“
I couldn't escape him, now or ever. He'd always be there, consuming my every thought, my heart locked in his hands. I was drawn to him by forces I couldn't control, let alone escape.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
And the spiders?"
"Still there."
"But?"
"But I can have spiders in my head as long as I don't let them consume me.
”
”
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
“
Hardin is like a drug; each time I take the tiniest bit of him, I crave more and more. He consumes my thoughts and invades my dreams.
”
”
Anna Todd (After (After, #1))
“
This isn't a crush, it's obsession.You are never not in my thoughts. Your scent carries across a room and paralyzes me with longing. I don't want to hold your hand. Part of me wants to set you on fire and hold you while the flame consumes us both, to eat your heart so I know that only I possess it entirely.
”
”
Gwen Hayes (Falling Under (Falling Under, #1))
“
Being born a woman is my awful tragedy. From the moment I was conceived I was doomed to sprout breasts and ovaries rather than penis and scrotum; to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars--to be a part of a scene, anonymous, listening, recording--all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I have a theory. Hating someone feels disturbingly similar to being in love with them. I've had a lot of time to compare love and hate, and these are my observations.
Love and hate are visceral. Your stomach twists at the thought of that person. The heart in your chest beats heavy and bright, nearly visible through your flesh and clothes. Your appetite and sleep are schredded. Every interaction spikes your blood with adrenaline, and you're in the brink of fight or flight. Your body is barely under your control. You're consumed, and it scares you.
Both love and hate are mirror versions of the same game - and you háve to win. Why? Your heart and your ego. Trust me, I should know.
”
”
Sally Thorne (The Hating Game)
“
You have no idea what you do to me. I've felt things for you these past few months that don't seem healthy. I've wanted you so desperately I'm afraid it may not be natural. You consume my thoughts, Sophie... You've arrested my senses and I can't seem to get enough of you. That's what scares me. I'm so deep there's no getting out for me. You own me, you know?
”
”
Fisher Amelie
“
I’ve read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we needed to survive. From Darcy to Heathcliff, I thought they were fools. That love was something fictional, only found in worn pages of a book. That it was just made up to keep humans full of hope, that it was a lie. But all that changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and led me out of the darkness and showed me that, whatever our souls are made of, hers and mine are the same.
I’m sorry, please forgive me.
You once asked me who I loved most in this world.
It’s you.
— Hardin ( Movie- "After" - Hardin's letter to Tessa )
”
”
Anna Todd
“
So fierce is the passion that burns within my heart ,a raging forest fire,unstoppable and consuming.
”
”
Michael Faudet
“
I always watch you. You consume my every thought.
”
”
M.A. Stacie (Unwritten Rules)
“
You have consumed my thoughts since the moment I met you,” he said to her. “I feel now, in your presence, entirely strange. I think I might fetch you the moon if only to spare your tears again.
”
”
Tahereh Mafi (This Woven Kingdom (This Woven Kingdom, #1))
“
I've read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we need to survive. From Darcy to Heathcliff I tought they were fools. That love was something fictional, only found in worn pages of a book. But all that has changed since I met my Elizabeth Bennet. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and lead me out of the darkness and showed me that, whatever our souls are made for hers and mine are the same. You once asked me who I loved most in this world, it's you.
”
”
Hardin Scott
“
You already consume my every waking thought. Must you consume my dreams as well?
”
”
Amber V. Nicole (The Book of Azrael (Gods & Monsters, #1))
“
This isn't over," I said. "After everything we've been through, you don't get the right to brush me off. I'm not letting you off that easily." I wasn't sure if it was a threat, my last stab at defiance, or irrational words spoken straight from my splintered heart.
"I want to protect you," Patch said quietly.
He stood so close. All strength and heat and silent power. I couldn't escape him, now or ever. He'd always be there, consuming my every thought, my heart locked in his hands. I was drawn to him by forces I couldn't control, let alone escape.
"But you didn't.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
But where was God now, with heaven full of astronauts, and the Lord overthrown? I miss God. I miss the company of someone utterly loyal. I still don't think of God as my betrayer. The servants of God, yes, but servants by their very nature betray. I miss God who was my friend. I don't even know if God exists, but I do know that if God is your emotional role model, very few human relationships will match up to it. I have an idea that one day it might be possible, I thought once it had become possible, and that glimpse has set me wandering, trying to find the balance between earth and sky. If the servants hadn't rushed in and parted us, I might have been disappointed, might have snatched off the white samite to find a bowl of soup.
As it is, I can't settle, I want someone who is fierce and will love me until death and know that love is as strong as death, and be on my side for ever and ever. I want someone who will destroy and be destroyed by me. There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name. Romantic love has been diluted into paperback form and has sold thousands and millions of copies. Somewhere it is still in the original, written on tablets of stone. I would cross seas and suffer sunstroke and give away all I have, but not for a man, because they want to be the destroyer and never the destroyed.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
Each crewman had their own laptop. So I have six at my disposal. Rather, I had six. I now have five. I thought a laptop would be fine outside. It’s just electronics, right? It’ll keep warm enough to operate in the short term, and it doesn’t need air for anything. It died instantly. The screen went black before I was out of the airlock. Turns out the “L” in “LCD” stands for “Liquid.” I guess it either froze or boiled off. Maybe I’ll post a consumer review. “Brought product to surface of Mars. It stopped working. 0/10.
”
”
Andy Weir (The Martian)
“
But if it is love, real love, then I want them to find each other. Because I believe that love is an overwhelming, all-consuming force, and when it's genuine you can't really ignore it. No matter how long it takes. It knocks down your door by force. It keeps you awake at night. It plagues your thoughts and burn your soul. If it is love, they won't need me at all. By telling my daughter that the man of her dreams loves her too, would I not be getting in the way? Meddling with fate?
”
”
Jessica Thompson (This is a Love Story)
“
It is the capacity to feel consuming grief and pain and despair that also allows me to embrace love and joy and beauty with my whole heart. I must let it all in.
”
”
Ännä White (Mended: Thoughts on Life, Love, and Leaps of Faith)
“
I got through breakfast and most of a meeting before thoughts of you consumed me. I told everyone I was sick and am now hiding in my room, writing to you, hoping this will make me feel like your home again.
-Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
Its culture: the fruit of its life, the product of its own efforts in thought and art. This culture is not international. It is the expression of the national genius, of the blood. The culture is international in its brilliance but national in origin. Someone made a fine comparison: bread and wheat may be internationally consumed, but they always bear the imprint of the soil from which they came.
”
”
Corneliu Zelea Codreanu (For My Legionaries (the Iron Guard))
“
I can't begin to describe how you've touched my heart. You've brought so much joy and happiness to my life. I never thought I would ever be able to love anyone as much as I do you. You've consumed my very being, completing my soul.
”
”
Trin Denise (Worth Dying For)
“
Are you going to go down on your knees and beg for your life, old one?"
Abbot Mortimer stared calmly into Cluny's savage eye. "I will never bend my knee on my own behalf. However, if I thought I could save the life of one of my friends I would gladly fall down on both knees. But I know you, Cluny, better than you know yourself. There is not a scrap of pity or mercy in your heart, only a burning desire for vengeance. Therefore, I will not kneel to one who is consumed by evil.
”
”
Brian Jacques (Redwall (Redwall, #1))
“
I ate and drank slowly as one should (cook fast, eat slowly) and without distractions such as (thank heavens) conversation or reading. Indeed eating is so pleasant one should even try to suppress thought. Of course reading and thinking are important but, my God, food is important too. How fortunate we are to be food-consuming animals. Every meal should be a treat and one ought to bless every day which brings with it a good digestion and the precious gift of hunger.
”
”
Iris Murdoch (The Sea, the Sea)
“
My mind was quickly consumed with thoughts of my girlfriend and all the good times we had had, like one of those cheesy montages ni eighties movies, when the angsty protagonist envisions himself and his ex holding hands on the beach, feeding a small puppy, getting into some kind of zany wrestling match with whipped cream. I interrupted my cliché memories by saying aloud: "Ugh, I'm feeling pretty low about this whole thing."
"You just gotta try to put it out of your head," he said, folding the paper halfway down to look at me.
"I know, it's just hard. I mean, I still have stuff at her place. What am I going to do about that? I still have a TV...," I said.
"Fuck the TV. Leave the TV. Cut your ties."
"It's a fifteen-hundred-dollar TV," I insisted.
"Go get that fucking TV.
”
”
Justin Halpern (Sh*t My Dad Says)
“
I'd never wanted to consume another body as rabidly as I did when he was inside me, but even like this, I could never seem to get close enough to the parts of him I wanted to feel. And it was with that thought in my mind that the delicious ratcheting tension along my skin and in my belly crystallized into an ache so heavy I slipped my legs off his shoulders, pulling all of his weight on top of me and pleading, "Please, please, please," over and over.
”
”
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
“
Then Olivia came back. She came back, dancing like a siren. I knew exactly what she was doing the night she came to my frat house and cocked her finger at me from the dance floor. If she hadn’t come to me, I would have gone to her. Forget all you know — I said to myself. This is the one you belong with. I don’t know how I knew that. Maybe our souls touched underneath that tree. Maybe I decided to love her. Maybe love wasn’t our choice. But when I looked at that woman, I saw myself differently. And it wasn’t in a good light. Not a thing would keep me from her. And that could make a person do things they never thought themselves capable of. What I felt for her scared the hell out of me. It was a consuming obsession.
In truth, I’d barely touched on the obsession. That was still coming.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
Daylight fades away as I watch you.
Darkness claims the sky and I wish you knew
that nothing you can do can keep me from you.
But I stay out of sight and only whisper to you.
Words I can’t say. Words you don’t need to hear.
Words I can’t keep from tangling my way.
Now, I can’t stand alone.
Now, I am under your influence.
You’ve taken over me and Now, I can’t ignore what I’ve been shown.
You’ve claimed me and I don’t care who knows.
You’ve claimed me and I don’t care if it shows.
I’m weakened and I’m strengthened in your arms.
You’ve claimed me and I need to feel you close.”
“You stand wanting more than you could ever understand.
I stand helpless needing to give in to your every command.
Wanting to see you smile has consumed me and tied both my hands.
Nothing I offer could ever be worthy of your love.
It’s a miracle that you saw me and never ran.
I will spend my whole life trying to be the man you think I am.
Now, I can’t stand alone. Now, I am under your influence.
You’ve taken over me and Now, I can’t ignore what I’ve been shown.
You’ve claimed me and I don’t care who knows.
You’ve claimed me and I don’t care if it shows.
I’m weakened and I’m strengthened in your arms.
You’ve claimed me and I need to feel you close.”
“You hold fire within your gaze.
It mesmerizes everyone you allow into your maze.
I know nothing of your thoughts
but I need to bask within the warmth of your rays.
Nothing you do could ever be wrong.
You’re forever perfect in every way.
Now, I can’t stand alone. Now, I am under your influence.
You’ve taken over me and Now, I can’t ignore what I’ve been shown.
You’ve claimed me and I don’t care who knows.
You’ve claimed me and I don’t care if it shows.
I’m weakened and I’m strengthened in your arms.
You’ve claimed me and I need to feel you close.”
~ Dank
”
”
Abbi Glines (Predestined (Existence, #2))
“
I lay down my need to understand why things happen the way they do. I lay down my fears about others walking away and taking their love with them. I lay down my desire to prove my worth. I lay down my resistance to fully trust Your thoughts, Your ways, and Your plans, Lord. I lay down being so self-consumed in an attempt to protect myself. I lay down my anger, unforgiveness, and stubborn ways that beg me to build walls when I sense hints of rejection. I lay all these things down with my broken boards and ask that Your holy fire consume them until they become weightless ashes. And as I walk away, my soul feels safe. Held. And truly free to finally be me.
”
”
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
“
I still didn't believe him. And for the moment, I didn't much care one way or the other. My whole mind had swung back to Simon.
”
”
Dodie Smith (I Capture the Castle)
“
Mine, I thought deliriously, as a shadow swept over us, like a cape had been thrown over the sky.
Mine, as my hands stroked up that strong back, velvety and warm, where every dip and line of muscle fit sweetly into my palms.
Mine, as the storm trembled in the air around us, and shook the earth beneath us.
“Mine,” I murmured, as blue eyes met mine, wide and startled. And then closed again as he took my breath in a kiss so consuming that I barely noticed when the storm continued on toward the horizon, the midnight wings showing vague starlight through in patches as it passed overhead.
As it missed us.
“Yours,” Louis-Cesare groaned
”
”
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
“
Just when I thought I had things under control, the reality of who I was smacked me squarely in the face. Being nuts was no fun let me tell you. I was a far cry from being the lovable eccentric. The wacky dude who mumbled to himself and wore his pants inside out. Nope, my kind of nuts was scary and consuming.
”
”
A. Meredith Walters (Light in the Shadows (Find You in the Dark, #2))
“
I awake consumed with thoughts of you. Your image and the memory of the intoxicating pleasures of last evening have left my senses in turmoil. Sweet, incomparable Josephine, what a strange effect you have on my heart.
”
”
John C. Kirkland (Love Letters of Great Men)
“
How dull would it be to consume my meat with only one variety of sauce? My body and spirit would whither, being fed on such limited fare. To sample the delights of a great many women is considered right and healthy for a man, yet the opposite is held true for those of our sex. Where we display undue interest in sexual matters, even within marriage, we are thought immoral. For myself, I can only conceive of such limitation with horror: a torture for which I have no taste.”
Mademoiselle Noire - The Gentlemen's Club
”
”
Emmanuelle de Maupassant (The Gentlemen's Club)
“
Reading all my old love letters was disorienting. You remember thinking the thoughts and writing the words but, man, you can't TOUCH those feelings. Its like they belonged to someone else. Someone you don't even know. I'm aware, in an intellectual way. That I felt all those things about him, but this emotions are far away now.
What's so strange to me is that I can't even force my heart back to that place where I felt that all consuming passion. That makes me feel distant from myself. Who WAS I then? Will I ever be able to get back to that place? Reading the letters again made me wonder: Which is the real me? The one who saw the world in that emotionally saturated way, or the me who sees it the way I do now?
”
”
Bill Shapiro (Other People's Love Letters: 150 Letters You Were Never Meant to See)
“
Comfort When I hit that wall, and I am going to hit it As I’m lying on the floor consumed by despair don’t try and pick me up don’t whisper words of comfort Don’t tell me it’s going to be ok Let me be in this moment where I think it’s not Lie beside me and let me find hope in the comfort of your presence Let me deal with my thoughts and fears I will eventually reprimand myself for indulging in such an emotion for so long I will want to get up and keep moving forward Until then, let me lie here and let the salt of my tears sting the wounds you can’t see Until I’m ready, let me be I have to heal myself
”
”
Samantha King (Born to Love, Cursed to Feel)
“
During the day I miss your laughter and your wit and your smiles and the sharpness of your mind. In the evenings I think more of your kisses, sighs, and understanding ways. Then some nights I lie awake consumed with thoughts of the day I can love you in every way. On nights like this, my hunger for you overwhelms me. I can dwell for hours on the taste of your mouth and the scent of your hair and the touch of your skin.
”
”
Erin Beaty (The Traitor's Ruin (The Traitor's Circle, #2))
“
He lay on top of me, buried deep, and fell asleep.
He slept all night like that, and I did not move him, did not want to. I gasped breath in and out and closed my eyes and thought that I would never forget this feeling, of him on me and in me, of him consuming my soul and letting me go.
He was too callous, too far gone to realize that I'd never be free of him, and all he'd really done was set me adrift.
I never left that bed.
That feeling of helpless abandonment and unendurable longing stayed inside of me, for hours, for minutes, for weeks.
For years.
I went through my life, through tragedy and pain, through hardship and life, and my heart, my very sould, stayed in that bed.
I felt broken after that last encounter.
Pieces of me had been shattered on that bed, important, essential pieces, and they would not, could not, ever find their way back together.
But I kept going. Life is cruel like that.
”
”
R.K. Lilley (Rock Bottom (Tristan & Danika, #2))
“
Imagine how differently you might approach each day by simply stating: God is good. God is good to me. God is good at being God. And today is yet another page in our great love story. Nothing that happens to you today will change that or even alter it in the slightest way. Lift your hands, heart, and soul, and receive that truth as you pray this prayer: My whole life I’ve searched for a love to satisfy the deepest longings within me to be known, treasured, and wholly accepted. When You created me, Lord, Your very first thought of me made Your heart explode with a love that set You in pursuit of me. Your love for me was so great that You, the God of the whole universe, went on a personal quest to woo me, adore me, and finally grab hold of me with the whisper, “I will never let you go.” Lord, I release my grip on all the things I was holding on to, preventing me from returning Your passionate embrace. I want nothing to hold me but You. So, with breathless wonder, I give You all my faith, all my hope, and all my love. I picture myself carrying the old, torn-out boards that inadequately propped me up and placing them in a pile. This pile contains other things I can remove from me now that my new intimacy-based identity is established. I lay down my need to understand why things happen the way they do. I lay down my fears about others walking away and taking their love with them. I lay down my desire to prove my worth. I lay down my resistance to fully trust Your thoughts, Your ways, and Your plans, Lord. I lay down being so self-consumed in an attempt to protect myself. I lay down my anger, unforgiveness, and stubborn ways that beg me to build walls when I sense hints of rejection. I lay all these things down with my broken boards and ask that Your holy fire consume them until they become weightless ashes. And as I walk away, my soul feels safe. Held. And truly free to finally be me.
”
”
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
“
You have consumed my thoughts since the moment I met you," he said to her. "I feel now, in your presence, entirely strange. I think I might fetch you the moon if only to spare your tears again.
”
”
Tahereh Mafi (This Woven Kingdom (This Woven Kingdom, #1))
“
Helen, don’t.”
“I thought it was only a misunderstanding. I thought if I spoke to you directly, everything would be s-sorted out, and—” Another sob choked her. She was so consumed by emotion that she was only vaguely aware of Rhys hovering around her, reaching for her and snatching his hands back.
“No. Don’t cry. For God’s sake, Helen—”
“I didn’t mean to push you away. I didn’t know what to do. How can I make you want me again?”
She expected a jeering reply, or perhaps even a pitying one. The last thing she expected was his shaken murmur.
“I do want you, cariad. I want you too damned much.”
She blinked at him through a bewildered blur, breathing in mortifying hiccups, like a child. In the next moment, he had hauled her firmly against him.
“Hush, now.” His voice dropped to a deeper octave, a brush of dark velvet against her ears. “Hush, bychan, little one, my dove. Nothing is worth your tears.”
“You are.
”
”
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
“
I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.”
Anna laughed. “How many names would you want to collect, then?”
Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply.
“I would only want one,” said Thomas.
Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind.
“Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.”
“Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.”
“It would be a very short novel, before we got hold of the blackguard and killed him,” said James.
There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not.
“What about you, Cordelia?” said Lucie.
“One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.”
Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Have you no—” He brushed his lips against mine and I forgot about my worries, just as he’d intended. The kiss started off tentative and sweet, a distraction and promise itself, but soon turned deeper and more urgent. I wound my arms around his neck, bringing him closer, getting lost in the rhythm of both the sea and our kiss. Even on the coldest night, he could ignite a fire within me. I worried that one day the blaze might consume me entirely.
