Confident Boy Quotes

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Here's to the kids. The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party. Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them. Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars. Here's to the kids who never were too good at life, but still were wicked cool. Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life. Here's to the kids who care more about the music than the haircuts. Here's to the kids who have crushes on a stupid lush. Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night. Here's to the kids who have ever had a broken heart from someone who didn't even know they existed. Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so. Here's to the kids who spend their days in photobooths with their best friend(s). Here's to the kids who are straight up smartasses & just don't care. Here's to the kids who speak their mind. Here's to the kids who consider screamo their lullaby for going to sleep. Here's to the kids who second guess themselves on everything they do. Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that. Here's to the kids. This one's not for the kids, who always get what they want, But for the ones who never had it at all. It's not for the ones who never got caught, But for the ones who always try and fall. This one's for the kids who didnt make it, We were the kids who never made it. The Overcast girls and the Underdog Boys. Not for the kids who had all their joys. This one's for the kids who never faked it. We're the kids who didn't make it. They say "Breaking hearts is what we do best," And, "We'll make your heart be ripped of your chest" The only heart that I broke was mine, When I got My Hopes up too too high. We were the kids who didnt make it. We are the kids who never made it.
Pete Wentz
Sometimes I think you believe in me more than I do," said the boy "You'll catch up," said the horse.
Charlie Mackesy (The Boy, the Mole, the Fox and the Horse)
My mother always told me if I rode a motorcycle with a boy, she'd kill me." ... She couldn't hear him laugh, but she felt his body shake. "She wouldn't say that if she knew me," he called back to her confidently. "I'm an excellent driver." -Clary & Jace, pg.289-
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, “‘What are you reading, grandpa?’” “‘It’s history, my boy.’” “The grandson comes nearer and exclaims, “‘But this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!’” “‘Well, it’s sex for you, my son, but for me it’s history,’ the old man says with a sigh.” All of people in the cabin burst into laughter. “A stale joke, but a cool one,” added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigator’s actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: ‒179°C / ‒290°F Density: 1.88 g/cm³ Gravity: 86% of Earth’s Diameter of the cosmic body: 3200 miles / 5150 km.
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
The first sentence of the truth is always the hardest. Each of us had a first sentence, and most of us found the strength to say it out loud to someone who deserved to hear it. What we hoped, and what we found, was that the second sentence of the truth is always easier than the first, and the third sentence is even easier than that. Suddenly you are speaking the truth in paragraphs, in pages. The fear, the nervousness, is still there, but it is joined by a new confidence. All along, you've used the first sentence as a lock. But now you find that it's the key.
David Levithan (Two Boys Kissing)
Voice mail was invented by confident people to make unconfident people say stupid shit that gets taped and haunts us forever.
A.S. King (Reality Boy)
Adam wasn't certain what came first with Blue--her treating the boys as friends, or them all becoming friends. It seemed to Adam that this circular way to build relationships required a healthy amount of self-confidence to undertake. And it was a strange sort of magic that it felt like she'd always been hunting for Glendower with them.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Suddenly I register that St. Clair is shorter than Josh. Much shorter. It’s odd I didn’t notice earlier, but he doesn’t carry himself like a short guy. Most are shy or defensive, or some messed-up combination of the two, but St. Clair is confident and friendly and—
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I do this to feign confidence, because the more I fake it, the more it's supposed to feel true.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Your confidence in me is heartwarming. Makes me want to return all the money I stole from the little old ladies and kick the heroin.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
I should have been bolder and kissed her at the end. I should have been more cautious. I had talked too much. I had said too little.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Society has put up so many boundaries, so many limitations on what’s right and wrong that it’s almost impossible to get a pure thought out. It’s like a little kid, a little boy, looking at colors, and no one told him what colors are good, before somebody tells you you shouldn’t like pink because that’s for girls, or you’d instantly become a gay two-year-old. Why would anyone pick blue over pink? Pink is obviously a better color. Everyone’s born confident, and everything’s taken away from you
Kanye West
The boy was not insensitive, he knew; but he had the facility and self-confidence that came of looking at fate not as a master but as an equal.
Edith Wharton (The Age of Innocence)
Teresa stood up, surprising Thomas with her confidence. “Guess he forgot to tell the little part about me kicking him in the groin and climbing out the window.” Thomas almost laughed as Newt turned to an older boy standing nearby, whose face had turned bright red. “Congrats, Jeff,” Newt said. “You’re officially the first guy here to get your butt beat by a girl.
James Dashner
A boy has other people do the talking for him; a man speaks his mind.
Shannon L. Alder
I’m not like the boys from your little private schools. I’ll ruin you and not think twice about it.’ ‘So ruin me,’ I’d said, so confident in my ability to withstand it.
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
Quietly, Macey went through her options. Even though the masked men were asking for cell phones, the gunmen were making so much noise that she was sure someone had already called 911. The obvious exits were blocked, and the elevators had no doubt been disabled. The men moved with confidence and order, but they weren’t trying to be quiet. There was nothing covert at all about this operation. Unlike the boy beside her.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
Don’t you have dragons to fight so that you started saving girls who don’t need it?
Simona Panova (Nightmarish Sacrifice (Cardew))
Jace was yelling... Clary leaned forward... "My mother always told me if I rode a motorcycle with a boy, she'd kill me,"... "She wouldn't say that if she knew me," he called back to her confidently. "I'm an excellent driver.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
We wish we could have been there for you. We didn't have many role models of our own--we latched on to the foolish love of Oscar Wilde and the well-versed longing of Walt Whitman because nobody else was there to show us an untortured path. We were going to be your role models. We were going to give you art and music and confidence and shelter and a much better world. Those who survived lived to do this. But we haven't been there for you. We've been here. Watching as you become the role models.
David Levithan (Two Boys Kissing)
And so I have spent all of my life making myself small so that others can feel confident.
Megan Fox (Pretty Boys Are Poisonous: Poems)
They were confident and cunning. They weren't mucking around looking for nuclear weapon secret sloppy seconds in America. They could care less about America. They were busy with the whole world domination thing.
Ira Levin (The Boys from Brazil)
From now on when a boy starts telling me about his lost loves I am going to run in the opposite direction screaming loudly... Somehow I bring out such confidences, and I'm pretty sick of hearing about Bobbe or Dorothy or P.K. or Liota. God damn them all.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
She had the rare combination of being quiet and popular, a code that made her intimidating to younger, fashionable girls and mysterious to older, confident boys.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
Yes, she'd made a mistake... but she wasn't going to be bullied. You couldn't let boys go around raining on your lava and ogling other people's watercolors.
