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Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character. We do not think of Hamlet merely as failing to meet its demand, of Antony as merely sinning against it, or even of Macbeth as simply attacking it. What we feel corresponds quite as much to the idea that they are its parts, expressions, products; that in their defect or evil it is untrue to its soul of goodness, and falls into conflict and collision with itself; that, in making them suffer and waste themselves, it suffers and wastes itself; and that when, to save its life and regain peace from this intestinal struggle, it casts them out, it has lost a part of its own substance – a part more dangerous and unquiet, but far more valuable and nearer to its heart, than that which remains – a Fortinbras, a Malcolm, an Octavius. There is no tragedy in its expulsion of evil: the tragedy is that this involves the waste of good.
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A.C. Bradley (Shakespearean Tragedy)