Confirmation Rites Quotes

You can have everything in the world, but if you don't have love, none of it means crap," he said promptly. "Love is patient. Love is kind. Love always forgives, trusts, supports, and endures. Love never fails. When every star in the heavens grows cold, and when silence lies once more on the face of the deep, three things will endure: faith, hope, and love." And the greatest of these is love," I finished. "That's from the Bible." First Corinthians, chapter thirteen," Thomas confirmed. "I paraphrased. Father makes all of us memorize that passage. Like when parents put those green yucky-face stickers on the poisonous cleaning products under the kitchen sink.

So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began. In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed. Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through. We are the humbugs now.

59. Saccharum Munja is a plant from whose fibres is twisted the sacred string which a Bráhman wears over one shoulder after he has been initiated by a rite which in some respects answers to confirmation. 60. A description of an Aśvamedha or

This is what democratic societies understand; they strive to confirm citizens in the feeling of their individual value; the whole ceremonious apparatus of baptism, marriage, and burial is the collectivity's homage to the individual; and the rites of justice seek to manifest society's respect for each of its members considered in his particularity.

Most disconcerting of all were those experiences in which the patient's consciousness appeared to expand beyond the usual boundaries of the ego and explore what it was like to be other living things and even other objects. For example, Grof had one female patient who suddenly became convinced she had assumed the identity of a female prehistoric reptile. She not only gave a richly detailed description of what it felt like to be encapsuled in such a form, but noted that the portion of the male of the species' anatomy she found most sexually arousing was a patch of colored scales on the side of its head. Although the woman had no prior knowledge of such things, a conversation Grof had with a zoologist later confirmed that in certain species of reptiles, colored areas on the head do indeed play an important role as triggers of sexual arousal. Patients were also able to tap into the consciousness of their relatives and ancestors. One woman experienced what it was like to be her mother at the age of three and accurately described a frightening event that had befallen her mother at the time. The woman also gave a precise description of the house her mother had lived in as well as the white pinafore she had been wearing—all details her mother later confirmed and admitted she had never talked about before. Other patients gave equally accurate descriptions of events that had befallen ancestors who had lived decades and even centuries before. Other experiences included the accessing of racial and collective memories. Individuals of Slavic origin experienced what it was like to participate in the conquests of Genghis Khan's Mongolian hordes, to dance in trance with the Kalahari bushmen, to undergo the initiation rites of the Australian aborigines, and to die as sacrificial victims of the Aztecs. And again the descriptions frequently contained obscure historical facts and a degree of knowledge that was often completely at odds with the patient's education, race, and previous exposure to the subject. For instance, one uneducated patient gave a richly detailed account of the techniques involved in the Egyptian practice of embalming and mummification, including the form and meaning of various amulets and sepulchral boxes, a list of the materials used in the fixing of the mummy cloth, the size and shape of the mummy bandages, and other esoteric facets of Egyptian funeral services. Other individuals tuned into the cultures of the Far East and not only gave impressive descriptions of what it was like to have a Japanese, Chinese, or Tibetan psyche, but also related various Taoist or Buddhist teachings.

the Rite of Election, where the Church formally recognizes a person’s desire to become Catholic. The Sacraments of Initiation: For most people, the RCIA process reaches its climax at the Easter Vigil, where non-Christian catechumens receive baptism, confirmation, and the Eucharist. Catechumens from other Christian denominations with valid baptisms receive confirmation and the Eucharist. It is a joyous occasion that celebrates how God has brought his children into full communion with Christ’s “one, holy, Catholic, and apostolic Church.

Rhys came up beside him, his face white with that same dread. “Devlon just confirmed everything. The Blood Rite began at midnight.” And Gwyn, Emerie, and Nesta had been snatched from their beds. To participate in it.

Primitives (so-called) know these facts and surround all the points of imprint vulnerability with rituals, “ordeals,” “rites of passage,” etc. well designed to imprint the desired traits of a well-integrated member of that tribe at that time. Relics of these imprint ceremonies survive in Baptism, Confirmation, Bar Mitzvahs, Marriage Ceremonies, the Masonic “raising,” etc.

Luther had outfoxed his enemies; he had made the speech he was to have been prevented from making, and by his account at least von der Ecken was furious and shouted at him. He had not answered the question. The imperial officer attacked with a litany of names, heresies already condemned in the past that Luther was now resurrecting as if they were new discoveries. Heretics had always claimed the support of scripture against the church, he said. The worst heresies were those in which a little error was mixed with a lot of true doctrine-perhaps a slap against those in the room like Glapion who had said that Luther's books contained much good. Luther was a man who could stumble and err, and scripture could not be interpreted by one fallible man. We cannot draw things into doubt and dispute that the Catholic Church has judged already, things that have passed into usage, rite, and observance, things that our fathers held onto with firm faith, for which they suffered pain and torture, for which even thousands suffered death rather than reject one of them! And now you want to seduce us from the way to which our fathers were true! And what would the Jews and Turks and Saracens and the other enemies of our faith say when they heard about it? Why, they would burst into scornful laughter! Here are we Christians beginning to argue whether we have believed correctly until now! Do not deceive yourself, Martin. You are not the only one who knows the scripture, not the only one who has struggled to convey the true meaning of holy scripture-not after so many holy doctors have worked day and night to explain holy writ! Do not set your judgment over that of so many famous men. Do not imagine you know more than all of them. Do not throw the most sacred orthodox faith into doubt, the faith that Christ the most perfect lawgiver ordained, the faith that the apostles spread over the world, the faith confirmed by miracles, the faith that martyrs strengthened with their red blood ... You wait in vain, Martin, for a disputation over things that you are obligated to believe with certain and professing Von der Ecken's assumption was one of the great medieval myths, a myth taken for granted for so long that only when it was sternly questioned did those who accepted it see how fragile it was. The myth was that history was a positive and progressive force, shaped by divinity, and that revelation became more certain and more detailed with the passage of time. It seems clear from this speech that von der Ecken recognized the fragility of the assumptions that give faith plausibility and how Luther's attack threatened to bring them all down. In a room now filling with darkness, the voice of the imperial orator must have been a cry against a greater darkness that von der Ecken saw creeping over the world. If Luther was right, was anything certain? How could one man set himself against history?