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
It’s a strange thing, being the parent of a teenager. One thing to raise a little boy, another entirely when a person on the brink of adulthood looks to you for wisdom. I feel like I have little to give. I know there are fathers who see the world a certain way, with clarity and confidence, who know just what to say to their sons and daughters. But I’m not one of them. The older I get, the less I understand. I love my son. He means everything to me. And yet, I can’t escape the feeling that I’m failing him. Sending him off to the wolves with nothing but the crumbs of my uncertain perspective.
Blake Crouch (Dark Matter)
To defeat an adversary who was your equal, maybe even your superior, it wasn’t necessarily enough just to give your all from start to finish. You had to master your opponent mentally. When the critical moment in a close race was upon you, you had to know something he did not—that down in your core you still had something in reserve, something you had not yet shown, something that once revealed would make him doubt himself, make him falter just when it counted the most. Like so much in life, crew was partly about confidence, partly about knowing your own heart.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Juliet laughed. "I am not the first woman to tell you that she finds you attractive." "No," he said, again almost as if he was thinking out loud. "But you're the first to lay it out like that. And the first with the scar." "I'm not," she said, with absolute confidence. "I might be the first to say it, but no, Saywer, other women have found that hot too. I promise you.
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
Don’t worry, honey,” he said, his lips mere inches from mine. “We’re on the same page.” “But how do you know?” I asked. “What if we’re not even reading the same fucking book?” “Because I know.” His mouth quirked up at the corners as a confident smile took over his lips. “We’re on the same word, in the same paragraph, on the same page, in the same fantastic fucking book.” “But how do you know?” “Because it’s our book, Cassie. Yours and mine. This is our story, and I’ll be damned if I let it end badly.
Max Monroe (Banking the Billionaire (Billionaire Bad Boys, #2))
The most traumatic aspects of all disasters involve the shattering of human connections. And this is especially true for children. Being harmed by the people who are supposed to love you, being abandoned by them, being robbed of the one-on-one relationships that allow you to feel safe and valued and to become humane—these are profoundly destructive experiences. Because humans are inescapably social beings, the worst catastrophes that can befall us inevitably involve relational loss. As a result, recovery from trauma and neglect is also all about relationships—rebuilding trust, regaining confidence, returning to a sense of security and reconnecting to love. Of course, medications can help relieve symptoms and talking to a therapist can be incredibly useful. But healing and recovery are impossible—even with the best medications and therapy in the world—without lasting, caring connections to others.
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
Rowing is, in a number of ways, a sport of fundamental paradoxes. For one thing, an eight-oared racing shell—powered by unusually large and physically powerful men or women—is commanded, controlled, and directed by the smallest and least powerful person in the boat. The coxswain (nowadays often a female even in an otherwise male crew) must have the force of character to look men or women twice his or her size in the face, bark orders at them, and be confident that the leviathans will respond instantly and unquestioningly to those orders. It is perhaps the most incongruous relationship in sports.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
You aren’t jealous that Agatha gets a boy and a crown and a kingdom and everything else?” Hort pressed in disbelief. “You aren’t jealous that Agatha’s a queen?” He saw her stop at the gates, faced away as students streamed past. “A tiny bit, of course,” she said softly. “But then I remember . .  .” Sophie looked back, smiling bright as a diamond. “I’m me.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
Juliet laughed. "I am not the first woman to tell you that she finds you attractive." "No," he said, again almost as if he was thinking out loud. "But you're the first to lay it out like that. And the first with the scar." "I'm not," she said, with absolute confidence. "I might be the first to say it, but no, Saywer, other women have found that hot too. I promise you.
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
Pam (from The Office) is not intimidating, like one of those women who wears makeup and tailored clothes, and has a good job that she enjoys, and confidence, and an adult woman's sexuality. There's nothing scary about Pam, because there's no mystery; she's just like the boys who like her; mousy and shy. The ultimate emo-boy fantasy is to meet a nerdy, cute girl just like him, and nobody else will realize she's pretty. And she'll melt when she sees his record collection because it's just like hers....and she'll never want to go out to a party for which he'll be forced to comb his hair, or buy grown-up shoes or tie a tie, or demonstrate a hearty handshake, or make eye contact, or relate to people who work in different fields, or to basically act like a man.
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
There is a saying that "paper is more patient than man";it came back to me on one of my slightly melancholy days,while I sat chin in hand,feeling too bored and limp even to make up my mind whether to go out or stay at home. Yes, there is no doubt that paper is patient and as I don't intend to show this cardboard-covered notebook,bearing the proud name of"diary",to anyone,unless I find a real friend,boy or girl,probably nobody cares.And now I come to the root of the matter,the reason for my starting a diary:it is that I have no such real friend. Let me put it more clearly,since no one will believe that a girl of thirteen feels herself quite alone in the world,nor is it so.I have darling parents and a sister of sixteen.I know about thirty people whom one might call friends--I have strings of boy friends,anxious to catch a glimpse of me and who,failing that,peep at me through mirrors in class.I have relations,aunts and uncles,who are darlings too,a good home,no--I don't seem to lack anything.But it's the same with all my friends,just fun and joking,nothing more.I can never bring myself to talk of anything outside the common round.We don't seem to be able to get any closer,that is the root of the trouble.Perhaps I lack confidence,but anyway,there it is,a stubborn fact and I don't seem to be able to do anything about it.
Anne Frank (Anne Frank: The Diary of a Young Girl)
Inspire, celebrate, and empower our Black males. Support them in becoming confident, intelligent, strong, capable, and powerful Black men, teens, and boys. There’s GREAT power in Black male positivity!
Stephanie Lahart
THEY ARE CHILDREN!’ Mr Wallaker roared. ‘They are not corporate products! What they need to acquire is not a constant massaging of the ego, but confidence, fun, affection, love, a sense of self-worth. They need to understand, now, that there will always – always – be someone greater and lesser than themselves, and that their self-worth lies in their contentment with who they are, what they are doing and their increasing competence in doing it.
Helen Fielding (Mad About the Boy (Bridget Jones, #3))
What I’m not confident in is my ability to resist what Cash isn’t even trying to hide. He’s interested in me. And not just as an employee. Maybe very little as an employee, in fact. Every time my eyes meet his, I feel like he’s undressing me. And, God help me, I love it. Those sexy, velvety eyes are like a touch. I can almost feel them, like hands on my body and lips on my mouth. Admittedly, I have a thing for bad boys, but Cash is…I don’t know. He’s different. I daresay he’s even more dangerous than my usual disastrous finds.
