“
Fuck it... That's really the attitude that keeps a family together, it's not "we love each other", it's just "fuck it, man.
”
”
Louis C.K.
“
God has brought us together as families to bring to pass His eternal purposes. We are part of this plan in this marriage relationship. let us love and respect and honor one another. We can do it, and we will be the better for it.
”
”
Gordon B. Hinckley (Stand a Little Taller: Counsel and Inspiration for Each Day of the Year)
“
We can't, and we should not, compare sufferings. We come together as a family of God, hand in hand. And then together coming and standing upon the promises of God, knowing that no matter who you are, no matter what you're going through, that God knows it, He is with you, He is going to pull you through.
”
”
Nick Vujicic
“
What matters right now is this: we're each of us standing here, together, alive, together.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
Sometimes I feel like a tree on a hill, at the place where all the wind blows and the hail hits the tree the hardest. All the people I love are down the side aways, sheltered under a great rock, and I am out of the fold, standing alone in the sun and the snow. I feel like I am not part of the rest somehow, although they welcome me and are kind. I see my family as they sit together and it is like theyh ave a certain way between them that is beyond me. I wonder if other folks ever feel included yet alone.
”
”
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
“
In the tapestry of childhood, what stands out is not the splashy, blow-out trips to Disneyland but the common threads that run throughout and repeat: the family dinners, nature walks, reading together at bedtime, Saturday morning pancakes.
”
”
Kim John Payne
“
Mr Churchill caught the end of one of the long ribbons from her bonnet, which were flying madly in the strong breeze. He toyed with it for a long while, then looked up into her eyes. “Do you believe in love at first sight?” he asked.
“No, I don’t suppose I do,” Jane answered. Her heart started beating harder. That was a lie. Maybe her breath was catching in her throat because she was lying: she fell in love with him the moment she saw him, rescuing the poor store clerk. Or maybe it was because he was standing so close to her, just on the other end of her bonnet ribbon. She felt her cheeks growing warm, and tried to talk herself out of blushing. He was not standing any closer to her than when they danced together, or sat on the same bench at the pianoforte. Why should it fluster her that he was wrapping the end of her bonnet ribbon around his fingers like that?
”
”
Jeanette Watts (My Dearest Miss Fairfax)
“
I am, and always have been - first, last, and always - a child of America.
You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand.
I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House.
You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down.
Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too.
The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms.
We were not afforded that liberty.
But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice.
Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us.
If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election.
And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
We might have been on the outside looking in at our own families and our own lives, but at least we could stand outside together.
”
”
Jay Crownover (Rowdy (Marked Men, #5))
“
I could stand on my head and flick the bean right there at the dinner table and my mom would be all, "Honey, Christmas is family time, we should be together" and make me finish in front of everyone.
”
”
Christopher Moore (You Suck (A Love Story, #2))
“
This "sir, yes sir" business, which would probably sound like horseshit to any civilian in his right mind, makes sense to Shaftoe and to the officers in a deep and important way. Like a lot of others, Shaftoe had trouble with military etiquette at first. He soaked up quite a bit of it growing up in a military family, but living the life was a different matter. Having now experienced all the phases of military existence except for the terminal ones (violent death, court-martial, retirement), he has come to understand the culture for what it is: a system of etiquette within which it becomes possible for groups of men to live together for years, travel to the ends of the earth, and do all kinds of incredibly weird shit without killing each other or completely losing their minds in the process. The extreme formality with which he addresses these officers carries an important subtext: your problem, sir, is deciding what you want me to do, and my problem, sir, is doing it. My gung-ho posture says that once you give the order I'm not going to bother you with any of the details--and your half of the bargain is you had better stay on your side of the line, sir, and not bother me with any of the chickenshit politics that you have to deal with for a living. The implied responsibility placed upon the officer's shoulders by the subordinate's unhesitating willingness to follow orders is a withering burden to any officer with half a brain, and Shaftoe has more than once seen seasoned noncoms reduce green lieutenants to quivering blobs simply by standing before them and agreeing, cheerfully, to carry out their orders.
”
”
Neal Stephenson (Cryptonomicon)
“
I had never been in love before Abby, and no one had even piqued my interest since. My life was the woman standing before me, and the family we’d made together.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
My sisters and I stand, arms around each other, laughind and wiping the tears from each others eyes. The flash of the Polaroid goes off and my family hands me the snapshot. My sisters and I watch quietly together, eager to see what develops.
Ghe grey-greensurface changes to the bright colors of our three images, sharpening and deepening all at once. And although we don't speak, I know we all see it: Together we look like our mother. Her same eyes, her same mouth, open in suprise to see, her long-cherished wish.
”
”
Amy Tan (The Joy Luck Club)
“
Give more, so that we can build more, put interest in understanding another more in whatever actions one might carry out in life. Because we all are fighting for survival against adversaries and are sometimes falling, but if we stand together and help shield and strengthen one another, imagine the world that we will live in together, having more happiness with one another, at one another’s side.
”
”
Jonathan Anthony Burkett (Neglected but Undefeated: The Life of a Boy Who Never Knew a Mother s Love)
“
I’d felt this before, when my granddad was in the hospital before he died. We all camped out in the waiting room, eating our meals together, most of us sleeping in the chairs every night. Family from far-flung places would arrive at odd hours and we’d all stand and stretch, hug, get reacquainted, and pass the babies around.
A faint, pale stream of beauty and joy flowed through the heavy sludge of fear and grief. It was kind of like those puddles of oil you see in parking lots that look ugly until the sun hits them and you see rainbows pulling together in the middle of the mess.
And wasn’t that just how life usually felt—a confusing swirl of ugly and rainbow?
”
”
Laura Anderson Kurk (Perfect Glass)
“
Of course you do, child," said mother. "Families were made to cling together, and stand by each other in every circumstance of life—joy or sorrow. Of course you need your family.
”
”
Gene Stratton-Porter (Gene Stratton-Porter’s Collected Works: A Girl Of The Limberlost, Laddie, A Daughter of the Land, Freckles, and More!( 11 works))
“
Citizens of Luna, I ask that you stop what you’re doing to listen to this message. My name is Selene Blackburn. I am the daughter of the late Queen Channary, niece to Princess Levana, and the rightful heir to Luna’s throne. You were told that I died thirteen years ago in a nursery fire, but the truth is that my aunt, Levana, did try to kill me, but I was rescued and taken to Earth. There, I have been raised and protected in preparation for the time when I would return to Luna and reclaim my birthright.
In my absence, Levana has enslaved you. She takes your sons and turns them into monsters. She takes your shell infants and slaughters them. She lets you go hungry, while the people in Artemisia gorge themselves on rich foods and delicacies. But Levana’s rule is coming to an end. I have returned and I am here to take back what’s mine.
Soon, Levana is going to marry Emperor Kaito of Earth and be crowned the empress of the Eastern Commonwealth, an honor that could not be given to anyone less deserving. I refuse to allow Levana to extend her tyranny. I will not stand aside while my aunt enslaves and abuses my people here on Luna, and wages a war across Earth. Which is why, before an Earthen crown can be placed on Levana’s head, I will bring an army to the gates of Artemisia.
I ask that you, citizens of Luna, be that army. You have the power to fight against Levana and the people that oppress you. Beginning now, tonight, I urge you to join me in rebelling against this regime. No longer will we obey her curfews or forgo our rights to meet and talk and be heard. No longer will we give up our children to become her disposable guards and soldiers. No longer will we slave away growing food and raising wildlife, only to see it shipped off to Artemisia while our children starve around us. No longer will we build weapons for Levana’s war. Instead, we will take them for ourselves, for our war.
Become my army. Stand up and reclaim your homes from the guards who abuse and terrorize you. Send a message to Levana that you will no longer be controlled by fear and manipulation. And upon the commencement of the royal coronation, I ask that all able-bodied citizens join me in a march against Artemisia and the queen’s palace. Together we will guarantee a better future for Luna. A future without oppression. A future in which any Lunar, no matter the sector they live in or the family they were born to, can achieve their ambitions and live without fear of unjust persecution or a lifetime of slavery.
I understand that I am asking you to risk your lives. Levana’s thaumaturges are powerful, her guards are skilled, her soldiers are brutal. But if we join together, we can be invincible. They can’t control us all. With the people united into one army, we will surround the capital city and overthrow the imposter who sits on my throne. Help me. Fight for me. And I will be the first ruler in the history of Luna who will also fight for you.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
A bully is nothing more than a bunch of bull with a Y attached to its rear.
”
”
Lorin Morgan-Richards (The Goodbye Family Unveiled)
“
Standing alone at the railing is Four. Though he's not an initiate anymore, most of the Dauntless use this day to come together with their families. Either his family doesn't like to come together, or he wasn't originally a Dauntless. Which faction could he have come from? "There's one of my instructors." I lean closer to say. "He's kind of intimidating." "He's handsome," she says. I find myself nodding without thinking. She laughs and lifts her arm from my shoulders. I want to steer her away from him, but just as I'm about to suggest that we go somewhere else, he looks over his shoulder. His eyes widen at the sight of my mother. She offers him her hand. "Hello. My name is Natalie," she says. "I'm Beatrice's mother." I have never seen my mother shake hands with someone. Four eases his hand into hers, looking stiff, and shakes it twice. The gesture looks unnatural for both of them. No, Four was not originally Dauntless if he doesn't shake hands easily.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Life is so precious in our human family
If I lend my brother a helping hand
Together the stronger we will both stand
Let the love we have in all our hearts
Pull us together for a brand new start
Let's make this earth from house to home
”
”
Marie Helen Abramyan
“
She looks sweet, with those dresses and that smile, but Bee is tough. Tougher than she thinks. She hates fighting, but she won’t stand down when it matters. It’s one of the things I admire most about her. I used to wish that we had met earlier in life, when we were kids or teenagers, but now I think we found each other at the right time. We became adults together. Our friendship is how I learned to compromise. It’s how I learned that the families we make are as significant as the ones we’re born into. It’s how I learned that the greatest loves are not always romances.
”
”
Carley Fortune (This Summer Will Be Different)
“
I’ve seen thousands of mortal girls,” he said softly, “more
than you could ever count, from all corners of your world. To me, they’re all the same.They see only this outer shell, not who I really
am, beneath. You have. You’ve seen me without the glamour and the illusions, even the ones I
show my family, the farce I maintain just to survive. You’ve seen who I really am, and yet,
you’re still here. You’re here,
and the only dance I want is this one."
"For better or worse, I’m afraid you’re stuck with me now."
"I plan to keep you, from everyone, for as long as
I’m alive. That includes Puck, the false king, and anyone else who would take you
away. I guess I should’ve warned you that I have a slight possessive
streak."
“My name is Ashallyn’darkmyr Tallyn, third son of the Unseelie Court. Let it be known—from this day forth, I vow to protect Meghan Chase,
daughter of the Summer King, with my sword, my honor, and my life. Her desires are
mine. Her wishes are mine. Should even the world stand against her, my blade will be at
her side. And should it fail to protect her, let my own existence be forfeit. This I swear,
on my honor, my True Name, and my life. From this day on…I am yours.”
“My life…everything I am…belongs to you.”
“I will always be your knight, Meghan Chase. And I swear, if there is a way for us to be together, I will find it. No matter how long it takes. If I have to chase your soul to the ends of eternity, I won’t stop until I find you, I promise.
”
”
Julie Kagawa
“
Sometimes I feel like a tree on a hill, at the place where all the wind blows and the hail hits the hardest. All the people I love are down the side aways, sheltered under a great rock, and I am out of the fold, standing alone in the sun and the snow. I feel like I am not part of the rest somehow, although they welcome me and are kind. I see my family as they sit together and it is like they have a certain way between them that is beyond me. I wonder if other folks ever feel included yet alone.
”
”
Nancy E. Turner (These Is My Words)
“
Divided we are as people but if we stand together and fight we as a race will unite.
”
”
Alcurtis Turner
“
Don’t take no for an answer when the question is: can I? Family comes first and must stand together. Don’t forget where you come from.
