Console Table Quotes

We've searched our database for all the quotes and captions related to Console Table. Here they are! All 50 of them:

What madness, to love a man as something more than human! I lived in a fever, convulsed with tears and sighs that allowed me neither rest nor peace of mind. My soul was a burden, bruised and bleeding. It was tired of the man who carried it, but I found no place to set it down to rest. Neither the charm of the countryside nor the sweet scents of a garden could soothe it. It found no peace in song or laughter, none in the company of friends at table or in the pleasures of love, none even in books or poetry. Everything that was not what my friend had been was dull and distasteful. I had heart only for sighs and tears, for in them alone I found some shred of consolation.
Augustine of Hippo
We are not delivered from offences, but it is equally true that we are not deprived of our refuge; our griefs do not cease, but our consolations are equally abiding.
Augustine of Hippo (The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ... (50 Books With Active Table of Contents))
Dear Pliny,” Sevro sings over the com. If your heart beats like a drum, and your leg’s a little wet, it’s ’cause the Reaper’s come to collect a little debt. He sings this three times until Ragnar throws a table into the console. Sparks shower out. Sevro looks up slowly at the table hanging over his head. It missed by inches. He wheels around. “What the gorypissandshit is your damage, you overreacting mountain troll!” “Rhyming … nnnngh.” Ragnar makes an uncomfortable groaning sound. “You found him,” Mustang mutters as we share a look. “Which one?” I ask as Sevro curses the Stained out in every compound manner he knows. Adding the crux for good measure. “You squawk like a … like a chicken,” Ragnar says
Pierce Brown (Golden Son (Red Rising Saga, #2))
Honestly, she wasn’t the only one suffering. My back was killing me after I’d fucked her on the console table beside the front door. Jesus. Was I getting too old for acrobatic sex with my woman?
Serena Akeroyd (Filthy (The Five Points' Mob Collection, #1))
I met a man from Columbia who had a table for a back. I asked if it was a coffee table. He got offended and thought I was stereotyping him. How was I supposed to know it was a Three-drawer Wuchow Console Table?
Jarod Kintz (This Book is Not for Sale)
There are neither raptures, nor ecstasies, nor transports of bliss in the pleasures of the table; but they make up in duration what they lose in intensity, and are distinguished above all by the merit of inclining us towards all the other pleasures of life, or at least of consoling us for the loss of them.
Jean Anthelme Brillat-Savarin
On holidays, I cave in to the memory of love, and associate desserts and eating with the love I experienced at my grandmother's table. She was a great cook, and sweets crowded the side console cabinet during Thanksgiving and Christmas. I have no answer as to how to overcome this. I will try until I die, every day. Just keep trying to be well. Enough said.
André Leon Talley (The Chiffon Trenches)
But, just in case, why don’t you leave your number so we can call you?” She opens the notebook that sits on my hallway console table and holds up a pen. I shoot her a glare behind his back as he bends over to jot down his number. “He’s the motherfucker. Literally!” I mouth. “I know,” she mouths back. “Prank-call later.” I press my lips together to keep from laughing. Justine would do that.
K.A. Tucker (The Player Next Door (Polson Falls, #1))
My lady,' said the servant girl, 'are those who sit at the table great if they are enslaved to their own selfish needs and wishes? Are those who serve the table less if they are free to love? The giver of love receives. The one who understands is understood. The one who consoles receives consolation...' That day the servant was set free for saying strong things gently and gentle things strongly.
Joann Davis (The Book of the Shepherd: The Story of One Simple Prayer, and How It Changed the World)
I was gazing at a cup of cocoa on my night table. As I focused on the thick brown skin that had formed upon its surface like ice on a muddy pond something at the root of my tongue leapt like a little goat and my stomach turned over. There are not many things that I despise but chiefest among them is skin on milk. I loathe it with a passion. Not even the thought of the marvelous chemical change that forms the stuff—the milk’s proteins churned and ripped apart by the heat of boiling then reassembling themselves as they cool into a jellied skin—was enough to console me. I would rather eat a cobweb.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce, #3))
the devil, the prince of the impious city, when he stirs up his own vessels against the city of God that sojourns in this world, is permitted to do her no harm. For without doubt the divine providence procures for her both consolation through prosperity, that she may not be broken by adversity, and trial through adversity, that she may not be corrupted by prosperity; and thus each is tempered by the other,
Augustine of Hippo (The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ... (50 Books With Active Table of Contents))
Suddenly, as Avis clung to her father’s neck and ear while, with a casual arm, the man enveloped his lumpy and large offspring, I saw Lolita’s smile lose all its light and become a frozen little shadow of itself, and the fruit knife slipped off the table and struck her with its silver handle a freak blow on the ankle which made her gasp, and crouch head forward, and then, jumping on one leg, her face awful with the preparatory grimace which children hold till the tears gush, she was gone — to be followed at once and consoled in the kitchen by Avis who had such a wonderful fat pink dad and a small chubby brother, and a brand-new baby sister, and a home, and two grinning dogs, and Lolita had nothing.
