Connection Funny Quotes

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Human beings are funny. They long to be with the person they love but refuse to admit openly. Some are afraid to show even the slightest sign of affection because of fear. Fear that their feelings may not be recognized, or even worst, returned. But one thing about human beings puzzles me the most is their conscious effort to be connected with the object of their affection even if it kills them slowly within.
Sigmund Freud
She was the most wonderful woman for prowling about the house. How she got from one story to another was a mystery beyond solution. A lady so decorous in herself, and so highly connected, was not to be suspected of dropping over the banisters or sliding down them, yet her extraordinary facility of locomotion suggested the wild idea.
Charles Dickens (Hard Times)
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
It is not what they say, but the reaction that tells you everything you need to know.
Shannon L. Alder
Music and comedy are so linked. The rhythm of comedy is con­nected to the rhythm of music. They’re both about creating tension and knowing when to let it go. I’m always surprised when somebody funny is not musical.
Conan O'Brien
You could study the connections for years and never work it out-it was all about things coming together,things falling apart,time warp, my mother standing out in front of the museum when time flickered and the light went funny, uncertainties hovering on the edge of a vast brightness. the stray chance that might, or might not, change everything.
Donna Tartt (The Goldfinch)
Their lips met in a slow, languid kiss. Salt from her tears mixed with her natural sweetness. She wrapped her arms around his neck and pressed closer. Her softness, her scent, she filled and overran his senses. He mouthed another kiss against her lips. Heat flared inside his abdomen when she opened her mouth, and kissed him back with firmer lips.  He sank into her embrace, the heated connection she offered. A kinetic warmth surged through him, lighting, igniting dormant pieces inside—like someone returning home . . . A soft groan, hushed breaths. Their mouths parted and found each other again. He slid his hand behind her neck as he deepened the kiss.
J. Rose Black (Losing My Breath)
Isn’t that funny?’ Ramy glanced sideways at him. ‘The British are turning my homeland into a narco-military state to pump drugs into yours. That’s how this empire connects us.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
We’re connected everywhere. Even before we met, we were all of us tied together with these funny little threads. I love those small hints that God brings people together and says, ‘Here you go. This one’s for you.
Patti Callahan Henry (Becoming Mrs. Lewis)
We think we owe everyone something. We think we need to explain ourselves and we think too much about thinking too much. And it is funny how we think we know it all, but the reality is this: everything we think that brings us together is everything that sets us further apart. And over thinking of how different we all are; is failing to recognize of how connected we all could really be.
Robert M. Drake (Black Butterfly)
It is funny how certain places get connected with certain people, and you never go back without thinking of them.
Jean Webster (Daddy Long Legs)
My family tree spreads wide as well. I am a great ape, and you are a great ape, and so are chimpanzees and orangutans and bonobos, all of us distant and distrustful cousins. I know this is troubling. I too find it hard to believe there is a connection across time and space, linking me to a race of ill-mannered clowns. Chimps. There's no excuse for them.
Katherine Applegate (The One and Only Ivan (The One and Only Ivan, #1))
every particle being connected with every other; you can't fart without changing the balance in the universe. It makes living a funny joke with nobody around to laugh.
Philip K. Dick
We're all on our own, aren't we? That's what it boils down to. We come into this world on our own- in Hawaii, as I did, or New York, or China, or Africa or Montana- and we leave it in the same way, on our own, wherever we happen to be at the time- in a plane, in our beds, in a car, in a space shuttle, or in a field of flowers. And between those times, we try to connect along the way with others who are also on their own. If we're lucky, we have a mother who reads to us. We have a teacher or two along the way who make us feel special. We have dogs who do the stupid dog tricks we teach them and who lie on our bed when we're not looking, because it smells like us, and so we pretend not to notice the paw prints on the bedspread. We have friends who lend us their favorite books. Maybe we have children, and grandchildren, and funny mailmen and eccentric great-aunts, and uncles who can pull pennies out of their ears. All of them teach us stuff. They teach us about combustion engines and the major products of Bolivia, and what poems are not boring, and how to be kind to each other, and how to laugh, and when the vigil is in our hands, and when we have to make the best of things even though it's hard sometimes. Looking back together, telling our stories to one another, we learn how to be on our own.
Lois Lowry
The Dictionary defines Soul Mate as: A person who is perfectly suited to another in temperament. Before I met mine, I didn't know I was bonkers!
James Hauenstein
You could say that Facebook is doing a far more effective job than religion at teaching us to 'love thy neighbor,' connecting us with random strangers and 'friends' from distant lands.
Gemini Adams (The Facebook Diet: 50 Funny Signs of Facebook Addiction and Ways to Unplug with a Digital Detox)
I was making scrambled eggs smothered in Tabasco, his favorite, when he told me about Stephanie. The way she made him laugh. The way she understood him. The way they connected. I pictured the image of two Lego pieces fusing together, and I shuddered. It’s funny; when I think back to that morning, I can actually smell burned eggs and Tabasco. Had I known that this is what the end of my marriage would smell like, I would have made pancakes.
Sarah Jio (The Violets of March)
Isn’t it funny how sometimes you can instantly connect with people? How, despite being almost strangers, you can feel that you have known someone all your life?
Jane Green (Jemima J)
Yeah, and she’s really screwed up, as screwed up as me, but I don’t look at that as an insult. I look at that as a chance to connect.
Ned Vizzini (It's Kind of a Funny Story)
Men know that most women want to have an emotional connection with someone before they sleep with them. Men know that a lot of women think it's romantic to be friends first, and then the friendship blossoms into a relationship. Men know that they have to jump through all these hoops first, before they can get laid. And that's really all romance and courtship is to a man: hoops he has to jump through to get laid.
Oliver Markus (Why Men And Women Can't Be Friends)
Don’t forget to bring your funny bone along on your parenting journey. Humor is a universal language that topples walls, connects hearts, and opens the door to communication and cooperation.
L.R. Knost
Our relationship has proceeded in such a funny, backward way. Marriage first. Then sex. Then getting to know each other. And finally...whatever it is. A feeling of warmth and desire and affection and connection spreads through my chest, a feeling that burns and grows stronger by the moment, especially when I glance over at the man sitting next to me. I can't believe it. I think I'm falling in love.
Sophie Lark (Brutal Prince (Brutal Birthright, #1))
I got the tattoo because I wanted to remember that feeling that you gave me the first time I met you. When you burst inside and demanded to make a connection. I wanted to remember to not be afraid of that, anymore. Even if it doesn’t look the same for everyone. Even if some people speak with their hands, some use a mic, or art, whatever. You did it with your friendship with us.
