Concert Invitation Quotes

There's a concert tonight and the few friends I've got here have invited me to come out. They aren't my real friends though, mostly because I can't be racist, sexist, or myself around them

A Gift for You I send you... A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.

But on a Sunday morning when I want to grab an omelet over girl talk, I’m at a loss. My Chicago friends are the let’s-get-dinner-on-the-books-a-month-in-advance type. We email, trading dates until we find an open calendar slot amidst our tight schedules of workout classes, volunteer obligations (no false pretenses here, the volunteers are my friends, not me, sadly), work events, concert tickets and other dinners scheduled with other girls. I’m looking for someone to invite to watch The Biggest Loser with me at the last minute or to text “pedicure in half an hour?” on a Saturday morning. To me, that’s what BFFs are.

The day in which you decline an invitation to see a film or a concert in order to walk along roads that you already know, the day in which you say no to a journey to some island paradise so as to contemplate the greyness of your own city in the rain... well, that’s the day you will know you are a true flâneur.

Technicality,” Shiro said. “The cigars?” “My Christianity,” Shiro said. “When I was a boy, I liked Elvis. Had a chance to see him in concert when we moved to California. It was a big revival meeting. There was Elvis and then a speaker and my English was not so good. He invited people backstage to meet the king. Thought he meant Elvis, so I go backstage.” He sighed. “Found out later I had become a Baptist.” I barked out a laugh. “You’re kidding.” “No. But it was done, so I tried not to be too bad at being Baptist.

The day in which you decline an invitation to see a film or a concert in order to walk along roads that you already know, the day in which you say no to a journey to some island paradise so as to contemplate the greyness of your own city in the rain… well, that’s the day you will know you are a true flâneur.

I needed to take her to a concert, or maybe invite her out to go stencil street art in the middle of the night. Except I hadn’t done that since middle school. And I’m not exactly Banksy with a can of spray paint.

Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed. "But what was wrong with the performance?" she asked. "I thought it was wonderful." "Don't you remember?" I said. "The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music!" Shimamoto laughed. "I wouldn't exactly call that art appreciation." "This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch!" "Maybe you're right," she admitted. "But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?" In the train on the way home, I explained the difference in great detail.The difference in where they are born, their call, their mating periods. "The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different." "You're a strange one!" She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched.

In the midst of this utopia, which only your fellow lone voyagers would perceive, you used to transgress society’s rules unknowingly, and no one would hold you accountable for it. You would mistakenly enter private residences, go to concerts to which you had not been invited, eat at community banquets where you could only guess the community’s identity when they started giving speeches. Had you behaved like this in your own country, you would have been taken for a liar or a fool. But the improbable ways of a foreigner are accepted. Far from your home, you used to taste the pleasure of being mad without being alienated, of being an imbecile without renouncing your intelligence, of being an impostor without culpability.

When Marian Anderson, the black contralto, came to Princeton for a concert in 1937, the Nassau Inn refused her a room. So Einstein invited her to stay at his house on Mercer Street, in what was a deeply personal as well as a publicly symbolic gesture. Two

Perhaps the main reason that we are such poor practitioners of the art of being human; why we so often teeter on a tight-rope between self-hatred and despair is that we don’t pray. We pray so little, so rarely, and so poorly. For everything else we have adequate leisure time. Visits, get-togethers, movies, football games, concerts, an evening with friends, an invitation we can’t decline—and these are good because it is natural and wholesome that we come together in community. But when God lays claim on our time, we balk. Do we really believe that He delights to talk with His children? If God had a face, what kind of face would He make at you right now? —Souvenirs of Solitude

