Communion Poems Quotes

We might have coupled In the bed-ridden monopoly of a moment Or broken flesh with one another At the profane communion table Where wine is spill'd on promiscuous lips We might have given birth to a butterfly With the daily-news Printed in blood on its wings

There were never strawberries like the ones we had that sultry afternoon sitting on the step of the open french window facing each other your knees held in mine the blue plates in our laps the strawberries glistening in the hot sunlight we dipped them in sugar looking at each other not hurrying the feast for one to come the empty plates laid on the stone together with the two forks crossed and I bent towards you sweet in that air in my arms abandoned like a child from your eager mouth the taste of strawberries in my memory lean back again let me love you let the sun beat on our forgetfulness one hour of all the heat intense and summer lightning on the Kilpatrick hills let the storm wash the plates.

He pulled out a book here and there, but what kept catching his attention were the diagonal tunnels of sunlight rolling in through the dormer windows. All around him dust motes rose and fell, shimmering, quivering in those shafts of roiling light. He found several shelves full of old editions of classical writers and began vaguely browsing, hoping to find a cheap edition of Virgil's Aeneid, which he had only ever read in a borrowed copy. It wasn't really the great poem of antiquity that Dorrigo Evans wanted though, but the aura he felt around such books--an aura that both radiated outwards and took him inwards to another world that said to him that he was not alone. And this sense, this feeling of communion, would at moments overwhelm him. At such times he had the sensation that there was only one book in the universe, and that all books were simply portals into this greater ongoing work--an inexhaustible, beautiful world that was not imaginary but the world as it truly was, a book without beginning or end.

From my insufficiency to my perfection, and from my deviation to my equilibrium From my sublimity to my beauty, and from my splendor to my majesty From my scattering to my gathering, and from my rejection to my communion From my baseness to my preciousness, and from my stones to my pearls From my rising to my setting, and from my days to my nights From my luminosity to my darkness, and from my guidance to my straying From my perigee to my apogee, and from the base of my lance to its tip From my waxing to my waning, and from the void of my moon to its crescent From my pursuit to my flight, and from my steed to my gazelle From my breeze to my boughs, and from my boughs to my shade From my shade to my delight, and from my delight to my torment From my torment to my likeness, and from my likeness to my impossibility From my impossibility to my validity, and from my validity to my deficiency. I am no one in existence but myself,

Not all things speak with a human tongue-an ability to speak the Languages of Creation. Communion in the body of silence-the voice of the Land is in our language. Coyote prayer says: 'Take it. I give it to you.

Mystic The air is a mill of hooks - Questions without answer, Glittering and drunk as flies Whose kiss stings unbearably In the fetid wombs of black air under pines in summer. I remember The dead smell of sun on wood cabins, The stiffness of sails, the long salt winding sheets. Once one has seen God, what is the remedy? Once one has been seized up Without a part left over, Not a toe, not a finger, and used, Used utterly, in the sun’s conflagrations, the stains That lengthen from ancient cathedrals What is the remedy? The pill of the Communion tablet, The walking beside still water? Memory? Or picking up the bright pieces of Christ in the faces of rodents, The tame flower- nibblers, the ones Whose hopes are so low they are comfortable - The humpback in his small, washed cottage Under the spokes of the clematis. Is there no great love, only tenderness? Does the sea Remember the walker upon it? Meaning leaks from the molecules. The chimneys of the city breathe, the window sweats, The children leap in their cots. The sun blooms, it is a geranium. The heart has not stopped.

The grass is green The tulip is red A ginger cat walks over The pink almond petals on the flower bed. Enough has been said to show It is life we are taking about. - Oh grateful colours; bright looks!

63. In this state of Resurrection comes that ineffable silence, by which we not only subsist in God, but commune with Him, and which, in a Soul thus dead to its own working, and general and fundamental Self-appropriation, becomes a flux and reflux of Divine Communion, with nothing to sully its purity; for there is nothing to hinder it. 64. The Soul then becomes a partaker of the ineffable communion of the Trinity, where the Father of Spirits imparts his spiritual fecundity, and makes it one Spirit with Himself.

Good, we wanted good: to set the world right. We didn't lack integrity: we lacked humility. What we wanted was not innocently wanted. Precepts and concepts, the arrogance of theologians, to beat with a cross, to institute with blood, to build the house with bricks of crime, to declare obligatory communion. Some became secretaries to the secretary to the General Secretary of the Inferno.

