Connie Willis Quotes

We've searched our database for all the quotes and captions related to Connie Willis. Here they are! All 100 of them:

That's what literature is. It's the people who went before us, tapping out messages from the past, from beyond the grave, trying to tell us about life and death! Listen to them!
Connie Willis (Passage)
Cats, as you know, are quite impervious to threats.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Why do only the awful things become fads? I thought. Eye-rolling and Barbie and bread pudding. Why never chocolate cheesecake or thinking for yourself?
Connie Willis (Bellwether)
The reason Victorian society was so restricted and repressed was that it was impossible to move without knocking something over.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
One has not lived until one has carried a sixty-pound dog down a sweeping flight of stairs at half-past V in the morning.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
I wanted to come, and if I hadn’t, they would have been all alone, and nobody would have ever known how frightened and brave and irreplaceable they were.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
And kissed her for a hundred and sixty-nine years.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
People will buy anything at jumble sales,' I said. 'At the Evacuated Children Charity Fair a woman bought a tree branch that had fallen on the table.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
No," I said finally. "Slowness in Answering," she said into the handheld. "When's the last time you slept?" "1940" I said promptly, which is the problem with Quickness in Answering.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?
Connie Willis (The Winds of Marble Arch and Other Stories)
Come here, cat. You wouldn’t want to destroy the space-time continuum, would you? Meow. Meow.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
When you're a writer, the question people always ask you is, "Where do you get your ideas?" Writers hate this question. It's like asking Humphrey Bogart in The African Queen, "Where do you get your leeches?" You don't get ideas. Ideas get you.
Connie Willis
Management cares about only one thing. Paperwork. They will forgive almost anything else - cost overruns, gross incompetence, criminal indictments - as long as the paperwork's filled out properly. And in on time.
Connie Willis (Bellwether)
There are some things worth giving up anything for, even your freedom, and getting rid of your period is definitely one of them.
Connie Willis (Even the Queen, & Other Short Stories)
One of the nastier trends in library management in recent years is the notion that libraries should be 'responsive to their patrons'.
Connie Willis
Translated ‘Non omnia possumus omnus’ as ‘No possums allowed on the omnibus.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
I learned everything I know about plot from Dame Agatha (Christie).
Connie Willis (The Winds of Marble Arch and Other Stories)
None of the things one frets about ever happen. Something one's never thought of does.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
History was indeed controlled by blind forces, as well as character and courage and treachery and love. And accident and random chance. And stray bullets and telegrams and tips. And cats.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
It was about a girl who helps an ugly old woman who turns out to be a good fairy in disguise. Inner values versus shallow appearances.
Connie Willis (Bellwether)
You'd help if you could, wouldn't you, boy?" I said. "It's no wonder they call you man's best friend. Faithful and loyal and true, you share in our sorrows and rejoice with us in our triumphs, the truest friend we ever have known, a better friend than we deserve. You have thrown in your lot with us, through thick and thin, on battlefield and hearthrug, refusing to leave your master even when death and destruction lie all around. Ah, noble dog, you are the furry mirror in which we see our better selves reflected, man as he could be, unstained by war or ambition, unspoilt by-
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Nothing in all those "O swan" poems had ever mentioned that they hissed. Or resented being mistaken for felines. Or bit.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
If King Harold had had swans on his side, England would still be Saxon.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
A Grand Design we couldn't see because we were part of it. A Grand Design we only got occasional, fleeting glimpses of. A Grand Design involving the entire course of history and all of time and space that, for some unfathomable reason, chose to work out its designs with cats and croquet mallets and penwipers, to say nothing of the dog. And a hideous piece of Victorian artwork. And us.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
TO ALL THE ambulance drivers firewatchers air-raid wardens nurses canteen workers airplane spotters rescue workers mathematicians vicars vergers shopgirls chorus girls librarians debutantes spinsters fishermen retired sailors servants evacuees Shakespearean actors and mystery novelists WHO WON THE WAR.
Connie Willis (All Clear (All Clear, #2))
I was never going to get any sleep. I was going to have Alice in Wonderland conversation after Alice in Wonderland conversation until I died of exhaustion. Here, in the restful, idyllic Victorian era.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
The entire range of human experience is present in a church choir, including, but not restricted to jealousy, revenge, horror, pride, incompetence (the tenors have never been on the right note in the entire history of church choirs, and the basses have never been on the right page), wrath, lust and existential despair.