Remember that a little learning can be a pleasant thing. Italy gives much, in beauty, gaiety, diversity of arts and landscapes, good humor and energy—willingly, without having to be coaxed or courted. Paradoxically, she requires (as do other countries, probably more so) and deserves some preparation as background to enhance her pleasures. It is almost impossible to read a total history of Italy; there was no united country until a hundred years ago, no single line of power, no concerted developments. It is useful, however, to know something about what made Siena run and stop, to become acquainted with the Estes and the Gonzagas, the Medicis and the Borgias, the names that were the local history. It helps to know something about the conflicts of the medieval church with the Holy Roman Empire, of the French, Spanish and early German kings who marked out large chunks of Italy for themselves or were invited to invade by a nervous Italian power. Above all, it helps to turn the pages of a few art and architecture books to become reacquainted with names other those of the luminous giants. The informed visitors will not allow himself to be cowed by the deluge of art. See what interests or attracts you; there is no Italian Secret Service that reports on whether you have seen everything. If you try to see it all except as a possible professional task, you may come to resist it all. Relax, know what you like and don’t like—not the worst of measures—and let the rest go.

Einstein also became a supporter of racial tolerance. When Marian Anderson, the black contralto, came to Princeton for a concert in 1937, the Nassau Inn refused her a room. So Einstein invited her to stay at his house on Mercer Street, in what was a deeply personal as well as a publicly symbolic gesture. Two years later, when she was barred from performing in Washington’s Constitution Hall, she gave what became a historic free concert on the steps of the Lincoln Memorial. Whenever she returned to Princeton, she stayed with Einstein, her last visit coming just two months before he died.63 One

What about concerts and opera performances? Nowadays these bring him little pleasure [...] These people have no interest in classical music - they would much prefer operettas or films with Marika Rokk[...] How can he possibly enjoy music under such circumstances? What good is it to invite the finest musicians and conductors of the Reich to Prague, when they must perform for such uneducated audience, who applaud only dutifully and never with enthusiasm. And, of course, the artists sense this immediately; they have a well-developed instinct about their audiences. Therefore, they play and sing any old way, without distinction.

Mrs. Wilcox, though a loving wife and mother, had only one passion in life—her house—and that the moment was solemn when she invited a friend to share this passion with her. To answer “another day” was to answer as a fool. “Another day” will do for brick and mortar, but not for the Holy of Holies into which Howards End had been transfigured. Her own curiosity was slight. She had heard more than enough about it in the summer. The nine windows, the vine, and the wych-elm had no pleasant connections for her, and she would have preferred to spend the afternoon at a concert. But imagination triumphed. While her brother held forth she determined to go, at whatever cost, and to compel Mrs. Wilcox to go, too.

He did, however, invite Jobs to visit him at his hotel before the concert. Jobs recalled: We sat on the patio outside his room and talked for two hours. I was really nervous, because he was one of my heroes. And I was also afraid that he wouldn’t be really smart anymore, that he’d be a caricature of himself, like happens to a lot of people. But I was delighted. He was as sharp as a tack. He was everything I’d hoped. He was really open and honest. He was just telling me about his life and about writing his songs. He said, “They just came through me, it wasn’t like I was having to compose them. That doesn’t happen anymore, I just can’t write them that way anymore.” Then he paused and said to me with his raspy voice and little smile, “But I still can sing them.

When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.

If these avatars were real people in a real street, Hiro wouldn't be able to reach the entrance. It's way too crowded. But the computer system that operates the Street has better things to do than to monitor every single one of the millions of people there, trying to prevent them from running into each other. It doesn't bother trying to solve this incredibly difficult problem. On the Street, avatars just walk right through each other. So when Hiro cuts through the crowd, headed for the entrance, he really is cutting through the crowd. When things get this jammed together, the computer simplifies things by drawing all of the avatars ghostly and translucent so you can see where you're going. Hiro appears solid to himself, but everyone else looks like a ghost. He walks through the crowd as if it's a fogbank, clearly seeing The Black Sun in front of him. He steps over the property line, and he's in the doorway. And in that instant he becomes solid and visible to all the avatars milling outside. As one, they all begin screaming. Not that they have any idea who the hell he is -- Hiro is just a starving CIC stringer who lives in a U-Stor-It by the airport. But in the entire world there are only a couple of thousand people who can step over the line into The Black Sun. He turns and looks back at ten thousand shrieking groupies. Now that he's all by himself in the entryway, no longer immersed in a flood of avatars, he can see all of the people in the front row of the crowd with perfect clarity. They are all done up in their wildest and fanciest avatars, hoping that Da5id -- The Black Sun's owner and hacker-in-chief -- will invite them inside. They flick and merge together into a hysterical wall. Stunningly beautiful women, computer-airbrushed and retouched at seventy-two frames a second, like Playboy pinups turned three-dimensional -- these are would-be actresses hoping to be discovered. Wild-looking abstracts, tornadoes of gyrating light-hackers who are hoping that Da5id will notice their talent, invite them inside, give them a job. A liberal sprinkling of black-and-white people -- persons who are accessing the Metaverse through cheap public terminals, and who are rendered in jerky, grainy black and white. A lot of these are run-of-the-mill psycho fans, devoted to the fantasy of stabbing some particular actress to death; they can't even get close in Reality, so they goggle into the Metaverse to stalk their prey. There are would-be rock stars done up in laser light, as though they just stepped off the concert stage, and the avatars of Nipponese businessmen, exquisitely rendered by their fancy equipment, but utterly reserved and boring in their suits.