”
”
Susan Rice (Tough Love)
“
Holy shit." Daisy breathes it out as they headed back to where Jonah was now standing with Levi. "If you made semen, I'd totally have your babies.
”
”
Lauren Dane (Drawn Together (Brown Family, #5))
“
Meaning hides in repetition: We do this every day or every week because it matters. We are connected by this thing we do together. We matter to one another. In the tapestry of childhood, what stands out is not the splashy, blow-out trip to Disneyland but the common threads that run throughout and repeat: the family dinners, nature walks, reading together at bedtime (with a hot water bottle at our feet on winter evenings), Saturday morning pancakes.
”
”
Lisa M. Ross (Simplicity Parenting: Using the Extraordinary Power of Less to Raise Calmer, Happier, and More Secure Kids)
“
The last time I saw you, you were wearing a white cotton shirt. You were standing upright with your wife on the lawn, in the sunlight, in front of the chateau, at my brother’s wedding. You shared in the enthusiasm of the ceremony. For my part, I felt distanced from it. I didn’t recognize my family in this mundane get-together. You didn’t seem put off by the bourgeois ceremony, or by my brother’s choice to have his love approved by third parties, even when these were distant third parties. You didn’t have the sad and absent look you normally took on at public gatherings. You smiled, watching the people, a little tipsy from the wine and the sun, chatting on the large lawn between the white stone façade and the two-hundred-year-old cedar tree. I often wondered, after your death, if that smile, the last one I saw from you, was mocking, or if instead it was the kindly smile of someone who knew that soon he would no longer partake in earthly pleasures. You didn’t regret leaving these behind, but neither were you averse to enjoying them a little longer.
”
”
Édouard Levé (Suicide)
“
You belong with me, Azami. Your family will be my family. My family—the GhostWalkers—will be yours.”
“You’re a very dangerous man, Sam Johnson,” she whispered. “You stand there, tempting me with your pretty words of a future together, the devil in his blue jeans, so good-looking you’re impossible to resist. I don’t know why I can’t say no to you.”
His grin widened. His arms slid around her, pulling her tight against him. He didn’t want so much as a breath between them. “That will stand me in good stead in the future.” He bent his head once more to the temptation of her angelic mouth.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
Perfect You’re a beautiful kind of madness a misunderstood truth O, the things they could learn from the darkness that is hidden behind your eyes So gifted, yet your talents are wasted you gave up chasing dreams Reality hit and you got a taste of failure Cautious now about bearing your soul For if others saw you fully exposed they may not love you like they claim to Time and experience have taught you to trust no one Friends, lovers, and even family have forsaken you You keep the shattered pieces of your heart in a box Stitching, gluing, and staying up all night trying to put it back together Attempting to fill the void that was left Moving from one man to the next It seems no one can satisfy the appetite for affection that you seek Continually picking at old wounds they never heal properly You have no real home, too restless to stay in one place You are reckless, selfish, stubborn, sometimes rude You’ve bottled up the pain of so much that has been done When you’re hurt You close into yourself, shut down You love attention and yet love being by yourself more May God have mercy on your soul For you are truly lost Daily you fight your demons Yet no one knows of that which you endure You bear it alone, never speaking of it You can blame the broken home from which you came Or the environment that you grew up in The people who tore you down so young You can point the finger at those who have whispered behind your back They all have played a role in your development But looking so deep into the past will keep you from moving forward You must love yourself more than these people claim they do Look at where you stand now No one can know the things you have endured like you You’ve never claimed to be perfect Your flaws tell your story There is no need to hide them
”
”
Samantha King (Born to Love, Cursed to Feel)
“
Joaquin shook his head. "Look, you two are my sisters, right? You're my family. I won't hurt you like that."
"Oh, for fuck's sake!" Maya suddenly screamed, and they both turned around to see her still standing next to the car, hand on hips.
"That's exactly what family is, Joaquin!" Maya shouted at him. "It means that no matter where you go, no matter how far you run, you're still a part of me and Grace and we're still a part of you, too! Look at us! It took us fifteen years to find each other, but we still did! And sometimes, family hurts each other. But after that's done you bandage each other up, and you move on. Together. So you can go and think that you're some lone wolf, but you're not! You've got us now, like it or not, and we've got you. So get in this fucking car and let's go!
”
”
Robin Benway (Far from the Tree)
“
President Josiah Bartlet: Good. I like your show. I like how you call homosexuality an abomination.
Dr. Jenna Jacobs: I don't say homosexuality is an abomination, Mr. President. The Bible does.
President Josiah Bartlet: Yes, it does. Leviticus.
Dr. Jenna Jacobs: 18:22.
President Josiah Bartlet: Chapter and verse. I wanted to ask you a couple of questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in Exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that, can I ask another? My Chief of Staff Leo McGarry insists on working on the Sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself, or is it okay to call the police? Here's one that's really important 'cause we've got a lot of sports fans in this town: Touching the skin of a dead pig makes one unclean. Leviticus 11:7. If they promise to wear gloves, can the Washington Redskins still play football? Can Notre Dame? Can West Point? Does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads? Think about those questions, would you? One last thing: While you may be mistaking this for your monthly meeting of the Ignorant Tight-Ass Club, in this building, when the President stands, nobody sits.
”
”
Aaron Sorkin (The West Wing Script Book)
“
She knew it was time,
What for was the mystery
but focused; she remained.
She turned her back on anything
that no longer served her strengths
nor taught her vital lessons with her weaknesses.
She said no without explanation
& assigned validation back just to parking spots.
She was fierce but gentle
and authentic in her approach to live even if it meant standing alone.
She knew the hard days weren't over but stood proud that she had already survived some of the worst.
She laughed in the midst of a mindfuck & gathered her worth with all the pieces of herself that have held her together throughout the years.
She knew it was time
What for was the mystery,
but focused; she remained.
She learnt that motherhood provided unconditional love doesn't have boundaries, it's pure in all its forms.
Family are rare connections.
Friendships are like shoes, not all will fit but when some do it's like you have won the lotto.
She learnt that every love was different and how important it was to keep her heart open for the possibility of being able to experience it just one more time.
”
”
Nikki Rowe
“
the most precious beings to her, and so is June. She likes to imagine a place, a safe place, where she can live one day with June and the children. June is older, wiser. She knows. She knows that two women cannot live together like a couple and be treated normally. This may occur in New York, perhaps, but not in Paris. Not in 1973. Certainly not in the kind of society the Rey family live in. She tries to explain this to Clarisse. She says they need to wait, to take their time, that things can happen quietly, slowly, with less difficulty. But Clarisse is younger and more impatient. She doesn’t want to wait. She doesn’t want to take her time.” The pain is setting in at last, like a familiar, dangerous friend you let in with apprehension. My chest feels constricted, too small to contain my lungs. I stop and take a couple of deep breaths. Angèle comes to stand behind me. Her warm body presses against mine. It gives me the strength to carry on. “That Christmas is a dreadful one for Clarisse. Never has she felt lonelier. She misses June desperately. June has her busy, active life in New York, her gallery, her society, her friends, her artists. Clarisse has only her children. She has no friends apart from Gaspard, the son of her mother-in-law’s maid. Can she trust him? What
”
”
Tatiana de Rosnay (A Secret Kept)
“
Not caring about our own pain and the pain of others is not working. How much longer are we willing to keep pulling drowning people out of the river one by one, rather than walking to the headwaters of the river to find the source of the pain? What will it take for us to let go of that earned self-righteousness and travel together to the cradle of the pain that is throwing all of us in at such a rate that we couldn’t possibly save everyone? Pain is unrelenting. It will get our attention. Despite our attempts to drown it in addiction, to physically beat it out of one another, to suffocate it with success and material trappings, or to strangle it with our hate, pain will find a way to make itself known. Pain will subside only when we acknowledge it and care for it. Addressing it with love and compassion would take only a minuscule percentage of the energy it takes to fight it, but approaching pain head-on is terrifying. Most of us were not taught how to recognize pain, name it, and be with it. Our families and culture believed that the vulnerability that it takes to acknowledge pain was weakness, so we were taught anger, rage, and denial instead. But what we know now is that when we deny our emotion, it owns us. When we own our emotion, we can rebuild and find our way through the pain. Sometimes owning our pain and bearing witness to struggle means getting angry. When we deny ourselves the right to be angry, we deny our pain. There are a lot of coded shame messages in the rhetoric of “Why so hostile?” “Don’t get hysterical,” “I’m sensing so much anger!” and “Don’t take it so personally.” All of these responses are normally code for Your emotion or opinion is making me uncomfortable or Suck it up and stay quiet. One response to this is “Get angry and stay angry!” I haven’t seen that advice borne out in the research. What I’ve found is that, yes, we all have the right and need to feel and own our anger. It’s an important human experience.
”
”
Brené Brown (Braving the Wilderness: Reese's Book Club: The Quest for True Belonging and the Courage to Stand Alone)
“
Coming together takes the powerless and makes them powerful. Structured Family Recovery brings this power to the family and, in co- operation with the larger recovery community, stands firm in the face of addiction, which trespassed into our homes and multiplied itself into our lives. We crowd addiction out by building a family life brim- ming with togetherness and recovery, even though we may start out not knowing our way back to each other.
”
”
Debra Jay (It Takes A Family: A Cooperative Approach to Lasting Sobriety)
“
The Quincy rodeo was a standing tradition, much like Christmas or Thanksgiving. It was one of the few events we always made sure to attend together, even if that meant closing shop. Except that evening, surrounded by my family, a piece was missing. I hadn’t realized until late in the evening, when I’d glanced across the arena and found Winn at the fence, that the missing piece was her. Another shift. She belonged by my side, not standing alone.
”
”
Devney Perry (Indigo Ridge (The Edens, #1))
“
If George Apley failed to meet certain challenges, let us admit that we all have failed in some respects, and let us remember that we stand together peculiarly as one large family. Collectively, in habits and ideals, our group is a family group where kinship, however distant, stretches into the oddest corners.
”
”
John P. Marquand (The Late George Apley)
“
The Onondaga Nation schools recite the Thanksgiving Address, a river of words as old as the people themselves, known in Onondaga language as the Words That Come Before All Else. This ancient order of protocol sets gratitude as the highest priority. The gratitude is directed straight to the ones who share their gifts with the world. (excerpt)
‘Today we have gathered and when we look upon the faces around us we see that the cycles of life continue. We have been given the duty to live in balance and harmony with each other and all living things. So now let us bring our minds together as one as we give greetings and thanks to each other as People. Now our minds are one.
We are thankful to our Mother the Earth, for she gives us everything that we need for life. She supports our feet as we walk about upon her. It gives us joy that she still continues to care for us, just as she has from the beginning of time. To our Mother, we send thanksgiving, love, and respect. Now our minds are one.
We give thanks to all of the waters of the world for quenching our thirst, for providing strength and nurturing life for all beings. We know its power in many forms—waterfalls and rain, mists and streams, rivers and oceans, snow and ice. We are grateful that the waters are still here and meeting their responsibility to the rest of Creation. Can we agree that water is important to our lives and bring our minds together as one to send greetings and thanks to the Water? Now our minds are one.
Standing around us we see all the Trees. The Earth has many families of Trees who each have their own instructions and uses. Some provide shelter and shade, others fruit and beauty and many useful gifts. The Maple is the leader of the trees, to recognize its gift of sugar when the People need it most. Many peoples of the world recognize a Tree as a symbol of peace and strength. With one mind we greet and thank the Tree life. Now our minds are one.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
The primary characteristics of the Shakespearean soul present themselves in Macbeth: the soul has free will, reason, conscience, and corporeality. The effect of these beliefs is holistic: they work together, whether a character be virtuous or sinful. More, no character stands alone morally, because Shakespeare assumes, theologically, that the bonds of family and society are sacred. With respect to the individual, however, there is one overarching principle at work. The fall of an individual’s soul—the loss of his freedom, the ruin of his reason, the confusion of his conscience, the seduction of his flesh by lies and imagination—is a negation of his soul.