Tarah Dewitt (Funny Feelings)
It's funny. We meet hundreds of people. We stop to remember them sometimes and they're so far away and we're not a part of them anymore. Makes you realise how important it is to be a part of someone. And stay that way with them. And we have visions of going out into the open world and treating it as our oyster... but it takes a small, mindful moment to make us realise that doesn't really mean anything when you don't have someone to call home.
C. JoyBell C.
I have a dream. And in this dream I’m under the covers in bed, just a few scant inches away from Carter’s body. I stare at his prone form lying next to me, the greenish-blue glow from the alarm clock on the bedside table providing just enough illumination for me to see the shallow rise and fall of his chest. The sheet is draped low over his hips as he sleeps peacefully with one arm flung over his eyes and the other resting on his taut, naked stomach. I slide my body ever so slowly across the bed, careful not to disturb him, until I’m so close I can feel the heat from his skin warming me from head to toe. I pull my arms out from under the sheet and my hands reach out towards him. I connect with his smooth, muscular chest, slide my fingers up his body, and…choke the ever living shit out of him.
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
It's funny how misery takes you straight back, connecting the dots through your life - the memories tumble out like sad photographs from a battered old album.
Keith Stuart (A Boy Made of Blocks)
It's funny how in this very advanced connected world everyone is so disconnected...
Guru Z.S. Gill
Moreover, grandmothers of students who aren't doing so well in class are at even higher risk - students who are failing are fifty times more likely to lose a grandmother compared with non-failing students. In a paper exploring this sad connection, Adam speculates that the phenomenon is due to intrafamilial dynamics, which is to say, students' grandmothers care so much about their grandchildren that they worry themselves to death over the outcome of exams.
Dan Ariely (The Honest Truth About Dishonesty: How We Lie to Everyone - Especially Ourselves)
Darla shook her head, a small smirk on her lips. “You’re such a mom,” she told Katherine. Katherine stared at her, puzzled. “You’re a mom, too,” she said softly. “No, I gave birth. That doesn’t make me a mom. Not like you.” A look passed between the two women like none they had ever shared before. For a split second, Katherine felt a slight connection. “Well, you rest. I’ll check on you later.” She turned and left the room, a funny, unexplainable feeling inside her.
Deanna Lynn Sletten (Widow, Virgin, Whore)
Facebook asks me what's on my mind. Twitter asks me what's going on. LinkedIn wants me to reconnect with my colleagues. And YouTube tells me what to watch. Social Media is no reality show or Big Brother. It's but a smothering mother!
Ana Claudia Antunes
It’s the fault of those physicists and that synchronicity theory, every particle being connected with every other; you can’t fart without changing the balance in the universe. It makes living a funny joke with nobody around to laugh.
Philip K. Dick (The Man in the High Castle)
The magic that confounds them is humanity. The naturally occurring, slow acting, unpredictably potent product of conscious minds connecting. These madmen want to synthesise love. They want to manufacture it, weaponise it, and use it to control people. It’s such a ludicrous scheme it would be funny if they weren’t trampling the world in pursuit of it.
Isaac Marion (The Burning World (Warm Bodies, #2))
Now as you plumb out into the universe and explore it astronomically, it gets very strange. You begin to see things in the depths that at first sight seem utterly remote. How could they have anything to do with us. They are so far off and so unlikely. And in the same way, when you start probing into the inner workings of the human body you come across all kinds of funny little monsters and wiggly things that bear no resemblance to what we recognize as the human image. Look at a spermatozoon under a microscope. That little tadpole! And how can that have any connection with a grown human being. It’s so unlike, you see. It’s foreign feeling. And you get the creeps, a foreign feeling, about yourself...But what we will always find out in the end when we meet the very strange thing, there will one day be the dawning recognition: Why that’s me.
Alan W. Watts
It seems funny to think that healing or coming to terms with loneliness and loss, or with the damage accrued in scenes of closeness, the inevitable wounds that occur whenever people become entangled with one another, might take place by means of objects. It seems funny, and yet the more I thought about it the more prevalent it was. People make things – make art or things that are akin to art – as a way of expressing their need for contact, or their fear of it; people make objects as a way of coming to terms with shame, with grief. People make objects to strip themselves down, to survey their scars, and people make objects to resist oppression, to create a space in which they can move freely. Art doesn’t have to have a reparative function, any more than it has a duty to be beautiful or moral. All the same, there is art that gestures towards repair; that, like Wojnarowicz’s stitched loaf of bread, traverses the fragile space between separation and connection.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
What drives you to perform is the need for that primal connection,” he later explained. “My mother was funny with me, and I started to be charming and funny for her, and I learned that by being entertaining, you make a connection with another person.
Dave Itzkoff (Robin)
Some instantaneous connection had occurred between them. The very air in the room seemed to crackle with the awareness of it. A wave of heat suffused her body to centre between her legs, suddenly she felt breathless and hyper aware of him. There was no way this man could remain unaffected by the sheer magnitude of the invisible bonds that had just linked them irretrievably together. She wondered what he was thinking behind those beautiful navy blue eyes. Okay so she didn’t really expect him to open his mouth and spout poetry or declare his undying love but she certainly wasn’t prepared for his next words. “You aren’t going to throw up are you? This is one of my favourite suits.
Jane Cousins (To Wrangle A Witch (Southern Sanctuary, #3))
[Bill] Gates said he connected with [Eddy] Izzard even though it would appear they have nothing in common — but that might be the point the author is trying to communicate. "I've recently discovered that I have a lot in common with a funny, dyslexic, transgender actor, comedian, escape artist, unicyclist, ultra-marathoner, and pilot from Great Britain. Except all of the above," Gates wrote. "We're all cut from the same cloth. In his words, 'We are all totally different, but we are all exactly the same
Bill Gates
I guess it's like friendship. Some people come and go from your life like ships passing in the night, some people stay forever. It's funny though, when you meet forever friends, you just know that they are going to be your friend for the rest of your life - there's that connection there that you don't get from those fleeting friendships.
Holly Martin (Snowflakes on Silver Cove (White Cliff Bay, #2))
We have the most complete and instant access to information in all of history, and we’re using it to watch funny cat videos.
Jean M. Twenge (iGen: Why Today's Super-Connected Kids Are Growing Up Less Rebellious, More Tolerant, Less Happy--and Completely Unprepared for Adulthood--and What That Means for the Rest of Us)
The ability to connect unrelated moments and feelings and concoct elaborate stories about their meaning is one of my favorite evolutionary adaptations.
Chelsea Martin (Even Though I Don't Miss You)
I am sad for you that you are resorting to citing weak connections to claim a higher level of importance. I did not know you needed such praise to thrive.
