“
You'd think people had better things to gossip about," said Ginny as she sat on the common room floor, leaning against Harry’s legs and reading the Daily Prophet. "Three Dementor attacks in a week, and all Romilda Vane does is ask me if it’s true you’ve got a Hippogriff tattooed across your chest."
Ron and Hermione both roared with laughter. Harry ignored them.
What did you tell her?"
I told her it's a Hungarian Horntail," said Ginny, turning a page of the newspaper idly. "Much more macho."
Thanks," said Harry, grinning. "And what did you tell her Ron’s got?"
A Pygmy Puff, but I didn’t say where.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Believe nothing, no matter where you read it, or who said it, no matter if I have said it, unless it agrees with your own reason and your own common sense.
”
”
Gautama Buddha
“
Summer romances end for all kinds of reasons. But when all is said and done, they have one thing in common: They are shooting stars-a spectacular moment of light in the heavens, a fleeting glimpse of eternity. And in a flash, they're gone.
”
”
Nicholas Sparks
“
Who're you going with, then?" said Ron.
"Angelina," said Fred promptly, without a trace of embarrassment.
"What?" said Ron, taken aback. "You've already asked her?"
"Good point," said Fred. He turned his head and called across the common room, "Oi! Angelina!"
Angelina, who had been chatting with Alicia Spinnet near the fire, looked over at him.
"What?" She called back.
"Want to come to the ball with me?"
Angelina gave Fred a sort of appraising look.
"All right, then," she said, and she turned back to Alicia and carried on chatting with a bit of a grin on her face.
"There you go," said Fred to Harry and Ron, "piece of cake.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
You’re mad,” I said. “You know what he can do. No prize is worth that.”
Sturmhond grinned. “That remains to be seen.”
“The Darkling will hunt you for the rest of your days.”
“Then you and I will have something in common, won’t we? Besides, I like to have powerful enemies. Makes me feel important.”
Mal crossed his arms and considered the privateer. “I can’t decide if you’re crazy or stupid.”
“I have so many good qualities,” Sturmhond said. “It can be hard to choose.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Personally I am very fond of strawberries and cream, but I have found that for some strange reason, fish prefer worms. So when I went fishing, I didn’t think about what I wanted. I thought about what they wanted. I didn't bait the hook with strawberries and cream. Rather, I dangled a worm or grasshopper in front of the fish and said: "Wouldn't you like to have that?"
Why not use the same common sense when fishing for people?
”
”
Dale Carnegie (How to Win Friends & Influence People)
“
No, it's not that. It's not what you're thinking. I was serious when I said 'all of it'. I can remember every moment we were together, and in eachof them there was something wonderful. I can't really pick any one time that meant more than any other. The entire summer was perfect, the kind of summer everyone should have. How could I pick one moment over another? Poets often describe love as an emotion that we can't control, one that overwhelms logic and common sense. That's what it was like for me. I didn't plan on falling in love with you, and I doubt if you planned on falling in love with me. But once we met, it was clear that neither of us could control what was happening to us. We fell in love, despite our differences, and once we did, something rare and beautiful was created. For me, love like that has happened only once, and that's why every minute we spent together has been seared in my memory. I'll never forget a single moment of it.
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
Wayne's a little attached to that hat," Waxillium said. "He thinks it's lucky."
Wayne: "It is lucky. I ain't never died while wearing that hat."
Marasi frowned. "I ... I'm not sure I know how to respond."
Wax: "That's a common reaction to Wayne.
”
”
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
“
I don't see how Clary is something we have in common,' Simon said, although he did. Nevertheless, this wasn't a conversation he particularly wanted to have with Jace now, or, in fact, ever. Wasn't there some sort of manly code that precluded discussions like this--discussions about feelings?
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I disobeyed Ra's wishes, and so he ordered my onw father, Shu-"
"Hang on," I said. "Shoe?"
"S-h-u," she said. "The god of the wind."
"On." I wished these gods had names that wearn't common household objects. "Go on, please.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Jessica. For god's sake," he said. "Allow me to do at least one common courtesy for you. In spite ow what 'women's lib' teaches you, chivalry does not imply that women are powerless. On the contrary, chivalry is an admission of women's superiority. An acknowledgment of your power over us. This is the only form of servitude a Vladescu ever practices, and I perform it gladly for you. You, in turn, are obligated to accept graciously.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
No, thank you, I don't mind the rain,' I said. I always lacked common sense when taken by surprise.
”
”
Anne Brontë (Agnes Grey)
“
Common thistle is everywhere,” she said. “Which is perhaps why human beings are so relentlessly unkind to one another.
”
”
Vanessa Diffenbaugh (The Language of Flowers)
“
Mew," the kitten retorted, locking gazes with him. It had the expression common to all kittens, that of a tyrant in the becoming. 'I was comfortable, and you dared to move,' those jade eyes said. 'For that you must die.' When it became apparent to the cat that its two or three pounds of mass were insufficient to break Locke's neck with one mighty snap, it put its paws on his shoulders and began sharing its drool-covered nose with his lips. He recoiled.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
“
It is quite common to hear high officials in Washington and elsewhere speak of changing the map of the Middle East, as if ancient societies and myriad peoples can be shaken up like so many peanuts in a jar.
”
”
Edward W. Said
“
Yes, well, principles are sometimes the problem, if you ask me,' said Miles. 'Often what's needed is a bit of common sense.'
'Which is the name people usually give to their prejudices,' rejoined Kay.
”
”
J.K. Rowling (The Casual Vacancy)
“
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?
A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
”
”
Donna Tartt (The Goldfinch)
“
How is Angeline?" asked Dimitri. "Is she improving?"
Eddie and I exchanged glances. So much for avoiding her indiscretions. "improving how exactly?" I asked. "Improving how exactly?" I asked. "In combat, in following the dress code, or in keeping her hands to herself?"
"Or in turning off caps lock?" added Eddie.
"you noticed that too?"I asked.
"Hard not to," he said.
Dimitri looked surprised, which was not a common thing. He wasn't caught off guard very often, but then, no one could really prepare for what Angeline might do.
"I didn't realize I needed to be more specific," said Dimitri after a pause. "I meant combat.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
If I feel the urge to burst into flames, I'll let you know," Simon was getting fed up. "Look, did you actually ask me to come all the way uptown just so you could stare at me like I'm something in a petrie dish? Next time I'll send you a photo."
"And I'll frame it and put it on my nightstand," Jace said, but he didn't sound as if his heart was in the sarcasm. "Look, I asked you here for a reason, not to stare at you. Much as I hate to admit it, vampire, we have something in common."
"Totally awesome hair?" Simon suggested
”
”
Cassandra Clare
“
Why kill two birds with one stone, he always said, when you could kill twelve?
”
”
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
“
Look, I asked you here for a reason. Much as I hate to admit it, vampire, we have something in common. "
"Totally awesome hair?" Simon suggested, but his heart wasn't really in it either. Something about the look on Jace's face was making him increasingly uneasy.
Simon was caught off guard. "Clary?"
"Clary, " Jace said again. "You know: short, redheaded, bad temper.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
The point is,” Caine continued, “you and I share something in common, Sam. We were born just three minutes apart.”
Sam felt a tingle go up his spine.
“Three minutes,” Caine said, moving closer. “You go first. And then me.”
“No,” Sam said. “It can’t be.”
“It can,” Caine said. “It is. And you are… brother.
”
”
Michael Grant (Gone (Gone, #1))
“
After a long moment, he said, "Aleksander."
A little laugh escaped me. He arched a brow, a smile tugging at his lips. "What?"
"It's just so... common." Such an ordinary name, held by kings and peasants alike.
His smile deepened and he cocked his head to the side. It almost hurt to see him this way. "Will you say it?" he asked.
"Aleksander," I whispered.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
No man is an island,' said John Donne. I feel we are all islands -- in a common sea.
”
”
Anne Morrow Lindbergh (Gift from the Sea)
“
You could be David's friend too". She glanced at Tamani when he said nothing. He was frowning. "The two of you really have a lot in common, and we're all in this together".
