slip away, and the memory left him shaking all over. Her abdomen felt like stone when he touched her, swollen and hard. He tried pulling her from her seat only once, but the sound of her dried blood ripping off the vinyl like Velcro killed him.
[…] He hadn’t cried when the flames caught, and he hadn’t flinched when he pulled her cooling bones out. […] By the time he found the highway again he was numb with shock, and he lasted another day before he fell to his knees on the roadside and puked his guts out.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
I linger near Galileo’s telescopes, then round the corner and stand transfixed: I did not expect this- a dark, cool room full of globes of the night sky from the seventeenth, eighteenth, and nineteenth centuries. Globo celeste, they are called in Italian: ‘celestial globe,’ maps of the night sky… I imagine him making another globo celeste, this one smaller, yet still exquisitely painted, still breathtaking in detail. It’s a map of the earth still flowing with creation, one you can spin and when you stop it with your finger, there is some tiny detail…some miraculous beauty, some wonderful example from each location at night. The white flower of a night blooming saguaro cactus, the feathers from a great-horned owl, the crunched, smiling face of a particular bat- here, I’m spinning it, I stop it at in the north, where I want there to be something still- he’s painted the black-and-white feathers of a loon…or a globe of night sounds, so that by touching your location you hear the night there- the cricket song, the ocean surf, the frog mating calls.
”
”
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
“
On the TV screen in Harry's is The Patty Winters Show, which is now on in the afternoon and is up against Geraldo Rivera, Phil Donahue and Oprah Winfrey. Today's topic is Does Economic Success Equal Happiness? The answer, in Harry's this afternoon, is a roar of resounding "Definitely," followed by much hooting, the guys all cheering together in a friendly way. On the screen now are scenes from President Bush's inauguration early this year, then a speech from former President Reagan, while Patty delivers a hard-to-hear commentary. Soon a tiresome debate forms over whether he's lying or not, even though we don't, can't, hear the words. The first and really only one to complain is Price, who, though I think he's bothered by something else, uses this opportunity to vent his frustration, looks inappropriately stunned, asks, "How can he lie like that? How can he pull that shit?"
"Oh Christ," I moan. "What shit? Now where do we have reservations at? I mean I'm not really hungry but I would like to have reservations somewhere. How about 220?" An afterthought: "McDermott, how did that rate in the new Zagat's?"
"No way," Farrell complains before Craig can answer. "The coke I scored there last time was cut with so much laxative I actually had to take a shit in M.K."
"Yeah, yeah, life sucks and then you die."
"Low point of the night," Farrell mutters.
"Weren't you with Kyria the last time you were there?" Goodrich asks. "Wasn't that the low point?"
"She caught me on call waiting. What could I do?" Farrell shrugs. "I apologize."
"Caught him on call waiting." McDermott nudges me, dubious.
"Shut up, McDermott," Farrell says, snapping Craig's suspenders. "Date a beggar."
"You forgot something, Farrell," Preston mentions. "McDermott is a beggar."
"How's Courtney?" Farrell asks Craig, leering.
"Just say no." Someone laughs.
Price looks away from the television screen, then at Craig, and he tries to hide his displeasure by asking me, waving at the TV, "I don't believe it. He looks so... normal. He seems so... out of it. So... un dangerous."
"Bimbo, bimbo," someone says. "Bypass, bypass."
"He is totally harmless, you geek. Was totally harmless. Just like you are totally harmless. But he did do all that shit and you have failed to get us into 150, so, you know, what can I say?" McDermott shrugs.
"I just don't get how someone, anyone, can appear that way yet be involved in such total shit," Price says, ignoring Craig, averting his eyes from Farrell. He takes out a cigar and studies it sadly. To me it still looks like there's a smudge on Price's forehead.
"Because Nancy was right behind him?" Farrell guesses, looking up from the Quotrek. "Because Nancy did it?"
"How can you be so fucking, I don't know, cool about it?" Price, to whom something really eerie has obviously happened, sounds genuinely perplexed. Rumor has it that he was in rehab.
”
”
Bret Easton Ellis (American Psycho)
“
She already caused a scene with the repairmen who came to fix the shattered-by-Toraf bay window in my living room yesterday. Sure, she tried to whisper, but whispering, among many other things, isn’t her specialty, and especially not now that she sounds like she’s yodeling every sentence. But the glass installation guy did not appreciate her remark-which, in her defense, she had been trying to privately yodel to me-that his noise resembled a lobster claw. “A big one.”
I can only imagine what kind of damage she would cause at school. She doesn’t know how to play things cool like Galen. Her brain doesn’t have that “inappropriate” filter, either. After all, that’s why she was left behind in the first place. If she’s not fit for the Syrena world right now, I’m not risking exposing her to the human world.