Vladimir Nabokov (Lolita)
It's said that every man needs a refuge where he can find consolation and help in unhappiness. I don't believe it! If humanity follows that path, it's solely a matter of tradition and habit. That's a lesson, by the way, that can be drawn from the Bolshevik front. The Russians have no God, and that doesn't prevent them from being able to face death. We don't want to educate anyone in atheism.
Adolf Hitler (Table Talk, 1941-1944)
... bright young men of disheveled appearance, often with sunken glowing eyes, can be seen sitting at computer consoles, their arms tensed and waiting to fire their fingers, already poised to strike, at the buttons and keys on which their attention seems to be riveted as a gambler’s on the rolling dice. When not so transfixed, they often sit at tables strewn with computer printouts over which they pore like possessed students of a cabbalistic text. They work until they nearly drop, twenty, thirty hours at a time. Their food, if they arrange it, is brought to them: coffee, Cokes, sandwiches. If possible, they sleep on cots near the printouts. Their rumpled clothes, their unwashed and unshaven faces, and their uncombed hair all testify that they are oblivious to their bodies and to the world in which they move. These are computer bums, compulsive programmers ...
Joseph Weizenbaum
His eyes narrowed to menacing slits. “But that doesn’t mean that if you refuse my offer and stay, I’ll stand by and let you have her. I won’t. In the end you’ll lose, and you won’t even have the consolation of my gold.” He took his foot off the chair and leaned forward, planting his hands on the table as he eyed Petey with suspicion. “Why all the questions, Hargraves? You’d give up any hope of riches and adventure just to marry Miss Willis?” “No, of course not,” Petey said hastily, before the pirate’s suspicions could be truly roused. “You can be sure I’d prefer this scepter and the chance to be off this island to Miss Willis any day.” He paused, weighing his words. “I just don’t understand why you don’t feel the same.” Captain Horn drew himself up with the bearing of one of those nobles he so distained. “That’s none of your concern. Do you want the thing or not? Because if you don’t—” he broke off as he reached for the scepter. Petey jerked it back. “I want it.” He wasn’t sure if he was playing this right, but it didn’t look as if he had any choice. “I want it. I’ll be off your island tomorrow.” For a moment, Petey could have sworn he saw relief in the captain’s face. Then the man’s expression hardened. “One more thing—you’re not to speak to her of any of this, you understand? You must promise to leave tomorrow without a word to her.
Sabrina Jeffries (The Pirate Lord)
Well?” Amelia demanded, clearly unaware of the turn of his thoughts. Which was a good thing, as they likely would have sent her screaming from the room. “Have you discovered anything about my brother’s whereabouts?” “I have.” “And?” “Lord Ramsay visited earlier this evening, lost some money at the hazard table—” “Thank God he’s alive,” Amelia exclaimed. “—and apparently decided to console himself by visiting a nearby brothel.” “Brothel?” She shot Merripen an exasperated glance. “I swear it, Merripen, he’ll die at my hands tonight.” She looked back at Cam. “How much did he lose at the hazard table?” “Approximately five hundred pounds.” The pretty blue eyes widened in outrage. “He’ll die slowly at my hands. Which brothel?” “Bradshaw’s.” Amelia reached for her bonnet. “Come, Merripen. We’re going there to collect him.” Both Merripen and Cam replied at the same time. “No.” “I want to see for myself if he’s all right,” she said calmly. “I very much doubt he is.” She gave Merripen a frosty stare. “I’m not returning home without Leo.” Half amused, half alarmed by her force of will, Cam asked Merripen, “Am I dealing with stubbornness, idiocy, or some combination of the two?” Amelia replied before Merripen had the opportunity. “Stubbornness, on my part. The idiocy may be attributed entirely to my brother.” She settled the bonnet on her head and tied its ribbons beneath her chin.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I set the vodka glasses on the table, and we become gently drunk in the foetal warmth. The Australian woman doesn’t quite get the picture. We have a brief exchange in English. ‘Do you have a car?’ she asks. ‘No,’ I reply. ‘A TV?’ ‘No.’ ‘What if you have a problem?’ ‘I walk.’ ‘Do you go to the village for food?’ ‘There is no village.’ ‘Do you wait for a car on the road?’ ‘There is no road.’ ‘Are those your books?’ ‘Yes.’ ‘Did you write all of them?’ I prefer people whose character resembles a frozen lake to those who are more like marshes.