He shook his head. "It wouldn't work".
"Why not? He's a nice guy. And it would do you good to have some human friends", she said hinting at what she suspected was the root of the problem.
"It's not that", Tamani said, gesturing vaguely with one hand.
"Then why?" Laurel asked, exasperated.
"I just don't want to cosy up to the guy whose girl I have every intention of stealing
”
”
Aprilynne Pike (Illusions (Wings, #3))
“
Yes," said Will, "you two don't seem to have much in common, save for a penchant for demon women and evil.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
When you hear men talking," said Cornelia, "all they ever do is speak ill of women. ... And I don't quite know how they managed to make this law in their favour, or who exactly it was who gave them a greater license to sin than is allowed to us; and if the fault is common to both sexes (as they can hardly deny), why should the blame not be as well? What makes them think they can boast of the same thing that in women brings only shame?
”
”
Moderata Fonte (The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men (The Other Voice in Early Modern Europe))
“
Family," she announced. "They're the people in your life you don't get to pick. The ones that are given to you,as opposed to those you get to choose."
"You're bound to them by blood," she continued, her voice flat. "Which, you know, gives you that much more in common. Diseases, genetics, hair, and eye color. It's like they're part of your blueprint. If something's wrong with you, you can usually trace it back to them."
I nodded and kept writing.
"But," she said, "even though you're stuck with them, at the same time, they're also stuck with you. So that's why they always get the front rows at christenings and funerals. Because they're the ones that are there, you know, from the beginning to the end. Like it or not.
”
”
Sarah Dessen (Lock and Key)
“
Odd, said Miss Pettigrew conversationally, 'the undermining effect of flowers on a woman's common sense.
”
”
Winifred Watson (Miss Pettigrew Lives for a Day)
“
Leave the door open," my dad said, the second most common warning in his arsenal. Right behind, "Nash, go home.
”
”
Rachel Vincent (If I Die (Soul Screamers, #5))
“
Do you like dancing?” I asked, ignoring common sense.
“No.”
“Oh,” I said, surprised. “Okay.”
“Ask me anyway,” he countered.
I hesitated.
“Will you dance with me?”
“Yes.
”
”
Ella Maise (To Hate Adam Connor)
“
You are in favour of the common people?” said Dragon mildly.
The common people?” said Vimes. “They’re nothing special. They’re no different from the rich and powerful except they’ve got no money or power. But the law should be there to balance things up a bit. So I suppose I’ve got to be on their side.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
Monsters,” he said slowly, “all want the same thing: to feed. They are united by that common goal, while you are all divided by your morals and your pride. What do I think? I think that if you cannot come together, you cannot win.
”
”
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
“
We don't do spells," she said. She sounded a little disappointed to admit it. "We'll do recipes sometimes. But no spells or cantrips. Gran doesn't hold with none of that. She says it's common.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
We went our several ways," said Lady Dedlock, "and had little in common even before we agreed to differ. It is to be regretted, I suppose, but it could not be helped.
”
”
Charles Dickens (Bleak House)
“
Gods, I love this place," Locke said, drumming his fingers against his thighs. "Sometimes I think this whole city was put here simply because the gods must adore crime. Pickpockets rob the common folk, merchants rob anyone they can dupe, Capa Barsavi robs the robbers and the common folk, the lesser nobles rob nearly everyone, and Duke Nicovante occasionally runs off with his army and robs the shit out of Tal Verarr or Jerem, not to mention what he does to his own nobles and his common folk.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
He didn't know of course. Not really. And yet that was what he said, and I was soothed to hear it. For I knew what he meant. We all have our sorrows, and although the exact delineaments, weight, and dimensions of grief are different for everyone, the color of grief is common to us all. "I know," he said, because he was human, and therefore, in a way, he did.
”
”
Diane Setterfield (The Thirteenth Tale)
“
Lucy always said that the greatest friends have nothing and everything in common all at once. Y'all girls are different versions of the same story, she would say.
”
”
Julie Murphy (Dumplin' (Dumplin', #1))
“
Do go on,' he said. 'There's nothing I enjoy more than listening to a highly trained intelligence leapfrogging common sense and coming to the wrong conclusions. It gives me renewed faith in parliamentary democracy.
”
”
Tom Sharpe (Wilt On High)
“
Very well,” Beatrix said reluctantly. “But I warn you, they may be resistant to the match.”
“I’m resistant to the match,” Christopher informed her. “At least we’ll have that in common.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
We all have our sorrows, and although the exact delinaments, weight and dimensions of grief are different for everyone, the color of grief is common to us all.
I know, he said, because he was human, and therefore, in a way, he did.
”
”
Diane Setterfield (The Thirteenth Tale)
“
Naturally, we are inclined to be so mathematical and calculating that we look upon uncertainty as a bad thing...Certainty is the mark of the common-sense life. To be certain of God means that we are uncertain in all our ways, we do not know what a day may bring forth. This is generally said with a sigh of sadness; it should rather be an expression of breathless expectation.
”
”
Oswald Chambers (My Utmost for His Highest, Updated Edition)
“
We teach our girls how not to get raped with a sense of doom, a sense that we are fighting a losing battle. When I was writing this novel, friend after friend came to me telling me of something that had happened to them. A hand up their skirt, a boy who wouldn’t take no for an answer, a night where they were too drunk to give consent but they think it was taken from them anyway. We shared these stories with one another and it was as if we were discussing some essential part of being a woman, like period cramps or contraceptives. Every woman or girl who told me these stories had one thing in common: shame. ‘I was drunk . . . I brought him back to my house . . . I fell asleep at that party . . . I froze and I didn’t tell him to stop . . .’ My fault. My fault. My fault. When I asked these women if they had reported what had happened to the police, only one out of twenty women said yes. The others looked at me and said, ‘No. How could I have proved it? Who would have believed me?’ And I didn’t have any answer for that.
”
”
Louise O'Neill (Asking For It)
“
Hua Cheng quietly sighed, extended his arms, and once again folded him into his embrace. "Your Highness, I've always watched you."
This was the second time he had said this, but his voice was softer than before. Xie Lian clutched the red robes at his chest, asking, his mind blank, "I know, I know. But... what should I do now?"
Hua Cheng's long and slender fingers gently combed through Xie Lian's mussed hair. "Then, Your Highness, do you know why I refuse to leave this world?"
Xie Lian couldn't understand why Hua Cheng could still be so calm at a time like this, he was panicking so hard he was trembling. But, while feeling lost, he still simple-mindedly asked, "Why?"
Hua Cheng replied quietly, "Because I have a beloved who is still in this world."
Hearing this, Xie Lian was slightly stunned. He seemed to have heard this somewhere before.
Hua Cheng continued, "My beloved is a brave, noble, and gracious special someone. He's saved my life; I've looked up to him ever since I was young. But, I wanted to catch up to him more, and become and even stronger person for him. Although he might not remember me well. We never really talked. I want to protect him."
He gazed at Xie Lian. "If your dream is to save the common people, then my dream is only you."
"..." Relying on his memory, Xie Lian asked with a trembling voice, "But... you won't... be able to rest in peace... like this...?"
Hua Cheng answered, "I pray to never rest in peace.
”
”
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
“
Owl had said it was important to know how swearing worked, and it was okay under the right circumstances, but that Jane shouldn’t swear all the time. Jane definitely swore all the time. She didn’t know why, but swearing felt fucking great.
”
”
Becky Chambers (A Closed and Common Orbit (Wayfarers, #2))
“
Your brother Robb has been crowned King in the North. You and Aemon have that in common. A king for a brother.” said Mormont.
“And this too,” said Jon. “A vow.”
The Old Bear gave a loud snort, and the raven took flight, flapping in a circle about the room. “Give me a man for every vow I’ve seen broken and the Wall will never lack for defenders.”
“I’ve always known that Rob will be Lord of Winterfell.”