I have since betrayed her with a facility closer to my home my burden too great to wheel three extra blocks forsaking communion for convenience there I wash and fold with true toilers nonowners fabric slaves loveless and rightfully so we share no confidences only questions like complaints my devotion to repetition precision creases organized by roy g biv all underground all unnoticed my order private stop asking me to do yours

Marthe Away (She Is Away)" All night I lay awake beside you, Leaning on my elbow, watching your Sleeping face, that face whose purity Never ceases to astonish me. I could not sleep. But I did not want Sleep nor miss it. Against my body, Your body lay like a warm soft star. How many nights I have waked and watched You, in how many places. Who knows? This night might be the last one of all. As on so many nights, once more I Drank from your sleeping flesh the deep still Communion I am not always strong Enough to take from you waking, the peace of love. Foggy lights moved over the ceiling Of our room, so like the rooms of France And Italy, rooms of honeymoon, And gave your face an ever changing Speech, the secret communication Of untellable love. I knew then, As your secret spoke, my secret self, The blind bird, hardly visible in An endless web of lies. And I knew The web too, its every knot and strand, The hidden crippled bird, the terrible web. Towards the end of the night, as trucks rumbled In the streets, you stirred, cuddled to me, And spoke my name. Your voice was the voice Of a girl who had never known loss Of love, betrayal, mistrust, or lie. And later you turned again and clutched My hand and pressed it to your body. Now I know surely and forever, However much I have blotted our Waking love, its memory is still there. And I know the web, the net, The blind and crippled bird. For then, for One brief instant it was not blind, nor Trapped, not crippled. For one heart beat the Heart was free and moved itself. O love, I who am lost and damned with words, Whose words are a business and an art, I have no words. These words, this poem, this Is all confusion and ignorance. But I know that coached by your sweet heart, My heart beat one free beat and sent Through all my flesh the blood of truth.

A Farewell For a while I shall still be leaving, Looking back at you as you slip away Into the magic islands of the mind. But for a while now all alive, believing That in a single poignant hour We did say all that we could ever say In a great flowing out of radiant power. It was like seeing and then going blind. After a while we shall be cut in two Between real islands where you live And a far shore where I’ll no longer keep The haunting image of your eyes, and you, As pupils widen, widen to deep black And I am able neither to love or grieve Between fulfillment and heartbreak. The time will come when I can go to sleep. But for a while still, centered at last, Contemplate a brief amazing union, Then watch you leave and then let you go. I must not go back to the murderous past Nor force a passage through to some safe landing, But float upon this moment of communion Entranced, astonished by pure understanding— Passionate love dissolved like summer snow.

To-morrow the rediscovery of romantic love, The photographing of ravens; all the fun under Liberty's masterful shadow; To-morrow the hour of the pageant-master and the musician, The beautiful roar of the chorus under the dome; To-morrow the exchanging of tips on the breeding of terriers, The eager election of chairmen By the sudden forest of hands. But to-day the struggle, To-morrow for the young poets exploding like bombs, The walks by the lake, the weeks of perfect communion; To-morrow the bicycle races Through the suburbs on summer evenings. But to-day the struggle. To-day the deliberate increase in the chances of death, The conscious acceptance of guilt in the necessary murder; To-day the expending of powers On the flat ephemeral pamphlet and the boring meeting, Today the makeshift consolations: the shared cigarette, The cards in the candlelit barn, and the scraping concert, The masculine jokes; to-day the Fumbled and unsatisfactory embrace before hurting. The stars are dead. The animals will not look. We are left alone with our day, and the time is short, and History to the defeated May say alas but cannot help or pardon.