Sylvain Tesson (Consolations of the Forest: Alone in a Cabin in the Middle Taiga)
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The meal ran its pleasant course, and although Jack and Stephen were the only men invited, Mrs Raffles had asked no less than four Dutch ladies to keep them company, Dutch ladies moderately fluent in English who had contrived to keep their delicate complexions in the climate of Batavia, and whose bulk had not diminished either, nor their merriment. For the first time in his life Stephen found that he and Rubens were of one mind, particularly as their generous décolletés and their diaphanous gowns showed expanses of that nacreous Rubens flesh that had so puzzled him before. The nacreous flesh did in fact exist: and it excited desire. The notion of being in bed with one of these cheerful exuberant creatures quite troubled him for a moment, and he regretted Mrs Raffles' signal, at which they all departed, while the men gathered at the end of the table.
Patrick O'Brian (The Nutmeg of Consolation (Aubrey & Maturin, #14))
The large drawing-room was an immense, long room, with a sort of gallery that ran from one pavilion to the other, taking up the whole of the façade on the garden side. A large French window opened on to the steps. This gallery glittered with gold. The ceiling, gently arched, had fanciful scrolls winding round great gilt medallions, that shone like bucklers. Bosses and dazzling garlands encircled the arch; fillets of gold, resembling threads of molten metal, ran round the walls, framing the panels, which were hung with red silk; festoons of roses, topped with tufts of full-blown blossoms, hung down along the sides of the mirrors. An Aubusson carpet spread its purple flowers over the polished flooring. The furniture of red silk damask, the door-hangings and window-curtains of the same material, the huge ormolu clock on the mantel-piece, the porcelain vases standing on the consoles, the legs of the two long tables
Émile Zola (Delphi Complete Works of Emile Zola)
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little. "Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!" ...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
George Eliot (The Mill on the Floss)
Beneath the window, set between gravel walkways, a few woody lavenders, etiolated rosemary bushes, and ornamental thyme made up the aromatherapy garden that he had seen described in the brochure. Beyond this, however, running a long arc down the gentle slope of lawn, camellias in unrestrained bloom provided an alternative tonic. The lawn gave way to a flower garden, itself fringed by a wood, so that the incarcerated had at least the consolation of a pleasant enough outlook. Gabe stood in front of the fireplace and examined the painting that hung above the mantelpiece. It was a still life. It showed two apples and a brown and white feather laid on a velvet cloth on a table placed by a window. Although the picture was not, Gabriel assumed, of the highest artistic value, and was cheap enough to reside at Greenglades, and though it could not be said to have a photographic reality, and though he suspected it of not being "good," he was drawn to look at it and could see the ripeness of the velvet, reckon the bursting crispness of the apples, and the feather had a certain quality that he had never before observed, just as the painted window offered something that he had failed to notice at all when looking through the real one: the texture, the tone, the way the light fell, the very glassness of the glass.
Monica Ali (In the Kitchen)
There is a scene I love where a brother and sister meet after many years and little communication. They meet in an arranged café in mid-afternoon. The light is dying and the city outside rumbles softly in the complacent time before rush hour. The café is unexceptional and quiet. She comes first, sits at the far end, a table facing the door, nervous in her buttoned raincoat. The waiter is an older man. He leaves her be. The brother enters late with the look but not the words of apology. He kisses her cheek. They sit and the old man brings them teas they do not want, two pots, strong for him weak for her. It is long ago since they said each other’s names aloud, and saying them now has the extraordinary shyness of encounter I imagine on the Last Day. At first there is the full array of human awkwardness. But here is the thing: almost in an instant their old selves are immediately present. The years and the changes are nothing. They need few words. They recognise each other in each other, and even in silence the familiarity is powerfully consoling, because despite time and difference there remains that deep-river current, that kind of maybe communion that only exists within people joined in the word family. So now what washes up between them, foam-white and fortifying and quite unexpectedly, is love. I cannot remember what book it is in. But it’s in this one now.
