Cool Designed Quotes

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And then one student said that happiness is what happens when you go to bed on the hottest night of the summer, a night so hot you can't even wear a tee-shirt and you sleep on top of the sheets instead of under them, although try to sleep is probably more accurate. And then at some point late, late, late at night, say just a bit before dawn, the heat finally breaks and the night turns into cool and when you briefly wake up, you notice that you're almost chilly, and in your groggy, half-consciousness, you reach over and pull the sheet around you and just that flimsy sheet makes it warm enough and you drift back off into a deep sleep. And it's that reaching, that gesture, that reflex we have to pull what's warm - whether it's something or someone - toward us, that feeling we get when we do that, that feeling of being safe in the world and ready for sleep, that's happiness.
Paul Schmidtberger (Design Flaws of the Human Condition)
Take care of your costume and your confidence will take care of itself.
Amit Kalantri (Wealth of Words)
They seemed to have taken all of their smoothly cultivated ignorance, their exquisitely learned self-hatred, their elaborately designed hopelessness and sucked it all up into a fiery cone of scorn that had burned for ages in the hollows of their minds― cooled ―and spilled over lips of outrage, consuming whatever was in its path.
Toni Morrison (The Bluest Eye)
The place where the story happened was a world on the back of four elephants perched on the shell of a giant turtle. That's the advantage of space. It's big enough to hold practically anything, and so, eventually, it does. People think that it is strange to have a turtle ten thousand miles long and an elephant more than two thousand miles tall, which just shows that the human brain is ill-adapted for thinking and was probably originally designed for cooling the blood. It believes mere size is amazing. There's nothing amazing about size. Turtles are amazing, and elephants are quite astonishing. But the fact that there's a big turtle is far less amazing than the fact that there is a turtle anywhere.
Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...
Nikki Giovanni
What is it you’re interested in exactly?” the man asked slowly. “Just the color?” “I think we both know,” said Adrian cunningly. “I want the color. I want the ‘bonus effects.’ And I want it to look badass. You probably can’t even do the design I want.” “That’s the least of your worries,” said the guy. “I’ve been doing this for years. I can draw anything you want.” “Yeah? Can you draw a skeleton riding a motorcycle with flames coming out of it? And I want a pirate hat on the skeleton. And a parrot on his shoulder. A skeleton parrot. Or maybe a ninja skeleton parrot? No, that would be overkill. But it’d be cool if the biker skeleton could be shooting some ninja throwing stars. That are on fire.” “That’s the most ridiculous thing I’ve ever heard,” said the tattooist. “That’s not what the ladies are going to say,” said Adrian
Richelle Mead (Bloodlines (Bloodlines, #1))
With right fashion, every female would be a flame.
Amit Kalantri (Wealth of Words)
Fashion doesn't make you perfect, but it makes you pretty.
Amit Kalantri (Wealth of Words)
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
Lou's such an old punk he was around when the Ramones were junkie hustlers first and musicians second, when punk meant something other than a mass-marketing concept designed to help the bridge-and-tunnel crowd feel cool.
Rachel Cohn (Nick & Norah's Infinite Playlist)
The first night Stephen and I slept together, he whispered numbers into my ear: long, high numbers -- distances between planets, seconds in a life. He spoke as if they were poetry, and they became poetry. Later, when he fell asleep, I leaned over him and watched, trying to picture a mathematician's dreams. I concluded that Stephen must dream in abstract, cool designs like Mondrian paintings.
Peter Cameron
Any girl with a grin never looks grim.
Amit Kalantri (Wealth of Words)
It's funny how after all those years attending youth events with light shows and bands, after all the contemporary Christian music and contemporary Christian books, after all the updated technology and dynamic speakers and missional enterprises and relevant marketing strategies designed to make Christianity cool, all I wanted from the church when I was ready to give it up was a quiet sanctuary and some candles. All I wanted was a safe place to be. Like so many, I was in search of sanctuary.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
Dresses don't look beautiful on hangers.
Amit Kalantri (Wealth of Words)
You cannot choose your face but you can choose your dress.
Amit Kalantri (Wealth of Words)
When you think a girl looks pretty, say it. But don’t reference the thing that might reveal you are aware of the backstage process: e.g., say, “You look gorgeous tonight,” not “I like how you did your makeup tonight.” Also, a compliment means less if you compliment the thing and not the way the girl is carrying it off. So say, “You look so sexy in those boots,” rather than “Those boots are really cool.” I didn’t make the boots! I don’t care if you like the boots’ design! We are magic to you: you have no idea how we got to look as good as we do.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
You might think that, by now, people would have become accustomed to the idea of natural catastrophes. We live on a planet that is still cooling and which has fissures and faults in its crust; this much is accepted even by those who think that the globe is only six thousand years old, as well as by those who believe that the earth was "designed" to be this way. Even in such a case, it is to be expected that earthquakes will occur and that, if they occur under the seabed, tidal waves will occur also. Yet two sorts of error are still absolutely commonplace. The first of these is the idiotic belief that seismic events are somehow "timed" to express the will of God. Thus, reasoning back from the effect, people will seriously attempt to guess what sin or which profanity led to the verdict of the tectonic plates. The second error, common even among humanists, is to borrow the same fallacy for satirical purposes and to employ it to disprove a benign deity.
Christopher Hitchens
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Amit Kalantri (Wealth of Words)
People think that it is strange to have a turtle ten thousand miles long and an elephant more than two thousand miles tall, which just shows that the human brain is ill-adapted for thinking and was probably originally designed for cooling the blood.
Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
The white marble surface was inlaid with semiprecious stones in seamless floral designs and in chaste calligraphy, shaped stones, jeweled stones, delicate and free-figured. The surface ran cool and smooth. Traceries of black Koranic figures covered the longer sides of the tomb with a smaller group on top. My hand moved slowly over the words, feeling for breaks between the inlay and marble, not to fault the craftsmen, of course, but only to find the human labor, the individual, in the wholeness and beauty of the tomb.
Don DeLillo (The Names)
In town and in country there must be landscapes where we can walk in safety, pick fruit, cycle, work, sleep, swim, listen to the birds, bask in the sun, run through the trees and laze beside cool waters.
Tom Turner (Landscape Planning And Environmental Impact Design (Natural and Built Environment Series))
At the tattoo parlor, my friend worked with needle and ink applying a design to the skin on his client's back, as the three of us sat discussing our spiritual desires and ambivalence about religion. In the midst of our conversation, the man under the needle turned and said, 'Jesus is cool, it's just that they have f***ed with Jesus. I mean, Christianity was at its best when it was secret and hidden and you could die for it.' This profound, if crass, statement recognizes that the power of the gospel lay in its ability to be a counter-cultural and revolutionary force - not only a story to believe, but a distinctive way of life. The man's comment prompted me to consider the questions: Am I in some measure complicit in the domestication of Jesus?
Mark Scandrette (Soul Graffiti: Making a Life in the Way of Jesus)
While the egg yolks cooled, he directed the beaters at the egg whites, setting the mixer on high speed that sent small bubbles giggling to the side of the bowl, where a few became many until they were a white froth rising up and then lying down again in patters and ridges, leaving an intricate design like the ribs of a leaf in the wake of the beaters
Erica Bauermeister (The School of Essential Ingredients)
I call them "The Tattooed Gerneration," those people who think it cool to use their bodies as canvasses; to desecrate themselves with ugly designs, inane sayings and the names of women who divorced them. And they call it ART? If they want art, let them go to an art gallery and buy a painting. If God wanted our bodies used to display artwork, he would have made us flat.
Howard Giordano
Lately, even the Waybacklist borrowers seem to be missing. Have they Been seduced by some other book club on the other side of town? Have they all bought Kindles? I have one, and I use it most nights. I always imagine the books staring and whispering, Traitor! - but come on, I have a lot of free first chapters to get through. My Kindle is a hand-me-down from my dad, one of the original models<...> There are newer Kindles with bigger screens and subtler industrial design, but this one is like Penumbra's postcards: so uncool it's cool again.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Domestic interior design is a fraught affair. It makes me hanker for the mild and soothing and tasteless red velvet interiors in which people lived so undiscriminatingly no more than twenty years ago. It was unhygienic, dark, cool, probably stuffed full of dangerous bacteria, and pleasant.
Joseph Roth (What I Saw: Reports from Berlin 1920-1933)
Why couldn’t I find one action that would make the need to binge automatically disappear? Because there is no magic action to make that horrible prebinge feeling go away. The cool thing is that we are designed so that the feeling will pass through us on its own—in time. All we have to do is sit there and feel what is going on inside of us. We must experience the feelings. To help us deal with the feelings, we can call someone on our support team. We can also express the feelings by focusing on our breath or even hitting a pillow. The important thing to remember is that no matter how terrible, feelings do pass. It takes patience and trust—not food . . .