K.M. Shea (The Prince's Bargain (The Elves of Lessa, #3))
Watney entered the hack earlier today, and we confirmed it worked. We updated Pathfinder’s OS without any problems. We sent the rover patch, which Pathfinder rebroadcast. Once Watney executes the patch and reboots the rover, we should get a connection.” “Jesus, what a complicated process,” Venkat said. “Try updating a Linux server sometime,” Jack said. After a moment of silence, Tim said, “You know he was telling a joke, right? That was supposed to be funny.” “Oh,” said Venkat. “I’m a physics guy, not a computer guy.” “He’s not funny to computer guys, either.
Andy Weir (The Martian)
It was funny: modern technology could forge a connection between two people on opposite ends of the earth, but it could just as easily drive a wedge between two people standing side by side in the same room.
Kristin Rockaway (How to Hack a Heartbreak)
Doing our imperfect best means accepting that there will often be mistakes, flaws, and rough edges. These mistakes, flaws, and rough edges add to the beauty of who we are and provide us with the power to connect with others.
Jason W. Freeman (Awkwardly Awesome: Embracing My Imperfect Best)
Anyone who can relax, clear their mind, and envision being different in some way—such as more successful, funny, healthy, wealthy, or wise—can quantum jump. To initiate a quantum jump requires keeping an open mind that you can experience another reality. It is important that you are able to sincerely desire and feel a connection to another reality, envisioning some way of making a connection with it through a bridge, a door, a window or a handshake.
Cynthia Sue Larson (Quantum Jumps: An Extraordinary Science of Happiness and Prosperity)
Suddenly, lots of things of my own life occurred to me for the first time as stories: my great-granddaddy's 'other family' in West Virginia; Hardware Breeding, who married his wife Beulah, four times; how my Uncle Vern taught my daddy to drink good liquor in a Richmond hotel; how I got saved at the tent revival; John Hardin's hanging in the courthouse square; how Petey Chaney rode the flood; the time Mike Holland and I went to the serpent handling-church in Jolo; the murder Daddy saw when he was a boy, out riding his little pony - and never told... I started to write these stories down. Many years later, I'm still at it. And it's a funny thing: Though I have spent my most of my working life in universities, though I live in piedmont North Carolina now and eat pasta and drive a Subaru, the stories that present themselves to me as worth the telling are often those somehow connected to that place and those people. The mountains that used to imprison me have become my chosen stalking ground.
Lee Smith (Dimestore: A Writer's Life)
Tildy warned us the Winter King could identify a person by scent,” Summer said. “Since he thinks you’re Autumn, Tildy said the wedding night should take place here, in Autumn’s bedroom, where her scent is already absorbed into everything.” “She added the flowers and incense to help mask your own scent,” Spring added, “and deliberately arranged the candles so he won’t be able to get a good look at your face so long as you keep to the bed.” “Where’s Autumn?” she asked. “Here.” Khamsin turned. Her sister emerged from the connecting wardrobe room wrapped in a forest green satin robe. Her long auburn hair spilled around her shoulders in ringlets. “Scenting up your nightclothes.” Autumn grimaced. “I know I’m clean. I bathed this morning, but there’s still something wrong about rolling on sheets and rubbing myself on clothes all day. It just seems so . . . so . . . dirty.” Despite everything, Khamsin laughed. For some reason, Autumn’s complaint struck her as funny. “You rolled on the sheets?” “Tildavera suggested it.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
A funny thing happened while I was teaching my younger siblings about Black culture and history: I began to feel even more connected to it myself. I began to see the world through Black eyes, and anything that had to do with Blackness or Africa always grabbed my attention.
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
Luckily, a Wi-Fi connection and a credit card make it easy to live life completely indoors in Manhattan. Anything and everything a person could possibly need can be delivered. Funny how one of the most populated cities in the world can double as a paradise for agoraphobics.
Colleen Hoover (Verity)
Then a beat-up car lurched into sight towing an even more beat-up car. As the cars came near, I saw that they were connected back to front by a loop made of two seat belts buckled to each other. That was the only time I ever saw a Russian use a seat belt for any purpose at all.
Ian Frazier (Travels in Siberia)
Alan was really depressed last night and even turned suicidal. He decided to call lifeline, hoping that someone might just help him. The call center got connected in Pakistan. When Alan told them he was suicidal, they got really excited and asked him if he knew how to drive a truck.   ***
Kevin Murphy (Jokes : Best Jokes 2016 (Jokes, Funny Jokes, Funny Books, Best jokes, Jokes for Kids and Adults))
It's funny that being human means so many things, man made divisions counter our judgements towards being wary of the "other", this is worrying because the thing that unites us is being human that is what we all are and without lament but with joy we should embrace everybody we would then live in utopia of diversity.
Paul Isaacs
Going through something difficult can be an incredibly isolating experience, but it would be far less so if we could all just talk to one another without the fear of doing it wrong. Candor and comedy really do connect us as humans, and it depresses me to think of how much connection we might be missing out on because people are too afraid to try.
Kat Timpf (You Can't Joke About That: Why Everything Is Funny, Nothing Is Sacred, and We're All in This Together)
Funny chap, Jesus. First, it's a little strange to assert that a piece of bread is your body. If you or I tried that we wouldn't be believed. We certainly wouldn't be allowed to run a bakery. Yet, given that Jesus was the son of God (this point has occasionally been disputed by people who will burn for ever in God's loving torment), we'll just have to take him at his word.
Mark Forsyth (The Etymologicon: A Circular Stroll through the Hidden Connections of the English Language)
But then, a funny thing happens when a woman or a person of color is promoted to the head of the company. White male managers stop collaborating with their coworkers—especially their women coworkers and coworkers of color. Why do white men decrease their level of performance when a woman or person of color becomes CEO? Because suddenly they feel less connected to the company.
Ijeoma Oluo (Mediocre: The Dangerous Legacy of White Male America)
The nineteenth-century connection is now clear. The nineteenth century is the last time when it was possible for an educated person to admit to believing in miracles like the virgin birth without embarrassment. When pressed, many educated Christians today are too loyal to deny the virgin birth and the resurrection. But it embarrasses them because their rational minds know it is absurd, so they would much rather not be asked. Hence, if somebody like me insists on asking the question, it is I who am accused of being ‘nineteenth-century’. It is really quite funny, when you think about it.
Richard Dawkins (The God Delusion)
I told her how we had thought social media were going to be these great places where everyone could connect, where we could learn things and share all our little comments about TV shows without annoying the people watching with us, where there were no limits to the possibilities of language. Then, it became mostly like almost everything else that people touched. White, thin, conventionally attractive people amassed power, white men continued to assert their dominance because they were afraid of change, and sometimes between white people talking over them and being racist, Black people got to be funny.