Anonymous
A revolution has three main objectives. First of all, it's a matter of breaking down the partitions between classes, so as to enable every man to rise. Secondly, it's a matter of creating a standard of living such that the poorest will be assured of a decent existence. Finally, it's a matter of acting in such a way that the benefits of civilisation become common property. The people who call themselves democrats blame us for our social policy as if it were a kind of disloyalty: according to them, it imperils the privileges of the owning classes. They regard it as an attack on liberty; for liberty, in their view, is the right of those who have power to continue to exercise it. I understand their reaction very well—but we had no choice. National Socialism is a purely German phenomenon, and we never intended to revolutionise the world. It was enough for us to be given a free hand in Russia and to be offered a few colonies. And the English could still be leading their comfortable little existence. It's obvious that, in the long run, they couldn't have avoided certain social reforms. One can't, in fact, bridge the gap that exists between rich and poor merely with the consolations of religion. I realise, for my own part, that if I were offered the choice between nakedness on this earth (with the compensation of supreme happiness in the world beyond) and an earthly paradise, I certainly wouldn't choose to sing Hallelujahs until the end of time.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
We shall see one another some day, brother. I believe in that as in the multiplication-table. To my soul, all is clear. I see my whole future, and all that I shall accomplish, plainly before me. I am content with my life. I fear only men and tyranny. How easily might I come across a superior officer who did not like me (there are such folk !), who would torment me incessantly and destroy me with the rigours of service—for I am very frail and of course in no state to bear the full burden of a soldier's life. People try to console me: " They're quite simple sort of fellows there." But I dread simple men more than complex ones. For that matter, men everywhere are just— men. Even among the robber-murderers in the prison, I came to know some men in those four years. Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior. And not in a single case, or even two, but in several cases. Some inspired respect; others were downright fine. I taught the Russian language and reading to a young Circassian—he had been transported to Siberia for robbery with murder. How grateful he was to me ! Another convict wept when I said good-bye to him. Certainly I had often given him money, but it was so little, and his gratitude so boundless. My character, though, was deteriorating; in my relations with others I was ill-tempered and impatient. They accounted for it by my mental condition, and bore all without grumbling. Apropos: what a number of national types and characters I became familiar with in the prison ! I lived into their lives, and so I believe I know them really well. Many tramps' and thieves' careers were laid bare to me, and, above all, the whole wretched existence of the common people. Decidedly I have not spent my time there in vain. I have learnt to know the Russian people as only a few know them. I am a little vain of it. I hope that such vanity is pa r donable. Brother
Fyodor Dostoevsky (Letters of Fyodor Michailovitch Dostoyevsky to his family and friends)
It took you long enough to come back,” Lexy tells me bitingly. The girl is ruining my meal. Ever since the stable girls showed up, she’s been attached like glue to Vin’s side. I recognize it for what it is—infatuation. No way Vin is leading her on. He barely tolerates her, which isn’t to say he isn’t sleeping with her, but he definitely isn’t putting pretty pictures in her head. She’s doing that all on her own. “That’s what he said,” I grumble around a large bite of bread, gesturing to Vin. “We were sure you’d left us to die.” “Sorry to disappoint.” “Don’t be. We wouldn’t have been sorry to see you go.” I look up from my plate to eye her carefully. I do it for too long. She twitches under my stare, making me grin. “‘We,’ huh? You’re a ‘we’ now?” Vin looks up sharply. “What? No.” “Vin,” Lexy protests. “Are you sure?” I ask him. “Yes,” he tells me angrily. He stares Lexy down. “And, no, we’re not a ‘we.’ We’re nothing.” “I’m sure he doesn’t mean it, Lex,” I tell her consolingly. “Never give up hope.” “Kitten,” Vin growls in warning. Lexy shoots me an icy stare from across the table. It’s cute how hard she tries. “Be sure to watch your back out there, Kitten,” she spits sarcastically. “I’d hate to see you get hurt.” I put up my finger in her face, getting serious. “Watch yourself. You’re toeing a dangerous line with me right now and I don’t want to have to remind you what happened to the last girl who threatened me. Forget Vin, I’ll put you to bed with Caroline. You get me?” Lexy pales. She glances once at Vin, then Ryan and Trent. All of them keep their heads down, carefully pretending they have no idea what’s happening. Finally she stands slowly, turns, and leaves without a word. “Well, that’s handy,” I mumble, picking up my bread. “Kinda harsh,” Ryan comments. I hate that I immediately feel a twinge of guilt just from those two words from him. “I did him a favor,” I say defensively. “That girl was one kiss away from collecting his hair. I don’t have time for that kind of crazy.” “Amen to that,” Vin says heartily, raising his glass to me. “Calm down, Romeo. You’re the idiot who keeps getting us into these situations.” “‘Us’?” he asks with a sly grin. “Are we an ‘us’ now?” “No,” Ryan replies darkly.
