Cool Collaborator Quotes

You will have noticed that I didn’t give this story a pat conclusion, and that’s deliberate. Katherine (my wife and frequent coauthor, K. A. Applegate) and I were among the earliest authors to encounter fan fiction via the internet. We’ve embraced it from the start. And some part of me hopes that fanfic writers will carry this story forward. Don’t ask me what happens to these characters next, because I don’t know. Will Dekka find love, perhaps with Simone? Will Cruz and Armo? How will Sam and Astrid do in this terrifying extension of earlier trauma? Maybe you have some ideas. I built the sandbox; if you want to bring your pails and shovels and play in it, cool. It’s one of the best things about writing for young people: you are my collaborators in imagination. If I leave blanks it’s because I know you’ll fill them.

None of my other friends actually hung out with their parents, especially not at a fucking jazz club in downtown DC, so it made me think she was intrinsically cool and this was another way of strengthening our bond.

Borges: 'Nazism suffers from unreality, like Erigena's hells. It is uninhabitable; men can only die for it, lie for it, kill and wound for it. No one, in the intimate depths of his being, can wish it to triumph. I shall hazard this conjecture: Hitler wants to be defeated. Hitler is collaborating blindly with the inevitable armies that will annihilate him ...' This applies word for word to global, comfortable, imperial civilization. In the central solitude of those very people who profit by it, it is unliveable. And all are secretly won over to the forces that will destroy it.

The New Groupthink did not arise at one precise moment. Cooperative learning, corporate teamwork, and open office plans emerged at different times and for different reasons. But the mighty force that pulled these trends together was the rise of the World Wide Web, which lent both cool and gravitas to the idea of collaboration.

You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?" "Because we can't handle this on our own. At least I don't think we can." "You said yourself you already have some Prodigium working with you. Why not go to them?" "We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me." Most girls got flowers. I got a dirt put used for demon raising. Nice. "Thanks," I replied. "But don't you want in on this?" He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said. Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo. And even though I'm a twisty and complicated girl, I knew what my answer had to be. "It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue. Not that I could say any of that. Archer's face was blank as he said, "Cool. Got it." "Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers. Still, I was not prepared for the nightmares climbing out of the crater.

A kid born today would grow up in a world where carbon-silicate lace was as common as titanium or glass. That it was a collaboration between humanity and the ghosts of a massive and alien intelligence would go right by them. Holden was one of the lucky generation who would straddle that break point, that seam between before and after that Naomi and Amos and Ip were making literal right now, and so he could be amazed by how cool it was.

course, among the interesting things about Edison is that he did not invent either the light bulb or the motion picture camera. In both cases, Edison worked with collaborators to build upon existing inventions, which is one of the human superpowers. What’s most interesting to me about humanity is not what our individual members do, but the kinds of systems we build and maintain together. The light bulb is cool and everything, but what’s really cool is the electrical grid used to power it. But who wants to hear a story about slow progress made through iterative change over many decades? Well, you, hopefully.

Over the next month or two, I worked with the team to create a list of the words that came up over and over again when critics and other musicians talked about Miles: Cool Endless Reinvention Inspired Forward Moving Fresh Collaborative Spontaneous Vibrant Adventurous Light Innovative