Jenni Schaefer (Life Without Ed: How One Woman Declared Independence from Her Eating Disorder and How You Can Too)
They had extemporized a verse made up of two insults about matters over which the victim had no control: the color of her skin and speculations on the sleeping habits of an adult, widely fitting in its incoherence. That they themselves were black, or that their own father had similarly relaxed habits was irrelevant. It was their contempt for their own blackness that gave the first insult it's teeth. They seem to have taken all of their smoothly cultivated ignorance, their exquisitely learned self-hatred, their elaborately designed hopelessness and sucked it all up into a fiery cone of scorn that had burned for ages in the hollows of their minds—cooled—and spilled over lips of outrage, consuming whatever was in its path. They danced a macabre ballet around the victim, whom, for their own sake, they were prepared to sacrifice to the flaming pit.
Toni Morrison (The Bluest Eye)
But it’s also great to silence technology in the midst of life’s craziness and simply be in the astounding presence of the greatest Designer the world has ever known.
Tommy Tighe (The Catholic Hipster Handbook: Rediscovering Cool Saints, Forgotten Prayers, and Other Weird but Sacred Stuff)
An old fashioned outfit is not a costume, it's a comedy.
Amit Kalantri (Wealth of Words)
In the words of the famous tea master Sen no Rikyu, a delicious cup of tea should be served so that it is cooling in summer and warming in winter.
Geeta K. Mehta (Japan Style: Architecture + Interiors + Design)
Kinda cool, huh?” he says. “Interesting metaphor. We’re perfectly imperfect designs.
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
Listen, Wesley, this may sound weird coming from me, since I hate you and all, but you can tell me stuff if you want.” It sounded like something out of a cheesy G-rated movie. Great. “I mean, I vented all of my shit about Jake to you, so if you want to do the same,… well, I’m cool with that.” The smirk slipped for a second. “I’ll keep that in mind.” Then he cleared his throat and added stiffly, “Didn’t you say that you needed to go home? You don’t want to be late for school.” “Right.” I started to stand, but his warm hand closed around my wrist. I turned around and found him looking at me. He leaned forward and pressed his lips against mine. Before I even realized what was happening, he pulled away and whispered, “Thank you, Bianca.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
The term serial killer designates a predator who murders repeatedly and with a certain general periodicity. And after each crime, there is a “cooling-off” period. If the killer stops without being caught, it is almost always for one of three reasons: He has died; he has been arrested for an unrelated crime and is in prison; or he hasn’t actually stopped, but has merely moved to another area and law enforcement has not connected his new crimes with the older ones.
John E. Douglas (The Killer Across the Table)
When Dad wasn’t telling us about all the amazing things he had already done, he was telling us about the wondrous things he was going to do. Like build the Glass Castle. All of Dad’s engineering skills and mathematical genius were coming together in one special project: a great big house he was going to build for us in the desert. It would have a glass ceiling and thick glass walls and even a glass staircase. The Glass Castle would have solar cells on the top that would catch the sun’s rays and convert them into electricity for heating and cooling and running all the appliances. It would even have its own water-purification system. Dad had worked out the architecture and the floor plans and most of the mathematical calculations. He carried around the blueprints for the Glass Castle wherever we went, and sometimes he’d pull them out and let us work on the design for our rooms. All we had to do was find gold, Dad said, and we were on the verge of that. Once he finished the Prospector and we struck it rich, he’d start work on our Glass Castle.
Jeannette Walls (The Glass Castle)
Night had fallen on Manta by the time we awoke and a cooling breeze was rustling the palm fronds of the tree outside our window. We could hear laughter below as the nightlife of Manta got underway. Girls dressed for clubbing were leaving the hotel hoping to have their world rocked after a night of dancing and wake up to discover he really was Prince Charming in disguise. In truth he would be the tatted-up, dumbed-down, self-involved bad-boy they’d been drawn to like a moth to a flame after several drinks, because he was the male mirror-image of them. The tap-tap of high-heeled shoes designed to accentuate the girls’ derrieres sounded like an ancient tribal mating song being drummed out on concrete.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
Modernism was based on a kind of arrogance ... and led designers to believe that if they thought of something cool, it must be considered universally cool. That is, if something's worth doing, it's worth driving into the ground to the exclusion of all other approaches. Look at the use of parentheses in Lisp or the use of white space as syntax in Python. Or the mandatory use of objects in many languages, including Java. All of these are ways of taking freedom away from the end user "for their own good". They're just versions of Orwell's Newspeak, in which it's impossible to think bad thoughts. We escaped from the fashion police in the 1970s, but many programmers are still slaves of the cyber police.
Larry Wall
quickly and painlessly. Welcome to Right-Suite Universal! Right-Suite Universal (or RSU for short) is a comprehensive HVAC design tool that makes the design of heating and cooling systems for residential and commercial buildings faster and easier. RSU is the result of over 20 years of feedback from thousands of HVAC designers throughout the United States, Canada and many other countries.
Anonymous
As soon as two people have resolved to give up their togetherness, the resulting pain with its heaviness or particularity is already so completely part of the life of each individual that the other has to sternly deny himself to become sentimental and feel pity. The beginning of the agreed-upon separation is marked precisely by this pain, and its first challenge will be that this pain already belongs separately to each of the two individuals. This pain is an essential condition of what the now solitary and most lonely individual will have to create in the future out of his reclaimed life. If two people managed not to get stuck in hatred during their honest struggles with each other, that is, in the edges of their passion that became ragged and sharp when it cooled and set, if they could stay fluid, active, flexible, and changeable in all of their interactions and relations, and, in a word, if a mutually human and friendly consideration remained available to them, then their decision to separate cannot easily conjure disaster and terror. When it is a matter of a separation, pain should already belong in its entirety to that other life from which you wish to separate. Otherwise the two individuals will continually become soft toward each other, causing helpless and unproductive suffering. In the process of a firmly agreed-upon separation, however, the pain itself constitutes an important investment in the renewal and fresh start that is to be achieved on both sides. People in your situation might have to communicate as friends. But then these two separated lives should remain without any knowledge of the other for a period and exist as far apart and as detached from the other as possible. This is necessary for each life to base itself firmly on its new requirements and circumstances. Any subsequent contact (which may then be truly new and perhaps very happy) has to remain a matter of unpredictable design and direction. If you find that you scare yourself.
Rainer Maria Rilke (Letters on Life)
Pham Nuwen spent years learning to program/explore. Programming went back to the beginning of time. It was a little like the midden out back of his father’s castle. Where the creek had worn that away, ten meters down, there were the crumpled hulks of machines—flying machines, the peasants said—from the great days of Canberra’s original colonial era. But the castle midden was clean and fresh compared to what lay within the Reprise’s local net. There were programs here that had been written five thousand years ago, before Humankind ever left Earth. The wonder of it—the horror of it, Sura said—was that unlike the useless wrecks of Canberra’s past, these programs still worked! And via a million million circuitous threads of inheritance, many of the oldest programs still ran in the bowels of the Qeng Ho system. Take the Traders’ method of timekeeping. The frame corrections were incredibly complex—and down at the very bottom of it was a little program that ran a counter. Second by second, the Qeng Ho counted from the instant that a human had first set foot on Old Earth’s moon. But if you looked at it still more closely. . .the starting instant was actually some hundred million seconds later, the 0-second of one of Humankind’s first computer operating systems. So behind all the top-level interfaces was layer under layer of support. Some of that software had been designed for wildly different situations. Every so often, the inconsistencies caused fatal accidents. Despite the romance of spaceflight, the most common accidents were simply caused by ancient, misused programs finally getting their revenge. “We should rewrite it all,” said Pham. “It’s been done,” said Sura, not looking up. She was preparing to go off-Watch, and had spent the last four days trying to root a problem out of the coldsleep automation. “It’s been tried,” corrected Bret, just back from the freezers. “But even the top levels of fleet system code are enormous. You and a thousand of your friends would have to work for a century or so to reproduce it.” Trinli grinned evilly. “And guess what—even if you did, by the time you finished, you’d have your own set of inconsistencies. And you still wouldn’t be consistent with all the applications that might be needed now and then.” Sura gave up on her debugging for the moment. “The word for all this is ‘mature programming environment.’ Basically, when hardware performance has been pushed to its final limit, and programmers have had several centuries to code, you reach a point where there is far more signicant code than can be rationalized. The best you can do is understand the overall layering, and know how to search for the oddball tool that may come in handy—take the situation I have here.” She waved at the dependency chart she had been working on. “We are low on working fluid for the coffins. Like a million other things, there was none for sale on dear old Canberra. Well, the obvious thing is to move the coffins near the aft hull, and cool by direct radiation. We don’t have the proper equipment to support this—so lately, I’ve been doing my share of archeology. It seems that five hundred years ago, a similar thing happened after an in-system war at Torma. They hacked together a temperature maintenance package that is precisely what we need.” “Almost precisely.