Connie Willis (The Winds of Marble Arch and Other Stories)
It is the end of the world. Surely you could be allowed a few carnal thoughts.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
I was on a walking tour of Oxford colleges once with a group of bored and unimpressable tourists. They yawned at Balliol's quad, T.E. Lawrence's and Churchill's portraits, and the blackboard Einstein wrote his E=mc2 on. Then the tour guide said, 'And this is the Bridge of Sighs, where Lord Peter proposed (in Latin) to Harriet,' and everyone suddenly came to life and began snapping pictures. Such is the power of books.
Connie Willis (The Winds of Marble Arch and Other Stories)
What's Management up to?" I whispered to Bennett. "My guess is a new acronym," he whispered. "Departmental Unification Management Business." He wrote down the ltters on his legal pad. "D.U.M.B.
Connie Willis (Bellwether)
I don't know who started the myth that sheep are fluffy and white. They were more the color of an old mop and just as matted with dirt.
Connie Willis (Bellwether)
That’s the problem with models—they only include the details people think are relevant,
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Poor thing, consigned to a life of frivolousness and wretched things for breakfast. Not allowed to go to school or do anything worthwhile, and eel pie besides.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Shakespeare put no children in his plays for a reason," Sir Godfrey muttered, glaring at Alf and Binnie. "You're forgetting the Little Prince," Polly reminded him. "Who he had the good sense to kill off in the second act," snapped Sir Godfrey.
Connie Willis (All Clear (All Clear, #2))
That's what the movies do. They don't entertain us, they don't send the message: 'We care.' They give us lines to say, they assign us parts: John Wayne, Theda Bara, Shirley Temple, take your pick.
Connie Willis (Remake)
And every place and time an author writes about is imaginary, from Oz to Raymond Chandler's L.A. to Dickens's London.
Connie Willis
Finch picked up one of the ancient fax-mags and brought it over to me. "I don't need anything to read," I said. "I'll just sit here and eavesdrop along with you." "I thought you might sit on the mag," he said. "It's extremely difficult to get soot out of chintz.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Insecure, ill-dressed chaos theorist desires intelligent, insightful, incandescent trends researcher. Must be SC.
Connie Willis (Bellwether)
Management is proving beyond a shadow of a doubt they don't have enough to do," she murmured back. "So they've invented a new acronym.
Connie Willis (Bellwether)
1. Optimize potential. 2. Facilitate empowerment. 3. Implement visioning. 4. Strategize priorities. 5. Augment core structures.
Connie Willis (Bellwether)
Will I ever see you again? No. Do I love you? Yes, for all time.
Connie Willis (All Clear (All Clear, #2))
Kivrin reached out for Dunworthy's hand and clasped it tightly in her own. "I knew you'd come," she said, and the net opened.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
Perhaps that's how I should think of them, Polly thought, the troupe and Miss Snelgrove and Trot. And Sir Godfrey. Not as lost to her, but as removed to this moment in time for safekeeping.
Connie Willis (All Clear (All Clear, #2))
To do something for someone or something you loved- England or Shakespeare or a dog or the Hodbins or history- wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
Connie Willis
But if she'd come then, she would never have properly appreciated it. She'd have seen the happy crowds and the Union Jacks and the bonfires, but she'd have no idea of what it meant to see the lights on after years of navigating in the dark, what it meant to look up at an approaching plane without fear, to hear church bells after years of air-raid sirens. She'd have had no idea of the years of rationing and shabby clothes and fear which lay behind the smiles and the cheering, no idea of what it had cost to bring this day to pass--the lives of all those soldiers and sailors and airmen and civilians.
Connie Willis (All Clear (All Clear, #2))
There is nothing more helpful than shouted instructions, particularly incomprehensible ones. I
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
One of the nastier trends in library management in recent years is the notion that libraries should be "responsive to their patrons." This means having dozens of copies of The Bridges of Madison County and Danielle Steele, and a consequent shortage of shelf space, to cope with which librarians have taken to purging books that haven't been checked out lately.