Halfway through the day, Megan started dicking around on the internet. She made her browser window as small as she could, paused for a second, and then looked up “Carrie Wilkins.” She found Carrie’s website, and on it, this bio: Hi, my name’s Carrie. I’m 26. I make things. I paint and I write, but mostly I design. I like to make things beautiful, or creative. I make my own food and I’m trying to grow my own beets. A lot of people around me seem unhappy and I don’t understand why. I freelance because I know I’d go insane if I couldn’t make my own schedule—I believe variety is the zest of life. I know I want a dog someday soon, and sometimes I make lunch at 3 a.m. I believe in the power of collaboration, and I’d love to work with you! What a total asshole. What does she have, some kind of a pact with Satan? The picture next to Carrie’s bio had some kind of heavy filter on it that made it look vintage, and she had a friendly but aloof look on her face. She was flanked on both sides by plants and was wearing an oxford shirt with fancy shorts and had a cool necklace. It was an outfit, for sure, like all of Carrie’s clothes were outfits, which Megan always thought of as outdated or something only children did. The website linked to a blog, which was mostly photos of Carrie doing different things. It didn’t take too long to find the picture of her with the llama with a caption about how she and her boss got it from a homeless guy. And then just products. Pictures and pictures of products, and then little captions about how the products inspired her. Motherfucker, thought Megan. She doesn’t get it at all. It was like looking at an ad for deodorant or laundry soap that made you feel smelly and like you’d been doing something wrong that the person in the ad had already figured out, but since it was an ad, there was no real way to smell the person and judge for yourself whether or not the person stank, and that was what she hated, hated, hated most of all. I make things, gee-wow. You think you’re an artist? Do you really thing this blog is a representation of art, that great universalizer? That great transmigrator? This isolating schlock that makes me feel like I have to buy into you and your formula for happiness? Work as a freelance designer, grow beets, travel, have lots of people who like you, and above all have funsies! “Everything okay?” asked Jillian. “Yeah, what?” “Breathing kind of heavy over there, just making sure you were okay and everything.” “Oh, uh-huh, I’m fine,” said Megan. “It’s not . . . something I’m doing, is it?” “What? No. No, I’m fine,” said Megan. How could someone not understand that other people could be unhappy? What kind of callous, horrible bullshit was that to say to a bunch of twenty-yearolds, particularly, when this was the time in life when things were even more acutely painful than they were in high school, that nightmare fuck, because now there were actual stakes and everyone was coming to grips with the fact that they’re going to die and that life might be empty and unrewarding. Why even bring it up? Why even make it part of your mini-bio?

If you “get” that last sentence, you’ll probably feel as I do right now as I write: we live in between two impending dangers, both real, both potential threats to our existence. To our left, we face the frightening gradual accumulation of environmental and social consequences of ecological overshoot. To our right, we face the more sudden social consequences of having our terror management strategies fail, plunging us and our neighbors into our most reactive, most neurotic, and least rational behaviors right at a time when we need cool heads and a collaborative spirit.

heart, it’s driven by a deep human desire for collaboration and a deep human desire for recognition and affirmation of work well done—not financial reward. It is amazing how much value you can create with the words “Hey, what you added is really cool. Nice job. Way to go!” Millions of hours of free labor are being unlocked by tapping into people’s innate desires to innovate, share, and be recognized for it.

In the summer of 2009, a heat wave across France led to a shortage in cooling waters, forcing one-third of the nuclear power plants in the country to shut down.

Several of her students were engrossed in their work, but when she asked one of them, a PhD student named David Merrill, to give me a quick demo of his project, he readily agreed. Merrill walked us over to a three-foot-wide mockup of a supermarket shelf stocked with cartons of butter, Egg Beaters, and cereal, and he happily slipped on a Bluetooth-enabled ring he had been tinkering with when we interrupted him. He pointed directly at a box of cereal, and a light on the shelf directly below it glowed red. This meant, he told us, that the food didn’t fit the nutritional profile that he had programmed into the device. Perhaps it contained nuts or not enough fiber. He told me that there were a lot of “really cool technologies” making this happen—an infrared transmitter/receiver mounted on the ring, a transponder on the shelf with which it communicated, and a Bluetooth connection to a smart phone that could access the wearer’s profile in real time, to name a few. It was easy to see how this “augmented reality interface,” as Merrill called it, could change the experience of in-store shopping in truly a profound way. But what really impressed me during this visit was the close working relationship he clearly enjoyed with Maes. He called her “Pattie,” and my impression was that they engaged in give-and-take like true collaborators and colleagues.

On smack, I was cool and confident, so collaborating was easy.

The Marriage of Figaro debuted first in Vienna in 1786 to great success (Mozart was becoming accustomed to such a reaction, no doubt), but it received an even more fevered positive reaction when it toured to Prague later the same year. Jumping off such a successful collaboration, Mozart and Da Ponte immediately set to work on their second collaboration, Don Giovanni, and produced it in Prague in 1787. It was also well received by critics and the public alike, but the public reaction cooled when it opened in Vienna in 1788.

These risks need to be approached with cool heads and robust, independent data. These risks require global collaboration and global resourcing. These risks should approached through baby steps and constant evaluation, not through drastic actions These risks should be respected by all activists, in all causes. These risks are too big for us to cry wolf.

Today, parenting is more about collaboration and mutual understanding between parents and their kids.

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