AFTER THE DELUGE AS SOON as the idea of the Deluge had subsided, A hare stopped in the clover and swaying flower-bells, and said a prayer to the rainbow, through the spider’s web. Oh! the precious stones that began to hide,—and the flowers that already looked around. In the dirty main street, stalls were set up and boats were hauled toward the sea, high tiered as in old prints. Blood flowed at Blue Beard’s,—through slaughterhouses, in circuses, where the windows were blanched by God’s seal. Blood and milk flowed. Beavers built. “Mazagrans” smoked in the little bars. In the big glass house, still dripping, children in mourning looked at the marvelous pictures. A door banged; and in the village square the little boy waved his arms, understood by weather vanes and cocks on steeples everywhere, in the bursting shower. Madame *** installed a piano in the Alps. Mass and first communions were celebrated at the hundred thousand altars of the cathedral. Caravans set out. And Hotel Splendid was built in the chaos of ice and of the polar night. Ever after the moon heard jackals howling across the deserts of thyme, and eclogues in wooden shoes growling in the orchard. Then in the violet and budding forest, Eucharis told me it was spring. Gush, pond,—Foam, roll on the bridge and over the woods;—black palls and organs, lightning and thunder, rise and roll;—waters and sorrows rise and launch the Floods again. For since they have been dissipated—oh! the precious stones being buried and the opened flowers!—it’s unbearable! and the Queen, the Witch who lights her fire in the earthen pot will never tell us what she knows, and what we do not know.

Enjoyment requires discernment. It can be a gift to wrap up in a blanket and lose myself in a TV show but we can also amuse ourselves to death. My pleasure in wine or tea or exercise is good in itself but it can become disordered. As we learn to practice enjoyment we need to learn the craft of discernment: How to enjoy rightly, to have, to read pleasure well. There is a symbiotic relationship, cross-training, if you will, between the pleasures we find in gathered worship and those in my tea cup, or in a warm blanket, or the smell of bread baking. Lewis reminds us that one must walk before one can run. We will not be able to adore God on the highest occasions if we have learned no habit of doing so on the lowest. At best our faith and reason will tell us that He is adorable but we shall not have found Him so. These tiny moments of beauty in our day train us in the habits of adoration and discernment, and the pleasure and sensuousness of our gathered worship teach us to look for and receive these small moments in our days, together they train us in the art of noticing and reveling in our God’s goodness and artistry. A few weeks ago I was walking to work, standing on the corner of tire and auto parts store, waiting to cross the street when I suddenly heard church bells begin to ring, loud and long. I froze, riveted. They were beautiful. A moment of transcendence right in the middle of the grimy street, glory next to the discount tire and auto parts. Liturgical worship has been referred to sometimes derisively as smells and bells because of the sensuous ways Christians have historically worshipped: Smells, the sweet and pungent smell of incense, and bells, like the one I heard in neighborhood which rang out from a catholic church. At my church we ring bells during the practice of our eucharist. The acolyte, the person often a child, assisting the priest, rings chimes when our pastor prepares the communion meal. There is nothing magic about these chimes, nothing superstitious, they’re just bells. We ring them in the eucharist liturgy as a way of saying, “pay attention.” They’re an alarm to rouse the congregation to jostle us to attention, telling us to take note, sit up, and lean forward, and notice Christ in our midst. We need this kind of embodied beauty, smells and bells, in our gathered worship, and we need it in our ordinary day to remind us to take notice of Christ right where we are. Dostoevsky wrote that “beauty will save the world.” This might strike us as mere hyperbole but as our culture increasingly rejects the idea and language of truth, the churches role as the harbinger of beauty is a powerful witness to the God of all beauty. Czeslaw Milosz wrote in his poem, “One more day,” “Though the good is weak, beauty is very strong.” And when people cease to believe there is good and evil, only beauty will call to them and save them so that they still know how to say, “this is true and that is false.” Being curators of beauty, pleasure, and delight is therefore and intrinsic part of our mission, a mission that recognizes the reality that truth is beautiful. These moments of loveliness, good tea, bare trees, and soft shadows, or church bells, in my dimness, they jolt me to attention and remind me that Christ is in our midst. His song of truth, sung by His people all over the world, echos down my ordinary street, spilling even into my living room.

...we should continue to ask, How might we attend to words as closely as they deserve? What if lectio began with reading aloud, with feeling the words on your tongue and teeth and practicing the sounds and noticing where they occur in your mouth and throat? When reading Scripture, we are feeding on the Word. Peterson insists that in addition to learning Scripture, we should digest the words within us: “Not merely Read your Bible but Eat this book.” Jesus Christ is called the Word, and we are to dine on his body—not only in the sacrament of Communion but also in our devotional reading. Recall George Herbert’s poem “Love III,” in which Love says to his guest, “You must sit down…and taste my meat.” To read literature well, we should articulate the choice words aloud, delighting in the sounds of sentences and the ways the beautiful diction tastes. (p. 107)

Jesus rejected hatred,” Thurman wrote in a prose poem published in the Methodist student magazine Motive. “It was not because he lacked the vitality or the strength. It was not because he lacked incentive. Jesus rejected hatred because he saw that hatred meant death to the mind, death to the spirit, death to communion with his Father.