Vernor Vinge (A Deepness in the Sky (Zones of Thought, #2))
Uh, now let me tell you about what's new. We found another set of drawings, always nice, AND A FOXY HEAD! Which we think could be authentic! Then again, it might just be another crappy cosplay. And we found a Desk fan, very old school, metal though, so watch the fingers! Uh, heh! Uhm, right now the place is basically just, you know, FLASHING LIGHTS and SPOOKY PROPS. I honestly thought we'd have more by now, uh so if we don't have anything really cool by next week, we may have to suit you up in a Freddy suit, and make you walk around saying: "BOOO!" Hehe. Uh, but you know like I said, were trying to track down, a good lead right now. Uh, some guy who helped design one of the buildings, said there was like, an extra room that got boarded up..? Or something like that.  So! Were gonna take a peak, and see what we can find. Uh, for now just get comfortable with the new
Andrew Mills (Five Nights at Freddy's 3 Ultimate Strategy Guide, Walkthrough, Secrets, Tips and Tricks)
Instinctively the Englishman is no missionary, no conqueror. He prefers the country to the town, and home to foreign parts. He is rather glad and relieved if only natives will remain natives and strangers strangers, and at a comfortable distance from himself. Yet outwardly he is most hospitable and accepts almost anybody for the time being; he travels and conquers without a settled design, because he has the instinct of exploration. His adventures are all external; they change him so little that he is not afraid of them. He carries his English weather in his heart wherever he goes, and it becomes a cool spot in the desert, and a steady and sane oracle amongst all the deliriums of mankind. Never since the heroic days of Greece has the world had such a sweet, just, boyish master. It will be a black day for the human race when scientific blackguards, conspirators, churls, and fanatics manage to supplant him.
Santayana George 1863-1952 (Soliloquies in England and Later Soliloquies)
The niggers did not post sentries over their dead. Niggers did not pound on the door of the sheriff, they did not haunt the offices of the newspapermen. No sheriff paid them any mind, no journalist listened to their stories. The bodies of their loved ones disappeared into sacks and reappeared in the cool cellars of medical schools to relinquish their secrets. Every one of them a miracle, in Stevens’s view, providing instruction into the intricacies of God’s design.
Colson Whitehead (The Underground Railroad)
The central fact of biblical history, the birth of the Messiah, more than any other, presupposes the design of Providence in the selecting and uniting of successive producers, and the real, paramount interest of the biblical narratives is concentrated on the various and wondrous fates, by which are arranged the births and combinations of the 'fathers of God.' But in all this complicated system of means, having determined in the order of historical phenomena the birth of the Messiah, there was no room for love in the proper meaning of the word. Love is, of course, encountered in the Bible, but only as an independent fact and not as an instrument in the process of the genealogy of Christ. The sacred book does not say that Abram took Sarai to wife by force of an ardent love, and in any case Providence must have waited until this love had grown completely cool for the centenarian progenitors to produce a child of faith, not of love. Isaac married Rebekah not for love but in accordance with an earlier formed resolution and the design of his father. Jacob loved Rachel, but this love turned out to be unnecessary for the origin of the Messiah. He was indeed to be born of a son of Jacob - Judah - but the latter was the offspring, not of Rachel but of the unloved wife, Leah. For the production in the given generation of the ancestor of the Messiah, what was necessary was the union of Jacob precisely with Leah; but to attain this union Providence did not awaken in Jacob any powerful passion of love for the future mother of the 'father of God' - Judah. Not infringing the liberty of Jacob's heartfelt feeling, the higher power permitted him to love Rachel, but for his necessary union with Leah it made use of means of quite a different kind: the mercenary cunning of a third person - devoted to his own domestic and economic interests - Laban. Judah himself, for the production of the remote ancestors of the Messiah, besides his legitimate posterity, had in his old age to marry his daughter-in-law Tamar. Seeing that such a union was not at all in the natural order of things, and indeed could not take place under ordinary conditions, that end was attained by means of an extremely strange occurrence very seductive to superficial readers of the Bible. Nor in such an occurrence could there be any talk of love. It was not love which combined the priestly harlot Rahab with the Hebrew stranger; she yielded herself to him at first in the course of her profession, and afterwards the casual bond was strengthened by her faith in the power of the new God and in the desire for his patronage for herself and her family. It was not love which united David's great-grandfather, the aged Boaz, with the youthful Moabitess Ruth, and Solomon was begotten not from genuine, profound love, but only from the casual, sinful caprice of a sovereign who was growing old.
Vladimir Sergeyevich Solovyov (The Meaning of Love)
The teacher asked once what did we talk about when we talked about happiness. And then one student said that happiness is what happens when you go to bed on the hottest night of the summer, a night so hot you can’t even wear a tee-shirt and you sleep on top of the sheets instead of under them, although try to sleep is probably the most accurate. And then at some point late, late, late at night, say just a bit before dawn, the heat finally breaks and the night turns cool and when you briefly wake up, you notice that you’re almost chilly, and in your groggy, half-consciousness, you reach over and pull the sheet around you and just that flimsy sheet makes it warm enough and you drift back off into a deep sleep. And it’s that reaching, that gesture, that reflex we have to pull what’s warm- whether it’s something or someone- towards us, that feeling we get when we do that, that feeling of being safe in the world and ready for sleep, that’s happiness.
Paul Schmidtberger (Design Flaws of the Human Condition)
10 Ways to Approach a Joyful Life 1. Life is short so don’t pretend like you’ll have time later.⁣ 2. Design your work so have freedom of geography, income and time.⁣ 3. Don’t care about stuff. ⁣ 4. Own your life.⁣ 5. Own your time.⁣ 6. Own your contribution to humanity on a deep level.⁣ 7. Be cool (kind) to other people.⁣ 8. Don’t take yourself too seriously.⁣ 9. Sacrifice.⁣ 10. Choose happiness.⁣ ⁣ Bonus: Bad stuff will happen. Move forward and don’t blame God for the bad stuff.
Richie Norton
We want to allow millions of small businesses to accept credit cards for the first time, so we have to make it easy to sign up. We need easy sign-up, so we have to design simple software and eliminate paper contracts. We have millions of people signing up, so we have to keep our customer service costs down. We need to keep customer service costs down, so we have to have simple pricing, and net settlements, and no hidden fees, and no paper contracts. We need to have a low price, so we have to save money on advertising, so we have to have an amazing product, and hardware so cool that people talk about it, and a product that they can explain without our help.
Jim McKelvey (The Innovation Stack: Building an Unbeatable Business One Crazy Idea at a Time)
But it was while discussing SpaceX’s grandest missions that Shotwell really came into her own and seemed to inspire the interns. Some of them clearly dreamed of becoming astronauts, and Shotwell said that working at SpaceX was almost certainly their best chance to get to space now that NASA’s astronaut corps had dwindled. Musk had made designing cool-looking, “non–Stay Puft” spacesuits a personal priority. “They can’t be clunky and nasty,” Shotwell said. “You have to do better than that.” As for where the astronauts would go: well, there were the space habitats, the moon, and, of course, Mars as options. SpaceX has already started testing a giant rocket, called the Falcon Heavy, that will take it much farther into space than the Falcon 9, and it has another, even larger spaceship on the way. “Our Falcon Heavy rocket will not take a busload of people to Mars,” she said. “So, there’s something after Heavy. We’re working on it.” To make something like that vehicle happen, she said, the SpaceX employees needed to be effective and pushy. “Make sure your output is high,” Shotwell said. “If we’re throwing a bunch of shit in your way, you need to be mouthy about it. That’s not a quality that’s widely accepted elsewhere, but it is at SpaceX.” And, if that sounded harsh, so be it. As Shotwell saw it, the commercial space race was coming down to SpaceX and China and that’s it. And in the bigger picture, the race was on to ensure man’s survival. “If you hate people and think human extinction is okay, then fuck it,” Shotwell said. “Don’t go to space. If you think it is worth humans doing some risk management and finding a second place to go live, then you should be focused on this issue and willing to spend some money. I am pretty sure we will be selected by NASA to drop landers and rovers off on Mars. Then the first SpaceX mission will be to drop off a bunch of supplies, so that once people get there, there will be places to live and food to eat and stuff for them to do.
Ashlee Vance (Elon Musk: Inventing the Future)
Herzog nodded. Once more he was being lectured. And he didn’t really mind it. That he needed straightening out was only too obvious. And who had more right than a woman who gave him asylum, shrimp, wine, music, flowers, sympathy, gave him room, so to speak, in her soul, and finally the embrace of her body? We must help one another. In this irrational world, where mercy, compassion, heart (even if a little fringed with self-interest), all rare things—hard-won in many human battles fought by rare minorities, victories whose results should never be taken for granted, for they were seldom reliable in anyone—rare things, were often debunked, renounced, repudiated by every generation of skeptics. Reason itself, logic, urged you to kneel and give thanks for every small sign of true kindness. The music played. Surrounded by summer flowers and articles of beauty, even luxury, under the soft green lamp, Ramona spoke to him earnestly—he looked affectionately at her warm face, its ripe color. Beyond, hot New York; an illuminated night which did not need the power of the moon. The Oriental rug and its flowing designs held out the hope that great perplexities might be resolved. He held Ramona’s soft cool arm in his fingers. His shirt was open on his chest. He was smiling, nodding a little as he listened to her. Much of what she said was perfectly right. She was a clever woman and, even better, a dear woman. She had a good heart. And she had on black lace underpants. He knew she did.