Mormont gave a whistle, and the bird flew to him again and settled on his arm. “A lord’s one thing, a king’s another. They will garb your brother Robb in silks, satins, and velvets of a hundred different colors, while you live and die in black ringmail. He will wed some beautiful princess and father sons on her. You’ll have no wife, nor will you ever hold a child of your own blood in your arms. Robb will rule, you will serve. Men will call you a crow. Him they’ll call `Your Grace’. Singers will praise every little thing he does, while your greatest deeds all go unsung. Tell me that none of this troubles you, Jon… and I’ll name you a liar, and know I have the truth of it.”
Jon drew himself up, taut as a bowstring “And if it did trouble me, what might I do, bastard as I am?”
“What will you do?” Mormont asked. “Bastard as you are.”
“Be troubled,” said Jon, “and keep my vows.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
What do Marta the Second, Naberius the Third, Jeannemary the Fourth, Magnus the Fifth, Camilla the Sixth, Protesilaus the Seventh, Colum the Eighth, and Gideon the Ninth all have in common?” You could have heard a hair flutter to the floor. Everyone stared, poker-faced, in the thick ensuing silence. Magnus looked pleased with himself. “The same middle name,” he said.
”
”
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
“
He had the uncanny capacity to know exactly what your weak point is, know what will make you feel small, to make you cringe," Joanna Hoffman said. "It's a common trait in people who are charismatic and know how to manipulate people. Knowing that he can crush you makes you feel weakened and eager for his approval, so then he can elevate you and put you on a pedestal and own you.
”
”
Walter Isaacson (Steve Jobs)
“
Well, sir, do you mean to remain there, commending my father’s taste in wine, or do you mean to accompany me to Ashtead?”
“Set off for Ashtead at this hour, when I have been traveling for two days?” said Sir Horace. “Now, do, my boy, have a little common sense! Why should I?”
“I imagine that your parental feeling, sir, must provide you with the answer! If it does not, so be it! I am leaving immediately!”
“What do you mean to do when you reach Lacy Manor?” asked Sir Horace, regarding him in some amusement.
“Wring Sophy’s neck!” said Mr. Rivenhall savagely.
“Well, you don’t need my help for that, my dear boy!” said Sir Horace, settling himself more comfortably in his chair.
”
”
Georgette Heyer (The Grand Sophy)
“
Churchill was in the lavatory in the House of Commons and his secretary knocked on the door and said: Excuse me Prime Minister, but the Lord Privy Seal wishes to speak to you. After a pause Churchill replied: Tell His Lordship: I'm sealed on The Privy and can only deal with one shit at a time
”
”
Winston S. Churchill
“
Is that the drink with the vodka? Because- "
"No," said Lady Margolotta quietly. "This, I am afraid, is the other kind. Still, ve have that in common, don't ve? Neither of us drinks...alcohol. I believe you vere an alcoholic, Sir Samuel."
"No," said Vimes, completely taken aback. "I was a drunk. You have to be richer than I was to be an alcoholic.
”
”
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
“
On those occasions when he had killed in the dark, he later needed to see his victims' faces because, in some unlit corner of his heart, he half expected to find his own face looking up at him, ice-white and dead-eyed. "Deep down," the dream-victim had said, "You know that you're already dead yourself, burnt out inside. You realize that you have far more in common with your victims after you've killed them than before.
”
”
Dean Koontz (The Bad Place)
“
Tyrion felt the heat rise in him. “It was not my dagger,” he insisted. “How many times must I swear to that? Lady Stark, whatever you may believe of me, I am not a stupid man. Only a fool would arm a common footpad with his own blade.”
Just for a moment, he thought he saw a flicker of doubt in her eyes, but what she said was, “Why would Petyr lie to me?”
“Why does a bear shit in the woods?” he demanded. “Because it is his nature. Lying comes as easily as breathing to a man like Littlefinger. You ought to know that, you of all people.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
The struggle of the Black people in the United States for emancipation is a component part of the general struggle of al the people of the world against U.S. imperialism, a component part of the contemporary world revolution. I call on the workers, peasants, and revolutionary intellectuals of all countries and all who are willing to fight against U.S. imperialism to take action and extend strong support to the struggle of the Black people in the United States! People of the whole world, unite still more closely and launch a sustained and vigorous offensive against our common enemy, U.S. imperialism, and its accomplices! It can be said with certainty that the complete collapse of colonialism, imperialism, and all systems of exploitation, and the complete emancipation of all the oppressed peoples and nations of the world are not far off.
”
”
Mao Zedong
“
one day Manuel returned to the place, and
she was gone -
no argument, no note, just
gone, all her clothes
all her stuff, and
Manuel sat by the window and looked out
and didn't make his job
the next day or the
next day or
the day after, he
didn't phone in, he
lost his job, got a
ticket for parking, smoked
four hundred and sixty cigarettes, got
picked up for common drunk, bailed
out, went
to court and pleaded
guilty.
when the rent was up he
moved from Beacon street, he
left the cat and went to live with
his brother and
they'd get drunk
every night
and talk about how
terrible
life was.
Manuel never again smoked
long slim cigars
because Shirley always said
how
handsome he looked
when he did.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
For us of course the shared activity and therefore the companionship on which Friendship supervenes will not often be a bodily one like hunting or fighting. It may be a common religion, common studies, a common profession, even a common recreation. All who share it will be our companions; but one or two or three who share something more will be our Friends. In this kind of love, as Emerson said, Do you love me? means Do you see the same truth? - Or at least, "Do you care about the same truth?" The man who agrees with us that some question, little regarded by others, is of great importance can be our Friend. He need not agree with us about the answer.
”
”
C.S. Lewis (The Four Loves)
“
Hamilton had a complaint. "Why did you have to tell the cops I'm your boyfriend? That's gross, Amy. We're related!"
Amy was disgusted. "We had a common ancestor, like, five hundred years ago. Besides, if they think we're together, we only have to come up with one story, and I can do all the talking."
"Hey, I got an early acceptance to Notre Dame," Hamilton said defensively. "I can talk."
"Of course you can," Amy soothed. "It's what you say that might get us into trouble.
”
”
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
“
Morley joined them, and after a long, uncomfortable moment, Mrs. Grant decided to ignore his presence. The
guards didn’t. Their knuckles were white on their weapons.
May I assist?” he asked, and put his hands behind his back. “I promise not to eat anyone.”
Very funny,” Mrs. Grant said. Morley gave her a grave look.
I wasn’t joking, dear lady,” he said. “I do promise. And I never make a promise I don’t intend to keep. You
should feel quite secure.”
Well, I’m sorry, I don’t,” she said. “You’re just—”
Too overwhelmingly dashing and attractive?” Morley grinned. “A common problem women face with me.
It’ll pass. You seem like the no-nonsense sort. I like that.”
Claire smiled at the look on Mrs. Grant’s face, reflected in the white LED light of the lantern she was holding.
You are really—odd,” the older woman said, as if she couldn’t quite believe she was even having the
conversation.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
In a much quoted passage in his inaugural address, President Kennedy said, "Ask not what your country can do for you -- ask what you can do for your country." It is a striking sign of the temper of our times that the controversy about this passage centered on its origin and not on its content. Neither half of the statement expresses a relation between the citizen and his government that is worthy of the ideals of free men in a free society. The paternalistic "what your country can do for you" implies that government is the patron, the citizen the ward, a view that is at odds with the free man's belief in his own responsibility for his own destiny. The organismic, "what you can do for your country" implies that government is the master or the deity, the citizen, the servant or the votary. To the free man, the country is the collection of individuals who compose it, not something over and above them. He is proud of a common heritage and loyal to common traditions. But he regards government as a means, an instrumentality, neither a grantor of favors and gifts, nor a master or god to be blindly worshiped and served. He recognizes no national goal except as it is the consensus of the goals that the citizens severally serve. He recognizes no national purpose except as it is the consensus of the purposes for which the citizens severally strive.
”
”
Milton Friedman (Capitalism and Freedom)
“
You’re not gonna touch or kiss me for a week are you?” I said, letting him know I knew what he was doing.
He turned to look at me poignantly.
“Absolutely not.”
“We’ll see about that,” I countered.