Oh sure, she looks innocent enough right now, surfing the channels on the humongloid flat screen above the fireplace. But I remember not too long ago that there was a different flat screen hanging on the wall-and that it had to be replaced with the current one because she picked a fight with me that ended with a literal storm unfurling in the living room and damaging everything.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Kvothe?” Auri said softly. I clenched my teeth against the sobbing and lay still as I could, hoping she would think I was asleep and leave. “Kvothe?” she called again. “I brought you—” There was a moment of silence, then she said, “Oh.” I heard a soft sound behind me. The moonlight showed her tiny shadow on the wall as she climbed through the window. I felt the bed move as she settled onto it. A small, cool hand brushed the side of my face. “It’s okay,” she said quietly. “Come here.” I began to cry quietly, and she gently uncurled the tight knot of me until my head lay in her lap. She murmured, brushing my hair away from my forehead, her hands cool against my hot face. “I know,” she said sadly. “It’s bad sometimes, isn’t it?” She stroked my hair gently, and it only made me cry harder. I could not remember the last time someone had touched me in a loving way. “I know,” she said. “You have a stone in your heart, and some days it’s so heavy there is nothing to be done. But you don’t have to be alone for it. You should have come to me. I understand.” My body clenched and suddenly the taste of plum filled my mouth again. “I miss her,” I said before I realized I was speaking. Then I bit it off before I could say anything else. I clenched my teeth and shook my head furiously, like a horse fighting its reins. “You can say it,” Auri said gently. I shook again, tasted plum, and suddenly the words were pouring out of me. “She said I sang before I spoke. She said when I was just a baby she had the habit of humming when she held me. Nothing like a song. Just a descending third. Just a soothing sound. Then one day she was walking me around the camp, and she heard me echo it back to her. Two octaves higher. A tiny piping third. She said it was my first song. We sang it back and forth to each other. For years.” I choked and clenched my teeth. “You can say it,” Auri said softly. “It’s okay if you say it.” “I’m never going to see her again,” I choked out. Then I began to cry in earnest. “It’s okay,” Auri said softly. “I’m here. You’re safe.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
A new social type was being created by the apartment building, a cool, unemotional personality impervious to the psychological pressures of high-rise life, with minimal needs for privacy, who thrived like an advanced species of machine in the neutral atmosphere. This was the sort of resident who was content to do nothing but sit in his over-priced apartment, watch television with the sound turned down, and wait for his neighbours to make a mistake. Perhaps the recent incidents represented a last attempt by Wilder and the airline pilots to rebel against this unfolding logic? Sadly, they had little chance of success, precisely because their opponents were people who were content with their lives in the high-rise, who felt no particular objection to an impersonal steel and concrete landscape, no qualms about the invasion of their privacy by government agencies and data-processing organizations, and if anything welcomed these invisible intrusions, using them for their own purposes. These people were the first to master a new kind of late twentieth-century life. They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never disappointed. Alternatively,
”
”
J.G. Ballard (High-Rise)
“
They came to a destroyed cabin and he pulled up and then went inside. Broken cups and pieces of dress material torn on a nail. A doll’s body without a head. He dug a .50-caliber bullet out of the wall with his knife and then carefully placed it on the windowsill as if for a memento. Here were memories, loves, deep heartstring notes like the place where he had been raised in Georgia. Here had been people whose dearest memories were the sound of a dipper dropped in the water bucket after taking a drink and the click of it as it hit bottom. The quiet of evening. The shade of the Devil’s trumpet vine over a window, scattered shadows gently hypnotic. The smell of a new calf, a long bar of sun falling into the back door over worn planks and every knot outlined. The familiar path to the barn walked for years by one’s father, grandfather, uncles, the way they called out, Horses, horses. How they swung the bucket by the handle as they went at an easy walk down the path between the trees, between here and there, between babyhood and adulthood, between innocence and death, that worn path and the lifting of the heart as the horses called out to you, how you knew each by the sound of its voice in the long cool evening after a day of hard work. Your heart melted sweetly, it slowed, lost its edges. Horses, horses. All gone in the burning.
”
”
Paulette Jiles (News of the World)
“
I dream that someone in space says to me: So let us rush, then, to see the world. It is shaped like an egg, covered with seas and continents, warmed and lighted by the sun. It has churches of indescribable beauty, raised to gods that have never been seen; cities whose distant roofs and smokestacks will make your heart leap; ballparks and comfortable auditoriums in which people listen to music of the most serious import; to celebrate life is recorded. Here the joy of women’s breasts and backsides, the colors of water, the shapes of trees, athletes, dreams, houses, the shapes of ecstasy and dismay, the shape even of an old shoe, are celebrated. Let us rush to see the world. They serve steak there on jet planes, and dance at sea. They have invented musical instruments to express love, peaceableness; to stir the finest memories and aspirations. They have invented games to catch the hearts of young men. They have ceremonies to exalt the love of men and women. They make their vows to music and the sound of bells. They have invented ways to heat their houses in the winter and cool them in the summer. They have even invented engines to cut their grass. They have free schools for the pursuit of knowledge, pools to swim in, zoos, vast manufactories of all kinds. They explore space and the trenches of the sea. Oh, let us rush to see this world.
”
”
John Cheever (The Journals of John Cheever)
“
I take another step toward the serpent. And then another. This close, I am stunned all over again by the creature's sheer size. I raise a wary hand and place it against the black scales. They feel dry and cool against my skin.
Its golden eyes have no answer, but I think of Cardan lying beside me on the floor of the royal rooms.
I think of his quicksilver smile.
I think of how he would hate to be trapped like this. How unfair it would be for me to keep him this way and call it love.
You already know how to end the curse.
'I do love you,' I whisper. 'I will always love you.'
I tuck the golden bridle into my belt.
Two paths are before me, but only one leads to victory.
But I don't want to win like this. Perhaps I will never live without fear, perhaps power will slip from my grasp, perhaps the pain of losing him will hurt more than I can bear.
And yet, if I love him, there's only one choice.