Much too soon, he broke away. In times like this I thought he was right—we ought to announce our intentions and marry immediately. Then I might kiss him whenever I pleased.
”
”
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
“
Everything that I did, I thought of him. He had consumed me. He has crawled inside of me and become part of me, part of my day-to-day life. Even when he is not in my presence, he is part of everything that I do. He is in my mind. He has infected me.
I paint my nails and I hope. I hope that he praises me. I hope that he smiles. I hope that when he says what he says, whatever it may be, that he ends it with those two words.
Baby girl.
I am ruined.
”
”
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
“
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
I want to be worshipped. I want to be important in someone’s life. I want to be the person someone calls when they need advice or have big news . . . or just want to hear my voice. I want to be surprised with flowers at my apartment door. Whisked away to somewhere I’ve never been. Thought of nearly every second of every day because I consume someone’s thoughts. I want the real. The ugly. The pettiness that comes with relationships. The teasing. The arguments. The laughs. The love. The romance. I want it all.
”
”
Meghan Quinn (So Not Meant To Be (Cane Brothers, #2))
“
I stay out of sight and only whisper to you.
Words I can’t say. Words you don’t need to hear. Words I can’t keep from tangling my way.
Now, I can’t stand alone. I can’t ignore what I’ve been shown.
You’ve claimed me and I don’t care who knows. You’ve claimed me and I don’t care if it shows.
I’m weakened and I’m strengthened in your arms.
You’ve claimed me and I need to feel you close.
You stand wanting more than you could ever understand.
I stand helpless, needing to give in to your every command. Wanting to see you smile has consumed me and tied both my hands.
Nothing I offer could ever be worthy of your love.
It’s a miracle that you saw me and never ran.
I will spend my whole life trying to be the man you think I am.
Now, I can’t stand-alone. Now, I am under your influence. I can’t ignore what I’ve been shown.
You’ve claimed me and I don’t care who knows.
You’ve claimed me and I don’t care if it shows.
I’m weakened and I’m strengthened in your arms. You’ve claimed me and I need to feel you close.”
“You hold fire within your gaze.
It mesmerizes everyone you allow into your maze. I know nothing of your thoughts but I need to bask within the warmth of your rays. Nothing you do could ever be wrong. You’re forever perfect in every way.
Now, I can’t stand-alone. Now, I am under your influence.
You’ve taken over me and now, I can’t ignore what I’ve been shown. You’ve claimed me and I don’t care who knows. You’ve claimed me and I don’t care if it shows. I’m weakened and I’m strengthened in your arms.
You’ve claimed me and I need to feel you close.”
~ Dank Walker
”
”
Abbi Glines (Ceaseless (Existence, #3))
“
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds.
And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
”
”
Robert G. Ingersoll
“
There is not a moment but preys upon you,—and upon all around you, not a moment in which you do not yourself become a destroyer. The most innocent walk deprives of life thousands of poor insects: one step destroys the fabric of the industrious ant, and converts a little world into chaos. No: it is not the great and rare calamities of the world, the floods which sweep away whole villages, the earthquakes which swallow up our towns, that affect me. My heart is wasted by the thought of that destructive power which lies concealed in every part of universal nature. Nature has formed nothing that does not consume itself, and every object near it: so that, surrounded by earth and air, and all the active powers, I wander on my way with aching heart; and the universe is to me a fearful monster, for ever devouring its own offspring.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
You have consumed my every waking thought. You have wrecked every dream I’ve had,” he cursed against my lips, kissing along my jaw and neck next. “I am obsessed.
”
”
Kandi Steiner (Watch Your Mouth (Kings of the Ice, #2))
“
I thought I'd die of it, but I didn't die. You can learn to eat violence. There is pleasure in not resisting. I dedicated myself to teaching my bully just how much a person can consume.
”
”
Sarah Manguso (Very Cold People)
“
I know that our efforts all come to nothing. I know the end of us all is nothing, I know that at the end of Time, the reward of our toil will be nothing— and again nothing. I know that all our handiwork will be destroyed. I know that not even ash will be left from the fires that consume us. I know that our ideals, even those we achieve, will vanish in the eternal darkness of oblivion and final non-being. There is no hope, none, in my heart. No promise, none, can I make to myself and to others. No recompense can I expect for my labors. No fruit will be born of my thoughts. The Future—eternal seducer of all men, eternal cause of all effects—offers me nothing but the blank prospect of annihilation.
”
”
Giovanni Papini (Un uomo finito)
“
And here am I, she thought, fixed in the religious life like a candle on a spike. I consume, I burn away, always lighting the same corner, always beleaguered by the same shadows; and in the end I shall burn out and another candle will be fixed in my stead.
”
”
Sylvia Townsend Warner (The Corner That Held Them)
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
When I write, I hold nothing back. I write like he’ll never read it. Because he never will. Every secret thought, every careful observation, everything I’ve saved up inside me, I put it all in the letter. When I’m done, I seal it, I address it, and then I put it in my teal hatbox. They’re not love letters in the strictest sense of the word. My letters are for when I don’t want to be in love anymore. They’re for good-bye. Because after I write my letter, I’m no longer consumed by my all-consuming love. I can eat my cereal and not wonder if he likes bananas over his Cheerios too; I can sing along to love songs and not be singing them to him. If love is like a possession, maybe my letters are like my exorcisms. My letters set me free. Or at least they’re supposed to.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
As she entered the room, she halted abruptly. "Oh, my," she murmured. Somehow she'd managed to forget there were three men in her home, so
consumed had she been with thoughts of Grimm. They gathered near the fire, while several maids cleared dozens
of platters and dishes from the massive table centered in the Greathall. Yesterday, safe behind the balustrade, Jillian had been struck by how tall and broad the three of them were. Today, standing only a few feet from them, she felt like a dwarf willow in a forest of mighty oaks. Each man stood at least a foot taller than she did. It was downright intimidating to a woman who was not easily intimidated.
”
”
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
“
Why has the thought of death been such a refuge to me? Because it's better, easier, than understanding all the ways I've fucked up, all the ways it's entirely my fault. Because I'm the charred remains of a girl who went too far, who burned too brightly until she was consumed.
”
”
Tori Bovalino (My Throat an Open Grave)
“
If I ever stood a chance of resisting her, it evaporates the instant she leans into me. So does every last ounce of finesse that I’m normally capable of. The kiss that should’ve started out slow starts out like a forest fire. The first taste of her tongue consumes me.
And I’m lost.
And I’m lost.
My hands are in her hair and my mouth is devouring hers. I give no thought to where I am or the girlfriend whose father I work for. I can’t think past how badly I want to be inside the tight, hot body of the girl in my arms.
But why? Why do I want her so bad?
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
Why are you with me, Sheriff?” She held her breath, the world around us disappearing as those green eyes searched mine.
“Because when you’re in the room, I can’t seem to focus on another person. Because you consume my thoughts, day and night. Because your smile makes my whole damn day.” I bent low, speaking so only she could hear me. “Because I don’t care if your name is Jade Morgan or Lucy Ross as long as at the end of the day, you’re mine.
”
”
Willa Nash (The Bribe (Calamity Montana, #1))
“
It was an alarming thought that these false selves should still have me in their power, and in my bewilderment I began wondering whether any such thing as my real self could be said to exist at all. Like a sudden revelation, then, it became clear to me that the self was always changing, always developing, only capable of evolving fully through the integration of all past semblances. I wouldn’t be my true self till I accepted and learned to know all those selves I’d disowned and deserted...As if this were something I could do consciously, there and then, the last of my inertia vanished, consumed by an ardent desire for identification with the essential ‘I’ – until this had been achieved I’d always be as I was now, wandering like a stranger, lost, frightened and confused, among the changes and contradictions of my own personality.
”
”
Anna Kavan (Guilty)
“
Instead, he uttered another complaint. “You’re allowing a dusty old book to control your destiny!” A book controlling me? Heat shot to my temples. I shifted in my saddle to face him fully. “Understand this, Your Majesty, there’s been a lot of effort to control my life, but it hasn’t come from books! Look a little further back! A kingdom that betrothed me to an unknown prince controlled my destiny. A Komizar who commandeered my voice controlled my destiny. And a young king who would force protection on me thought he would control my destiny. Make no mistake about it, Rafe. I am choosing my destiny now—not a book, nor a man or a kingdom. If my goals and heart coincide with something in an old dusty book, so be it. I choose to serve this goal, just as you are free to choose yours!” I lowered my voice and added with cold certainty, “I promise you, King Jaxon, if Morrighan falls, Dalbreck will be next, and then every other kingdom on the continent until the Komizar has consumed them all.
”
”
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
“
If you’ve never felt it, how do you know?” I close my eyes. I’ve got too many words and not enough ways to order them. How do I know? Because saying it aloud is as easy as breathing. Because even the mention of her name lights my skin on fire. Because she’s my first thought in the morning, and my last at night.
”
”
Somme Sketcher (Sinners Consumed (Sinners Anonymous, #3))
“
When Bryn said that, uttered out loud the thing that to my never-ending shame I sometimes felt, I’d fallen in love with her a little bit. And I’d thought that was enough. That this implicit understanding and those first stirrings would bloom until my feelings for Bryn were as consuming as my love for Mia had once been.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
She was like a fire, and despite the danger that I could see, I ran straight toward it and plunged into the flames without a second thought. My mind tricked me into thinking that the dangerous heat was comforting and secure.
I could feel the heat singe my skin. I was lost in its beauty and danger, completely consumed by the flames.
”
”
J.C. Böhme (His Savior (Butterflies and Death, #1))
“
I see things in windows and I say to myself that I want them. I want them because I want to belong. I want to be liked by more people, I want to be held in higher regard than others. I want to feel valued, so I say to myself to watch certain shows. I watch certain shows on the television so I can participate in dialogues and conversations and debates with people who want the same things I want. I want to dress a certain way so certain groups of people are forced to be attracted to me. I want to do my hair a certain way with certain styling products and particular combs and methods so that I can fit in with the In-Crowd. I want to spend hours upon hours at the gym, stuffing my body with what scientists are calling 'superfoods', so that I can be loved and envied by everyone around me. I want to become an icon on someone's mantle. I want to work meaningless jobs so that I can fill my wallet and parentally-advised bank accounts with monetary potential. I want to believe what's on the news so that I can feel normal along with the rest of forever. I want to listen to the Top Ten on Q102, and roll my windows down so others can hear it and see that I am listening to it, and enjoying it. I want to go to church every Sunday, and pray every other day. I want to believe that what I do is for the promise of a peaceful afterlife. I want rewards for my 'good' deeds. I want acknowledgment and praise. And I want people to know that I put out that fire. I want people to know that I support the war effort. I want people to know that I volunteer to save lives. I want to be seen and heard and pointed at with love. I want to read my name in the history books during a future full of clones exactly like me.
The mirror, I've noticed, is almost always positioned above the sink. Though the sink offers more depth than a mirror, and mirror is only able to reflect, the sink is held in lower regard. Lower still is the toilet, and thought it offers even more depth than the sink, we piss and shit in it. I want these kind of architectural details to be paralleled in my every day life. I want to care more about my reflection, and less about my cleanliness. I want to be seen as someone who lives externally, and never internally, unless I am able to lock the door behind me.
I want these things, because if I didn't, I would be dead in the mirrors of those around me. I would be nothing. I would be an example. Sunken, and easily washed away.
”
”
Dave Matthes
“
NINA
Your life is beautiful.
TRIGORIN
I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
”
”
Anton Chekhov (The Seagull)
“
Every night, I called one final thought into the deep darkness: Come back to me. And just before the dark consumed me, a whisper returned: My angel, let me go…
”
”
Emma Scott (All In (Full Tilt #2))
“
Nothing in this world could have prepared me for Genevieve. She’d crept up on me, consuming more and more of my thoughts, day by day. And then she’d stolen my dreams.
”
”
Devney Perry (Riven Knight (Clifton Forge, #2))
“
Forgive me for not being interested in discussing the days of old when the days of now so consume my thoughts with worry.
”
”
Robert J. Crane (Warlord (Sanctuary, #6))
“
To my surprise, it was a place where my thoughts were the most lucid. I wasn’t bogged down in random trivial details or the luxury of time-consuming over-analysis. This place forced you to live because at any moment, life could be lost. Ramadi forced me to die unto myself.
”
”
M.B. Dallocchio (Quixote in Ramadi: An Indigenous Account of Imperialism)
“
I don’t understand.” Except, truthfully, I just didn’t want to understand.
Pain shadowed across his face. “Darkness lives in me, Theia. Inside of me. Like a sickness. And right next to it, intertwined with it, are my feelings for you. If I act on one, I’ll act on the other. The darkness in me wants you the way a black hole eats stars. I dream of tasting you, devouring you.” His eyes darkened terribly.
“Haden, stop trying to frighten me.”
He carried on as if he hadn’t heard me. “This isn’t a crush; it’s an obsession. You are never not in my thoughts. Your scent carries across a room and paralyzes me with longing. I don’t want to hold your hand. Part of me wants to set you on fire and hold you while the flame consumes us both, to eat your heart so I know that only I possess it entirely. Are you scared now? Does your human mind comprehend the danger at last? I’m not like you. I’m not human, not completely anyway.
”
”
Gwen Hayes
“
That night in the phone booth, you told me you’d never been in love before. If you’ve never felt it, how do you know?” I close my eyes. I’ve got too many words and not enough ways to order them. How do I know? Because saying it aloud is as easy as breathing. Because even the mention of her name lights my skin on fire. Because she’s my first thought in the morning, and my last at night. Because I just. Fucking. Know. I swallow. “Because even though I’m unlucky with you, I feel even unluckier without you.
”
”
Somme Sketcher (Sinners Consumed (Sinners Anonymous, #3))
“
Give me this moment," Kahl said to me. I glanced up at him and couldn't fathom the depths of his taunting amber irises.
"You have it."
"Be my angel... Leave with me," he whispered. In that moment, when thoughts of the boy I loved left me and fissures of pure bliss consumed me, I knew I was in trouble.
”
”
Nadège Richards (Deceiving Destiny (Bleeding Heart, #2))
“
Do you ever worry that life is passing you by while day in and day out you’re focused on what you’re supposed to be doing, rather than what you want to be doing? Then, before you know it, you’re old and curled up on your deathbed, weigh ninety pounds, nothing but elbows and knees, consumed with remorseful thoughts that obligations and function controlled your life while you sat idly by and watched it happen. Feeble and unable to eat anything but chicken broth or ice chips, you think, Golden years my ass, I’ll never get the chance to shout my name from the rooftop and why didn’t I take advantage of my youth?
”
”
Allison Morgan (The Someday Jar)
“
I've read hundreds of novels in my life. most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it is what we need to survive. From Darcy to Heathcliff. I thought they were fools. That love was something_fictional, only found in worn pages of a book. But that has all changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and lead me out of the darkness and showed me that whatever our souls are made of, hers and mine are the same. You once asked me who I loved most in the world, It's you.
”
”
Anna Todd (After (After, #1))
“
Like an empty bucket,
my soul rings hollow when empty
vibrates with emptiness …
hollow sound of loneliness.
Every cell in my body does
not want to be alone.
My loneliness is frightening …
an all consuming thought.
”
”
David Walton Earle
“
1. How would I act differently if painful thoughts and feelings were no longer an obstacle? 2. What projects or activities would I start (or continue) if my time and energy weren’t consumed by troublesome emotions? 3. What would I do if fear were no longer an issue? 4. What would I attempt if thoughts of failure didn’t deter me? Please
”
”
Russ Harris (The Happiness Trap: Stop Struggling, Start Living)
“
New Rule: Just because a country elects a smart president doesn't make it a smart country. A couple of weeks ago, I was asked on CNN if I thought Sarah Palin could get elected president, and I said I hope not, but I wouldn't put anything past this stupid country. Well, the station was flooded with emails, and the twits hit the fan. And you could tell that these people were really mad, because they wrote entirely in CAPITAL LETTERS!!! Worst of all, Bill O'Reilly refuted my contention that this is a stupid country by calling me a pinhead, which (a) proves my point, and (b) is really funny coming from a doody-face like him.
Now, before I go about demonstration how, sadly, easy it is to prove the dumbness that's dragging us down, let me just say that ignorance has life-and-death consequences. On the eve of the Iraq War, seventy percent of Americans thought Saddam Hussein was personally involved in 9/11. Six years later, thirty-four percent still do. Or look at the health-care debate: At a recent town hall meeting in South Carolina, a man stood up and told his congressman to "keep your government hands off my Medicare," which is kind of like driving cross-country to protest highways.
This country is like a college chick after two Long Island iced teas: We can be talked into anything, like wars, and we can be talked out of anything, like health care. We should forget the town halls, and replace them with study halls.
Listen to some of these stats: A majority of Americans cannot name a single branch of government, or explain what the Bill of Rights is. Twenty-four percent could not name the country America fought in the Revolutionary War. More than two-thirds of Americans don't know what's in Roe v. Wade. Two-thirds don't know what the Food and Drug Administration does. Some of this stuff you should be able to pick up simply by being alive. You know, like the way the Slumdog kid knew about cricket.
Not here. Nearly half of Americans don't know that states have two senators, and more than half can't name their congressman. And among Republican governors, only three got their wife's name right on the first try. People bitch and moan about taxes and spending, but they have no idea what their government spends money on. The average voter thinks foreign aid consumes more twenty-four percent of our budget. It's actually less than one percent.
A third of Republicans believe Obama is not a citizen ad a third of Democrats believe that George Bush had prior knowledge of the 9/11 attacks, which is an absurd sentence, because it contains the words "Bush" and "knowledge." Sarah Palin says she would never apologize for America. Even though a Gallup poll say eighteen percent of us think the sun revolves around the earth. No, they're not stupid. They're interplanetary mavericks.
And I haven't even brought up religion. But here's one fun fact I'll leave you with: Did you know only about half of Americans are aware that Judaism is an older religion than Christianity? That's right, half of America looks at books called the Old Testament and the New Testament and cannot figure out which came first.
I rest my case.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
In the past eighteen years, I have learned two things about pain. First: I can feel everything and survive. What I thought would kill me, didn’t. Every time I said to myself: I can’t take this anymore—I was wrong. The truth was that I could and did take it all—and I kept surviving. Surviving again and again made me less afraid of myself, of other people, of life. I learned that I’d never be free from pain but I could be free from the fear of pain, and that was enough. I finally stopped avoiding fires long enough to let myself burn, and what I learned was that I am like that burning bush: The fire of pain won’t consume me. I can burn and burn and live. I can live on fire. I am fireproof. Second: I can use pain to become. I am here to keep becoming truer, more beautiful versions of myself again and again forever. To be alive is to be in a perpetual state of revolution. Whether I like it or not, pain is the fuel of revolution. Everything I need to become the woman I’m meant to be next is inside my feelings of now. Life is alchemy, and emotions are the fire that turns me to gold. I will continue to become only if I resist extinguishing myself a million times a day. If I can sit in the fire of my own feelings, I will keep becoming.