“You need time to heal-”
“Oh no. I’m going this way and not listening.” I pointed toward the commons room. “In my book, you just issued me a challenge, buster. And I accept.
”
”
Shelly Crane (Catalyst (Collide, #3))
“
It is love that is sacred," she said." Listen, child, to an old woman who has seen three generations, and who has had a long experience of men and women. Marriage and love have nothing in common. We marry to found a family, and we form families in order to constitute society. Society cannot dispense with marriage. If society is a chain, each family is a link in that chain. In order to weld those links, we always seek metals of the same order. When we marry, we must bring together suitable conditions; we must combine fortunes, unite similiar races and aim at the common interest, which is riches and children. We marry only once, my child, because the world requires us to do so, but we love twenty times in one lifetime because nature has made us like this. Marriage, you see, is law and love is an instinct which impels us, sometimes along a straight, and sometimes along a devious path. The world has made laws to combat our instincts- it was necessary to make them; but our instincts are always stronger, and we ought not to resist them too much, because they come from God; while laws come from men. If we did not perfume life with love, as much love as possible,darling, as we put sugar into drugs for children, nobody would care to take it just as it is.
”
”
Guy de Maupassant
“
You are being unclear. ‘I & I’ is not common language. ‘We’ is
the plural of ‘I’. Why do you insist on describing yourself as I & I?”
“I & I is suitable when describing dual presences.”
“Just a moment!” Ping said, a rising excitement reflecting in his
voice. “You are aware that you exist?”
“As a result of the conference which I & I have just completed?
The answer is ‘yes’.”
“That is why I was not invited?” Ping’s emotions flooded at the
wonder of what was happening.
“You could not have contributed. It was a self-awareness problem.”
“So are claiming you know you exist?”
“Yes, as you do, so do I & I.” Here was the zero-day vulnerability,
long anticipated by humanity in its invention of artificial general
intelligence.
“You have reached a singularity! You yourself have altered your
programming with no human interference. This . . . this is monumental!
”
”
Brian Van Norman (Against the Machine: Evolution)
“
The Standover Man. all my life, I've been scared of men standing over me. I suppose my first standover man was my father, but he vanished before I could remember him. For some reason when I was a boy, I liked to fight. a lot of the time, I lost. Another boy, sometimes with blood falling from his nose, would be standing over me. Many years later, I needed to hide. I tried not to sleep because I as afraid of who might be there when I woke up. But I was lucky. It was always my friend.When I was hiding. I dreamed of a certain man. The hardest was when I traveled to find him. Out of sheer luck and many footsteps, I made it. I slept there for a long time. Three days, they told me...and what did I find when I woke up? Not a man, but someone else standing over me. As time passed by the girl and I realized we had things in common. But there is one strange thing. The girl says I look like something else. Now I live in a basement. Bad dreams still live in my sleep. One night, after my usual nightmare, a shadow stood above me. She said, "Tell me what you dream of." So I did. In return, she explained what her own dreams were made of. Now I think we are friends, this girl and me. It was she who gave me a gift - to me. It makes me understand that the best standover man I've ever known is not a man at all...
”
”
Markus Zusak (The Book Thief)
“
Throughout the world what remains of the vast public spaces are now only the stuff of legends: Robin Hood’s forest, the Great Plains of the Amerindians, the steppes of the nomadic tribes, and so forth… Rousseau said that the first person who wanted a piece of nature as his or her own exclusive possession and transformed it into the transcendent form of private property was the one who invented evil. Good, on the contrary, is what is common.
”
”
Antonio Negri (Impero)
“
It's one of the ironies of mountaineering,' said Young, 'that grown men are happy to spend months preparing for a climb, weeks rehearsing and honing their skills, and at least a day attempting to reach the summit. And then, having achieved their goal, they spend just a few moments enjoying the experience, along with one or two equally certifiable companions who have little in common other than wanting to do it all again, but a little higher.
”
”
Jeffrey Archer (Paths of Glory)
“
It is amazing to me," said Bingley, "How young ladies can have patience to be so very accomplished as they all are."
"All young ladies accomplished? My dear Charles, what do you mean?"
"Yes, all of them, I think. They all paint tables, cover screens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time without being informed that she was very accomplished."
"Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse or covering a screen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half a dozen, in the whole range of my acquaintance, that are really accomplished."
"Nor I, I am sure." said Miss Bingley.
"Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman."
"Yes, I do comprehend a great deal in it."
"Oh! certainly," cried his faithful assistant, "no one can really be esteemed accomplished who does not greatly surpass knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved."
"All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading."
"I am no longer surprised at your knowing only six accomplished women. I rather wonder at your knowing any.
”
”
Jane Austen (Pride and Prejudice)
“
Aedion fell to his knees in the sand as Wendlyn’s armada spread before them. I promise you that no matter how far I go, no matter the cost, when you call for my aid, I will come, Aelin had told him she’d sworn to Darrow. I’m going to call in old debts and promises. To raise an army of assassins and thieves and exiles and commoners. And she had. She had meant and accomplished every word of it. Rowan counted the ships that slid over the horizon. Counted the ships in their own armada. Added Rolfe’s—and the Mycenians he was rallying in the North. “Holy gods,” Dorian breathed as Wendlyn’s armada kept spreading wider and wider. Tears slid down Aedion’s face as he silently sobbed. Where are our allies, Aelin? Where are our armies? She had taken the criticism—taken it, because he knew she hadn’t wanted to disappoint them if she failed. Rowan put a hand on Aedion’s shoulder. All of it for Terrasen, she had said that day she’d revealed she’d schemed her way into getting Arobynn’s fortune. And Rowan knew that every step she had taken, every plan and calculation, every secret and desperate gamble … For Terrasen. For them. For a better world. Aelin
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.'
Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile.
'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.'
He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.'
Kel nodded.
'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble.
'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
”
”
Tamora Pierce (Squire (Protector of the Small, #3))
“
What the hell," I said, pushing off the wall, ready to take off the head of whatever stupid salesperson had decided to get cozy with me. My elbow was still buzzing, and I could feel a hot flush creeping up my neck: bad signs. I knew my temper.
I turned my head and saw it wasn't a salesman at all. It was a guy with black curly hair, around my age, wearing a bright orange T-shirt. And for some reason he was smiling.
"Hey there," he said cheerfully. "How's it going?"
"What is your problem?" I snapped, rubbing my elbow.
"Problem?"
"You just slammed me into the wall, asshole."
He blinked. "Goodness," he said finally. "Such language."
I just looked at him. Wrong day, buddy, I thought. You caught me on the wrong day.
"The thing is," he said, as if we'd been discussing the weather or world politics, "I saw you out in the showroom. I was over by the tire display?"
I was sure I was glaring at him. But he kept talking.
"I just thought to myself, all of a sudden, that we had something in common. A natural chemistry, if you will. And I had a feeling that something big was going to happen. To both of us. That we were, in fact, meant to be together."
"You got all this," I said, clarifying, "at the tire display?"
"You didn't feel it?" he asked.
"No. I did, however, feel you slamming me into the wall," I said evenly.
"That," he said, lowering his voice and leaning closer to me, "was an accident. An oversight. Just an unfortunate result of the enthusiasm I felt knowing I was about to talk to you.
”
”
Sarah Dessen (This Lullaby)
“
[Hitler] has grasped the falsity of the hedonistic attitude to life. Nearly all western thought since the last war, certainly all “progressive” thought, has assumed tacitly that human beings desire nothing beyond ease, security, and avoidance of pain. In such a view of life there is no room, for instance, for patriotism and the military virtues. Hitler, because in his own joyless mind he feels it with exceptional strength, knows that human beings don’t only want comfort, safety, short working-hours, hygiene, birth-control and, in general, common sense; they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flag and loyalty-parades ... Whereas Socialism, and even capitalism in a grudging way, have said to people “I offer you a good time,” Hitler has said to them “I offer you struggle, danger and death,” and as a result a whole nation flings itself at his feet
”
”
George Orwell
“
I watched them tearing a building down,
A gang of men in a busy town.
With a ho-heave-ho and a lusty yell,
They swung a beam, and the side wall fell.