”
”
William Shakespeare (Macbeth: Ignatius Critical Editions)
“
Neil stared back at him, suddenly lost. He was fluent in two languages, nearly there in a third, and could string together some useful survival phrases in a half-dozen more. But with the whole truth bared between them Neil didn't have the right words to say. "You should have thrown my file away," Neil said at last. "You should have walked away when I threw your contract back in your face. But you took a chance on me and you brought me here. You saved my life. Three times," Neil said, "you've saved my life. I can't just say 'thank you' for that."
"You don't have to," Wymack said. "I brought you here, but you saved yourself. You're the one who decided to stay. You're the one who stopped being afraid long enough to realize you could get a grip here and a foothold there. You found your own way."
"If anything," Wymack continued when Neil tried to protest, "I should be thanking you. You told us last night you intended to end the year dead or in federal custody. You could have shut everyone and everything out and worried about yourself this year. Instead you agreed to help Dan fix this team. You're saving the two I thought we couldn't reach, and you're a living example for Kevin to follow. He never used to watch you," Wymack said, "but he's had eyes on you since December trying to figure out how you stand your ground.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?”
He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.”
“I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.”
“What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.”
“Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.”
Astonishment fills his eyes. “No, I didn’t.”
“Yes, you did.”
“Is that what he told you?” Logan demands.
“Not in so many words.”
“I see. Well, what words did he actually use?”
I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’”
Logan breaks out in a grin.
I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!”
Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him.
“He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.”
I’m dumbfounded.
Oh my God.
Lorris? As in Logan and Morris? They fucking Brangelina’d themselves?
“What is happening?” I burst out. “You guys are best friends now?”
“He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.”
“Yeah, and what’s that?” I mutter.
“That you and I are perfect for each other.”
No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
I don’t know why everyone
is still trying to find out
whether heaven and hell exist.
Why do we need more evidence?
They exist here on this very Earth.
Heaven is standing atop Mount Qasioun
overlooking the Damascene sights
with the wind carrying Qabbani’s
dulcet words all around you.
And hell is only four hours away
in Aleppo where children’s cries
drown out the explosions of mortar bombs
until they lose their voice,
their families, and their limbs.
Yes, hell certainly does exist
right now, at this moment,
as I pen this poem. And all we’re doing
to extinguish this hellfire
is sighing, shrugging, liking, and sharing.
Tell me: what exactly does that make
us? Are we any better than the
gatekeepers of hell?
”
”
Kamand Kojouri
“
In death as in life, we stand together, always a family, always a team. The brotherhood never dies.
”
”
Marcus Luttrell (Service: A Navy SEAL at War)
“
They were very quiet now, listening closely. Her family sat stock still, all together near the left aisle, like a spot of blackberry jam on a white handkerchief.
”
”
Stephen King (The Stand)
“
Life is a series of problems to be analyzed and addressed. How do we fix our failing schools? How do we reduce violence? These problem-centered questions are usually the wrong ones to ask. They focus on deficits, not gifts. A problem conversation tends to focus on one moment in time—the moment when a student didn’t graduate from high school, the moment when a young person commits a crime, the moment when a person is homeless. But actual lives are lived cumulatively. It takes a whole series of shocks before a person becomes homeless—loss of a job, breakdown in family relationship, maybe car problems or some transportation issue. It takes a whole series of shocks before a kid drops out of school. If you abstract away from the cumulative nature of life and define the problem as one episode, you are abstracting away from how life is lived. All conversations are either humanizing or dehumanizing, and problem-centered conversations tend to be impersonal and dehumanizing. The better community-building conversations focus on possibilities, not problems. They are questions such as, What crossroads do we stand at right now? What can we build together? How can we improve our lives together? What talents do we have here that haven’t been fully expressed?
”
”
David Brooks (The Second Mountain: The Quest for a Moral Life)
“
Reproof is unavoidable. God’s Word demands it when a brother falls into open sin. The practice of discipline in the congregation begins in the smallest circles. Where defection from God’s Word in doctrine or life imperils the family fellowship and with it the whole congregation, the word of admonition and rebuke must be ventured. Nothing can be more cruel than the tenderness that consigns another to his sin. Nothing can be more compassionate than the severe rebuke that calls a brother back from the path of sin. It is a ministry of mercy, an ultimate offer of genuine fellowship, when we allow nothing but God’s Word to stand between us, judging and succoring. Then it is not we who are judging; God alone judges, and God’s judgment is helpful and healing. Ultimately, we have no charge but to serve our brother, never to set ourselves above him, and we serve him even when we must speak the judging and dividing Word of God to him, even when, in obedience to God, we must break off fellowship with him. We must know that it is not our human love which makes us loyal to the other person, but God’s love which breaks its way through to him only through judgment. Just because God’s Word judges, it serves the person. He who accepts the ministry of God’s judgment is helped.
”
”
Dietrich Bonhoeffer (Life Together: The Classic Exploration of Christian Community)
“
MY FATHER , GLENN VERNON MARTIN , died in 1997 at age eighty-three, and afterward his friends told me how much they had loved him. They told me how enjoyable he was, how outgoing he was, how funny and caring he was. I was surprised by these descriptions, because the number of funny or caring words that had passed between my father and me was few. He had evidently saved his vibrant personality for use outside the family. When I was seven or eight years old, he suggested we play catch in the front yard. This offer to spend time together was so rare that I was confused about what I was supposed to do. We tossed the ball back and forth with cheerless formality.
”
”
Steve Martin (Born Standing Up: A Comic's Life)
“
What we, and others, often fail to realise is the depth and reach of our loss: that not only will we never have children, but we will never create our own family. We will never watch them grow up, never throw children's birthday parties, never take that 'first day at school' photo, never teach them to ride a bike. We'll never see them graduate, never see them possibly get married and have their own children. We'll never get a chance to heal the wounds of our own childhood by doing things differently with our children. We'll never be grandmothers and never give the gift of grandchildren to our parents. We'll never be the mother of our partner's children and hold that precious place in their heart. We'll never stand shoulder-to-shoulder with our siblings and watch our children play together. We'll never be part of the community of mothers, never be considered a 'real' woman. And when we die, there is no one to leave our stuff to, and no one to take our lifetime's learnings into the next generation.
If you take the time to think about it all in one go, which is more than most of us are ever likely to do because of the breathtaking amount of pain involved, it's a testament to our strength that we're still standing at all.
”
”
Jody Day (Living the Life Unexpected: How to find hope, meaning and a fulfilling future without children)
“
The man who wields the blood-clotted cowskin during the week fills the pulpit on Sunday, and claims to be a minister of the meek and lowly Jesus. The man who robs me of my earnings at the end of each week meets me as a class- leader on Sunday morning, to show me the way of life, and the path of salvation. He who sells my sister, for purposes of prostitution, stands forth as the pious advocate of purity. He who proclaims it a religious duty to read the Bible denies me the right of learning to read the name of the God who made me. He who is the religious advocate of marriage robs whole millions of its sacred influence, and leaves them to the ravages of wholesale pollution. The warm defender of the sacredness of the family relation is the same that scatters whole families,— sundering husbands and wives, parents and children, sisters and brothers,—leaving the hut vacant, and the hearth desolate. We see the thief preaching against theft, and the adulterer against adultery. We have men sold to build churches, women sold to support the gospel, and babes sold to purchase Bibles for the poor heathen! all for the glory of God and the good of souls! The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave-trade go hand in hand together. The slave prison and the church stand near each other. The clanking of fetters and the rattling of chains in the prison, and the pious psalm and solemn prayer in the church, may be heard at the same time. The dealers in the bodies and souls of men erect their stand in the presence of the pulpit, and they mutually help each other. The dealer gives his blood-stained gold to support the pulpit, and the pulpit, in return, covers his infernal business with the garb of Christianity. Here we have religion and robbery the allies of each other—devils dressed in angels’ robes, and hell presenting the semblance of paradise.
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
I was from everywhere and nowhere at once, a combination of ill-fitting parts, like a platypus or some imaginary beast, confined to a fragile habitat, unsure of where I belonged. And I sensed, without fully understanding why or how, that unless I could stitch my life together and situate myself along some firm axis, I might end up in some basic way living my life alone. I didn’t talk to anyone about this, certainly not my friends or family. I didn’t want to hurt their feelings or stand out more than I already did. But I did find refuge in books.
”
”
Barack Obama (A Promised Land)
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
t's not like everything has been solved between all of us, like a lifted curse in a storybook. And I know we still have a lot of learn from each other and s lot to forgive. But standing side by side in the kitchen together seems like a new chapter in our families' shared story, one full of hope.
”
”
Rebecca Carvalho (Salt and Sugar)
“
Book Excerpt:
"What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx.
“My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.”
Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon.
“He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.”
The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?”
“At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.”
“What is the Hall of Records?”
“The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.”
Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010)
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
what I really want are thick books with fine print, difficult sentences, long words, and enormous ideas, books written in a feverish hand by writers who hate the world yet can’t keep from loving it, whose feelings so demand to be understood that if they didn’t write them down they would go blind. Bring me books by women who have fallen out of step with society and refuse to march and sing the old songs. Books by men who through terrifying sacrifice overcome all the challenges set before them but one. Find me books by sensualists who drink their cups dry every time and yet never figure out why they’re so thirsty, and books by pious men and women who continue to believe that being good will save them. Bring me books about people in love, people so passionate about each other they will stand against family, community, country, fortune, and fame in order to be together, and books about people who don’t have a chance in hell yet somehow find one. Bring me books about the fear of God and the depths of nature, books about history, philosophy, psychology, science, and motorcycles.
”
”
David Rhodes (Jewelweed)
“
Well,” I said, trying to keep my tone light as I walked over to put my arms around his neck, though I had to stand on my toes to do so. “That wasn’t so bad, was it? You told me something about yourself that I didn’t know before-that you didn’t, er, care for your family, except for your mother. But that didn’t make me hate you…it made me love you a bit more, because now I know we have even more in common.”
He stared down at him, a wary look in his eyes. “If you knew the truth,” he said, “you wouldn’t be saying that. You’d be running.”
“Where would I go?” I asked, with a laugh I hoped didn’t sound as nervous to him as it did to me. “You bolted all the doors, remember? Now, since you shared something I didn’t know about you, may I share something you don’t know about me?”
Those dark eyebrows rose as he pulled me close. “I can’t even begin to imagine what this could be.”
“It’s just,” I said, “that I’m a little worried about rushing into this consort thing…especially the cohabitation part.”
“Cohabitation?” he echoed. He was clearly unfamiliar with the word.
“Cohabitation means living together,” I explained, feeling my cheeks heat up. “Like married people.”
“You said last night that these days no one your age thinks of getting married,” he said, holding me even closer and suddenly looking much more eager to stick around for the conversation, even though I heard the marina horn blow again. “And that your father would never approve it. But if you’ve changed your mind, I’m sure I could convince Mr. Smith to perform the ceremony-“
“No,” I said hastily. Of course Mr. Smith was somehow authorized to marry people in the state of Florida. Why not? I decided not to think about that right now, or how John had come across this piece of information. “That isn’t what I meant. My mom would kill me if I got married before I graduated from high school.”
Not, of course, that my mom was going to know about any of this. Which was probably just as well, since her head would explode at the idea of my moving in with a guy before I’d even applied to college, let alone at the fact that I most likely wasn’t going to college. Not that there was any school that would have accepted me with my grades, not to mention my disciplinary record.
“What I meant was that maybe we should take it more slowly,” I explained. “The past couple years, while all my friends were going out with boys, I was home, trying to figure out how this necklace you gave me worked. I wasn’t exactly dating.”
“Pierce,” he said. He wore a slightly quizzical expression on his face. “Is this the thing you think I didn’t know about you? Because for one thing, I do know it, and for another, I don’t understand why you think I’d have a problem with it.”
I’d forgotten he’d been born in the eighteen hundreds, when the only time proper ladies and gentlemen ever spent together before they were married was at heavily chaperoned balls…and that for most of the past two centuries, he’d been hanging out in a cemetery.
