β
Being a woman is a terribly difficult trade since it consists principally of dealings with men.
β
β
Joseph Conrad (Chance)
β
Don't cry over someone who wouldn't cry over you.
β
β
Lauren Conrad
β
We live as we dream--alone....
β
β
Joseph Conrad (Heart of Darkness)
β
It's only those who do nothing that make no mistakes, I suppose.
β
β
Joseph Conrad (An Outcast of the Islands)
β
It was written I should be loyal to the nightmare of my choice.
β
β
Joseph Conrad (Heart of Darkness)
β
The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went on olden-day sailing ships with Joseph Conrad. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She travelled all over the world while sitting in her little room in an English village.
β
β
Roald Dahl (Matilda)
β
Let them think what they liked, but I didn't mean to drown myself. I meant to swim till I sank -- but that's not the same thing.
β
β
Joseph Conrad (The Secret Sharer and other stories)
β
We live as we dream - alone. While the dream disappears, the life continues painfully.
β
β
Joseph Conrad (Heart of Darkness)
β
My task, which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, before all, to make you see.
β
β
Joseph Conrad (Lord Jim)
β
No, it is impossible; it is impossible to convey the life-sensation of any given epoch of oneβs existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream--alone.
β
β
Joseph Conrad (Heart of Darkness)
β
Your strength is just an accident arising from the weakness of others.
β
β
Joseph Conrad (Heart of Darkness)
β
I don't like work--no man does--but I like what is in the work--the chance to find yourself. Your own reality--for yourself not for others--what no other man can ever know. They can only see the mere show, and never can tell what it really means.
β
β
Joseph Conrad (Heart of Darkness)
β
Love is not a maybe thing, you know when you love someone.
β
β
Lauren Conrad
β
The belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness.
β
β
Joseph Conrad (Under Western Eyes)
β
He struggled with himself, too. I saw it -- I heard it. I saw the inconceivable mystery of a soul that knew no restraint, no faith, and no fear, yet struggling blindly with itself.
β
β
Joseph Conrad (Heart of Darkness)
β
But just because you bury something, that doesnβt mean it stops existing. Those feelings, theyβd been there all along. All that time. I had to face it. He was part of my DNA. I had brown hair and I had freckles and I would always have Conrad in my heart.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
Facing it, always facing it, thatβs the way to get through. Face it.
β
β
Joseph Conrad
β
I love Conrad and I probably always would. I would spend my whole life loving him one way or another. Maybe I would get married, maybe I would have a family, but it wouldnβt matter, because a piece of my heart, the piece where summer lived, would always be Conradβs
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
Droll thing life is -- that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself -- that comes too late -- a crop of inextinguishable regrets.
β
β
Joseph Conrad (Heart of Darkness)
β
I never once cheated on you. I never even looked at another girl when we were together.β
Conrad Fisher
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
Iβve only ever loved two boysβboth of them with the last name Fisher. Conrad was first, and I loved him in a way that you can really only do the first time around. Itβs the kind of love that doesnβt know better and doesnβt want toβitβs dizzy and foolish and fierce. That kind of love is really a one-time-only thing.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
The mind of man is capable of anything.
β
β
Joseph Conrad (Heart of Darkness)
β
I would rather have had someone shoot me in the head with a nail gun, repeatedly, than have to watch the two of them cuddling on the couch together all night. --Conrad
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
But his soul was mad. Being alone in the wilderness, it had looked within itself and, by heavens I tell you, it had gone mad.
β
β
Joseph Conrad (Heart of Darkness)
β
On the way out Jeremiah turned around and danced a quick jig for me and i couldn't help it, I laughed. Over his shoulder Conrad said, "Good night Belly."
And that was it. I was in love
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
We live in the flicker -- may it last as long as the old earth keeps rolling! But darkness was here yesterday.
β
β
Joseph Conrad (Heart of Darkness)
β
The question is not how to get cured, but how to live.
β
β
Joseph Conrad
β
I go wherever you go,' he says, launching us into the water.
This is our start. This is the moment it becomes real. We are married. We are infinite. Me and Conrad. The first boy I ever slow danced with, ever cried over. Ever loved.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
The horror! The horror!
β
β
Joseph Conrad (Heart of Darkness)
β
Itβs a known fact that in life, you canβt have everything. In my heart I knew I loved them both, as much as possible to love two people at the same time. Conrad and I were linked, we would always be linked. That wasnβt something I could do away with. I knew that nowβthat love wasnβt something you could erase, no matter how hard you tried.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
It echoed loudly within him because he was hollow at the core.
β
β
Joseph Conrad (Heart of Darkness)
β
Even extreme grief may ultimately vent
itself in violence--but more generally takes the form of apathy
β
β
Joseph Conrad (Heart of Darkness)
β
We penetrated deeper and deeper into the heart of darkness
β
β
Joseph Conrad (Heart of Darkness)
β
Of all the inanimate objects, of all men's creations, books are the nearest to us for they contain our very thoughts, our ambitions, our indignations, our illusions, our fidelity to the truth, and our persistent leanings to error. But most of all they resemble us in their precious hold on life.
β
β
Joseph Conrad
β
Iβm sorry for screwing everything up. I hurt you again, and for that Iβm sorry. Iβm so sorry. I donβt want to do that anymore. So β¦ Iβm not going to stay
for the wedding. Iβm just going to take off now. I wonβt see you again, not for a long time. Probably for the best. Being near you like this, it hurts. And
JereββConrad cleared his throat and stepped backward, making space between usββheβs the one who needs you.β
Hoarsely, he said, βI need you to know that no matter what happens, it was worth it to me. Being with you, loving you. It was all worth it
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
They were conquerors, and for that you want only brute force--nothing to boast of, when you have it, since your strength is just an accident arising from the weakness of others.