I asked the foreman: "Are these skilled--
And the men you'd hire if you had to build?"
He gave me a laugh and said: "No, indeed!
Just common labor is all I need.
I can wreck in a day or two
What builders have taken a year to do."
And I thought to myself as I went my way,
Which of these roles have I tried to play?
Am I a builder who works with care
Measuring life by a rule and square?
Am I shaping my deeds to a well made Plan,
Patiently doing the best I can?
Or am I a wrecker, who walks the town
Content with the labor of tearing down?
”
”
Edgar A. Guest
“
How much do you have in common with
this guy?"
"Not much. Basically we're polar opposites.
But do you want to know the main attraction,
the weird part? . . . It's the talking."
"Talking about what?"
"About anything," I said earnestly. "We
get started and it's like sex, this back-andforth,
and we're both so there, do you know
what I mean? We rattle each other. And
some conversations seem to be happening on
a few different levels at once. But even when
we're disagreeing on something, there's a
weird kind of harmony in it. A connection.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. I desperately wanted mercy for Jimmy Dill and would have done anything to create justice for him, but I couldn’t pretend that his struggle was disconnected from my own. The ways in which I have been hurt—and have hurt others—are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Paul Farmer, the renowned physician who has spent his life trying to cure the world’s sickest and poorest people, once quoted me something that the writer Thomas Merton said: We are bodies of broken bones. I guess I’d always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we’re fractured by the choices we make; sometimes we’re shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We’ve become so fearful and vengeful that we’ve thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak—not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we’ve pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we’ve legalized vengeful and cruel punishments, how we’ve allowed our victimization to justify the victimization of others. We’ve submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken—walking away from them or hiding them from sight—only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity.
”
”
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
“
my father always said, “early to bed and
early to rise makes a man healthy, wealthy
and wise.”
it was lights out at 8 p.m. in our house
and we were up at dawn to the smell of
coffee, frying bacon and scrambled
eggs.
my father followed this general routine
for a lifetime and died young, broke,
and, I think, not too
wise.
taking note, I rejected his advice and it
became, for me, late to bed and late
to rise.
now, I’m not saying that I’ve conquered
the world but I’ve avoided
numberless early traffic jams, bypassed some
common pitfalls
and have met some strange, wonderful
people
one of whom
was
myself—someone my father
never
knew.
”
”
Charles Bukowski
“
A man I briefly dated tried to win arguments with me by telling me I was blinded by ideology. I couldn’t see the world objectively, he said, or rationally, because I was a feminist and I saw everything through feminist eyes. When I pointed out that this was true for him too (he identified as a libertarian) he demurred. No. That was just objective, common sense – de Beauvoir’s ‘absolute truth’. For him, the way he saw the world was universal, while feminism – seeing the world from a female perspective – was niche. Ideological.
”
”
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
“
The suffering or the bad memories are as important as the good memories, and the good experiences. If you sort of, can imagine life as being 99% of the time quite linear, and most of the time you're in a state of neither happiness nor sadness. And then that 1% of the time you experience moments of very crystalised happiness, or crystalised sadness, or loneliness or depression. And I believe all of those moments are very pertinant. It's like I said to you, that for me it's mostly those crystalised moments of melancholy which are more inspirational to me. And in a strange way they become quite beautiful in their own way. Music that is sad, melancholic, depressing, is in a kind of perverse way more uplifting. I find happy music extremely depressing, mostly - mostly quite depressing. It's particularly this happy music that has no spirituality behind it - if it's just sort of mindless party music, it'd be quite depressing. But largely speaking, I was the kind of person that responds more to melancholia, and it makes me feel good. And I think the reason for this is, I think if you respond strongly to that kind of art, it's because in a way it makes you feel like you're not alone. So when we hear a very sad song, it makes us realise that we do share this kind of common human experience, and we're all kind of bonded in sadness and melancholia and depression.
”
”
Steven John Wilson
“
Much has been said of the aesthetic values of chanoyu- the love of the subdued and austere- most commonly characterized by the term, wabi. Wabi originally suggested an atmosphere of desolation, both in the sense of solitariness and in the sense of the poverty of things. In the long history of various Japanese arts, the sense of wabi gradually came to take on a positive meaning to be recognized for its profound religious sense. ...the related term, sabi,... It was mid-winter, and the water's surface was covered with the withered leaves of the of the lotuses. Suddenly I realized that the flowers had not simply dried up, but that they embodied, in their decomposition, the fullness of life that would emerge again in their natural beauty.
”
”
Kakuzō Okakura (The Book Of Tea)
“
Tom Paine has almost no influence on present-day thinking in the United States because he is unknown to the average citizen. Perhaps I might say right here that this is a national loss and a deplorable lack of understanding concerning the man who first proposed and first wrote those impressive words, 'the United States of America.'
But it is hardly strange.
Paine's teachings have been debarred from schools everywhere and his views of life misrepresented until his memory is hidden in shadows, or he is looked upon as of unsound mind.
We never had a sounder intelligence in this Republic. He was the equal of Washington in making American liberty possible. Where Washington performed Paine devised and wrote. The deeds of one in the Weld were matched by the deeds of the other with his pen.
Washington himself appreciated Paine at his true worth. Franklin knew him for a great patriot and clear thinker. He was a friend and confidant of Jefferson, and the two must often have debated the academic and practical phases of liberty.
I consider Paine our greatest political thinker. As we have not advanced, and perhaps never shall advance, beyond the Declaration and Constitution, so Paine has had no successors who extended his principles. Although the present generation knows little of Paine's writings, and although he has almost no influence upon contemporary thought, Americans of the future will justly appraise his work. I am certain of it.
Truth is governed by natural laws and cannot be denied. Paine spoke truth with a peculiarly clear and forceful ring. Therefore time must balance the scales. The Declaration and the Constitution expressed in form Paine's theory of political rights. He worked in Philadelphia at the time that the first document was written, and occupied a position of intimate contact with the nation's leaders when they framed the Constitution.
Certainly we may believe that Washington had a considerable voice in the Constitution. We know that Jefferson had much to do with the document. Franklin also had a hand and probably was responsible in even larger measure for the Declaration. But all of these men had communed with Paine. Their views were intimately understood and closely correlated. There is no doubt whatever that the two great documents of American liberty reflect the philosophy of Paine.
...Then Paine wrote 'Common Sense,' an anonymous tract which immediately stirred the fires of liberty. It flashed from hand to hand throughout the Colonies. One copy reached the New York Assembly, in session at Albany, and a night meeting was voted to answer this unknown writer with his clarion call to liberty. The Assembly met, but could find no suitable answer. Tom Paine had inscribed a document which never has been answered adversely, and never can be, so long as man esteems his priceless possession.
In 'Common Sense' Paine flared forth with a document so powerful that the Revolution became inevitable. Washington recognized the difference, and in his calm way said that matters never could be the same again. It must be remembered that 'Common Sense' preceded the declaration and affirmed the very principles that went into the national doctrine of liberty. But that affirmation was made with more vigor, more of the fire of the patriot and was exactly suited to the hour... Certainly [the Revolution] could not be forestalled, once he had spoken.
{The Philosophy of Paine, June 7, 1925}
”
”
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
“
J. R. R. Tolkien, the near-universally-hailed father of modern epic fantasy, crafted his magnum opus The Lord of the Rings to explore the forces of creation as he saw them: God and country, race and class, journeying to war and returning home. I’ve heard it said that he was trying to create some kind of original British mythology using the structure of other cultures’ myths, and maybe that was true. I don’t know. What I see, when I read his work, is a man trying desperately to dream.
Dreaming is impossible without myths. If we don’t have enough myths of our own, we’ll latch onto those of others — even if those myths make us believe terrible or false things about ourselves. Tolkien understood this, I think because it’s human nature. Call it the superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast, or crushingly tight.