Tracey Ward
It may be you hold him with a feeble hand; you half think it presumption to say, "He lives as my Redeemer;" yet, remember if you have but faith as a grain of mustard seed, that little faith entitles you to say it. But there is also another word here, expressive of Job's strong confidence, "I know." To say, "I hope so, I trust so" is comfortable; and there are thousands in the fold of Jesus who hardly ever get much further. But to reach the essence of consolation you must say, "I know.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
flicker briefly. I can hear an eerie groaning sound, and deduce that a good part of the building structure overhead is collapsing on top of us. Then the first jolt is followed by another, this one even more bone rattling, and it sounds like the Chinese just dropped a thermobaric artillery shell into the hallway just outside the shelter’s hatch. Most of the marines hit the deck, shouting and cursing. Halley and I crouch down and look up at the ceiling. The shelter is a square room, maybe thirty by thirty feet, and largely devoid of furniture. There’s a comms console on a table in the back of the room, and the walls are lined with metal benches that are bolted to the concrete floor. There’s another door near
Marko Kloos (Terms of Enlistment (Frontlines, #1))
What is the Wii U, Gubben?" Farfar said, unable to keep the grin off his face as he balled the wrapping paper in his hands and stared at the box in his lap. "Don't we already have a Wii?" Then, more concerned, "How much did you spend on this?" "Not too much," I said, grinning back. "It's refurbished." "And old," Jorge added helpfully. "And old. Nintendo's already moved on to newer systems. Plus," I said, tossing a second present onto Farfar's lap and picking up his blue Wii remote from the coffee table, strumming the rubber bands holding the battery cover in place with my thumb. "This system's backward compatible." I watched Farfar peel back the paper one his unauthorized second present and nod to himself. He let out a sound like a deeply satisfied bear. "Oh, god," Maggie said, laughing. "Let's hook it up, Gubben." "They released a deluxe edition for the newer system," I explained, leading to our lengthy, highly technical discussion of Mario Kart 8 for Wii U vs. 8 Deluxe for the Switch, while I hooked up the new system to the TV
Jared Reck (Donuts and Other Proclamations of Love)
I try to enjoy it, but I suspect it’s one big consolation prize when what I actually deserve is a seat at the table. But I never dwell on this thought for very long.
Tahmima Anam (The Startup Wife)
Standing a table lamp on the TV console adds some coziness to the room, and setting a midlevel lamp close to the TV also helps to dull the sharp contrast between a very bright TV and a dark room.
Frida Ramstedt (The Interior Design Handbook: Furnish, Decorate, and Style Your Space)
What, in watching a bunch of so-called analysts sitting around a table with empty coffee mugs, congratulating each other on agreeing with each other? The news isn’t news anymore, it’s just pompous opinionating, the purpose of which is to keep us anxious, because these people, these newspeople, even your beloved Rachel Maddow, they know that as long as they can keep us anxious, as long as they dangle the carrot of consolation in front of us, they’ve got us hooked. They’re no different than the French papers in 1940, just more sophisticated. And more venal.
David Leavitt (Shelter in Place)
He sat at one of the tables and pretended he was Count Zero, top console artist in the Sprawl, waiting for some dudes to show and talk about a deal, some run they needed done and nobody but the Count was even remotely up for it. ‘Sure,’ he said, to the empty nightclub, his eyes hooded, ‘I’ll cut it for you… If you got the money…’ They paled when he named his price. The place was soundproofed; you couldn’t hear the bustle of the fourteenth floor’s stalls at all, only the hum of some kind of air conditioner and the occasional gurgles of the hot water machine. Tired of the Count’s power plays, Bobby left the coffee cup on the table and crossed to the entrance-way, running his hand along an old stuffed velvet rope that was slung between polished brass poles…
William Gibson (Count Zero (Sprawl, #2))
A rippled ceiling of light hid the sky. Growths of fire, and smoke rippled across it. Vast spurs of blackened metal cut through the fire cloud like shark fins through an inverted sea. And then, as fast as it had arrived, it was gone. After a minute it was a fading star on the opposite horizon. Then everyone was shouting, and calling out. Amidst the clamour, the queen stood silent and still, staring at the abacus on her table. ‘Do you see now?’ asked the daemon. ‘The fire of inspiration falling from the sky,’ said Ahriman. ‘The manifestation of something so great and terrible, and outside of comprehension, that it opens these peoples’ eyes to the limits of their knowledge. If you know me as you claim, then you should know that this illustration of the power of enlightenment is wasted. ‘ ‘Yes, but no. Look at her face. Really look at her face. Think of the strength that was in those eyes before. There was worry of course. Doubt, naturally, but what is there now? ‘Fear, determination, anger, curiosity.’ ‘And what is gone that was there before.’ ‘I… do not…’ ‘The consolation of ignorance Ahriman. The simple comfort of knowing that no matter the terrors and possibilities that the world offers and threatens, those things are understood, measured. Known.