Did he even know that these days, a lot of people hooked up on first dates, or that the average age at which girls-and boys as well-lost their virginity in the United States was seventeen…my age?
Apparently not.
“What I’m trying to say,” I said, my cheeks burning brighter, “is that I’m not very experienced with men. So this morning when I woke up and found you in bed beside me, while it was really, super nice-don’t get me wrong, I enjoyed it very much-it kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
”
”
Meg Cabot (Underworld (Abandon, #2))
“
Sentences like the following are found in many mystical and reactionary writings though not as clearly formulated as by Hutten:
''Kulturbolschewismus is nothing new. It is based on a striving which humanity has had since its earliest days: the longing for happiness. It is the eternal nostalgia for paradise on earth . . . The religion of faith is replaced by the religion of pleasure.''
We, on the other hand, ask: Why not happiness on earth? Why should not pleasure be the content of life? If one were to put this question to a general vote, no reactionary ideology could stand up.
The reactionary also recognizes, though in a mystical manner, the connection between mysticism and compulsive marriage and family:
''Because of this responsibility (for the possible consequences of pleasure), society has created the institution of marriage which, as a lifelong union, provides the protective frame for the sexual relationship.''
Right after this, we find the whole register of "cultural values" which, in the framework of reactionary ideology, fit together like the parts of a machine:
''Marriage as a tie, the family as a duty, the fatherland as value of its own, morality as authority, religion as obligation from eternity.''
It would be impossible better to describe the rigidity of human plasma!
”
”
Wilhelm Reich (The Mass Psychology of Fascism)
“
Perhaps the most important Stoic legacy to the history of moral thought was the concept of universal humanity. In his famous Elements of Ethics, the second-century Stoic philosopher Hierocles imagines every individual as standing at the centre of a series of concentric circles. The first circle is the individual, next comes the immediate family, followed by the extended family, the local community, the country, and finally the entire human race. To be virtuous, Hierocles suggested, is to draw these circles together, constantly to transfer people from the outer circles to the inner circles, to treat strangers as cousins and cousins as brothers and sisters, making all human beings part of our concern. The Stoics called this process of drawing the circles together oikeiosis, a word that is almost untranslatable but means something like the process by which everything is made into your home.
”
”
Kenan Malik (The Quest for a Moral Compass: A Global History of Ethics)
“
With the act of marriage the situation frequently changes fundamentally. The marriage contract gives each partner the exclusive possession of the other's body, feelings, and care. Nobody has to be won over any more, because love has become something one has, a property. The two cease to make the effort to be lovable and to produce love, hence they become boring, and hence their beauty disappears. They are disappointed and puzzled. Are they not the same persons any more? Did they make a mistake in the first place? Each usually seeks the cause of the change in the other and feels defrauded. What they do not see is that they no longer are the same people they were when they were in love with each other; that the error that one can have love has led them to cease loving. Now, instead of loving each other, they settle for owning together what they have: money, social standing, a home, children. Thus, in some cases, the marriage initiated on the basis of love becomes transformed into a friendly ownership, a corporation in which the two egotisms are pooled into one: that of the "family".
”
”
Erich Fromm (To Have or to Be? The Nature of the Psyche)
“
Jess and Polly stood without speaking, letting the sounds of the garden resettle. A flock of tiny fairy wrens darted busily in and around the base of a nearby plum tree, crickets ticked in the long grass, and a sense of timelessness, of nature, older and more pervasive than anything human beings and their histories could generate, grew thick and warm around them.
"Shall we take a walk down together?" said Polly.
Jess noticed a new note of self-possession in her mother's voice. Summery air threaded across the back of her neck, and she felt a pull, suddenly, deep inside her. She didn't know whether it was being here, in this place, or the beautiful weather that evoked long childhood days in which the hours stretched away to be filled only with pleasure, or the fact that it was Christmas Eve, or that her mother was standing here with her, solid and present in a way she hadn't been before, so that Jess was seeing her as if for the first time. But she felt a sensation in her chest that was quite the opposite of loneliness.
"Are you with me?" Polly was searching Jess's face, waiting for an answer.
Jess gave a nod and smiled. "I am.
”
”
Kate Morton (Homecoming)
“
The Longbourn party were the last of all the company to depart, and, by a manoeuvre of Mrs. Bennet, had to wait for their carriage a quarter of an hour after everybody else was gone, which gave them time to see how heartily they were wished away by some of the family. Mrs. Hurst and her sister scarcely opened their mouths, except to complain of fatigue, and were evidently impatient to have the house to themselves. They repulsed every attempt of Mrs. Bennet at conversation, and by so doing threw a languor over the whole party, which was very little relieved by the long speeches of Mr. Collins, who was complimenting Mr. Bingley and his sisters on the elegance of their entertainment, and the hospitality and politeness which had marked their behaviour to their guests. Darcy said nothing at all. Mr. Bennet, in equal silence, was enjoying the scene. Mr. Bingley and Jane were standing together, a little detached from the rest, and talked only to each other. Elizabeth preserved as steady a silence as either Mrs. Hurst or Miss Bingley; and even Lydia was too much fatigued to utter more than the occasional exclamation of "Lord, how tired I am!" accompanied by a violent yawn.
”
”
Jane Austen (Pride and Prejudice)
“
We really had a close netted structure to rely on for anything, you could have gone by anyone house and get something to eat. Whatever they were eating, they would’ve fed you, and all the mothers would’ve treated you just like they treated their own. What the gang also did, it provided some level of protection for a lot of the working adults in the neighborhood. They knew that their houses were safe, when they went out to work and didn’t have to worry about anyone breaking in to their homes. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
”
”
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
“
say that you were a woman living on a farm at the turn of the last century. You have a lot of kids and not a lot of money. Winter’s coming, and you’ve got to feed them all the way through it. When do you start planning? The split minute you get through the last winter, that’s when. You pull out the seeds you saved from last year’s crop, you start your seeds, you plant your garden (and no, you can’t rent a rototiller, so you probably have to fuss around with a hoe or a horse and plow or something). And don’t forget that if that garden is going to feed the family it’s going to have to be a rather massive—cute container gardening or interesting Pinterest-worthy novelty gardens would not cut it. You tend it all summer, and you harvest. You can, you dry, you preserve. You fill your root cellar and hopefully by midway through autumn you can stand back and survey the fruit of all that labor, grateful that it all came together and secure in the knowledge that you have supplied your family with what they need. Now compare that feeling with grabbing a can of beans at the store and feeling happy that you remembered to do that so there’s some green on your kids’ plates tonight. It’s much easier, yes . . . but not quite the same in terms of satisfaction in a job well done.
”
”
Rebekah Merkle (Eve in Exile and the Restoration of Femininity)
“
Jacob smiled from ear to ear when he shook the man’s hand on stage. The man then handed him a trophy. "Tell the audience about your book."
My little brother confidently walked up to a microphone his height and beamed to the crowd. "I wrote about the person I love the most, my older brother, Noah. We don’t live together so I wrote what I imagine he does when we’re not together."
"And what is that?" prodded the stout man.
"He’s a superhero who saves people in danger, because he saved me and my brother from dying in a fire a couple of years ago. Noah is better than Batman." The crowd chuckled.
"I love you, too, lil’ bro." I couldn’t help it. To see him standing there, still worshipping me like he did when he was five … it was too much.
Jacob’s smile reached a whole new level of excitement. "Noah!" He pointed right to me. "That’s Noah. That’s my brother, Noah!" Ignoring his foster parents, Jacob flew off the stage and ran down the middle aisle.
Joe lowered his head and Carrie rubbed her eyes. Jacob raced into my arms and the crowd erupted into applause.
"I’ve missed you, Noah." Jacob’s voice broke, bringing tears to my eyes. I couldn’t cry. Not in front of Jacob and not in front of Mrs. Collins. I needed to be a man and stay strong.
"I’ve missed you, too, bro. I’m so proud of you."
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Snow stepped forward and slapped Josette, who slapped her back. Emmaline dropped the spoon and slapped them both - she had never slapped her child, or any child, before that moment. It happened so quickly - like a scene choreographed by the Three Stooges, which was what saved it. Emmaline started crying, then Snow. The three of them clung together.
I want to cut off my hand, wept Emmaline. I never slapped you girls before.
We should each cut our hands off, wailed Snow.
Then making frybread two of us will have to stand together, you know, like each use our remaining hand, pat, pat. Josette and Snow demonstrated.
Pat, pat, how pitiful, cry-laughed Emmaline.
”
”
Louise Erdrich (LaRose)
“
The Prime Minister, Justin Trudeau, today issued the following statement on Remembrance Day:
"Today, we pause to remember and honour the Canadian women and men who have served our country and stood on guard for us and the values we hold dear.
"Every generation of Canadians has answered the call to serve. From Ypres to Dieppe to Korea to Afghanistan, our servicemen and women have shown courage as a matter of course, and stood resilient in the face of great adversity.
"This year, in marking the 150th anniversary of Confederation, we have paused and reflected on some of our most important military milestones. In keeping alive the memory of battles like Passchendaele, Hill 70, Vimy, and Dieppe, we remind this generation, and future generations, where their freedom comes from.
"We owe an immeasurable debt to our veterans, to the fallen, and to the families who love them. Just as our servicemen and women have taken care of us, we must also take care of them. It is our sacred duty as a country to be there for our heroes when they need us most.
"At 11:00 am, I encourage all Canadians – no matter where you are – to observe the two minutes of silence. We remember those who stepped forward to serve, who endured horror and hell, and made extraordinary sacrifices for our freedom.
"We stand together, a grateful country, with poppies close to our hearts.
"Lest we forget.
”
”
Justin Trudeau
“
That was the thing about storms. When you were in the middle of them, they felt so powerful. They felt as if they were driving your life, and you were left with no control over the way the winds blew you. That was why it was so important to have a core group of love surrounding you at all times. When you faced the storms together, when you held the hands of the ones you loved, and stood steady, the storms had a harder time pushing you over. The storms didn’t blow you away because you were linked to the world with love, the most powerful weapon that could be used during the mightiest of storms. And when the storm passed? You were left standing with the ones you loved, staring out at the rainbows.
”
”
Brittainy C. Cherry (Southern Storms (Compass, #1))
“
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
”
”
David Vann (Aquarium)
“
She makes you look too little and you make her look too big. You’re from two different planets and you’re not meant to be standing together. She claps as if she’s meeting a five-year-old and I don’t like it when girls are taller than me. “Hello, Joseph,” she says, overenunciating. “I am Peach and this is my home.” “Nice to meet you,” I say and she looks me up and down. Cunt. “I love you already for not being pretentious,” she says. “And thank you for not bringing any wine or anything. This girl is family to me. No gifts allowed.” You are, of course, aghast. “Omigod, Peach, I completely flaked.” She looks down on you literally. “Sweetie, I just said I love it. And besides, the last thing we need is more cheap wine.” You are acting like you committed a felony and she looks at me like I’m the delivery guy waiting for a tip. “I’m stealing our girl for two minutes, Joseph.” You allow her to steal you and I really must look like the fucking delivery guy as I stand here, not knowing anyone, not being known. No girls are coming on to me and maybe I don’t look good in here. The only certainty is that I hate this Peach as much as I knew I would, and she hates me right back. She knows how to work you, Beck. You are apologizing for no wine, for not bringing Lynn and Chana, for not taking better care of your purse. And she is forgiving, stroking your back, telling you not to worry. I’m invisible to you in her presence, just like everyone else. Peach Is . . . in the way. I look around but nobody wants to say hi to me. It’s like they can smell the public school on me.
”
”
Caroline Kepnes (You (You, #1))
“
unease grew when she reached the part about their divorce. He hadn’t. Isn’t that why her pulse had started pounding the second she saw the cover? “He broke our agreement not to talk about the divorce.” “Asshole fink. What does it say?” “It says…” Her heart rate doubled as she read the print. She was tempted to put her head between her legs, standing up. “He said we had different ideas about our life together. He wanted to serve a higher good. Give the public information to...improve their lives. Bullshit. Oh, and now he wants to be a public servant in an elected office. He said I wanted a more traditional family with kids—the kind you read about in books—not that he’s against that.” Pain seared her temple at the betrayal even as she wanted to rip apart the magazine. Her old wounds emerged, raw and fresh.