Bob Dylan The only time Jobs can ever recall being tongue-tied was in the presence of Bob Dylan. He was playing near Palo Alto in October 2004, and Jobs was recovering from his first cancer surgery. Dylan was not a gregarious man, not a Bono or a Bowie. He was never Jobs’s friend, nor did he care to be. He did, however, invite Jobs to visit him at his hotel before the concert. Jobs recalled: We sat on the patio outside his room and talked for two hours. I was really nervous, because he was one of my heroes. And I was also afraid that he wouldn’t be really smart anymore, that he’d be a caricature of himself, like happens to a lot of people. But I was delighted. He was as sharp as a tack. He was everything I’d hoped. He was really open and honest. He was just telling me about his life and about writing his songs. He said, “They just came through me, it wasn’t like I was having to compose them. That doesn’t happen anymore, I just can’t write them that way anymore.” Then he paused and said to me with his raspy voice and little smile, “But I still can sing them.” The next time Dylan played nearby, he invited Jobs to drop by his tricked-up tour bus just before the concert. When Dylan asked what his favorite song was, Jobs said “One Too Many Mornings.” So Dylan sang it that night. After the concert, as Jobs was walking out the back, the tour bus came by and screeched to a stop. The door flipped open. “So, did you hear my song

With global advances in technology, our society is becoming more engrossed in personal gadgets than in the world around them. We hold our phones more than we hold real conversations, and each other. We’re so busy looking down at screens and engaging in digital interactions that we forget about the environment around us. It seems people would rather experience an event through a camera than use their eyes to enjoy what’s in front of them. Concert audiences are lit up by the shimmering of phone screens. This isn’t to say that we shouldn’t capture mementos of these precious times. But living through a screen prevents us from being present in the moment. As we continue to distract ourselves from the present moment, we become more anxious, fearful and stressed. Worries overwhelm us in our everyday lives because we’re now conditioned to live elsewhere, rather than right here. What’s more, we ignore the people around us and our personal relationships pay the price. This is often why we feel distressed, disconnected and lost. Our vibration is lowered because we feel like we’re in some imagined situation that doesn’t match up with our lived reality. We relive moments of the past, fear the future and create obstacles in our minds. We devote creative energy to destructive ideas – and this invites turmoil into our lives. Now is the only time you have. Once your past is gone, it doesn’t exist, no matter how many times you recreate it mentally. The future hasn’t even arrived; but again, you keep taking yourself there mentally. Tomorrow comes disguised as today and some of us don’t even notice. Nothing is more valuable than the present moment because you can never get it back.