Megan Giddings (The Women Could Fly)
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
I have always felt that putting emotions into words was an exercise in futility, they're often more complex than words can manage and it seems often impossible. And like an injustice to the emotions, like I will never have explained them well enough and it will just feel incomplete and wrong. Also I'm pretty sure you made me do this before heh. All of that said, I shall do my best to manage this. You are incredibly passionate. Straightforward. Funny. I feel like such a god damn idiot spouting random adjectives but I don't know what else to do. O.O You are those things though and I love them. You see the world in a way I feel I can understand at least somewhat, a way many don't. You embrace things others try to stifle. You aren't ashamed of being yourself and yourself is wonderful. Kind and compassionate. You sure helped me and I think I helped you too, we connected on some issues even if our issues weren't the same. We... ugh, I can't do it, I can't distill something as complex, intricate, beautiful, amazing as YOU into mere words. But you are who you are and you stole my heart and I don't mind. I like it. I love you. Can't go wrong with someone that loves music and wants to have lotr snuggle fests! I'm here darlingness. I just kept trying and trying to find the right words. It's difficult. NOT because I have anything less than the utmost massive lovelberry tree gem pie for you. It's just... emotions, y'know? They're hard to explain. o.o
Devouree
When I came back I joined a black church in Oakland and that made me feel more at home, a bit like being connected to India. It felt funny to be around so many white people when I came back to the United States. It still bothers me. One of the things I liked living in Hawaii years later was the racial complexity of it. I remember that at the time when Sucheng and I got married--we met as graduate students at Berkeley and have been married almost forty years--one of the first houses we bought was in a Black neighborhood in west Berkeley and we didn’t quite notice how uniformly Black it was until some weeks later. I said to Sucheng, “You know, we’re the only white people in this neighborhood.” And she looked at me and said: “Speak for yourself, honkie!
Mark Juergensmeyer
How can I be so captured by my own imagination that I can truly connect both to the person I'm playing and to the person I'm playing with... I didn't know it, but what I was really looking for was compassion. Not consciously, of course. I didn't consciously want to become compassionate. Who in his right mind would want to give up his place at the center of the universe. Compassion is scary. If you open up too much to people, they have power over you and make you do things for them. Better to keep them at a distance, keep them on the other side of the footlights. Learn to juggle - learn to fall down in funny ways. Keep them as an audience where you can be in control. Keep the curtain up, keep the play going. It holds off judgment. See me up here? You love me, right? I'm the best, right? But if I wanted really to act, I was going to have to find the doorway to compassion...
Alan Alda
see? I’ve let that go. We’ve had enough offense and punishment in this family to last a lifetime. Please, don’t try to make us suffer any more.” She stared at me in silence, and I think the truth of my words finally connected with her because her face slowly softened. In truth, only I had the key to any prison in my mind, but I didn’t want to see my mother suffer. My mother was beaming proudly. There was no way I could let her go to prison. It seemed absurd to me. I smiled at her. “I’m going to find Bobby.” I left them sitting in silence and made my way toward the lake to look for Bobby. Funny how the swamps looked so different to me the last two days. I had lived in fear of them—they were a part of my prison. But now I saw that it was my fear of the swamps, not the actual swamps, that had fortified that prison. There’s always something to fear if you think fear will keep you safe. Fire. Swamps. Alligators . . . Water. I’m
Ted Dekker (Water Walker: The Full Story (The Outlaw Chronicles #2))
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard. This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell. This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?” “Nah I had to go relieve myself.” After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we dont need you around here any more. I can talk and eat and shit.” After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D.T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. Thats one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.
William S. Burroughs
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
So we do go out to the San Jose highway to watch Cody recap tires—There he is wearing goggles working like Vulcan at his forge, throwing tires all over the place with fantastic strength, the good ones high up on a pile, “This one’s no good” down on another, bing, bang, talking all the time a long fantastic lecture on tire recapping which has Dave Wain marvel with amazement—(“My God he can do all that and even explain while he’s doing it”)—But I just mention in connection with the fact that Dave Wain now realizes why I’ve always loved Cody—Expecting to see a bitter ex con he sees instead a martyr of the American Night in goggles in some dreary tire shop at 2 A.M. making fellows laugh with joy with his funny explanations yet at the same time to a T performing every bit of the work he’s being paid for—Rushing up and ripping tires off car wheels with a jicklo, clang, throwing it on the machine, starting up big roaring steams but yelling explanations over that, darting, bending, flinging, flaying, till Dave Wain said he thought he was going to die laughing or crying right there on the spot.
Jack Kerouac (Big Sur)
Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone? Would you believe the local Holiday Inn? Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie. Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert. Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch. I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear. That’s Clint Eastwood and Bradley Cooper! Awesome!
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I’m the living dead. I feel no connection to any other human. I have no friends and I don’t really care much about my family any longer. I feel no love for them. I can feel no joy. I’m incapable of feeling physical pleasure. There’s nothing to ever look forward to as a result. I don’t miss anyone or anything. I eat because I feel hunger pangs, but no food tastes like anything I like. I wear a mask when I’m with other people but it’s been slipping lately. I can’t find the energy to hide the heavy weight of survival and its effect on me. I’m exhausted all the time from the effort of just making it through the day. This depression has made a mockery of my memory. It’s in tatters. I have no good memories to sustain me. My past is gone. My present is horrid. My future looks like more of the same. In a way, I’m a man without time. Certainly, there’s no meaning in my life. What meaning can there be without even a millisecond of joy? Ah, scratch that. Let’s even put aside joy and shoot for lower. How about a moment of being content? Nope. Not a chance. I see other people, normal people, who can enjoy themselves. I hear people laughing at something on TV. It makes me cock my head and wonder what that’s like. I’m sure at sometime in my past, I had to have had a wonderful belly laugh. I must have laughed so hard once or twice that my face hurt. Those memories are gone though. Now, the whole concept of “funny” is dead. I stopped going to movies a long time ago. Sitting in a theater crowded with people, every one of them having a better time than you, is incredibly damaging. I wasn’t able to focus for that long anyway. Probably for the best. Sometimes I fear the thought of being normal again. I think I wouldn’t know how to act. How would I handle being able to feel? Gosh it would be nice to feel again. Anything but this terrible, suffocating pain. The sorrow and the misery is so visceral, I find myself clenching my jaw. It physically hurts me. Then I realize that it’s silly to worry about that. You see, in spite of all the meds, the ketamine infusions and other treatments, I’m not getting better. I’m getting worse. I was diagnosed 7 years ago but I’m sure I was suffering for longer. Of course, I can’t remember that, but depression is something that crept up on me. It’s silent and oppressive. I don’t even remember what made me think about going to see someone. But I did and it was a pretty clear diagnosis. So, now what? I keep waking up every morning unfortunately. I don’t fear death any more. That’s for sure. I’ve made some money for the couple of decades I’ve been working and put it away in retirement accounts. I think about how if I was dead that others I once cared for would get that money. Maybe it could at least help them. I don’t know that I’ll ever need it. Even if I don’t end it myself, depression takes a toll on the body. My life expectancy is estimated to be 14 years lower as a result according to the NIH. It won’t be fast enough though. I’m just an empty biological machine that doesn’t know that my soul is gone. My humanity is no more
Ahmed Abdelazeem
It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.