β
β
Joseph Conrad (Heart of Darkness)
β
It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams...No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream-alone...
β
β
Joseph Conrad (Heart of Darkness)
β
Like a running blaze on a plain, like a flash of lightning in the clouds. We live in the flicker.
β
β
Joseph Conrad (Heart of Darkness)
β
You know I hate, detest, and can't bear a lie, not because I am straighter than the rest of us, but simply because it appals me. There is a taint of death, a flavour of mortality in lies - which is exactly what I hate and detest in the world - what I want to forget.
β
β
Joseph Conrad (Heart of Darkness)
β
His very existence was improbable, inexplicable, and altogether bewildering. He was an insoluble problem. It was inconceivable how he had existed, how he had succeeded in getting so far, how he had managed to remain -- why he did not instantly disappear.
β
β
Joseph Conrad (Heart of Darkness)
β
I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmostphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary.
β
β
Joseph Conrad (Heart of Darkness)
β
He pulled my foot, drawing me closer. Being this close to him was making me feel dizzy and nervous. I said it again, one last time, even though i didn't mean it.
"Conrad let go of me."
He did. And then he dunked me. It didn't matter. I was already holding my breath.
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
the mind of man is capable of anything--because everything is in it, all the past as well as the future
β
β
Joseph Conrad (Heart of Darkness)
β
Boys are like purses. You're always gonna have that one boy that you're always comfortable with and you know you'll always kind of like. That's your purse that you wear everywhere. Then you have that gorgeous bag that you want everyone to see you with but the gorgeous bag is usually an asshole or costs a lot of money. Then you have those other purses that you really like but you really don't want to be seen with
β
β
Lauren Conrad
β
Few men realize that their life, the very essence of their character, their capabilities and their audacities, are only the expression of their belief in the safety of their surroundings.
β
β
Joseph Conrad
β
What now?β
Conrad didnβt let me off the hook that easy. He said, βWhat now with you and Jeremiah or with you and me?
β
β
Jenny Han (It's Not Summer Without You (Summer, #2))
β
for belly, conrad is the sun. and when the sun comes out, the stars disappear.
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
Suddenly I had this feeling, this absolute certainty, that I was never going to be able to let him go. It was as simple and as hard as that. I had clung to him like a barnacle all these years, and now I couldnβt cut away. It was my own fault, really. I couldnβt let go of Conrad.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
I finally said it. The actual words, out loud, to her face. It was a relief, not carrying it around anymore, and it was a rush, actually telling her. I was in an elated sort of daze, on a high. She loved me. I didnβt need to hear her say it out loud, I knew it innately in the way she looked at me just then.
Conrad Fisher
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
We are married. We are infinite. Me and Conrad. The first boy I ever slow danced with, ever cried over. Ever loved
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
Perhaps life is just that... a dream and a fear
β
β
Joseph Conrad
β
There is something haunting in the light of the moon; it has all the dispassionateness of a disembodied soul, and something of its inconceivable mystery.
β
β
Joseph Conrad
β
Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is the very essence of dreams...
β
β
Joseph Conrad (Heart of Darkness)
β
A true friend is someone who never gets tired listening to your pointless drama over and over again.
β
β
Lauren Conrad
β
Conrad calling me againβthat was enough to make me forget how to breathe.
β
β
Jenny Han (It's Not Summer Without You (Summer, #2))
β
Love...who needed love? As long as she had her books and her friends and an occasional hookup, she was perfectly content.
β
β
Lauren Conrad (L.A. Candy (L.A. Candy, #1))
β
When you are looking to meet someone,
you are looking to settle.
Becaue you are not looking for someone,
you are looking for anyone
β
β
Lauren Conrad
β
Wait!" he yelled.
I didn't turn around, I walked faster. Then I heard him slam his fist on the hood of his car. I almost stopped.
Maybe I would have if he'd followed me. But he didn't. He got in his car and he left, just like he said he would.
β
β
Jenny Han (It's Not Summer Without You (Summer, #2))
β
We sat around the kitchen table picking off of foil-covered plates. Conrad kept sneaking looks at me, and every time I looked back, he looked away. I'm right here, I wanted to tell him. I'm still here.
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
He took a step closer. "I don't know if I'll ever get you out of my system, not completely. I have this... feeling. That you'll always be there. Here." Conrad clawed at his heart and then dropped his hand.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
The sea has never been friendly to man. At most it has been the accomplice of human restlessness.
β
β
Joseph Conrad
β
He hated all this, and somehow he couldn't get away.
β
β
Joseph Conrad (Heart of Darkness)
β
I couldn't have felt more of lonely desolation somehow, had I been robbed of a belief or had missed my destiny in life...
β
β
Joseph Conrad (Heart of Darkness)
β
Itβs extraordinary how we go through life with eyes half shut, with dull ears, with dormant thoughts. Perhaps itβs just as well; and it may be that it is this very dullness that makes life to the incalculable majority so supportable and so welcome.
β
β
Joseph Conrad
β
Words, as is well known, are the great foes of reality.
β
β
Joseph Conrad (Under Western Eyes)
β
This mountain of a man was learning that his considerable might- which he'd clearly relied on for everything- was futile with her.
β
β
Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #4))
β
you never make the same mistake twice. the second time you make it, it is no longer a mistake. it is a choice
β
β
Lauren Conrad
β
Is it so impossible that Conrad Fisher would like me?