Saul Bellow (Herzog)
As entrepreneurs, product managers, developers, and designers, we love to spend our time coming up with cool new feature ideas and designing great user experiences. However, those items sit at the top two levels of the pyramid of user needs. First and foremost, the product needs to be available when the user wants to use it. After that, the product's response time needs to be fast enough to be deemed adequate. The next tier pertains to the product's quality: Does it work as it is supposed to? We then arrive at the feature set tier, which deals with functionality. At the top, we have user experience (UX) design, which governs how easy—and hopefully how enjoyable—your product is to use. As with Maslow's hierarchy, lower-level needs have to be met before higher-level needs matter.
Dan Olsen (The Lean Product Playbook: How to Innovate with Minimum Viable Products and Rapid Customer Feedback)
First the low-rent artists would move in, full of piss and vinegar and resentment and the delusion that they could change the world. Then the startup designers and graphics companies, hoping a sheen of grubby cool would rub off on them. After that would come the questionable gene-peddler storefronts and the fashion pimps and pseudo galleries and latest-thing restaurant openings, with molecular-mix fusion involving dry ice and labmeat and quorn, and daring little garnishes of dwindling species: starling’s tongue pâté had been a fad of late, in such places. The Starburst owners were most likely a bunch of guys who’d cashed in via some superCorp and wanted to fool around in real estate. Once the starling’s tongue pâté phase had kicked in, they’d knock down the decaying unit rentals and erect a whole batch of new limited-shelf-life upmarket condos. But
Margaret Atwood (MaddAddam (MaddAddam, #3))
Jess pushed herself up to sit next to him. "In case you didn't get the memo, it' s my turn to take care of you right now." Ike dropped his face into his hands on a groan, and Jess's cool hand massages his neck. "Oh, my God. You're so hot." He chuffed out a small laugh. "Why, thank you." Jess Chuckled. "You realize you don't have to fish for compliments, right? Not from me. Because I will straight-up tell you that the sight of your Ravens tat stretched over all these muscles gives me a lady boner." Her fingers traced the design across his shoulder blades - a spread-winged raven perches on the hilt of a dagger sunk into the eye socket of a skull. The block letters of the club's name arched over the menacing black bird. He threw her some major side-eye. "I know I'm sick because the perverted part of my brain just heard you say my ink gives you a lady boner.
Laura Kaye (Hard as Steel (Hard Ink, #4.5; Raven Riders, #0.5))
The nymph blinked out and reappeared directly in front of me. Impressive. Even I couldn’t track its movement. “You’re making a huge mistake.” Gods. Some nights just couldn’t get any worse. “My entire existence is a mistake, so you’re going to have to get a little more detailed about what exact mistake you’re talking about.” The nymph’s all-white eyes crackled little bolts of light. “Staying away from her won’t save her.” Well, I was immediately proven wrong. Tonight was officially getting worse. “And it won’t save you either,” the nymph added. I barked out a harsh laugh. “There is no saving me. I know what the end game is.” “There is no such thing as finality,” he replied, leaning in so when he spoke next, his cool breath moved over my jaw. “All prophecies are designed to be rewritten. No fate, no matter what is sacrificed or bargained, is final.” He paused. “All the pieces are never shared.
Jennifer L. Armentrout (The Power (Titan, #2))
A meltdown is when the core components (fuel, cladding, control rods etc.) of a reactor get so hot that they melt together and become a kind of radioactive magma. This can burn down through a containment vessel and potentially through the concrete foundations of the reactor building. If the molten core were to breach all containment and burn down to the water table in the earth below, there was a chance of triggering a colossal steam explosion, with results much the same as an explosion in the pressure suppression pool. Interestingly, modern Russian reactors have a safety feature designed specifically to deal with this eventuality: a solid pool of metallic alloy lying beneath the reactor. If a melting core breaches its containment vessel, the pool catches it and liquefies, creating currents that swirl the molten core against water-cooled steel walls to prevent it from burning through the foundations.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
To make matters worse, Unit 4 was at the end of a fuel cycle. One of the features of the RBMK design is ‘online refuelling’, which is the ability to swap out spent fuel while the reactor is at power. Because fuel burn-up is not even throughout the core, it was not uncommon for the reactor to contain both new and old fuel, which was usually replaced every two years. On April 26th, around 75% of the fuel was nearing the end of its cycle.95 This old fuel had, by now, been given time to accumulate hot and highly radioactive fission products, meaning any interruption in the flow of cooling water could quickly damage the older fuel channels and generate heat faster than the reactor was designed to cope with. Unit 4 was scheduled for a lengthy shutdown and annual maintenance period upon conclusion of the test, during which all of the old fuel would be replaced. It would have been far more sensible to conduct the test with fresh fuel, but management decided to push ahead anyway.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.
Veronica Roth (Allegiant (Divergent, #3))
Akimov didn’t understand what was happening either. He, like the other poor operators in the control room, was unaware of a devastating fatal flaw in the reactor’s design. While around 5 meters of each control rod was composed of the neutron-absorbing element boron to halt the reaction, the ends of each rod were made of graphite - the same reaction-increasing moderator as was used throughout the core of the RBMK. Between the graphite and boron was a long hollow section. The purpose of the graphite tips was to displace cooling water (which is also a moderator, albeit weaker than graphite) in the rod’s path, thus increasing the boron’s dampening effect on the fuel.119 The moment all those graphite tips began to move inside the reactor, there was a surge in positive reactivity in the lower half of the core, resulting in a huge increase in heat and steam production. This heat fractured part of the fuel assembly, distorting the control rod channels and preventing their smooth travel through the core. When a control rod is fully inserted, the tip extends below the core, but now over 200 were lodged in the centre.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
The Netherlands capital of Amsterdam amsterdam cruise is a thriving metropolis and one from the world's popular cities. If you are planning a trip to the metropolis, but are unclear about what you should do presently there, why not possess a little fun and spend time learning about how it's stereotypically known for? How come they put on clogs? When was the wind mill first utilised there? In addition, be sure to include all your feels on your journey and taste the phenomenal cheeses along with smell the stunning tulips. It's really recommended that you stay in a city motel, Amsterdam is quite spread out and residing in hotels close to the city-centre allows for the easiest access to public transportation. Beyond the clichés So that you can know precisely why a stereotype exists it usually is important to discover its source. Clogs: The Dutch have already been wearing solid wood shoes, as well as "Klompen" as they are referred to, for approximately 700 years. They were originally made out of a timber sole along with a leather top or band tacked for the wood. Nevertheless, the shoes had been eventually created completely from wood to safeguard the whole base. Wooden shoe wearers state the shoes are usually warm during the cold months and cool during the warm months. The first guild associated with clog designers dates back to a number exceeding 1570 in Holland. When making blockages, both shoes of a set must be created from the same kind of timber, even the same side of a tree, in order that the wood will certainly shrink in the same charge. While most blocks today are produced by equipment, a few shoemakers are left and they normally set up store in vacationer areas near any city hotel. Amsterdam also offers a clog-making museum, Klompenmakerij De Zaanse Schans, that highlights your shoe's history and significance. Windmills: The first windmills have been demonstrated to have existed in Netherlands from about the year 1200. Today, there are eight leftover windmills in the capital. The most effective to visit is De Gooyer, which has been built in 1725 over the Nieuwevaart Canal. Their location in the east involving city's downtown area signifies it is readily available from any metropolis hotel. Amsterdam enjoys its beer and it actually has a brewery right on the doorstep to the wind generator. So if you are enjoying a historic site it's also possible to enjoy a scrumptious ice-cold beer - what more would you ask for? Mozerella: It's impossible to vacation to Amsterdam without sampling several of its wonderful cheeses. In accordance with the locals, probably the most flavourful cheeses are available at the Wegewijs Emporium. With over 50 international cheese and A hundred domestic parmesan cheesse, you will surely have a wide-variety to pick from.