James Patterson (I Funny: A Middle School Story)
Looking back from a safe distance on those long days spent alone, I can just about frame it as a funny anecdote, but the reality was far more painful. I recently found my journal from that time and I had written, ‘I’m so lonely that I actually think about dying.’ Not so funny. I wasn’t suicidal. I’ve never self-harmed. I was still going to work, eating food, getting through the day. There are a lot of people who have felt far worse. But still, I was inside my own head all day, every day, and I went days without feeling like a single interaction made me feel seen or understood. There were moments when I felt this darkness, this stillness from being so totally alone, descend. It was a feeling that I didn’t know how to shake; when it seized me, I wanted it to go away so much that when I imagined drifting off to sleep and never waking up again just to escape it, I felt calm. I remember it happening most often when I’d wake up on a Saturday morning, the full weekend stretching out ahead of me, no plans, no one to see, no one waiting for me. Loneliness seemed to hit me hardest when I felt aimless, not gripped by any initiative or purpose. It also struck hard because I lived abroad, away from close friends or family. These days, a weekend with no plans is my dream scenario. There are weekends in London that I set aside for this very purpose and they bring me great joy. But life is different when it is fundamentally lonely. During that spell in Beijing, I made an effort to make friends at work. I asked people to dinner. I moved to a new flat, waved (an arm’s-length) goodbye to Louis and found a new roommate, a gregarious Irishman, who ushered me into his friendship group. I had to work hard to dispel it, and on some days it felt like an uphill battle that I might not win, but eventually it worked. The loneliness abated. It’s taken me a long time to really believe, to know, that loneliness is circumstantial. We move to a new city. We start a new job. We travel alone. Our families move away. We don’t know how to connect with loved ones any more. We lose touch with friends. It is not a damning indictment of how lovable we are.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
I made no difficulty in communicating to him what had interested me most in this affair. It seemed as though he had a right to know: hadn’t he spent thirty hours on board the Patna — had he not taken the succession, so to speak, had he not done “his possible”? He listened to me, looking more priest-like than ever, and with what — probably on account of his downcast eyes — had the appearance of devout concentration. Once or twice he elevated his eyebrows (but without raising his eyelids), as one would say “The devil!” Once he calmly exclaimed, “Ah, bah!” under his breath, and when I had finished he pursed his lips in a deliberate way and emitted a sort of sorrowful whistle. ‘In any one else it might have been an evidence of boredom, a sign of indifference; but he, in his occult way, managed to make his immobility appear profoundly responsive, and as full of valuable thoughts as an egg is of meat. What he said at last was nothing more than a “Very interesting,” pronounced politely, and not much above a whisper. Before I got over my disappointment he added, but as if speaking to himself, “That’s it. That is it.” His chin seemed to sink lower on his breast, his body to weigh heavier on his seat. I was about to ask him what he meant, when a sort of preparatory tremor passed over his whole person, as a faint ripple may be seen upon stagnant water even before the wind is felt. “And so that poor young man ran away along with the others,” he said, with grave tranquillity. ‘I don’t know what made me smile: it is the only genuine smile of mine I can remember in connection with Jim’s affair. But somehow this simple statement of the matter sounded funny in French... “S’est enfui avec les autres,” had said the lieutenant. And suddenly I began to admire the discrimination of the man. He had made out the point at once: he did get hold of the only thing I cared about. I felt as though I were taking professional opinion on the case. His imperturbable and mature calmness was that of an expert in possession of the facts, and to whom one’s perplexities are mere child’s-play. “Ah! The young, the young,” he said indulgently. “And after all, one does not die of it.” “Die of what?” I asked swiftly. “Of being afraid.” He elucidated his meaning and sipped his drink.
Joseph Conrad (Joseph Conrad: The Complete Novels)
Marriage meant jointures and pin money and siring an heir to continue the dynasty. A cottage meant just him and Maria. What a fool he was. Even a woman with Maria’s low connections wanted more. And he couldn’t give it. The very thought of attempting it made him ill, because he could never make her happy. He would muck it up, and the legacy of misery would go on. But he’d be damned if he’d watch her throw herself away on that fool Hyatt. She deserved better than an indifferent fiancé who had no clue how to make her eyes darken in passion as she shuddered and trembled and gave her mouth so sweetly… He groaned. He shouldn’t have gone so far with her. It had frightened her. Worse yet, his reaction to it bloody well terrified him-because he’d give a great deal to be able to do it again. He’d never felt that way for any other woman. Freddy was still blathering on, and suddenly a word arrested him. “What was that you said?” Oliver asked. “The beefsteak needed a bit more salt-“ “Before that,” he ground out. “Oh. Right. There was a chap in that club claiming he was your cousin. Mr. Desmond Plumtree, I think.” His stomach sank. When had Desmond gained membership at such a selective club? Did it mean the bastard was finally becoming accepted in society? “Though if you ask me,” Freddy went on, “with family like him, who needs enemies? Insulting fellow. Told me a bunch of nonsense about how you’d killed your father and everybody knew it.” Freddy sniffed. “I told him he was a scurrilous lout, and if he couldn’t see that you were a good sort of chap, then he was as blind as a town crier with a broken lantern. And he didn’t belong in the Blue Swan with all those amiable gents, neither.” For a moment, speech utterly failed Oliver. He could only imagine Desmond’s reaction to that little lecture. “And…er…what did he say?” “He looked surprised, then muttered something about playing cards and trotted off to a card room. Good riddance, too-he was eating up all the macaroons.” Oliver gaped at him, then began to laugh. “What’s so funny?” “You and Maria-don’t you Americans ever pay attention to gossip?” “Well, sure, if it makes sense. But that didn’t make sense. If everybody knew you’d killed your father, you’d have been hanged by now. Since you’re sitting right here, you can’t have done it.” Freddy tapped his forehead. “Simple logic is all.” “Right,” Oliver said. “Simple logic.” A lump caught in his throat. Maria’s defending him was one thing; she was a woman and softhearted, though that had certainly never kept any other woman from gossiping about him. But to have an impressionable pup like Freddy defend him…he didn’t know whether to scoff at the fellow’s naivete or clap him on the shoulder and pronounce him a “good sort of chap” as well.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Appreciation is one of those funny things that you have to just allow it to blend together on its own. Past reveals all as they say. You will indefinitely know when the time comes to leave a crappy relationship. There's just no mistaking it. There comes a time when no more growth can come to a union for many folks. Well then go plant your seeds into your own garden before you come invest your time into another person again. Whatever you need to connect with will come and go as necessary.