I draw the borrowed sword at my back. Heartsworn, which can cut through anything. I asked Severin for the blade and carried it into battle, because no matter how I denied it, some part of me knew what I would choose.
The golden eyes of the serpent are steady, but there are surprised sounds from the assembled Folk. I hear Madoc's roar.
This wasn't supposed to be how things ended.
I close my eyes, but I cannot keep them that way. In one movement, I swing Heartsworn in a shining arc at the serpent's head. The blade falls, cutting through scales, through flesh and bone. Then the serpent's head is at my feet, golden eyes dulling.
Blood is everywhere. The body of the serpent gives a terrible coiling shudder, then goes limp. I sheath Heartsworn with trembling hands. I am shaking all over, shaking so hard that I fall to my knees in the blackened grass, in the carpet of blood.
I hear Lord Jarel shout something at me, but I can't hear it.
I think I might be screaming.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Visual over-stimulation is a distraction from concentration and evokes the same sort of reactions as over-stimulation from noise. But the source might surprise you. Even fussy clothing moving around can be a visual distraction, or too many people in the room, or too many machines with moving parts. For those who work outside, a windy day is a triple-threat—with sound, sight, and touch all being affected. Cars moving, lights, signs, crowds, all this visual chaos can exhaust the AS person. Back in the office, too many computer screens, especially older ones with TV-style monitors, and sickly, flickering, unnatural fluorescent lighting were both high on the trigger list. The trouble with fluorescent light is threefold: Cool-white and energy-efficient fluorescent lights are the most commonly used in public buildings. They do not include the color blue, “the most important part for humans,” in their spectrum. In addition to not having the psychological benefits of daylight, they give off toxins and are linked to depression, depersonalization, aggression, vertigo, anxiety, stress, cancer, and many other forms of ill health. It’s true. There’s an EPA report to prove it (Edwards and Torcellini 2002). Flickering fluorescent lights, which can trigger epileptic seizures, cause strong reactions in AS individuals, including headaches, confusion, and an inability to concentrate. Even flickering that is not obvious to others can be perceived by some on the spectrum.
”
”
Rudy Simone (Asperger's on the Job: Must-have Advice for People with Asperger's or High Functioning Autism, and their Employers, Educators, and Advocates)
“
This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.'
Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.
”
”
Jeanine Cummins (American Dirt)
“
But it was while discussing SpaceX’s grandest missions that Shotwell really came into her own and seemed to inspire the interns. Some of them clearly dreamed of becoming astronauts, and Shotwell said that working at SpaceX was almost certainly their best chance to get to space now that NASA’s astronaut corps had dwindled. Musk had made designing cool-looking, “non–Stay Puft” spacesuits a personal priority. “They can’t be clunky and nasty,” Shotwell said. “You have to do better than that.” As for where the astronauts would go: well, there were the space habitats, the moon, and, of course, Mars as options. SpaceX has already started testing a giant rocket, called the Falcon Heavy, that will take it much farther into space than the Falcon 9, and it has another, even larger spaceship on the way. “Our Falcon Heavy rocket will not take a busload of people to Mars,” she said. “So, there’s something after Heavy. We’re working on it.” To make something like that vehicle happen, she said, the SpaceX employees needed to be effective and pushy. “Make sure your output is high,” Shotwell said. “If we’re throwing a bunch of shit in your way, you need to be mouthy about it. That’s not a quality that’s widely accepted elsewhere, but it is at SpaceX.” And, if that sounded harsh, so be it. As Shotwell saw it, the commercial space race was coming down to SpaceX and China and that’s it. And in the bigger picture, the race was on to ensure man’s survival. “If you hate people and think human extinction is okay, then fuck it,” Shotwell said. “Don’t go to space. If you think it is worth humans doing some risk management and finding a second place to go live, then you should be focused on this issue and willing to spend some money. I am pretty sure we will be selected by NASA to drop landers and rovers off on Mars. Then the first SpaceX mission will be to drop off a bunch of supplies, so that once people get there, there will be places to live and food to eat and stuff for them to do.
”
”
Ashlee Vance (Elon Musk: Inventing the Future)
“
He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.
”
”
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
“
I said, "I want to wear something funny and cool. Marjorie, could I wear your sparkly baseball hat?"
The three of us looked at Marjorie.
Now I remember thinking that her answer could change everything back to the way it was; Dad could find a job and stop praying all the time and Mom could be happy and call Marjorie shellfish again and show us funny videos she found on YouTube, and we all could eat more than just spaghetti at dinner and, most important, Marjorie could be normal again. Everything would be okay if Marjorie would only say yes to me wearing the sparkly sequined baseball hat, the one she'd made in art class a few years ago.
The longer we watched Marjorie and waited for her response, the more the temperature in the room dropped and I knew that nothing would ever be the same again.
She stopped twisting her spaghetti around her fingers. She opened her mouth, and vomit slowly oozed out onto her spaghetti plate.
Dad: "Jesus!"
Mom: "Honey, are you okay?" She jumped out of her seat and went over to Marjorie, stood behind her, and held her hair up.
Marjorie didn't react to either parent, and she didn't make any sounds. She wasn't retching or convulsing involuntarily like one normally does when throwing up. It just poured out of her as though her mouth was an opened faucet. The vomit was as green as spring grass, and the masticated pasta looked weirdly dry, with a consistency of mashed-up dog food.