β
β
Jenny Han (It's Not Summer Without You (Summer, #2))
β
You shall judge of a man by his foes as well as by his friends.
β
β
Joseph Conrad (Lord Jim)
β
I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude - and the whisper had proved irresistibly fascinating. It echoed loudly within him because he was hollow at the core.
β
β
Joseph Conrad (Heart of Darkness)
β
I punched my hand through the water. I wanted to kick his ass. 'This is between me and Belly.' Smug piece of shit." - Conrad Fisher
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
We can never cease to be ourselves.
β
β
Joseph Conrad (The Secret Agent)
β
We couldn't understand because we were too far... and could not remember because we were traveling in the night of first ages, those ages that had gone, leaving hardly a sign... and no memories.
β
β
Joseph Conrad (Heart of Darkness)
β
The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it much.
β
β
Joseph Conrad (Heart of Darkness and The Secret Sharer)
β
Gossip is what no one claims to like, but everybody enjoys.
β
β
Joseph Conrad
β
Who knows what true happiness is, not the conventional word.. but the naked terror. To the lonely themselves, that wears a mask, the most miserable outcast hugs some memory.. or some illusion.
β
β
Joseph Conrad
β
Success ... seems to be connected with action. Successful men keep moving. They make mistakes, but they don't quit.
β
β
Conrad Hilton
β
Never test another man by your own weakness.
β
β
Joseph Conrad (Lord Jim)
β
The only way to belong is to act like you belong. Or to not give a shit whether you belong or not.
β
β
Lauren Conrad (L.A. Candy (L.A. Candy, #1))
β
The thing was, Jeremiah was right. I did love him. I knew the exact moment it became real too. Conrad got up early to make a special belated
Father's Day breakfast, only Mr. Fisher hadn't been able to come down the night before. He wasn't there the next morning the way he was
supposed to be. Conrad cooked anyway, and he was thirteen and a terrible cook, but we all ate it. Watching him serving rubbery eggs and
pretending not to be sad, I thought to myself, I will love this boy forever.
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
And after, when it was bedtime, I would sing, βWe love you, Conrad, oh yes we do. We love you, Conrad, and weβll be trueβ into the bathroom mirror with a mouthful of toothpaste. I would sing my eight-nine-ten-year-old heart out. But I wasnβt singing to Conrad Birdie. I was singing to my Conrad. Conrad Beck Fisher, the boy of my preteen dreams.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
Watching a coast as it slips by the ship is like thinking about an enigma. There it is before you, smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, "Come and find out".
β
β
Joseph Conrad (Heart of Darkness)
β
It is my belief no man ever understands quite his own artful dodges to escape from the grim shadow of self-knowledge.
β
β
Joseph Conrad (Lord Jim)
β
Writing in English is like throwing mud at a wall.
β
β
Joseph Conrad
β
One can't live with one's finger everlastingly on one's pulse.
β
β
Joseph Conrad (Heart of Darkness)
β
I didn't dare look at Conrad. I was afraid my love for him and my need for him to say yes would be written on my face like a poem.
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
My task is to make you hear, to make you feel,and, above all, to make you see. That is all, and it is everything.
β
β
Joseph Conrad
β
In order to move others deeply we must deliberately allow ourselves to be carried away beyond the bounds of our normal sensibility
β
β
Joseph Conrad
β
Maybe that was how it was with all first loves. They own a little piece of your heart, always. Conrad at twelve, thirteen, fourteen, fifteen, sixteen, even seventeen years old.
β
β
Jenny Han
β
I have a voice, too, and for good or evil mine is the speech that cannot be silenced
β
β
Joseph Conrad (Heart of Darkness)
β
Success seems to be connected to action. Successful people keep moving. They make mistakes, but they donβt quit.
β
β
Conrad Hilton
β
Strange though it is,Sarov still cares about you. He told me to leave you alone. But I think, this time, I must disobey the general. You are mine! And I intend to make you suffer..."
"Just talking to you makes me suffer," Alex said.
β
β
Anthony Horowitz (Skeleton Key (Alex Rider #3))
β
Your name?"The movements of the man's mouth didn't quite match what he was saying, so seeing him speak was a bit like watching a badly dubbed film.
"Alex Gardiner," Alex said.
"Your real name?"
"I just told you."
"You lied. Your real name is Alex Rider."
"Why ask if you think you know?
β
β
Anthony Horowitz (Skeleton Key (Alex Rider #3))
β
They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretense, because I felt so sure they could not possibly know the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the face of a danger it is unable to comprehend. I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces, so full of stupid importance.
β
β
Joseph Conrad (Heart of Darkness)
β
Tomorrow will be better.
β
β
Lauren Conrad (L.A. Candy (L.A. Candy, #1))
β
Wait!" Conrad said. "Did someone... one of my enemies set this fire?"
Nix turned back with a grin. "Unless you'd pissed off some wirring-hungry nutrias, then I'm going with no.
β
β
Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #4))
β
I let him run on, this papier-machΓ© Mephistopheles, and it seemed to me that if I tried I could poke my forefinger through him, and would find nothing inside but a little loose dirt, maybe.
β
β
Joseph Conrad (Heart of Darkness)
β
Conrad placed on the title page an epigraph taken from Edmund Spenser's The Faerie Queene:
"Sleep after toyle, port after stormie seas,
Ease after warre, death after life, does greatly please"
This also became Conrad's epitaph.
β
β
Joseph Conrad (The Rover)
β
And this also," said Marlow suddenly, "has been one of the dark places of the earth.