Step Into the Stereotypes of Amsterdam
Using graphite as a moderator can be highly dangerous, as it means that the nuclear reaction will continue - or even increase - in the absence of cooling water or the presence of steam pockets (called ‘voids’). This is known as a positive void coefficient and its presence in a reactor is indicative of very poor design. Graphite moderated reactors were used in the USA in the 1950s for research and plutonium production, but the Americans soon realised their safety disadvantages. Almost all western nuclear plants now use either Pressurised Water Reactors (PWRs) or Boiling Water Reactors (BWRs), which both use water as a moderator and coolant. In these designs, the water that is pumped into the reactor as coolant is the same water that is enabling the chain reaction as a moderator. Thus, if the water supply is stopped, fission will cease because the chain reaction cannot be sustained; a much safer design. Few commercial reactor designs still use a graphite moderator. Other than the RBMK and its derivative, the EGP-6, Britain’s Advanced Gas-Cooled Reactor (AGR) design is the only other graphite-moderated reactor in current use. The AGR will soon be joined by a new type of experimental reactor at China’s Shidao Bay Nuclear Power Plant, which is currently under construction. The plant will house two graphite-moderated ‘High Temperature Reactor-Pebble-bed Modules’ reactors, the first of which is undergoing commissioning tests as of mid-2019.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Anyway, if my lips were rose petals they’d taste too bitter. If my cheeks were apples they’d crawl with apple worms. If my eyes were stars they’d be dead by the time you saw them. If I moved you like the moon I’d disappear once a month. If my teeth were Chiclets you’d want to chew on them and spit them out. If my hands were birds you couldn’t hold them; they’d peck you bloody. Is my skin alabaster? Then it’s cold and hard and one day someone will skin me, make me into a cold hard box tinged with pink or yellow, to hold unguents, then how will you love me? If my vagina is a cool, dark forest you’ll certainly be lost, you have no sense of direction. If my vagina is a cave-watch out! It’s prone to seismic shifts and avalanche. If my vagina is a river of honey: orange, lavender, fine herbs, hazelnut, all too sweet. If my ears are shells I can’t hear you, only the ocean anyway. And if my voice is music, it is unintelligible. Don’t say anything. I am not a flower, but a body with rules and predictable, cellular qualities. My eyelashes and fingernails and skin and spit are organized by proteins designed to erode at a pre-encoded date and time, no matter what you do or do not do to me- I am remarkably like an animal. More like a heifer than a sunrise, I want to bite, stroke, swallow you so stop lying there trying to think of something to say and trying to understand me. I am the body next to but unlike yours. You already know me. You already know what I’m made of.
Rachel Zucker
The next room was a great round ballroom. Its walls were arrayed in gold-painted moldings; its floor was a swirling mosaic of blue and gold; its dome was painted with the loves of all the gods, a vast tangle of plump limbs and writhing fabric. The air was cool, still, and hugely silent. My footsteps were only a soft tap-tap-tap, but they echoed through the room. After that came what seemed like a hundred more rooms and hallways. In every one, the air was different: hot or cold, fresh or stuffy, smelling of rosemary, incense, pomegranates, old paper, pickled fish, cedarwood. None of the rooms frightened me like the first hallway. But sometimes--especially when sunlight glowed through a window--I thought I heard the faint laughter. Finally, at the end of a long hallway with a cherrywood wainscot and lace-hung windows between the doors, we came to my room. I could see why the Gentle Lord called it the "bridal suite": the walls were papered with a silver pattern of hearts and doves, and most of the room was taken up by a huge canopied bed, more than big enough for two. The four posts were shaped like four maidens, coiffed and dressed in gauzy robes that clung to their bodies, their faces serene. They were exactly like the caryatids holding up the porch of a temple. The bed curtains were great falls of white lace, woven through with crimson ribbons. A vase of roses sat on the bedside table. Their red petals had blossomed wide to expose their gold centers, and their musk wove through the air. It was a bed that had been built for pleasure, just like my dress, and as I stared at it I felt hot and cold at once.
Rosamund Hodge (Cruel Beauty)
Cannabinoids relax the rules of cortical crowd control, but 300 micrograms of d-lysergic acid diethylamide break them completely. This is a clean sweep. This is the Renaissance after the Dark Ages. Dopamine—the fuel of desire—is only one of four major neuro modulators. Each of the neuromodulators fuels brain operations in its own particular way. But all four of them share two properties. First, they get released and used up all over the brain, not at specific locales. Second, each is produced by one specialized organ, a brain part designed to manufacture that one potent chemical (see Figure 3). Instead of watering the flowers one by one, neuromodulator release is like a sprinkler system. That’s why neuromodulators initiate changes that are global, not local. Dopamine fuels attraction, focus, approach, and especially wanting and doing. Norepinephrine fuels perceptual alertness, arousal, excitement, and attention to sensory detail. Acetylcholine energizes all mental operations, consciousness, and thought itself. But the final neuromodulator, serotonin, is more complicated in its action. Serotonin does a lot of different things in a lot of different places, because there are many kinds of serotonin receptors, and they inhabit a great variety of neural nooks, staking out an intricate network. One of serotonin’s most important jobs is to regulate information flow throughout the brain by inhibiting the firing of neurons in many places. And it’s the serotonin system that gets dynamited by LSD. Serotonin dampens, it paces, it soothes. It raises the threshold of neurons to the voltage changes induced by glutamate. Remember glutamate? That’s the main excitatory neurotransmitter that carries information from synapse to synapse throughout the brain. Serotonin cools this excitation, putting off the next axonal burst, making the receptive neuron less sensitive to the messages it receives from other neurons. Slow down! Take it easy! Don’t get carried away by every little molecule of glutamate. Serotonin soothes neurons that might otherwise fire too often, too quickly. If you want to know how it feels to get a serotonin boost, ask a depressive several days into antidepressant therapy. Paxil, Zoloft, Prozac, and all their cousins leave more serotonin in the synapses, hanging around, waiting to help out when the brain becomes too active. Which is most of the time if you feel the world is dark and threatening. Extra serotonin makes the thinking process more relaxed—a nice change for depressives, who get a chance to wallow in relative normality.
Marc Lewis (Memoirs of an Addicted Brain: A Neuroscientist Examines his Former Life on Drugs)
ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,
Kelly Bryson (Don't Be Nice, Be Real)
you'll wonder again, later, why so many psychologists remain so vocal about having more and better training than anyone else in the field when every psychologist you've ever met but one will also have lacked these identification skills entirely when it seems nearly every psychologist you meet has no real ability to detect deception. You will wonder, later, why the assessment training appears to have been reserved for the CIA and the FBI is it because we as a society don't want to imagine that any other professionals will need the skills? And what about attorneys? What about training programs for guardian ad litems or anyone involved in approving care for all the already traumatized and marginalized children? You'll have met enough of those children after they grow up to know that when a small girl experiences repeated rapes in a series of households throughout her childhood, then that little girl is pretty likely to have some sort of "dysfunction" when she grows up. And you won't have any tolerance for the people who point their fingers at her and demand that she be as capable as they are it is, after all, a free country. We all get the same opportunities. You'll want to scream at all those equality people that you can't ignore the rights of this nation's children you can't ignore them and then get pissed when any raped and beaten little girls and boys grow up to be traumatized and perhaps hurtful or addicted adults. No more pointing fingers only a few random traumatized people stand up later as some miraculous example of perfectly acceptable societal success and if every judgmental person imagines that I would be like that I would be the one to break through the barriers then all those judgmental people need to go back in time and prove it, prove to everyone that life is a choice and we all get equal chances. You'll want anyone who talks about equal chances to go back and be born addicted to drugs in complete poverty and then to be dropped into a foster system that's designed for good but exploited by people who lack a conscience by people who rape and molest and whip and beat tiny little six year olds and then you will want all those people to come out of all that still talking about equal chances and their personal tremendous success. Thank you, dear God, for writing my name on the palm of your hand. You will be angry and yet you still won't understand the concept of evil. You'll learn enough to know that it's not politically correct to call anyone evil, especially when many terrible acts might actually stem from a physiological deficit I would never use the word evil, it's not professional but you will certainly come to understand that many of the very worst crimes are committed by people who lack the capacity to feel remorse for what they've done on any level. But when you gain that understanding, you still will not have learned that these individuals are more likable than most people that they aren't cool and distant that they aren't just a select few creepy murderers or high-profile con artists you won't know how to look for a lack of conscience in noncriminal and quite normal looking populations no clinical professors will have warned you about people who exude charm and talk excessively about protecting the family or protecting the community or protecting our way of life and you won't know that these types would ever stick around to raise kids you will have falsely believed that if they can't form real attachments, they won't bother with raising children and besides most of them will end up in prison you will not know that your assumptions are completely erroneous you won't understand that many who lack a conscience keep their kids close and tight for their own purposes.