John French (Ahriman: The Omnibus)
There is a scene I love where a brother and sister meet after many years and little communication. They meet in an arranged café in mid-afternoon. The light is dying and the city outside rumbles softly in the complacent time before rush hour. The café is unexceptional and quiet. She comes first, sits at the far end, a table facing the door, nervous in her buttoned raincoat. The waiter is an older man. He leaves her be. The brother enters late with the look but not the words of apology. He kisses her cheek. They sit and the old man brings them teas they do not want, two pots, strong for him weak for her. It is long ago since they said each other’s names aloud, and saying them now has the extraordinary shyness of encounter I imagine on the Last Day. At first there is the full array of human awkwardness. But here is the thing: almost in an instant their old selves are immediately present. The years and the changes are nothing. They need few words. They recognise each other in each other, and even in silence the familiarity is powerfully consoling, because despite time and difference there remains that deep-river current, that kind of maybe communion that only exists within people joined in the word family. So now what washes up between them, foam-white and fortifying and quite unexpectedly, is love. I cannot remember what book it is in. But it’s in this one now.
Niall Williams (This Is Happiness)
Fucking hell!” she shouted, yanking the blanket even tighter around her shoulders as she backed toward the console table. “I just told you I’m useless, Arges! So fuck off. Clearly, there is nothing I can do for you, and there’s nothing you can do for me, so just leave me to rot here! I’ll make it a couple of days, but that was the whole point of taking me, wasn’t it? I was never getting out of this alive. So stop toying with your food and let me fucking die.
Emma Hamm (Whispers of the Deep (Deep Waters, #1))
A Harlot Crashes the Party A very “nice” man named Simon, a Pharisee, brought Jesus to dinner at his home in Capernaum (Luke 5). As they were reclining around the table, a woman known to be a harlot somehow came in, bringing with her an expensive flask of perfumed lotion. She certainly had overheard Jesus teaching and had seen his care for others. She was moved to believe that she too was loved by him and by the heavenly Father of whom he spoke. She was seized by a transforming conviction, an overwhelming faith. Suddenly there she was, down on the floor by Jesus, tears of gratitude for him pouring down upon his feet. Drying them away with her hair, she then rained kisses upon his feet and massaged them with the lotion. What a scene! That nice man, Simon, was taking it in, and—no doubt battling a surge of disapproval—he tried to put the best possible construction on it. It just could not be that Jesus wasn’t nice. Clearly he was a righteous man. So the only reason he would be letting this woman touch him, or even come near him, was that he didn’t know she was a prostitute. And that, unfortunately, proved that Jesus didn’t have “it” after all. “If this fellow really were a prophet,” Simon mused, “he would know what this woman does, for she is filthy.” Perhaps Simon consoled himself with the thought that it is at least no sin not to be a prophet. It never occurred to him that Jesus would know exactly who the woman was and yet let her touch him. But Jesus did know, and he also knew what Simon was thinking. So he told him a story of a man who lent money to two people: $50,000 to one and $5 to the other, let us say. When they could not repay, the man simply forgave the debts. “Now Simon,” Jesus asked, “which one will love the man most?” Simon replied that it would be the one who had owed most. That granted, Jesus positioned Simon and the streetwalker side by side to compare their hearts: “Look at this woman,” he said. “When I entered your home, you didn’t bother to offer me water to wash the dust from my feet, but she has washed them with her tears and wiped them with her hair. You refused me the customary kiss of greeting, but she has kissed my feet again and again from the time I first came in. You neglected the usual courtesy of olive oil to anoint my head, but she has covered my feet with rare perfume. Therefore her sins—and they are many—are forgiven, for she loved me much; but one who is forgiven little, shows little love.” (Luke 7:44–47 LB) “Loved me much!” Simply that, and not the customary proprieties, was now the key of entry into the rule of God.
