Construction Crane Quotes

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There are so many new skyscrapers being built in our city of rain, I wonder if everybody's spirit animal is now the construction crane.
Sherman Alexie (You Don't Have to Say You Love Me)
i can still see our construction hats lying exactly where we left them pylons unsure of what to guard bulldozers gazing out for our return the planks of wood stiff in their boxes yearning to be nailed up but neither of us goes back to tell them it is over in time the bricks will grow tired of waiting and crumble the cranes will droop their necks in sorrow the shovels will rust do you think flowers will grow here when you and i are off building something new with someone else
Rupi Kaur (The Sun and Her Flowers)
Sooner or later, all talk among foreigners in Pyongyang turns to one imponderable subject. Do the locals really believe what they are told, and do they truly revere Fat Man and Little Boy? I have been a visiting writer in several authoritarian and totalitarian states, and usually the question answers itself. Someone in a café makes an offhand remark. A piece of ironic graffiti is scrawled in the men's room. Some group at the university issues some improvised leaflet. The glacier begins to melt; a joke makes the rounds and the apparently immovable regime suddenly looks vulnerable and absurd. But it's almost impossible to convey the extent to which North Korea just isn't like that. South Koreans who met with long-lost family members after the June rapprochement were thunderstruck at the way their shabby and thin northern relatives extolled Fat Man and Little Boy. Of course, they had been handpicked, but they stuck to their line. There's a possible reason for the existence of this level of denial, which is backed up by an indescribable degree of surveillance and indoctrination. A North Korean citizen who decided that it was all a lie and a waste would have to face the fact that his life had been a lie and a waste also. The scenes of hysterical grief when Fat Man died were not all feigned; there might be a collective nervous breakdown if it was suddenly announced that the Great Leader had been a verbose and arrogant fraud. Picture, if you will, the abrupt deprogramming of more than 20 million Moonies or Jonestowners, who are suddenly informed that it was all a cruel joke and there's no longer anybody to tell them what to do. There wouldn't be enough Kool-Aid to go round. I often wondered how my guides kept straight faces. The streetlights are turned out all over Pyongyang—which is the most favored city in the country—every night. And the most prominent building on the skyline, in a town committed to hysterical architectural excess, is the Ryugyong Hotel. It's 105 floors high, and from a distance looks like a grotesquely enlarged version of the Transamerica Pyramid in San Francisco (or like a vast and cumbersome missile on a launchpad). The crane at its summit hasn't moved in years; it's a grandiose and incomplete ruin in the making. 'Under construction,' say the guides without a trace of irony. I suppose they just keep two sets of mental books and live with the contradiction for now.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
Today an estimated 13 percent of birds are threatened, according to the International Union for Conservation of Nature. So are 25 percent of mammals and 41 percent of amphibians, in large part because of human activity. Hydropower and road construction imperil China’s giant pandas. The northern bald ibis, once abundant in the Middle East, has been driven almost to extinction by hunting, habitat loss, and the difficulties of doing conservation work in war-torn Syria. Hunting and the destruction of wetlands for agriculture drove the population of North America’s tallest bird, the whooping crane, into the teens before stringent protections along the birds’ migratory route and wintering grounds helped the wild flock build back to a few hundred. Little brown bats are dying off in the United States and Canada from a fungus that might have been imported from Europe by travelers. Of some 300 species of freshwater mussels in North America, fully 70 percent are extinct, imperiled, or vulnerable, thanks to the impacts of water pollution from logging, dams, farm runoff, and shoreline development.
Rebecca Skloot (The Best American Science and Nature Writing 2015)
At present there are only two land-based cranes in the world that could lift weights of this magnitude. At the very frontiers of construction technology, these are both vast, industrialized machines, with booms reaching more than 220 feet into the air, which require on-board counterweights of 160 tons to prevent them from tipping over. The preparation-time for a single lift is around six weeks and calls for the skills of specialized teams of up to 20 men.13 In other words, modern builders with all the advantages of high-tech engineering at their disposal, can barely hoist weights of 200 tons. Was it not, therefore, somewhat surprising that the builders at Giza had hoisted such weights on an almost routine basis?
