Controversial Funny Quotes

It's not blind people who are blind - It's those racist arseholes who see a colour with their eyes wide open, then have a fucking problem with it

It's funny that we think of libraries as quiet demure places where we are shushed by dusty, bun-balancing, bespectacled women. The truth is libraries are raucous clubhouses for free speech, controversy and community. Librarians have stood up to the Patriot Act, sat down with noisy toddlers and reached out to illiterate adults. Libraries can never be shushed.

In other news, Aang dominates on “Are You Smarter Than the Fire Nation”. Bella Swan becomes engaged to her boyfriend of one year, Edward Cullen, and unceremoniously sends Jacob Black to the “friend zone”. Pop star Candy Cane trades her controversial career for being a housewife (which was a move that is very unpopular with many of her young fans), and Jacquel Rassenworth is still the Internet’s biggest fame-nut (cue APPLAUSE).

She thought of the revelations she held cradled against her chest, of how they could potentially serve up more discord, more upset and controversy. Would she be doing this society any good by revealing her new knowledge? “I . . .” She swallowed hard. “I’m sorry. I didn’t mean to disturb you. Really, it’s nothing that can’t wait. Actually”—she stood up and extracted the scrolls from Noah’s hold—“all I wanted was, uh . . . help with some interpretation. But you are busy . . .” She rounded the peculiar triangular table as casually as she could while she spoke, even turning to back out of the room while giving them a bright smile that she hoped did not look as fake as it felt. “You know, there are lots of books down there, and I bet there’s a translation.” She reached up to smack her palm into her forehead, chiding herself for not thinking properly. Isabella reached for the door and closed it even faster than she had originally opened it. Noah looked over at Jacob, one dark brow lifting toward his thick hairline. “Does . . .?” He raised a hand to point to the door, looking utterly perplexed. “Does she have any idea what a lousy liar she is?” “Apparently not,” Jacob said with a long, low sigh. “I think that was my fault,” he speculated wryly. “Your fault?” “Yeah . . . it is . . . a long story. We better get her.” “Relax,” Noah chuckled. “She’s leaning against the other side of the door, trying to catch her breath. “I know. I just thought it would be funny if we opened it behind her.” “I never knew you actually enjoyed being cruel,” the King remarked, humor sparkling in his eyes as they both stepped up to the exit. Noah opened the door, and Jacob reached out to catch her, scrolls and all.

We agree to spend “Sunday dinner” in hygge. We all promise to help one another as a team in creating a cozy atmosphere where everyone feels safe and no one needs to have their guard up. We agree to try to . . . Turn off the phones and the iPads. Leave our drama at the door. There are other times to focus on our problems. Hygge is about creating a safe place to relax with others and leave the everyday stressors outside. Not complain unnecessarily. Look for ways to help out so that no one person gets stuck doing all the work. Light candles if we are inside. Make a conscious effort to enjoy the food and the drinks. Not bring up controversial topics like politics. Anything that creates a fight or an argument is not hyggeligt. We can have those discussions at other times. Tell and retell funny, lovely, and uplifting stories about one another from the past. Not brag too much. Bragging can be subtly divisive. Not compete (think “we” not “me”). Not talk badly about others or focus on negativity. Play games that the whole group can participate in. Make a conscious effort to feel gratitude for the people around us who love us.

Women do make mistakes. They give birth to men.

Over the years, that trust proved difficult to sustain. In particular, the fault line of race strained it mightily. Accepting that African Americans and other minority groups might need extra help from the government—that their specific hardships could be traced to a brutal history of discrimination rather than immutable characteristics or individual choices—required a level of empathy, of fellow feeling, that many white voters found difficult to muster. Historically, programs designed to help racial minorities, from “forty acres and a mule” to affirmative action, were met with open hostility. Even universal programs that enjoyed broad support—like public education or public sector employment—had a funny way of becoming controversial once Black and brown people were included as beneficiaries.

It was a civics lesson which cities across the northern tier of the country would all learn in similar fashion. Dzink and his Polish supporters had, in good American fashion, convinced their elected representatives of the justice of their cause, only to have the federal government countermand their efforts with a combination of black intelligence operations directed against American citizens and overwhelming military force. The government’s actions in the Sojourner Truth case would also establish a precedent in both housing and racial matters for the post-war period. Whenever blacks claimed discrimination, they could be sure of the federal government’s concern. Whenever the Catholic ethnics would claim that their neighborhoods were being targeted for destruction, they were written off as racists suffering from paranoid delusion. No matter how much clout the ethnics could muster locally, it could always be countered by some judge, appealing to higher moral principles. The same was true of Poles in Detroit, where “vested powers might have considered Polish Detroiters and neighborhood brokers expendable.” One year later when the worst race riot in the history of the country broke out in Detroit, the Poles again were blamed, but with the experience of Sojourner Truth behind them, Detroit’s residents were skeptical. “After the street battles of 1943,” Capeci writes, “Conant Gardens residents remembered ‘something funny’ about the 1942 housing controversy, something phoney that seemed to come from outside the neighborhood.” Residents of Chicago would soon notice the same thing.