β
β
Joseph Conrad (Heart of Darkness)
β
Life knows us not and we do not know lifeβ-we donβt know even our own thoughts. Half the words we use have no meaning whatever and of the other half each man understands each word after the fashion of his own folly and conceit. Faith is a myth and beliefs shift like mists on the shore; thoughts vanish; words, once pronounced, die; and the memory of yesterday is as shadowy as the hope of tomorrow
β
β
Joseph Conrad
β
Do you remember infinity?β
Slowly, I turned around. βWhat about it?β
Tossing something toward me, he said, βCatch.β
I reached out and caught it in the air. A silver necklace. I held it up and examined it. The infinity necklace.
It didnβt shine the way it used to; it looked a bit coppery now. But I recognized it. Of course I recognized it.
βWhat is this?β I asked.
βYou know what it is,β he said.
I shrugged. βNope, sorry.β
I could see that he was both hurt and angry. βOkay, then. You donβt remember it. Iβll remind you. I bought
you that necklace for your birthday.β
My birthday.
It had to have been for my sixteenth birthday. It was the only year he ever forgot to buy me a birthday
presentβthe last summer weβd all been together at the beach house, when Susannah was still alive.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
Maybe that was how it was with all first loves. They own a little piece of your heart, always. Conrad at twelve, thirteen, fourteen, fifteen, sixteen, even seventeen years old. For the rest of my life, I would think of him fondly, the way you do your first pet, the first car you drove. Firsts were important.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
The sad fact is that I love Dickens and Donne and Keats and Eliot and Forster and Conrad and Fitzgerald and Kafka and Wilde and Orwell and Waugh and Marvell and Greene and Sterne and Shakespeare and Webster and Swift and Yeats and Joyce and Hardy, really, really love them. Itβs just that they donβt love me back.
β
β
David Nicholls (Starter for Ten)
β
But from the beginning, I knew that in a world where destiny was dead, I was destined, forever, to love him. Even though he didn't - though he couldn't - ever love me back.
β
β
Lauren Oliver (Annabel (Delirium, #0.5))
β
They had behind them, to my mind, the terrific suggestiveness of words heard in dreams, of phrases spoken in nightmares.
β
β
Joseph Conrad (Heart of Darkness)
β
Life isn't an Island, you have to have other people in your life.
β
β
Lauren Conrad
β
I wished for Conrad on every birthday, every shooting star, every lost eyelash, every penny in a fountain was dedicated to the one I loved.
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
It is when we try to grapple with another man's intimate need that we perceive how incomprehensible, wavering and misty are the beings that share with us the sight of the stars and the warmth of the sun. It is as if loneliness were a hard and absolute condition of existence; the envelope of flesh and blood on which our eyes are fixed melts before the outstretched hand, and there remains only the capricious, unconsolable and elusive spirit that no eye can follow, no hand can grasp.
β
β
Joseph Conrad (Lord Jim)
β
How does one kill fear, I wonder? How do you shoot a spectre through the heart, slash off its spectral head, take it by its spectral throat?
β
β
Joseph Conrad (Lord Jim)
β
Real relationships - the kind that were supposed to last but never did - were more trouble than they were worth.
β
β
Lauren Conrad (L.A. Candy (L.A. Candy, #1))
β
In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent.
β
β
Joseph Conrad (Heart of Darkness)
β
And perhaps in this is the whole difference; perhaps all the wisdom, and all truth, and all sincerity, are just compressed into that inappreciable moment of time in which we step over the threshold of the invisible.
β
β
Joseph Conrad (Heart of Darkness)
β
My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel β it is, before all, to make you see. That β and no more, and it is everything. If I succeed, you shall find there according to your deserts: encouragement, consolation, fear, charm β all you demand; and, perhaps, also that glimpse of truth for which you have forgotten to ask.
β
β
Joseph Conrad (The Nigger of the Narcissus and the Secret Sharer)
β
Being called the nice girl, is way better than being called a bitch.
β
β
Lauren Conrad
β
Confidence is just entitlement. Entitlement has gotten a bad rap because it's used almost exclusively for the useless children of the rich, reality TV stars, and Conrad Hilton Jr., who gets kicked off an airplane for smoking pot in the lavatory and calling people peasants or whatever. But entitlement in and of itself isn't so bad. Entitlement is simply the belief that you deserve something. Which is great. The hard part is, you'd better make sure you deserve it.
β
β
Mindy Kaling (Why Not Me?)
β
I used to think that diamonds were a girl's best friend, but now I realize it's carbohydrates. Seriously, I have a French baguette at home sporting a matching friendship bracelet.
β
β
Lauren Conrad (Sweet Little Lies (L.A. Candy, #2))
β
His face was like the autumn sky, overcast one moment and bright the next.
β
β
Joseph Conrad (Heart of Darkness)
β
The use of reason is to justify the obscure desires that move our conduct, impulses, passions, prejudices and follies, and also our fears.
β
β
Joseph Conrad (Victory)
β
I'd never heard of them, but at that moment, it was the best song I'd ever heard. I went out and bought Ten and listened to it on repeat. When I listened to track five, "Black," it was like I was there, in that moment all over again.
After the summer was over, when I got back home, I went to the music store and bought the sheet music and learned to play it on the piano. I thought one day I could accompany Conrad and we could be, like, a band.
β
β
Jenny Han (The Summer I Turned Pretty (Summer, #1))
β
I always went my own road and on my own legs where I had a mind to go
β
β
Joseph Conrad (Heart of Darkness)
β
It's hard to tell people who they should hang out with and who they shouldn't, especially if they aren't ready to hear that. You have to let your friends make their own mistakes sometimes. You can't protect them from everything, or else they'll never learn
β
β
Lauren Conrad (Sweet Little Lies (L.A. Candy, #2))
β
Madness alone is truly terrifying, inasmuch as you cannot placate it by threats, persuasion, or bribes.