”
”
Ava Miles (Nora Roberts Land (Dare Valley, #1))
“
The emphasis here will be on strength, not pathology; on challenge, not comfort; on self-differentiation, not herding for togetherness. This is a difficult perspective to maintain in a “seatbelt society” more oriented toward safety than adventure. This book is not, therefore, for those who prefer peace to progress. It is not for those who mistake another’s well-defined stand for coercion. It is not for those who fail to see how in any family or institution a perpetual concern for consensus leverages power to the extremists. And it is not for those who lack the nerve to venture out of the calm eye of good feelings and togetherness and weather the storm of protest that inevitably surrounds a leader’s self-definition. For, whether we are considering a family, a work system, or an entire nation, the resistance that sabotages a leader’s initiative usually has less to do with the “issue” that ensues than with the fact that the leader took initiative.
”
”
Edwin H. Friedman (A Failure of Nerve: Leadership in the Age of the Quick Fix)
“
Come on,” I hooked my arm through Aphrodite’s and started to pull her to the Street Cats tent. “You haven’t been good enough to watch.” Before Aphrodite could argue, we were at the Street Cats booth, facing a beaming Sister Mary Angela. “Oh, good, Zoey and Aphrodite. I need the both of you.” The nun made a gracious gesture to the young family standing beside one of the kitten cages. “This is the Cronley family. They have decided to adopt both of the calico kittens. It’s so lovely that the two of them have found their forever homes together—they are unusually close, even for littermates.” “That’s great,” I said. “I’ll start on their paperwork.” “I’ll help you. Two cats—two sets of paperwork,” Aphrodite said. “We came with a note from our veterinarian,” the mom said. “I just knew we’d find our kitten tonight.” “Even though we didn’t expect to find two of them,” her husband added. He squeezed his wife’s shoulder and smiled down at her with obvious affection. “Well, we didn’t expect the twins, either,” his wife said, glancing over at the two girls who were still looking in the kitten cage and giggling at the fluffy calicos that would be joining their family. “That surprise turned out great, which is why I think the two kittens will be perfect as well,” said the dad. Like seeing Lenobia and Travis together—this family made my heart feel good. I had started to move to the makeshift desk with Aphrodite when one of the little girls asked, “Hey mommy, what are those black things?” Something in the child’s voice had me pausing, changing direction, and heading to the kitten cage. When I got there I instantly knew why. Within the cage the two calico kittens were hissing and batting at several large, black spiders. “Oh, yuck!” the mom said. “Looks like your school might have a spider problem.” “I know a good exterminator if you need a recommendation,” the dad said. “We’re gonna need a shit ton more than a good exterminator,” Aphrodite whispered as we stared into the kitten cage. “Yeah, uh, well, we don’t usually have bug issues here,” I babbled as disgust shivered up my back. “Eesh, Daddy! There are lots more of them.” The little blond girl was pointing at the back of the cage. It was so completely covered with spiders that it seemed to be alive with their seething movements. “Oh, my goodness!” Sister Mary Angela looked pale as she stared at the spiders that appeared to be multiplying. “Those things weren’t there moments ago.” “Sister, why don’t you take this nice family into the tent and get their paperwork started,” I said quickly, meeting the nun’s sharp gaze with my own steady one. “And send Damien out here to me. I can use his help to take care of this silly spider problem.” “Yes, yes, of course.” The nun didn’t hesitate. “Get Shaunee, Shaylin, and Stevie Rae,” I told Aphrodite, keeping my voice low. “You’re going to cast a circle in front of all of these
”
”
P.C. Cast (Revealed (House of Night #11))
“
Kelly and I had to take our turns to work the concessions stand at the games. We would always try to work our designated duties together. If you've ever assembled a hundred hot dogs after a game, you know things can get pretty hectic behind that concessions counter. Kelly and I would slap those orders together as fast as we could, but keep in mind this was not either of our fortes. Did the guy in the green jacket order a hot dog or a burger? Did that lady say "diet" or did I imagine it? We often held our breath when the person left, wondering if he would discover in short order that what he asked for was not at all what he received from the inept concession stand staff. Big crowds of of hungry basketball fans made us nervous, and Kelly and I often made a mess filling their orders. One time I got impatient with the ketchup bottle, as I kept banging on the bottom of it and nothing was coming out. All of the sudden, half the bottled spewed out in this huge blob, and I looked like a bloody accident victim the rest of the night!
”
”
Lynne Spears (Through The Storm: A Real Story of Fame and Family in a Tabloid World)
“
So,” John said, “I’ll meet you at your place at eight, and we can walk over together?” “What? For what?” “The vigil.” “I’m not going to that.” I tried to ignore his surprise, his dogged faith. “Of course you are.” “I don’t know this person.” John continued to stand there, arms hanging down. The knife skidded so much I lost my grip and had to pick it up again. “It could’ve been you,” he said finally. “No,” I said, chopping bluntly, breaking more than slicing the lettuce, “it couldn’t. I’ve worked my whole life so that it couldn’t be me.” White flash of a face. Where did they go, those boys, after they left us behind? “Last night,” John began. He paused, still looking wounded. “You were so happy.” I gathered the lettuce into a bin and held it against my stomach like a barrier. “If it had been me, it would’ve been your fault.” John reeled as though I’d struck him. “You’re a coward,” he said. “You’ve worked your whole life because you’re a coward.” “What do you know? What do you know about anything?” His family moved for him. The hormones. The surgery he was allowed to accept or reject. I waved my arm around the kitchen, at the stunned cooks watching us. “Nobody has to know about you! You can blend in whenever you want!” “You honestly believe that? You think my life’s been easy?” “Yes, I think it’s been fucking easy!” I screamed. “They don’t know! I didn’t know! I wish I still didn’t know!” I tried to shove past him. He touched my back. I remembered Humphrey Bogart’s hand, I remembered dancing, I remembered the gown twirling, I remembered the boy who complimented my ass, I remembered being told I was beautiful. I remembered the woman staring back at me in the Métro windows, her wink. I tried to pull away. John embraced me with my arms pinned to my sides, the lettuce bin between us, its raw, wet smell pushed toward our faces. In full view of the entire kitchen, he kissed me. A kiss that made me think of the woefully few people I had kissed in my life. A kiss that reminded me I had never been loved. A kiss that said I could not be John unless I risked being Dana. My
”
”
Kim Fu (For Today I Am a Boy)
“
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and
the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of
memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then
the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher;
had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
”
”
Virginia Woolf
“
Tina and Pete stood together. Pete knew he should be grilling the girl, getting the full story before details were lost, but he was too spellbound by the reunion. The boy he was watching was so different. There was no way to avoid the truth. Someone, a very evil someone, had hurt his boy. Pete felt his fists clench. Whoever it was that had turned Lockie into the skinny kid trapped behind his pain, he would pay. If he had to spend his whole life looking for him, Pete would find him and then he would make him pay. The girl had obviously helped Lockie. He had no idea if she had found him or if she had been with him the whole time, but Lockie kept saying that she had ‘saved’ him. He was a clever kid and he knew what the word meant.
Pete liked the way she looked at Lockie—like a lioness, like a sister, like a mother.
The skinny girl with short messy black hair could have been anyone. She looked about fifteen but when she spoke she sounded a lot older. She was wearing a big coat but underneath that Pete had caught a glimpse of a short skirt and a tight red top. Not the kind of thing a nice girl would wear. Maybe she wasn’t a nice girl but she was smart. That was easy to see. She was watching Lockie with his dad and Pete could see her body sag with relief. She was relieved to get him home. It must have been a promise she had made the boy.
Pete had no idea how she’d got him home. She didn’t look like she had a cent to her name. He sighed.
So many questions to answer and the worst part was that some of the answers would be things he did not want to hear. Some of the answers would keep him up at night for the rest of his life. He wished he didn’t have to know, but he figured that if Lockie had been through it his family should know about it. If Lockie had been one of the small skeletons buried in the yard in Sydney they would have only been able to imagine what he had suffered. Now they would know.
Which way was better?
Pete thought about all the other parents who were waiting for the results of tests from the police. For a moment he let go of what needed to be done and what was to come and he offered up a prayer of thanks. Then he offered up a prayer for strength for all those other parents who would never again get to feel their kid’s arms around their neck.
And then he wiped his eyes because he was a grown man and a cop and he really shouldn’t be standing in the driveway crying.
”
”
Nicole Trope (The Boy Under the Table)
“
I remember standing at the front of the church auditorium when Missy came out in her white wedding dress. Before that moment I was really nervous and was thinking about whether I was actually ready to get married. But then I melted when I saw her. She looked more gorgeous than ever, and I felt a sense of calm come over me. The ceremony was great, and as it went along I think we both became even more anxious about our first night together. After we left our wedding reception, I asked Missy what she wanted to do. I was pretty much ready to see what I had been missing.
“Well, I’m hungry,” she said.
We went to a burger joint, and as we ate I could tell she was nervous about what was going to transpire. We’d planned to stay in a hotel the night of our wedding and fly to Hawaii the next day of our honeymoon. I’ll be perfectly honest: our first night together was more of an exploratory expedition into the human anatomy than a blissful adventure. It felt like a biology experiment. Missy doesn’t care for the way I describe it, but that’s what happens when neither one of you has had sex before. You find your way through it and figure out what’s going on. Then you go from there, and it becomes much more enjoyable.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Tobias takes me to the atrium near the hotel dormitory, and we spend some time there, talking and kissing and pointing out the strangest plants. It feels like something that normal people do--go on dates, talk about small things, laugh. We have had so few of those moments. Most of our time together has been spent running from one threat or another, or running toward one threat or another. But I can see a time on the horizon when that won’t need to happen anymore. We will reset the people in the compound, and work to rebuild this place together. Maybe then we can find out if we do as well with the quiet moments as we have with the loud ones.
I am looking forward to it.
Finally the time comes for Tobias to leave. I stand on the higher step in the atrium and he stands on the lower one, so we’re on the same plane.
“I don’t like that I can’t be with you tonight,” he says. “It doesn’t feel right to leave you alone with something this huge.”
“What, you don’t think I can handle it?” I say, a little defensive.
“Obviously that is not what I think.” He touches his hands to my face and leans his forehead against mine. “I just don’t want you to have to bear it alone.”
“I don’t want you to have to bear Uriah’s family alone,” I say softly. “But I think these are things we have to do separately. I’m glad I’ll get to be with Caleb before…you know. It’ll be nice not having to worry about you at the same time.”
“Yeah.” He closes his eyes. “I can’t wait until tomorrow, when I’m back and you’ve done what you set out to do and we can decide what comes next.”
“I can tell you it will involve a lot of this,” I say, and I press my lips to his.
His hands shift from my cheeks to my shoulders and then slide painstakingly down my back. His fingers find the hem of my shirt, then slip under it, warm and insistent.
I feel aware of everything at once, of the pressure of his mouth and the taste of our kiss and the texture of his skin and the orange light glowing against my closed eyelids and the smell of green things, growing things, in the air. When I pull away, and he opens his eyes, I see everything about them, the dart of light blue in his left eye, the dark blue that makes me feel like I am safe inside it, like I am dreaming.
“I love you,” I say.
“I love you, too,” he says. “I’ll see you soon.”
He kisses me again, softly, and then leaves the atrium. I stand in that shaft of sunlight until the sun disappears.