Having weathered the storm once, she embraced it and gloried in it, thrilled to be wanted with such unwavering intent, with such concerted focus, with such... adoration. Despite the passion driving him, despite the desire that had hardened his body, that infused every caress with a driven edge, behind all was a care that never wavered. A care that had him holding back, his breathing as ragged as hers, his kiss every bit as desperate, until his clever fingers sent her wits spinning from this world and submerged her senses in indescribable pleasure. Only then did he shift, pin her beneath him, and thrust into her. She gasped, arched beneath him, then moaned as he took advantage of her instinctive invitation and drove even deeper into her very willing body. She clamped around him and he paused, eyes closed, every muscle clenched and tight, on the cusp of quivering, then he drew in a labored breath, withdrew and thrust anew, and she lost touch with the world. And once again all she knew was the heat and the flames and the steady, relentless possession. The giddy pleasure and delight, and beneath and through it all threaded the elusive evidence of his loving. It was there in the catch of his breath when she shifted, rose beneath him and moved against him, letting the fascinatingly crinkly hair on his chest abrade her excruciatingly sensitive nipples. There in the way he slowed, metaphorically gripped her hand and drew her back from the brink so that she didn't rush ahead and end the pleasure all too soon, but instead caught her sensual breath and joined agin with him in that primitive and evocative dance. More all-consuming, all-absorbing. More intimate. Love was there in the guttural whispers of encouragement he fed her when she once more started that inexorable climb, when passion roared and she suddenly found it upon her, near and so intense. There in the way in which he held her, cradled her, all the while moving so relentlessly within her, stoking the flames, sending her senses careening. There in the moment when ecstasy claimed her and he held her close, and held still, muscles quivering with restraint, prolonging the moment until she wept with simple joy. There in the final helpless moment when he lost himself in her.

In 2015 the American Jewish pop star Matisyahu was disinvited from appearing at Rototom Sunsplash, an annual international reggae music festival held in Spain that was, ironically, devoted to “the promotion of peace, equality, human rights and social justice.”12 He was told by festival organizers that the pressure to disinvite him came from BDS members, and that if he made a public statement in support of Palestinian statehood and against Israeli “war crimes,” he would be able to perform.13 When he refused to do so, his performance was canceled and Rototom Sunsplash issued the following statement: Rototom Sunsplash, after having repeatedly sought dialogue in the face of the artist’s unavailability to give a clear statement against war and on the right of the Palestinian people to their own state, has decided to cancel [his] concert. Even though Rototom Sunsplash’s other goals included examining the “rise in Islamophobia in Western countries, as well as the situation of the prisoners in Guantánamo,” no European performers were required to denounce expressions of Islamophobia in their countries, and American performers were not required to share their views on the United States policy toward prisoners in Guantánamo. After an international outcry at the festival’s assertion that an American Jewish musician was answerable for Israeli government policy, the invitation was reinstated.

Three Ways to Start a Conversation It’s a lot easier than you think. Over the years, countless clients have said to me, “But I don’t know what to say! What is the perfect opening line?” Well, he’s some good news: There is no “perfect” opener! In fact, few people remember the first things they ever said to each other. Appearing comfortable and at ease socially is far more important than being witty or astute when it comes time to make that first impression. Just get the conversation going, preferably by encouraging others to talk to you. Here are a few ideas to get you started. Imagine yourself in each of these situations, and think about other things you might say. 1. Ask a question. Scenario: You are in a parking lot and see someone with a late-model car. “Excuse me,” you say, “I’m in the market for a new car, and I’m considering one like this. What do you think of it?” 2. Voice an opinion. Scenario: During intermission at a concert or play. “I think they are absolutely terrific! What did you think?” If you’re feeling a little more adventurous, follow up with a veiled invitation. “I think it’s wonderful that they bring such talent to our area, don’t you? I’d really like to come more often.” 3. State a fact. Scenario: At an art gallery, showing the work of someone about whom you’ve done a little research (it never hurts, and gives you an air of being in the know). “I understand the artist spent several years in Haiti, working with native artists.” Or, if you know next to nothing about the artist, “I’m intrigued by his work, but I know so little about his background. Are you familiar with it?” (This clever turn-around sets your new companion up as the expert, and works even if you actually do know a little something about the subject!)

A lot of us don’t have big passions, like ‘I knew from the time I was three I was going to be a concert pianist,’ so we have to issue an invitation to even a little flicker of interest.

She’d go to a concert and climb onto a tour bus and end up across the US. Or she’d meet a guy at a bar and get invited to live on his boat for four months in Florida.