”
”
Glennon Doyle (Untamed)
“
i began to see that i had commodified myself.... i created my interior thoughts as a means of production for the corporation that owned the board i was posting to, and that commodity was being sold to other commodity/consumer entities as entertainment.
”
”
Fred Turner (From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism)
“
These were the distractions I had to choose from. There were no other lights burning downtown after nine o'clock. On starlight nights I used to pace up and down those long, cold streets, scowling at the little, sleeping houses on either side, with their storm-windows and covered back porches. They were flimsy shelters, most of them poorly built of light wood, with spindle porch-posts horribly mutilated by the turning-lathe. Yet for all their frailness, how much jealousy and envy and unhappiness some of them managed to contain! The life that went on in them seemed to me made up of evasions and negations; shifts to save cooking, to save washing and cleaning, devices to propitiate the tongue of gossip. This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution.
The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark. The growing piles of ashes and cinders in the back yards were the only evidence that the wasteful, consuming process of life went on at all. On Tuesday nights the Owl Club danced; then there was a little stir in the streets, and here and there one could see a lighted window until midnight. But the next night all was dark again.
”
”
Willa Cather (My Ántonia)
“
My mind blazed with ravishing lies. I thought, I cannot accept this gift of myself, myself as a gift, of my person, of having this mind that does not stop burning, that deceives itself and consumes itself and immolates itself and believes its own lies and chokes on plain fact.
”
”
Paul Harding (Enon)
“
For his part, Temeraire had been following this exchange with cocked head and increasing confusion; now he said, "I do not understand in the least, why ought it make any difference at all? Lily is female, and she can fight just as well as I can, or almost," he amended, with a touch of superiority.
Riley, still dissatisfied even after Laurence's reassurance looked after this remark very much as though he had been asked to justify the tide, or the phase of the moon; Laurence was by long experience better prepared for Temeraire's radical notions, and said, "Women are generally smaller and weaker than men, Temeraire, less able to endure the privations of service."
"I have never noticed that Captain Harcourt is much smaller than any of the rest of you," Temeraire said' well he might not, speaking from a height of some thirty feet and a weight topping eighteen tons. "Besides, I am smaller than Maximus, and Messoria is smaller than me; but that does not mean we cannot still fight."
"It is different for dragons than for people," Laurence said. "Among other things, women must bear children, and care for them through childhood, where your kind lay eggs and hatch ready to look to your own needs.
Temeraire blinked at this intelligence. "You do not hatch out of eggs?" he asked, in deep fascination. "How then--"
"I beg your pardon, I think I see Purbeck looking for me," Riley said, very hastily, and escaped at a speed remarkable, Laurence thought somewhat resentfully, in a man who had lately consumed nearly a quarter his own weight in food.
"I cannot really undertake to explain the process to you; I have no children of my own," Laurence said.
”
”
Naomi Novik (Throne of Jade (Temeraire, #2))
“
I have never felt this way before, Phoebe. You consume my thoughts, dreams, wants, and desires. You make me want to fight every man who looks at you, touches you, or even breathes your air. I want to protect you with every bone in my body, but more than that, I want to be the man who makes you happy.
”
”
Corinne Michaels (Forbidden Hearts (Whitlock Family, #1))
“
Let me tell you a story,” I say instead. “Once upon a time, there was a girl whose life was saved by the faery king—”
“This story sounds distinctly familiar. I think I might have heard it somewhere before.”
I shush him and say not to interrupt. “If anyone asked her how she felt about the king, she would have said she loathed him. He ruthlessly trained her to fight his own kind. He taught her to kill. She learned from his lessons how to quiet the rage that burned inside her. But she had already decided that one day, when she had grown strong enough and learned everything she could about battle, she was going to murder him.”
Kiaran goes still, his eyes glittering in the darkness. He says nothing.
“Her opportunity came one night when he decided she was ready to hunt her first faery. It was a skriker that had been terrorizing a nearby village, slaughtering children in the night. The king handed the girl his sword and ordered her to kill the goblin-like creature.
“She barely won. But in the end, as she thrust the sword deep into the monster’s gut, she felt something so profoundly that she thought it would consume her. So she told the king. She whispered the words and meant them with every part of her rage-filled soul: ‘I hate you. I hate all of you.’ When she lifted the sword again, she intended to pierce it right through his heart.
“That was the first time the girl had ever seen the faery king smile.”
I lift my hand and press my palm to Kiaran’s cheek. “You’ll have to finish the story. She never knew why he smiled. Just that one day, she wanted to see him do it again. So she dropped the sword and spared his life. And she never told the king what really happened that night.”
Kiaran looks amused. “The king knew the girl’s plan all along. He smiled because he decided he liked her. She kept things interesting.”
I stare at him. “So the faery king is a deranged sort. As the girl always suspected.”
“How about his side of this story?” He pulls me close, his lips soft on my shoulder. “He never told the girl that during a hunt, when she ran alongside him with the wind in her hair and the moonlight behind her, that she was the most magnificent thing he had ever seen and he wanted her.”
Then Kiaran’s hands are in my hair, lips brushing mine. “And when the king watched her in battle, she’d look over at him with a smile and he desired her.
“It was never at once,” he continued. “It was after everything they had gone through and then it was the king and the girl facing an entire army together. And he knew the truth. His heart was hers. It always was. It always will be.”
A shadow crosses Kiaran’s irises. A reminder that he’s still fighting. Just to be here. With me. He shuts his eyes, expression strained. Before I can ask if he’s all right, he pulls me against him and holds me close.
His next words are spoken under his breath, so low I wonder if I heard them at all. “The girl helps the king keep his darkness at bay.
”
”
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
“
Checking is not a useful thing. It might be a verb, but it’s not a real action. When I started blogging, I always checked my stats for no reason. Then I thought: What’s the outcome of checking? Nothing. You just consume information. I try to keep my “checking” at a minimum. That’s why I deleted all news and social media apps on my phone. I don’t even have email on my phone. Otherwise, I check it all the time. I don’t want that. I only want to check my email when I have time to answer emails.
”
”
Darius Foroux (Do It Today: Overcome Procrastination, Improve Productivity, and Achieve More Meaningful Things)
“
Mark Twain said it best: “I have been through some terrible things in my life, some of which actually happened.” Think about that for a moment. Fear is rooted in what may happen, something that does not even exist in reality. Yet how frequently we allow this emotion to consume our thoughts, ultimately deciding the course of our lives
”
”
John O'Leary (On Fire: The 7 Choices to Ignite a Radically Inspired Life)
“
The memory of human blood manifests now as a kind of visceral reaction to seeing people's veins and their necks. The skin on a neck appears to me as different from the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared with skin everywhere else, as though it is asking to have marks made on it, like very expensive calligraphy paper, or cold-pressed Fabriano. Often, I wonder whether the urge I have to make art is the same as the urge to consume and destroy the blankness of a human neck. While at art college, I read that the best paper used by artists in the seventeenth century was made from the skins of lamb fetuses. This skin was soft and absorbent, and had an even texture right across its surface. For a long time, the process of creating art has been linked to the killing of living things. My dad, even, used fine silk stretched across wooden frames in his own work as a painter. Once, when we still had some of his pieces, I looked at the odd geometric shapes he created on a huge sheet and thought about all the silkworms who had had their cocoons torn open before they were able to become moths.
”
”
Claire Kohda (Woman, Eating)
“
I'd never made love with anyone but Nico. This thought occurred to me as we were lying in my bed, touching each other. Touching is the difference between making love and having sex. The physical act of making love expresses the desire to touch someone and to be touched in return. A hunger for your partner consumes you. It's an insatiable craving. It's a need for his skin, his hands, his mouth; it's a need to see his eyes. It must be fed every second or else it builds into something unmanageably urgent and ferocious.
”
”
Penny Reid (Friends Without Benefits (Knitting in the City, #2))
“
There, there, best to bring it all up,' she said. My memory was in shreds. Imagine a photograph cut into narrow strips then jumbled up. Everything is there, but you can't see the whole picture and even the strips have no bearing on reality. I did know I had consumed a large amount of alcohol. But I must have done something crazier than just being found drunk to have a nurse sitting by my bed. I thought it would be a good idea to say something and planned it for several seconds. 'She's all right,' I said. 'Who is?' asked the nurse. 'Alice. I'm all right now.' As I spoke I wondered if I had said something wrong. didn't sound like me. There were so many voices muttering in the background it was hard to tell.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
Now here’s the problem: Our society today, through the wonders of consumer culture and hey-look-my-life-is-cooler-than-yours social media, has bred a whole generation of people who believe that having these negative experiences- anxiety, fear, guilt, etc. - is totally not okay.....Meanwhile...you can’t help but think your life sucks even more than you thought. The Feedback Loop from Hell has become a borderline epidemic, making many of us overly stressed, overly neurotic, and overly self-loathing.
-The Subtle Art of Not Giving a F*ck
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
Every thought that was consumed by revolution is now consumed by her, like she has become the revolution of my life, the change I need.
”
”
Abdi Nazemian (Only This Beautiful Moment)
“
When the curiosity started consuming my every thought, I decided to give it a chance, as it will most definitely be my last.
”
”
Yomna Ibrahim (Conversations I Have of Her)
“
I’m sorry for making you feel bad when I should’ve done the opposite. I lost the ability to feel love when I was a boy, but you’ve slowly but surely yanked those feelings out of me. You didn’t only yank them out, you also held tight to a part of me I thought was long gone. For you, I want to go back in time and keep that part alive for the moment I met you. In the past, I thought people were destined to leave, so being attached to anyone was useless. And I thought that at some point, you would leave, too. I fought the pull to you. I fought the lure of your rose scent and your breakable softness. But I couldn’t fucking last. Not when I craved your presence the moment you were out of sight. Not when my thoughts of breaking your purity turned to a need to protect it. I told you how different my love is, how dark it can get, but I do love you, more than I’ve ever loved anyone in my life. I don’t only need you; I also genuinely cannot live without you and the light you bring to my darkness. I know you deserve better, but I’m unable to let you go, so I’ll try my best to be worthy of you, Lenochka.
”
”
Rina Kent (Consumed by Deception (Deception Trilogy, #3))
“
So my life has come to this:
all I ever make is laundry.
Awake or asleep, I'm always
shuffling round some shopping mall,
raking through knitwear carousels
that whirl into infinity,
searching, with the fever or teething gums,
for the ultimate cardigan.
Is it any wonder the wardrobe's bursting,
the linen basket overflowing
like an archive of disproved hypotheses?
The grey bras, the shrinking T-shirts,
that embarrassed puddle of lycra,
my favourite dress -- now ruined dress --
my lost remembered, perfect dress:
all laundry, in the end. More laundry.
”
”
Joanne Limburg (The Woman Who Thought too Much)
“
I always thought that if I suffered enough in service of Art, if I laid down my life to please the world, I could live in peace," Duncan reflects shortly after the death of her children. "Now I know that the world will consume everything in its path. Art is not even an appetizer to the horrors of the world. The world consumes horror itself and savors it and is never sated.
”
”
Amelia Gray (Isadora)
“
When fear becomes the norm, it stalks your life relentlessly, lurking and casting shadows over your daily routine. Fear changes you. Fear changes us. My parents worried about me, but they never had to deal with an every-present fear that violence could erupt at any moment and consume their child in an instant, affecting him or her in ways that no hug or loving assurance could heal.
”
”
Cory Booker (United: Thoughts on Finding Common Ground and Advancing the Common Good)
“
Kiss me, Tessa,” he says against my lips. I shake my head and he grunts in frustration. “Please, just kiss me. I need you” His words unravel me. This indecent, drunken, terrible man just said he needs me, and somehow it sounds like poetry to my ears. Hardin is like a drug; each time I take the tiniest bit of him, I crave more and more. He consumes my thoughts and invades my dreams.
”
”
Anna Todd (After (After, #1))
“
Like all great things which then become fashions, science, as now the universal stamp of approval, probably receives more abuse than any other field of study. Glaze the word itself over whatever vague ideology one may presume ratified, no matter the degree of pseudo-science or lack of scholarly credibility packaged within, and the many will consume it like gravy on a feast. My thought for the time is that as the promise of true science increases, so shall rise its many more superficial counterparts as provided by the agenda-bound trendies and hyper-ambitious laypersons to boot.
”
”
Criss Jami (Healology)
“
First: I can feel everything and survive. What I thought would kill me, didn’t. Every time I said to myself: I can’t take this anymore—I was wrong. The truth was that I could and did take it all—and I kept surviving. Surviving again and again made me less afraid of myself, of other people, of life. I learned that I’d never be free from pain but I could be free from the fear of pain, and that was enough. I finally stopped avoiding fires long enough to let myself burn, and what I learned was that I am like that burning bush: The fire of pain won’t consume me. I can burn and burn and live. I can live on fire. I am fireproof. Second: I can use pain to become. I am here to keep becoming truer, more beautiful versions of myself again and again forever. To be alive is to be in a perpetual state of revolution. Whether I like it or not, pain is the fuel of revolution. Everything I need to become the woman I’m meant to be next is inside my feelings of now. Life is alchemy, and emotions are the fire that turns me to gold. I will continue to become only if I resist extinguishing myself a million times a day. If I can sit in the fire of my own feelings, I will keep becoming.
”
”
Glennon Doyle (Untamed)
“
December 26, 10:00 a.m.
Dear America,
Miracles of miracles, I’ve made it through the night. When I finally woke up, I convinced myself I was worried for nothing. I vowed that I would focus on work today and not fret so much about you.
I got through breakfast and most of a meeting before thoughts of you consumed me. I told everyone I was sick and am now hiding in my room, writing to you, hoping this will make me feel like you’re home again.
I’m so selfish. Today you will bury your father, and all I can think of is bringring you here. Having written that out, seeing it in ink. I feel like an absolute ass. You are exactly where you need to be. I think I already said this, but I’m sure you’re such a comfort to your family.
You know, I haven’t told this to you and I ought to have, but you’ve gotten so much stronger since I met you. I’m not arrogant enough to believe that has anything to do with me, but I think this experience has changed you. I know it’s changed me. From the very beginning you had your own brand of fearlessness, and that has been polished into something strong. Where I used to imagine you as a girl with a bag full of stones, ready to throw them at any foe who crossed her path, you have become the stone itself. You are steady and able. And I bet your family sees that in you. I should have told you that. I hope you come home soon so I can.
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
You have two options right now: marry me or move out tomorrow, because my brain can't take this anymore. You consume my every thought. I have tried so, so hard not to fall for you, but nothing works.
”
”
Juliana Smith (Signed, Sealed, Delivered (Wells Family #2))
“
Editing. This never-ending maze through which I run, searching soulful nooks for the faintest shimmers of solace or escape. There is no such comfort. I tread this treacherous path of shadows, this menacing labyrinth that never stops beckoning. I'm like a woman whose soul is possessed, standing on the edge. It wants me. Calls to me. Consumes my every thought. Closing my eyes, my arms open wide. Submitting, I fall in.
”
”
Kristine Cheney
“
The final vanity. This whole episode has never been about us. Can't you see? If this is happening now, it must have happened over and over. Who knows how many other planets we lost in the past, consumed as weapons of forgotten wars? Maybe all we see, the planets and stars and galaxies, is just the debris of huge wars - on and on, up to scales we can barely imagine. And we're just weeds growing in the rubble. Tell that to the Prime Minister. And I thought we might ask them about their gods! What a fool I've been - the questions on which I've wasted my life, and here are my answers - what a fool." She was growing agitated. "Take it easy, Edith -
”
”
Charles Stross (Engineering Infinity)
“
He didn’t come into my life gradually or delicately. He swept in like a wildfire, consuming every single thought and word and thing until there was only him and me and it was like we were always supposed to be this way.
”
”
Rachel Higginson (The Difference Between Us (Opposites Attract, #2))
“
So, you eat food?” I asked, my thoughts reluctantly traveling to the conversation I’d had with Aios. His gaze flicked up. “Yes,” he said, drawing out the word. “I can’t survive on consuming the souls of the damned alone.
”
”
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
“
My love, my dear, dear Shura, Don’t talk about my cross—first heave your own off your shoulders. How did I live last winter? I don’t know, but I think almost longingly of it now. Because I moved. There was movement inside me. I had energy to lie, to pretend to Dasha, to keep her alive. I walked, I was with Mama, I was too busy to die myself. Too busy hiding my love for you. But now I wake up and think, how am I going to go through the rest of my day until sleep? To ease myself back into life, I’ve surrounded myself with the villagers. You think it was bad before. I’m from morning till night helping Irina Persikova, who had to have her leg cut off in Molotov, infection or something. I think I like her because she carries my mother’s name. I think of Dasha. I grieve for my sister. But her face is not the last face I see before I sleep. Yours is. You are my hand grenade, my artillery fire. You have replaced my heart with yourself. Are you thinking of me with your rifle in your hands? What do we do? How do we keep you from dying? These thoughts consume my waking minutes. What can I do from here to keep you alive? Dead or wounded, those Soviets will leave you in the field. Who is going to heal you if you fall? Who is going to bury you if you die? Bury you like you deserve—with kings and heroes. Yours, Tatiana
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
I’ve spent decades unpacking and analyzing my trauma. And I’ve spent decades helping others do the same. Yet the remnants of my past experiences remain. The thing about trauma is, it doesn’t just stop. There is no cure; it continues to live within us. It remains within our bodies, often below the level of our consciousness. Like a lingering shadow, it can slip into our present experiences, subtly (or not so subtly) influencing our thoughts, feelings, and actions, even if we’re not explicitly thinking about the traumatic events. It’s an ongoing process and working through it can be complex and time-consuming, but it is an essential part of healing and moving forward.
”
”
Todd Baratz (How to Love Someone Without Losing Your Mind: Forget the Fairy Tale and Get Real)
“
We are what happens when the seemingly unthinkable celebrity rises to power. Our existence makes my eyes hurt. People are forever thinking that the unthinkable can't happen. If it doesn't exist in thought, then it can't exist in life. And then, in the blink of an eye, in a moment of danger, a figure who takes power from our weak desires and failures emerges like a rib from sand. Jean de Men. Some strange combination of a military dictator and a spiritual charlatan. A war-hungry mountebank. How stupidly we believe in our petty evolutions. Yet another case of something shiny that entertained us and then devoured us. We consume and become exactly what we create. In all times.
”
”
Lidia Yuknavitch (The Book of Joan)
“
I didn’t know love until I knew you. And I’m trying to figure it out because I want to do better—be better—for you. But I can’t do that if you won’t let me. There’s nothing I can say if you want to give up the second things get hard. But I do love you. I love you in a way that consumes me. You’re my every thought, every dream, my entire being. I love you so much that it fucking hurts you think I wouldn’t do anything, give up anything, to make us work.
”
”
Kat Singleton (Tempt Our Fate (Sutten Mountain, #2))
“
It’s worth noting up front that I have always conceived of my mind as a digestive organ. A stomach for processing knowledge, if you will. As a looping, wrinkled mass, a human brain unmistakably looks like gray intestines, and it’s within these thinking bowels that my experiences are broken down, consumed to become my life story. My thoughts occur as flavorful burps or acrid barf. The indigestible gristle and bone of my memories are expelled as these words.