M. Leighton (Down to You (The Bad Boys, #1))
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience. Jodie shunted him again but Mungo only grumbled and curled tighter around her. Her brother was her mother’s minor moon, her warmest sun, and at the exact same time, a tiny satellite that she had forgotten about. He would orbit her for an eternity, even as she, and then he, broke into bits.
Douglas Stuart (Young Mungo)
No exchange rate for the confidence of youth.
Elizabeth Strout (The Burgess Boys)
My lip healed. So did my head. My pride stayed bruised, though, and my confidence was fractured. Those injuries, the ones that didn’t show, I would have to live with.
Robert McCammon (Boy's Life)
She was probably used to testing her maturity and newfound confidence around hesitant boys closer to her age, but the lesson to be learned was that unlike boys who are intimidated by feminine boldness, men like me are inflamed by it.
R.S. Grey (Out of Bounds (The Summer Games, #2))
Drinking gave me a rush of confidence, and for a boy hounded by feelings of inadequacy, the buzz was a welcome relief. What was impossible to realize at the time was that I was shooting myself in the head in some strange time warp where the bullet takes many years to finally reach its target.
Brennan Manning (All Is Grace: A Ragamuffin Memoir)
A bra looks good, gives you comfort and support but every now and then, you need to get rid of it and be free. Then there's the thong, it's hot, sexy, and cute but eventually it becomes a complete and utter pain in the butt. Lastly, there's the little black dress, the one that goes with everything, it's hot, sexy, cute, makes you feel confident and no matter what, it's the one that you always keep. Just try it, next time you a guy, see which one he fits into, I promise you, you will soon be able to form a whole list.
Sharlay (Living with the Bad Boy)
He was tall—6’ 3” or so—with haunting green eyes that seemed to smolder despite his lazy smile. His eyes were a great contrast to his thick, shiny, dark hair. And not that I’d ever seen it personally but judging from the way his t-shirt clung to his torso, he had a body that completed the entire handsome package. He was every inch a rock star. He was charming, playful and confident. He was practically irresistible. His only flaw was that he knew it.
Kelly Oram (V is for Virgin (V is for Virgin, #1))
the maxim of the famous Spartan nurses: never expose a small child to fear, let him enter confidently on boyhood.
Mary Renault (The Novels of Alexander Great: Fire from Heaven, The Persian Boy. Funeral Games)
Lizzie rolled into school in a boy's school trousers and runners, uncaring of what anyone had to say about her appearance. She honestly didn’t seem to care what people thought. She dressed according to her mood and projected vibes the same way. She could show up tomorrow in a skirt and with a full face of makeup. She did what she wanted to do when she wanted to do it, unaware and uncaring of anyone else's opinion. She oozed a lazy sort of confidence with her long, dark blonde, swishing ponytail and makeup-free face, emphasizing those big, blue eyes of hers.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
Do not wait for the boy to grow up before you begin to treat him as an equal. A proper amount of confidence, and words of encouragement and advice . . . give him to understand that you trust him in many ways, helps to make a man of him long before he is a man in either stature or years. . . . If a boy finds he can make a few articles with his hands, it tends to make him rely on himself. And the planning that is necessary for the execution of the work is a discipline and an education of great value to him.
David McCullough (The Wright Brothers)
Clear your mind of all dread and suspicion; this is the first step in the wilderness life. Think not the water will drown you, or that anything in the water or on land will bite or poison you. Have confidence in nature and yourself. Perhaps three-fourths of your physical failures are due to lack of nerve and will-power. It
Charles Alexander Eastman (Indian Scout Talks A Guide for Boy Scouts and Camp Fire Girls)
His use of the word "she" makes me flinch. He said it so confidently, like I would only ever want to kiss girls. I know that's not the case, and that wanting to kiss another boy is perfectly normal, but he doesn't seem to know that. What am I supposed to do, contradict him and make this a big thing? I could never do that because I'm a Love Interest, but the fact that he didn't even give me the option to be gay makes me want to throw something at him.
Cale Dietrich (The Love Interest)
I was in Washington State, at a small-town YMCA, when a boy wandered into the lap lane and popped his head, seal-like, out of the water. I would later learn that he was nine, but at the time he was just this kid, slightly pudgy, with a stern haircut. It's like he went to a barbershop with a picture of Hitler, that's how severe it was. We got to talking, and when I told him I wasn't a very good swimmer, he challenged me to a race. I think he assumed that, like most adults, I'd slow down and intentionally let him win, but he didn't know who he was dealing with. I need all the confidence I can get, and one victory is just as good as any other. Thus I swam for my very life and beat the pants off him. I thought this was it - he'd accept his defeat and move on with his life - but five minutes later he stopped me again and asked me if I believed in God. "No," I told him. "Why?" I thought for a second. Because I have hair on my back, and a lot of other people, people who kill and rob and make life miserable, don't. A real God wouldn't let that happen.
David Sedaris
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience.
Douglas Stuart (Young Mungo)
And is this not the very reason for the establishment of the State? If there were cause and reason for confidence among individuals, the State would never have come into existence. The sacred and essential foundation for the State is our mutual and well-founded suspicion of each other. Anyone questioning this foundation throws suspicion upon the State.
Karin Boye (Kallocain)
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
When I was around four years old I asked my father, “Aba, what color are you?” He replied, “I don’t know, a bit white, a bit black.” “It’s like when one mixes milk with tea,” I said. He laughed a lot, but as a boy he had been so self-conscious about being dark-skinned that he went to the fields to get buffalo milk to spread on his face, thinking it would make him lighter. It was only when he met my mother that he became comfortable in his own skin. Being loved by such a beautiful girl gave him confidence.
Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
I have no idea what Paloma looks like-what she'll be like. I have no idea what to expect. I should've asked more questions. I should've used the last ten hours to grill Chay until he broke-until he confided every dark and dirty secret Paloma is hiding. Instead,I chose to eat.And read.And dream about some phantom boy with smooth brown skin,icy-blue eyes, and long glossy black hair-a boy I've never even met in real life. Lot of good it did me.
Alyson Noel (Fated (Soul Seekers, #1))
I’m raising a son,” he says firmly, “and if I ever heard him say that shit about a woman, I would know I failed him. Just being a guy. Boys will be boys, it’s a bullshit excuse, Salem. Don’t ever let some loser make you think otherwise.