In 1971, there was the concert of all concerts, the Soul to Soul Music Festival, which was staged on March 6 as a celebration of Ghana’s fourteenth anniversary of independence. It was held in Accra, at Black Star Square, which is now called Independence Square, and it was fourteen hours long, ending at dawn. A number of Americans came to perform, like Wilson Pickett, Ike and Tina Turner, the Staple Singers, Santana, and Roberta Flack. For months before and for months afterward, Soul to Soul was the talk of the nation. Every town attempted their own mini replica, inviting multiple bands, trying to pack the venues and keep the show going until the crowd was knackered.

CONCERT CHECKLIST 1. Secure a date on the calendar. Be sure it is listed on the official school calendar to protect it. 2. Reserve a performance venue for the concert and for final rehearsals. 3. Have tickets printed if they are to be used. 4. Plan the printed program and get it to the printer by the deadline date. 5. Plan the publicity. The following types of publicity can be utilized to draw a sizable concert audience: Radio releases Television releases Newspaper releases Online listings School announcements Notices to other schools and/or organizations in the area Posters for public placement 6. Send complimentary tickets to: Civic leaders Board of Education Superintendent People who have helped in some way Key supporters Key people to stimulate their interest 7. Have the president of the choir send personal letters of invitation to people that are special to the music program (newspaper editor, Board of Education, Superintendent, civic club presidents, supporters etc.). 8. Appoint a stage manager. He should be someone who can control the stage lighting, pull curtains, shut off air circulation fans that are noisy, and see that the stage is ready for the concert. 9. Arrange for ushers. 10. Check wearing apparel. Be sure that all singers have the correct accessories (same type and color of shoes, no gaudy jewelry for girls, etc.). 11. Post on bulletin board and tell students the time they will meet for a pre-concert warm-up. High school students will perform best if they meet together at least forty-five minutes before the concert.

Scientists debate each other’s findings in the halls of science—universities, laboratories, government agencies, conferences, and workshops. They do not normally organize petitions, particularly public ones whose signatories may or may not circulated information soliciting signatures on a petition “refuting” global warming.14 He did this in concert with a chemist named Arthur Robinson, who composed a lengthy piece challenging mainstream climate science, formatted to look like a reprint from the Proceedings of the National Academy of Sciences. The “article”—never published in a scientific journal, but summarized in the Wall Street Journal—repeated a wide range of debunked claims, including the assertion that there was no warming at all.15 It was mailed to thousands of American scientists, with a cover letter signed by Seitz inviting the recipients to sign a petition against the Kyoto Protocol.16 Seitz’s letter emphasized his connection with the National Academy of Sciences, giving the impression that the whole thing—the letter, the article, and the petition—was sanctioned by the Academy. Between his mail-in card and a Web site, he gained about fifteen thousand signatures, although since there was no verification process there was no way to determine if these signatures were real, or if real, whether they were actually from scientists.17 In a highly unusual move, the National Academy held a press conference to disclaim the mailing and distance itself from its former president.18 Still, many media outlets reported on the petition as if it were evidence of genuine disagreement in the scientific community, reinforced, perhaps, by Fred Singer’s celebration of it in the Washington Times the very same day the Academy rejected it.19 The “Petition Project” continues today. Fred Seitz is dead, but his letter is alive and well on the Internet, and the project’s Web site claims that its signatories have reached thirty thousand.20