Dallas Willard (The Divine Conspiracy: Rediscovering Our Hidden Life In God)
Hundreds of ladybugs had taken shelter from the winter in the crevices of the decayed windows. From there, they broke into the apartment in commando squads. My joy at that first sighting of the ladybug spreading its lower winglets on the rim of the jam glass, flashing three spots of fortune, soon turned into something tragic and Greek, a bloodied slaughter. Like in Ajax, I had to pluck ladybugs from my toothbrush every evening and in the morning shake out my shirt that, overnight, was infested with too much luck, and at lunch, I'd fish kamikazee-ladybugs out of my soup bowl, their Etna's crater in the middle of the round kitchen table. When I shut my eyes and held the hose to my ear and heard the little crackle of tiny bodies sucked into the eye of the tornado, I couldn't remain neutral. Putting away the vacuum, I consoled myself with sentences of friends who, after a beer or three, like to repeat to me the axiom that sooner or later, living in the city, each person discovers himself to be the murder of his own happiness. They were genuine Berlin ladybugs, they'd occupied the windows illegally like my friends in apartments from which they were later evicted.
Aleš Šteger (Berlin)
Dear Pliny,” Sevro sings over the com. If your heart beats like a drum, and your leg’s a little wet, it’s ’cause the Reaper’s come to collect a little debt. He sings this three times until Ragnar throws a table into the console. Sparks shower out. Sevro looks up slowly at the table hanging over his head. It missed by inches. He wheels around. “What the gorypissandshit is your damage, you overreacting mountain troll!” “Rhyming … nnnngh.” Ragnar makes an uncomfortable groaning sound.
Pierce Brown (Golden Son (Red Rising Saga, #2))
If reading Ernest Hemingway’s A Moveable Feast should be of some consolation to an aspiring writer who has, in his days of frugality, at the city’s café India Co ee House, juggled spare coins to tip colonial-era liveried waiters; that he should return one cloudy afternoon four years later, and not bat an eyelid at the hiked rate card of the limited menu, to which mini meals have been added – then to set an alarm in his heart at the sight of a plate of mutton cutlet – a sight so plentiful that his eyes should fog – that his fat wallet should loosen up – handsome tips for halcyon days – that the sta beaming through their prickly taches should touch his table as one does a sacrament – a writer returns to a sodden time, a square feast on a sacred plate.
Manish Gaekwad (Lean Days)
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No one wants to suffer. But much as we would all like to live a totally happy life, suffering is an inescapable fact of our human existence. The observation that ‘Man is born unto trouble, as sparks fly upward’ may not have been much consolation to Job but, nevertheless, remains an uncomfortable truth. Generally speaking, suffering arises through our encounters with problems and difficulties; this is why much of our time is spent trying to avoid them, even though they are inherent in life. In trying to avoid problems, however, we are often simply putting off the inevitable to a future date, by which time the trouble has usually grown much more difficult to resolve. Personal relationships are a good example of this. The failure to tackle a problem between two people — a clash of desires, for instance – usually for fear of not knowing what the consequences will be, or perhaps simply because of a dislike of conflict, can very easily lead to a build-up of resentments which, when finally expressed, can be immensely destructive. The story of the ‘mild-mannered’ civil servant who, in 1987, was jailed for strangling his wife after twenty-six years of marriage, ostensibly because she simply moved his favourite mustard from its usual place at the dinner table, is an extreme, but true, example of this.
Richard G. Causton (The Buddha In Daily Life: An Introduction to the Buddhism of Nichiren Daishonin)
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Consolation However I try To create beautiful poetry Its verb and subject and pronouns In their place Nice and beautiful and poetic Eventually Again I, you and we Peace, freedom and love At a table which I have set For the large banquet of words I see around me Those constant companions Those close friends Comfort me For my pointless efforts.
Zia Ghavami, M.D.
Louisa considered pleading a headache, but withdrawing from the table would only fuel gossip, and perhaps reflect poorly on Sir Joseph, who did not deserve such censure. She could retreat into silence, though, and so she did. Something warm covered the hands she’d linked in her lap. Looking down, she saw Sir Joseph’s scarred fingers stroking slowly over her knuckles, once, twice. He was unobtrusive about it. The person sitting opposite him and even on his other side would not know he’d made such an overture. Louisa turned her hand palm up, and for an instant, Sir Joseph linked his fingers with hers and squeezed gently. “Fortran et haec olim meminisse…” “Juvabit.” Louisa finished the half-whispered quote. Aeneas, trying to instill fortitude in his men, suggesting that some day it might cause a smile to recall even moments such as this. Sir Joseph squeezed her fingers again, the shock of it warring with pleasure. Nobody attempted to offer Louisa comfort or reassurance after one of her social missteps. Her family would rally in their way, but to cover up her mistakes, not to console her for them. Joseph Carrington, without a single word, offered consolation and understanding. Before Louisa could acknowledge his kindness, the moment was over, his hand gone, and the lovely warmth easing through Louisa’s middle her only proof the exchange had occurred.