H.G. Beverly (The Other Side of Charm: Your Memoir)
Have they all bought Kindles? I have one, and I use it most nights. I always imagine the books staring and whispering, Traitor! -- but come on, I have a lot of free first chapters to get through. My Kindle is a hand-me-down from my dad, one of the original models, a slanted, asymmetrical plate with a tiny gray screen and a bed of angled keys. It looks like a prop from 2001: A Space Odyssey. There are newer Kindles with bigger screens and subtler industrial design, but this one is like Penumbra's postcards: so uncool it's cool again.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Cool Merchandise You Can Get from a Scary House Manufacturer Watching your employees working as team for your business is always a very satisfying feeling. If you are horror house owner, you can watch your employees working together and feel the same satisfaction. There is always a true relationship between employee and employer. Dress code plays a great role in binding your employees together and with your business as well. You can ask your scary house manufacturer to provide you some personalized merchandise that your employees will relish to have. Most of the horror house merchandises are personalized therefore you have option to design it of your own. To encourage your employees, you can seek their suggestion for designing of the logo, style or design for various merchandises. Merchandise You Can Get for Your Horror House There are few items which each of your employees will surely like and we are including only those merchandises in this list, Employee’s Identity cards – When you have setup a business, all your employee should look like working in a group and not like individuals. You can ask for employee’s identity card from your scary house manufacturer and hold your employee as a team. T-Shits with company logo – Design your company logo. If possible take inputs of employees in designing and creating logo. Print it on a plain t-shirt and it becomes a brand identity of your company. There are some other cool things that not only show the brand identity of scary house manufacturer but are very helpful for their horror house operations. These include Tyvek Tickets, Queue Manager, personalized display stands, etc. horrorhouse.in
Peter Capaldi
Love MINECRAFT? **Over 18,000 words of kid-friendly fun!** This high-quality fan fiction fantasy diary book is for kids, teens, and nerdy grown-ups who love to read epic stories about their favorite game! Meet the Skull Kids. They're three Minecraft players who hop from world to world, hunting zombies and searching for the elusive Herobrine--the ghost in the machine. Teleporting down into a new world, the group is surprised to find that the game has changed once again, rendering almost ALL of their technology and mods useless. And when two of the Skull Kids are starving and distracted by exploring a desert village on Day 1 of their new adventure, the whole group is in danger when the sun goes down. Will the Skull Kids survive? Thank you to all of you who are buying and reading my books and helping me grow as a writer. I put many hours into writing and preparing this for you. I love Minecraft, and writing about it is almost as much fun as playing it. It’s because of you, reader, that I’m able to keep writing these books for you and others to enjoy. This book is dedicated to you. Enjoy!! After you read this book, please take a minute to leave a simple review. I really appreciate the feedback from my readers, and love to read your reactions to my stories, good or bad. If you ever want to see your name/handle featured in one of my stories, leave a review and tell me about it in there! And if you ever want to ask me any questions, or tell me your idea for a cool Minecraft story, you can email me at steve@skeletonsteve.com. Are you on my Amazing Reader List? Find out at the end of the book! June 29th, 2016 Now I’m going to try something a little different. Tell me what you guys think! This ‘Players Series’ is going to be a continuing series of books following my new characters, the players Renzor51, Molly, and quantum_steve. Make sure to let me know if you like it or not! Would you still like to see more books about mobs? More books about Cth’ka the Creeper King? I’m planning on continuing that one. ;) Don’t forget to review, and please say hi and tell me your ideas! Thanks, Ryan Gallagher, for the ideas to continue the wolf pack book! Enjoy the story. P.S. - Have you joined the Skeleton Steve Club and my Mailing List?? You found one of my diaries!! This particular book is the continuing story of some Minecraft players—a trio of friends who leap from world to world, searching for the elusive Herobrine. They’re zombie hunters and planeswalkers. They call themselves “The Skull Kids”. Every time these Skull Kids hop into a new world, they start with nothing more than the clothes they’re wearing, and they end up dominating the realm where they decide to live. What you are about to read is the first collection of diary entries from Renzor51, the player and member of the Skull Kids who documents their adventures, from the day they landed on Diamodia and carved out their own little empire, and beyond. Be warned—this is an epic book! You’re going to care about these characters. You’ll be scared for them, feel good for them, and feel bad for them! It’s my hope that you’ll be sucked up into the story, and the adventure and danger will be so intense, you’ll forget we started this journey with a video game! With that, future readers, I present to you the tale of the Skull Kids, Book 1. The Skull Kids Ka-tet Renzor51 Renzor51 is the warrior-scribe of the group, and always documents the party’s adventures and excursions into game worlds. He’s a sneaky fighter, and often takes the role of a sniper, but can go head to head with the Skull Kids’ enemies when needed. A natural artist, Renzor51 tends to design and build many of the group’s fortresses and structures, and keeps things organized. He also focuses a lot on weapon-smithing and enchanting, always seeking out ways to improve his gear. Molly
Skeleton Steve (Diary of a Zombie Hunter Player Team - The Skull Kids, Book 1 (Diary of a Zombie Hunter Player Team - The Skull Kids, #1))
Electrical signals require electrons, which generate heat, which limits the amount of work a chip can perform and requires a lot of power for cooling. Light has neither limitation. If IBM’s estimations are correct, over the next eight years, its new chip design will accelerate supercomputer performance a thousandfold, taking us from our current 2.6 petaflops to an exaflop (that’s 10 to the 18th, or a quintillion operations per second)—or one hundred times faster than the human brain.
Peter H. Diamandis (Abundance: The Future is Better Than You Think)
The walls were painted a robin's-egg blue. Antique wood-and-glass display cases had mottled milk chocolate-brown marble countertops. Antique iron-and-glass stands would make the future little cakes (under their glass domes) pop up and down on the counter like jaunty hats. From the top of the left wall of the bakery, Gavin had hung a canvas curtain and arranged a display area in front of it. Both the curtain and display would change each month- as would, of course, the colors and flavors we showcased. The idea was to sell not only cakes, but also cake stands, serving pieces, plates, paper napkins, and other goodies, so once your little cakes got home, they'd look as good as they did in my bakery. One-stop shopping. On the right, Gavin had arranged a seating area with dark bentwood chairs and cafe tables. It looked like a tea salon in Paris. I sighed with delight. But I wanted to see where I would spend most of my time. The work and storage areas were screened off in the back, although I would have been happy to show off my two Vulcan convection-ovens-on-wheels and the big stainless steel worktable with the cool marble slab at one end for chocolate work. The calm milk-chocolate plaster walls, stainless steel, and white marble made the workspace look like a shrine to the cake baker's art.
Judith M. Fertig (The Cake Therapist)
Italians stand up a lot at bars,” I comment, taking the glass of water Luca’s pushing toward me. It’s fizzy, with ice and lime in it, and I drink it very gratefully. He smiles. I notice that one corner of his mouth lifts higher than the other when he does so, in a little quirk that sets off his handsomeness precisely because of its irregularity. “Italians like to show off their clothes,” he says. “They like clothes that are signed.” He hits his brow theatrically with one hand. “Firmati,” he says. “That is how we say ‘designer.’ They like designer clothes. If you stand up, people see them better.” Ha! I bet every single piece of clothing Elisa was wearing today is designer. “But your style, it’s very English,” Luca observes, and he reaches across the table to snag his index finger under the big strands of fake pearls around my neck, lifting them for a moment, then letting them fall back to my collarbone again. For a split second, his finger touches my skin, and he might as well have brushed me with a lit match. “Very…” He snaps his fingers, searching for the word. “Eccentrica,” he says finally. “Oh God!” My face drops. “It’s that bad?” “Cosa?” He looks confused. “Bad?” “In English, ‘eccentric’ is sort of like ‘mad,’” I explain. “If you’re really posh, especially. You could be a raving loony who eats bats for breakfast, and as long as you have a title, they’d call you eccentric and think it was charming.” Luca, clearly, hasn’t understood all of this. But he’s thrown his head back and is laughing so hard that I see people beyond us turning to look in curiosity. He looks absolutely gorgeous when he laughs, his mouth curving up, tiny lines creasing around his eyes; his usual cool demeanor is wiped away, and he looks younger, sweeter, much more approachable.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Whole-home heat recovery systems... extract stale, moist air from any room with water use, such as bathrooms and kitchens, then extract the warmth from it to preheat the fresh air being brought back in. The fresh air is run through filters before being pumped into all living spaces in the home. It can also be used to help cool a home during warmer months. This type of system is expensive and requires good duct runs, but is very effective.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
IDEO is one of the world’s most respected design firms—the creator of everything from those fat-handled toothbrushes for kids to Apple Computer’s first mouse to the Palm V. How do they do it? The secret would make an MBA squirm: Empathy. In the IDEO universe, great design doesn’t begin with a cool drawing or a nifty gadget. It begins with a deep and empathic understanding of people.
Daniel H. Pink (A Whole New Mind: Why Right-Brainers Will Rule the Future)
Specifications for the new fighter had been very clear—two liquid-cooled engines and a speed of 367 miles per hour. We advised the Air Corps that our design would fly faster than 400 miles per hour, a speed unequaled then. Lockheed received a contract for such a plane in 1937, with construction of the first beginning in July 1938. First flight of the XP-38—X for experimental, P for pursuit—was scheduled for early 1939.