It’s time to be with my brother now.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
In real life I fell easily under the spell of all traveling artists. En route to New Orleans, entertainments of many kinds would stop over in those days for a single performance in Jackson's Century Theatre. Then, as now, my imagination was magnetized toward transient artists - toward the transience as much as the artists. I must have seen "Acrobats in a Park" at the time I wrote the story as exotic, free of any experience as I knew it. At the center of the little story is the Zorro's act: the feat of erecting a structure of their bodies that holds together, interlocked, and stands like a wall. Writing about the family act, I was writing about the family itself, its strength as a unit, testing its frailty under stress. I treated it in an artificial and oddly formal way; the stronghold of the family is put on view as a structure built each night; on the night before the story opens, the Wall has come down when the most vulnerable member slips, and the act is done for. But from various points within it and from outside it, I've been writing about the structure of the family in stories and novels ever since. In spite of my uncompromising approach to it, my fundamental story form might have been trying to announce itself to me.
”
”
Eudora Welty (On Writing (Modern Library))
“
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
”
”
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
“
A grown woman tasting a spoonful of Georgia's Mousse au Citron at a late afternoon lunch, then suddenly standing and announcing that she needed to reconcile with her estranged sister before it was too late. She'd hastened away, leaving her coat, one hundred euros to pay the bill, and the mostly uneaten mousse at the table. After devouring Georgia's beet and goat cheese tart one bitter winter evening, an American man with an engagement ring nestled on top of a slice of Georgia's cherry clafoutis looked across the table at his girlfriend and said later that he could suddenly see clearly that she was not the love of his life. He'd hastened back to the kitchen to remove the ring from the dessert where it was waiting to be served at the right moment. They left the restaurant with the ring in his pocket and his girlfriend in tears. There had been others. Many others, now that she thought of it. It had been a bit of a joke among the kitchen staff, that Georgia's dishes could cause more breakups and engagements and family feuds and reconciliations than the restaurant had ever seen. She'd never really put it all together before, but now that she thought of it...
"I think my cooking might give people clarity somehow," Georgia said in surprise.
”
”
Rachel Linden (Recipe for a Charmed Life)
“
She stands at the hairpin turn on Night Road.
On either side of her, giant evergreens grow clustered together, rising high into the blue summer sky. Even now, in midday, this stubbled, winding ribbon of asphalt holds the morning mist close.
This road is like her life; knee deep in shadow. Once, it had been the quickest way home and she’d taken it easily, turning onto its potholed surface without a second thought, rarely noticing how the earth dropped away on either edge. Her mind had been on other things back then, on the miniutae of everyday life. Chores. Errands. Schedules.
She hadn’t taken this route in years. Just the thought of it had been enough to make her turn the steering wheel too sharply; better to go off the road than to find herself here. Or so she’d thought until today.
People on the island still talk about what happened in the summer of ’04. They sit on barstools and in porch swings and spout opinions, half truths, making judgments that aren’t theirs to make. They think a few columns in a newspaper give them the facts they need. But the facts are hardly what matter.
If anyone sees her here, just standing on this lonely roadside in a gathering mist, it will all come up again. Like her, they’ll remember that night, so long ago, when the rain turned to ash….
”
”
Kristin Hannah (Night Road)
“
I’m going to visit you every day. And then someday, when they find a way to reverse your condition scientifically, medically, we’ll buy some land with wonderful trees and build treehouses in every one of them. And we could have a bunch of kids, and read plays together, as a family, and on clear nights, we’ll look at the stars. Can you picture it? And if you decide you don’t want kids, Totally okay, totally fine. We’ll read every book and watch every show and sleep in and travel and make money and art and love all the time, whenever we want. Or we could adopt a couple big dogs. You’ve always wanted big dogs, right?” Lewis stared at her blankly as his tail swished in the surf behind him. “Why aren’t you saying anything? Please say something,” Wren begged, clutching him harder. “I’m not the person I used to be. I’m not the man you married.” “What do you mean?” Lewis wished he could embrace her back, wrap two human arms around her small, shivering frame. He tried to do the best he could with words: “It’s like standing in my childhood bedroom, looking around at the comic books, action figures, and school yearbooks with signatures from all the girls, and remembering how that tiny room used to be my only stake in the world. I don’t know how else to explain it. There are things I cannot unsee.
”
”
Emily Habeck (Shark Heart)
“
There was only one Mama, and the world has lost her, but it keeps turning. But for me, I live in that void where her love and her voice and her kindness used to be. And in so many ways, even moving forward, I’m standing still. I am suddenly aware of everyone’s compassion, this collective kindness for which I was unprepared. It penetrates the wall I use to insulate my grief and hide the lingering pain. I hate that these tears keep assaulting me when I least expect them. That sadness ambushes me. That the desolation Mama’s absence creates inside of me is inescapable, even here at Thanksgiving dinner in front of Rhyson’s family before we’ve even served dessert. And I hate this awkward quiet while they all try to figure out if it’s okay to move on or if they wait for me to get it together. Only this time I can’t. I’m trapped in this moment while I reach for my composure in vain. Breathing in and deeply usually helps, but I’m too far gone. My heart is too raw today. A sob erupts into the silence. I’m horrified that my body is betraying me this way. That my emotions are this undisciplined, wet spill over my cheeks. I squeeze the linen napkin in my lap until I’m sure I’ll draw blood from it, but the tears won’t stop. The pain doesn’t stop. I leak it. I lose it. I cannot stop it. I cover my face with
”
”
Kennedy Ryan (My Soul to Keep (Soul, #1))
“
Asking for Directions
We could have been mistaken for a married couple
riding on the train from Manhattan to Chicago
that last time we were together. I remember
looking out the window and praising the beauty
of the ordinary: the in-between places, the world
with its back turned to us, the small neglected
stations of our history. I slept across your
chest and stomach without asking permission
because they were the last hours. There was
a smell to the sheepskin lining of your new
Chinese vest that I didn’t recognize. I felt
it deliberately. I woke early and asked you
to come with me for coffee. You said, sleep more,
and I said we only had one hour and you came.
We didn’t say much after that. In the station,
you took your things and handed me the vest,
then left as we had planned. So you would have
ten minutes to meet your family and leave.
I stood by the seat dazed by exhaustion
and the absoluteness of the end, so still I was
aware of myself breathing. I put on the vest
and my coat, got my bag and, turning, saw you
through the dirty window standing outside looking
up at me. We looked at each other without any
expression at all. Invisible, unnoticed, still.
That moment is what I will tell of as proof
that you loved me permanently. After that I was
a woman alone carrying her bag, asking a worker
which direction to walk to find a taxi.
”
”
Linda Gregg
“
To speak of a communication failure implies a breakdown of some sort. Yet this does not accurately portray what occurs. In truth, communication difficulties arise not from breakdown but from the characteristics of the system itself. Despite promising beginnings in our intimate relationships, we tend over time to evolve a system of communication that suppresses rather than reveals information. Life is complicated, and confirming or disconfirming the well-being of a relationship takes effort. Once we are comfortably coupled, the intense, energy-consuming monitoring of courtship days is replaced by a simpler, more efficient method. Unable to witness our partners’ every activity or verify every nuance of meaning, we evolve a communication system based on trust. We gradually cease our attentive probing, relying instead on familiar cues and signals to stand as testament to the strength of the bond: the words “I love you,” holidays with the family, good sex, special times with shared friends, the routine exchange, “How was your day?” We take these signals as representative of the relationship and turn our monitoring energies elsewhere.
...
Not only do the initiator’s negative signals tend to become incorporated into the existing routine, but, paradoxically, the initiator actively contributes to the impression that life goes on as usual. Even as they express their unhappiness, initiators work at emphasizing and maintaining the routine aspects of life with the other person, simultaneously giving signals that all is well. Unwilling to leave the relationship yet, they need to privately explore and evaluate the situation. The initiator thus contrives an appearance of participation,7 creating a protective cover that allows them to “return” if their alternative resources do not work out.
Our ability to do this—to perform a role we are no longer enthusiastically committed to—is one of our acquired talents. In all our encounters, we present ourselves to others in much the same way as actors do, tailoring our performance to the role we are assigned in a particular setting.8 Thus, communication is always distorted. We only give up fragments of what really occurs within us during that specific moment of communication.9 Such fragments are always selected and arranged so that there is seldom a faithful presentation of our inner reality. It is transformed, reduced, redirected, recomposed.10 Once we get the role perfected, we are able to play it whether we are in the mood to go on stage or not, simply by reproducing the signals.
What is true of all our encounters is, of course, true of intimate relationships. The nature of the intimate bond is especially hard to confirm or disconfirm.11 The signals produced by each partner, while acting out the partner role, tend to be interpreted by the other as the relationship.12 Because the costs of constantly checking out what the other person is feeling and doing are high, each partner is in a position to be duped and misled by the other.13 Thus, the initiator is able to keep up appearances that all is well by falsifying, tailoring, and manipulating signals to that effect. The normal routine can be used to attest to the presence of something that is not there. For example, initiators can continue the habit of saying, “I love you,” though the passion is gone. They can say, “I love you” and cover the fact that they feel disappointment or anger, or that they feel nothing at all. Or, they can say, “I love you” and mean, “I like you,” or, “We have been through a lot together,” or even “Today was a good day.
”
”
Diane Vaughan (Uncoupling: Turning Points in Intimate Relationships)
“
In Diyala, east of Baghdad, in the early days of the war, I came upon a group of American marines standing next to a shot-up bus and a line of six Iraqi corpses. Omar, a fifteen-year-old boy, sat on the roadside weeping, drenched in the blood of his father, who had been shot dead by American marines when he ran a roadblock. “What could we have done?” one of the marines muttered. It had been dark, there were suicide bombers about and that same night the marines had found a cache of weapons stowed on a truck. They were under orders to stop every car. The minibus, they said, kept coming anyway. They fired four warning shots, tracer rounds, just to make sure there was no misunderstanding. Omar’s family, ten in all, were driving together to get out of the fighting in Baghdad. They claimed they had stopped in time, just as the marines had asked them to. In the confusion, the truth was elusive, but it seemed possible that Omar’s family had not understood. “We yelled at them to stop,” Corporal Eric Jewell told me. “Everybody knows the word ‘stop.’ It’s universal.” In all, six members of Omar’s family were dead, covered by blankets on the roadside. Among them were Omar’s father, mother, brother and sister. A two-year-old boy, Ali, had been shot in the face. “My whole family is dead,” muttered Aleya, one of the survivors, careening between hysteria and grief. “How can I grieve for so many people?” The marines had been keeping up a strong front when I arrived, trying to stay business-like about the incident. “Better them than us,” one of them said. The marines volunteered to help lift the bodies onto a flatbed truck. One of the dead had already been partially buried, so the young marines helped dig up the corpse and lift it onto the vehicle. Then one of the marines began to cry. I
”
”
Dexter Filkins (The Forever War)
“
So that is how we came to be standing in a sparse room, in a nondescript building in the barracks at SAS HQ--just a handful out of all those who had started out so many months earlier.
We shuffled around impatiently. We were ready.
Ready, finally, to get badged as SAS soldiers.
The colonel of the regiment walked in, dressed casually in lightweight camo trousers, shirt, beret, and blue SAS belt.
He smiled at us.
“Well done, lads. Hard work, isn’t it?”
We smiled back.
“You should be proud today. But remember: this is only the beginning. The real hard work starts now, when you return to your squadron. Many are called, few are chosen. Live up to that.” He paused.
“And from now on for the rest of your life remember this: you are part of the SAS family. You’ve earned that. And it is the finest family in the world. But what makes our work here extraordinary is that everyone here goes that little bit extra. When everyone else gives up, we give more. That is what sets us apart.”
It is a speech I have never forgotten.
I stood there, my boots worn, cracked, and muddy, my trousers ripped, and wearing a sweaty black T-shirt.
I felt prouder than I had ever felt in my life.
We all came to attention--no pomp and ceremony. We each shook the colonel’s hand and were handed the coveted SAS sandy beret.
Along the way, I had come to learn that it was never about the beret--it was about what it stood for: camaraderie, sweat, skill, humility, endurance, and character.
I molded the beret carefully onto my head as he finished down the line. Then he turned and said: “Welcome to the SAS. My door is always open if you need anything--that’s how things work around here. Now go and have a beer or two on me.”
Trucker and I had done it, together, against all the odds.