Connie Willis (Bellwether)
Explain! Perhaps you’d like to explain it to me, too. I’m not used to having my civil liberties taken away like this. In America, nobody would dream of telling you where you can or can’t go.” And over thirty million Americans died during the Pandemic as a result of that sort of thinking, he thought.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
The amazing thing is that chaotic systems don't always stay chaotic," Ben said, leaning on the gate. "Sometimes they spontaneously reorganize themselves into an orderly structure." "They suddenly become less chaotic?" I said, wishing that would happen at HiTek. "No, that's the thing. They become more and more chaotic until they reach some sort of chaotic critical mass. When that happens, they spontaneously reorganize themselves at a higher equilibrium level. It's called self-organized criticality.
Connie Willis (Bellwether)
Don't they know science doesn't work like that? You can't just order scientific breakthroughs. They happen when you are looking at something you've been working on for years and suddenly see a connection you never noticed before, or when you're looking for something else altogether. Sometimes they even happen by accident. Don't they know you can't get a scientific breakthrough just because you want one?
Connie Willis (Bellwether)
I think literature totally fails when it has an agenda. - From an interview on the podcast Starship Sofa, December 2010.
Connie Willis
I remember an aunt saying sagely, "The good die young." Not exactly a motivation to behave yourself.
Connie Willis
They make you settle for second best." That's what I like about the movies. There's always some minor character standing round to tell you the moral, just in case you're too dumb to figure it out for yourself. "You never get what you want.
Connie Willis (Remake)
There are a hundred ways a man can bleed to death. And he can be pulled from the rubble of bitterness, of despair, as well as the wreckage of the Phoenix. And which rescue is the more real? Nothing you could have done for me... was more important than the restoration of my hope.
Connie Willis (All Clear (All Clear, #2))
It was the Communists, it was the Mexicans, it was the government. And the only people who acknowledged their guilt weren't guilty at all.
Connie Willis (The Best of Connie Willis: Award-Winning Stories)
One of the first symptoms of time-lag is a tendency to maudlin sentimentality, like an Irishman in his cups or a Victorian poet cold-sober.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Io suuicien lui damo amo," she said softly. "You are here in place of the friends I love.
Connie Willis
Books are an amazing thing. Anyone who thinks of them as an escape from reality or as something you should get your nose out of and go outside and play, or as merely a distraction or an amusement or a waste of time is - dead wrong. Books are the most important the most powerful the most beautiful thing humans have ever created.
Connie Willis
I’m not studying the heroes who lead navies—and armies—and win wars. I’m studying ordinary people who you wouldn’t expect to be heroic, but who, when there’s a crisis, show extraordinary bravery and self-sacrifice. Like Jenna Geidel, who gave her life vaccinating people during the Pandemic. And the fishermen and retired boat owners and weekend sailors who rescued the British Army from Dunkirk. And Wells Crowther, the twenty-four-year-old equities trader who worked in the World Trade Center. When it was hit by terrorists, he could have gotten out, but instead he went back and saved ten people, and died. I’m going to observe six different sets of heroes in six different situations to try to determine what qualities they have in common.
Connie Willis (Blackout (All Clear, #1))
This is the Victorian era," she said. "Women didn't have to make sense.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
I picked out F. Scott Fitzgerald's "Bernice Bobs Her Hair" and a couple of mysteries, which always have simple, solvable problems like "How did the murderer get into the locked room?" instead of hard ones like "What causes trends?" and "What did I do to deserve Flip?" and then went over to the eight hundreds.
Connie Willis (Bellwether)
I was flying out to Connecticut for the express purpose of breaking up with my boyfriend and I bought this set of three paperbacks to read on the plane and by the time I got to New Haven I was so worried about Frodo and Sam that I said to my boyfriend, “It’s awful. They’re trying to sneak into Mordor and the Ringwraiths are after them and I don’t trust Gollum and …” and I completely forgot to break up with him. And, as of yesterday, we’ve been married thirty-nine years.
Connie Willis (The Best of Connie Willis: Award-Winning Stories)
...then in a conversational tone said, "I slapped my Aunt Martha. When my fiancé died. She told me God needed him in heaven, and I hauled off and slapped her, a sixty year old woman....People say unbelievable things to you. They deserve slapping.