Micalea Smeltzer (The Confidence of Wildflowers (Wildflower Duet, #1))
Some compelling proof that women are indeed not born any more capable of empathy or connection than men comes from psychologist Niobe Way. In 2013 Way published a book called Deep Secrets: Boys’ Friendships and the Crisis of Connection, which explores the friendships of young straight men. Way followed a group of boys from childhood through adolescence and found that when they were little, boys’ friendships with other boys were just as intimate and emotional as friendships between girls; it wasn’t until the norms of masculinity sank in that the boys ceased to confide in or express vulnerable feelings for one another. By the age of eighteen, society’s “no homo” creed had become so entrenched that they felt like the only people they could look to for emotional support were women, further perpetuating the notion that women are obligated by design to carry humanity’s emotional cargo.
Amanda Montell (Wordslut: A Feminist Guide to Taking Back the English Language)
And here is the paradoxical secret: connection and isolation are bound to each other. I am confident that without my experience as a lonely closeted teenager at a boys’ boarding school, I wouldn’t be as passionate about deep connection today. We simply cannot know connection without also experiencing disconnection. There is nothing wrong with you when you feel that vast emptiness. Nothing you need to change. Nothing to fix. But there is one thing to do. Remember. Remember that both are true. The vast emptiness and the eternal connection. The sense of total aloneness and the interdependent belovedness. It is the paradox in which we live. And all of the practices and stories and strategies that we’ve explored in this book are simply there to help you, in moments of joy and sadness, overwhelm and barrenness, to remember.
Casper ter Kuile (The Power of Ritual: Turning Everyday Activities into Soulful Practices)
there was a sort of embarrassment about storytelling that struck home powerfully about one hundred years ago, at the beginning of modernism. We see a similar reaction in painting and in music. It's a preoccupation suddenly with the surface rather than the depth. So you get, for example, Picasso and Braque making all kinds of experiments with the actual surface of the painting. That becomes the interesting thing, much more interesting than the thing depicted, which is just an old newspaper, a glass of wine, something like that. In music, the Second Viennese School becomes very interested in what happens when the surface, the diatonic structure of the keys breaks down, and we look at the notes themselves in a sort of tone row, instead of concentrating on things like tunes, which are sort of further in, if you like. That happened, of course, in literature, too, with such great works as James Joyce's Ulysses, which is all about, really, how it's told. Not so much about what happens, which is a pretty banal event in a banal man's life. It's about how it's told. The surface suddenly became passionately interesting to artists in every field about a hundred years ago. In the field of literature, story retreated. The books we talked about just now, Middlemarch, Bleak House, Vanity Fair -- their authors were the great storytellers as well as the great artists. After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. "Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's..." So there was a great split that took place. Story retreated, as it were, into genre fiction-into crime fiction, into science fiction, into romantic fiction-whereas the high-art literary people went another way. Children's books held onto the story, because children are rarely interested in surfaces in that sort of way. They're interested in what-happened and what-happened next. I found it a great discipline, when I was writing The Golden Compass and other books, to think that there were some children in the audience. I put it like that because I don't say I write for children. I find it hard to understand how some writers can say with great confidence, "Oh, I write for fourth grade children" or "I write for boys of 12 or 13." How do they know? I don't know. I would rather consider myself in the rather romantic position of the old storyteller in the marketplace: you sit down on your little bit of carpet with your hat upturned in front of you, and you start to tell a story. Your interest really is not in excluding people and saying to some of them, "No, you can't come, because it's just for so-and-so." My interest as a storyteller is to have as big an audience as possible. That will include children, I hope, and it will include adults, I hope. If dogs and horses want to stop and listen, they're welcome as well.
Philip Pullman
Do you think God speaks Arabic or Hebrew? Can he hear your prayers or mine?"... "I do not know." "What do you think, Nabi?" The boy thought about this for a long time before replying. "I think God must speak all the languages." His tone was confident. "I think he can heal all of us.
Kristin Harmel (The Sweetness of Forgetting)
We wish we could have been there for you. We didn’t have many role models of our own—we latched on to the foolish love of Oscar Wilde and the well-versed longing of Walt Whitman because nobody else was there to show us an untortured path. We were going to be your role models. We were going to give you art and music and confidence and shelter and a much better world. Those who survived lived to do this. But we haven’t been there for you. We’ve been here. Watching as you become the role models.
David Levithan (Two Boys Kissing)
You know, you’re an interesting girl, Lara Jean. You seem shy and kind of babyish at first, but you’re actually very confident. That was a compliment, by the way.” “Thanks,” I say. If someone is giving you a compliment, I don’t think they should have to tell you they’re giving you one; it should probably be obvious to the person receiving it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
First was a lone cyclist, in a red jersey, toiling intent and confident out of the westering sun, passing to the melody of a high chattering cheer. Then three together in a harlequinade of faded colour, legs caked yellow with dust and sweat, faces expressionless, eyes heavy and endlessly tired. Tommy faced Dick, saying: 'I think Nicole wants a divorce - I suppose you'll make no obstacles?' A troupe of fifty more swarmed after the first bicycle racers, strung out over two hundred yards; a few were smiling and self-conscious, a few obviously exhausted, most of them indifferent and weary. A retinue of small boys passed, a few defiant stragglers, a light truck carried the victims of accident and defeat.
F. Scott Fitzgerald (Tender Is the Night)
One day in my pharmacology class, we were discussing the possibility of legalizing marijuana. The class was pretty evenly divided between those that advocated legalizing marijuana and those that did not. The professor said he wanted to hear from a few people on both sides of the argument. A couple students had the opportunity to stand in front of the class and present their arguments. One student got up and spoke about how any kind of marijuana use was morally wrong and how nobody in the class could give him any example of someone who needed marijuana. A small girl in the back of the classroom raised her hand and said that she didn’t want to get up, but just wanted to comment that there are SOME situations in which people might need marijuana. The same boy from before spoke up and said that she needed to back up her statements and that he still stood by the fact that there wasn’t anyone who truly needed marijuana. The same girl in the back of the classroom slowly stood up. As she raised her head to look at the boy, I could physically see her calling on every drop of confidence in her body. She told us that her husband had cancer. She started to tear up, as she related how he couldn’t take any of the painkillers to deal with the radiation and chemotherapy treatments. His body was allergic and would have violent reactions to them. She told us how he had finally given in and tried marijuana. Not only did it help him to feel better, but it allowed him to have enough of an appetite to get the nutrients he so desperately needed. She started to sob as she told us that for the past month she had to meet with drug dealers to buy her husband the only medicine that would take the pain away. She struggled every day because according to society, she was a criminal, but she was willing to do anything she could to help her sick husband. Sobbing uncontrollably now, she ran out of the classroom. The whole classroom sat there in silence for a few minutes. Eventually, my professor asked, “Is there anyone that thinks this girl is doing something wrong?” Not one person raised their hand.