”
”
Chuck Palahniuk (Doomed (Damned #2))
“
I couldn't have accepted a man whose thoughts and work were an Enigma to me; love would be a justification not a limitation. the picture I can't it up in my mind was a very steep climb in which my partner, a little more agile and stronger than myself, would help me from one stage to the next. I was grasping rather than generous. if I had to drag someone along beside me, I should have been consumed with impatience. a life in common would have to favour, and not stand in the way of, my fundamental aim, which was to conquer the world. the man destined to be mine would be neither inferior nor different, nor outrageously superior; someone who would guarantee my existence without taking away my powers of self-determination.
”
”
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
“
Have you ever seen someone speak of something that consumes them? That lights them up from the foundations of their soul? Valka spoke with such fervency that I forgot myself for a time. Whatever animosity she had felt toward me upon our first meeting seemed to have mostly evaporated, vanished into a hesitant respect for me and for my situation. And I? I feared her. I feared what she represented, and that I cared what she thought of me. I feared the secrets I was made to carry. My name, my blood. I feared that she would think me false, my respect for her work feigned, when it was the thing I’d shown her that was most true. Thus we are all destroyed by those things that matter to us, as she mattered to me in my loneliness.
”
”
Christopher Ruocchio (Empire of Silence (The Sun Eater, #1))
“
Most enticing of all, however, was her bountiful figure. The sight of her was like gazing upon a decadent feast. If ice cream would actually make her hips wider, he thought she should be making a determined effort to consume as much as possible.
”
”
Aurora Ascher (My Demon Hunter (Hell Bent #2))
“
I've felt that body on top of mine, been the focus of that consuming gaze. I try not to think about it. I have a box inside me now that never used to exist. I never needed it before. It's down in my deepest, darkest corner, and it's airtight, soudproofed, and palocked. It's where I keep thoughts I don't know what to do with, that could get me into trouble. Eating Unseelie hammers on the inside of that lid incessantly. I try to keep kissing Barrons in that box, too, but it gets out sometimes.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
…The heart, the body and the soul
By her thought was consumed whole;
The only one left untouched
Was I alone, and none to console.
In front of the Beloved
I did not mention Khusrow’s faults;
Entranced by her beguiling beauty
I forgot my honest duty!
”
”
Amir Khusrow Dehlavi
“
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him.
“And do you get along all right with your landlady?”
He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
”
”
Ian McEwan (Atonement)
“
Then I saw the keyboard of an organ which filled one whole side of the walls. On the desk was a music-book covered with red notes. I asked leave to look at it and read, ‘Don Juan Triumphant.’ ‘Yes,’ he said, 'I compose sometimes.’ I began that work twenty years ago. When I have finished, I shall take it away with me in that coffin and never wake up again.’ 'You must work at it as seldom as you can,’ I said. He replied, 'I sometimes work at it for fourteen days and nights together, during which I live on music only, and then I rest for years at a time.’ 'Will you play me something out of your Don Juan Triumphant?’ I asked, thinking to please him. 'You must never ask me that,’ he said, in a gloomy voice. 'I will play you Mozart, if you like, which will only make you weep; but my Don Juan, Christine, burns; and yet he is not struck by fire from Heaven.’ Thereupon we returned to the drawing-room. I noticed that there was no mirror in the whole apartment. I was going to remark upon this, but Erik had already sat down to the piano. He said, 'You see, Christine, there is some music that is so terrible that it consumes all those who approach it. Fortunately, you have not come to that music yet, for you would lose all your pretty coloring and nobody would know you when you returned to Paris. Let us sing something from the Opera, Christine Daae.’ He spoke these last words as though he were flinging an insult at me.”
“What did you do?”
“I had no time to think about the meaning he put into his words. We at once began the duet in Othello and already the catastrophe was upon us. I sang Desdemona with a despair, a terror which I had never displayed before. As for him, his voice thundered forth his revengeful soul at every note. Love, jealousy, hatred, burst out around us in harrowing cries. Erik’s black mask made me think of the natural mask of the Moor of Venice. He was Othello himself. Suddenly, I felt a need to see beneath the mask. I wanted to know the FACE of the voice, and, with a movement which I was utterly unable to control, swiftly my fingers tore away the mask. Oh, horror, horror, horror!”
Christine stopped, at the thought of the vision that had scared her, while the echoes of the night, which had repeated the name of Erik, now thrice moaned the cry:
“Horror! … Horror! … Horror!
”
”
Gaston Leroux (The Phantom of the Opera)
“
The powder in that box feels like it represents so accurately what I am: a thing that is completely and utterly removed from human life, or even animal life; a thing that's been sucked dry of everything that once sustained a real living body; something that is so devoid of life that it doesn't even rot, but just sits in the corner of my studio out of the fridge, in its box, unchanging. The thought of consuming the powder revolts me; the thought of it going into my body, becoming a part of it, makes me feel like I myself am revolting.
”
”
Claire Kohda (Woman, Eating)
“
While making money was good, having meaningful work and meaningful relationships was far better. To me, meaningful work is being on a mission I become engrossed in, and meaningful relationships are those I have with people I care deeply about and who care deeply about me. Think about it: It’s senseless to have making money as your goal as money has no intrinsic value—its value comes from what it can buy, and it can’t buy everything. It’s smarter to start with what you really want, which are your real goals, and then work back to what you need to attain them. Money will be one of the things you need, but it’s not the only one and certainly not the most important one once you get past having the amount you need to get what you really want. When thinking about the things you really want, it pays to think of their relative values so you weigh them properly. In my case, I wanted meaningful work and meaningful relationships equally, and I valued money less—as long as I had enough to take care of my basic needs. In thinking about the relative importance of great relationships and money, it was clear that relationships were more important because there is no amount of money I would take in exchange for a meaningful relationship, because there is nothing I could buy with that money that would be more valuable. So, for me, meaningful work and meaningful relationships were and still are my primary goals and everything I did was for them. Making money was an incidental consequence of that. In the late 1970s, I began sending my observations about the markets to clients via telex. The genesis of these Daily Observations (“ Grains and Oilseeds,” “Livestock and Meats,” “Economy and Financial Markets”) was pretty simple: While our primary business was in managing risk exposures, our clients also called to pick my brain about the markets. Taking those calls became time-consuming, so I decided it would be more efficient to write down my thoughts every day so others could understand my logic and help improve it. It was a good discipline since it forced me to research and reflect every day. It also became a key channel of communication for our business. Today, almost forty years and ten thousand publications later, our Daily Observations are read, reflected on, and argued about by clients and policymakers around the world. I’m still writing them, along with others at Bridgewater, and expect to continue to write them until people don’t care to read them or I die.
”
”
Ray Dalio (Principles: Life and Work)
“
I’m consumed. This is what it feels like. This is what right feels like. It was always wrong before. Kissing someone. Letting them touch me. I never had that burn low in my belly. I was never hungry. Until her. I sink into her mouth again, kissing, sucking, tasting… At least there’s this. I thought hating her was enough. If I couldn’t have this, at least I had her attention. Even if it was bad. At least I could destroy what I was going to lose anyway in three months when we graduated, and I couldn’t look at her every day anymore. But God, I do hate her. Her smile and her red lips. The way she smudges her dumb eyeliner, making her eyes look smoky and captivating, and her wild hair that always looks like it flew through the wind before she put it up in a ponytail. Her olive skin, how her bracelets make music every time she moves, her chipped, black nail polish, and those stupid biker boots with all the buckles she wears that make her legs so hard not to look at. The way she rolls her skirt up, and I can’t pay attention in calculus. I hate it all. How every part of her looks like it has a taste
”
”
Penelope Douglas (Tryst Six Venom)
“
On Turgenev: He knew from Lavrov that I was an enthusiastic admirer of his writings; and one day, as we were returning in a carriage from a visit to Antokolsky's studio, he asked me what I thought of Bazarov. I frankly replied, 'Bazaraov is an admirable painting of the nihilist, but one feels that you did not love him as mush as you did your other heroes.'
'On the contrary, I loved him, intensely loved him,' Turgenev replied, with an unexpected vigor. 'When we get home I will show you my diary, in which I have noted how I wept when I had ended the novel with Bazarov's death.'
Turgenev certainly loved the intellectual aspect of Bazarov. He so identified himself with the nihilist philosophy of his hero that he even kept a diary in his name, appreciating the current events from Bazarov's point of view. But I think that he admired him more than he loved him. In a brilliant lecture on Hamlet and Don Quixote, he divided the history makers of mankind into two classes, represented by one or the other of these characters. 'Analysis first of all, and then egotism, and therefore no faith,--an egotist cannot even believe in himself:' so he characterized Hamlet. 'Therefore he is a skeptic, and never will achieve anything; while Don Quixote, who fights against windmills, and takes a barber's plate for the magic helmet of Mambrino (who of us has never made the same mistake?), is a leader of the masses, because the masses always follow those who, taking no heed of the sarcasms of the majority, or even of persecutions, march straight forward, keeping their eyes fixed upon a goal which is seen, perhaps, by no one but themselves. They search, they fall, but they rise again and find it,--and by right, too. Yet, although Hamlet is a skeptic, and disbelieves in Good, he does not disbelieve in Evil. He hates it; Evil and Deceit are his enemies; and his skepticism is not indifferentism, but only negation and doubt, which finally consume his will.'
These thought of Turgenev give, I think, the true key for understanding his relations to his heroes. He himself and several of his best friends belonged more or less to the Hamlets. He loved Hamlet, and admired Don Quixote. So he admired also Bazarov. He represented his superiority admirably well, he understood the tragic character of his isolated position, but he could not surround him with that tender, poetical love which he bestowed as on a sick friend, when his heroes approached the Hamlet type. It would have been out of place.
”
”
Pyotr Kropotkin (Memoirs of a Revolutionist)
“
There are various reasons why an individual might habitually consume large quantities of alcohol, but they all effectively boil down to the same thing. Five years ago, my business partner was a happy drunk. Three years later, he had become a moody drunk. And by the last summer, he was fumbling at the knob of the door to alcoholism. As with most habitual drinkers, he was nice-enough, regular-if-not-exactly-sharp kind of guy. He thought so too. That's why he drank. Because it seemed that with alcohol in his syste, he could more fully embody this idea of being that kind of guy.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
I thought about addiction. It was a high that you were always chasing, something that you need as desperately as your next breath, something that consumes you entirely for better or for worse. For my father, it was gambling. For Victoria, it was worrying. And for me, it was Alexander Langley.
”
”
A.N. Horton (C is for Conspiracy (Langley & Porter Mystery #3))
“
Up to the age of eight years, my character was weak and vacillating. I had neither courage or strength to form a firm resolve. My feelings came in waves and surges and vibrated unceasingly between extremes. My wishes were of consuming force and like the heads of the hydra, they multiplied. I was oppressed by thoughts of pain in life and death and religious fear. I was swayed by superstitious belief and lived in constant dread of the spirit of evil, of ghosts, and ogres and other unholy monsters of the dark. Then, all at once, there came a tremendous change which altered the course of my whole existence.
”
”
Nikola Tesla (My Inventions)
“
I always thought that if I suffered enough in service of Art, if I laid down my life to please the world, I could live in peace. Now I know that the world will consume everything in its path. Art is not even an appetizer to the horrors of the world. The world consumes horror itself and savors it and is never sated.
”
”
Amelia Gray (Isadora)
“
The seconds after coming to terms with what you thought to be real and what is real are rarely more alarming to me than they are in this mode. There is a video that breaks my heart that you have perhaps seen. A raccoon, overjoyed with the gift of cotton candy, takes its bounty to the water, to wash the food off before consuming it. The raccoon, of course, does not know what any viewer knows. That the ball of sugar will be overtaken by the entry into the water and dissolve into nothing. When this happens, the raccoon becomes frantic and puzzled, feeling around the puddle of water, seeking what was lost, only to be greeted by its own reflection.
”
”
Hanif Abdurraqib (There's Always This Year: On Basketball and Ascension)
“
I didn’t make much of a distinction between them and my grandparents, maternal and paternal, creatures who in my eyes all led a sort of cold life, an existence that had nothing in common with mine, with Lila’s, Stefano’s, Antonio’s, Pasquales. It was we who were truly consumed by the heat of feelings, by the outburst of thoughts.
”
”
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
“
I like to save things. Not important things like whales or people or the environment. Silly things. Porcelain bells, the kind you get at souvenir shops. Cookie cutters you’ll never use, because who needs a cookie in the shape of a foot? Ribbons for my hair. Love letters. Of all the things I save, I guess you could say my love letters are my most prized possession.
I keep my letters in a teal hatbox my mom bought me from a vintage store downtown. They aren’t love letters that someone else wrote for me; I don’t have any of those. These are ones I’ve written. There’s one for every boy I’ve ever loved—five in all.
When I write, I hold nothing back. I write like he’ll never read it. Because he never will. Every secret thought, every careful observation, everything I’ve saved up inside me, I put it all in the letter. When I’m done, I seal it, I address it, and then I put it in my teal hatbox.
They’re not love letters in the strictest sense of the word. My letters are for when I don’t want to be in love anymore. They’re for good-bye. Because after I write my letter, I’m no longer consumed by my all-consuming love. I can eat my cereal and not wonder if he likes bananas over his Cheerios too; I can sing along to love songs and not be singing them to him. If love is like a possession, maybe my letters are like my exorcisms.
My letters set me free. Or at least they’re supposed to.
”
”
Jenny Han
“
When my mother died, I was not only washed away in the tsunami of grief, but I was also consumed with the utter blackness and fear that descended when I thought about her simply not being there, or anywhere, any longer. That the powerful spirit that was my mother was just . . . gone. And, when my time came, would I be gone, too? Would I be nowhere?
”
”
Wendy Webb (The Haunting of Brynn Wilder)
“
She laughed, a sound of pure joy, and she cried more, because that joy was a miracle.
'That's a sound I never thought to hear from you, girl,' Amren said beside her.
The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight.
Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting.
Nesta fell to one knee and bowed her head. 'I am sorry.'
Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.'
Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.'
Nesta's brow furrowed. She hadn't changed anything.
Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.'
'I didn't do anything.'
'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?'
Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.'
'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.'
'But my power only creates terrible things. The House is good,' Nesta breathed.
'Is it?'
Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.'
Amren nodded. 'And where is it now?'
'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.'
Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.'
But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it.
Amren chuckled gently. 'And worth it for that, too.'
Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
I don't want to be married anymore. In daylight hours, I refused that thought, but at night it would consume me. What a catastrophe. How could I be such a criminal jerk as to proceed this deep into a marriage, only to leave it? We'd only just bought this house a year ago. Hadn't I wanted this nice house? Hadn't I loved it? So why was I haunting its halls every night now, howling like Medea? Wasn't I proud of all we'd accumulated—the prestigious home in the Hudson Valley, the apartment in Manhattan, the eight phone lines, the friends and the picnics and the parties, the weekends spent roaming the aisles of some box-shaped superstore of our choice, buying ever some appliances on credit? I had actively participated in every moment of the creation of this life—so why did I feel like none of it resembled me? Why did I feel so overwhelmed with duty, tired of being the primary breadwinner and the housekeeper and the social coordinator and the dog-walker and the wife and the soon-to-be mother, and—somewhere in my stolen moments—a writer...? I don't want to be married anymore.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Appearing nude on film was not easy when I was twenty-six in Body Heat; it was even harder when I was forty-six in The Graduate, on the stage, which is more up close and personal than film. After my middle-age nude scene, though, I unexpectedly got letters from women saying, "I have not undressed in front of my husband in ten years and I'm going to tonight." Or, "I have not looked in the mirror at my body and you gave me permission."
These affirmations from other women were especially touching to me because when I began The Graduate I'd just come through a period when I felt a great loss of confidence, when my rheumatoid arthritis hit me hard and I literally couldn't walk or do any of the things that I was so used to doing. It used to be that if I said to my body, "Leap across the room now," it would leap instantly. I don't know how I did it, but I did it. I hadn't realized how much my confidence was based on my physicality. On my ability to make my body do whatever I wanted it to do.
I was so consumed, not just by thinking about what I could and couldn't do, but also by handling the pain, the continual, chronic pain. I didn't realize how pain colored my whole world and how depressive it was. Before I was finally able to control my RA with proper medications, I truly had thought that my attractiveness and my ability to be attractive to men was gone, was lost. So for me to come back and do The Graduate was an affirmation to myself. I had my body back. I was back.
”
”
Kathleen Turner (Send Yourself Roses: Thoughts on My Life, Love, and Leading Roles)
“
I’m saying this because it’s said breaths are stolen during a passionate kiss. That’s not true, Gavin, because I literally can’t breathe before your lips even touch mine. I try, but I’m unable to. I can’t think when you look at me. You strip my mind bare. You always have, and it’s beautiful and consuming. It’s magical and everything a girl is supposed to feel. It’s said you’re truly in love with someone if your skin tingles from their touch. Mine tingles when I hear your voice; I don’t need you to touch me. I can feel you when you’re not near me. I feel you in my dreams. I felt you when you were a thousand miles away. “You scared me the moment I saw you, and I think it’s because I knew, I just knew, I was going to fall in love you. I didn’t know our worlds were already intertwined, but my heart somehow knew it belonged to you from the start. I didn’t believe a pain so deep existed while we were apart, but I also didn’t believe a love like ours existed. You’ve shown me it does. You’ve shown me good when there was bad. You’ve given me pleasure above all of my pain. You’ve given me life when I thought I was dead.
”
”
Gail McHugh (Pulse (Collide, #2))
“
I watch him sleep because the tenderness I have for him is what I have left of everything I started with.
My brother was like him, frail blond curls framing a guileless face, he slept the same way, back where I started. A tenderness remembered tangentially, revived when I see this pale, yellow-haired man asleep, at rest, defenseless, incomprehensibly trusting death not to come. We are innocence together, before life set in.
Sometimes I feel the tenderness for this man now, the real one asleep, not the memory of the baby brother - sometimes I feel the tenderness so acutely - it balances on just a sliver of memory - I feel it so acutely, it is so much closer to pain than to pleasure or any other thing, for instance, in one second when each knows what the other will say or without a thought our fingers just barely touch, I remember then in a sharp sliver of penetration my baby brother, pale, yellow-haired, curls framing a sleeping face while I lay awake during the long nights, one after the other, while mother lay dying. It is consumingly physical, not to sleep, to be awake, watching a blond boy sleeping and waiting for your mother to die.
”
”
Andrea Dworkin (Ice and Fire)
“
There's no "get rich quick." There's no "overnight success."
However, this doesn't mean that when you decide to start a business that you're just starting. You could start making new money tomorrow.
I was fishing with my son and taught him that you can't catch a fish unless your line is in the water. A truth my dad once taught me.
You may have spent years learning a skill or creating a product or service that you just simply haven't thought to monetize. Like leaving a fishing pole on the ground along side the river, but not having your line in the water yet.
All you need to create a new stream of income is to make something consumable and offer it at a price that someone will pay.
If you're not making offers, you're not making money.
Get your line in the water!