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
I consoled myself with the knowledge that if I were any good at pool I’d run the table quickly and not be able to play as long. As with so many things, there was utility in avoiding excellence.
Moby (Porcelain: A Memoir)
Stu stops munching, looks up at me from under his shaggy hair. “So, can you read?” He slides a section toward me. I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can’t read or speak, though I still have language inside my head. Words are a consolation, but not a tool. “Guess not. You want me to read stuff out loud to you?” I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk. “It’s so weird,” he says in a hesitant voice. “You don’t look like a cat. When you stare at me, you look like Eliza.” That’s the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you.
Simone Martel
Keep your minister’s table well provided, and you shall be fed with the finest of the wheat; see that his earthly cares do not press on him painfully, and your own hearts’ burdens will be lifted by his heavenly teachings; supply him with this world’s needful comforts, and he will not fail to bring you solace and consolation in the time of your extremity. If he has sown unto you spiritual things, is it a great thing if he shall reap your carnal things?
Susannah Spurgeon
The recently dead were such a social menace. Their absence was as aggressive as the loudest voice in a room. You could not speak of them without sorrow, or ignore them without shame and even trepidation. They ruined the natural flow of conversation and the pleasurable balance of coupledom. It had been tolerable somehow during that unreal but official period of mourning, when they’d all come to him with their casseroles and consolation. But tonight was a kind of debut, or at least a reentry into the real world. Edward was on his own now; he would be the extra man in the room, the odd number at the table.
Hilma Wolitzer (An Available Man)
Cooper, a host of works by American nature writers, and I’ve never in reading a single one of those pages felt one tenth of the emotion that fills me before these shores. And yet I’ll keep on reading, and writing. Two or three times an hour, a sharp crack breaks up my thoughts. The lake is shattering along a fault line. Like surf, birdsong, or the roar of waterfalls, the crumpling of an ice mass won’t keep us awake. A motor running, or someone snoring, or water dripping off a roof, on the other hand, is unbearable. I can’t help thinking of the dead. The thousands of Russians swallowed up by the lake.5 Do the souls of the drowned struggle to the surface? Can they get past the ice? Do they find the hole that opens up to the sky? Now there’s a touchy subject to raise with Christian fundamentalists. It took me five hours to reach Elohin. Volodya welcomed me with a hug and a “Hello, neighbor.” Now there are seven or eight of us around the wooden table dunking cookies in our tea: some fishermen passing through, myself, and our hosts. We talk about our lives and I’m exhausted already. Intoxicated by the potluck company, the fishermen argue, constantly correcting one another with grand gestures of disgust and jumping down one another’s throats. Cabins are prisons. Friendship doesn’t survive anything, not even togetherness. Outside the window, the wind keeps up its nonsense. Clouds of snow rush by with the regularity of phantom trains. I think about the titmouse. I miss it already. It’s crazy how quickly one becomes attached to creatures. I’m seized with pity for these struggling things. The titmice stay in the forest in the icy cold; they’re not snobs like swallows, which spend the winter in Egypt. After twenty minutes, we fall silent, and Volodya looks outside. He spends hours sitting in front of the window pane, his face half in shadow, half bathed in the light off the lake. The light gives him the craggy features of some heroic foot soldier. Time wields over skin the power water has over the earth. It digs deep as it passes. Evening, supper. A heated conversation with one of the fishermen, in which I learn that Jews run the world (but in France it’s the Arabs); Stalin, now there was a real leader; the Russians are invincible (that pipsqueak Hitler bit off more than he could chew); communism is a top-notch system; the Haitian earthquake was triggered by the shockwave from an American bomb; September 11 was a Yankee plot; gulag historians are unpatriotic; and the French are homosexuals. I think I’m going to space out my visits. FEBRUARY 26 Volodya and Irina live like tightrope walkers. They have no contact with the inhabitants on the other side of Baikal. No one crosses the lake. The opposite shore is another world, the one where the sun rises. Fishermen and inspectors living north or south of this station sometimes visit my hosts, who rarely venture into the mountains of their
Sylvain Tesson (The Consolations of the Forest: Alone in a Cabin on the Siberian Taiga)