Daniel Willey
A better-constituted boy would certainly have profited under my intelligent tutors, with their scientific apparatus; and would, doubtless, have found the phenomena of electricity and magnetism as fascinating as I was, every Thursday, assured they were. As it was, I could have paired off, for ignorance of whatever was taught me, with the worst Latin scholar that was ever turned out of a classical academy. I read Plutarch, and Shakespeare, and Don Quixote by the sly, and supplied myself in that way with wandering thoughts, while my tutor was assuring me that "an improved man, as distinguished from an ignorant one, was a man who knew the reason why water ran downhill." I had no desire to be this improved man; I was glad of the running water; I could watch it and listen to it gurgling among the pebbles and bathing the bright green water-plants, by the hour together. I did not want to know why it ran; I had perfect confidence that there were good reasons for what was so very beautiful. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
The world is a dangerous place for little girls. Besides, little girls are more fragile, more delicate, more brittle than little boys. ‘Watch out, be careful, watch.’ ‘Don’t climb trees, don’t dirty your dress, don’t accept lifts from strange men. Listen but don’t learn, you won’t need it.’ And so the snail’s antennae grow, watching for this, looking for that, the underneath of things. The threat. And so she wastes so much of her energy, seeking to break those circuits, to push up the millions of tiny thumbs that have tried to quelch energy and creativity and strength and self-confidence; that have so effectively caused her to build fences against possibility, daring; that have so effectively kept her imprisoned inside her notions of self-worthlessness. And
Robyn Davidson (Tracks: One Woman's Journey Across 1,700 Miles of Australian Outback)
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
For what can give a finer example of that frankness and manly self- confidence which our great public schools, and none of them so much as Eton, are supposed to inspire, of that buoyant ease in holding up one's head, speaking out what is in one's mind, and flinging off all sheepishness and awkwardness, than to see an Eton assistant-master offering in fact himself as evidence that to combine boarding-house- keeping with teaching is a good thing, and his brother as evidence that to train and race little boys for competitive examinations is a good thing?
Matthew Arnold (Culture and Anarchy)
Shyness is born from a lack of self-confidence and fear of ridicule. In my case it latched on to the young boy who didn’t have confidence in himself or his abilities after being belittled by his first-grade teacher. Introversion, on the other hand, is a tremendous gift that allows for inquisitive curiosity about life. Introversion created in this young boy a fascination with life, nature, science, creativity, and imagination.
Joel Annesley (Quiet Confidence: Breaking Up With Shyness)
Max can’t hear or speak, but he communicates okay. He wasn’t programmed for fear—whoever rolled the genetic dice left that out too. If Mama asked Max to deliver a package to the Devil, Max would go straight to Hell. Unlike others of my acquaintance who had made that particular trip, I had complete confidence that Max would come back. Max the Silent is one tough boy. In fact, he’s so infamous that one time over in night court when he was being arraigned for attempted murder, nobody even laughed when the judge told him that he had the right to remain silent. They all knew that Max never attempted to murder anyone.
Andrew Vachss (Flood (Burke, #1))
Dear Young Black Males, Don’t be afraid to shine! Dimming your light just to appeal to others is an insult to self. Be who YOU are. If you’re smart, don’t play dumb just to fit in. If you have a special talent, don’t be afraid to show it off. If you’re considered a nerd, OWN it! Intelligence is what many people wish they had. Stand tall with your head held high. Self-confidence is an attractive quality to have. People may talk about you, tease you, or even try to discourage you, but don’t you EVER quit or doubt yourself. Be brave! Be authentic! Be comfortable in your own skin! Your life has purpose and YOU matter.
Stephanie Lahart
After a brief murmured exchange, the lady's maid opened the door a bit wider, and Phoebe's brother Ivo stuck his head inside. "Hullo, sis," he said casually. "You look very nice in that gold dress." "It's ecru." At his perplexed look, she repeated, "Ecru." "God bless you," Ivo said, and gave her a cheeky grin as he entered the room. Phoebe lifted her gaze heavenward. "Why are you here, Ivo?" "I'm going to escort you downstairs, so you don't have to go alone." Phoebe was so moved, she couldn't speak. She could only stare at the eleven-year-old boy, who was volunteering to take the place her husband would have assumed. "It was Father's idea," Ivo continued, a touch bashfully. "I'm sorry I'm not as tall as the other ladies' escorts, or even as tall as you. I'm really only half an escort. But that's still better than nothing, isn't it?" His expression turned uncertain as he saw that her eyes were watering. After clearing her throat, Phoebe managed an unsteady reply. "At this moment, my gallant Ivo, you tower above every other gentleman here. I'm so very honored." He grinned and offered his arm in a gesture she had seen him practice in the past with their father. "The honor is mine, sis." In that moment, Phoebe had the briefest intimation of what Ivo would be like as a full-grown man, confident and irresistibly charming.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Her lack of confidence in life, in realization, in the fulfillment of her desires, in the outcome of a dream, in the possibility of reality corresponding to her fantasy, speeded her bicycle with the incredible speed of anxiety, a speed beyond the human body, beyond human endurance. She arrived before him. Her fear was justified! She could not measure what the anxiety had done to her speed, the acceleration which had broken the equality of rhythm. She arrived as she had feared, at a desolate spot on the road, and the boy had become this invisible image which taunts the dreamer, a mirage that could not be made real. It had become reality eluding the dreamer, the wish unfulfilled. The boy may have arrived later. He may have fallen asleep and not come at all. He may have had a tire puncture. Nothing mattered. Nothing could prevent her from feeling that she was not Juliet waiting on the balcony, but Romeo who had to leap across space to join her. She had leaped, she had acted Romeo, and when woman leaped she leaped into a void.
Anaïs Nin (Ladders to Fire (Cities of the Interior #1))
The point was, there'd be nothing to this if you were beautiful and sexy. The point was, in a world where everybody had to look so pretty all the time, this guy wasn't. The monkey wasn't. What they were doing wasn't. The point was, it's not the sex part of pornography that hooked the stupid little boy. It was the confidence. The courage. The complete lack of shame. The comfort and genuine honesty. The up-front-ness of being able to just stand there and tell the world: Yeah, this is how I chose to spend a free afternoon. Posing here with a monkey putting chestnuts up my ass. And I really don't care how I look. Or what you think. So deal with it. He was assaulting the world by assaulting himself.