She watched Dad the whole time as the vomit filled her plate, some of it slopping over the edges and onto the table. When she finished she wiped her mouth on her sleeve. "No, Merry. You can't wear my hat." She didn't sound like herself. Her voice was lower, adult, and growly. "You might get something on it. I don't want you to mess it up." She laughed.
Dad: "Marjorie..."
Marjorie coughed and vomited more onto her too-full plate. "You can't wear the hat because you're going to die someday." She found a new voice, this one treacly baby-talk. "I don't want dead things wearing my very special hat.
”
”
Paul Tremblay (A Head Full of Ghosts)
“
Do you know what day it is?” she asked, peering at him.
“Don’t you?”
“Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?”
“We didn’t get to Thursdays.”
“Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?”
He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad.
“Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge.
Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes.
“Are you well, miss?” Colin asked.
“I’m well,” she answered. “I’m afraid I can’t say the same for your friend.”
“Bram?” Colin prodded him with a boot. “You look all of a piece.”
No thanks to you.
“He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?”
“Like this?” Colin smirked down at him. “Oh, all his life.”
“All his life?”
“He’s my cousin. I should know.”
A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?”
Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow.
“I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.”
“That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride.
He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.”
“I don’t understand,” she said. “Those blasts…”
“Just powder charges. We embedded them in the road, to scare off the sheep.”
“You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.”
He raised a brow. “That much was never in doubt.”
Her only answer was a faint deepening of her blush.
“I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.”
“I see. And you were having a bit of sport at my expense, pretending to be injured.”
“Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?”
Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?”
“Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.”
“Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.”
Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?”
“A switcheroo . . . right. Remind me again how that works?” Jack asked.
“It’s because she’s got this big date tonight,” Kamin explained.
Jack cocked his head. “A date?”
Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.”
“I must’ve missed that one.”
“Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.”
“Ah . . . the Meet Cute,” Wilkins said with a grin.
Jack threw him a sharp look. “What did you just say?”
“You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.”
Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean.
Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.”
“She’s the maid of honor, see?” Kamin said.
Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language.
Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.”
“Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.”
Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?”
“Right, sorry. It was Slonsky’s suggestion.
”
”
Julie James (Something About You (FBI/US Attorney, #1))
“
But then they hand you your beautiful baby, and the baby gazes up at you and says hello, and your heart just melts.” “It talks?” Sophie asked, then remembered Alden telling her months earlier that elvin babies spoke from birth. It sounded even stranger now that she could picture it. “Your speaking caused quite the uproar,” Mr. Forkle told her. “Though luckily no one could understand the Enlightened Language, so they thought you were babbling. I spent the majority of your infancy inventing excuses for the elvin things you did.” “Okay,” Sophie said, wishing he’d stop with the weird-info overload. “But what I mean is . . . I’ve been counting my age from my birthday.” Mr. Forkle didn’t look surprised. “Why didn’t you tell me?” she asked. “How could I? Humans built everything around their birthdays. As long as you were living with them I had to let you do the same. And since you’ve been in the Lost Cities, we’ve had so little contact. I assumed someone would notice, since your proper ID is on your Foxfire record—and in the registry. But I don’t think anyone realized you were counting differently.” “Alden wouldn’t have thought to check,” Della agreed. “Neither of us knew humans didn’t count inception.” “So wait,” Biana jumped in, “does that mean that by our rules Sophie is—” “Thirty-nine weeks older than she’s been saying,” Mr. Forkle finished for her. Fitz cocked his head as he stared at Sophie, like everything had turned sideways. “So then you’re not thirteen . . .” “Not according to the way we count,” Mr. Forkle agreed. “Going by Sophie’s ID, she’s fourteen and a little more than five months old.” Keefe laughed. “Only Foster would find a way to age nine months in a day. Also, welcome to the cool fourteen-year-olds club!” He held out his hand for a high five.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know i have experienced pain in many different forms, and I'm sure you have too. In most cases, though, im sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering , we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''
He broke off and looked around the room once again.
''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''
Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.
''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.
”
”
Haruki Murakami
“
His hands came to her wrists, squeezed reflexively, before he got quickly to his feet. "You're mixing things up." Panic arrowed straight into his heart. "I told you sex complicates things."
"Yes,you did.And of course since you're the only man I've been with, how could I knew the difference between sex and love? Then again, that doesn't take into account that I'm a smart and self-aware woman, and I know the reason you're the only man I've been with is that you're the only man I've loved.Brian..."
She stepped toward him, humor flashing into her eyes when he stepped back. "I've made up my mind.You know how stubborn I am."
"I train your father's horses."
"So what? My mother groomed them."
"That's a different matter."
"Why? Oh, because she's a woman.How foolish of me not to realize we can't possibly love each other, build a life with each other.Now if you owned Royal Meadows and I worked here, then it would be all right."
"Stop making me sound ridiculous."
"I can't." She spread her hands. "You are ridiculous.I love you anyway. Really, I tried to approach it sensibly.I like doing things in a structured order that makes a beeline for the goal.But..." She shrugged, smiled. "It just doesn't want to work that way with you.I look at you and my heart,well, it just insists on taking over.I love you so much,Brian. Can't you tell me? Can't you look at me and tell me?"
He skimmed his fingertips over the bruise high on her temple. He wanted to tend to it, to her. "If I did there'd be no going back."
"Coward." She watched the heat flash into his eyes,and thought how lovely it was to know him so well.
"You won't push me into a corner."