Connie Willis (Passage)
Say you’re in the middle of nowhere, nobody for miles and no hope of rescue. You sit down and start playing solitaire and somebody will immediately come along and tell you to play the red eight on the black nine.
Connie Willis (The Road to Roswell)
He looked resigned, as though he knew that wretched door--to where? Home? Heaven? Peace?--would never open, and at the same time he seemed resolved, ready to do his bit even though he couldn't possibly know what sacrifices that would require. Had he been kept here, too--in a place he didn't belong, serving in a war in which he hadn't enlisted, to rescue sparrows and soldiers and shopgirls and Shakespeare? To tip the balance?
Connie Willis (All Clear (All Clear, #2))
They were a susitute. They were what you did when you couldn't have what you wanted.
Connie Willis (Remake)
Nobody expects the Spanish Inquisition.” —Monty Python’s Flying Circus
Connie Willis (Crosstalk)
Virginia was working in the garden, and her husband Leonard called out for her to come inside, that Hitler was just about to speak on the radio. Virginia refused. “I am planting irises,” she said, “and they will be here long after Hitler is gone.” And they are. You can go see the irises at their house, still blooming.
Connie Willis
Bigotry is one of the oldest and ugliest of trends, so persistent it only counts as a fad because the target keeps changing: Huguenots, Koreans, homosexuals, Muslims, Tutsis, Jews, Quakers, wolves, Serbs, Salem housewives. Nearly every group, so long as it’s small and different, has had a turn, and the pattern never changes—disapproval, isolation, demonization, persecution. Which was one of the reasons it’d be nice to find the switch that turned fads on. I’d like to turn that one off for good.
Connie Willis (Bellwether)
It’s strange. When I couldn’t find the drop and the plague came, you seemed so far away I would not ever be able to find you again. But I know now that you were here all along, and that nothing, not the Black Death nor seven hundred years, nor death nor things to come nor any other creature could ever separate me from your caring and concern. It was with me every minute.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
Tomorrow at the press conference would be dreadful. She would be surrounded by nice young men who spoke Big Business or Computer or Bachelor on the Make, and she would not understand a word they said." "Short Story: Blued Moon
Connie Willis (Best Science Fiction of the Year 14)
They say the dead can’t speak, but they can! The people in this book died over sixty years ago, in the middle of the ocean, with no one around them for miles, but they still speak to you. They still send us messages—about love and courage and death! That’s what history is, and science, and art. That’s what literature is. It’s the people who went before us, tapping out messages from the past, from beyond the grave, trying to tell us about life and death! Listen to them!
Connie Willis (Passage)
It is a temporal universal that people never appreciate their own time, especially transportation. Twentieth-Century contemps complained about cancelled flights and gasoline prices, Eighteenth-Century contemps complained about muddy roads and highwaymen. No doubt Professor Peddick’s Greeks complained about recalcitrant horses and chariot wheels falling off.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Movie Cliche #12: The Moral. A character states the obvious and everybody gets the point.
Connie Willis (Remake)
There are some things one is born to wear, and I had obviously been fated to wear this hat.
Connie Willis
Puritanism is the haunting fear that someone, somewhere, may be happy’?
Connie Willis (The Best of Connie Willis: Award-Winning Stories)
There was a crack of thunder so loud I was convinced I’d been struck by lightning for lying.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
io sui ici en liu dami amo’ (‘I am here in place of a friend love’)
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
After all, Americans can be terrifying.
Connie Willis
Time is the fire in which we burn. —Delmore Schwartz
Connie Willis (Fire Watch)
I sat there watching him examine the fish and marvelling at what we’d caught. A genuine eccentric Oxford don. They’re an extinct species, too...
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Those who have courage to love should have courage to suffer.” —ANTHONY TROLLOPE, The Bertrams But
Connie Willis (Crosstalk)
Nothing can save you, not youth or beauty or wealth, not intelligence or power or courage. You are all alone, in the middle of the ocean, with the lights going out.
Connie Willis (Passage)
Since I spend my working days studying trends, many of which are downright disgusting, I feel it’s my duty after work to encourage the trends I’d like to see catch on, like signaling before you change lanes, and chocolate cheesecake. And reading. Also,
Connie Willis (Bellwether: A Novel)
Then why does every sentence beginning ‘We need to talk’ end in disaster? Our whole evolutionary history has been about trying to stop information from getting communicated—camouflage, protective coloration, that ink that squids squirt, encrypted passwords, corporate secrets, lying. Especially lying. If people really wanted to communicate, they’d tell the truth, but they don’t.