Your word is pardon and gentleness for the penitent, Your word is holy instruction, eternal teaching; It is light to brighten, advice to hearten; It is voice of help, fire that burns, Way, truth, sublime splendor, Life—eternity.” —Poem written in the minor seminary

What I learned is that of all the creatures that I can see in this landscape, the geese best represent the communion of saints. They depend on one another. The lead goose does the most work, but when it is tired, it falls back and another takes its place. To be able to rely on others is a deep trust that does not come easily. The geese fly in the wake of one another’s wings. They literally get a lift from one another. I want to be with others this way. Geese tell me that it is, indeed, possible to fly with equals. GUNILLA NORRIS

How can a poem make a difference? How can a tree make a difference? Perhaps the answer to those questions is that poetry and nature have a way of simply reminding us that we are not alone. The Kentucky writer bell hooks once wrote, “Rarely, if ever, are any of us healed in isolation. Healing is an act of communion.” Going to the woods, or simply noticing the small defiant ways nature is thriving all around me on a daily basis, helps me feel that communion. And poems, like the poems that I’ve collected here for this anthology, help me feel that sense of communion too.

Happy Holidays (The Sonnet) Spirit of Christmas doesn't grow on a fir tree, Christmas blooms wherever the heart is hatefree. Ramadan isn't fulfilled by feasting on some tasty beef, The greatest of feast is haram if others go hungry. Hanukkah's miracle isn't about the oil lasting 8 days, Rather it's about the resilience of light amidst darkness. Fireworks may be diwali for those still in kindergarten, Everyday is diwali for an existence rooted in kindness. The will to love and the will to lift are the backbone, Of all human celebration, tradition and communion. Take that fundamental will out of the equation, All you have left are rituals without meaning and mission. Fasting, feasting and decorating are step two of any festival. First and foremost, at our altar within, we gotta light a candle.

By the time he was by her shores, it was the twilight hour And he stood witness to their blending in celestial communion His tired eyes beheld the amber of her blushes drip into her tresses And ripple in a gentle zephyr of his caresses In her ankles he saw the white frills of a long turquoise robe, Replete with the tinkling of her anklets Like the many dead whose ashes are dissolved in her waters, He emptied in her the remnants of his memories, so there remained no trace of his old self, Like a monk who does self-oblation, shunning all bondages of an insignificant past He wished to be reborn in the same life, a different man with a different name – A man with no yesterdays and no tomorrows

Rae’s thoughts and hope He preached, he prayed, in a place, in a congregation, He possessed an extraordinary imagination, A charm that mesmerised all, made him a believable preacher, But after prayers, the preacher never returned and so did not the holy teacher, Because what he appeared in these holy sessions was a false projection of him, Behind his conscience and veil of charm was hidden an abominable world grim, Like in all of us, he too was a host to a resident beast, Who regularly on his fancies and endless wishes did feast, He had resolved to taming the congregation than the beast he was regularly feeding, Within him evil was constantly breeding, As the congregation left and he eased his hands held in prayer, He frantically shook them to get rid of the evil layer, That he recognised but never wanted to let go, Maybe that is why the priest that stood here was forsaken by his priestly conscience long ago, So after every prayer, the preacher never returned, just a man with the beast did, And then behind the morbidity of thoughts and endless fantasies this man hid, To feed the beast in million ways, In those vacant hours of nights and endless days, Because after the prayers the preacher never returned, only his beast affiliated part faced everyone, As he fed himself on diabolic thoughts and vile imaginations of always someone, a new one, And this is how the preacher lived until his last day, He was still the same and he had decided not to change anyway, And when Lucifer claimed his soul, he was confused too, Because the beast in him was there so was the preacher too, It was difficult to tell them apart, And neither of them alone wanted to depart, They had fused into one and Lucifer gave them a puzzled look, Then he looked inside himself and he was completely shaken, and the ground under his feet shook, The beast had already claimed his soul unaware that he is the God of Hell, the creator of all abomination, So he cast the beast back into the preacher and now they live in this immortal curse of incarceration, Where the preacher feels imprisoned by the beast and beast feels imprisoned by the preacher, Because after knowing the soul of Lucifer the beast had become lot meaner, Thus began the preacher’s never ending curse, He does not die, although he longs for it and keeps staring at the hearse, Because Lucifer did not want a greater God in his own kingdom, Now preacher is victim of his own knowledge of evil and his wretched wisdom, The congregation is free, because they have learned to establish direct communion with the God, And now they never deal with a preacher who always after prayers acted diabolically and in ways odd.