Chuck Palahniuk (Choke)
You're just a boy. You don't have the faintest idea what you're talking about. You've never been out of Boston. So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term "visiting hours" didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy.
Matt Damon (Good Will Hunting)
In this entre-nous spirit, then, old confidant before we join the others, the grounded everywhere, including, I’m sure, the middle-aged hot-rodders who insist on zooming us to the moon, the Dharma Bums, the makers of cigarette filters for thinking men, the Beat and the Sloppy and the Petulant, the chosen cultists, all the lofty experts who know so well what we should or shouldn’t do with our poor little sex organs, all the bearded, proud, unlettered young men and unskilled guitarists and Zen-killers and incorporated aesthetic Teddy boys who look down their thoroughly unenlightened noses at this splendid planet where (please don’t shut me up) Kilroy, Christ, and Shakespeare all stopped – before we join these others, I privately say to you, old friend (unto you, really, I’m afraid), please accept from me this unpretentious bouquet of very early-blooming parentheses: (((()))).
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.
John D. MacDonald (The Deep Blue Good-By)
Fathers and mothers are too absorbed in business and housekeeping to study their children, and cherish that sweet and natural confidence which is a child's surest safeguard, and a parent's subtlest power. So the young hearts hide trouble or temptation till the harm is done, and mutual regret comes too late. Happy the boys and girls who tell all things freely to father or mother, sure of pity, help, and pardon; and thrice happy the parents who, out of their own experience, and by their own virtues, can teach and uplift the souls for which they are responsible.
Louisa May Alcott
On, I don't think I'm a genius!' cried Josie, growing calm and sober as she listened to the melodious voice and looked into the expressive face that filled her with confidence, so strong, sincere and kindly was it. 'I only want to find out if I have talent enough to go on, and after years of study be able to act well in any of the good plays people never tire of seeing. I don't expected to be a Mrs. Siddons or a Miss Cameron, much as I long to be; but it does seem as if I had something in me which can't come out in any way but this. When I act I'm perfectly happy. I seem to live, to be in my own world, and each new part is a new friend. I love Shakespeare, and am never tired of his splendid people. Of course I don't understand it all; but it's like being alone at night with the mountains and the stars, solemn and grand, and I try to imagine how it will look when the sun comes up, and all is glorious and clear to me. I can't see, but I feel the beauty, and long to express it.
Louisa May Alcott (Jo's Boys (Little Women, #3))
But the greatest paradox of the sport has to do with the psychological makeup of the people who pull the oars. Great oarsmen and oarswomen are necessarily made of conflicting stuff—of oil and water, fire and earth. On the one hand, they must possess enormous self-confidence, strong egos, and titanic willpower. They must be almost immune to frustration. Nobody who does not believe deeply in himself or herself—in his or her ability to endure hardship and to prevail over adversity—is likely even to attempt something as audacious as competitive rowing at the highest levels. The sport offers so many opportunities for suffering and so few opportunities for glory that only the most tenaciously self-reliant and self-motivated are likely to succeed at it. And yet, at the same time—and this is key—no other sport demands and rewards the complete abandonment of the self the way that rowing does. Great crews may have men or women of exceptional talent or strength; they may have outstanding coxswains or stroke oars or bowmen; but they have no stars. The team effort—the perfectly synchronized flow of muscle, oars, boat, and water; the single, whole, unified, and beautiful symphony that a crew in motion becomes—is all that matters. Not the individual, not the self.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I'm going to lay it out straight for you here, Carson. And the reason that I'm going to do that is because I have every confidence that it will scare you off badly enough that I can then finish my drink in peace, and we can part as acquaintances who simply have nothing in common." He raised one eyebrow and I joined my hands in my lap, tilting my head as I continued. "I'm the kind of girl who wants to get married in a big, white dress, wearing my grandma's pearls. I want a husband who love me and is faithful to me. I want him to come home me every night, and I don't want to have to worry if he's doing his secretary, because he's the kind of man who has too much honor to do that. I want to wait a year and then I want to start trying for the two kids that we'll eventually have, a girl and a boy. And when we have those kids, I do not want, one day, to have to explain why their daddy is on the internet having relations with everyone from College Honeys to Cougars Gone Wild for money. I want to throw a cartoon themed birthday party at a jump house for my six year old, not mark the occasion by explaining what a "money shot" is. I have a feeling your life goals are somewhat different than mine. And by 'somewhat,' I mean, utterly and completely. Does that explain why it would be a waste of time for both of us to continue being in each other's presence?" Chapter 1
Mia Sheridan (Stinger)
You see what I am driving at. The mentally handicapped do not have a consciousness of power. Because of this perhaps their capacity for love is more immediate, lively and developed than that of other men. They cannot be men of ambition and action in society and so develop a capacity for friendship rather than for efficiency. They are indeed weak and easily influenced, because they confidently give themselves to others; they are simple certainly, but often with a very attractive simplicity. Their first reaction is often one of welcome and not of rejection or criticism. Full of trust, they commit themselves deeply. Who amongst us has not been moved when met by the warm welcome of our boys and girls, by their smiles, their confidence and their outstretched arms. Free from the bonds of conventional society, and of ambition, they are free, not with the ambitious freedom of reason, but with an interior freedom, that of friendship. Who has not been struck by the rightness of their judgments upon the goodness or evil of men, by their profound intuition on certain human truths, by the truth and simplicity of their nature which seeks not so much to appear to be, as to be. Living in a society where simplicity has been submerged by criticism and sometimes by hypocrisy, is it not comforting to find people who can be aware, who can marvel? Their open natures are made for communion and love.
Jean Vanier (Eruption to Hope)
Studies show that girls - especially smarter ones - have severe problems in the area of self-confidence. They consistently underestimate their own ability. When asked how they think they'll do on different tasks - whether the tasks are untried or ones they've encountered before - they give lower estimates than boys do, and in general underestimate their actual performance as well. One study even showed that the brighter the girl, the less expectations she has of being successful at intellectual tasks. (...) Low self-confidence is the plague of many girls, and it leads to a host of related problems. Girls are highly suggestible and tend to change their minds about perceptual judgments if someone disagrees with them. They set lower standards for themselves. While boys are challenged by difficult tasks, girls try to avoid them. (...) Given her felt incompetence, it's not surprising that the little girl would hotfoot it to the nearest Other and cling for dear life. (...) As we can see, the problems of excessive dependence follow female children right into adulthood.