β
β
Joseph Conrad (The Secret Agent)
β
There is a taint of death, a flavour of mortality in lies - which is exactly what I hate and detest in the world - what I want to forget.
β
β
Joseph Conrad (Heart of Darkness)
β
The sight of it made the earth seem unearthly. They were accustomed to look upon the shackled form of a conquered monster, but there-- there you could look at a thing monstrous, beautiful, and free.
β
β
Joseph Conrad (Heart of Darkness)
β
The offing was barred by a black bank of clouds, and the tranquil water-way leading to the uttermost ends of the earth flowed somber under an overcast sky--seemed to lead into the heart of an immense darkness.
β
β
Joseph Conrad (Heart of Darkness)
β
Joy and sorrow in this world pass into each other, mingling their forms and their murmurs in the twilight of life as mysterious as an overshadowed ocean, while the dazzling brightness of supreme hopes lies far off, fascinating and still, on the distant edge of the horizon
β
β
Joseph Conrad
β
For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away.
β
β
Joseph Conrad (Heart of Darkness)
β
Anyway, he's gone. Which, as you know, is how I like my men.
β
β
Lauren Conrad
β
The mind of man is capable of anything--because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valor, rage--who can tell?--but
truth--truth stripped of its cloak of time.
β
β
Joseph Conrad (Heart of Darkness)
β
I am afraid that if you want to go down into history you'll have to do something for it.
β
β
Joseph Conrad (The Secret Agent)
β
Everything belonged to him--but that was a trifle. The thing to know was what he belonged to, how many powers of darkness claimed him for their own.
β
β
Joseph Conrad (Heart of Darkness)
β
There is no peace and no rest in the development of material interests. They have their law, and their justice. But it is founded on expediency, and is inhuman; it is without rectitude, without the continuity and the force that can be found only in a moral principle.
β
β
Joseph Conrad (Nostromo)
β
It's time to make love, douse the glim; The fireflies twinkle and dim; The stars lean together Like birds of a feather, And the loin lies down with the limb.
β
β
Conrad Aiken
β
I saw him open his mouth wide. . . as though he had wanted to swallow all the air, all the earth, all the men before him.
β
β
Joseph Conrad (Heart of Darkness)
β
Vanity plays lurid tricks with our memory, and the truth of every passion wants some pretence to make it live.
β
β
Joseph Conrad (Lord Jim)
β
Remember that summer you liked that girl who worked at the
boardwalk? Angie?β
βNo,β he said, but I knew he was lying. βWhat about her?β
βDid you ever hook up with her?β
Conrad finally lifted his head up from the couch. βNo,β he said.
βI donβt believe you.β
βI tried, once. But she socked me in the head and said she wasnβt that kind of girl.I think she was a Jehovahβs Witness or something.
β
β
Jenny Han (It's Not Summer Without You (Summer, #2))
β
The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only. An idea at the back of it, not a sentimental pretence but an idea: and an unselfish belief in the idea--something you can set up, and bow down before, and offer a sacrifice to...
β
β
Joseph Conrad (Heart of Darkness)
β
I slipped the book into my pocket. I assure you to leave off reading was like tearing myself away from the shelter of an old and solid friendship.
β
β
Joseph Conrad (Heart of Darkness and The Secret Sharer)
β
To a teacher of languages there comes a time when the world is but a place of many words and man appears a mere talking animal not much more wonderful than a parrot.
β
β
Joseph Conrad (Under Western Eyes)
β
All that mysterious life of the wilderness that stirs in the forest, in the jungles, in the hearts of wild men.
β
β
Joseph Conrad (Heart of Darkness)
β
Taylor wanted me to forget about Conrad, to just erase him from my mind and memory. She kept saying things like, βeverybody has to get over a first love, itβs a rite of passage.β But Conrad wasnβt just my first love. He wasnβt some rite of passage. He was so much more than that. He and Jeremiah and Susannah were my family. In my memory, the three of them would always be entwined, forever linked. There couldnβt be one without the others. If I forgot Conrad, if I evicted him from my heart, pretended like he was never there, it would be like doing those tings to Susannah. And that, I couldnβt do.
β
β
Jenny Han (It's Not Summer Without You (Summer, #2))
β
I decided Conrad was right after all. Ilsa was meant to be with Laszlo. That was the way it was always supposed to end. Rick was nothing but a tiny piece of her past, a piece that she would always treasure, but that was all, because history is just that. History.
β
β
Jenny Han (We'll Always Have Summer (Summer, #3))
β
The world of the living contains enough marvels and mysteries..acting upon our emotions and intelligence in ways so inexplicable that it would almost justify the conception of life as an enchanted state.
No, I am too firm in my consciousness of the marvellous to be ever fascinated by the mere supernatural...
β
β
Joseph Conrad (The Shadow-Line)
β
Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing.
β
β
Conrad Aiken (The House of Dust: a Symphony)
β
One of these days, you're going to fall in love with some guy, and you're not going to know what to do with yourself.
β
β
Jane Roberts
β
I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces, so full of stupid importance.
β
β
Joseph Conrad (Heart of Darkness)
β
Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror--of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision--he cried out twice, a cry that was no more than a breath:
The horror! The horror!
β
β
Joseph Conrad (Heart of Darkness)
β
I remember my youth and the feeling that will never come back any more /the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort /to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires /and expires, too soon, too soon /before life itself
β
β
Joseph Conrad
β
It's always better to be the dumper than the dumpee.