”
”
Richie Norton
“
I don’t sleep much at all, she says, I dream each night of a soundless sleep but that is impossible now, it took me some time before I understood that I was already asleep in a manner, you know, that I was sleeping all the time I thought I was awake, trying to see into the problem that stood before me like a great darkness, this silence consuming every moment of my life, I thought I’d go mad looking into it but then I awoke and began to see what they were doing to us, the brilliance of the act, they take something from you and replace it with silence and you’re confronted by that silence every waking moment and cannot live, you cease to be yourself and become a thing before this silence, a thing waiting for the silence to end, a thing on your knees begging and whispering to it all night and day, a thing waiting for what was taken to be returned and only then can you resume your life, but the silence doesn’t end, you see, they leave open the possibility that what you want will be returned some day and so you remain reduced, paralysed, dull as an old knife, and the silence does not end because the silence is the source of their power, that is its secret meaning.
”
”
Paul Lynch (Prophet Song)
“
How can she stand up there so tall as she’s telling us how her mother beat her and her father molested her when she was a little girl? How is it possible for her to look so proud? How is she not being consumed by shame? She should be disintegrating before our eyes. She should be struck by lightning, and God’s big, angry, booming voice should be shaking the room with “How dare you? I told you never to tell.” But that’s not her God, she says. Her God is loving and kind and wants what’s best for her. Her God loves peace and serenity and forgiveness. Her God doesn’t make her keep secrets. I thought I knew God all my life, but maybe it was some other guy the whole time. I want this God. I want Val’s God. I want a God who doesn’t make me jump through hoops and hate myself to earn his love.
”
”
Amy Reed (Clean)
“
Do you believe in love, Arran?
He hadn’t, not for himself anyway. Until she’d asked that
question, and he’d understood the emotion warming her
gaze, the tender urgency in her voice. The longing, the
wanting, the need that threatened to consume him
whenever he thought of Breghan leaving. For all his
promises to never hurt her, he’d done exactly that if her
question had been filled with half as much of the love he’d
recognised in himself right then.
She shifted in his embrace, bringing her arms around
his neck and looking up at him with a warm smile. His heart
contracted over all the words that could never be spoken.
When I look into your eyes, darling, when I hold you in
my arms, when I pretend reality can be changed and I’m
allowed to have my heart’s desire…then, yes, I believe in
love.
”
”
Claire Robyns
“
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?"
Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips.
He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?"
"N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you."
His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse."
Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?"
"No."
Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain."
"Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied."
She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?"
He kissed her then. Really kissed her.
He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly.
And she was lost.
Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
Feelings of a Pimp They think I was a player because I was devoted to the game They thought I worked hard on my offense to break down these women’s defenses just to score They think it’s the body count that made me manipulate them into my arms to get between their legs They think I’m satisfied with a different woman in my bed every night When during the day, even my bed can feel the loneliness They think I love the easy women They think it’s for the cool points that my heart grew cold They think they have me figured out Another dog chasing after every female dog in the streets They think I’m happy with all the texting buddies, but no wife But they don’t know They don’t know how tired I am of this, how tired I am of myself How tired I am of living like this How tired I am of these games, but that’s the only way I can score with a chick They don’t know how after sleeping with these ladies, I wish I had more chemistry with at least one of them to cuddle, to give goodnight kisses and wake up beside They don’t know how loneliness consumes me With a phone filled with women’s numbers, I still feel unwanted and unworthy They don’t know these easy women make it easy for me to feel confident about myself; although it’s the wrong type of confidence I feel validated by them, I feel accomplished, I feel loved although I’m having sex with them, not making love They don’t know how tired I am of chasing fool’s gold Chasing fast women who would sleep with me in a heartbeat Leaving me with the empty feeling I felt before I started the chase The player in me is played out. I just want love, but that’s the only thing I can’t seem to find So, I keep pimping in hope of finding love Her insecurities were beautiful They opened the door for me as an opportunist She was the perfect candidate Oh so sweet, but oh so hurt How smart would I be if I didn’t capitalize? Some fellas get women drunk and have their way with them I was doing nothing wrong but pretending to be prince charming, just to get the same results I became what they needed emotionally I was the shoulder to cry on, the ear to listen to, the one person who understood I was a smooth criminal manipulating the innocent Did not feel an ounce of guilt because I was weak myself I was insecure I couldn’t help preying on vulnerable women In their weakness I found strength I was a coward, a “wannabe” player I was playing the wrong games, winning the wrong prizes The truth is, no strong man takes advantage of a woman’s vulnerability. It is a trait of the weak. Diary of a Weak Man
”
”
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
“
You’re like a drug that never fades,” Kaplan hisses, his eyes gripping mine with desperation so consuming it looks painful. “Your flavor. Your scent. The sound of your cries. The way you beg. The way you take everything and ask for more… You invade my thoughts and you don’t let go.” An unsteady breath passes his parted lips as his gaze drills into mine. “If only you knew how badly I want to ruin you like you’ve ruined me.
”
”
Brynne Weaver (Black Sheep)
“
There rose a Thought in me, and I asked myself: 'What art thou afraid of? Wherefore, like a coward, dost thou forever pip and whimper, and go cowering and trembling? Despicable biped! what is the sum-total of the worst that lies before thee? Death? Well, Death; and say the pangs of Tophet too, and all that the Devil and Man may, will or can do against thee! Hast thou not a heart; canst thou not suffer whatsoever it be; and, as a Child of Freedom, though outcast, trample Tophet itself under thy feet, while it consumes thee? Let it come, then; I will meet it and defy it!' And as I so thought, there rushed like a stream of fire over my whole soul; and I shook base Fear away from me forever. I was strong, of unknown strength; a spirit, almost a god. Ever from that time, the temper of my misery was changed: not Fear or whining Sorrow was it, but Indignation and grim fire-eyed Defiance.
”
”
Thomas Carlyle (Sartor Resartus)
“
Speaking of welding torches... there’s one heading our way!’
The Nursebot was not wrong. Coming for them with the calculated patience of a Grim Reaper on rollerblades was the greatest wildfire the trio had ever seen. Burning in a mischievous cobalt-blue flame that straightforwardly spelled “chemical fire”, the all-consuming flames had cornered them by the unopenable hatch, within an inch of their lives.
‘We’re all going to die!’ wined 22-8, cradling his coppery head. ‘We’re done for!’
‘I thought you social robots were built with problem-solving code,’ said Floater, hovering as close to the ceiling as possible.
‘Yes, well. My problem-solving code took too much space on the disk,’ said 22-8 morosely.
Floater shook his head in disbelief. ‘So you deleted it? To make room for what?’
22-8 lowered his head and whispered something that sounded very much like “dank memes” before falling silent.
”
”
Louise Blackwick (God is a Robot)
“
Late afternoon light filters in through his pale curtains, and it casts the room in a dreamy kind of filter. If I were going to name it, I would call it “summer in the suburbs.” Peter looks beautiful in this light. He looks beautiful in any light, but especially this one. I take a picture of him in my mind, just like this. Any annoyance I felt over him forgetting my yearbook melts away when he snuggles closer to me, rests his head on my chest, and says, “I can feel your heart beating.”
I start playing with his hair, which I know he likes. It’s so soft for a boy. I love the smell of his detergent, his soap, everything.
He looks up at me and traces the bow of my lip. “I like this part the best,” he says. Then he moves up and brushes his lips against mine, teasing me. He bites on my bottom lip playfully. I like all his different kinds of kisses, but maybe this kind best. Then he’s kissing me with urgency, like he is utterly consumed, his hands in my hair, and I think, no, these are the best.
Between kisses he asks me, “How come you only ever want to hook up when we’re at my house?”
“I--I don’t know. I guess I never thought about it before.” It’s true we only ever make out at Peter’s house. It feels weird to be romantic in the same bed I’ve slept in since I was a little girl. But when I’m in Peter’s bed, or in his car, I forget all about that and I’m just lost in the moment.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Some might say the difference between being a kid and being a grown-up is that grown-ups don't think they can sail around the world all by themselves. Why not? Because they don't have a sailboat. Because they couldn't make the mortgage payments if they sailed around the world. Because they don't know how to sail. Because they don't want to. Because it's just a TV show. There can be a lot of becauses. There can be endless becauses. Because you're a grown-up. Because you have responsibilities. Because you haven't made one choice in the last ten years. Because (and here's the important one) you're a coward. Yes. That's right. Because you, my little friend, are a coward. When you're a kid, on the other hand, your entire thought process is consumed with visions of WHAT MIGHT BE. You are propelled forward in search of some foggy thing. Some thing that you believe might be amazing. What you might do. Who you might be. You imagine that there are so many possibilities.
”
”
Joe Blair
“
I want to be worshipped. I want to be important in someone’s life. I want to be the person someone calls when they need advice or have big news . . . or just want to hear my voice. I want to be surprised with flowers at my apartment door. Whisked away to somewhere I’ve never been. Thought of nearly every second of every day because I consume someone’s thoughts. I want the real. The ugly. The pettiness that comes with relationships. The teasing. The arguments. The laughs. The love. The romance.
”
”
Meghan Quinn (So Not Meant To Be (Cane Brothers, #2))
“
It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision. In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
”
”
Dennis Gabor (Inventing the Future)
“
Each crewman had their own laptop. So I have six at my disposal. Rather, I had six. Now I have five. I thought a laptop would be fine outside. It's just electronics, right? It'll keep warm enough to operate in the short term, and it doesn't need air for anything.
It died instantly. The screen went black before I was out of the airlock. Turns out the "L" in "LCD" stands for "Liquid". I guess it either froze or boiled off. Maybe I'll post a consumer review. "Brought product to surface of Mars. It stopped working. 0/10.
”
”
Andy Weir (The Martian)
“
O infinite goodness of my God! It is thus that I seem to see both myself and Thee. O Joy of the angels, how I long, when I think of this, to be wholly consumed in love for Thee! How true it is that Thou dost bear with those who cannot bear Thee to be with them! Oh, how good a Friend art Thou, my Lord! How Thou dost comfort us and suffer us and wait until our nature becomes more like Thine and meanwhile dost bear with it as it is! Thou dost remember the times when we love Thee, my Lord, and, when for a moment we repent, Thou dost forget how we offended Thee. I have seen this clearly in my own life, and I cannot conceive, my Creator, why the whole world does not strive to draw near to Thee in this intimate friendship. Those of us who are wicked, and whose nature is not like Thine, ought to draw near to Thee so that Thou mayest make them good. They should allow Thee to be with them for at least two hours each day, even though they may not be with Thee, but are perplexed, as I was, with a thousand worldly cares and thoughts. In exchange for the effort which it costs them to desire to be in such good company (for Thou knowest, Lord, that at first this is as much as they can do and sometimes they can do no more at all) Thou dost prevent the devils from assaulting them so that each day they are able to do them less harm, and Thou givest them strength to conquer. Yea, Life of all lives, Thou slayest none of those that put their trust in Thee and desire Thee for their Friend; rather dost Thou sustain their bodily life with greater health and give strength to their souls.
”
”
Teresa de Ávila (The Life of Saint Teresa of Ávila by Herself)
“
I'm talking about your lovely long arms and your perfectly shaped legs... I find I am quite jealous of those stockings for knowing the feel of you, the warmth of you." She shifted, unable to keep still beneath the onslaught of his words. "I'm talking about that corset that hugs you where you are lovely and soft... is it uncomfortable?"
She hesitated. "Not usually."
"And now?" She heard the knowledge in the question.
She nodded once. "It's rather- constricting."
He tutted once, and she opened her eyes, instantly meeting his, hot and focused on her. "Poor Pippa. Tell me, with your knowledge of the human body, why do you think that is?"
She swallowed, tried for a deep breath. Failed. "It's because my heart is threatening to beat out of my chest."
The smile again. "Have you overexerted yourself?"
She shook her head. "No."
"What, then?"
She was not a fool. He was pushing her. Attempting to see how far she would go. She told the truth. "I think it is you."
He closed his eyes then, hands fisting again, and pressed his head back against the side of the desk, exposing the long column of his neck and his tightly clenched jaw. Her mouth went dry at the movement, at the way the tendons there bunched and rippled, and she was quite desperate to touch him.
When he returned his gaze to hers, there was something wild in those pewter depths... something she was at once consumed and terrified by. "You shouldn't be so quick with the truth," he said.
"Why?"
"It gives me too much control."
"I trust you."
"You shouldn't." He leaned forward, bracing his arm against his raised knee. "You are not safe with me."
She had never once felt unsafe with him. "I don't think that's correct."
He laughed, low and dark, and the sound rippled through her, a wave of pleasure and temptation. "You have no idea what I could do to you, Philippa Marbury. The ways I could touch you. The wonders I could show you. I could ruin you without thought, sink with you into the depths of sin and not once regret it. I could lead you right into temptation and never ever look back."
The words stole her breath. She wanted it. Every bit of it.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution. The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark. The growing piles of ashes and cinders in the back yards were the only evidence that the wasteful, consuming process of life went on at all.
”
”
Willa Cather (My Ántonia (Great Plains Trilogy, #3))
“
I won't pretend the life I lived before you was somehow the lesser for your absence. There was no hole waiting for you to come along and fill it. I loved often, if not always well. I fought, I fled, I ruled my people, and I thought myself content. But since you have returned to us-since the waters of the Tea Gardens gave you up, and gave you back to me-not a day has passed without my considering the fragility of your smile, or the color of your eyes. You insinuated yourself into my heart like a worm into an apple, and I am consumed by you.
”
”
Seanan McGuire (A Red-Rose Chain (October Daye, #9))
“
Each of them was agape, mesmerized. I could see that they were connected to something that had immense power over them. This was what happened when the mindspace was the internet, I thought. One loses one’s sense of self. One’s mind can go anywhere. And at the same time, the mind becomes lame when it is connected to something so consuming. Like Walter’s ashes in the urn, their computers were containers for these young minds. If I was on the internet, too, I’d just turn into one of them. My mind would connect with theirs. And I didn’t want to share my mindspace with these drones.
”
”
Ottessa Moshfegh (Death in Her Hands)
“
Two verbs cover all the forms which these two causes of death may take—To Will and To have your Will. Between these two limits of human activity the wise have discovered an intermediate formula, to which I owe my good fortune and long life. To Will consumes up, and To have our Will destroys us, but To Know steeps our feeble organisms in perpetual calm. In me Thought has destroyed Will, so that Power is relegated to the ordinary functions of my economy…it is in the brain that cannot waste away and survives everything else, and I have set my life. Moderation has kept mind and body unruffled
”
”
Honoré de Balzac
“
I’ll start in the air,” I said, far more steadily than I thought I could, considering. I knelt to tie the shirt around his thigh, cinching it tight above the wound; he stiffened but let me finish the knot. “The air first, the airship, and then-then I’ll dive.”
“You can’t swim,” broke in Armand. “You told me that you can’t.”
“Maybe I can now. If I’m a dragon.”
“Don’t be an idiot! If you can’t swim, you can’t swim, Eleanore! You’ll drown out there, and what the bloody hell do you think you’re going to do anyway to a U-boat? Bite it open?”
I stood again. “Yes! If I must! I don’t hear you coming up with a better-“
“You’ll die out there!”
“Or we’ll all die here!”
“We’re going to find another way!”
“You two work on that. I’m off.” I fixed them both with one last, vehement look, the Turn rising inside me.
Remember this. Remember them, this moment, this heartbreak, these two boys. Remember that they loved you.
Armand had reached for my shoulders. “I forbid-Eleanore, please, no-“
“No,” echoed Jesse, speaking at last. “You’re not going after the submarine, Lora. You won’t need to.”
Armand and I paused together, glancing down at him. I stood practically on tiptoe, so ready to become my other self.
Jesse climbed clumsily to his feet. When he swayed, we both lunged to catch him.
“Armand will take me to the shore. I’ll handle the U-boat.”
“How?” demanded Armand at once.
But I understood. I could read him so well now, Jesse-of-the-stars. I understood what he meant to do, and what it would cost him.
I felt myself shaking my head. Above us, the airship propellers thumped louder and louder.
“Yes,” said Jesse, smiling his lovely smile at me. “I already sense your agreement. Death and the Elemental were stronger joined than apart, remember? This is our joining. Don’t waste any more time quarreling with me about it. That’s not your way.” He leaned down to me, a hand tangled in my hair. His mouth pressed to mine, and for the first time ever I didn’t feel bliss at his touch.
I felt misery.
“Go on, Lora-of-the-moon,” he murmured against my lips. “You’re going to save us. I know you will.”
I glared past him to the harsh, baffled face of Armand. “Will you help him? Do you swear it?”
“I-yes, I will. I do.”
I disentangled Jesse’s hand, kissed it, stepped back, and let the Turn consume me, smoke rising and rising, leaving the castle and all I loved behind me for the wild open sky.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
You won't have the urge to run to me and do unspeakable acts, but you will always feel my presence within the city, and we'll know one another's strong emotions."
"Who says I want to do any unspeakable acts?" She frowned.
"Certain desires must be consuming your thoughts, because that's exactly what I'm battling myself." I smiled, feeling particularly wicked at the scandalized look on her face.
"How does one acknowledge the bond then?" She looked away.
"A kiss should do it," I said.
"Didn't you already kiss my hand?"
Reaching out, I cupped her chin gently, rubbing my thumb over her soft bottom lip. "Here.
”
”
Sabrina Blackburry (Dirty Lying Faeries (The Enchanted Fates, #1))
“
There were no such stipulations made when we discussed the agreement."
"Nor were they expressly not made. I am making them now. You received what you requested. Or, have you forgotten?" The words sent a shiver down her spine. He was standing behind her, and she could feel the warm kiss of his breath on her bare neck, sending a river of heat through her.
"I have not forgotten." The words came unbidden, and she closed her eyes.
He laid a hand on her arm and, with virtually no pressure, turned her face to him. When he met her eyes, the anger that had been there was gone, replaced by something much more complex. "Neither have I. And not for lack of trying."
Before she could begin to consider the meaning behind his words, he settled his mouth upon hers, robbing her of thought.
"I've tried to forget that kiss... and the carriage ride... and the fencing club... but you seem to have taken up residence... in my memory."
As he spoke between long, drugging kisses that consumed her senses, he guided Callie across the study and into a large chair near the fireplace. Kneeling in front of her, he cupped one cheek in a strong, warm hand, and met her gaze with a searing look. Shaking his head as though he couldn't quite understand what had come over him, he kissed her again, growling low in the back of his throat. Her hands found their way into his thick, dark hair as he caught her bottom lip in his teeth, nibbling and licking at it until she thought she might perish from the intensity of the feeling. She whimpered at the sensation, and he rewarded the sound by deepening the kiss, giving her everything she desired.
He broke off the kiss as one of his hands found its way under her skirts, caressing up the inside of her leg. He shifted her against him, running his lips across her cheek to the curl of her ear, sucking and nibbling and licking as he spoke to her, the scandalous words more sensation than sound.
"Such soft skin..." he said, as his fingers played along the inside of her thighs, driving her mad with desire as heat pooled at their juncture. "I've been wondering what you felt like here..." He shifted to gain better access to the skin high on the inside of her thighs, so close to the spot where she most wanted him. "Now that I know... I'm going to be consumed with thoughts of how this soft, lovely skin will feel against me..." He placed a soft, lush kiss on the column of her neck as his hand moved higher, closer to the center of her.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
As I rode back to Detroit, a vision of Henry Ford's industrial empire kept passing before my eyes. In my ears, I heard the wonderful symphony which came from his factories where metals were shaped into tools for men's service. It was a new music, waiting for the composer with genius enough to give it communicable form.
