β
There are people one knows and people one doesn't. One shouldn't cheapen the former by feigning intimacy with the latter.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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You asked how I'd define prejudice. That's it. Making assumptions about people you've never met.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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Everywhere, it seemed, I had to explore two pasts and two presents; one white, one black, separate and unreconcilable. The past had poisoned the present and the present, in turn, now poisoned remembrance of things past.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
β
When Union litter-bearers climbed out of their trenches, four days after the assault, they found only two men still alive amongst the piles of stinking corpses. One burial party discovered a dead Yankee with a diary in his pocket, the last entry of which read: βJune 3. Cold Harbor. I was killed.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
I've been here in Richmond for six years and I still don't get it. To me, having the principal Richmond monuments dedicated to the Lost Cause is like saying we're dedicated to no hope, no future. It's like having a monument to unrequited love.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
β
Seven severely depressed prisoners were listed as having died of βnostalgia.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
Andersonville lay on American soil and saw the death of 13,000 Americans in American custody.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
β
Everywhere, it seemed, I had to explore two pasts and two presents; one white, one black, separate and unreconcilable. The past had poisoned the present and the present, in turn, now poisoned remembrance of things past.
β
β
Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
The scale of Monument Avenue also amplified the weirdness of the whole enterprise. After all, Davis and Lee and Jackson and Stuart weren't national heroes. In the view of many Americans, they were precisely the opposite; leaders of a rebellion against the nation - separatists at best, traitors at worst. None of those honored were native Richmonders. And their mission failed. They didn't call it the Lost Cause for nothing. I couldn't think of another city in the world that lined its streets with stone leviathans honoring failed rebels against the state.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
β
The way I see it," King said, "your great-grandfather fought and died because he believed my great-grandfather should stay a slave. I'm supposed to feel all warm inside about that?
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
β
You know what I hate?' she said. 'When people say that history repeats itself. That's the scariest thing I can think of.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
β
A vale of humility between two mountains of conceit.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
Like so much in Atlanta, Stone Mountain had become a bland and inoffensive consumable: the Confederacy as hood ornament. Not for the first time, though more deeply than ever before, I felt a twinge of affinity for the neo-Confederates I'd met in my travels. Better to remember Dixie and debate its philosophy than to have its largest shrine hijacked for Coca-Cola ads and MTV songs.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
β
I asked him if he thought βthereβ was better than βhere.β βNot better,β he said. βI mean, my great-great-grandpap got his leg shot off. But I feel like it was bigger somehow.β Hawkins flipped through pages of Civil War pictures. βAt work, I mix dyes and put them in a machine. Iβm thirty-six and Iβve spent almost half my life in Dye House No. 1. I make eight dollars sixty-one cents an hour, which is okay, βcept everyone says the plant will close and go to China.β He put the book back on the shelf. βI just feel like the South has been given a bum deal ever since that War.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
I later read a survey about Southerners' knowledge of the War; only half of those aged eighteen to twenty-four could name a single battle, and only one in eight knew if they had a Confederate ancestor.
This was a long way from the experience of earlier generations, smothered from birth in the thick gravy of Confederate culture and schooled on textbooks that were little more than Old South propaganda. In this sense, ignorance might prove a blessing. Knowing less about the past, kids seemed less attached to it. Maybe the South would finally exorcise its demons by simply forgetting the history that created them.
But Alabaman's seemed to have also let go of the more recent and hopeful history embodied in Martin Luther King's famous speech. "I have a dream," he said, of an Alabama where "black boys and black girls will be able to join hands with white boys and white girls as sisters and brothers.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
β
Theyβre pushing the envelope in terms of authenticity,β the Camp Chase Gazette editor, Bill Holschuh, told me when I phoned for his opinion. βAbout the only thing left is live ammunition and Civil War diseases. I hope it doesnβt come to that.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
Look at these buttons,β one soldier said, fingering his gray wool jacket. βI soaked them overnight in a saucer filled with urine.β Chemicals in the urine oxidized the brass, giving it the patina of buttons from the 1860s. βMy wife woke up this morning, sniffed the air and said, βTim, youβve been peeing on your buttons again.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
For Robert Lee Hodge, it was also a way of life. As the Marlon Brando of battlefield bloating, he was often hired for Civil War movies.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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Jewish-Southern culture had also bred the ultimate in fusion food: Gershon Weinbergβs pork and ribs barbecue restaurant in Alabama.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
In principle, rememberance of the War could be a way to probe these scars, many of which trailed back to the 1860's. But reenactments did precisely the opposite, blandly reconciling North and South in s grand spectacle that glorified battlefield valor and the stoicism of civilians.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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Anything you got to do with your own kind in secret, something's wrong with it. You feel bad about it inside.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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their poster boy was the Scottish clansman played by Mel Gibson in the splatterfest Braveheart. In their view, rationalism and technological efficiency were suspect Yankee traits, derived from a mercantile English empire that had put down the Scots and Irish.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
Just before school ended, the high school history teacher, Mr. Owens, invited me to his classroom, where I peered at his photos. One photo showed him on a family canoe trip. He also had photos of the submarine he had served on and mock battles that he had participated in as a Civil War reenactor. βThe students like that I was in the navy,β he said. Mr. Owens and I discussed the Tony Horwitz book, Confederates in the Attic, about Civil War reenacting taken to the extreme, and Mr. Owens was quick to say, βI'm not that hard core.