Colette Dowling (The Cinderella Complex: Women's Hidden Fear of Independence)
Your sister is really not loving Ms. Rothschild, huh.” Peter still hasn’t gotten the hang of calling Ms. Rothschild Trina, and he likely never will. In our neighborhood, none of the kids growing up called the adults by their first names. Everyone was Miss or Mrs. or Mr., except for Daddy, who was Dr. “I wouldn’t say Gogo dislikes Trina,” I say. “She likes her; she just isn’t used to her yet. You know how Trina is.” “True,” he says. “I also know how your sister is. It took her forever to warm up to me.” “It wasn’t forever. You’re just used to people liking you from the very first minute they meet you.” I give him a sidelong look. “Because you’re so very charming.” He scowls, because I don’t say it like a compliment. “Gogo doesn’t care about charm. She cares about real.” “Well, now she loves me,” he says, all confidence. When I don’t answer right away, he says, “Right? Doesn’t she?” I laugh. “She does.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Men like my father, and men like him who attend Trump rallies, join misogynistic subcultures, populate some of the most hateful groups in the world, and are prisoners of toxic masculinity, an artificial construct whose expectancies are unattainable, thus making them exceedingly fragile and injurious to others, not to mention themselves. The illusion convinces them from an early age that men deserve to be privileged and entitled, that women and men who don’t conform to traditional standards are second-class persons, are weak and thus detestable. This creates a tyrannical patriarchal system that tilts the world further in favor of men, and, as a side effect, accounts for a great deal of crimes, including harassment, physical and emotional abuse, rape, and even murder. These men, and the boys following in their footsteps, were socialized in childhood to exhibit the ideal masculine traits, including stoicism, aggressiveness, extreme self-confidence, and an unending competitiveness. Those who do not conform are punished by their fathers in the form of physical and emotional abuse, and then further socialized by the boys in their school and community who have been enduring their own abuse at home. If that isn’t enough, our culture then reflects those expectations in its television shows, movies, music, and especially in advertising, where products like construction-site-quality trucks, power tools, beer, gendered deodorant, and even yogurt promise to bestow masculinity for the right price. The masculinity that’s being sold, that’s being installed via systemic abuse, is fragile because, again, it is unattainable. Humans are not intended to suppress their emotions indefinitely, to always be confident and unflinching. Traditional masculinity, as we know it, is an unnatural state, and, as a consequence, men are constantly at war with themselves and the world around them.
Jared Yates Sexton (The Man They Wanted Me to Be: Toxic Masculinity and a Crisis of Our Own Making)
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
For what it's worth, I know how you feel," Conner told him. "I used to doubt myself a lot. When people told me I wasn't good enough, I believed them. It's hard not to when you're young." "Tell me about it," Bold said. "Does it get better when you're older?" "It did for me," Conner said. "How?" Bolt asked. "Someone else believed in me," Conner said. "All it took was one person's approval and suddenly I believed myself, too. It gave me a shield to block out all the doubt and negativity. It made me realize I was just as capable and deserving as the people I compared myself to. But you know what? I was wrong." "You were?" Bolt asked. "Totally," Conner said. "I didn't need someone else. I had confidence in myself, deep down inside, the whole time. Approval is just a shortcut to self-worth, but sometimes we have to find things out on your own. Sometimes if we want something bad enough, we have to inspire ourselves to get it. Sometimes we have to be our own superhero." Out of everything Conner said, he could tell this resonated with the boy the most. If he wanted to help people, maybe he had to start with himself. "But what if I fail?" Bolt asked. "What if the Snake Lord wins and I don't save anyone? Then I'll never be a superhero." "A very wise man once told me that 'courage is what makes a superhero super,'" Conner said. "He never sad anything about succeeding.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
Are you serious?” he asks in confusion as though I misunderstand something as basic as gravity. “Boy, allegiances crumble as soon as we board that shuttle. Some of your friends will be spirited away to the Moon Lords. Others will go to the Governors of the Gas Giants. Even a few to Luna. They will remember you as a legend of their youth, but that is it. And that legend will brook no loyalty. I’ve stood where you stand. I won my year, but loyalty isn’t found in these halls. It is the way things are.” “It is the way things were,” I say harshly, suprising him. But I believe what I say. “I am something different. I freed the enslaved and let the broken mend themselves. I gave them something you older generations can’t understand.” He chuckles, irritating me. “That is the problem with youth, Darrow. You forget that every generation has thought the same.” “But for my generation it is true.” No matter his confidence, I am right. He is wrong. I am the spark that will set the worlds afire. I am the hammer that cracks the chains.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Not very long after this a very exciting thing happened. Not only Sara, but the entire school, found it exciting, and made it the chief subject of conversation for weeks after it occurred. In one of his letters Captain Crewe told a most interesting story. A friend who had been at school with him when he was a boy had unexpectedly come to see him in India. He was the owner of a large tract of land upon which diamonds had been found, and he was engaged in developing the mines. If all went as was confidently expected, he would become possessed of such wealth as it made one dizzy to think of; and because he was fond of the friend of his school days, he had given him an opportunity to share in this enormous fortune by becoming a partner in his scheme. This, at least, was what Sara gathered from his letters. It is true that any other business scheme, however magnificent, would have had but small attraction for her or for the schoolroom; but "diamond mines" sounded so like the Arabian Nights that no one could be indifferent. Sara thought them enchanting, and painted pictures, for Ermengarde and Lottie, of labyrinthine passages in the bowels of the earth, where sparkling stones studded the walls and roofs and ceilings, and strange, dark men dug them out with heavy picks. Ermengarde delighted in the story, and Lottie insisted on its being retold to her every evening. Lavinia was very spiteful about it, and told Jessie that she didn't believe such things as diamond mines existed.