I thought of the millions of different men by whose combined labor and thought automobiles were produced, from the miners who dug the iron ore out of the earth to the railroad men and teamsters who brought the finished machines to the consumer, so that man, space, and time might be conquered, and ever-expanding victories be won against death.
”
”
Diego Rivera (My Art, My Life)
“
Returning to my own example, it’s a similar commitment that enables me to succeed with fixed scheduling. I, too, am incredibly cautious about my use of the most dangerous word in one’s productivity vocabulary: “yes.” It takes a lot to convince me to agree to something that yields shallow work. If you ask for my involvement in university business that’s not absolutely necessary, I might respond with a defense I learned from the department chair who hired me: “Talk to me after tenure.” Another tactic that works well for me is to be clear in my refusal but ambiguous in my explanation for the refusal. The key is to avoid providing enough specificity about the excuse that the requester has the opportunity to defuse it. If, for example, I turn down a time-consuming speaking invitation with the excuse that I have other trips scheduled for around the same time, I don’t provide details—which might leave the requester the ability to suggest a way to fit his or her event into my existing obligations—but instead just say, “Sounds interesting, but I can’t make it due to schedule conflicts.” In turning down obligations, I also resist the urge to offer a consolation prize that ends up devouring almost as much of my schedule (e.g., “Sorry I can’t join your committee, but I’m happy to take a look at some of your proposals as they come together and offer my thoughts”). A clean break is best.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
In the wake of my broken dreams
In the dirt and the dust and the days that felt like weeks.
I found the person that I’m meant to be
‘Cause when I felt like giving up
When death was closing in
I shut my eyes
And black out the darkness with light from inside
I’ve given more
Than what I’ve got
I’ve given all
Of what I’m not
I’ve watched this war consume all that we could become
Facing my fears in the dark
But if I die
Before it’s done
Please take these words
My final thoughts
The only way to shine your light is in the dark.
Never let life kill your spark
This is the fallout
Yeah it’s the end of the world
We’ll spread the noise to everyone and let them all know you heard
A system meltdown
It’s time we expose
The 'cause of chaos is our own
I’ve given more
Than what I’ve got
I’ve given all
Of what I’m not
I’ve watched this war consume all that we could become
Facing my fears in the dark
But if I die
Before it’s done
Please take these words
My final thoughts
The only way to shine your light is in the dark.
Never let life kill your spark
Never let life kill your spark
Never let life kill your spark
Facing my fears in the dark
I’ve given more
Than what I’ve got
I’ve given all
Of what I’m not
I’ve watched this war consume all that we could become
If I die
Before it’s done
Please take these words
My final thoughts
The only way to shine your light is in the dark.
Never let life kill your spark..
”
”
Crown The Empire
“
I just went on a date with a loopy new age witch who read my aura and took me to a play that critiqued consumer culture by spending a five minute segment just spouting off brand names,' she said.
'Niiiiice. That is something. And then you chose to call me, which I’m not sure I’m feeling good about. I mean, you go on a terrible date, and your first thought is to call me? Were you like, "He’s a terrible date, he’ll appreciate someone else being worse?"'
Georgie laughed. 'No. You were an awesome date. But I still thought you would appreciate laughing at someone who wasn’t.'
'Now, now, Georgie. I don’t laugh at people. I laugh with them. Otherwise my aura turns puce, and you know I can’t deal with that. It would clash with my eyes.
”
”
Chessela Helm (Chasing the Angel (Runaround #2))
“
I’ve read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we needed to survive. From Darcy to Heathcliff, I thought they were fools. That love was something fictional, only found in worn pages of a book. That it was just made up to keep humans full of hope, that it was a lie. But all that changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and led me out of the darkness and showed me that, whatever our souls are made of, hers and mine are the same.
I’m sorry, please forgive me.
You once asked me who I loved most in this world.
It’s you."
-Hardin Scott
”
”
Anna Todd
“
My whole life I’ve searched for a love to satisfy the deepest longings within me to be known, treasured, and wholly accepted. When You created me, Lord, Your very first thought of me made Your heart explode with a love that set You in pursuit of me. Your love for me was so great that You, the God of the whole universe, went on a personal quest to woo me, adore me, and finally grab hold of me with the whisper, “I will never let you go.” Lord, I release my grip on all the things I was holding on to, preventing me from returning Your passionate embrace. I want nothing to hold me but You. So, with breathless wonder, I give You all my faith, all my hope, and all my love. I picture myself carrying the old, torn-out boards that inadequately propped me up and placing them in a pile. This pile contains other things I can remove from me now that my new intimacy-based identity is established. I lay down my need to understand why things happen the way they do. I lay down my fears about others walking away and taking their love with them. I lay down my desire to prove my worth. I lay down my resistance to fully trust Your thoughts, Your ways, and Your plans, Lord. I lay down being so self-consumed in an attempt to protect myself. I lay down my anger, unforgiveness, and stubborn ways that beg me to build walls when I sense hints of rejection. I lay all these things down with my broken boards and ask that Your holy fire consume them until they become weightless ashes. And as I walk away, my soul feels safe. Held. And truly free to finally be me.
”
”
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
“
through the wonders of consumer culture and hey-look-my-life-is-cooler-than-yours social media, has bred a whole generation of people who believe that having these negative experiences—anxiety, fear, guilt, etc.—is totally not okay. I mean, if you look at your Facebook feed, everybody there is having a fucking grand old time. Look, eight people got married this week! And some sixteen-year-old on TV got a Ferrari for her birthday. And another kid just made two billion dollars inventing an app that automatically delivers you more toilet paper when you run out. Meanwhile, you’re stuck at home flossing your cat. And you can’t help but think your life sucks even more than you thought. The Feedback Loop from Hell has become a borderline epidemic, making many of us overly stressed, overly neurotic, and overly self-loathing.
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
Busy in the business of day—
my storming blood
has just met
a pair of eyes
rainswept sand….
That face, again, that face like sunken sand—
the sand, sunken, of a face that ancient….
More worn than my face unborn—
contours I have known
in the bones of her cheeks
a recognition—
a pair of orphans
unmasked at morn….
Because only, only a girl borne of remembering
could wear that countenance of mourning….
Across the wash pale soft of dawn
float close weighty blossoms
on thresholds unknown—
for the fragile, delicate tenderness
of her composure
just-holding, achingly,
on the edge of things….
A world of raindrops floating in her eyes—
in her eyes sand grains softly settle….
Although to one another we are
only a presence in the room
and all's silence between us—
still, hers is a presence I’ve known:
of age more somehow
than the day I was born
a relation there remains
nose kissed to nose….
Slaving in the sweat of the sun
I’m back at it in the beds—
as, over all the grounds,
waxing with the sun
personalities of sheds,
tines, the animals,
define themselves….
Heading now to the meal hall
to eat and talk, after digging—
when my momentum stalled:
by hedges of the wall's
the visage of her
in the sunny landscape
a teardrop of midnight….
Tearing's the flesh of my heart
on my cheeks in tears—
for her fragile chin
and the wrinkles of
her eyes when she smiles
so glassy I could cry….
Commotion of knives and forks—
today the commons are aloud
with cups and conversation:
a wisp here, a leap
of voices there
the day’s news bounces
its way through the crowd….
Splashing up a laughter of glasses
the guys devour their stories
about girls at the party—
and when we eat our fill
glad in our stomachs
there’s lots of chin in it
we raise each other’s grins
sitting in satisfaction
and stimulating to the sun….
Tense in the laughter
of friends and companions—
lines of my age un-wrinkle:
by portals of the door
her expression there's
more sober than smiling:
for guile am I un-abled….
Not the friction of sticks, no, nor
some feverish itch that must
until exhaustion consume—
but a long blue flame, slow
and fluidly moving
will our relation be:
a translucent vein
loose in the midnight river….
Now— into the doings of day:
but to approach her
my eyes can't meet
my walkingʻs fallen
dead at the knees
and thoughts of my head
now drown in blood—
blackness and oblivion...
”
”
Mark Kaplon (Song of Rainswept Sand)
“
I lie on the seashore, the sparkling flood blue-shimmering in my dreamy eyes; light breezes flutter in the distance; the thud of the waves, charging and breaking over in foam, beats thrillingly and drowsily upon the shore—or upon the ear? I cannot tell. The far and the near become blurred into one; outside and inside merge into one another. Nearer and nearer, friendlier, like a homecoming, sounds the thud of the waves; now, like a thundering pulse, they beat in my head, now they beat over my soul, wrapping it round, consuming it, while at the same time my soul floats out of me as a blue waste of waters. Outside and inside are one. The whole symphony of sensations fades away into one tone, all senses become one sense, which is one with feeling; the world expires in the soul and the soul dissolves in the world. Our little life is rounded by a great sleep. Sleep our cradle, sleep our grave, sleep our home, from which we go forth in the morning, returning again at evening; our life a short pilgrimage, the interval between emergence from original oneness and sinking back into it! Blue shimmers the infinite sea, where the jelly-fish dreams of that primeval existence to which our thoughts still filter down through aeons of memory. For every experience entails a change and a guarantee of life’s unity. At that moment when they are no longer blended together, when the experient lifts his head, still blind and dripping, from immersion in the stream of experience, from flowing away with the thing experienced; when man, amazed and estranged, detaches the change from himself and holds it before him as something alien—at that moment of estrangement the two sides of the experience are substantialized into subject and object, and at that moment consciousness is born.33
”
”
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
“
She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.”
Oliver eyes her closely. “Perhaps he was born villainous.”
“No one is born villainous.”
“Oh?” he said with raised eyebrow. “So we’re all born good?”
“Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.”
“For a woman who loves murder and mayhem, you’re quite the philosopher.”
“I like to understand how things work. Why people behave as they do.”
He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.”
She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.”
His features turned stony. “What do you mean?”
“Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.”
“Perhaps he can’t,” he clipped out.
“Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.”
Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure.
“I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear.
A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed.
“Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.”
Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things…
She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.”
“Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.”
“Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.”
He paused in his caress. “So he’s doomed, then?”
“No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.”
His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do.
“Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
When he slides in, I press my eyes shut and groan. This is going to be so, so good.
His smooth, slow thrusts turn animalistic in a matter of minutes. All I can do is cry out as the pleasure consumes me from head to toe, gripping for dear life onto the glass.
My head is shrouded in a fog of arousal. I can't get out a single coherent thought other than more, harder, faster, please.
I tell Max exactly that. And he does it all.
When his sounds turn quick and desperate, when his fingers turn viselike against my hips, I slide one of my hands between my thighs and circle frantically in the spot I need it most. This is the wildest, most lustful thing I've ever done in my life. Never in a million years did I think I'd ever be the type of girl who wants to have sex against a window overlooking downtown Portland, but I've never been so turned on. I've never been so consumed with pleasure.
This is the effect Max Boyson has on me. Not only does he make me ooey-gooey on the inside with his thoughtful gestures, his sweet words, and the way he looks at me like I'm the only person in the room. But with a single teasing kiss and the touch of his hand on my skin, I turn sex-crazed. He makes me feel so sexy and comfortable all at once. I love love love all the sides this man brings out in me.
With a firm hand, he grips my jaw and turns my face to the side so he can plant a desperate kiss on my mouth. Soon I'm trembling as climax threatens to wreck me.
When it hits, that's exactly what happens. I groan-scream and come apart in Max's grip. My head goes foggy as pleasure annihilates me. It's a glorious end, though. I'm left quivering, barely able to stand, but Max holds me securely in his arms. It's the sweetest and hottest hug from behind: his entire body covers me while his open mouth rests against my shoulder, gasping and growling at once.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
It's never going to stop,’ Malenfant whispered. ‘It will consume the Solar System, the stars—’
This isn't some local phenomenon, Malenfant. This is a fundamental change in the structure of the universe. It will never stop. It will sweep on, growing at light speed, a runaway feedback fueled by the collapse of the vacuum itself. The Galaxy will be gone in a hundred thousand years, Andromeda, the nearest large galaxy, in a couple of million years. It will take time, but eventually—
‘The future has gone,’ Malenfant said. ‘My God. That’s what this means, isn’t it? The downstream can’t happen now. All of it is gone. The colonization of the Galaxy; the settlement of the universe; the long, patient fight against entropy...’ That immense future had been cut off to die, like a tree chopped through at the root. ‘Why, Michael? Why have the children done this? Burned the house down, destroyed the future—’
Because it was the wrong future. Michael looked around the sky. He pointed to the lumpy, spreading edge of the unreality bubble.
There. Can you see that? It's already starting...
‘What is?’
The budding... The growth of the true vacuum region is not even. There will be pockets of the false vacuum—remnants of our universe—isolated by the spreading true vacuum. The fragments of false vacuum will collapse. Like—
‘Like black holes.’ And in that instant, Malenfant understood. ‘That’s what this is for. This is just a better way of making black holes, and budding off new universes. Better than stars, even.’
Much better. The black holes created as the vacuum decay proceeds will overwhelm by many orders of magnitude the mere billion billion that our universe might have created through its stars and galaxy cores.
‘And the long, slow evolution of the universes, the branching tree of cosmoses?...’
We have changed everything, Malenfant. Mind has assumed responsibility for the evolution of the cosmos. There will be many daughter universes—universes too many to count, universes exotic beyond our imagining—and many, many of them will harbor life and mind.
‘But we were the first.’
Now he understood. This was the purpose. Not the long survival of humankind into a dismal future of decay and shadows, the final retreat into the lossless substrate, where nothing ever changed or grew. The purpose of humankind—the first intelligence of all—had been to reshape the universe in order to bud others and create a storm of mind. We got it wrong, he thought. By striving for a meaningless eternity, humans denied true infinity. But we reached back, back in time, back to the far upstream, and spoke to our last children—the maligned Blues—and we put it right. This is what it meant to be alone in the universe, to be the first. We had all of infinite time and space in our hands. We had ultimate responsibility. And we discharged it. We were parents of the universe, not its children.
”
”
Stephen Baxter (Time (Manifold #1))
“
I also worried about her morale. During Linda’s first season working for Amazon, she had seen up close the vast volume of crap Americans were buying and felt disgusted. That experience had planted a seed of disenchantment. After she left the warehouse, it continued to grow. When she had downsized from a large RV to a minuscule trailer, Linda had also been reading about minimalism and the tiny house movement. She had done a lot of thinking about consumer culture and about how much garbage people cram into their short lives. I wondered where all those thoughts would lead. Linda was still grappling with them. Weeks later, after starting work in Kentucky, she would post the following message on Facebook and also text it directly to me: Someone asked why do you want a homestead? To be independent, get out of the rat race, support local businesses, buy only American made. Stop buying stuff I don’t need to impress people I don’t like. Right now I am working in a big warehouse, for a major online supplier. The stuff is crap all made somewhere else in the world where they don’t have child labor laws, where the workers labor fourteen- to sixteen-hour days without meals or bathroom breaks. There is one million square feet in this warehouse packed with stuff that won’t last a month. It is all going to a landfill. This company has hundreds of warehouses. Our economy is built on the backs of slaves we keep in other countries, like China, India, Mexico, any third world country with a cheap labor force where we don’t have to see them but where we can enjoy the fruits of their labor. This American Corp. is probably the biggest slave owner in the world. After sending that, she continued: Radical I know, but this is what goes through my head when I’m at work. There is nothing in that warehouse of substance. It enslaved the buyers who use their credit to purchase that shit. Keeps them in jobs they hate to pay their debts. It’s really depressing to be there. Linda added that she was coping
”
”
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
“
For many years I had tremendous problems with anger. I wouldn’t acknowledge it. It terrified me. I thought that I’d get lost in it. That once it started, it was never going to end. That it would totally consume me. But as I’ve said before, the opposite of depression is expression. What comes out of our body doesn’t make us ill. What stays in there does. Forgiveness is release, and I couldn’t let go until I gave myself permission to feel and express my rage. I finally asked my therapist to sit on me, to hold me down so I had a force to push against, so I could release a primal scream. Silent rage is self-destructive. If you’re not actively, consciously, intentionally releasing it, you’re holding on to it. And that’s not going to do you any good. Neither is venting anger. That’s when you blow your top. It might feel cathartic in the moment, but others foot the bill. And it can become addictive. You’re not really releasing anything. You’re just perpetuating a cycle—a harmful one. The best thing to do with anger is to learn to channel it, and then dissolve it.
”
”
Edith Eger (The Gift: 12 Lessons to Save Your Life)
“
Bishop’s book tells the story of how we’ve geographically, politically, and even spiritually sorted ourselves into like-minded groups in which we silence dissent, grow more extreme in our thinking, and consume only facts that support our beliefs—making it even easier to ignore evidence that our positions are wrong. He writes, “As a result, we now live in a giant feedback loop, hearing our own thoughts about what’s right and wrong bounced back to us by the television shows we watch, the newspapers and books we read, the blogs we visit online, the sermons we hear, and the neighborhoods we live in.” This sorting leads us to make assumptions about the people around us, which in turn fuels disconnection. Most recently, a friend (who clearly doesn’t know me very well) told me that I should read Joe Bageant’s book Deer Hunting with Jesus. When I asked him why, he answered, with contempt in his voice, “So you can better understand the part of America that college professors have never seen and will never understand.” I thought, You don’t know a damn thing about me, my family, or where I come from.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
Our great philosophers, our greatest poets, shrivel down to a single successful sentence, he said, I thought, that’s the truth, often we remember only a so-called philosophical hue, he said, I thought. We study a monumental work, for example Kant’s work, and in time it shrivels down to Kant’s little East Prussian head and to a thoroughly amorphous world of night and fog, which winds up in the same state of helplessness as all the others, he said, I thought. He wanted it to be a monumental world and only a single ridiculous detail is left, he said, I thought, that’s how it always is. Even Shakespeare shrivels down to something ridiculous for us in a clearheaded moment, he said, I thought. For a long time now the gods appear to us only in the heads on our beer steins, he said, I thought. Only a stupid person is amazed, he said, I thought. The so-called intellectual consumes himself in what he considers pathbreaking work and in the end has only succeeded in making himself ridiculous, whether he’s called Schopenhauer or Nietzsche, it doesn’t matter, even if he was Kleist or Voltaire we still see a pitiful being who has misused his head and finally driven himself into nonsense. Who’s been rolled over and passed over by history. We’ve locked up the great thinkers in our bookcases, from which they keep staring at us, sentenced to eternal ridicule, he said, I thought. Day and night I hear the chatter of the great thinkers we’ve locked up in our bookcases, these ridiculous intellectual giants as shrunken heads behind glass, he said, I thought. All these people have sinned against nature, he said, they’ve committed first-degree murders of the intellect, that’s why they’ve been punished and stuck in our bookcases for eternity. For they’re choking to death in our bookcases, that’s the truth. Our libraries are so to speak prisons where we’ve locked up our intellectual giants, naturally Kant has been put in solitary confinement, like Nietzsche, like Schopenhauer, like Pascal, like Voltaire, like Montaigne, all the real giants have been put in solitary confinement, all the others in mass confinement, but everyone for ever and ever, my friend, for all time and unto eternity, my friend, that’s the truth.