So that was SAS Selection. And as the colonel had said, really it was just the beginning.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
The Unknown Soldier
A tale to tell in bloody rhyme,
A story to last ’til the dawn of end’s time.
Of a loving boy who left dear home,
To bear his countries burdens; her honor to sow.
–A common boy, I say, who left kith and kin,
To battle der Kaiser and all that was therein.
The Arsenal of Democracy was his kind,
–To make the world safe–was their call and chime.
Trained he thus in the far army camps,
Drilled he often in the march and stamp.
Laughed he did with new found friends,
Lived they together for the noble end.
Greyish mottled images clipp’ed and hack´ed–
Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ
—marching armies off to ’ttack.
Images scratched, chopped, theatrical exaggerate,
Confetti parades, shouts of high praise
To where hell would sup and partake
with all bon hope as the transport do them take
Faded icons board the ship–
To steel them away collaged together
–joined in spirit and hip.
Timeworn humanity of once what was
To broker peace in eagles and doves.
Mortal clay in the earth but to grapple and smite
As warbirds ironed soar in heaven’s light.
All called all forward to divinities’ kept date,
Heroes all–all aces and fates.
Paris–Used to sing and play at some cards,
A common Joe everybody knew from own heart.
He could have been called ‘the kid’ by the ‘old man,’
But a common private now taking orders to stand.
Receiving letters from his shy sweet one,
Read them over and over until they faded to none.
Trained like hell with his Commander-in-Arms,
–To avoid the dangers of a most bloody harm.
Aye, this boy was mortal, true enough said,
He could be one of thousands alive but now surely dead.
How he sang and cried and ate the gruel of rations,
And grumbled as soldiers do at war’s great contagions.
Out–out to the battle this young did go,
To become a man; the world to show.
(An ocean away his mother cried so–
To return her boy safe as far as the heavens go).
Lay he down in trenched hole,
With balls bursting overhead upon the knoll.
Listened hardnfast to the “Sarge” bearing the news,
—“We’re going over soon—” was all he knew.
The whistle blew; up and over they went,
Charging the Hun, his life to be spent
(“Avoid the gas boys that’ll blister yer arse!!”).
Running through wires razored and deadened trees,
Fell he into a gouge to find in shelter of need
(They say he bayoneted one just as he–,
face to face in War’s Dance of trialed humanity).
A nameless sonnuvabitch shell then did untimely RiiiiiiiP
the field asunder in burrrstzʑ–and he tripped.
And on the field of battle’s blood did he die,
Faceless in a puddle as blurrs of ghosting men
shrieked as they were fleeing by–.
Perished he alone in the no man’s land,
Surrounded by an army of his brother’s teeming bands . . .
And a world away a mother sighed,
Listened to the rain and lay down and cried.
. . . Today lays the grave somber and white,
Guarded decades long in both the dark and the light.
Silent sentinels watch o’er and with him do walk,
Speak they neither; their duty talks.
Lone, stark sentries perform the unsmiling task,
–Guarding this one dead–at the nation’s bequest.
Cared over day and night in both rain or sun,
Present changing of the guard and their duty is done
(The changing of the guard ’tis poetry motioned
A Nation defining itself–telling of
rifles twirl-clicking under the intensest of devotions).
This poem–of The Unknown, taken thus,
Is rend eternal by Divinity’s Iron Trust.
How he, a common soldier, gained the estate
Of bearing his countries glory unto his unknown fate.
Here rests in honored glory a warrior known but to God,
Now rests he in peace from the conflict path he trod.
He is our friend, our family, brother, our mother’s son
–belongs he to us all,
For he has stood in our place–heeding God’s final call.
”
”
Douglas M. Laurent
“
Not many people understood her.
She loved visiting temples.
She loved children and flowers, simple things and actually everything reminded her of God's Love.
She found Kindness more beautiful than anything of this world.
She breathed in Faith and trusted God no matter what.
She was free as a bird and travelled far and wide only to know in her heart that one day she will find what Her Soul's been searching for since eternity in God's Timing.
She was often looked at as pretty and intelligent, and she loved the compliments but when someone called her Godloving that stole her heart.
She loved dreams and knew that all she ever wants is a Man who could walk beside her, hand in hand, living dreams and following passions in a journey of Love's adventure.
She didn't just want to be a wife, she wanted to be a partner in dreams, a co-sharer of aspirations, a travel mate through the happiness and difficulties of Life.
She wasn't looking for a smooth sail, she knew every bond has trying moments, just that she wanted someone who would stand by her every step of the way, just like she would have his back every single time.
She wasn't looking for a hero, she was looking for an equal, a soul-counterpart sailing through life with Love, Respect and Passion.
She wasn't looking for a ring, she was waiting for a Heart that was already written in the stars as hers forever.
And she knew no matter what, someday someone will come who will bend his knees before God and ask Him to make her all of his, not just for a temporary timespan but for lifetimes that their souls needed to take human shape in.
She knows someday she wouldn't visit temples alone, someone would stand right beside her and together they would pray for the family that would create in the blessings of Him who has already got it all planned.
-
and the right person would understand her because God understands Souls and Love.
”
”
Debatrayee Banerjee
“
I have been in many dugouts, Ludwig,” he goes on. “And we were all young men who sat there around one miserable slush lamp, waiting, while the barrage raged overhead like an earthquake. We were none of your inexperienced recruits, either; we knew well enough what we were waiting for and we knew what would come. —But there was more in those faces down in the gloom there than mere calm, more than good humour, more than just readiness to die. There was the will to another future in those hard, set faces; and it was there when they charged, and still there when they died. —We had less to say for ourselves year by year, we shed many things, but that one thing still remained. And now, Ludwig, where is it now? Can’t you see how it is perishing in all this pig’s wash of order, duty, women, routine, punctuality and the rest of it that here they call life? —No, Ludwig, we lived then! And you tell me a thousand times that you hate war, yet I still say, we lived then. We lived, because we were together, and because something burned in us that was more than this whole muck heap here!” He is breathing hard. “It must have been for something, Ludwig! When I first heard there was revolution, for one brief moment I thought: Now the time will be redeemed—now the flood will pour back, tearing down the old things, digging new banks for itself—and, by God, I would have been in it! But the flood broke up into a thousand runnels; the revolution became a mere scramble for jobs, for big jobs and little jobs. It has trickled away, it has been dammed up, it has been drained off into business, into family, and party. —But that will not do me. I’m going where comradeship is still to be found.” Ludwig stands up. His brow is flaming, his eyes blaze. He looks Rahe in the face. “And why is it, Georg? Why is it? Because we were duped, I tell you, duped as even yet we hardly realize; because we were misused, hideously misused. They told us it was for the Fatherland, and meant the schemes of annexation of a greedy industry. —They told us it was for Honour, and meant the quarrels and the will to power of a handful of ambitious diplomats and princes. —They told us it was for the Nation, and meant the need for activity on the part of out-of-work generals!” He takes Rahe by the shoulders and shakes him. “Can’t you see? They stuffed out the word Patriotism with all the twaddle of their fine phrases, with their desire for glory, their will to power, their false romanticism, their stupidity, their greed of business, and then paraded it before us as a shining ideal! And we thought they were sounding a bugle summoning us to a new, a more strenuous, a larger life. Can’t you see, man? But we were making war against ourselves without knowing it! Every shot that struck home, struck one of us! Can’t you see? Then listen and I will bawl it into your ears. The youth of the world rose up in every land, believing that it was fighting for freedom! And in every land they were duped and misused; in every land they have been shot down, they have exterminated each other! Don’t you see now? —There is only one fight, the fight against the lie, the half-truth, compromise, against the old order. But we let ourselves be taken in by their phrases; and instead of fighting against them, we fought for them. We thought it was for the Future. It was against the Future. Our future is dead; for the youth is dead that carried it. We are merely the survivors, the ruins. But the other is alive still—the fat, the full, the well content, that lives on, fatter and fuller, more contented than ever! And why? Because the dissatisfied, the eager, the storm troops have died for it. But think of it! A generation annihilated! A generation of hope, of faith, of will, strength, ability, so hypnotised that they have shot down one another, though over the whole world they all had the same purpose!” His
”
”
Erich Maria Remarque (The Road Back)
“
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years.
A floorboard creaked somewhere in one of the outer chambers.
Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this.
With her caught touching his things.
Her gaze dropped. “I’m sorry,” she murmured.
“It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy.
She cleared her throat. “Do you still play?”
He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.”
“No,” Kestrel said. “You’re not. Your voice is beautiful.”
The silence after that was soft.
Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work.
“What is it, Kestrel?”
She shook her head. She set the violin back on the wall.
“Ask me.”
She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more.
“You can ask me anything,” he said.
Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?”
He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.”
Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.”
“It’s not your fault.”
It felt as if it was.
Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood.
It was newer.
Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained.
She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
We then reached a fork in the valley. Should we go left or right? Dad called it left. I had a very powerful intuition that right was the choice we should make. Dad insisted left. I insisted right.
It was a fifty-fifty call and he relented.
Within two hundred yards we stumbled across a snowy track through the woods and followed it excitedly. Within a mile it came out on a mountain road, and within ten minutes we had flagged down a lift from a car heading up the hill in the darkness.
We had found salvation, and I was beat.
The car dropped us off at the gates of the garrison thirty minutes later. It was, by then, late into the night, but I was suddenly buzzing with energy and excitement.
The fatigue had gone. Dad knew that I had made the right call up there--if we had chosen left we would still be trudging into the unknown.
I felt so proud.
In truth it was probably luck, but I learned another valuable lesson that night: Listen to the quiet voice inside. Intuition is the noise of the mind.
As we tromped back through the barracks, though, we noticed there was an unusual amount of activity for the early hours of a weekday morning. It soon became very clear why.
First a sergeant appeared, followed by another soldier, and then we were ushered into the senior officers’ block.
There was my uncle, standing in uniform looking both tired and serious. I started to break out into a big smile. So did Dad. Well, I was excited. We had cheated a slow, lingering hypothermic death, lost together in the mountains. We were alive.
Our enthusiasm was countered by the immortal words from my uncle, the brigadier, saying: “I wouldn’t smile if I was you…” He continued, “The entire army mountain rescue team is currently out scouring the mountains for you, on foot and in the air with the search-and-rescue helicopter. I hope you have a good explanation.”
We didn’t, of course, save that we had been careless, and we had got lucky; but that’s life sometimes. And the phrase: “I wouldn’t smile if I was you,” has gone down into Grylls family folklore.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Knowing Chris was getting married, his fellow Team members decided that they had to send him off with a proper SEAL bachelor party. That meant getting him drunk, of course. It also meant writing all over him with permanent markers-an indelible celebration, to be sure.
Fortunately, they liked him, so his face wasn’t marked up-not by them, at least; he’d torn his eyebrow and scratched his lip during training. Under his clothes, he looked quite the sight. And the words wouldn’t come off no matter how he, or I scrubbed.
I pretended to be horrified, but honestly, that didn’t bother me much. I was just happy to have him with me, and very excited to be spending the rest of my life with the man I loved.
It’s funny, the things you get obsessed about. Days before the wedding, I spent forty-five minutes picking out exactly the right shape of lipstick, splurging on expensive cosmetics-then forgot to take it with me the morning of the wedding. My poor sister and mom had to run to Walgreens for a substitute; they came back with five different shades, not one of which matched the one I’d picked out.
Did it matter? Not at all, although I still remember the vivid marks the lipstick made when I kissed him on the cheek-marking my man.
Lipstick, location, time of day-none of that mattered in the end. What did matter were our families and friends, who came in for the ceremony. Chris liked my parents, and vice versa. I truly loved his mom and dad.
I have a photo from that day taped near my work area. My aunt took it. It’s become my favorite picture, an accidental shot that captured us perfectly. We stand together, beaming, with an American flag in the background. Chris is handsome and beaming; I’m beaming at him, practically glowing in my white gown.
We look so young, happy, and unworried about what was to come. It’s that courage about facing the unknown, the unshakable confidence that we’d do it together, that makes the picture so precious to me.