Frances Hodgson Burnett (A Little Princess)
When he had finished the second slice, he looked at the Trunchbull, hesitating. “Eat!” she shouted. “Greedy little thieves who like to eat cake must have cake! Eat faster boy! Eat faster! We don’t want to be here all day! And don’t stop like you’re doing now! Next time you stop before it’s all finished you’ll go straight into The Chokey and I shall lock the door and throw the key down the well!” The boy cut a third slice and started to eat it. He finished this one quicker than the other two and when that was done he immediately picked up the knife and cut the next slice. In some peculiar way he seemed to be getting into his stride. Matilda, watching closely, saw no signs of distress in the boy yet. If anything, he seemed to be gathering confidence as he went along. “He’s doing well,” she whispered to Lavender. “He’ll be sick soon,” Lavender whispered back. “It’s going to be horrid.” When Bruce Bogtrotter had eaten his way through half of the entire enormous cake, he paused for just a couple of seconds and took several deep breaths. The Trunchbull stood with hands on hips, glaring at him. “Get on with it!” she shouted. “Eat it up!
Roald Dahl (Matilda)
Asked what he would undertake first, Were he called upon to rule a nation, Confucius replied: 'To correct language . . . If language is not correct, Then what is said is not what is meant, Then what ought to be done remains undone; If this remains undone, morals and art will deteriorate; If morals and art deteriorate, justice "All go astray; If justice goes astray The people will stand about in helpless confusion. Hence there must be no arbitrariness in what is said. This mattars above everything.' Asked to surrender in World War Two, The Japanese employed the word 'mokusatsu' In replying to the Potsdam ultimatum. The word given out by the Domei news agency Was interpreted in Washington as 'treat with contempt' Rather than 'withholding comment' - pending a decision Its correct meaning. The Americans concluded that their ultimatum had been rejected; The boys in the back-room could play with their new toy A hundred and forty thousand people lay round in helpless confusion. Today 'peace' is mis-translated, and means a seething stalemate Instead of calm; 'Strength' is mis-translated, and means paranoid force Instead of right-minded confidence...
Heathcote Williams
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him
Virginia Woolf (Complete Works of Virginia Woolf)
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
Stop! Stop!” Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get. “Where are the children?” she gasped, once he’d caught her at the base of the steps. “Francesca is watching them.” “And your mother?” He grinned. “I daresay Francesca is watching her, too.” “Anyone could stumble upon us out here,” she said, looking this way and that. His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.” The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball. “The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?” His lips brushed against hers. “I have my ways,” he murmured. “And I,” she returned, smiling slyly, “have my secrets.” He drew back. “Oh? And will you share?” “We five,” she said with a nod, “are about to be six.” He looked at her face, then looked at her belly. “Are you sure?” “As sure as I was last time.” He took her hand and raised it to lips. “This one will be a girl.” “That’s what you said last time.” “I know, but—” “And the time before.” “All the more reason for the odds to favor me this time.” She shook her head. “I’m glad you’re not a gambler.” He smiled at that. “Let’s not tell anyone yet.” “I think a few people already suspect,” Sophie admitted. “I want to see how long it takes that Whistledown woman to figure it out,” Benedict said. “Are you serious?” “The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.” Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?” That stopped him cold. “You’ve been counting?” “Two hundred and thirty-three if you include the time after the masquerade.” “I can’t believe you’ve been counting.” She gave him a nonchalant shrug. “It’s exciting to be mentioned.” Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.” Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.” He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.” She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.” “Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.” “Violet?” Sophie asked softly. “It’s time my mother had a grandchild named after her, don’t you think?” Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
A dachshund came out of the bushes. Ruzena's father extended his pole toward him, but the dog alertly evaded it and ran over to the boy, who lifted him up and hugged him. Other old men rushed over to help Ruzena's father and tear the dachshund out of the boy's arms. The boy was crying, shouting, and grappling with them so that the old men had to twist his arms and put a hand over his mouth because his cries were attracting too much attention from the passersby, who were turning to look but not daring to intervene. [...] Jakub was leading the dog by the collar toward the hotel steps when one of the old men shouted: "Release that dog at once!" And the other old man: "In the name of the law!" Jakub pretended not to notice the old men and kept going, but behind him a pole slowly descended alongside his body and the wire loop wavered clumsily over the boxer's head. Jakub grabbed the end of the pole and brusquely pushed it aside. A third old man ran up and shouted: "Its an attack on law and order! I'm going to call the police!" And the high-pitched voice of another old man complained: "He ran on the grass! He ran in the playground, where it's prohibited! He pissed in the kids' sandbox! Do you like dogs more than children?" The boxer scampered around the room curiously, unaware that he had just escaped danger. Jakub stretched out on the daybed, wondering what to do with him. He liked the lively, good-natured dog. The insouciance with which, in a few minutes, he had made himself at home in a strange room and struck up a friendship with a strange man was nearly suspicious and seemed to verge on stupidity. After sniffing all corners of the room, he leaped up on the daybed and lay down beside Jakub. Jakub was startled, but he welcomed without reservation this sign of camaraderie. He put his hand on the dog's back and felt with delight the warmth of the animal's body. He had always liked dogs. They were familiar, affectionate, devoted, and at the same time entirely incomprehensible. We will never know what actually goes on in the heads and hearts of these confident, merry emissaries from incomprehensible nature.
Milan Kundera (Farewell Waltz)
I hope Peter’s still out there. I don’t want to lose my nerve. So I quicken my pace and that’s when I spot him, alone in the hot tub, his head tipped back with his eyes closed. “Hi,” I say, and my voice echoes into the woods. His eyes fly open. Nervously, he looks over my shoulder. “Lara Jean! What are you doing out here?” “I came to see you,” I say, and my breath comes out in white puffs. I start taking off my boots and socks. My hands are shaking, and not because I’m cold. I’m nervous. “Uh…what are you doing?” Peter’s looking at me like I’m crazy. “I’m getting in!” Shivering, I unzip my puffy coat and set it on the bench. Steam is rising out of the water. I dip my feet in and sit down on the ledge of the hot tub. It’s hotter than a bath, but it feels nice. Peter’s still watching me warily. My heart is racing out of control and it’s difficult to look him in the eyes. I’ve never been so scared in my life. “That thing you brought up earlier…you caught me off guard, so I didn’t know what to say. But…well, I like you too.” It comes out so fumbly and uncertain, and I wish I could start over and say it smoothly and confidently. I try again, louder. “I like you, Peter.” Peter blinks, and he looks so young all of a sudden. “I don’t understand you girls. I think I have you figured out, and then…and then…” “And then?” I hold my breath as I wait for him to speak. I’m so nervous; I keep swallowing, and it sounds loud to my ears. Even my breathing sounds loud, even my heartbeat. His pupils are dilated he’s looking at me so hard. He’s staring at me like he’s never seen me before. “And then I don’t know.” I think I stop breathing when I hear him say “I don’t know.” Did I screw things up that badly that now he doesn’t know? It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees. He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))