”
”
Thomas Bernhard (The Loser)
“
After a torrent of rapid knocking, Lucy swept past her in the hallway, threw her purse on the table, and landed her ass on the couch before turning expectantly toward Riley and patting the couch next to her. Her dark eyes examined every nuance of Riley’s appearance.
“Okay, dish,” she demanded. “Every last detail.”
Riley rolled her eyes and shook her head as she scooted across the floor in her sock feet. She didn’t feel great, but at least she wasn’t in full torture mode. She thought Lucy might have waited until afternoon instead of showing up at ten-thirty a.m. but what the hell. Her old sweatshirt hugged against her stomach as she pulled her arms together.
“Well,” she feigned ignorance, “what do you want to talk about?”
Lucy slammed her hand on the couch. “Oh, don’t you even. Right now.” She threw herself back against the couch, her face fixed in a not-to-be-toyed-with expression. Riley noted with mild interest how her breasts jiggled inside her white t-shirt. Maybe she was turning into some kind of sex fiend.
“Okay, yes, he sets me on fire. I can’t help it. Blame my gender lineage.”
“I could see he set you fire. Your eyes could hardly look at anything else.” She picked at a tear in her faded jeans then flared back at Riley with an expression of awe. “Of course, my eyes had a few spasms of their own in his direction. Shit, the man is a god. I can’t remember seeing a body that well put together. At least,” she arched her back, “not a male body.”
Riley threw back her head and laughed. Lucy was good tonic, at the very least. “Oh my god, can you stand it?!”
“No—but tell me you didn’t give in, before I pass out.”
“No, we didn’t have sex. But he did kiss me and my panties nearly fell straight to my ankles,” she chuckled. “He stopped himself, thank god, or I would have had him right there on the floor.”
“You were drunk.”
“Oh, yeah, ridiculous drunk. He ordered steaks delivered while he drove me home, and then sliced the steak for me and practically put it in my mouth.” She couldn’t sit still, the memory forcing her up from the couch to pace. She’d spent the entire morning and half the night trying to forget everything about him, and of course the other half had been consumed with remembering everything about him.
“Shit. Fire.” Lucy’s glance followed her. “I want some. Can we have him?
”
”
Lizzie Ashworth (His to Lose (Cannon Cousins, #4))
“
Tonight, an old ache awakens within me,
a yearning that threads through my veins like a distant song.
I am consumed by a passion that seizes every corner of my soul,
an urgent fire that longs to be stoked by your touch.
The thought of you ignites a blaze that refuses to be contained,
a hunger for the nights we could share, where our bodies speak the language of longing,
and every moment is a tender exploration of desire.
I feel us entwined already,
as if our souls have danced together before.
Without you, I wander in a sea of echoes,
lost in the silent spaces where your presence should be.
You are not just a lover; you are the very pulse of my heart.
In your embrace, I find a completeness that words cannot capture,
a connection that feels ancient and profound—
a bond that burns fiercely, beautifully, even as it breaks my heart.
Please, let us come together soon.
I am aching with a fervor that only you can soothe,
burning with a passion that is both a comfort and a torment,
an insatiable need to be near you,
to lose myself in the warmth of our union.
All I desire is to be with you,
to surrender to the depth of our shared longing,
for you are the world to me,
the fire that lights my darkest nights.
”
”
Anna Curto
“
grip my hardening length in my hand, stroking it once, twice, up and down, twisting the head as I play that moment over and over again in my mind. What I wouldn’t give to go back and put my mouth right over that dark bud, suck it through the material. The sensation driving her crazy but without me ever fully touching her actual heated flesh. My hand moves faster as I imagine her arching her back, giving in to me as I grip her hair, pulling her head back and nipping her neck. My breathing grows labored, and my hips jut forward. Fuck. Just thinking about her like this is enough to kill me, and I’ve had a taste of her. To be inside her will send me over an edge I’ll never come back from. I’ve never had these thoughts about a girl, been completely consumed by one before. But I’m fucked now. I know that I’ll take the guys up on their offer. My head knows what an absolute disaster of an idea it is, but my fucking dick can’t say no. I lean over, gripping the wall of the shower with my hand as I pump faster. Chest heaving, I feel my balls tighten. I come with a groan, the release relieving me and then creating more tension inside me. I can’t even fucking come without her in my mind. I shouldn’t allow this, but I’m a slave to my thoughts now.
”
”
Jacie Lennon (King of Nothing (Boys of Almadale, #1))
“
The distance between us was just a few inches of evening air, but his arm seemed to bridge a span of miles and his featherlight touch crumbled walls that had taken
years to build.
His fingers moved into my hair, and his other arm slid around my waist. My hands wanted to go to him, but in disbelief, I couldn’t move.
He took a breath and, for a moment, I thought he was about to speak. Instead, he drew me to him and kissed me.
It was a gentle kiss, just his lips against mine as we breathed each other in, but it eased a deep, consuming sense of loss I hadn’t even been fully aware of. I
wrapped my arms around him, holding him closer and letting him overwhelm my senses. For all that had been said and all we’d been through, it was this kiss—this
deliberate, silent return to the way things should have been—that allowed me to release my breath for the first time in months. In years.
I had to break the kiss just to look at him, to remind myself that this was real. Our eyes met, and it was. He was here. My world was back on its axis.
There were a thousand things I wanted to say, to ask, to know, but words hadn’t done us a lot of good. All they’d done was keep me from hearing everything he’d
tried to tell me all along. Talking could wait until we’d said all the things we needed to say.
So I kissed him again.
”
”
L.A. Witt (The Distance Between Us (The Distance Between Us #1; Wilde's #2))
“
Someone once asked me if I’ve ever been in love. ..
I wasn’t sure how to answer her.
Out of all the billions of people in the world, I’ve had a few mysterious encounters, a few scattered occasions where I met someone who seemed to awaken some unknown part in me. On the rare occasion, I’ve lost myself in someone. I became so consumed with her that I lost all sense of time and space. I forgot where I was, what I was, who I was, until there was only the two of us, melting together like a soul on fire, and the world around us faded into oblivion, until we were the only thing left in the entire universe.
I felt my skin tingle and my heart grow so full I thought it might explode, and I could not stop thinking about her, and I saw the untapped potential of an alternate future flash before my eyes, all the myriad memories of passion and pain and searing romance all overlapping, layers upon layers, like the stars. Then the world returned and there we were again, two ordinary people full of desperate, trembling longing, with only a dim recollection of the moment we both shared. But the vision of that alternate future still lingered in my mind’s eye. In that world between worlds, I could still feel her, could practically taste her on my lips.
Have I ever been in love?
I’d like to think so.
Because if that’s not love, then I don’t know what is.
”
”
James Michael Rice
“
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
I love Africa....... Each day each breath, she consumes me. I have never changed so much In such a short time Each day I feel more part of her. Her colour, smell, her smiles , the ever changing landscapes. Vast deserts rolling hills plaines & Mountains. Her beauty and her majesty. Like sweet wine flowing through my veins, my heart sings as I wave to all those faces going by. Back home to my Grandmothers Birth place. They said “welcome home”, those village boys. How did they know? You all said I would cry, I thought no, but yes I often do. Not for their pain but for their happiness . I cry now, together hearts will sing ,” I love Africa”. See her now as I write.. Kilimanjaro , it doesn’t get much better .Tears on a hard mans face. There is no time but now , no words just peace. Thousands of smiling faces, the mass of souls are singing out . Yes I see and feel it now.... In those trees I sense the Spirits of our saving , could it be our looking for? Sailing ships a familiar shore, now I’m crying happy and singing . Thoughts intense of please no more. I love Africa. An epiphany I can’t explain .Not like the ancient rituals , sound of rain, and men together by campfires. Beginning to end but there really is no such thing as time, just imaginings. We still love sitting by the camp fire and we love listening to the rain? I love Africa the Eden and our Birthplace , Man.
How can I explain to you my friend what I have seen and felt unless you too have seen it all ... Africa.
Michael Burke.
”
”
Michael Burke
“
How are you off for drink? We have got everything in the world on board here. Can you catch?’ and almost immediately a large bottle of champagne was thrown from the gunboat to the shore. It fell in the waters of the Nile, but happily where a gracious Providence decreed them to be shallow and the bottom soft. I nipped into the water up to my knees, and reaching down seized the precious gift which we bore in triumph back to our mess.
This kind of war was full of fascinating thrills. It was not like the Great War. Nobody expected to be killed. Here and there in every regiment or battalion, half a dozen, a score, at the worst thirty or fourty, would pay forfeit; but to the great mass of those who took part in the little wars of Britain in those vanished and light-hearted days, this was only a sporting element in a splendid game. Most of us were fated to se a war where the hazards were reversed, where death was the general expectation and severe wounds were counted as lucky escapes, where whole brigades were shorn away under the steel flail of artillery and machine-guns, where the survivors of one tornado knew that they would certainly be consumed in the next or the next after that.
Everything depends upon the scale of events. We young men who lay down to sleep that night within three miles of 60,000 well-armed fanatical Dervishes, expecting every moment their violent onset or inrush and sure of fighting at latest with the dawn – we may perhaps be pardoned if we thought we were at grips with real war.
”
”
Winston S. Churchill (A Roving Commission; My Early Life (1930))
“
I loved you from the beginning,” she said, forcing herself to look directly at him. “I can see that now, although at the time I didn't realize what was happening. I haven't wanted to face the truth, that I am exactly what you called me—a coward.” Her gaze searched Zachary's dark face for a reaction to her admission, but there was no sign of emotion. He downed another two fingers of brandy, consuming the distillation with slow, deliberate swallows. “When George died in my arms,” Holly continued raggedly, “I wanted to die, too. I never wanted to feel such pain again, and I knew the safest thing would be to never let myself love anyone that way. And so I used my promise to George as an excuse to hold you at bay.” Holly paused uncertainly, realizing that for some reason her words had caused a flush to rise from Zachary's throat to his ears. Taking courage from that telltale wash of color, she forced herself to go on. “I was willing to use any reason I could find to keep from loving you. And then… when you and I… in the summerhouse…” Too distraught to look at him any longer, Holly lowered her head. “I had never felt that way before,” she said. “I was utterly lost. I had no control over my heart or my thoughts, and so I was frantic to leave you. Ever since then I've tried to step back into my old life, but the fit isn't right anymore. I've changed. Because of you.” Suddenly she could barely see him through a scalding rush of tears. “I've finally realized that there is something worse than possibly losing you… and that is never having you at all.” Her voice cramped and faltered, and she could only whisper. “Please let me stay, Zachary—on any terms you desire. Don't make me live without you. I love you so desperately.
”
”
Lisa Kleypas (Where Dreams Begin)
“
We have been thinking and doing a post jobs-system economy in Detroit for more than two decades. In fall 2011, several hundred people from Detroit and around the nation came together to share the lessons we have derived from our struggles to distinguish “work” from “jobs.” I noted that people moved from the farm to the city to take “jobs.” They went from making clothes and growing food to buying clothes and buying food. Humans changed from producers to consumers, and their models and ideals of work became factory oriented. Olga Bonfiglio, a professor at Kalamazoo College, wrote a thoughtful response to my presentation and the many others comprising our Reimagining Work conference. “Basically, work is about one’s calling in life and contributions to the community while jobs are more about the specific tasks people perform for an organization,” she remarked. “ ‘Jobs’ have a dehumanizing effect as people fill interchangeable slots in a big machine. In today’s global economy workers can be easily replaced with those willing to work for lower wages. So, transformation to any new system of ‘work’ must begin with one’s own personal discernment about identity and purpose in this life.” We know we have not been alone in Detroit. All over the planet more and more people are thinking beyond making a living to making a life—a life that respects Earth and one another. Just as we need to reinvent democracy, now is the time for us to reimagine work and reimagine life. The new paradigm we must establish is about creating systems that bring out the best in each of us, instead of trying to harness the greed and selfishness of which we are capable. It is about a new balance of individual, family, community, work, and play that makes us better humans.
”
”
Grace Lee Boggs (The Next American Revolution: Sustainable Activism for the Twenty-First Century)
“
We are cradlers of secrets. Every day patients grace us with their secrets, often never before shared. Receiving such secrets is a privilege given to very few. The secrets provide a backstage view of the human condition without social frills, role playing, bravado, or stage posturing. Sometimes the secrets scorch me and I go home and hold my wife and count my blessings. Other secrets pulsate within me and arouse my own fugitive, long-forgotten memories and impulses. Still others sadden me as I witness how an entire life can be needlessly consumed by shame and the inability to forgive oneself.
Those who are cradlers of secrets are granted a clarifying lens through which to view the world—a view with less distortion, denial, and illusion, a view of the way things really are. (Consider, in this regard, the titles of books written by Allen Wheelis, an eminent psychoanalyst: The Way Things Are, The Scheme of Things, The Illusionless Man.)
When I turn to others with the knowledge that we are all (therapist and patient alike) burdened with painful secrets—guilt for acts committed, shame for actions not taken, yearnings to be loved and cherished, deep vulnerabilities, insecurities, and fears—I draw closer to them. Being a cradler of secrets has, as the years have passed, made me gentler and more accepting. When I encounter individuals inflated with vanity or self-importance, or distracted by any of a myriad of consuming passions, I intuit the pain of their underlying secrets and feel not judgment but compassion and, above all, connectedness. When I was first exposed, at a Buddhist retreat, to the formal meditation of loving-kindness, I felt myself much at home. I believe that many therapists, more than is generally thought, are familiar with the realm of loving-kindness.
”
”
Irvin D. Yalom
“
The Fatals,” I breathe. “Yes.” He seems to stiffen at the title. “And it seems you have already encountered one.” The Silencer I fought in the alley comes to mind as I say slowly, “Was he…?” “Yes, he was a Resistance member.” Calum holds up a hand, silencing the apology I was about to utter for taking one of their members down. “There is no need to apologize, Paedyn. It was Micah’s own foolishness that got him caught.” “He always was a hothead,” Lenny mutters. “And a dumbass. A reckless dumbass. To think he could take down a prince, the future Enforcer, without consequences…” My eyes dance between the five of them. “Do I get to know exactly why this Micah is a reckless dumbass?” “Because he saw the prince already weakened and his anger got the best of him,” Mira says, her expression void of sympathy. “Long story short, Prince Kai killed someone very close to Micah, consuming the Silencer with rage and a need for revenge. When he saw the prince in that alley, worn out and preoccupied, he took the opportunity to try and take him down.” She pins me with a stare. “But you took him down instead.” “At the time, we didn’t know who you were,” Lenny adds. “We put the pieces together when we saw your name on the banner on Loot and saw you at the interviews.” “I thought you were dead, Paedyn,” Calum says gravely. “And then you suddenly showed up in the Trials, and we had found Adam’s daughter. Well, you found us.” “Who would have thought that Adam Gray’s daughter, the kid of a Resistance leader, would be the one to rob me blind and find that note,” Finn says with a sigh. “The note that led you right to us and right back to your own home.” He looks up at the ceiling and smiles to himself. “When I saw you at the ball, saw you recognize who I was, I knew it wouldn’t be long before you came and found us.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
Say you want me.” His mouth moved over her throat, closed over her aching breast. Every strong pull sent an answering rush of liquid heat.
“You know I do.” She pressed him to her, wound a leg around his.
She could barely breathe with her need, clawing at him to get closer, to crawl inside the shelter of his body, his mind, to feel his body in hers, taking possession as he was meant to, to feel his mouth at her breast, dragging her further into his world.
“All of it,” he said hoarsely, his fingers probing the nest of tiny curls, stroking, caressing. “Mate with me my way.”
She moved in a kind of anguish against his hand. “Yes, Mikhail.” She was frantic for release, frantic to relieve him. She was consumed with the same red haze, not separating love from lust or hunger from need. She was on fire, hurting, aching, body and mind, even her soul in torment, not knowing where his wild, uninhibited emotions left off and hers began.
Mikhail lifted her easily with his enormous strength, slid her slowly, erotically down his clenching belly until she was pressed against the broad head of his raging erection. Her heat seared him, beckoned. Raven’s arms slid around his neck, her legs around his hips, opening for him. Slowly he lowered her body over his, impaled her on the thick length of fire so that she surrounded him with such a moist, tight sheath he shuddered, somewhere beyond mere pleasure, a kind of erotic heaven and hell.
Her nails dug into his shoulders. “Stop, Mikhail. You’re too big this way.” Alarm spread across her face.
“Relax, little one. We belong together, our bodies were made for one another.” He slid in farther, began to move in a long, slow rhythm, his hands caressing, soothing.
He shifted his shoulders so that he could see her face, his body claiming hers with deep, sure, possessive strokes. Without conscious thought, the words formed in his mind. Te avio päläfertiilam--You are my lifemate.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
It was through this imposed accumulation of chaos that she struggled to move now: beyond it lay simplicity, unmeasurable, residence of perfection, where nothing was created, where originality did not exist: because it was origin; where once she was there work and thought in causal and stumbling sequence did not exist, but only transcription: where the poem she knew but could not write existed, ready-formed, awaiting recovery in that moment when the writing down of it was impossible: because she was the poem. Her hand tipped toward the paper, black stroke the pen made there, but only that stroke, line of uncertainty. She called her memory, screamed for it, trying to scream through it and beyond it, damned accumulation that bound her in time: my memory, my bed, my stomach, my terror, my hope, my poem, my God: the meanness of my. Must the flames of hell be ninety-story blazes? or simply these small sharp tongues of fire that nibble and fall to, savouring the edges and then consume, swept by the wind of terror at exposing one's self, losing the aggregate of meannesses which compose identity, in flames never reaching full roaring crescendo but scorch through a life like fire in grass, in the world of time the clock tells. Every tick, synchronised, tears off a fragment of the lives run by them, the circling hands reflected in those eyes watching their repetition in an anxiety which draws the whole face toward pupiled voids and finally, leaves lines there, uncertain strokes woven into the flesh, the fabric of anxiety, double-webbed round dark-centered jellies which reflect nothing. Only that fabric remains, pleached in the pattern of the bondage which has a beginning and an end, with scientific meanness in attention to details, of a thousand things which should not have happened, and did; of myriad mean events which should have happened, and did not: waited for, denied, until life is lived in fragments, unrelated until death, and the wrist watch stops.