Clarence L. Johnson (Kelly: More Than My Share of It All)
My vision is this: when any building is created, it emerges in response to the unique climate, ecology, culture, and community of its specific location. The structure becomes a story of that place, and it embraces the same natural breezes and sunshine to heat, cool, and light the space that have been used to make buildings comfortable for centuries, even millennia. When any existing building is renovated, it reintroduces daylight and natural ventilation and opens up to the outside... Already a combination of very high efficiency and passive solar can maintain comfortable indoor temperatures with outdoor temperatures as low as 45 degrees. BUILDINGS DESIGNED FOR LIFE by Amanda Sturgeon
Ayana Elizabeth Johnson (All We Can Save: Truth, Courage, and Solutions for the Climate Crisis)
Best Season for Hair Removal has Arrived! Here at Ulike, we love to nerd out over every hair removal detail. Our team of experts explores the science behind smooth and beautiful skin, so you can focus on the results! According to the study, starting IPL during the "Anagen phase" (also known as Fall by normal people) is the best time to break your hair’s growth cycle for longer-lasting effects. Meanwhile, the clothing we wear during fall can cover our skin from deadly UV light to get a better result. Therefore, start your IPL treatment now, and shine like a million dollars in summer. Can I Achieve Permanent Effect At Home? Yes, you can! People want to solve the hair removal issue once and for all. And this is what Ulike's IPL hair removal can do. With many years of experience developing home-use IPL devices, Ulike's IPL hair removal handset is capable of producing 19.8J of high energy (energy density 6J/cm²) to bring better and faster permanent results within 4-6 weeks. Ulike's product adapts clinical-grade sapphire ice-touch technology that can effectively lower the epidermal temperature of the effective area to 50°F~104°F while emitting high-energy light simultaneously, effectively avoiding burning and pain during use. In comparison, most hair removal devices on the market light window reached temperatures of 158°F~212°F during use, hence having a sense of burning. Will it Cost More? No! It Only Cost Less! Compared with Ulike at-home hair removal and clinic hair removal, both methods can achieve permanent hair removal, and both adapted sapphire Ice-Cooling technology. BUT, The Ulike IPL hair remover can provide you with more privacy and sanitation with only 2.5% cost of doing hair removal in a clinic. Ulike Sapphire AIR White IPL Hair Removal Handset at the price of $309 Main Features: Painless hair removal by Sapphire Ice-Cooling technology Savings more than $10k expense than hair removal at a beauty salon Salon-Grade hair removal in the comfort of your own home Safety and hygiene are guaranteed with no skin damage Easy to sensitize with its flat window design Treat all body parts' hair with five intensity levels 284grams ultra-light compact design for travel convenience
Hair Removal
The easiest way to describe how to harness the galvanizing power of why is with a tool I call the belief statement. For example, most of Apple’s product launches in recent years feature slick videos with commentary from Apple designers, engineers, and executives. These videos, while camouflaged as beautiful product showcases, are actually packed with statements not about what the products do but about the design thinking behind them: in essence, the tightly held beliefs with which Apple’s design team operates. We believe our users should be at the center of everything we do. We believe that a piece of technology should be as beautiful as it is functional. We believe that making devices thinner and lighter but more powerful requires innovative problem solving. Belief statements like these are so compelling for two reasons. First, the right corporate or organizational beliefs have the ability to resonate with our personal belief systems and feelings, and move us to action. In fact, the 2018 Edelman Earned Brand study revealed that nearly two out of three people are now belief-driven buyers.4 And as we saw in our discussion of buyers’ emotional motivators in chapter 3, this works even if the beliefs stated are aspirational. For example, if my vision for my future self is someone who weighs a few pounds less and is in better physical shape, a well-timed ad from a health club or fancy kitchen blender evangelizing the benefits of a healthy lifestyle may be enough to rapidly convert me. In the case of Apple, the same phenomenon results in mobs of smitten consumers arriving at stores in droves, braving long lines and paying premium prices, as if to say, “Yes! I do believe I should be at the center of everything you do! Technology should be beautiful! Thinner? Lighter? More powerful? Of course! We share the same vision! We’re both cool!” (Although these actual words are rarely spoken aloud.) The second reason belief statements are so compelling is because they help us manifest the conviction and emotion critical to delivering our message in an authentic way.
David Priemer (Sell the Way You Buy: A Modern Approach To Sales That Actually Works (Even On You!))
Cool white bulbs (4000K or more) are bright and stimulating; warm white (around 3000K) is welcoming; a candle is around 1900K.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
As an outsider looking in, an x-ray of the Michaels family would look something like this: Cassidy Michaels-Harrington: Oldest child, snob, interior designer, mother of two hellions I loved dearly, and married to an attorney who, if possible, was an even bigger snob. Tyson Michaels: The baby, snob, finishing the last year of his plastic surgery residency and apparently re-engaged to an orthopedic surgeon who was not a snob, but in a lot of ways, he was by association because he put up with, and often encouraged, my brother’s behavior. And then there was me, Bowen Michaels: blissfully normal accountant, stuck in the middle, wondering how in the hell my cool-ass parents had given birth to me and the co-mayors of Snobville.
Aly Martinez (The Difference Between Somebody and Someone (The Difference Trilogy Book 1))
Jarod Lanier - a veteran Silicon Valley engineer - told me he used to be a consultant for loads of dystopian Hollywood movies, like Minority Report, but he had to stop because he kept designing ever-more frightening technologies to warn people of what was coming - and designers kept responding by saying that's so cool; how do we make that?
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
There used to be something a little more authentic about the lack of amenities,” he said. “That’s probably true.” “Now it feels more like the Cape or the Hamptons. Or other towns in Maine. I guess that’s the way it always happens. Visitors go to the Midcoast because they think they want something rustic and industrial—the way life should be and all that—but really what they want is rustic and industrial plus one good coffee shop, and if they’re staying for longer than a weekend, then they want all that plus two good coffee shops, because the first one gets boring after a while—” “It really does.” “I understand. But then the tourists also want a T-shirt shop that sells gifts to bring home for the in-laws, and then a designer boutique because they weren’t expecting it to get so cool at night and because they’ve talked themselves into spending more money than they’d budgeted for just because they’re on vacation and because it’d be nice to find a knit sweater that matches exactly with their notion of what a well-heeled mariner on the Maine coast might wear on exactly such an evening, and so the town tries to provide all these services until, before you know it, it’s made enough concessions, on behalf of convenience and some imagined version of the town that only exists in brochures—to eventually, not that anyone’s really noticed, because it takes place over years or decades—trade ‘authenticity’ for what feels more like an airbrushed portrait of itself. A caricature. Buildings shaped like factories but containing everything someone from out of town thinks they don’t want but do want, or thinks they do want but don’t want.
Adam White (The Midcoast)
If someone grows up poor, in a family that struggles to make ends meet, that person might view wealth in a fantastical, idealistic way. If asked to design a logo for a financial institution, they might opt for a representation of money that matches those idealistic feelings, such as… gold, extravagant, glitzy, big! Conversely, if a person grows up well-off, where having lots of money is normal, then their design might be quieter and more corporate. The latter is more universally accepted as “good” design in most classrooms and design spaces. When thinking of how often a student is asked to design something and make it look “expensive,” or “cool” or “trendy,” it becomes clear how the cultural interpretation of those words will affect the fonts, colors, and symbols used to express those concepts.
Kaleena Sales
Now it feels more like the Cape or the Hamptons. Or other towns in Maine. I guess that’s the way it always happens. Visitors go to the Midcoast because they think they want something rustic and industrial—the way life should be and all that—but really what they want is rustic and industrial plus one good coffee shop, and if they’re staying for longer than a weekend, then they want all that plus two good coffee shops, because the first one gets boring after a while—” “It really does.” “I understand. But then the tourists also want a T-shirt shop that sells gifts to bring home for the in-laws, and then a designer boutique because they weren’t expecting it to get so cool at night and because they’ve talked themselves into spending more money than they’d budgeted for just because they’re on vacation and because it’d be nice to find a knit sweater that matches exactly with their notion of what a well-heeled mariner on the Maine coast might wear on exactly such an evening, and so the town tries to provide all these services until, before you know it, it’s made enough concessions, on behalf of convenience and some imagined version of the town that only exists in brochures—to eventually, not that anyone’s really noticed, because it takes place over years or decades—trade ‘authenticity’ for what feels more like an airbrushed portrait of itself. A caricature. Buildings shaped like factories but containing everything someone from out of town thinks they don’t want but do want, or thinks they do want but don’t want.” “So Damariscotta should have stayed in its lane,” I said. I meant it as a joke, but Chip seemed to take it seriously. “You know, it probably should have,” he said.
Adam White (The Midcoast)
For operant conditioning rewards, there are only a few categories we will find practical: (l) Food value in calories or other inputs; (2) Flavor, texture, and aroma acting as stimuli to consumption under neural reprogramming of man through Darwinian natural selection; (3) Stimulus, as by sugar or caffeine; (4) Cooling effect when man is too hot or warming effect when man is too cool. Wanting a lollapalooza result, we will naturally include rewards in all the categories. To start out, it is easy to decide to design our beverage for consumption cold. There is much less opportunity, without ingesting beverage, to counteract excessive heat compared with excessive cold.Moreover, with excessive heat, much liquid must be consumed, and the reverse is not true.