Connie Willis (Crosstalk)
Good. Drink your tea," he ordered. "It will make you feel better." Nothing will make me feel better, she thought, but she drank it down. It was hot and sweet. Mr. Humphreys must have put his entire month's sugar ration into it. She drained the cup, feeling ashamed of herself. She wasn't the only one who'd had a bad night.
Connie Willis (All Clear (All Clear, #2))
She had been wrong in thinking Christ had been called up against his will to fight in a war. He didn't look - in spite of the crown of thorns - like someone making a sacrifice. Or even like someone determined to "do his bit". He looked instead like Marjorie had looked telling Polly she'd joined the Nursing Service, like Mr Humphreys had looked filling buckets with water and sand to save Saint Paul's, like Miss Laburnum had looked that day she came to Townsend Brothers with the coats. He looked like Captain Faulknor must have looked, lashing the ships together. Like Ernest Shackleton, setting out in that tiny boat across icy seas. Like Colin helping Mr Dunworthy across the wreckage. He looked ... contented. As if he was where he wanted to be, doing what he wanted to do. Like Eileen had looked, telling Polly she'd decided to stay. Like Mike must have looked in Kent, composing engagement announcements and letters to the editor. Like I must have looked there in the rubble with Sir Godfrey, my hand pressed against his heart. Exalted. Happy. To do something for someone or something you loved - England or Shakespeare or a dog or the Hodbins or history - wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
Connie Willis (All Clear (All Clear, #2))
Cyril had staked out his claim and refused to move. "Move over!" I said, freeing one hand from holding the cat to push. "Dogs are supposed to sleep at the foot of the bed." Cyril had never heard of this rule. He jammed his body up against my back and began to snore. I tugged at the rugs, trying to get enough to cover me, and turned on my side, the cat cradled in my arms. Princess Arjumand paid no attention to the regulations of animals on the bed either. She promptly wriggled free and walked round the bed, treading on Cyril, who responded with a faint "oof," and kneading her claws in my leg. Cyril shoved and shoved again until he had the entire bed and all the covers, and Princess Arjumand draped herself across my neck with her full weight on my Adam's apple. Cyril shoved some more. An hour into this little drama it began to rain in earnest, and everyone moved in under the covers and began jockeying for position again.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
History was full of divergence points nobody could get anywhere near—from Archduke Ferdinand’s assassination to the battle of Trafalgar. Events so critical and so volatile that the introduction of a single variable—such as a time traveler—could change the outcome. And alter the entire course of history.
Connie Willis (Blackout (All Clear, #1))
It's that undefined something we're really afraid of-the flicker of movement we don't quite catch out of the corner of our eye, the bad dream we can't quite remember when we wake up, the sound of a door opening downstairs we thought we heard. And worst of all, the things we're not sure even happened, the things that we might just have imagined, that might mean we're going mad, all those nameless, nebulous things we can't quite put our finger on and can only guess at.
Connie Willis (The Best of Connie Willis: Award-Winning Stories)
The perfect metaphor," he said, "looming up suddenly out of nowhere in the middle of your maiden voyage, unseen until it is nearly upon you, unavoidable even when you try to swerve, unexpected even though there have been warnings all along. [...]
Connie Willis (Passage)
Maybe the conference was an inversion layer of another kind, bringing me face-to-face with old friends and old places. With cancer and the Gap and the Old Man, railing about newfangled players and spicy food. Bringing me face-to-face early with death and old age and change.