To understand fully what she believed were ‘divine shewings’, she took the seemingly drastic step of being enclosed as an anchoress inside a cell, which was probably to the north side of the Church of St Julian, on King Street in Norwich. Becoming an anchoress around the age of 43, she lived on for up to thirty years in one room, her only door to the world walled up, and her enclosure confirmed by the last rites. This saw her as effectively dead to this world.

As Campbell pointed out, in all spiritual traditions the hero must undergo initiation and testing. These rites of passage awaken and develop latent human capacities as they mark and safely ritualize the process of maturity, empowerment, and agency among members of a group. Initiation is a way adolescent naivete and dependency ends as we develop a sense of mastery, meaning, and purpose and are reborn as adults and active, contributing members of the tribe. Vision quests, shamanic journeys, sun dances, ordinations, Bar and Bat Mitzvahs, and confirmations offer access to a time-tested method steeped in a collective body of wisdom and community that mitigates risk and gives reproducible outcome. (p. 18) Regardless of time, place, or culture, the motifs and stages of every initiation are the same. Whether symbolic or actual they include leaving home or separating from the community, facing a symbolic or literal hardship that serves as a psychological catalyst for an altered state of consciousness, and awakening as the nascent hero. The process continues with integrating and embodying wisdom, sometimes with the help of elders, priests, or shamans, and returning to the community as a mature member, active contributor, or leader. Initiation hastens development so the latent hero nature can be realized. (p. 18)

For Penina Mezei petrify motive in folk literature stems from ancient, mythical layers of culture that has undergone multiple transformations lost the original meaning. Therefore, the origin of this motif in the narrative folklore can be interpreted depending on the assumptions that you are the primary elements of faith in Petrify preserved , lost or replaced elements that blur the idea of integrity , authenticity and functionality of the old ones . Motif Petrify in different genres varies by type of actor’s individuality, time and space, properties and actions of its outcome, the relationship of the narrator and singers from the text. The particularity of Petrify in particular genres testifies about different possibilities and intentions of using the same folk beliefs about transforming, says Penina Mezei. In moralized ballads Petrify is temporary or eternal punishment for naughty usually ungrateful children. In the oral tradition, demonic beings are permanently Petrifying humans and animals. Petrify in fairy tales is temporary, since the victims, after entering into the forbidden demonic time and space or breaches of prescribed behavior in it, frees the hero who overcomes the demonic creature, emphasizes Mezei. Faith in the power of magical evocation of death petrifaction exists in curses in which the slanderer or ungrateful traitor wants to convert into stone. In search of the magical meaning of fatal events in fairy tales, however, it should be borne in mind that they concealed before, but they reveal the origin of the ritual. The work of stone - bedrock Penina Mezei pointed to the belief that binds the soul stone dead or alive beings. Penina speaks of stone medial position between earth and sky, earth and the underworld. Temporary or permanent attachment of the soul to stone represents a state between life and death will be punished its powers cannot be changed. Rescue petrified can only bring someone else whose power has not yet subjugated the demonic forces. While the various traditions demons Petrifying humans and animals, as long as in fairy tales, mostly babe, demon- old woman. Traditions brought by Penina Mezei , which describe Petrify people or animals suggest specific place events , while in fairy tales , of course , no luck specific place names . Still Penina spotted chthonic qualities babe, and Mezei’s with plenty of examples of comparative method confirmed that they were witches. Some elements of procedures for the protection of the witch could be found in oral stories and poems. Fairy tales keep track of violations few taboos - the hero , despite the ban on the entry of demonic place , comes in the woods , on top of a hill , in a demonic time - at night , and does not respect the behaviors that would protect him from demons . Interpreting the motives Petrify as punishment for the offense in the demon time and space depends on the choice of interpretive method is applied. In the book of fairy tales Penina Mezei writes: Petrify occurs as a result of unsuccessful contact with supernatural beings Petrify is presented as a metaphor for death (Penina Mezei West Bank Fairytales: 150). Psychoanalytic interpretation sees in the form of witches character, and the petrification of erotic seizure of power. Female demon seized fertilizing power of the masculine principle. By interpreting the archetypal witch would chthonic anima, anabaptized a devastating part unindividualized man. Ritual access to the motive of converting living beings into stone figure narrated narrative transfigured magical procedures some male initiation ceremonies in which the hero enters into a community of dedicated, or tracker sacrificial rites. Compelling witches to release a previously petrified could be interpreted as the initiation mark the conquest of certain healing powers and to encourage life force, highlights the Penina.