Now she laughed. "Watch me," she invited and proceeded to back him up against the steps. "I've figured a lot of things out today,Brian.You're scared of me-of what you feel for me. You were the one always pulling back when we were in public, shifting aside when I'd reach for you.It hurt me."
The idea quite simply appalled him. "I never meant to hurt you."
"No,you couldn't.How could I help but fall for you? A hard head and a soft heart.It's irresistable. Still, it did hurt. But I thought it was just the snob in you.I didn't realize it was nerves."
"I'm not a snob, or a coward."
"Put your arms around me.Kiss me. Tell me."
"Damn it." he grabbed her shoulders, then simply held on, unable to push her back or draw her in. "It was the first time I saw you, the first instant. You walked in the room and my heart stopped. Like it had been struck by lightning.I was fine until you walked into the room."
Her knees wanted to buckle.Hard head, soft heart, and here, suddenly, a staggering sweep of romance. "Why didn't you tell me? Why did you make me wait?"
"I thought I'd get over it."
"Get over it?" Her brow arched up. "Like a head cold?"
"Maybe." He set her aside, paced away to stare out at the hills.
Keeley closed her eyes, let the breeze ruffle her hair, cool her cheeks. When the calm descended, she opened her eyes and smiled. "A good strong head cold's tough to shake off.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
It was awfully quiet. Chicago only gets this quiet when it snows, he thought. And then he flipped open the phone, pressed the voice button, and said “Katherine.” He said it softly, reverently.
Five rings and then her voice mail. Hey, it’s Katherine, he heard, and in the background cars rushed by. They’d been walking home together from the RadioShack when she recorded the message. I’m not, uh. And she uhed, he remembered, because he’d goosed her butt as she tried to talk. Uh, at my cell phone, I guess. Leave me a message and I’ll call you back. And he remembered everything about it, and also everything about everything else, and why couldn’t he forget and beep.
“Hey, it’s Col. I’m standing in a soybean field outside of Gutshot, Tennessee, which is a long story, and it’s hot. K. I’m standing here sweating like I had hyperhidrosis, that disease where you sweat a lot. Crap. That’s not interesting. But anyway, it’s hot, and so I’m thinking about cold to stay cool. And I was remembering walking through the snow coming back from the ridiculous movie. Do you remember that, K? We were on Giddings, and the snow made it so quiet, I couldn’t hear a thing in the world but you. And it was so cold then, and so silent, and I loved you so much. Now it’s hot, and dead quiet again, and I love you still.”
Five minutes later, he was trudging back when his phone began vibrating. He raced back to the spot with good reception and, breathless answered.
“Did you listen to the message?” he asked immediately.
“I don’t think I need to,” she answered. “I’m sorry, Colin. But I think we made a really good decision.” And he didn’t even care to point out that they hadn’t made a decision, because the sound of her voice felt so good –well not good exactly. It felt like the mysterium tremedum et fascinans, the fear and the fascination. The great and terrible awe.
”
”
John Green (An Abundance of Katherines)
“
He took two quick steps forward, wrapped a hand around the back of my neck, and held me for his kiss. I hadn’t expected it—not while he was still so close to changing. I’m sure that’s why I didn’t pull out of his hold.
The first touch of his lips was soft, tentative, asking where his hands had demanded. The man was diabolical. I could have resisted force, but the question of his kiss was an entirely different matter.
I leaned into him because he asked with the light touch and the gentle withdrawal of his lips that begged me to follow where he led. The heat of his body, welcome in the over-cooled house, rewarded me as I leaned closer to him, as did the hard planes of his body, so I was drawn to press even tighter against him.
He danced like that, too. Leading instead of pulling. It had to have been deliberate, something he worked at, because he was as dominant as they came—Alphas are. But Adam was more than just dominant: he was smart, too. And he didn’t play fair.
Which is how he ended up against the wall with me plastered all over him when someone . . . Darryl, quietly cleared his throat.
I jerked free and hopped back to the middle of the hallway. “I’ll just get Jesse’s clothes now,” I told the carpet on the floor and then took my red face into Jesse’s room and shut the door. I didn’t mind getting caught kissing, but that had been a lot more carnal than a kiss.
Sometimes good hearing isn’t a blessing.
“Sorry,” Daryl said, though his voice carried more amusement than apology.
“I bet,” growled Adam. “Damn it. This has got to stop.”
Darryl gave a full-throated laugh that lasted quite a while. I’d never heard him laugh like that. Darryl was pretty uptight usually.
“Sorry,” he said again, sounding more apologetic this time. “Looked to me like you’d rather it not stop.”
“Yeah.” Adam sounded tired. “I should have gone after her a long time ago.
”
”
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
“
She was suddenly self-conscious of the fact that she and Jay were on the bed together, even though they'd been there, together like that, hundreds, maybe even thousands, of times before. And it had never bothered her then, when they were still just friends; but somehow with her father just a few feet away, especially right after they'd been making out, she felt like they were doing something wrong.
"We're fine, Dad!" she called back, trying to sound cool and composed. And then she glared at Jay for his part in making her shout to begin with.
They listened to the sound of her father walking away, and Violet noticed that even his footsteps were soft and unobtrusive.
There was a long silence once they were alone again. Words that needed to be said, and maybe some that didn't, were like invisible fireworks exploding in the empty space between them.
Jay was the first to give in.