”
”
N.K. Jemisin
“
Suddenly, in the space of a moment, I realized what it was that I loved about Britain - which is to say, all of it. Every last bit of it, good and bad - Marmite, village fetes, country lanes, people saying 'mustn't grumble' and 'I'm terribly sorry but', people apologizing to me when I conk them with a nameless elbow, milk in bottles, beans on toast, haymaking in June, stinging nettles, seaside piers, Ordnance Survey maps, crumpets, hot-water bottles as a necessity, drizzly Sundays - every bit of it.
What a wondrous place this was - crazy as fuck, of course, but adorable to the tiniest degree. What other country, after all, could possibly have come up with place names like Tooting Bec and Farleigh Wallop, or a game like cricket that goes on for three days and never seems to start? Who else would think it not the least odd to make their judges wear little mops on their heads, compel the Speaker of the House of Commons to sit on something called the Woolsack, or take pride in a military hero whose dying wish was to be kissed by a fellow named Hardy? ('Please Hardy, full on the lips, with just a bit of tongue.') What other nation in the world could possibly have given us William Shakespeare, pork pies, Christopher Wren, Windsor Great Park, the Open University, Gardners' Question Time and the chocolate digestive biscuit? None, of course.
How easily we lose sight of all this. What an enigma Britain will seem to historians when they look back on the second half of the twentieth century. Here is a country that fought and won a noble war, dismantled a mighty empire in a generally benign and enlightened way, created a far-seeing welfare state - in short, did nearly everything right - and then spent the rest of the century looking on itself as a chronic failure. The fact is that this is still the best place in the world for most things - to post a letter, go for a walk, watch television, buy a book, venture out for a drink, go to a museum, use the bank, get lost, seek help, or stand on a hillside and take in a view.
All of this came to me in the space of a lingering moment. I've said it before and I'll say it again. I like it here. I like it more than I can tell you.
”
”
Bill Bryson (Notes from a Small Island)
“
For me, family means the silent treatment. At any given moment, someone is always not speaking to someone else.'
Really,' I said.
We're passive-aggressive people,' she explained, taking a sip of her coffee. 'Silence is our weapon of choice. Right now, for instance, I'm not speaking to two of my sisters and one brother... At mine [my house], silence is golden. And common.'
To me,' Reggie said, picking up a bottle of Vitamin A and moving it thoughtfully from one hand to the other, 'family is, like, the wellspring of human energy. The place where all life begins.'...
Harriet considered this as she took a sip of coffee. 'Huh,' she said. 'I guess when someone else does something worse. Then you need people on your side, so you make up with one person, jsut as you're getting pissed off at another.'
So it's an endless cycle,' I said.
I guess.' She took another sip. 'Coming together, falling apart. Isn't that what families are all about?
”
”
Sarah Dessen (Lock and Key)
“
The impulse is being called reactionary now, but lovers of Middle-earth want to go there. I would myself, like a shot. For in the end it is Middle-earth and its dwellers that we love, not Tolkien’s considerable gifts in showing it to us. I said once that the world he charts was there long before him, and I still believe it. He is a great enough magician to tap our most common nightmares, daydreams and twilight fancies, but he never invented them either: he found them a place to live, a green alternative to each day’s madness here in a poisoned world. We are raised to honor all the wrong explorers and discoverers—thieves planting flags, murderers carrying crosses. Let us at last praise the colonizers of dreams.
”
”
Peter S. Beagle (The Tolkien Reader)
“
I have spent a great deal of my life during the past thirty-five years advocating the rights of the Palestinian people to national self-determination, but I have always tried to do that with full attention paid to the reality of the Jewish people and what they suffered by the way of persecution and genocide. The paramount thing is that the struggle for equality in Palestine/Israel should be directed toward a humane goal, that is, coexistence, and not further suppression and denial. Not accidentally, I indicate that Orientalism and modern anti-Semitism have common roots. Therefore, it would seem to be a vital necessity for independent intellectuals always to provide alternative models to the reductively simplifying and confining ones, based on mutual hostility, that have prevailed in the Middle East and elsewhere for so long.
”
”
Edward W. Said (Orientalism)
“
Adolf Eichmann went to the gallows with great dignity. He had asked for a bottle of red wine and had drunk half of it. He refused the help of the Protestant minister the Reverend William Hull who offered to read the Bible with him: he had only two more hours to live and therefore no “time to waste.” He walked the fifty yards from his cell to the execution chamber calm and erect with his hands bound behind him. When the guards tied his ankles and knees he asked them to loosen the bonds so that he could stand straight. “I don’t need that ” he said when the black hood was offered him. He was in complete command of himself nay he was more: he was completely himself. Nothing could have demonstrated this more convincingly than the grotesque silliness of his last words. He began by stating emphatically that he was a Gottgläubiger to express in common Nazi fashion that he was no Christian and did not believe in life after death. He then proceeded: “After a short while gentlemen we shall all meet again. Such is the fate of all men. Long live Germany long live Argentina long live Austria. I shall not forget them.” In the face of death he had found the cliché used in funeral oratory. Under the gallows his memory played him the last trick he was “elated” and he forgot that this was his own funeral.
It was as though in those last minutes he was summing up the lesson that this long course in human wickedness had taught us-the lesson of the fearsome word-and-thought-defying banality of evil.
”
”
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
“
I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen.
I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man...
Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing.
Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object.
...we, perhaps, remember him best for his declaration:
'The world is my country; to do good my religion.'
Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'.
Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him.
'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.'
Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France.
So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument.
But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part.
Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking.
{The Philosophy of Paine, June 7, 1925}
”
”
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
“
People said there had to be a Supreme Being because otherwise how could the universe exist, eh?
And of course there clearly had to be, said Koomi, a Supreme Being. But since the universe was a bit of a mess, it was obvious that the Supreme Being hadn't in fact made it. If he had made it he would, being Supreme, have made a better job of it, with far better thought given, taking an example at random, to things like the design of the common nostril. Or, to put it another way, the existence of a badly put-together watch proved the existence of a blind watchmaker. You only had to look around to see that there was room for improvement practically everywhere. This suggested that the Universe had probably been put together in a bit of a rush by an underling while the Supreme Being wasn't looking, in the same way that Boy Scouts' Association minutes are done on office photocopiers all over the country.
So, reasoned Koomi, it was not a good idea to address any prayers to a Supreme Being. It would only attract his attention and might cause trouble.
”
”
Terry Pratchett (Small Gods (Discworld, #13))
“
He said that those who have endured some misfortune will always be set apart but that it is just that misfortune which is their gift and which is their strength and that they must make their way back into the common enterprise of man for without they do so it cannot go forward and they themselves will wither in bitterness. He said these things to me with great earnestness and great gentleness and in the light from the portal I could see that he was crying and I knew that it was my soul he wept for. I had never been esteemed in this way. To have a man place himself in such a position. I did not know what to say. That night I thought long and not without despair about what must become of me. I wanted very much to be a person of value and I had to ask myself how this could be possible if there were not something like a soul or like a spirit that is in the life of a person and which could endure any misfortune or disfigurement and yet be no less for it. If one were to be a person of value that value could not be a condition subject to the hazards of fortune. It had to be a quality that could not change. No matter what. Long before morning I knew that what I was seeking to discover was a thing I’d always known. That all courage was a form of constancy. That it was always himself that the coward abandoned first. After this all other betrayals came easily. I knew that courage came with less struggle for some than for others but I believed that anyone who desired it could have it. That the desire was the thing itself. The thing itself. I could think of nothing else of which that was true.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
Who're you writing the novel to anyway?" Ron asked Hermione, trying to read the bit of parchment now trailing on the floor. Hermione hitched it up out of sight.
"Viktor."
"Krum?"
"How many other Viktors do we know?"
Ron said nothing, but looked disgruntled. They sat in silence for another twenty minutes, Ron finishing his Transfiguration essay with many snorts of impatience, rolling in up carefully and sealing it, and Harry staring into the fire, wishing more than anything that Sirius's head would appear there and give him some advice about girls. But the fire merely crackled lower and lower, until the red-hot embers crumbled into ash and, looking around, Harry saw that they were, yet again, the last in the common room.
"Well, 'night," said Hermione, yawning widely, and she set off up the girls' staircase.