Sereda Aleta Dailey
Mark Gungor runs marriage seminars. He gave a very funny but all-too-true description of the difference between men’s and women’s brains, called “A Tale of Two Brains.” Men’s brains, he said, are composed of many little boxes.There’s a box for the car, a box for money, a box for the kids, a box for the job, a box for the marriage, and so on. The rule, according to Gungor, is that the boxes don’t touch. When a man discusses a particular subject, he pulls that box out, opens it, and discusses only what is in that box. Then he closes the box and puts it away, being very careful not to touch any other box. Gungor added that men have one very special box, which is their favorite, and it’s called the nothing box because there’s nothing in it.That accounts for how they can sit motionless in front of the TV for six hours. In contrast, women’s brains are like a big ball of wire, and everything is connected to everything else. It’s like the Internet superhighway. The job touches the car, which touches the house, which touches the mother-in-law, which touches the job. Women remember everything because everything is connected and is fueled by emotion. When I heard this description, it occurred to me that this quality of emotional interconnection gives women a terrific benefit in business. We can put it all together and figure out solutions while the men are packing and unpacking their individual boxes.
Anonymous
Narian and I left the parlor shortly thereafter in high spirits. The former Queen had been very accepting of him, and he had been remarkably forthcoming with her. Somehow, through common experience and maternal instinct, she had reached out to forge a connection with her future son-in-law. We went to my quarters and Narian stayed in the parlor while I changed for dinner, although he would not accompany me to the meal--we may have had luck with my mother, but my father would not be so receptive to the news of our betrothal. When I reemerged in simpler garb, he was in an armchair, contemplatively rubbing his once-broken wrist, his face growing progressively more trouble. I glanced around the room, wondering what could possibly have happened to change his temperament in the short time we had been apart. “Narian? What is it?” He shook his head, then ran a hand through his thick blond hair. “Your mother would make an excellent interrogator.” I couldn’t help it--I laughed, harder than I had in a long time. “I hardly think she’s the type!” “Find it as funny as you like,” he said with a smile. “But I don’t know what I was telling her!” “Well, do you regret it?” I asked, and he flashed through a myriad of emotions: confusion, deliberation, discomfort at having been so open with her, then, at last, acceptance. “No,” he said, with a touch of wonder. “I…I understand it now, I suppose--why you talk to her. Why you trust her. I wanted to trust her.” I walked over to him and sat in his lap, wrapping my arms around his neck. “I don’t think I’ve ever said this before, but it’s time I did. I’m in love with you, Narian.” “I love you, too,” he said, the corners of his mouth flicking upward. The words weren’t so difficult, after all.
Cayla Kluver (Sacrifice (Legacy, #3))
Christian didn’t find his wife’s pain funny at all. That was his cue to leave. “Let
Nako (The Connect's Wife 2)
COLE STOPPED by his office that morning to pick up the calling logs before heading on to stay with the girl. His friend at the phone company had faxed twenty-six pages of outgoing and incoming phone numbers, some of which were identified, but many of which were not. Cole would have to go through the numbers one by one, but the girl would probably help. Cole liked the girl. She was funny and smart and laughed at his jokes. All the major food groups. When he let himself in, she was stretched out on the couch, watching TV with the iPod plugged in her ears. Cole said, “How can you watch TV and listen to that at the same time?” She wiggled his iPod. “Did they stop making music in 1990?” You see? Funny. “I have to make a couple of calls, then I want you to help me with something.” She sat up, interested. “What?” “Phone numbers. We have to build a phone tree tracing the calls to and from the phones Pike found. We’ll trace the calls from phone to phone until we identify someone who can help us find Vahnich. Sound like fun?” “No.” “It’s like connect the dots. Even you can do it.” She gave him the finger. Cole thought she was great.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
I left the icebox cold of Oregon for the tropical heat of Cairns in early January 1992. As I got off the plane to catch my connecting flight to Brisbane, I found it almost difficult to breathe, it was so hot and muggy. My mind was working in funny ways. It’s just too hot here, I thought. I could never live here. Then I caught myself. Hang on a minute. What was that? Why would that even be an option, living here? I’m just coming over to see this guy. But that Cairns moment was the first time I actually thought about leaving my Oregon life behind to join Steve in his Australian one. On my final approach to Brisbane, I had an excited feeling again, a sense of coming home. It seemed like I was the only passenger eager to get off the plane. Everyone else was moving as though they were underwater. I stepped out into the airport. There was Steve, back in his khakis. It was nice to see him in those familiar shorts again, after having to bundle up in Oregon against the cold. We embraced, and I had the sense that we were one person. Apart, we weren’t whole, but together, we were okay again.
Terri Irwin (Steve & Me)
Birth parents never lose their role as those who gave birth to the child. The child’s connection to the past is through this birth mother and father and their genes and stories. The story may be sad, or hard, or even horrible, but it is the true story for a child who is adopted. The fact of adoption means that the birth parents do not have the role of “parent.” It does not mean that they do not have the role of caring, and thinking about the child, and maybe even wishing things had been different. We continue to have funny notions about what a birth parent is. If we care about the children, we must have some positive and even loving thoughts about the people who gave them life.
Joyce Maguire Pavao (The Family of Adoption: Completely Revised and Updated)
Beau allowed the boat to stop, so that they bobbed gently in the water. “It’s funny you should ask about that particular tale. The man who gave me the tickets for your concert was very interested in that alligator. We used to come out here at night together, gathering herbs and bark, and we poked around looking for the monster. We never did find it, though.” “Who gave you tickets to Savannah’s show?” Gregori asked softly, already knowing the answer. “A man named Selvaggio, Julian Selvaggio. His family has been in New Orleans almost from the first founding. I met him years ago. We’re good friends”— he grinned engagingly—“ despite the fact that he’s Italian.” Gregori’s eyebrows shot up. Julian was born and raised in the Carpathian Mountains. He was no more Italian than Gregori was French. Julian had spent considerable time in Italy, just as Gregori had in France, but both were Carpathian through and through. “I know Julian,” Gregori volunteered, his white teeth gleaming in the darkness. Water lapped at the boat, making a peculiar slapping sound. The rocking was more soothing and peaceful than disturbing. Beau looked smug. “I thought you might. You both have a connection to Savannah, you both ask the same questions about natural medicine, and you both look as intimidating as hell.” “I am nicer than he is,” Gregori said, straight-faced.