Graham Hancock (Fingerprints of the Gods: The Evidence of Earth's Lost Civilization)
She reached down to the metal crate she’d been sitting on, and dragged it back to its original position, making the same unpleasant noise. She then walked away down the long passage between the rows, and it was noticeable how she walked differently to the way she had in the store. With each second step, she would lean to her left in a way that made me worry her long coat on that side might touch the dirty ground. When she was mid-distance, she stopped and turned, and I thought she might look back one last time at me. But she was gazing at the far distance, in the direction of the construction crane on the horizon. Then she continued to walk away. A Note About the Author Kazuo Ishiguro was born in Nagasaki, Japan, in 1954 and moved to Britain at the age of five.
Kazuo Ishiguro (Klara and the Sun)
Louis and I worked on two projects. In the first we tried to formulate a gravitational theory based on the dynamics of interacting loops of quantized electric flux. We failed to formulate a string theory, and as a result we published none of this work, but it was to have very important consequences. In the second project we showed that a theory in which spacetime was discrete on small scales could solve many of the problems of quantum gravity. We did this by studying the implications of the hypothesis that the structure of spacetime was like a fractal at Planck scales. This overcame many of the difficulties of quantum gravity, by eliminating the infinities and making the theory finite. We realized during that work that one way of making such a fractal spacetime is to build it up from a network of interacting loops. Both collaborations with Louis Crane persuaded me that we should try to construct a theory of spacetime based on relationships among an evolving network of loops. The problem was, how should we go about this?
Lee Smolin (Three Roads To Quantum Gravity)
Researchers who emphasize the tragic consequences of these events, however, see the effort to focus on the recovery as denial of the tragedy or its pain. The focus on pathology has become such a natural part of the thinking of social science researchers that the idea that such a focus is itself pathological is totally out of their ken. After the Kobe earthquake, twelve Japanese women tried to offer counseling help to the homeless housed in schools and other institutions, only to be rejected by most, who said in effect, “Get me some sake and sushi and I’ll feel fine.” A psychotherapist from the more sophisticated metropolis of Tokyo said, “You have to understand that talking about your feelings is not culturally accepted here.” But if that is true, then we have to accept the opposite as also being true, namely, that talking about our feelings is also a cultural phenomenon rather than the only path to recovery. The people of Kobe were unbelievably imaginative in the way they responded to the tragedy, such as finding a ship in Hong Kong that had cranes on the ship, since all dock cranes had been destroyed; working out three-sides-of-a-square railroad pathways to get around the destruction; and creating commuter routes that combined taking trains and walking. The notion that talking out one’s grief rather than working it out through creative behaviors is denial with long-lasting consequences is exactly the kind of learned superstition that infects the thinking processes of the social science construction of reality.
Edwin H. Friedman (A Failure of Nerve: Leadership in the Age of the Quick Fix)
Of course, Amsterdam’s flourishing mercantile classes did not invest only in art. Trade also financed the construction of the concentric canals encircling the city. Each of these was given a name indicative of the class of resident it hoped to attract: the Gentleman’s Canal (Herengracht), the Prince’s Canal (Prinsengracht), the Emperor’s Canal (Keizersgracht). A northern Venice was born, albeit with colder weather and worse food. Along the canals, handsome townhouses were built in classical or neo-Renaissance style, complete with ornamented façades, large windows and high-ceilinged rooms for entertaining guests. The houses were taxed according to their width at the front, so a unique shape of building evolved: narrow fronted but very tall and surprisingly deep, often with a sizable garden hidden Tardis-like at the back. Many included what the Dutch called doorzonwoningen, individual rooms running the whole length of the house, so that sunlight could shine all the way through from the windows at either end. Steep staircases saved valuable space inside, with elaborate systems of ropes and pulleys enabling front doors to be opened from upstairs by tugging on a loose end. Building smaller rooms on the upper floors than on the lower ones helped enhance the sense of perspective when one looked up from the street, exaggerating the height of the buildings. Gabled rooves were topped with flagpole holders pointing out like fingers, together with cranes and pulleys for lifting in furniture that would not fit through the narrow interior staircases.