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. I mentioned I’d been in contact with her mother. “Oh crikey, that sounds dangerous!” “She’s a feisty woman, isn’t she?” William giggled. “Granny’s great fun after a few gin and tonics.” “Sh, William,” Diana said, giggling too. “My mother’s been a tremendous source of support to me. She never talks publicly; she’s just there for me.” “And what about William’s other granny?” “I have enormous respect for the Queen; she has been so supportive, you know. People don’t see that side of her, but I do all the time. She’s an amazing person.” “Has she been good over the divorce?” “Yes, very. I just want it over now so I can get on with my life. I’m worried about the attacks I will get afterward.” “What attacks?” “I just worry that people will try and knock me down once I am out on my own.” This seemed unduly paranoid. People adored her. I asked William how he was enjoying Eton. “Oh, it’s great, thanks.” “Do you think the press bother you much?” “Not the British press, actually. Though the European media can be quite annoying. They sit on the riverbank watching me rowing with their cameras, waiting for me to fall in! There are photographers everywhere if I go out. Normally loads of Japanese tourists taking pictures. All saying “Where’s Prince William?’ when I’m standing right next to them.” “How are the other boys with you?” “Very nice. Though a boy was expelled this week for taking ecstasy and snuff. Drugs are everywhere, and I think they’re stupid. I never get tempted.” “Does matron take any?” laughed Diana. “No, Mummy, it gives her hallucinations.” “What, like imagining you’re going to be king?” I said. They both giggled again. “Is it true you’ve got Pamela Anderson posters on your bedroom wall?” “No! And not Cindy Crawford, either. They did both come to tea at the palace, though, and were very nice.” William had been photographed the previous week at a party at the Hammersmith Palais, where he was mobbed by young girls. I asked him if he’d had fun. “Everyone in the press said I was snogging these girls, but I wasn’t,” he insisted. Diana laughed. “One said you stuck your tongue down her throat, William. Did you?” “No, I did not. Stop it, Mummy, please. It’s embarrassing.” He’d gone puce. It was a very funny exchange, with a flushed William finally insisting: “I won’t go to any more public parties; it was crazy. People wouldn’t leave me alone.” Diana laughed again. “All the girls love a nice prince.” I turned to more serious matters. “Do you think Charles will become king one day?” “I think he thinks he will,” replied Diana, “but I think he would be happier living in Tuscany or Provence, to be honest.” “And how are you these days--someone told me you’ve stopped seeing therapists?” “I have, yes. I stopped when I realized they needed more therapy than I did. I feel stronger now, but I am under so much pressure all the time. People don’t know what it’s like to be in the public eye, they really don’t.

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. William arrived at 1 p.m., age thirteen and a half, with braces on his teeth. Tall, shy, and clearly rather bemused to be here, he nodded, rather embarrassed, in my direction. “Hello, sir,” I said, totally unsure of what to call him. “Hello,” he replied, preferring not to call me anything. Jane Atkinson made up the four. We went through to a small but very pleasant little dining room to eat. William asked Diana if she’d seen the portrait of the Queen in yesterday’s papers. “Her hands looked like she’d been in the garden all day; they were all big and dirty,” he laughed. Diana giggled instinctively, then stopped herself. “William, please, don’t say that.” “Sorry, Mummy, but it’s true: Granny did look really funny.” Granny. How odd it sounded. “Can I have some wine, Mummy?” “No, William! Whatever are you thinking?” “But Mummy, I drink it all the time.” “Erm, no, you don’t actually, and, well, you can’t have any.” “Yes, I can,” he replied with a mischievous but determined grin. And he did. A small but interesting piece of power play to observe. William knew what he wanted, and Diana was a soft touch with her boys. Both facts seemed quite good news to me.

Don't you need to check on your mum, though? he asks Ali. "Nah, my brother or Holly are checking in on her tonight." Presumably she's on her own too, since Ali's father upped and offed to continental Europe. It's odd to think that we have something in common, Ali and I: we both grew up without a paternal presence. I reach for the photo of that immortalized dinner party that hasn't yet left the kitchen. "Is this your mum?" I'm pointing to a small but woman with a smile on her face who's standing next to Ali's dad. Even though I'm looking for similarities, I can't see how she turned into the shriveled old woman, with her spiteful pinched mouth, that I encoun tered in the hotel. curvy Ali takes it and squints slightly. "Aye. And my dad. Was that taken here, aye? God, she looks young then." There's a sadness around his eyes, and concern in Ben's as he looks at Ali. "Funny to think our parents all knew one another, and here we are, having a drink together," I muse. "That might be odd in London Town, but it's pretty much par for the course round here," says Ali, putting the photo down. "Very hard to escape the sins of our fathers when everybody around knows exactly what they were." He glances at me. "Shite. Sorry. Let's talk about some thing much less controversial. Like, erm, Scottish independence or something," he says, tongue in cheek.

The thing we don’t want to say is that our world today is based entirely on self. We sit on the throne of our own lives. It’s about self-expression, self-love and then somebody does something to you.That’s why this film has been controversial in a funny and unexpected way. What has been controversial, of course, is families loving their enemy. But when you understand Christ and understand that he paid an unpayable debt for you, and that before God, we all need forgiveness in a way that is just as severe as even a murderer. It gives you the resources to humble yourself before even your enemies and extend the same mercy that you’ve experienced in your own life. That’s something Christianity has done from the beginning in every justice initiative that has put us all on the same level. We can love anybody no matter what they’ve done, where they’ve from, what they look like, and the ground for the cross is flat. There’s this false idea that one day, we’re going to just all get along just because there’s some human ideal that we have. But we all know that, at least within the Christian context and the Judeo Christian belief, is that [is] impossible, apart from redemption. It changed human heart not just, they say, politics turns the bush, but the gospel cuts the root. With these families, you see people who have been changed and forgiven. Therefore, they have the ability to extend that. It was something that led me through the whole process. I feel like I made the whole movie from the place of no one, and I stand the need of that same mercy and grace.