Rae’s thoughts and hope He preached, he prayed, in a place, in a congregation, He possessed an extraordinary imagination, A charm that mesmerised all, made him a believable preacher, But after prayers, the preacher never returned and so did not the holy teacher, Because what he appeared in these holy sessions was a false projection of him, Behind his conscience and veil of charm was hidden an abominable world grim, Like in all of us, he too was a host to a resident beast, Who regularly on his fancies and endless wishes did feast, He had resolved to taming the congregation and not the beast he was constantly feeding, Within him, with a renewed virility, new forms of evil were breeding, As the congregation left and he eased his hands held in prayer, He frantically shook them to get rid of the evil layer, That he recognised but never wanted to let go, Maybe that is why the priest that stood here was forsaken by his priestly conscience long ago, So after every prayer, the preacher never returned, just a man with the beast did, And then behind the morbidity of thoughts and endless fantasies this man hid, To feed the beast in million ways, In those vacant hours of nights and endless days, Because after the prayers the preacher never returned, only his beast affiliated part faced everyone, As he fed himself on diabolic thoughts and vile imaginations of always someone, a new one, And this is how the preacher lived until his last day, He was still the same and he had decided not to change anyway, And when Lucifer claimed his soul, he was confused too, Because the beast in him was there so was the preacher too, It was difficult to tell them apart, And neither of them alone wanted to depart, They had fused into one and Lucifer gave them a puzzled look, Then he looked inside himself and he was completely shaken, and the ground under his feet shook, The beast had already claimed his soul unaware that he is the God of Hell, the creator of all abomination, So he cast the beast back into the preacher and now they live in this immortal curse of incarceration, Where the preacher feels imprisoned by the beast and beast feels imprisoned by the preacher, Because after knowing the soul of Lucifer the beast had become lot meaner, Thus began the preacher’s never ending curse, He does not die, although he longs for it and keeps staring at the hearse, Because Lucifer did not want a greater God in his own kingdom, Now preacher is the victim of his own knowledge of evil and his wretched wisdom, The congregation is free, because they have learned to establish direct communion with the God, And now they don’t have to deal with the preacher who always after prayers acted diabolically and in ways odd.

Gardeners, are, by their nature, people who believe in regeneration, as poet Laura Villareal points out. They understand that the broken world we inherit can also be amended, with compost, worms, and steady tending. They have seen that the tended earth, in turn, offers up radical abundance—not only of food, but of insects, birds, rhizomes, and soil. The garden surprises us in unexpected ways. Oregano winters over. Wild miner’s lettuce springs back. A volunteer pumpkin luxuriates near the compost bin. Suddenly met with abundance, we beg people to come help harvest our plums. We befriend a plot of earth, and it befriends us in return. By some powerful force, this friendship brings us into a fuller, more just communion with the human and nonhuman at once. Sometimes, in the face of huge pain, the things of the earth can help reroute any of us toward awe and fascination.

And yet “I celebrate myself” has to be seen as more than a conventional prelude to a lyrical aesthetic event: it is a proclamation of poetic independence and uniqueness. “And what I assume you shall assume” is a confrontation, really a challenge, a dare: what is being implied here is that the ordinary relationship between reader and poet, lyrical speaker, lyrical “I,” will not be in effect. Something else is happening, something which, on the face of it, is presumptuous. An impertinence which is absurdly reinforced by the notification of a communion unlike any other in poetry: you are not merely listening to me, overhearing me—you are to be taken into my poem with me in a way no other poem has done.

Those in close communion with God are free, but the one who does not love is fettered by compulsion.

I didn't choose this path on my own, what other choice do I have? I would title it ignorance to the highest degree to do something I'm meant to do & do nothing at all. It's the abuse of it all, my souls willing to ride but my flesh is destined to fall, Niagara, but I will for the effects of viagra; stand erect against the evil as if it's the rise of the first fall.

Poems are imaginative structures built out of words, ones that any reader can enter. They are places of freedom, enlivenment, true communion.