Peter D. Kaufman (Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger, Expanded Third Edition)
Masstige, the blend of mass and prestige, is now cool. It’s been called the democratization of fashion, which is true in a sense—it’s great that the work of talented designers is able to reach a larger audience, and that customers are able to buy into that dream at affordable prices. Still, the overwhelming enthusiasm for masstige reminds me of the concept of “poptimism,” usually applied to music criticism. Once, only “authentic,” non-manufactured songs were considered worthy of critical discourse. Now, there’s an enthusiasm for top 40 hits, which is a welcome turn of events, but sometimes overshoots the mark and becomes a blanket endorsement of anything popular. More fashion, even if it’s more affordable and widely available, isn’t always an unqualified win for democracy.
Véronique Hyland (Dress Code: Unlocking Fashion from the New Look to Millennial Pink)
In fact, it wasn’t even designed to help anyone at all, at least not the way we normally think of “help.” It was just a plain old entrepreneurial development, called television.
Steven D. Levitt (SuperFreakonomics: Global Cooling, Patriotic Prostitutes And Why Suicide Bombers Should Buy Life Insurance)
If a lot of people are suffering because of a few people, why didn’t the majority do something about it a long time ago? Why’d everyone let it get so bad?” “If you drop a lobster in a pot of boiling water,” Zyrha tells him, “it’ll thrash around for its life.” “Wouldn’t we all?” Darrion smirks. “If you drop the lobster in a pot of cool water and slowly raise the temperature, it’ll die without a struggle. It’ll get used to the incremental increases until it’s too late to know it’s dead. You asked how we got here. The temperature had been rising in the Old States for a long time. People were dying left and right without a struggle. A few leaders had control over everything: money, power, the military, health care, schools, utilities, transportation, laws, courts, and the media. They had everything. Everything except the one thing every person in power needs.” “What’s that?” Darrion asks through a strained quiver. “An enemy.” “An enemy,” he repeats. “The question became which one. There were so many to choose from.” Zyrha claps her hands and gives a sarcastic laugh. “Black people. Brown people. Asians. Mexicans. Arabs. Women. The biracial. The multiracial. Old people. Young people. Short people. The overweight, the underweight, the sick, the helpless, the homeless, the unemployed. The asexual, the bisexual, the homosexual, the transgendered. People with special needs. The neurodivergent. Pot-smokers. Immigrants. Socialists. Communists. Atheists. Jews. Muslims. Intellectuals. Influencers. Athletes. Academics. Writers. Pacifists. Celebrities.” Zyrha pauses to draw in a long breath. “They were all contrived of course. They were invented enemies designed to occupy the amygdala—that’s the brain’s fear center—so the prefrontal cortex—the part of the brain responsible for rational thought and good decision-making—wouldn’t take over. Anyway, there’d been a lot of manufactured enemies, and, frankly, they’d been done to death.
K.A. Riley (Endgame (The Amnesty Games #3))
And soon I was getting involved in one of the most amazing projects. Someone asked me to help design the digital part of the first hotel movie system, which was based on the very earliest VCRs. No one had VCRs then, of course. I was thinking, Oh my god! This is going to be incredible—designing movies for hotels! I couldn’t get over it. Their formula was this. They’d line up about six VCRs. Then they had a method of sending special TV channels to everybody’s room. They could play the movies on those channels. There was a filter in each room to block those channels. But the hotel clerk in the lobby could send a signal to unlock the filter in a particular room. Then the guest could watch the movie they ordered on their TV. Someone in the VCR room had to literally start the movie, but this was still a really cool system.
Steve Wozniak (iWoz: Computer Geek to Cult Icon)
They had extemporized a verse made up of two insults about matters over which the victim had no control: the color of her skin and speculations on the sleeping habits of an adult, widely fitting in its incoherence. That they themselves were black, or that their own father had similarly relaxed habits was irrelevant. It was their contempt for their own blackness that gave the first insult its teeth. They seem to have taken all of their smoothly cultivated ignorance, their exquisitely learned self-hatred, their elaborately designed hopelessness and sucked it all up into a fiery cone of scorn that had burned for ages in the hollows of their minds—cooled—and spilled over lips of outrage, consuming whatever was in its path. They danced a macabre ballet around the victim, whom, for their own sake, they were prepared to sacrifice to the flaming pit.
Toni Morrison (The Bluest Eye)
Neither the old lifeless legalism of ‘believe and behave,’ nor the cool, funky, hipper versions of a more open-minded conformation can produce the inner change that advances the Kingdom of God an inch.
Jeff Christopherson (The Kingdom Matrix: Designing a Church for the Kingdom of God)
There is something about playing with dice—the cool anticipation as they roll around in your hand and the fearful hope as you watch your fate tumble across the table.
Michael Matera (Explore Like a Pirate: Engage, Enrich, and Elevate Your Learners with Gamification and Game-inspired Course Design)
It might be smart, cool, and cutting edge -- but does it work the first time, easily?
Adam Judge (The Little Black Book of Design)
Here’s hoping NASCAR officials and teams decide to do some new and cool things rather than the old and slow things. I hope NASCAR gets kids everywhere excited about innovating in automotive design, so that we can go farther on less fuel or even no fuel—just electrons—so that car exhaust is cleaner or nonexistent, so that we can reduce greenhouse-gas emissions and make a better planet for all of us,
Bill Nye (Unstoppable: Harnessing Science to Change the World)
Harvard economist Theodore Levitt was the first authority to write about what he called the total product.2 A total product has four dimensions that marketers, executives, and support people need to understand if they want customers to appreciate the value of what they are selling:   1.Generic What your product is — software, a suitcase, etc. 2.Expected The essential features and benefits the product must provide, e.g., a refrigerator has to cool food. 3.Value-Added Features and benefits that exceed customer expectations. 4.Potential Future enhancements to value based on what customers want. Levitt’s thinking was daring but limited because it focused on features and benefits but not the overall customer experience. Then in 1999, Geoffrey A. Moore took Levitt’s ideas to the next logical level with his book, Crossing the Chasm. According to Moore, the way to create a “whole” product is to think through both your customer’s problems and solutions. It’s not enough to address the core product — you have to think about everything needed to get your customer from consideration to an imperative to buy. This can be everything from the installation of the product to training to procedural standards to integrations, whether they are provided by your company or achieved using partners.3 “The product is the complete experience and the relationship you and the customer share.” Moore moved beyond features and benefits — bigger iPhones with higher camera resolution — to something else: Being the solution to customers’ problems. Doing that requires more than visionary engineers and brilliant designers. It means getting to know your customers, learning what they care about, and learning to care about them. That’s why Moore is the grandfather of the CPE.
Brian de Haaff (Lovability: How to Build a Business That People Love and Be Happy Doing It)
Design isn’t just about iPods and cool products; it’s about improving people’s lives and making things clear and accessible. Design, at its most fundamental level, is about finding solutions.
Garr Reynolds (Presentation Zen Design: Simple Design Principles and Techniques to Enhance Your Presentations (Voices That Matter))
My first cool quote
Rustam Vahidov (Design-Type Research in Information Systems: Findings and Practices)
Shiya chipped in, "Wonderful! Our cultural attaché to Paris will make arrangements with the fashion houses, informing them that we'll be attending. They will also provide us with a list of designer ateliers. I'll organize everything immediately.” "Fabulous!” I kept my cool, acting as if designer shows in Paris were an ordinary item on my agenda. I was screaming with happiness on the inside.
Young (Initiation (A Harem Boy's Saga Book 1))
Design doesn’t just work for creating cool stuff like computers and Ferraris; it works in creating a cool life. You can use design thinking to create a life that is meaningful, joyful, and fulfilling. It doesn’t matter who you are or were, what you do or did for a living, how young or how old you are—you can use the same thinking that created the most amazing technology, products, and spaces to design your career and your life.
Bill Burnett (Designing Your Life: How to Build a Well-Lived, Joyful Life)
Zimmerman spent more than a decade designing portable cryogenic systems, including an ingenious Stirling-cycle refrigerator no bigger than a bicycle pump. Made largely of plastic, it could still cool a niobium SQUID to 8.5 K.
Anonymous
Basecamp was basically just trying to be one step above email. And by setting such a humble goal, we had to make a lot of decisions about how simple we could make things. We tried to make less software from the very beginning. It's one of the mantras we have. It's a win whenever we can get away with just a simple model, since we have to do less programming. I was the only programmer and I was dedicating 10 hours a week to this, while we were developing it. 37signals was paying me to do this out of its consultancy revenue, since we didn't have funds to fund it. So we had only a quarter of a programmer dedicated to the development and no funds really for doing this. The designers were giving it a third of their time at most. And we realized through this process that those constraints—which sound negative—were actually the greatest gift to the development of Basecamp. That whole constrained development model really focused our view on what we needed, and it forced us to make tough decisions about making less software all the time. And we keep getting feedback from customers that say, "I love this, it's just so simple to use. It's got just the features I need and not all the other stuff." There wasn't time for us to say, "Wouldn't it be cool to do this and that?
Jessica Livingston (Founders at Work: Stories of Startups' Early Days)