Ben Coates (Why the Dutch are Different: A Journey into the Hidden Heart of the Netherlands)
Like so much in the centre, it was under construction or reconstruction. Scaffolding, cranes, the temporary business of architects and workmen, the portable toilets, the short-term fencing, the crash-barriers and the skips. Rubble, more rubble. There was a history of Berlin to be written on the topic of rubble.
Gail Jones (A Guide to Berlin)
Cedar Capital Group Tokyo: Construction Site Health & Safety Review Accidents on construction sites are becoming a much more regular occurrence around the globe and can have devastating affects on families, communities and regions. Just recently we witnessed the destruction and heartbreak caused when the crawler crane toppled over onto the Masjid al-Haram, the Grand Mosque in Mecca, Saudi Arabia on 11 September 2015, which killed 118 people and injured a further 394. The majority of accidents on construction sites can be avoided if health and safety requirements are followed. An experienced health & safety advisor can assist you in identifying loss control techniques which in turn minimizes the risk to members of the public, your property and your employees. One of the most frequently occurring accidents construction sites is fire. Ignoring safety policies and procedures can have a disastrous effect and are a common cause of injury on a construction site. Fire extinguishers should be available and close by and you should appoint an employee to be on fire watch. The weather can be a source of accidents on construction sites. Sites become more susceptible as severe weather patterns continue to grow across the globe. In Asia, typhoons have become more frequent, we have seen buildings collapse during high category storms. These types of accidents can be avoided by appointing someone with the responsibility of monitoring the weather to make sure that the construction site is correctly braced before the typhoon arrives. The lack of site is another key factor that causes accidents. Construction sites are like playgrounds for inquisitive children looking for something to do so it’s imperative that you have secured the site with adequate fencing. Posting visible safety signs around the construction site in order to remind and protect the employees, visitors and members of the genera public. Always post safety signs at the entrance and ensure that all visitors wear the correct personal protective equipmentwhich includes a hard hat and safety boots. Cedar Capital Group are a Singapore based, capital equipment, company that leases construction equipment throughout Asia with core markets in Seoul, South Korea and Tokyo, Japan.
Alana Barnet
Big construction companies, making millions on underground developments such as this, had initially gone to the bother of bringing in cranes to lift mechanical diggers, once their work was done, out of their excavations. Then they’d realized that the cost-benefit analysis actually tipped in the direction of just finding somewhere to hide the digger and leaving it entombed in a wall, the company sometimes going just a little bit beyond the planning permission they’d been given for the few days it took to do so. Ballard had slipped someone at City Hall some cash to get a look at the plans and realized that, yes, the only place the digger could have been entombed was right up against the bank. Its
Paul Cornell (Who Killed Sherlock Holmes? (Shadow Police, #3))
Hippies masquerading as pseudo philosophers love to tell anyone who will listen that reality doesn’t exist, it’s a construct, like everything else. But if reality doesn’t exist, then explain my shadow, the kid’s, the looks we receive. I remember coming home to you after receiving my extra shadow, both of us sore with shame and guilt. You were able to shed those feelings within a few days once the freshness wore off. But me, I’m simple—things designed to manipulate me tend to succeed. And my shadow is no exception. It follows me everywhere, a constant reminder of the one thing I can’t find it in me to talk about. I showed up to school and, seeing the shame in my eyes, one of my troubled kids pulled me aside and said, Old news, right, Miss? and I started crying on the spot. But you never blamed me, did you, Beau? It actually made me feel worse, as if I had to double the blame to make up for your understanding. If I was the only one blaming me, the guilt had no outlet, nothing to do but grow its own vascular system and circulate through my body. “What’s today going to be like?” I ask the kid. “Like yesterday, except today?” She is covered in snot, needing me.