It’s a quality many wedding photos possess. Most couples struggle to make those visions realities. We would have our struggles as well.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears.
Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister.
Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line.
“I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
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From the moment she had stepped out from her wooden walls, the path ahead of him had been clearly marked, but he had been too blind to see it. A tosi woman and a Comanche, their pasts stained with tears and bloodshed, had little hope of coexisting happily with either race. To be as one, they had to walk alone, away from both their people.
Where, that was the question. And Hunter had no answers. West, as the prophecy foretold? Into the great mountain ranges? The thought frightened him. He had been raised in open spaces, able to see into tomorrow, with the north wind whispering, the grass waving, the buffalo plentiful. What would he hunt? And how? He wouldn’t know what roots and nuts to gather. He wouldn’t know which plants made good medicine, which bad. Did he dare take a woman into an unknown land, uncertain if he could feed her, care for her, or protect her? What if she came with child? Winter, the time when babies cried. How would he stand tall like a man if his family starved?
Hunter opened his eyes and sat up, raking his fingers through his damp hair. Looking skyward, he searched for Loretta’s Great One, the Almighty Father to whom she gave thanks for her food. At first he had been disgruntled by her prayers. Her God didn’t bring her the food; her husband did. Loretta had explained that her God led Hunter’s footsteps so his hunts were successful.
Was her God up there in the sky, as she believed? Did he truly hear a man’s whispers, his thoughts? Hunter could see his own gods, Mother Earth, Mother Moon, Father Sun, the wind coming from the four directions. It was easy to believe in what he could see. Why did Loretta’s God hide himself? Was he terrible ugly? Did he hide only from Comanches? Loretta said he was father to all, even Indians.
Peace filled Hunter. With so many Great Ones, both his and hers, surely they would be blessed. Relaxing his body, he surrendered himself to fate. The Great Ones would guide them. Loretta’s God would lead his footsteps in the hunt when his own gods failed him. Together he and Loretta would find a new place where the Comanche and tosi tivo could live as one, where Hunter could sing the songs of the People and keep their ways alive.
Rising, Hunter turned back toward the village, his decision made, his heart torn, acutely aware that the prophecy had foretold this moment long ago.
”
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Catherine Anderson (Comanche Moon (Comanche, #1))
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After loud overtures from his daughters, Anthony finally left the house and went up the winding path to the “museum,” to the mobile home where he and his parents had lived from 1949 to 1958. It has been left untouched. The furniture, tables, the paint on the walls, the ’50s cabinets, the dressers, the closets, are all unchanged, remaining as they once were. And in her closet in the bedroom, past the nurse’s uniform, far away in the right-hand corner on the top shelf, lies the black backpack that contains Tatiana’s soul. Every once in a while when she can stand it—or when she can’t stand it—she looks through it. Alexander never looks through it. Tatiana knows what Anthony is about to see. Two cans of Spam in the pack. A bottle of vodka. The nurse’s uniform she escaped from the Soviet Union in that hangs in plastic in the museum closet, next to the PMH nurse’s uniform she nearly lost her marriage in. The Hero of the Soviet Union medal in the pack, in a hidden pocket. The letters she received from Alexander—including the last one from Kontum, which, when she heard about his injuries, she thought would be the last one. That plane ride to Saigon in December 1970 was the longest twelve hours of Tatiana’s life. Francesca and her daughter Emily took care of Tatiana’s kids. Vikki, her good and forgiven friend, came with her, to bring back the body of Tom Richter, to bring back Anthony. In the backpack lies an old yellowed book, The Bronze Horseman and Other Poems. The pages are so old, they splinter if you turn them. You cannot leaf, you can only lift. And between the fracturing pages, photographs are slotted like fragile parchment leaves. Anthony is supposed to find two of these photographs and bring them back. It should take him only a few minutes. Cracked leaves of Tania before she was Alexander’s. Here she is at a few months old, held by her mother, Tania in one arm, Pasha in the other. Here she is, a toddler in the River Luga, bobbing with Pasha. And here a few years older, lying in the hammock with Dasha. A beaming, pretty, dark-haired Dasha is about fourteen. Here is Tania, around ten, with two dangling little braids, doing a fantastic one-armed handstand on top of a tree stump. Here are Tania and Pasha in the boat together, Pasha threateningly raising the oar over her head. Here is the whole family. The parents, side by side, unsmiling, Deda holding Tania’s hand. Babushka holding Pasha’s, Dasha smiling merrily in front.
”
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Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
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Boy Lost
Picture a sunset in a small port town by the sea. Two teenaged boys sitting on the docks watching the ships as they fly across the water. One reaches out and takes the other’s hand. In this brush of skin for skin, a thousand unspoken promises erupt between them, and both are determined to keep them. This is what youth is. The sheer belief that you will be able to keep every promise you made to someone else. That you will be able to love someone into a forever when you do not even understand what forever means.
An evening spent in the headiness of love, they go back to their respective homes. One boy helps his mother with cooking and cleaning and looking after his little sister. His father is a good man, a sailor who brings home with him meagre wages, but a heart full of love and a quicksilver tongue that tells stories of faraway lands to enthral them all. But this boy, despite his blessings, is not happy. He may have been blessed with a loving family, but that faraway look is made of unrest and wanderlust, something about him says fae, changeling, wearing the skin of a boy who was always destined to fly, to leave.
The other boy returns home to a father who drinks and a mother who works so hard that she is never there. He is the unwanted creature in this home, a beating waiting for him at every corner. His father’s temper is a beast so powerful that a boy made of paper bones barely held together cannot fight him. He hides in his room. He lives for a boy at sunset, hope made into a human being.
Now picture this. This boy of paper bones alone at the docks the next sunset. And this boy alone on the docks again on a rainy day. And this boy alone on the docks every day after, waiting for someone who promised him forevers he never intended to keep. This boy becoming a man, a heart wounded so young in youth that it never quite healed right. Imagine him becoming a sailor, searching land after land for a boy he once loved, thinking he was hurt, or stolen, just needing to know what happened to him.
Now see him finally finding out that the boy he loved in his boyhood ran away to a magical land where he never grew up. That without a second glance, he just forgot every promise of forever. Imagine his rage, that ancient pain turning to a terrible anger and escaping from the forgotten attic of his mangled heart. Think of what happens when immense love turns into immense hate. An anger so intense it cannot be controlled. What he would give up to avenge the boy he once was, paper-boned, standing on the docks, broken without a single person to love him, simply all alone. A hand is a small price to pay for a magical ship that will take him to Neverland, a place that lives on a star. Becoming a villain called Captain Hook is a small exchange to show Peter Pan that you cannot throw away love and think you will get away unscarred.
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Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
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This entails certain corollaries on which true individualism once more stands in sharp opposition to the false individualism of the rationalistic type. The first is that the deliberately organized state on the one side, and the individual on the other, far from being regarded as the only realities, which all the intermediate formations and associations are to be deliberately suppressed, as was the aim of the French Revolution, the noncompulsory conventions of social intercourse are considered as essential factors in preserving the orderly working in human society. The second is that the individual, in participating in the social processes, must be ready and willing to adjust himself to changes and to submit to conventions which are not the result of intelligent design, whose justification in the particular instance may be recognizable, and which to him will often appear unintelligible and irrational. I need not say much on the first point. That true individualism affirms the value of the family and all the common efforts of the small community and group, that it believes in local autonomy and voluntary associations, and that indeed its case rests largely on the contention that much for which the coercive action of the state is usually invoked can be done better by voluntary collaboration need not be stressed further. There can be no greater contrast to this than the false individualism which wants to dissolve all these smaller groups into atoms which have no cohesion other than the coercive rules imposed by the state, and which tries to make all social ties prescriptive, instead of using the state mainly as a protection of the individual against the arrogation of coercive powers by the small groups. Quite as important for the functioning of an individualist society as these smaller groupings of men are the traditions and conventions which evolve in a free society and which, without being enforceable, establish flexible but normally observed rules that make the behavior of other people predictable in a high degree. The willingness to submit to such rules, not merely so long as one understands the reason for them but so long as one has no definite reasons to the contrary, is an essential condition for the gradual evolution and improvement of the rules of social intercourse; and the readiness ordinarily to submit to the products of a social process which nobody may understand is also an indispensible condition if it is to be possible to dispense with compulsion. That the existence of common conventions and traditions among a group of people will enable them to work together smoothly and efficiently with much less formal organization and compulsion than a group without such common background, is of course, a commonplace. But the reverse of this, while less familiar, is probably not less true: that coercion can probably only be kept to a minimum in a society where conventions and traditions have made the behavior of man to a large extent predictable.
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Friedrich A. Hayek (Individualism and Economic Order)
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Montreal
October 1704
Temperature 55 degrees
Eben was looking at Sarah in the way every girl prays some boy will one day look at her. “I will marry you, Sarah,” said Eben. “I will be a good husband. A Puritan husband. Who will one day take us both back home.”
Wind shifted the lace of Sarah’s gown and the auburn of one loose curl.
“I love you, Sarah,” said Eben. “I’ve always loved you.”
Tears came to Sarah’s eyes: she who had not wept over her own family. She stood as if it had not occurred to her that she could be loved; that an English boy could adore her. “Oh, Eben!” she whispered. “Oh, yes, oh, thank you, I will marry you. But will they let us, Eben? We will need permission.”
“I’ll ask my father,” said Eben. “I’ll ask Father Meriel.”
They were not touching. They were yearning to touch, they were leaning forward, but they were holding back. Because it is wrong? wondered Mercy. Or because they know they will never get permission?
“My French family will put up a terrible fuss,” said Sarah anxiously. “Pierre might even summon his fellow officers and do something violent.”
Eben grinned. “Not if I have Huron warriors behind me.”
The Indians rather enjoyed being French allies one day and difficult neighbors the next. Lorette Indians might find this a fine way to stab a French soldier in the back without drawing blood.
They would need Father Meriel. He could arrange anything if he chose; he had power among all the peoples. But he might say no, and so might Eben’s Indian family.
Mercy translated what was going on for Nistenha and Snow Walker. “They want to get married,” she told them. “Isn’t it wonderful?” She couldn’t help laughing from the joy and the terror of it. Ransom would no longer be the first word in Sarah’s heart. Eben would be. Mercy said, “Eben asked her right here in the street, Snow Walker. He wants to save her from marriage to a French soldier she doesn’t want. He’s loved Sarah since the march.”
The two Indians had no reaction. For a moment Mercy thought she must have spoken to them in English. Nistenha turned to walk away and Snow Walker turned with her.
If Nistenha was not interested in Sarah and Eben’s plight, no Indian would be.
Mercy called on her memory of every speech in every ceremony, every dignified phrase and powerful word. “Honored mother,” she said softly. “Honored sister. We are in need and we beg you to hear our petition.”
Nistenha stopped walking, turned back and stared at her in amazement. Sarah and Eben and Snow Walker stared at her in amazement.
Sam can build canoes, thought Mercy. I can make a speech. “This woman my sister and this man my brother wish to spend their lives together. My brother will need the generous permission of his Indian father. Already we know that my sister will be refused the permission of her French owners. We will need an ally to support us in our request. We will need your strength and your wisdom. We beseech you, Mother, that you stand by us and help us.”
The city of Montreal swirled around them.
Eben, property of an Indian father in Lorette; Sarah, property of a French family in Montreal; and Mercy, property of Tannhahorens, awaited her answer.
“Your words fill me with pride, Munnunock,” said Nistenha softly. She reached into her shopping bundle. Slowly she drew out a fine French china cup, undoubtedly meant for the feast of Flying Legs. She held it for a moment, and then her stern face softened and she gave it to Eben.
Indians sealed a promise with a gift.
She would help them.
From her bundle, Snow Walker took dangling silver earrings she must have bought for Mercy and handed them to Sarah.
Because she knew that Sarah’s Mohawk was not good enough and that Eben was too stirred to speak, Mercy gave the flowery thanks required after such gifts.
“God bless us,” she said to Sarah and Eben, and Eben said, “He has.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)