β
β
Lauren Conrad (L.A. Candy (L.A. Candy, #1))
β
Men act badly sometimes without being much worse than others,
β
β
Joseph Conrad (Lord Jim)
β
I libri le aprivano mondi nuovi e le facevano conoscere persone straordinarie che vivevano una vita piena di avventure. Viaggiava su antichi velieri con Joseph Conrad. Andava in Africa con Ernest Hemingway e in India con Kipling. Girava il mondo restando seduta nella sua stanza, in un villaggio inglese.
β
β
Roald Dahl (Matilda)
β
No, I donβt like work. I had rather laze about and think of all the fine things that can be done. I donβt like work β no man does β but I like what is in the work, - the chance to find yourself. Your own reality β for yourself, not for others β what no other man can ever know. They can only see the mere show, and never can tell what it really means.
β
β
Joseph Conrad (Heart of Darkness)
β
I put my freezing hands on his cheeks and instead of pushing them away, he said, βAhh, feels good.β I laughed and said, βThatβs because youβre coldhearted.β He put my hands in his coat pockets and said in a voice so soft I wondered if I heard him right, βFor everyone else, maybe. But not for you.
β
β
Jenny Han (It's Not Summer Without You (Summer, #2))
β
Everything belonged to him. It made me hold my breath in expectation of hearing the wilderness burst into prodigious peal of laughter that would shake the fixed stars in their places.
β
β
Joseph Conrad (Heart of Darkness)
β
Only a fool would underestimate a man with nothing to lose.
β
β
Lance Conrad (The Price of Nobility (The Historian Tales, #2))
β
...for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence...
β
β
Joseph Conrad (Heart of Darkness)
β
Most importantly, itΒ΄s in giving thanks...
β
β
Lauren Conrad (Lauren Conrad Style)
β
A writing may be lost; a lie may be written; but what the eye has seen is truth and remains in the mind!
β
β
Joseph Conrad (The Lagoon (Creative Short Stories))
β
He has to live in the midst of the incomprehensible, which is detestable. And it has a fascination, too, which goes to work upon him. The fascination of the abomination--you know.
β
β
Joseph Conrad (Heart of Darkness)
β
I suppose everybody must be always just a little homesick.
β
β
Joseph Conrad (Nostromo)
β
No, no. I trust your judgement. Implicitly. You're just wrong.
β
β
Hy Conrad (Mr. Monk Helps Himself (Mr. Monk #16))
β
Art is long and life is short, and success is very far off.
β
β
Joseph Conrad
β
Woe to the man whose heart has not learned while young to hope, to love - and to put it's trust in life!
β
β
Joseph Conrad (Victory)
β
He existed for me, and after all it is only through me that he exists for you.
β
β
Joseph Conrad (Lord Jim)
β
I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts.
β
β
Joseph Conrad (Heart of Darkness)
β
In case you didn't notice me, I'm the less attractive friend to the right.
β
β
Lauren Conrad (L.A. Candy (L.A. Candy, #1))
β
She feared the unknown as we all do, and her ignorance made the unknown infinitely vast.
β
β
Joseph Conrad
β
And a word carries far-very far-deals destruction through time as the bullets go flying through space.
β
β
Joseph Conrad (Lord Jim)
β
And after all, one does not die of it." "Die of what?" I asked swiftly. "Of being afraid.
β
β
Joseph Conrad (Lord Jim)
β
Best friends are forever. That's why they're called BFFs.
β
β
Lauren Conrad (Sweet Little Lies (L.A. Candy, #2))
β
Youth is insolent; it is its right β its necessity; it has got to assert itself, and all assertion in this world of doubts is a defiance, is an insolenceβ¦
β
β
Joseph Conrad (Lord Jim)
β
It's queer how out of touch with truth women are. They live in a world of their own, and there had never been anything like it, and never can be. It is too beautiful altogether, and if they were to set it up it would go to pieces before the first sunset. Some confounded fact we men have been living contentedly with ever since the day of creation would start up and knock the whole thing over.
β
β
Joseph Conrad (Heart of Darkness and Other Tales)
β
All idealisation makes life poorer. To beautify it is to take away its character of complexity β it is to destroy it.
β
β
Joseph Conrad (The Secret Agent)
β
The man who says that he has no illusions has at least that one.
β
β
Joseph Conrad (Under Western Eyes)
β
I remembered the old doctor, - "It would be interesting for science to watch the mental changes of individuals, on the spot." I felt I was becoming scientifically interesting.
β
β
Joseph Conrad (Heart of Darkness)
β
I used to think Romeo and Juliet was the greatest love story ever written. But now that Iβm middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, itβs a shallow love. You want proof?β Cagney didnβt wait for Dr. Victor to say yay or nay.
βSoon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I donβt think so. And at the end, when he thinks sheβs dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal.
βThose of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the βlean abhorred monsterβ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a βno.ββ
Cagney sighed, listened to the leather creak as he shifted his weight in his chair.
βNo,β he repeated. βHis alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. Thatβs not love, but obsessive infatuation. Had they wedβJuliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothingβand she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
β
β
J. Conrad Guest (The Cobb Legacy)
β
It made you feel very small, very lost, and yet it was not altogether depressing, that feeling. After all, if you were small, the grimy beetle crawled on - which was just what you wanted it to do.
β
β
Joseph Conrad (Heart of Darkness)
β
He will be eighteen in January, but he looks younger than that, and vulnerable; yet older at the same time. Tired. His face is drawn. He has an urge to shield him, but how? There is no way. No way at all.