He reached out and took her hand, wrapping it tightly in both of his. "Look, Vi, I don't know exactly how to say this, but I don't want anything bad to happen to you. I don't think I could handle it if something, or someone, hurt you." The tone of his voice was still immovable and stubborn, despite the sweet sentiment lurking behind it. He squeezed her hand, though...firmly, as if emphasizing his point. "I know it's selfish, and I don't really care if it is, but I'm not gonna stand by and let you put yourself in danger, even if it is to catch a killer." He eased up on her throbbing fingers, and his voice got all husky and rough again. "I can't lose you," he explained, shrugging as if those weren't the most wonderful words she'd ever heard before. "Not now that I finally have you."
She felt tears prickling in her eyes, and she blinked hard to try to stop them from coming. She was completely overwhelmed by what she'd just figured out...she'd realized it even before he'd finished talking. She knew what it was that he wasn't saying while he lectured her about safety.
He loved her.
Jay Heaton, her best friend since childhood, was in love with her. He didn't say it, but she knew that it was true.
And the part that really freaked her out, the part of it that caught her completely off guard, was that he wasn't in it alone. Because even though she'd been denying it for a long long time, it had always been there...waiting just beneath the surface of their friendship. And now that it was out, there was no going back.
And it was so weird to even be thinking it, but...
...she was in love with him too.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
When they stopped to pick up Mike, Violet started to get out so she could climb in back with Chelsea, giving Mike’s longer legs the front seat, but Jay reached out and caught her wrist.
“What are you doing? I want you to sit with me.” His fingers moved to lace through hers as he drew her back inside. “Mike can sit in back.”
Violet felt herself blush with satisfaction.
Mike came out of his house and jumped down the porch without ever touching the steps. Behind the darkened curtains, the television flickered.
“Here he comes!” Chelsea squealed, sounding like a little girl as she bounced up and down in the backseat, shaking the entire car. She clapped her hands with excitement.
Violet pulled her seat as far forward as she could to give Mike some extra room. He’d need it if he was going to be confined back there with Chelsea.
“Heeyyy, Mike.” Chelsea managed to drawl the two words into several long syllables as Mike slid into the car. The syrupiness of it sounded so foreign oozing from Chelsea’s mouth.
“Hey,” Mike said back to her. One word, one syllable.
“So I guess it’s just the four of us tonight,” she purred.
“Really? I thought we were meeting a buncha people.”
“Nope. Just us. Everyone else bailed.”
Violet smiled to herself as she listened to Chelsea’s account, amazed that her words came out sounding so…sincere.
But Violet knew better. And she realized from the look Jay flashed her that he knew too.
Mike, on the other hand, was too new to understand the disturbing way that Chelsea’s mind worked. There was a brief pause, and then Violet swore she could hear a smile in his voice when he answered, “That’s cool.”
He might rethink that later, Violet thought, when Chelsea stops holding back and decides to assault him right in the middle of a crowded movie theater. Unless he’s into that kind of thing. She grinned wickedly to herself.
And then she wondered if Jay would attack her.
She hoped so.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Gary Hallet is getting leg cramps sitting in the Honda, but he’s not going anywhere yet. His grandfather used to tell him that most folks had it all wrong: The truth of the matter was, you could lead a horse to water, and if the water was cool enough, if it was truly clear and sweet, you wouldn’t have to force him to drink. Tonight Gary feels a whole lot more like the horse than the rider. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything too badly. Well, he does now. He looks out at the parking lot. By afternoon he’ll be back where he belongs; his dogs will go crazy when they see him, his mail will be waiting outside his front door, the milk in his refrigerator will still be fresh enough to use in his coffee. The hitch is, he doesn’t want to go. He’d rather be here, crammed into this tiny Honda, his stomach growling with hunger, his desire so bad he doesn’t know if he could stand up straight. His eyes are burning hot, and he knows he can never stop himself when he’s going to cry. He’d better not even try.
“Oh, don’t,” Sally says. She moves closer to him, pulled by gravity, pulled by forces she couldn’t begin to control.
“I just do this,” Gary says in that sad, deep voice. He shakes his head, disgusted with himself. This time he’d prefer to do almost anything but cry. “Pay no attention.”
But she does. She can’t help herself. She shifts toward him, meaning to wipe at his tears, but instead she loops her arms around his neck, and once she does that, he holds her closer.
“Sally,” he says.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None of it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She’s halfway onto his lap, facing him, and when he touches her, his hands are so hot on her skin she can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Adira squirmed in Leah’s arms, wanting down.
Leah lowered her until her little sneaker-clad feet touched the floor.
Adira toddled away, patting the garments that brushed her head and shoulders.
Straightening, Leah watched her for a moment, then turned back to Seth. “I guess I’ll get back to work.”
Was that disappointment he felt upon hearing her words? He really was enjoying her company.
Adira turned around and toddled back. Grasping Leah’s fingers, she reached out, took Seth’s hand, and placed Leah’s in it.
Seth instinctively curled his fingers around Leah’s.
Satisfied, Adira turned and toddled off once more.
“Oh,” Leah said with a surprised chuckle. “Well. Maybe not.”
Seth was surprised, too. What was Adira thinking?
He glanced at Leah. Should he apologize? “Sorry about that.”
“No worries,” she said with another charming smile. Raising their clasped hands, she turned them so his was on top and slid her free hand over it. “Oooh. Look how big your hand is.”
How many times had he heard Tracy or one of the other mortal women he frequently encountered think Oooh. Look how big his hands are. You know what they say: big hands, big feet, big package in much the same tone as Leah’s.