Christine Feehan (Dark Magic (Dark, #4))
A funny thing happens when you don’t hook up with a guy—and you don’t burn the connection. You can develop an actual relationship.
Mandy Stadtmiller (Unwifeable)
don’t know why being funny for someone was such a new idea for me. It had never occurred to me in connection with any other male I had been serious about. Denoon had early on made it clear I was free to include him and his foibles as ingredients and props in my routine if I felt like it, by not objecting when I did. So he was different. Or was it just that I was dealing for the first time in my life with an actual mature male, a concept which up until then I had considered an essentially literary construct and a way of not asking the question of whether or not in fact the real world reduced to a layer cake of differing grades of hysteria, with the hysteria of the ruling sex being simply more suppressed and expressing itself in ritualized forms like preparedness or memorizing lifetime batting averages that no one associates with hysteria. I was surprised at how pleased I felt to get such deep, easy, thorough laughter out of him.
Norman Rush (Mating)
With all due respect to Women's Empowerment, in this pandemic there has been a little tug of war between my daughter and me to get the wifi connection for our classes.
Avijeet Das
Funny, that we live in a world now where a lack of connectivity might be advertised as a feature in itself
Lucy Foley (The Hunting Party - free sampler)
There happens to be a coffee bar in the lobby of the hotel. One afternoon while on a business trip in Las Vegas, I went to buy myself a cup of coffee. The barista working that day was a young man named Noah. Noah was funny and engaging. It was because of Noah that I enjoyed buying that cup of coffee more than I generally enjoy buying a cup of coffee. After standing and chatting for a while, I finally asked him, “Do you like your job?” Without skipping a beat Noah immediately replied, “I love my job!” Now, for someone in my line of business, that’s a significant response. He didn’t say, “I like my job,” he said, “I love my job.” That’s a big difference. “Like” is rational. We like the people we work with. We like the challenge. We like the work. But “love,” love is emotional. Love is something harder to quantify. It’s like asking someone “Do you love your spouse,” and they respond, “I like my spouse a lot.” It’s a very different answer. You get my point, love is a higher standard. So when Noah said, “I love my job,” I perked up. From that one response, I knew Noah felt an emotional connection to the Four Seasons that was bigger than the money he made and the job he performs. Immediately, I asked Noah a follow-up question. “Tell me specifically what the Four Seasons is doing that you would say to me that you love your job.” Again without skipping a beat, Noah replied, “Throughout the day, managers will walk past me and ask me how I’m doing, ask me if there is anything I need, anything they can do to help. Not just my manager … any manager. I also work for [another hotel],” he continued. He went on to explain that at his other job the managers walk past and try to catch people doing things wrong. At the other hotel, Noah lamented, “I keep my head below the radar. I just want to get through the day and get my paycheck. Only at the Four Seasons,” Noah said, “do I feel I can be myself.” Noah gives his best when he’s at the Four Seasons. Which is what every leader wants from their people. So it makes sense why so many leaders, even some of the best-intentioned ones, often ask, “How do I get the most out of my people?” This is a flawed question, however. It’s not a question about how to help our people grow stronger, it’s about extracting more output from them. People are not like wet towels to be wrung out. They are not objects from which we can squeeze every last drop of performance. The answers to such a question might yield more output for a time, but it often comes at a cost of our people and to the culture in the longer term. Such an approach will never generate the feelings of love and commitment that Noah has for the Four Seasons. A better question to ask is, “How do I create an environment in which my people can work to their natural best?
Simon Sinek (The Infinite Game)
chair, expecting to hear Bridget McCloud’s voice rise in greeting. She leaned against the wall between the kitchen and dining room and tried to catch her breath.  Why was she so surprised? Two and a half weeks in Pilgrim Cove couldn’t erase a lifetime of love and memories. The heavy silence, however, reinforced her new reality. She was alone. A feeling which seemed much stronger here than at Sea View House. And not because of the kitten.  Laura walked slowly to her bedroom and automatically began to undress. During her time in Pilgrim Cove, she’d gotten involved with people. Funny, how she seemed so connected to the town after
Linda Barrett (The House on the Beach (Pilgrim Cove, #1))
As a professional speaker, my facial expressions are essential for effectively telling stories, engaging audiences, fostering involvement, and connecting on a personal level. One day I decided to get Botox in my forehead to erase a few wrinkles and signs of aging. Much to my surprise and disappointment, I could no longer raise my eyebrows. My face was stuck in a heavy-browed expression, which is the polar-opposite of my joyful spirit and enthusiastic nature. It makes a funny story, but it taught me that authenticity wins over vanity any day!
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
Wait.” A sliver of ice ran down her back. “Where’s Driggs?” The others looked around. “Driggs,” she called out, her voice becoming higher and more panicked. “Driggs!” The whiteness turned into a blur as she waded and dug through the snow, her hands freezing. Zara got him, she knew it. And she’d hold him hostage this time, especially now that she knew what he could do. She’d torture him, turn Lex into her slave, and then Damn him as soon as he had served his purpose as leverage. Lex’s eyes melted into a mess of tears, both from the stinging cold and the unthinkable possibilities running through her mind. Her throat was raw from yelling, her voice becoming raspier and more desperate. “Driggs!” And then she saw a hand. The hand was connected to an arm. And the arm was connected to the rest of him, sitting in the ditch next to the road and silently waving. Relief turned to anger. Very quickly. “Are you kidding me?” she exploded, stumbling toward him. “Why didn’t you answer? Was that supposed to be funny? I thought you were—” “Sorry,” he said, holding up something white and furry. “I landed on a rabbit.” Well, that cinched it. A wet-haired Driggs sitting in a snowdrift and petting a bunny was officially the most adorable thing Lex had ever seen. She grabbed his head and gave him a kiss, then smacked him, causing the bunny to hop off. “Don’t you ever do that again.