β
β
Judith Guest (Ordinary People)
β
Droll thing life is--that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself--that comes too late--a crop of unextinguishable regrets. I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary. If such is the form of ultimate wisdom, then life is a greater riddle than some of us think it to be. I was within a hair's-breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say.
β
β
Joseph Conrad (Heart of Darkness)
β
O youth! The strenght of it, the faith of it, the imagination of it! (...) I think of her with pleasure, with affection, with regret - as you would think of some one dead you have loved. I shall never forget her.... Pass the bottle.
β
β
Joseph Conrad (Youth, a Narrative)
β
All my moral and intellectual being is penetrated by an invincible conviction that whatever falls under the dominion of our senses must be in nature and, however exceptional, cannot differ in its essence from all the other effects of the visible and tangible world of which we are a self-conscious part. The world of the living contains enough marvels and mysteries as it isβmarvels and mysteries acting upon our emotions and intelligence in ways so inexplicable that it would almost justify the conception of life as an enchanted state. No, I am too firm in my consciousness of the marvelous to be ever fascinated by the mere supernatural which (take it any way you like) is but a manufactured article, the fabrication of minds insensitive to the intimate delicacies of our relation to the dead and to the living, in their countless multitudes; a desecration of our tenderest memories; an outrage on our dignity.
β
β
Joseph Conrad (The Shadow-Line)
β
He did not care what the end would be, and in his lucid moments overvalued his indifference. The danger, when not seen, has the imperfect vagueness of human thought. The fear grows shadowy; and Imagination, the enemy of men, the father of all terrors, unstimulated, sinks to rest in the dullness of exhausted emotion.
β
β
Joseph Conrad (Lord Jim)
β
Going up that river was like travelling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of sunshine. The long stretches of the waterway ran on, deserted, into the gloom of overshadowed distances. On silvery sandbanks hippos and alligators sunned themselves side by side. The broadening waters flowed through a mob of wooded islands; you lost your way on that river as you would in a desert, and butted all day long against shoals, trying to find the channel, till you thought yourself bewitched and cut off forever from everything you had known once -somewhere- far away in another existence perhaps. There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect.
β
β
Joseph Conrad (Heart of Darkness)
β
I think the knowledge came to him at last β only at the very last. But the wilderness had found him out early, and had taken on him a terrible vengeance for the fantastic invasion. I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude β and the whisper had proved irresistibly fascinating.
Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasnβt touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of somber pride, of ruthless power, of craven terror β of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision, β he cried out twice, a cry that was no more than a breath β βThe horror! The horror!
β
β
Joseph Conrad (Heart of Darkness)
β
It's extraordinary how we go through life with eyes half shut, with dull ears, with dormant thoughts. Perhaps it's just as well; and it may be that it is this very dullness that makes life to the incalculable majority so supportable and so welcome. Nevertheless, there can be but few of us who had never known one of these rare moments of awakening when we see, hear, understand ever so muchβeverythingβin a flashβbefore we fall back again into our agreeable somnolence.
β
β
Joseph Conrad (Lord Jim)
β
A work that aspires, however humbly, to the condition of art should carry its justification in every line...To snatch in a moment of courage, from the remorseless rush of time, a passing phase of life is only the beginning of the task. The task approached in tenderness and faith is to hold up unquestioningly, without choice and without fear, the rescued fragment before all eyes and in the light of a sincere mood. It is to show its vibration, its colour, its form; and through its movement, its form, and its colour, reveal the substance of its truth -- disclose its inspiring secret: the stress and passion within the core of each convincing moment. In a single-minded attempt of that kind, if one be deserving and fortunate, one may perchance attain to such clearness of sincerity that at last the presented vision of regret or pity, of terror or mirth, shall awaken in the hearts of the beholders that feeling of unavoidable solidarity; of the solidarity in mysterious origin, in toil, in joy, in hope, in uncertain fate, which binds men to each other and all mankind to the visible world.
β
β
Joseph Conrad
β
After that, all the while Millie was eating the pudding... we both tore Christopher's character to shreds. It was wonderful fun.... He drove everyone mad in Chrestomanci Castle by insisting on silk shirts and exactly the right kind of pajamas. 'And he could get them right anyway by magic,' Millie told me, 'if he wasn't too lazy to learn how.... But the thing that really annoys me is the way he never bothers to learn a person's name. If a person isn't important to him, he always forgets their name.'
When Millie said this, I realized that Christopher had never once forgotten my name...
β
β
Diana Wynne Jones (Conrad's Fate (Chrestomanci, #5))
β
The moon had spread over everything a thin layer of silver - over the rank grass, over the mud, upon the wall of matted vegetation standing higher than the wall of a temple, over the great river I could see through a sombre gap glittering, glittering, as it flowed broadly by without a murmur. All this was great, expectant, mute, while the man jabbered about himself.
β
β
Joseph Conrad (Heart of Darkness)
β
And no matter where you are right now, you can come on out and stand in the middle of it as the sun is going down, and you can know that right in the spot where you are standing, there used to be someone else, that at some other point in time, someone stood where you are standing, thinking their own thoughts. And someday in the future someone will stand there and wonder about you, wonder if there was ever anybody else.
Keep in mind that you are making memories.
Consider that something you take for granted today may be the one thing you might pine for someday, and there might not be any more of it left, but you'll remember its sweetness. Remember the curve of the sun in your bedroom window late in the day, the way your little brother's hair smelled after his bath, and the sound of your mother and father talking in the kitchen.