Seth couldn’t help it. He barked out a laugh.
Leah’s eyes widened. “Wait. I didn’t mean that the way it sounded.”
“It sounded as if you like that my hands are so big.”
She flushed. “I do, but I didn’t mean it like you think.”
“How do I think you meant it?” he asked with exaggerated innocence.
Face red, she laughed. “Stop making me blush. I just meant I like that you’re so big. Not just your hands. But all over.” Again her eyes widened. “I mean, not all over, but—”
Laughing, he took pity on her. “It’s all right. I understood what you meant the first time.”
Smiling, she squinted up at him. “You like to tease, don’t you?”
“Guilty as charged.” Many immortals did. It helped lighten what could otherwise be a dark existence.
She caressed his hand again, sending little tingles through it. “My hand actually looks small in yours. That’s so cool.”
It did. And the sensations her soft touch inspired unnerved him a bit. His pulse even picked up.
Seth eyed her curiously. “You really dislike your size so much?” He thought it a shame. She was a beautiful woman.
Shrugging, she released his hand and let hers fall to her sides. “When someone gives you a complex in high school, it tends to stick with you.”
Adira reappeared as if by magic. Taking Leah’s hand, she again placed it in Seth’s, then moved away.
The two looked at each other and smiled.
Leah nodded after Adira. “Maybe she’s hoping I’ll distract you so she can take her time looking over the toys she plans to coax you into buying before you leave.”
Seth winked. “Or maybe she just heard you say you like my big hands.
”
”
Dianne Duvall (Death of Darkness (Immortal Guardians, #9))
“
We've known each other for years."
"In every sense of the word." Tanya gave him a nudge and they shared another laugh.
In every sense of the word... Daisy felt a cold stab of jealousy at their intimate moment. It didn't make sense. Her relationship with Liam wasn't real. But the more time she spent with him, the more the line blurred and she didn't know where she stood.
"Daisy is a senior software engineer for an exciting new start-up that's focused on menstrual products," Liam said. "She's in line for a promotion to product manager. The company couldn't run without her."
Daisy grimaced. "I think that's a bit of an exaggeration."
"Take the compliment," Tanya said. "Liam doesn't throw many around... At least, he didn't used to."
At least, he didn't used to...
Was the bitch purposely trying to goad her with little reminders about her shared past with Liam? Daisy's teeth gritted together. Well, she got the message. Tanya was a cool, bike-riding, smooth-haired venture capitalist ex who clearly wasn't suffering in any way after her journey. She was probably so tough she didn't need any padding in her seat. Maybe she just sat on a board or the bare steel frame.
Liam ran a hand through his hair, ruffling the dark waves into a sexy tangle. Was he subconsciously grooming himself for Tanya? Or was he just too warm? "What are you riding now?"
"Triumph Street Triple 675. I got rid of the Ninja. Not enough power."
"You like the naked styling?" Liam asked.
Tanya smirked. "Naked is my thing, as you know too well."
Naked is my thing... As you know too well...
Daisy tried to shut off the snarky voice in her head, but something about Tanya set her possessive teeth on edge.
"Do you want to join us inside?" Liam asked. "We're going to have a coffee before we finish the loop."
Say no. Say no. Say no.
"Sounds good." Tanya took a few steps and looked back over her shoulder. "Do you need a hand, Daisy?"
Only to slap you.
”
”
Sara Desai (The Dating Plan (Marriage Game, #2))
“
James finished his curry and wandered off on his own. He noticed a girl leaning against a tree smoking. Long hair, baggy jeans. She was about James’s age, nice looking. He didn’t remember her from any of the intelligence files. “Hey, can I have a drag?” James said, trying to sound cool. “Sure,” the girl said. She passed James the cigarette. James had never tried one before and hoped he wasn’t about to make an idiot of himself. He gave it a little suck. It burned his throat, but he managed not to cough. “Not seen you here before,” the girl said. “I’m Ross,” James said. “Staying here with my aunt for a bit.” “Joanna,” the girl said. “I live in Craddogh.” “Haven’t been there yet,” James said. “It’s a dump, two shops and a post office. Where you from?” “London.” “I wish I was,” Joanna said. “You like it here?” “I’m always covered in mud. I want to go to bed, but there’s a guy playing guitar three meters from where I sleep. I wish I could go home, have a warm shower, and see my mates.” Joanna smiled. “So why are you staying with your aunt?” “Long story: Parents are getting divorced. Mum freaking out. Got expelled from school.” “So you’re good-looking and you’re a rebel,” Joanna said. James was glad it was quite dark because he felt himself blush. “You want the last puff, Ross?” “No, I’m cool,” James said. Joanna flicked the cigarette butt into the night. “So, I paid you a compliment,” Joanna said. “Yeah.” Joanna laughed. “So do I get one back?” she asked. “Oh, sure,” James said. “You’re really like . . . nice.” “Can’t I get any better than nice?” “Beautiful,” James said. “You’re beautiful.” “That’s more like it,” Joanna said. “Want to kiss me?” “Um, OK,” James said. James was nervous. He’d never had the courage to ask a girl out. Now he was about to kiss someone he’d known for three minutes. He pecked her on the cheek. Joanna shoved James against the tree and started kissing his face and neck. Her hand went in the back pocket of James’s jeans, then she jumped backwards.