Gina Damico (Scorch (Croak, #2))
When I was a young and aspiring speaker, I sought mentorship from a man who had been a Dale Carnegie trainer for decades. Eagerly wanting to know how to improve my stage presence and build my career, I contacted Dr. Joe Carnley in Destin, Florida and invited him out to lunch. After we placed our order at the Harbor Docks Restaurant, he dove right in and gave me some of the best advice of my life. He said, “Susan, you have to make them laugh! When they leave your presentations, you want them to feel better and leave happier than when they came in. Help them enjoy your time together.” He continued to describe the magical power that humor has over the human spirit. When we craft humor into our speeches, we can take our audiences on a journey they will never forget. Immediately after our delightful lunch ended, I drove straight to a Books-a-Million store and headed for the humor section. Since I was not a particularly funny person, I needed all the help I could get. For over an hour I stood there reading titles, flipping through funny books, and enjoying outrageous belly laughs, giggles, and snorts. People were staring, and probably thinking, “I want what she is having!” The humor section was one of the smallest in the entire bookstore, but it may well have been the most important. When I turned around, I noticed the opposite aisle was the “Self-Improvement” section. It ran half the length of the store and displayed hundreds of books. At that cathartic moment, I had a huge "Ah-Ha" moment.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
Follow your heart, but take your brain with you!" After buying an armload of funny books filled with clean jokes, one-liners, and speech openers, I discovered how truly "spot-on" Joe had been. Inserting humorous zingers throughout my programs has worked like a charm and improved my presentation skills.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
Expand Your Repertoire . . . Professional humorists and comedians, like Jeanie Robertson, maintain joke files filled with assorted topics, anecdotes, and titles. When something outrageously funny happens, she makes a note of it, puts it away, and saves it for the day she can integrate it into her hilarious presentations.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
Find Your Funny Bone . . . Life provides plenty of material for things for you to laugh at. Seek irony, coincidence, and the abundance of simple humor in life’s little absurdities.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
Watch, Listen, & Learn . . . Broaden your sense of humor by watching funny movies and shows, reading funny books, visiting live comedy shows, or enjoying YouTube clips.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
So, what if you are not naturally funny? Don’t get discouraged. Do your research, gather ideas, and find your fun. Seek ways to laugh. Not only will doing this provide you with new material for making a great first impression, but laughter will bring you personal delight and satisfaction. Putting a smile on someone’s face is one of the best gifts you can deliver.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
When Humor Falls Flat “Humor is not a "one-size fits all" guarantee. What is hilarious to one person may be offensive to another. By being emotionally intelligent and self-aware, you can discern how, when, why, or where to be funny . . . or not. You might be walking on thin ice and risk making a damaging first impression if you use humor that is: • At the expense of others. • Thoughtless sarcasm. • Belittling or condescending. • Hitting below the belt. • Creepy or profane. • Raunchy humor with sexual innuendo. • Politically incorrect. • Mean-spirited.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
humor does not have to be original to be funny.
James W. Williams (Communication Skills Training: How to Talk to Anyone, Connect Effortlessly, Develop Charisma, and Become a People Person)
I could read it so you don’t have to?” she offers, but I’m already halfway through. I start to read aloud. “ ‘I had this vision for creating a platform that would help people to connect and coalesce around the things that mattered most to them. It was a natural extension of what I’d been doing for years. People used to call me a humanist spirit guide—I guess that’s what I’m bringing to WAI now, just on a larger stage.’ “He doesn’t even mention us. Doesn’t say anything about how Jules and I dragged him kicking and screaming into this. I wanted to create a platform. Cyrus just wanted to baptize cats.” “To be fair, the Cat Baptism is one of the most shared rituals,” Destiny says, trying to lighten the tone. “Eight hundred thousand videos and counting.” I keep going. “ ‘I’m attracted to the solitary life, Jones says. You can imagine him in a monastery, although he’d have to cut off that halo around his head. In addition to creating a social network that millions of people are turning to for meaning and community, he is also taking care of his employees—he has just kicked off a mentorship program to give the women on his team the support they need to thrive in their roles.’ ” Destiny tells me to stop reading. “It’s just bullshit.” I take a shaky deep breath. “That’s my mentorship program,” I whisper. “Cyrus is telling them what he wants to hear. You and I both know that.” I’m stammering now, but I keep going. “ ‘He’s otherworldly but handsome in an almost comical way. His sentences are long, and when you’re in the middle of one, you wonder, where is this going? But he always manages to bring whatever he’s saying to a satisfying conclusion. Everything he says is mysterious and somehow obvious at the same time.’ ” At least this one is funny. I allow Destiny to laugh briefly. I get to the last line. “ ‘I have to say, I’m developing something of a crush.’ ” “Oh, for God’s sake, another woman in love with Cyrus. Take a number, sister.” Destiny leans over, reads the byline. “George Milos. Guess Cyrus appeals to all genders.” As we get up to leave, she says, “I don’t think Cyrus is a bad person. He’s just basking in a sea of adoration, and it makes him think more of himself than he should.” “Where does that leave me?” “You have a tough gig. No one wants to be married to the guy everyone thinks is going to save the world.
Tahmima Anam (The Startup Wife)
You’re everything, Laurie. You’re funny and clever and kind. You’re like sunshine to be with, and only a tiny portion of that is connected with your art.
Lily Morton (Beautifully Unexpected)
funny—well, not funny, but naive—for people to think that just because there’s been a split all emotional connection is broken.
Alice LaPlante (Turn of Mind)
on 20 April – funnily enough, the same day as Hitler’s birthday – they pulled me out of my mother’s vagina with forceps because she couldn’t be bothered to push, cut the only authentic connection I ever had to her, and slapped my ass until I screamed. They wrapped me up in a cheap tea towel and whisked me away to the baby room so my drunk father could try to wave at me. And just in case that wasn’t enough trauma, the next morning the very same doctor placed himself between my legs and removed my foreskin. Ouch! Why were they clamping my penis and hacking into it with a blade? Apparently this was just so I could ‘look like Daddy’. The worst thing is, I didn’t get a say in it at all. Mongrels. It wasn’t long before my boozed-up daddy, with the neighbour’s tipsy seventeen-year-old daughter under his arm, was at the hospital, standing beside me and my pretty mother. Despite being drained from giving birth and having her lady bits hanging in tatters beneath her, I have no doubt that Mum looked stunning. She always made a point of wearing lippy. Dad bent over and covered me with his beer breath, declaring, ‘We’re going to call him Bradley.
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
Very well. I’m confident Papa told you about our missed connection aboard the Grimm vessel.” “What’s a vessel?” Daphne asked. “The layman calls it a boat,” Pinocchio explained. “What’s a layman?” Daphne asked. “Oh dear. The schools in this town are failing the youth,” Pinocchio said.
Michael Buckley (2018 The Sisters Grimm 9 Book Set & Bonus Journal! (Paperback Box Set))