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Mary Hollowell (The Forgotten Room: Inside a Public Alternative School for At-Risk Youth)
β
The late Tony Horwitz, the author of the brilliant book Confederates in the Attic, called Lexington βthe second city of Confederate remembrance: Medina to Richmondβs Mecca.
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Ty Seidule (Robert E. Lee and Me: A Southerner's Reckoning with the Myth of the Lost Cause)
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But in the intervening decades, something curious had happened, an act of what psychologists today might term "recovered memory." Locals had reclaimed a past of their own , in which Todd County was staunch rebel territory, a pastoral land of Southern belles and brave Confederates. "History, like nature, knows no jumps." Robert Penn Warren once wrote. "Except the jump backward,
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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This may sound sexist,' Joslyn said, 'but my theory is that men like the Civil War because it's an action story, they're caught up in the battlefield drama. The prisoners are an emotional side of the War. Women are attracted to all that raw feeling, we understand it better....
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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Was there such a thing as politically correct remembrance of the Confederacy? Or was any attempt to honor the Cause inevitably tainted by what Southernerners once delicately referred to as their 'peculiar institution?
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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We're not migrating people,' she said. 'We live in our old houses, and eat on our old dishes and use our old silverware everyday. We're close to the past and comfortable with it. We've surrounded our lives with the pictures of all our relatives hanging on the walls, and we grow up hearing stories about them. It gives these things personality beyond just the material they're made of.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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We've always lived in the past in Selma, and we still do. But the past has changed on us. It included a lot of stories it didn't used to.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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History is lived forward but it is written in retrospect,' the English historian C.V. Wedgwood observed. 'We know the end before we consider the beginning and we can never wholly recapture what it was to know the beginning only.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War)
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Daijiro said the group was composed of retired fruit and vegetable wholesalers on a week-long tour of America. They were visiting three places only: Niagara Falls, Las Vegas and Atlanta. βWe want to see the history and beauty of America,β Daijiro explained.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
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I couldnβt think of another city in the world that lined its streets with stone leviathans honoring failed rebels against the state.
β
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
Southerners are a military people. We were back then, still are today. Every man in here has carried a gun for his country and probably a few of the women, too.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
What gets me is the heart of the Jews. They were underdogs, they knew they were going to die but didnβt give up the faith,β she said. βJust like the Confederates.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
You know what they call North Carolina,β Ed Curtis added. βΒ βA vale of humility between two mountains of conceit.βΒ β He smiled. βOf course thatβs a conceited thing to say about yourself. But at least weβre humble about how much better we are than anyplace else.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
In school I remember learning that the Civil War ended a long time ago,β he said. βFolks here donβt always see it that way. They think itβs still half-time.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
The way I see it,β King said, βyour greatgrandfather fought and died because he believed my great-grandfather should stay a slave. Iβm supposed to feel all warm inside about that?
β
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
The banner most Americans now called the rebel flagβa diagonal blue cross studded with white stars and laid across a field of redβserved only as a combat standard during the War.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
The best thing about Southern manners was that they seemed to improve my own, at least temporarily.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
β
Viewed through this prism, the War of Northern Aggression had little to do with slavery. Rather, it was a culture war in which Yankees imposed their imperialist and capitalistic will on the agrarian South, just as the English had done to the Irish and Scotsβand as America did to the Indians and the Mexicans in the name of Manifest Destiny.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
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The South represents the only remaining stumbling block to the imposition of an American police state.β This state, he added, would plunge America into a βNew World Orderβ marked by a βGodlessβ and βmongrelizedβ multiculturalism.
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Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))