Marisa Crane (I Keep My Exoskeletons to Myself)
Sami was nostalgic for the old Mecca, for the simpler times when the mizan, the balance, between modernity and tradition was easier to attain and maintain. His eternal quest for spiritual harmony was constantly disrupted by construction cranes, bulldozers, generators, and loudspeakers, Sami believed in an evolution that respected the continuity, but Mecca’s connections with the past were being physically severed. The future of the sanctuary of Islam was in danger. The aim of his research center was to make further expansions to the mosque and its surroundings more in tune with history, more respectful of tradition. It was a Sisyphean battle.
Kim Ghattas (Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion, and Collective Memory in the Middle East)
Because SPYDER wants me dead. They tried to kill me on the Arlington Bridge yesterday.” Erica gave me a look that indicated I was the world’s biggest idiot. “That wasn’t SPYDER. That was me.” “You?” I gasped. “Why would you try to kill me?” Erica’s look hardened, now indicating that I might be the biggest idiot in the entire universe. “I wasn’t trying to kill you. I had to do something to get you free.” “So you opened fire on an entire convoy of Secret Service agents?” “It wasn’t like I had a whole lot of options.” Erica led me through the invertebrate zoo, where display cases were filled with an array of the world’s biggest, slimiest, and most revolting insects. “I had to act fast. If they’d gotten you to the Pentagon and locked you up there, it would have been almost impossible for me to free you.” “Almost impossible?” I echoed. “Nothing’s completely impossible. But some things are awfully close. So I improvised. Lucky for you, I was keeping an eye on you again at the White House yesterday when the bomb went off.” “Really? I didn’t see you.” “Because I didn’t want you to see me.” Erica cut through a demonstration where a museum employee was removing insects from Tupperware containers and showing them to a crowd of riveted children. “After the explosion, I saw the Secret Service drag you out and figured they were taking you to the Pentagon. So I grabbed my motorcycle and raced over to the construction site.” I thought back to the flash of movement I’d seen among the construction workers, moving toward the crane. I now realized it had been Erica. “So, you swung that hook at the car on purpose?” “Yeah. I realize that was a bit dicey, but I’d never operated a crane before. It’s harder than you’d think.” “A bit dicey? You realize if you’d been off by another inch or two, you would have killed me?” Erica considered this, then shrugged. “Well, we all make mistakes. I would have asked you to do the math, but you were tough to reach at the time.
Stuart Gibbs (Spy School Secret Service)
Teasdale doesn't have money for an attorney," he said. "Especially one from Boston. Who are you, really?" Sidney lifted her chin. "An attorney from Boston." "You don't sound like it." She lifted an eyebrow. "Like an attorney?" He scoffed. "No, you have that droning drivel down. You don't sound Boston." She shrugged. "I didn't start out there." "You sound like Sawyer," he said with a nod toward wherever Sawyer had headed. She refused to turn around to find out. "Well, I'm sure there are more than just two of us from---" "You know him," Crane said, narrowing his eyes. Sidney's tongue faltered, and she cleared her throat. "You're from the same place, aren't you?" he asked. "The same little hick town." "Because we both have an accent?" she asked, laughing, hoping it would cover up her lie. "Because of how I just saw him look at you," Crane said, studying Sidney with a grin. "Like a lovesick schoolboy. Holy shit, you're her>." Sidney's breath felt trapped in her chest, unable to move in or out, just held captive there. Sawyer had a her? And she was it? "I---I'm who?" "The girl he came to town all messed up over," Crane said, crossing his own arms. "A hundred years ago. Well, well, well." All messed up over. After punching out his own father. Defending her. Damn it if all her carefully constructed and ancient defenses weren't crumbling around her regarding him. The boy who shattered her already shaky confidence. The reason she bitterly swore off love and dove into work, into making herself a hard and formidable beast. A beast without people skills but still. And now... "We were friends in high school, yes," Sidney managed to push out, her voice sounding decidedly wobbly. "That has no bearing on Mr. Teasdale's case." "Which came to you how, again?" Crane asked. Sidney smiled. "I'll ask the questions." Crane winked, and she so much wanted to slug him. "Nice deflection. What firm are you with?" "Finley and Blossom." "Blossom?" he asked. And it wasn't about the name. It was recognition. Shit. "Yes, sir." "His damn niece," Crane said, slapping a big hand against the ladder. "I forgot she was a lawyer. Damn it. She sent you." Oh, seven kinds of hell, now this wall was disintegrating, too. She needed a suit of armor. "Everything okay?" said a voice from directly behind her. A voice that sent shock waves to all her nether regions, especially coupled with thee hand that rested on the back of her neck. Crap, she needed more than armor. Sidney needed a force field. "I work for her," Sidney said, ignoring Sawyer's question and fighting the urge to settle back against him. "And you need to bring back the win," Crane said, chuckling. God help her if she was ever up against this asshole in court.