”
”
Robert Muchamore (The Recruit (CHERUB, #1))
“
You don't have to say that," she insisted. "I mean - I'll understand, if you hate me."
"I could never hate you, Bee. I just...I miss you." There was no reproach in Connor's words, only a weary, unflinching truth.
"I miss you, too." she said, and meant it.
Beatrice's tears were coming more freely now, but that wasn't surprising. Nothing in life hurt more than hurting the people you loved. Yet Beatrice knew she had to say all of this.
She and Connor had loved each other too fiercely for her to let him go without a proper goodbye.
"I am...forever changed by you," she added, her voice catching. "I gave you part of my heart a long time ago, and I've never gotten it back."
"You don't need it back." His voice was rough with unshed tears. "I swear that I'll keep it safe. Everywhere I go, that part of you will come with me, and I will guard and treasure it. Always."
A sob escaped her chest. She hurt for Connor and with Connor and because of Connor, all at once.
This wasn't how breakups were meant to go. In the movies they always seemed so hateful, with people yelling and throwing things at each other. They weren't meant to be like this, tender and gentle and full of heartache.
"Okay," she replied, through her tears. "That part of my heart is yours to keep."
Connor stepped back, loosening his hand from hers, and Beatrice felt the thread between them pull taut and finally snap. She imagined that she could hear it - a crisp sort of sound, like the stem of a rose being snapped in two.
Her body felt strangely sore, or maybe it was her heart that felt sore, recognizing the parts of it that she had given away, forever.
"You're such an amazing person, Connor. I hope you find someone who deserves you."
Again he attempted a crooked smile. "It won't be easy on her, trying to live up to the queen. For a small person, you cast quite the shadow," he said, and then his features grew serious once more. "Bee - if you ever need me, I'll be there for you. You know that, right?"
She swallowed against a lump in her throat. "The same promise holds for me, too. I'm always here if you need me."
As she spoke, the steel panel began to lift back into the ceiling.
Beatrice straightened her shoulders beneath the cool silk of the gown, drew in a breath. Somehow she managed to gather up the tattered shreds of her self-control, as if she wasn't a young woman who'd just said goodbye to her first love - to her best friend.
As of she wasn't a young woman at all, but a queen.
”
”
Katharine McGee (American Royals II: Majesty)
“
Lady Cameron,” he said, playing his role with elan as he nodded toward Ian. “You recall our friend Lord Thornton, Marquess of Kensington, I hope?”
The radiant smile Elizabeth bestowed on Ian was not at all what the dowager had insisted ought to be “polite but impartial.” It wasn’t quite like any smile she’d ever given him. “Of course I remember you, my lord,” Elizabeth said to Ian, graciously offering him her hand.
“I believe this waltz is mine,” he said for the benefit of Elizabeth’s avidly interested admirers. He waited until they were near the dancers, then he tried to sound more pleasant. “You seem to be enjoying yourself tonight.”
“I am,” she said idly, but when she looked up at his face she saw the coolness in his eyes; with her new understanding of her own feelings, she understood his more easily. A soft, knowing smile touched her lips as the musicians struck up a waltz; it stayed in her heart as Ian’s arm slid around her waist, and his left hand closed around her fingers, engulfing them.
Overhead a hundred thousand candles burned in crystal chandeliers, but Elizabeth was back in a moonlit arbor long ago. Then as now, Ian moved to the music with effortless ease. That lovely waltz had begun something that had ended wrong, terribly wrong. Now, as she danced in his arms, she could make this waltz end much differently, and she knew it; the knowledge filled her with pride and a twinge of nervousness. She waited, expecting him to say something tender, as he had the last time.
“Belhaven’s been devouring you with his eyes all night,” Ian said instead. “So have half the men in this ballroom. For a country that prides itself on its delicate manners, they sure as hell don’t extend to admiring beautiful women.”
That, Elizabeth thought with a startled inner smile, was not the opening she’d been waiting for. With his current mood, Elizabeth realized, she was going to have to make her own opening. Lifting her eyes to his enigmatic golden ones, she said quietly, “Ian, have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it?”
Surprised by her grave question and her use of his name, Ian tried to ignore the jealousy that had been eating at him all night. “No,” he said, scrupulously keeping the curtness from his voice as he gazed down at her alluring face. “Why do you ask? Is there something you want?”
Her gaze fell from his, and she nodded at his frilled white shirtfront.
“What is it you want?”
“You.”
Ian’s breath froze in his chest, and he stared down at her lustrous hair. “What did you just say?”
She raised her eyes to his. “I said I want you, only I’m afraid that I-“
Ian’s heart slammed into his chest, and his fingers dug reflexively into her back, starting to pull her to him. “Elizabeth,” he said in a strained voice, glancing a little wildly at their avidly curious audience and resisting the impossible impulse to take her out onto the balcony, “why in God’s name would you say a thing like that to me when we’re in the middle of a damned dance floor in a crowded ballroom?”
Her radiant smile widened. “I thought it seemed like exactly the right place,” she told him, watching his eyes darken with desire.
“Because it’s safer?” Ian asked in disbelief, meaning safer from his ardent reaction.
“No, because this is how it all began two years ago. We were in the arbor, and a waltz was playing,” she reminded him needlessly. “And you came up behind me and said, ‘Dance with me, Elizabeth.’ And-and I did,” she said, her voice trailing off at the odd expression darkening his eyes. “Remember?” she added shakily when he said absolutely nothing.
His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.”
Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))