I cannot marry you,” she told the clump of toadstools flourishing at its base. “I’m so terribly sorry. I should have told you years ago, but—” “For God’s sake, Cecily.” His soft laugh startled her, and she lifted her gaze. “You can’t do this, not yet. How can a lady refuse a man, when he hasn’t even proposed? I won’t stand for it.” “It’s not right, Denny. I’ve known for some time now that we wouldn’t . . . that I couldn’t . . .” He shushed her gently, placing his hands on her shoulders. “The truth is, we know nothing of what could be or would be. We’ve been delaying this conversation for years now, haven’t we? I’ve been waiting for . . . Well, I hardly know what I’ve been waiting for. Something indefinable, I suppose. And you’ve been waiting for Luke.” Her breath caught. Denny knew? Oh, dear. Perhaps she shouldn’t be so surprised. They’d grown up together. He’d known her longer than anyone. “Yes, of course I knew,” he said, as if reading her thoughts. “Why do you think I invited you both here, to my home? I wanted to know how matters stood between you.” “And how do they stand?” she asked, hoping he would understand her better than she knew herself. He sighed. “I know he has some strange hold on your heart. But I believe you’d be happier marrying me.” Cecily shook her head in disbelief. If she didn’t know better, she would think him working in concert with Luke. Their arguments were one and the same. “But, Denny . . .” She prayed these words would not hurt his pride overmuch. “But we don’t love one another, not in that way.” “Perhaps not. But you’ve been in love with Luke for four years now. Has it made you happy?” She had no answer to that. “And I’ll admit, bachelorhood is losing its charms for me.” Gently, he folded her hands in his. “I know there is no grand passion between us, Cecily. But there is genuine caring. Honesty. Respect. Lasting unions have been built on foundations far weaker than these. And in time, perhaps some deeper attachment would grow. We don’t know what could happen, if only we gave it a chance.” He brought her hands to his lips and kissed them warmly—first the knuckles, then each sensitive palm—before pressing them to either side of his face and holding them there. The sweetness in the gesture surprised her, as did the fond regard in his eyes. This was Denny’s face she held in her hands. Dear, familiar, uncomplicated Denny, with the dimple on his right cheek and the tiny pockmark on the other. She’d known this face since her childhood. Could she learn to see to him in a new light, as a husband? She did want children and companionship and a happy home—all the things Luke refused to offer her. She sighed. “I don’t know what to say.” “That’s all right. I’m not asking you to say yes, not right now. Just . . . don’t say no quite yet?” He smiled then, that crooked, endearing Denny smile. And he kissed her, still holding her hands pressed against his face. It was sweet. He tasted of tea and peppermint, and his lips felt soft and warm. Denny’s kiss was mild, tender. Comforting and comfortable. And it was wretchedly unfair to him, that even as he claimed her lips, her heart remained divided. She couldn’t stop comparing this kiss to Luke’s. It just wasn’t the same. “Do

When we enter into Community Friends territory, we have crossed the lines of our original relationship boundaries so that now it feels normal to invite them to a random concert, check in with them about their weekend plans, or see if they are interested in starting a book club with us.

Consistent and chronic distractions have the power we give it focal access, to rob us of our long-term historic memory of unhurried moments in life where we are divinely invited to experience that which is the lovely, praiseworthy and excellent...give heed to the call of voices in a song that raises the vibration of a melodic verses, in such a spectacular way, that our neurons create a bio-celluar concert to revive the soul of our best memories. . .selah

What I wud do if I was Buller, an' I thank Hivin I'm not, wud be move me ar-rmy in half-an-hour over th' high but aisily accessible mountains to th' right iv Crowrijoy's forces, an' takin' off me shoes so he cudden't hear thim squeak, creep up behind th' Dutch an' lam their heads off. Afther this sthroke 'twud be aisy f'r to get th' foorces iv Fr-rinch, Gatacre, Methoon, an' Winston Churchill together some afthernoon, invite th' inimy to a band concert, surround an' massacree thim.

Weir had become a modern-day troubadour—an ancient archetype certain to be recognized by Joseph Campbell, the myth expert and author of Hero with a Thousand Faces, the book on which film director George Lucas partially based his Star Wars trilogy. Campbell was one of dozens of unlikely people to stumble into the Dead camp. At Mickey Hart’s invitation, Campbell attended a Grateful Dead concert. Campbell told Hart he could tell “the band is tied at the heart. You are shaking hands with the ancients.” Campbell was guest of honor at a dinner party Hart threw at his home that Weir also attended.