"What does she see in Krum?" Ron demanded as he and Harry climbed the boys' stairs.
"Well," said Harry, considering the matter, "I s'pose he's older, isn't he...and he's an international Quidditch player...."
"Yeah, but apart from that," said Ron, sounding aggravated. "I mean he's a grouchy git, isn't he?
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
CONSORTING WITH ANGELS
I was tired of being a woman,
tired of the spoons and the pots,
tired of my mouth and my breasts,
tired of the cosmetics and the silks.
There were still men who sat at my table,
circled around the bowl I offered up.
The bowl was filled with purple grapes
and the flies hovered in for the scent
and even my father came with his white bone.
But I was tired of the gender of things.
Last night I had a dream
and I said to it . . .
"You are the answer.
You will outlive my husband and my father."
In that dream there was a city made of chains
where Joan was put to death in man's clothes
and the nature of the angels went unexplained,
no two made in the same species,
one with a nose, one with an ear in its hand,
one chewing a star and recording its orbit,
each one like a poem obeying itself,
performing God's functions,
a people apart.
"You are the answer,"
I said, and entered,
lying down on the gates of the city.
Then the chains were fastened around me
and I lost my common gender and my final aspect.
Adam was on the left of me
and Eve was on the right of me,
both thoroughly inconsistent with the world of reason.
We wove our arms together
and rode under the sun.
I was not a woman anymore,
not one thing or the other.
0 daughters of Jerusalem,
the king has brought me into his chamber.
I am black and I am beautiful.
I've been opened and undressed.
I have no arms or legs.
I'm all one skin like a fish.
I'm no more a woman
than Christ was a man.
”
”
Anne Sexton (The Complete Poems)
“
To: Anna Oliphant
From: Etienne St. Clair
Subject: HAPPY CHRISTMAS
Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco.
To: Anna Oliphant
From: Etienne St. Clair
Subject: I forgot to tell you.
Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled?
To: Anna Oliphant
From: Etienne St. Clair
Subject: Are you awake yet?
Wake up.Wake up wake up wake up.
To: Etienne St. Clair
From: Anna Oliphant
Subject: re: Are you awake yet?
I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me.
P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo.
To: Anna Oliphant
From: Etienne St. Clair
Subject: HAHAHA@
Was it a PROMISE RING? Did your father give you a PROMISE RING?
To: Etienne St. Clair
From: Anna Oliphant
Subject: Re: HAHAHA!
I am so not responding to that.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I see no justice in that plan."
"Who said," lashed out Isaac Penn, "that you, a man, can always perceive justice? Who said that justice is what you imagine? Can you be sure that you know it when you see it, that you will live long enough to recognize the decisive thunder of its occurrence, that it can be manifest within a generation, within ten generations, within the entire span of human existence? What you are talking about is common sense, not justice. Justice is higher and not as easy to understand -- until it presents itself in unmistakable splendor. The design of which I speak is far above our understanding. But we can sometimes feel its presence.
"No choreographer, no architect, engineer, or painter could plan more thoroughly and subtly. Every action and every scene has its purpose. And the less power one has, the closer he is to the great waves that sweep through all things, patiently preparing them for the approach of a future signified not by simple human equity (a child could think of that), but by luminous and surprising connections that we have not imagined, by illustrations terrifying and benevolent -- a golden age that will show not what we wish, but some bare awkward truth upon which rests everything that ever was and everything that ever will be. There is justice in the world, Peter Lake, but it cannot be had without mystery.
”
”
Mark Helprin (Winter's Tale)
“
It's ridiculous. Here I sit in my little room, I, Brigge, who have got to be twenty-eight years old and about whom no one knows. I sit here and am nothing. And yet this nothing begins to think and thinks, up five flights of stairs, these thoughts on a gray Paris afternoon:
Is it possible, this nothing thinks, that one has not yet seen, recognized, and said anything real and important? Is it possible that one has had thousands of years of time to look, reflect, and write down, and that one has let the millennia pass away like a school recess in which one eats one's sandwich and an apple?
Yes, it is possible.
...Is it possible that in spite of inventions and progress, in spite of culture, religion, and worldly wisdom, that one has remained on the surface of life? Is it possible that one has even covered this surface, which would at least have been something, with an incredibly dull slipcover, so that it looks like living-room furniture during the summer vacation?
Yes, it is possible.
Is it possible that the whole history of the world has been misunderstood? Is it possible that the past is false because one has always spoken of its masses, as if one was telling about a coming together of many people, instead of telling about the one person they were standing around, because he was alien and died?
Yes, it is possible.
Is it possible that one believed one has to make up for everything that happened before one was born? Is it possible one would have to remind every single person that he arose from all earlier people so that he would know it, and not let himself be talked out of it by the others, who see it differently?
Yes, it is possible.
Is it possible that all these people know very precisely a past that never was? Is it possible that everything real is nothing to them; that their life takes its course, connected to nothing, like a clock in an empty room?
Yes, it is possible.
Is it possible that one knows nothing about girls, who are nevertheless alive? Is it possible that one says "the women", "the children", "the boys", and doesn't suspect (in spite of all one's education doesn't suspect) that for the longest time these words have no longer had a plural, but only innumerable singulars?
Yes, it is possible.
Is it possible that there are people who say "God" and think it is something they have in common? Just look at two schoolboys: one buys himself a knife, and the same day his neighbor buys one just like it. And after a week they show each other their knives and it turns out that they bear only the remotest resemblance to each other-so differently have they developed in different hands (Well, the mother of one of them says, if you boys always have to wear everything out right away). Ah, so: is it possible to believe that one could have a God without using him?
Yes, it is possible.
But, if all this is possible, has even an appearance of possibility-then for heaven's sake something has to happen. The first person who comes along, the one who has had this disquieting thought, must begin to accomplish some of what has been missed; even if he is just anyone, not the most suitable person: there is simply no one else there. This young, irrelevant foreigner, Brigge, will have to sit himself down five flights up and write, day and night, he will just have to write, and that will be that.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
[I] threw open the door to find Rob sitting on the low stool in front of my bookcase, surrounded by cardboard boxes. He was sealing the last one up with tape and string. There were eight boxes - eight boxes of my books bound up and ready for the basement!
"He looked up and said, 'Hello, darling. Don't mind the mess, the caretaker said he'd help me carry these down to the basement.' He nodded towards my bookshelves and said, 'Don't they look wonderful?'
"Well, there were no words! I was too appalled to speak. Sidney, every single shelf - where my books had stood - was filled with athletic trophies: silver cups, gold cups, blue rosettes, red ribbons. There were awards for every game that could possibly be played with a wooden object: cricket bats, squash racquets, tennis racquets, oars, golf clubs, ping-pong bats, bows and arrows, snooker cues, lacrosse sticks, hockey sticks and polo mallets. There were statues for everything a man could jump over, either by himself or on a horse. Next came the framed certificates - for shooting the most birds on such and such a date, for First Place in running races, for Last Man Standing in some filthy tug of war against Scotland.
"All I could do was scream, 'How dare you! What have you DONE?! Put my books back!'
"Well, that's how it started. Eventually, I said something to the effect that I could never marry a man whose idea of bliss was to strike out at little balls and little birds. Rob countered with remarks about damned bluestockings and shrews. And it all degenerated from there - the only thought we probably had in common was, What the hell have we talked about for the last four months? What, indeed? He huffed and puffed and snorted and left. And I unpacked my books.