Connie Willis (The Best of Connie Willis: Award-Winning Stories)
Kneeling on St. Mary’s stone floor she had envisioned the candles and the cold, but not Lady Imeyne, waiting for Roche to make a mistake in the mass, not Eliwys or Gawyn or Rosemund. Not Father Roche, with his cutthroat’s face and worn-out hose. She could never in a hundred years, in seven hundred and thirty-four years, have imagined Agnes, with her puppy and her naughty tantrums, and her infected knee. I’m glad I came, she thought. In spite of everything.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
Because around a crisis point, even the tiniest action can assume importance all out of proportion to its size. Consequences multiply and cascade, and anything—a missed telephone call, a match struck during a blackout, a dropped piece of paper, a single moment—can have empire-tottering effects. The Archduke Ferdinand’s chauffeur makes a wrong turn onto Franz-Josef Street and starts a world war. Abraham Lincoln’s bodyguard steps outside for a smoke and destroys a peace. Hitler leaves orders not to be disturbed because he has a migraine and finds out about the D-Day invasion eighteen hours too late. A lieutenant fails to mark a telegram “urgent” and Admiral Kimmel isn’t warned of the impending Japanese attack. “For want of a nail, the shoe was lost. For want of a shoe, the horse was lost. For want of a horse, the rider was lost.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Wrong, and wrong agains,' he said. 'The likeness is already there. The metaphor only sees it. And it is not a mere figure of speech. It is the very essence of our minds as we seek to make sense of our surroundings, our experiences, ourselves, seeing similarities, parallels, connections. We cannot help it. Even as the mind fails, it goes on trying to make sense of what is happening to it.
Connie Willis (Passage)
No," she said. "No. It's only a bad time. A terrible time, but not everyone will die. And there will be wonderful times after this. The Renaissance and class reforms and music. Wonderful times. There will be new medicines, and people won't have to die from this or smallpox or pneumonia. And everyone will have enough to eat, and their houses will be warm even in the winter." She thought of Oxford, decorated for Christmas, the streets and shops lit. "There will be lights everywhere, and bells that you don't have to ring.
Connie Willis (Doomsday Book (Oxford Time Travel, #1))
That’s the thing about poetry, it’s scarcely ever accurate. Take the Lady of Shalott. ‘She loosed the chain and down she lay; The broad stream bore her far away.’ She lies down in the boat and goes floating down to Camelot, which couldn’t possibly happen. I mean, one can’t steer lying down, can one? She’d have ended up stuck in the reeds a quarter of a mile out. I mean, Cyril and I always have trouble keeping the boat headed in a straight line, and we’re not lying down in the bottom of the boat where one can’t see anything, are we?
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Sorry," he apologized. "I didn't mean to inflict my rantings on you, even though we are destined to spend the rest of our lives together. I don't suppose you fave any thought to where we should be married while I was in with that lot of fools, did you?" "Yes," she said. "I decided we shouldn't, that wartime attachments are a bad idea. Particularly if you're going to be lassoing flying bombs.
Connie Willis (All Clear (All Clear, #2))
We live in hope that the good we do here on earth will be rewarded in heaven. We also hope to win the war. We hope that right and goodness will triumph, and that when the war is won, we shall have a better world. And we work toward that end. We buy war bonds and put out incendiaries and knit stockings---" And pumpkin-colored scarves, Polly thought. "---and volunteer to take in evacuated children and work in hospitals and drive ambulances" - here Alf grinned and nudged Eileen sharply in the ribs - "and man anti-aircraft guns. We join the Home Guard and the ATS and the Civil Defence, but we cannot know whether the scrap metal we collect, the letter we write to a solider, the vegetables we grow, will turn out in the end to have helped win the war or not. We act in faith. "But the vital thing is that we act. We do not rely on hope alone, thought hope is our bulwark, our light through dark days and darker nights. We also work, and fight, and endure, and it does not matter whether the part we play is large or small. The reason that God marks the fall of the sparrow is that he knows that it is as important to the world as the bulldog or the wolf. We all, all must do 'our bit'. For it is through our deeds that the war will be won, through our kindness and devotion and courage that we make that better world for which we long.
Connie Willis (All Clear (All Clear, #2))
But the vital thing is that we act. We do not rely on hope alone, though hope is our bulwark, our light through dark days and darker nights. We also work, and fight, and endure, and it does not matter whether the part we play is large or small. The reason that God marks the fall of the sparrow is that he knows that it is as important to the world as the bulldog or the wolf. We all, all must do ‘our bit.’ For it is through our deeds that the war will be won, through our kindness and devotion and courage that we make that better world for which we long. “So it is with heaven,” the vicar said. “By our deeds here on earth, in this world so far from the one we long for, we make heaven possible. We not only live in the hope of heaven but, by each doing our bit, we bring it to pass.
Connie Willis (All Clear (All Clear, #2))