My fear is that, perhaps without even realizing it, we’ve fallen into the very dangerous habit of neglecting God’s commands in favor of our logic. For example, if I invite the most famous Christian artist to do a concert at my church, I’m sure to get a crowd of people, maybe even some open-minded unbelievers. I can give a gospel presentation in the middle and an altar call at the end, and through a couple hours of work, I’m almost guaranteed to have some kind of positive response. On the other hand, if I commit to becoming like family with a few other believers, I could spend years pouring time and energy into building those relationships, and I have no idea how that is going to affect any unbelievers. I would have to put all my hope in a promise. When I look at those two options, there’s no question which one makes more sense in the flesh. Many people stop right there and make their decision. But I would ask you to consider: • Does marching around a city seven times and blowing trumpets sound like the most effective way to conquer a city? • Does a little shepherd boy with a slingshot sound like the best candidate to defeat a giant warrior? This list could be expanded at length, but you get the point. God often asks people to pursue strategies that don’t make the most logical sense. If they did make sense to us, we wouldn’t need faith. And without faith, it is impossible to please God (Hebrews 11:6) God’s ways are not our ways. He has not asked us to strategize; He has asked us to obey. It seems simple, so why haven’t we obeyed? I can’t speak for you, but I know what usually keeps me from staying committed to His plan: disbelief.

We prayed for seven days. But, by the last day, we still needed more days to pray. On the first day we prayed well by the well. We prayed for strength and to be saved from hell. Strength to carry and bear the weight of the bear. The furless bear that was living rent-free within. On the second day we prayed for union and companionship. In that unionship, some told us to alter ourselves to benefit from their gold. Some told us to worship at their alter, and to their forbidden gods. Some gave us bands, while some gave us rose stems. But they all promised us a life full of bliss, and concerts to see bands like Kiss. On the third day we prayed for courage and strength. We thought that we needed to lean on to some friends. We begged to rest our lean bodies on their shoulders. We said that we needed a match in which we could meet our match. We asked for a cover to cover up and shield us; providing a shield from the storms of life. On the fourth day we prayed for assertiveness and self-esteem. But, like a bow without its own direction, we jumped as high as they told us. And gave a bow after each and every performance. We skipped and hopped for everyone despite their lies. In fact, we also skipped all the steps necessary to living full lives. On the fifth day we prayed for security and protection. But some betrayed and beat us because we intimidated their situation. And some became deadbeats to the children that we bore for each. We were left beat, with no fun. Missing the beat to the sound of our own drum. On the sixth day we prayed for solitude; some space from an alliance. But we went on to perform for this and that audience. Some were fair skinned; some were dark skinned. Some were fair to us, while some were cruel too much. But we remained amongst them because we chose to be one with copendence. On the seventh day we prayed for bravery. But our conduct had changed gravely because, for six days, we'd invited others to conduct our song. We'd geared up for them and shot arms at ourselves for so long. Meanwhile they'd raised their arms up, cheering for our self-destruction. And, once we were doomed in their mission, they bounced like a wave; vanishing without a wave.

This kid assumed an alias, volunteered for the campaign, stole the candidate’s stationery, and distributed a thousand fake invitations—they promised “free beer, free food, girls and a good time for nothing”—at communes, rock concerts, and street corners where Chicago’s drunken hoboes congregated. The kid’s name was Karl Rove. The RNC soon hired him at $9,200 a year to give seminars on his techniques.

For an unrelated reason, I was fortunate to be in London to witness a set of extraordinary festivities commemorating the fiftieth anniversary of Elizabeth II’s accession to the throne of England. Although the queen had been traveling the globe for months to Commonwealth nations hosting Golden Jubilee events in her name, the celebrations peaked on June 4, 2002, with a program on the Mall in London that drew over a million well-wishers from around Britain and the world. The marked adulation surprised many in the national press who’d predicted the Jubilee would be a fizzle, demonstrating the modern-day irrelevance of the British monarchy in general and of Her Royal Highness in particular. The opposite proved to be the case. In the several weeks’ run-up to June 4, throngs within the United Kingdom flocked to dedications, parades, concerts, and special proceedings honoring the queen, which she honored in turn with her presence. Especially coveted were invitations to small parties where it was sometimes possible to be addressed personally by the queen in a receiving line. Of course, the opportunity to meet Elizabeth II under any circumstances would be considered exceptional; but the chance to meet her amid the pomp and pageantry of the Golden Jubilee added even more significance to such occasions, which were widely reported by the media. One report stood out from all the others for me. A young woman moving through a reception line at one of the small fêtes experienced the horror of hearing the cell phone in her purse begin to ring just as she met the queen. Flustered and frozen with embarrassment as her phone pealed insistently, she stared helplessly into the royal eyes that had become fixed on her bag. Finally, Elizabeth leaned forward and advised, “You should answer that, dear. It might be someone important.