Make sure you notice if the trees meet in an arch over your street, or if there's a certain sound that you hear at a particular time every day. Take note of those people who are so familiar to you, and consider memorizing them for a time when they are gone.
And know that if anyone ever says to you, "What will you always remember about this place?" you will know just exactly which story it is that you would tell them.
β
β
Pam Conrad (Our House)
β
She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
β
β
Joseph Conrad (Heart of Darkness)
β
These little things make all the great difference. When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. Of course you may be too much of a fool to go wrong--too dull even to know you are being assaulted by the powers of darkness. I take it no fool ever made a bargain for his soul with the devil. The fool is too much of a fool or the devil too much of a devil--I don't know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place--and whether to be like this is your loss or your gain I won't pretend to say. But most of us are neither one or the other.
β
β
Joseph Conrad (Heart of Darkness)
β
It is moonlight. Alone in the silence
I ascend my stairs once more,
While waves remote in pale blue starlight
Crash on a white sand shore.
It is moonlight. The garden is silent.
I stand in my room alone.
Across my wall, from the far-off moon,
A rain of fire is thrown.
There are houses hanging above the stars,
And stars hung under the sea,
And a wind from the long blue vault of time
Waves my curtains for me.
I wait in the dark once more,
swung between space and space:
Before the mirror I lift my hands
And face my remembered face.
β
β
Conrad Aiken
β
I -- I alone know how to mourn for him as he deserves.' But while we were still shaking hands, such a look of awful desolation came upon her face that I perceived she was one of those creatures that are not the playthings of Time. For her he had died only yesterday. And, by Jove! the impression was so powerful that for me, too, he seemed to have died only yesterday -- nay, this very minute. I saw her and him in the same instant of time -- his death and her sorrow -- I saw her sorrow in the very moment of his death. Do you understand? I saw them together -- I heard them together.
β
β
Joseph Conrad (Heart of Darkness)
β
Cade hiked his shoulders, pretending nonchalance. "Tell me about the vampire, or not, dove. But none of us really wants to be here."
"I'll tell you," NΓ―x said, her gaze rapt on his horns. "But only if you let me lick your rock-hard hornsβ"
"NΓ―x!" Regin's attention snapped back to this conversation.
Eyes wide, NΓ―x cried, "Who said that?? I didn't say that! Oh, very wellβthe vampire's named Conrad Wroth. Best be careful with that one. He single-handedly took down Bothrops the Lich."
"That was Wroth?" He'd heard of the assassin before. Cade grudgingly admitted that the leech did nice work, dealing deaths with a unique, gruesome signature to them. Which was important in their line of business. "Where is he?"
"To find him, you need to trail the one who seeks him in sleep."
"Soothsayerese? I don't speak it," he said, but she didn't elaborate. "That's all you're going to divvy?"
"Wanna know more?" NΓ―x raised her brows. "Then you should have let me lick your horns.
β
β
Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #4))
β
Well, you know that was the worst of it - this suspicion of their not being inhuman. It would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity - like yours - the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was justly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you - you so remote from the night of first ages could comprehend.
β
β
Joseph Conrad (Heart of Darkness)
β
Nobody ever got started on a career as a writer by exercising good judgment, and no one ever will, either, so the sooner you break the habit of relying on yours, the faster you will advance. People with good judgment weigh the assurance of a comfortable living represented by the marinersβ certificates that declare them masters of all ships, whether steam or sail, and masters of all oceans and all navigable rivers, and do not forsake such work in order to learn English and write books signed Joseph Conrad. People who have had hard lives but somehow found themselves fetched up in executive positions with prosperous West Coast oil firms do not drink and wench themselves out of such comfy billets in order in their middle age to write books as Raymond Chandler; that would be poor judgment. No one on the payroll of a New York newspaper would get drunk and chuck it all to become a free-lance writer, so there was no John OβHara. When you have at last progressed to the junction that enforces the decision of whether to proceed further, by sending your stuff out, and refusing to remain a wistful urchin too afraid to beg, and you have sent the stuff, it is time to pause and rejoice.
β
β
George V. Higgins
β
No fear can stand up to hunger, no patience can wear it out, disgust simply does not exist where hunger is; and as to superstition, beliefs, and what you may call principles, they are less than chaff in a breeze. Don't you know the devilry of lingering starvation, its exasperating torment, its black thoughts, its sombre and brooding ferocity? Well, I do. It takes a man all is inborn strength to fight hunger properly. It's really easier to face bereavement, dishonour, and the perdition of one's soul - than this kind of prolonged hunger. Sad, but true. And these chaps, too, had no earthly reason for any kind of scruple. Restraint! I would just as soon have expected restraint from a hyena prowling amongst the corpses of a battlefield.
β
β
Joseph Conrad (Heart of Darkness)
β
We wander in our thousands over the
face of the earth, the illustrious and the obscure, earning beyond the
seas our fame, our money, or only a crust of bread; but it seems to me
that for each of us going home must be like going to render an account.
We return to face our superiors, our kindred, our friends--those whom we
obey, and those whom we love; but even they who have neither, the most
free, lonely, irresponsible and bereft of ties,--even those for whom
home holds no dear face, no familiar voice,--even they have to meet the
spirit that dwells within the land, under its sky, in its air, in its
valleys, and on its rises, in its fields, in its waters and its trees--a
mute friend, judge, and inspirer.
β
β
Joseph Conrad (Lord Jim)
β
She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
β
β
Joseph Conrad (Heart of Darkness)
β
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us all as if her life had depended upon the unswerving steadiness of her glance
β
β
Joseph Conrad (Heart of Darkness)