”
”
William Gaddis, The Recognitions
“
It was through this imposed accumulation of chaos that she struggled to move now: beyond it lay simplicity, unmeasurable, residence of perfection, where nothing was created, where originality did not exist: because it was origin; where once she was there work and thought in causal and stumbling sequence did not exist, but only transcription: where the poem she knew but could not write existed, ready-formed, awaiting recovery in that moment when the writing down of it was impossible: because she was the poem. Her hand tipped toward the paper, black stroke the pen made there, but only that stroke, line of uncertainty. She called her memory, screamed for it, trying to scream through it and beyond it, damned accumulation that bound her in time: my memory, my bed, my stomach, my terror, my hope, my poem, my God: the meanness of my. Must the flames of hell be ninety-story blazes? or simply these small sharp tongues of fire that nibble and fall to, savouring the edges and then consume, swept by the wind of terror at exposing one's self, losing the aggregate of meannesses which compose identity, in flames never reaching full roaring crescendo but scorch through a life like fire in grass, in the world of time the clock tells. Every tick, synchronised, tears off a fragment of the lives run by them, the circling hands reflected in those eyes watching their repetition in an anxiety which draws the whole face toward pupiled voids and finally, leaves lines there, uncertain strokes woven into the flesh, the fabric of anxiety, double-webbed round dark-centered jellies which reflect nothing. Only that fabric remains, pleached in the pattern of the bondage which has a beginning and an end, with scientific meanness in attention to details, of a thousand things which should not have happened, and did; of myriad mean events which should have happened, and did not: waited for, denied, until life is lived in fragments, unrelated until death, and the wrist watch stops.
”
”
William Gaddis (The Recognitions)
“
I’m sorry, Rosie,” Silas says when he sees the sadness in my eyes. I shake my head, trying to brush the look away, but Silas isn’t easily deterred. He hesitates, then leans on the counter beside me, moving slowly as if he needs verification that each move is acceptable, wanted.
“Hey,” he says, resting two fingers on my arm. It starts as a friendly gesture. I press my lips together as he slides his palm up my arm and around his shoulders. Silas paused, and though I’m not certain, I think he realizes that the touch is far more friendly as well—a thought that makes me dizzy but practically forces me to move my own hand to the small of his back. I close my eyes and inhale, and I feel Silas’s breath on my forehead, hear his relaxed heartbeats. His lips are so close to me, I could easily tilt my head back and kiss him if I were braver. It’s hard to not sigh, like the exhausted breath is building up in my chest and I’m holding it back, though more than anything I want to release it, to truly hold myself against him—
Scarlett’s shower cuts off. Silas snatches his arm away and I lean back up, head swirling from the quick change.
“Um . . . right,” Silas says, looking startled. He looks at me. “Okay, back to studying Potentials, wolves, important stuff . . .” He shakes his head as if he’s casting away a mental fog.
I bite my lip. I want to get out of here—I need to get out of here, or the thumping desire for Silas is going to consume me. There’s no way Scarlett won’t figure it out if I can’t escape and get my mind off him. It’s just for a little while—I can go get groceries or something. Silas will help her research. We can’t keep paying for Chinese food. I meet Silas’s eyes, dashes of sky color in the monotone apartment.
“I’ll be back,” I say, then dart for the door.
“Wait!” he whispers sharply. He lunges toward the couch and tosses me the belt with my knives on it. “Just in case.” I catch it with one hand and swing it around my waist. Silas gives me a sly smile—does he know the affect that smile has on me?
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
Reaching the bottom of the ladder, she turned around, but had only taken a few steps down the swaying passageway when her path was blocked by a large, formidable silhouette: Rohan stepped out of his cabin and stood waiting for her.
He loomed in the darkness ahead as she approached, his angular face cast in shadow, his black shirt hanging open down his sculpted chest.
Kate felt an instantaneous awareness of him in her most primal core, but she hesitated before the fevered intensity in his stare. "I-I thought you went to bed."
"Can't sleep."
She did not need to ask why. Who could sleep after the night he'd had? She stopped in front of him, wondering what to say. His hungry gaze stayed fixed on her, and something in his silvery eyes made her heart begin to pound. "What did you think of what my father said?"
"I don't want to talk." As he reached out and cupped her cheek, Kate swallowed hard, but she hardly had to ask what he wanted to do. She could feel the heat of his need coming off him in waves.
She drew in her breath as he ran his hand down from her cheek along the side of her neck. He threaded his fingers into her hair, moving closer as he drew her toward him. He bent his head and claimed her mouth, his lips, burning, silken, against hers; she quivered with temptation as he consumed her tongue. The fierce demand in his kiss threatened to overwhelm her.
"I want you," he whispered, breathing heavily.
His bold advance jarred her somewhat back to her senses. "You must be joking," she uttered, yanking away from him and trying to hide her mad desire behind a mask of self-possession. "I'm not your harlot anymore."
"You said you love me. Prove it," he murmured. He captured her hand and brought her palm to his loins, making her feel the massive evidence of his sincerity.
She bit her lower lip, striving to reason against passion. Letting her palm linger on his rigid shaft a heartbeat too long, she withdrew her touch, determined to get around him. "Rohan."
"Sleep with me," he ordered in a whisper, too proud to beg, but then again, he'd never have to.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
I am a Carpathian male, long in the world of darkness. It is true that I feel very little, that my nature revels in the hunt, in the kill. To overcome the wild beast we have to find our one mate, our other half, the light to our darkness. You are my light, Raven, my very life. That does not take away my obligations to my people. I must hunt those who prey on mortals, those who prey on our people. I cannot feel while I do so, or madness would be my fate. Kiss me and merge your mind with mine. Love me for who I am.”
Raven’s body ached and burned. Needed. Hungered. His heart beat so strongly. His skin felt so temptingly hot, his muscles hard against her softness. Every touch of his lips sent a jolt of electricity sizzling through her.
“I cannot lie to you,” he whispered. “You know my thoughts. You know the beast that dwells inside. I try to be gentle with you, to listen to you. Always that wildness breaks free, but you tame me. Raven, please, I need you. And you need me. Your body is weak, I can feel your hunger. Your mind is fragmented--allow me to heal you. Your body cries out for mine as mine does for yours. Kiss me, Raven. Do not give up on us.”
Her blue eyes continued to search his face and then came to rest on his sensual mouth. A small sigh escaped. His lips hovered over hers, waited for her answer.
It was in her eyes first, that moment of complete recognition. Tenderness rushed over her, and she caught his head in her hands. “I think I’m afraid I made you up, Mikhail. That something so much a part of me, so perfect, can’t be real. I don’t want you to be what I dreamed of and the nightmare to be real.”
She brought his face the inch separating them and fastened her mouth to his. Thunder pounded in her ears, in his. White-hot heat streaked and danced, consumed her, consumed him. His hand touched hers gently, tentatively, found no resistance, and he merged them together so that his burning need became hers, so that the wild, unbridled passion in him fed hers. So that she knew he was real and would never leave her alone, could never leave her alone.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
In my generation we did a lot of pleasure chasing—we, the generation responsible for today’s twenty-year-olds and thirty-year-olds and forty-year-olds. Before they came into our lives, we were on a pleasure binge, and the need for immediate gratification passed through us to our children.
When I got out of the Army in 1944, the guys who were being discharged with me were mostly between the ages of eighteen and thirty. We came home to a country that was in great shape in terms of industrial capacity. As the victors, we decided to spread the good fortune around, and we did all kinds of wonderful things—but it wasn’t out of selfless idealism, let me assure you. Take the Marshall Plan, which we implemented at that time. It rebuilt Europe, yes, but it also enabled those war ruined countries to buy from us. The incredible, explosive economic prosperity that resulted just went wild. It was during that period that the pleasure principle started feeding on itself.
One generation later it was the sixties, and those twenty-eight-year-old guys from World War II were forty-eight. They had kids twenty years old, kids who had been so indulged for two decades that it caused a huge, first-time-in-history distortion in the curve of values. And, boy, did that curve bend and bend and bend.
These postwar parents thought they were in nirvana if they had a color TV and two cars and could buy a Winnebago and a house on the lake. But the children they had raised on that pleasure principle of material goods were by then bored to death. They had overdosed on all that stuff. So that was the generation who decided, “Hey, guess where the real action is? Forget the Winnebago. Give me sex, drugs, and rock ‘n’ roll.” Incredible mind-blowing experiences, head-banging, screw-your-brains-out experiences in service to immediate and transitory pleasures.
But the one kind of gratification is simply an outgrowth of the other, a more extreme form of the same hedonism, the same need to indulge and consume. Some of those same sixties kids are now themselves forty-eight. Whatever genuine idealism they carried through those love-in days got swept up in the great yuppie gold rush of the eighties and the stock market nirvana of the nineties—and I’m afraid we are still miles away from the higher ground we seek.
”
”
Sidney Poitier (The Measure of a Man: A Spiritual Autobiography)
“
You’re like a nuclear missile, you’re dropped somewhere and cause devastation all around. You’ve always been that way. And I figured you’d come here and just fucking destroy everything that stood against me, like you do all the time. I wanted to tell you, I really did, but I couldn’t. I couldn’t risk you saying no, to the whole plan going out the window.” I got off Galahad, who adjusted his suit, but didn’t bother getting back to his feet. “Do you even know what Simon was here for?” “No, although we will. A few years in a dungeon will loosen his tongue a little.” “I never thought you’d be on the receiving end of my anger,” I said softly. “I always thought you’d be honest with me. That you knew how I felt after leaving Merlin, leaving behind the lies and manipulations. But I was wrong. You’re just shittier at it than he was.” “I have more important things to do than lament whatever has broken in our friendship,” he said, anger leaking from every syllable. “I think you should leave this city and this state.” “You’re having me kicked out?” Galahad shook his head. “I’ll be putting Bill Moon in charge of the investigation into what happened here. We’ll make things more palatable for the humans living here, and then we’ll be taking Simon back to Shadow Falls.” “And Rean?” “He has refused my aid and vanished with his remaining colony into the woods. Nine out of twenty-two died today, I doubt he wishes to involve himself with the affairs of anyone other than his colony.” “You lost two allies in space of a day and damaged your reputation as a ruler who takes care of his own. Congrats. You must be very proud.” “I think we’re done here,” he said and got back to his feet once more. I took a step toward him and I noticed something in his expression. Fear. But not fear of me, Galahad would never have been scared of me, but maybe the fear of what had been lost between us, and my anger evaporated, replaced with sadness. “Galahad, you should know something,” I said, gaining his attention as he walked off toward the house. He stopped at the open door and glanced back at me. “What is it?” “I’m not a nuclear bomb, I’m a scalpel. I cut away the tumors and diseased flesh that threatens to consume everything. So, you need to be very careful that during your reign, you don’t become something that requires my utmost attention.” And with that, I turned and walked away.
”
”
Steve McHugh (With Silent Screams (Hellequin Chronicles, #3))
“
In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.”
“Me, too,” said both of the kids.
“But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.”
It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door.
A tiny frog was sitting on the door handle.
A frog, really? Talk about strange.
Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.)
But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle?
The kids gathered round. Call me squeamish, but I didn’t want to touch it.
“Get it off, Bubba!” I said.
“No way.”
We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely.
“There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.”
“A…frog?”
“Yes, it’s like a jungle down here, so hot and humid.”
“A frog?”
“Yeah.”
“And you don’t think there’s anything interesting about that?”
“Oh my God,” I said, suddenly realizing the connection.
I know, I know: just a bizarre coincidence.
Probably.
I did sleep really well that night.
The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out.
I can’t keep seeing you everywhere.
Maybe I’m crazy.
I’m sorry. It’s too painful.
I went and made myself a cup of coffee. I didn’t see him anymore that week.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
”
”
William H. Gass (Middle C)
“
You do that a great deal, don’t you?”
He swallowed the rest of his wine. “What?”
“Close up into yourself whenever someone tries to peer into your soul. Make a joke of it.”
“If you came out here to lecture me,” he snapped, “don’t bother. Gran has perfected that talent. You can’t possibly compete.”
“I only want to understand.”
“I want to be consumed by a star, but we don’t all get what we want.”
“What?”
“Never mind.” Turning for the nearest door into the house, he started to stalk off, but she caught his arm.
“Why are you so angry at your grandmother?” Maria asked.
“I told you-she’s trying to ruin the lives of me and my siblings.”
“By requiring you to marry so you can have children? I thought all lords and ladies were expected to do that. And the five of you are certainly old enough.” Her tone turned teasing. “Some of you are beyond being old enough.”
“Watch it, minx,” he clipped out. “I’m not in the mood for having my nose tweaked tonight.”
“Because of your grandmother, you mean. It’s not just her demand that has you angry, is it? It goes back longer than that.”
Oliver glared at her. “Why do you care? Has she got you fighting her battles for her now?”
“Hardly. She just informed me that I was, and I quote, ‘exactly the sort of woman who would not meet my requirements of a wife.’”
A smile touched his lips at her accurate mimicking of Gran at her most haughty. “I told you she would think that.”
“Yes,” she said dryly. “You both excel at insulting people.”
“One of my many talents.”
“There you go again. Making a joke to avoid talking about what makes you uncomfortable.”
“And what is that?”
“What did your grandmother do, besides giving you an ultimatum about marriage, that has you at daggers drawn?”
Blast it all, would she not leave off? “How do you know she did anything? Perhaps I’m just contrary.”
“You are. But that’s not what has you so angry at her.”
“If you plan to spend the next two weeks asking ridiculous questions that have no answers, then I will pay you to return to London.”
She smiled. “No, you won’t. You need me.”
“True. But since I’m paying for the service you’re providing, I get some say in how it’s rendered. Bedeviling me with questions isn’t part of our bargain.”
“You haven’t paid me anything yet,” she said lightly, “so I should think there’s some leeway in the terms. Especially since I’ve been working hard all evening furthering your cause. I just finished telling your grandmother that I have ‘feelings’ for you, and that I know you have ‘feelings’ for me.”
“You didn’t choke on that lie?” he quipped.
“I do have feelings for you-probably not the sort she meant, though apparently she believed me. But she was suspicious. She’s more astute than you give her credit for. First she accused us of acting a farce, and then, when I denied that, she accused me of thinking to marry you so I could gain a fortune from her down the line.”
“And what did you say to that?”
“I told her she could keep her precious fortune.”
“Did you, indeed? I would have given my right arm to see that.” Maria was proving to be an endless source of amazement. No one ever stood up to Gran-except this American chit, with her naïve beliefs in justice and right and morality.
It amazed him that she’d done it, considering how he’d treated her. No one, not even his siblings, had ever defended him with so little reason. It stirred something that had long lain dead inside him.
His conscience? No, that wasn’t dead; it was nonexistent.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
I don’t…believe you,” she lied, her blood running wild through her veins.
His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers.
This was not what she’d set out to get from him.
But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life.
Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught.
Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her.
Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom.
As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer.
Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there.
Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him.
How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him.
Belonging to him. Oh, Lord!
She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard?
Never again, curse him! Never!
For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest.
“You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!”
As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.”
She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?”
A shadow crossed his face. “I did not throw you away. You jilted me, remember?”
That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.”
“Fiction?” He hurried after her. “What are you talking about?”
“Oh, why can’t you just admit what you really did and be done with it?”
Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.”
“That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.”
Then she strode out of the alley, leaving him to stew in his own juices.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
If you’d convinced Nancy to marry you, you might not have had to go off to be a Bow Street runner. You could have had an easier life, a better life in high society than you could have had with me if you’d married me. Without being able to access my fortune, I could only have dragged you down.”
“You don’t really believe that I wanted to marry her for her money,” he gritted out.
“It’s either that or assume that you fell madly in love with her in the few weeks we were apart.” They were nearly to the inn now, so she added a plaintive note to her voice. “Or perhaps it was her you wanted all along. You knew my uncle would never accept a second son as a husband for his rich heiress of a daughter, so you courted me to get close to her. Nancy was always so beautiful, so--”
“Enough!”
Without warning, he dragged her into one of the many alleyways that crisscrossed York. This one was deeply shadowed, the houses leaning into each other overhead, and as he pulled her around to face him, the brilliance of his eyes shone starkly in the dim light.
“I never cared one whit about Nancy.”
She tamped down her triumph--he hadn’t admitted the whole truth yet. “It certainly didn’t look that way to me. It looked like you had already forgotten me, forgotten what we meant to each--”
“The hell I had.” He shoved his face close to hers. “I never forgot you for one day, one hour, one moment. It was you--always you. Everything I did was for you, damn it. No one else.”
The passionate profession threw her off course. Dom had never been the sort to say such sweet things. But the fervent look in his eyes roused memories of how he used to look at her. And his hands gripping her arms, his body angling in closer, were so painfully familiar...
“I don’t…believe you,” she lied, her blood running wild through her veins.
His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers.
This was not what she’d set out to get from him.
But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life.
Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught.
Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her.
Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom.
As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer.
Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there.
Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him.
How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him.
Belonging to him.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die.
So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right).
Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce?
Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins.
Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall.
He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it.
That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
”
”
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
“
You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to door. She tied her long hair away from her face, meticulously turning on specific track lights and not others, perhaps to highlight the beauty of her Scandinavian-style furniture choices or the incomparable city view. Then she poured herself a glass of wine from a previously opened bottle, joining Reina on the sofa with an air of hospitably withheld dread.
“I was born here in Tokyo,” Reina commented. “Not far from here, actually. There was a fire the day I was born. People died. My grandmother always thought it meant something that I was—” She broke off. “What I was.”
“People often search for meaning where there is none,” said Aiya placidly. Perhaps in a tone of sympathy, though Reina wasn’t sure what to think anymore. “Just because you can see two points does not mean anything exists between them.”
“In other words, fate is a lie we tell ourselves?” asked Reina drolly.
Aiya shrugged. Despite the careful curation of her lighting, she looked tired. “We tell ourselves many stories. But I don’t think you came here just to tell me yours.”
No. Reina did not know why she was there, not really. She had simply wanted to go home, and when she realized home was an English manor house, she had railed against the idea so hard it brought her here, to the place she’d once done everything in her power to escape.
“I want,” Reina began slowly, “to do good. Not because I love the world, but because I hate it. And not because I can,” she added. “But because everyone else won’t.”
Aiya sighed, perhaps with amusement. “The Society doesn’t promise you a better world, Reina. It doesn’t because it can’t.”
“Why not? I was promised everything I could ever dream of. I was offered power, and yet I have never felt so powerless.” The words left her like a kick to the chest, a hard stomp. She hadn’t realized that was the problem until now, sitting with a woman who so clearly lived alone. Who had everything, and yet at the same time, Reina did not see anything in Aiya Sato’s museum of a life that she would covet for her own.
Aiya sipped her wine quietly, in a way that made Reina feel sure that Aiya saw her as a child, a lost little lamb. She was too polite to ask her to leave, of course. That wasn’t the way of things and Reina ought to know it. Until then, Aiya would simply hold the thought in her head.
“So,” Aiya said with an air of teacherly patience. “You are disappointed in the world. Why should the Society be any better? It is part of the same world.”
“But I should be able to fix things. Change things.”
“Why?”
“Because I should.” Reina felt restless. “Because if the world cannot be fixed by me, then how can it be fixed at all?”
“These sound like questions for the Forum,” Aiya said with a shrug. “If you want to spend your life banging down doors that will never open, try their tactics instead, see how it goes. See if the mob can learn to love you, Reina Mori, without consuming or destroying you first.” Another reflective sip. “The Society is no democracy. In fact, it chose you because you are selfish.” She looked demurely at Reina. “It promised you glory, not salvation. They never said you could save others. Only yourself.”
“And that is power to you?”
Aiya’s smile was so polite that Reina felt it like the edge of a weapon. “You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to you, Reina Mori, you belong to it, and perhaps when it is ready for a revolution it will look to you for leadership.
”
”
Olivie Blake (The Atlas Complex (The Atlas, #3))