Sharla Lovelace (The Cottage on Pumpkin and Vine)
We could make an epic catalog of male achievements, from paved roads, indoor plumbing, and washing machines to eyeglasses, antibiotics, and disposable diapers. We enjoy fresh, safe milk and meat, and vegetables and tropical fruits heaped in snowbound cities. When I cross the George Washington Bridge or any of America’s great bridges, I think: men have done this. Construction is a sublime male poetry. When I see a giant crane passing on a flatbed truck, I pause in awe and reverence, as one would for a church procession. What power of conception, what grandiosity: these cranes tie us to ancient Egypt, where monumental architecture was first imagined and achieved. If civilization had been left in female hands, we would still be living in grass huts. A contemporary woman clapping on a hard hat merely enters a conceptual system invented by men. Capitalism is an art form, an Apollonian fabrication to rival nature. It is hypocritical for feminists and intellectuals to enjoy the pleasures and conveniences of capitalism while sneering at it. Even Thoreau’s Walden was just a two-year experiment. Everyone born into capitalism has incurred a debt to it. Give Caesar his due.
Camille Paglia (Sexual Personae)
you’ve just met Mr. Crane. A picture of a large crane, as used by construction workers, comes to mind; or perhaps the storklike bird. You’ve looked at his face and decided that his high forehead is the outstanding feature. You look at that forehead, and really picture many large cranes flying out of it; or, you can see them attacking that high forehead! Or perhaps the entire forehead is one gigantic crane.
Harry Lorayne (The Memory Book: The Classic Guide to Improving Your Memory at Work, at School, and at Play)
Not since Mr. Kaiser,” they would say, as if the construction of the Hawaiian Village Hotel on a few acres of reclaimed tidal flat near Fort De Russy had in one swing of the builder’s crane wiped out their childhoods and their parents’ childhoods, blighted forever some subtropical cherry orchard where every night in the soft blur of memory the table was set for forty-eight in case someone dropped by; as if Henry Kaiser had personally condemned them to live out their lives in California exile among only their token mementos, the calabashes and the carved palace chairs and the flat silver for forty-eight and the diamond that had been Queen Liliuokalani’s and the heavy linens embroidered on all the long golden afternoons that were no more.
Joan Didion (Slouching Towards Bethlehem)
HOW TO LAND DANGLING FROM A CONSTRUCTION CRANE
Randall Munroe (How To: Absurd Scientific Advice for Common Real-World Problems)
There is really nothing else to do but turn to the window. We are on the highway now and it is unbelievable how much construction is going on even as we speed further and further away from Gangnam. Each building is topped with a gargantuan orange crane reeling large beams and planks through the air. The scale of these new apartment complexes takes my breath away – I cannot imagine them all filling with people and furniture and light. Hundreds, no, thousands of apartments, so far away from the heart of the capital, and yet I will never be able to afford a single one, no matter how much I save all my life. In a way, I will be glad when we are almost home and the scenery will turn into rice fields and farm plots, and I will be reminded of how far I have come, instead of what I cannot reach.
Frances Cha (If I Had Your Face)
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Emily Fraser
It was almost possible to ignore that the church was also an active construction site. While tremendous progress had been made in recent years with the interior structures, still there was much to be done: scaffolding and interior lifts abounded, cordoned off with yellow tape. Their first destination was the apse and they wandered in that direction with necks craned and eyes open in awe.
Glenn Cooper (The Resurrection Maker)