Political leaders have two options in the face of extreme polarization. First, they can take society’s divisions as a given but try to counteract them through elite-level cooperation and compromise. This is what Chilean politicians did. As we saw in Chapter 5, intense conflict between the Socialists and the Christian Democrats helped destroy Chilean democracy in 1973. A profound distrust between the two parties persisted for years afterward, trumping their shared revulsion toward Pinochet’s dictatorship. Exiled Socialist leader Ricardo Lagos, who lectured at the University of North Carolina, recalled that when former Christian Democratic president Eduardo Frei Montalva visited the university in 1975, he decided that he couldn’t bear to talk to him—so he called in sick. But eventually, politicians started talking. In 1978, Lagos returned to Chile and was invited to dinner by former Christian Democratic senator Tomás Reyes. They began to meet regularly. At around the same time, Christian Democratic leader Patricio Aylwin attended meetings of lawyers and academics from diverse partisan backgrounds, many of whom had crossed paths in courtrooms while defending political prisoners. These “Group of 24” meetings were just casual dinners in members’ homes, but according to Aylwin, they “built up trust among those of us who had been adversaries.” Eventually, the conversations bore fruit. In August 1985, the Christian Democrats, Socialists, and nineteen other parties gathered in Santiago’s elegant Spanish Circle Club and signed the National Accord for a Transition to a Full Democracy. The pact formed the basis for the Democratic Concertation coalition. The coalition developed a practice of “consensus politics,” in which key decisions were negotiated between Socialist and Christian Democratic leaders. It was successful. Not only did the Democratic Concertation topple Pinochet in a 1988 plebiscite, but it won the presidency in 1989 and held it for two decades.

What provokes readers to experience their own profound sense of self? How do readers feel their oats, pick up their own baggage, smile at their own ironies, snap out of their worries, and feel that things today actually are okay? In life, things like that can happen when we bounce off of others or pick up the moods of others. We lock horns, back away from bias, scream at rock concerts, cheer at football games, nod in agreement, join the mob and pick up stones to throw, or raise our palms to heaven and murmur an amen. The effect is similar in fiction. In reading fiction we react to what others are feeling strongly, in this case the characters. Strong feelings are an invitation. Or a challenge. Strong feelings press us to judge what characters feel. We sympathize with them, or not. We engage on our own level.

When I am preparing for Holy Communion, I picture my soul as a piece of land and I beg the Blessed Virgin to remove from it any rubbish that would prevent it [80r°] from being free; then I ask her to set up a huge tent worthy of heaven, adorning it with her own jewelry; finally, I invite all the angels and saints to come and conduct a magnificent concert there. It seems to me that when Jesus descends into my heart He is content to find Himself so well received and I, too, [5]am content.

Imagine for a moment that you want to attend a concert or play. After parking the car and walking six city blocks on a cold, rainy evening, and while lining up at the entrance for another half hour, you glimpse an inviting auditorium seat. The seat appears to you not as a meaningless object of neutral observation but as a place of comfort where you can rest and warm your weary bones while enjoying the anticipated performance. You do not first perceive this seat from a purely objective stance in terms of its compositional material or its measurements. Such a theoretical stance is not our primary mode of perception, but a secondary, unnatural way of looking at things we adopt when we abstract something from the context of our experience to study it separately. Should, for example, the seat collapse under us as we sat down, only then would we adopt a scientific attitude and examine the seat to determine its structure and the reasons for its malfunction.