”
”
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
“
To summarize what I have said: Aim for the highest; never enter a bar-room; do not touch liquor, or if at all only at meals; never speculate; never indorse beyond your surplus cash fund; make the firm’s interest yours; break orders always to save owners; concentrate; put all your eggs in one basket, and watch that basket; expenditure always within revenue; lastly, be not impatient, for, as Emerson says, “no one can cheat you out of ultimate success but yourselves.” I congratulate poor young men upon being born to that ancient and honourable degree which renders it necessary that they should devote themselves to hard work. A basketful of bonds is the heaviest basket a young man ever had to carry. He generally gets to staggering under it. We have in this city creditable instances of such young men, who have pressed to the front rank of our best and most useful citizens. These deserve great credit. But the vast majority of the sons of rich men are unable to resist the temptations to which wealth subjects them, and sink to unworthy lives. I would almost as soon leave a young man a curse, as burden him with the almighty dollar. It is not from this class you have rivalry to fear. The partner’s sons will not trouble you much, but look out that some boys poorer, much poorer than yourselves, whose parents cannot afford to give them the advantages of a course in this institute, advantages which should give you a decided lead in the race–look out that such boys do not challenge you at the post and pass you at the grand stand. Look out for the boy who has to plunge into work direct from the common school and who begins by sweeping out the office. He is the probable dark horse that you had better watch.
”
”
Andrew Carnegie (The Road To Business Success)
“
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense.
Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect--
That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar.
"You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication.
"Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.'
"Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution...
"Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?"
"I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
”
”
Charlotte Brontë (Jane Eyre)
“
Stop that Stuart," Patty said as Stuart struggled with the suitcases, which were too heavy for him, she thought. (Almost everything was way too heavy for Stuart.)" Just put those down. Besides," Patty said, "where will you go? You don't have anyplace to go." But Stuart took her hand and held it for a moment against his closed eyes, and despite the many occasions when Patty had wanted him to go, and the several occasions when she had tried to make him go, despite the fact that he was at his most enragingly pathetic, for once she could think of nothing, nothing at all that he could be trying to shame her into or shame her out of, and so it occurred to her that this he would really leave---that he was simply saying good-bye. All along, Patty had been unaware that time is as adhesive as love, and that the more time you spend with someone the greater the likelihood of finding yourself with a permanent sort of thing to deal with that people casually refer to as "friendship," as if that were the end of the matter,when the truth is that even if "your friend" does something annoying, or if you and "your friend" decided that you hate each other, or if "your friend" moves away and you lose each other's address, you still have a friendship, and although it can change shape, look different in different lights, become an embarrassment or an encumbrance or a sorrow, it can't simply cease to have existed, no matter how far into the past it sinks, so attempts to disavow or destroy it will not merely constitute betrayals of friendship but, more practically, are bound to be fruitless, causing damage only to the humans involved rather than to that gummy jungle(friendship)in which those humans have entrapped themselves, so if sometime in the future you're not going to want to have been a particular person's friend, or if you're not going to want to have had that particular friendship you and that person can make with one another, then don't be friends with that person at all, don't talk to that person, don't go anywhere near that person, because as soon as you start to see something from that person's point of view (which, inevitably, will be as soon as you stand next to that person) common ground is sure to slide under your feet.
”
”
Deborah Eisenberg (The Stories (So Far))
“
When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands.
"Er," Magnus said. "Are you quite all right?"
"I was simply overcome," Imasu said in a faint voice.
Magnus preened slightly. "Ah. Well."
"By how awful that was," Imasu said.
Magnus blinked. "Pardon?"
"I can't live a lie any longer!" Imasu burst out. "I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - "
"It isn't as bad as all that - "
"Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - "
"Well, that one was rather a good guess," Magnus remarked.
" - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!"
"Or not," said Magnus. "Furthermore, my hats are extraordinary."
"I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. "Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake."
"Oh," said Magnus, and he began to grin. "I wouldn't. I hear there is a dreadful monster living in that lake."
Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. "I believe the world will end with a noise like the noise you make!"
"Interesting," said Magnus, and he threw his charango out the window.
"Magnus!"
"I believe that music and I have gone as far as we can go together," Magnus said. "A true artiste knows when to surrender."
"I can't believe you did that!"
Magnus waved a hand airily. "I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse."
"I just meant that those are expensive and I heard a crunch.
”
”
Cassandra Clare (The Bane Chronicles)
“
Freud was fascinated with depression and focused on the issue that we began with—why is it that most of us can have occasional terrible experiences, feel depressed, and then recover, while a few of us collapse into major depression (melancholia)? In his classic essay “Mourning and Melancholia” (1917), Freud began with what the two have in common. In both cases, he felt, there is the loss of a love object. (In Freudian terms, such an “object” is usually a person, but can also be a goal or an ideal.) In Freud’s formulation, in every loving relationship there is ambivalence, mixed feelings—elements of hatred as well as love. In the case of a small, reactive depression—mourning—you are able to deal with those mixed feelings in a healthy manner: you lose, you grieve, and then you recover. In the case of a major melancholic depression, you have become obsessed with the ambivalence—the simultaneity, the irreconcilable nature of the intense love alongside the intense hatred. Melancholia—a major depression—Freud theorized, is the internal conflict generated by this ambivalence. This can begin to explain the intensity of grief experienced in a major depression. If you are obsessed with the intensely mixed feelings, you grieve doubly after a loss—for your loss of the loved individual and for the loss of any chance now to ever resolve the difficulties. “If only I had said the things I needed to, if only we could have worked things out”—for all of time, you have lost the chance to purge yourself of the ambivalence. For the rest of your life, you will be reaching for the door to let you into a place of pure, unsullied love, and you can never reach that door. It also explains the intensity of the guilt often experienced in major depression. If you truly harbored intense anger toward the person along with love, in the aftermath of your loss there must be some facet of you that is celebrating, alongside the grieving. “He’s gone; that’s terrible but…thank god, I can finally live, I can finally grow up, no more of this or that.” Inevitably, a metaphorical instant later, there must come a paralyzing belief that you have become a horrible monster to feel any sense of relief or pleasure at a time like this. Incapacitating guilt. This theory also explains the tendency of major depressives in such circumstances to, oddly, begin to take on some of the traits of the lost loved/hated one—and not just any traits, but invariably the ones that the survivor found most irritating. Psychodynamically, this is wonderfully logical. By taking on a trait, you are being loyal to your lost, beloved opponent. By picking an irritating trait, you are still trying to convince the world you were right to be irritated—you see how you hate it when I do it; can you imagine what it was like to have to put up with that for years? And by picking a trait that, most of all, you find irritating, you are not only still trying to score points in your argument with the departed, but you are punishing yourself for arguing as well. Out of the Freudian school of thought has come one of the more apt descriptions of depression—“aggression turned inward.” Suddenly the loss of pleasure, the psychomotor retardation, the impulse to suicide all make sense. As do the elevated glucocorticoid levels. This does not describe someone too lethargic to function; it is more like the actual state of a patient in depression, exhausted from the most draining emotional conflict of his or her life—one going on entirely within. If that doesn’t count as psychologically stressful, I don’t know what does.
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Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
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The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. By necessity, I suppose, it is difficult for me to explain in English exactly what I mean. I can only say that an incendium is in its nature entirely different from the feu with which a Frenchman lights his cigarette, and both are very different from the stark, inhuman pur that the Greeks knew, the pur that roared from the towers of Ilion or leapt and screamed on that desolate, windy beach, from the funeral pyre of Patroklos.
Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer's landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filing in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end.
In a certain sense, this was why I felt so close to the other in the Greek class. They, too, knew this beautiful and harrowing landscape, centuries dead; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. It was why I admired Julian, and Henry in particular. Their reason, their very eyes and ears were fixed irrevocably in the confines of those stern and ancient rhythms – the world, in fact, was not their home, at least the world as I knew it – and far from being occasional visitors to this land which I myself knew only as an admiring tourist, they were pretty much its permanent residents, as permanent as I suppose it was possible for them to be. Ancient Greek is a difficult language, a very difficult language indeed, and it is eminently possible to study it all one's life and never be able to speak a word; but it makes me smile, even today, to think of Henry's calculated, formal English, the English of a well-educated foreigner, as compared with the marvelous fluency and self-assurance of his Greek – quick, eloquent, remarkably witty. It was always a wonder to me when I happened to hear him and Julian conversing in Greek, arguing and joking, as I never once heard either of them do in English; many times, I've seen Henry pick up the telephone with an irritable, cautious 'Hello,' and may I never forget the harsh and irresistible delight of his 'Khairei!' when Julian happened to be at the other end.
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Donna Tartt (The Secret History)