Comfort Herself Book Quotes

We've searched our database for all the quotes and captions related to Comfort Herself Book. Here they are! All 53 of them:

She surrounded herself with books at work and at home. Her living space was a testament to her first and abiding love with shelves jammed with books tables crowded with them. She saw them not only as knowledge entertainment comfort even sanity but as a kind of artful decoration.
Nora Roberts (Key of Knowledge (Key Trilogy, #2))
She loved sinking into her bed on evenings like this, but apparently she shouldn't, because it worried her aunts, who thought she ought to be out dancing. It worried her a little bit, too, because what if they were right, and because sometimes a great loneliness welled up in her and threatened all the dams she built to hold it back. You couldn't cure loneliness by wallowing in it, up above the world, on an island removed from everything. She knew that. But she had such a hard time with all the cures. They seemed rough and brusque and brutal, as if they abused her skin with a pot scrubber . . . forcing herself into a mass of people, a stranger among strangers. . . . But it was much more tempting to curl up with a book under her thick white comforter. Still, sometimes after she curled up, she regretted her lack of courage and felt bleakly lonely. It was important to have a really good book.
Laura Florand (The Chocolate Kiss (Amour et Chocolat, #2))
...she would comfort herself with her solitude. Reading books, sketching, making notes, little observations and collages.
Laurie Petrou (Stargazer)
Bookstores, invariably, are a refuge. There's one in the town where they live, and the first time Lydia ventures in, it takes her breath away. She has to steady herself against a shelf. The smell of coffee and paper and ink. It's nothing like her little shop back home. It's stocked mostly with religious books, and instead of calendars and toys, they carry rosaries, Buddha figurines, yarmulkes. Still, the upright spines of the books are bedrock. Steady. There's an international poetry section. Hafiz. Heaney. Neruda. Lydia flips past the twenty love poems and reads "The Song of Despair." She reads it desperately, hungrily, bent over the books in the aisle of the quiet shop. Her fingers ready the next page while she devours the words. The book is water in the desert.
Jeanine Cummins (American Dirt)
It wasn't just a book any more — it was Tabby's lifeline. She lived and breathed it; it comforted and soothed and explained exactly how she was feeling even when she couldn't understand those feelings herself.
Lucy Powrie (The Paper & Hearts Society (The Paper & Hearts Society, #1))
Why read at all? Why does anyone do it in the first place? Why do I? There is the element of escape, which is real enough—that’s a real-enough comfort. But also we read as a way to come to grips with the randomness of our being alive. To read a book by an observant, sympathetic mind is to see the human landscape in all its odd detail, and the reader says to him or herself, Yes, that’s how it is, only I didn’t know it to describe it. There’s a fraternity achieved, then: we are not alone. Sometimes an author’s voice is familiar to us from the first page, first paragraph, even if the author lived in another country, in another century.” Bob held up his stack of Russians. “How can you account for this familiarity? I do believe that, at our best, there is a link connecting us.
Patrick deWitt (The Librarianist)
A Christian people doesn't mean a lot of goody-goodies. The Church has plenty of stamina, and isn't afraid of sin. On the contrary, she can look it in the face calmly and even take it upon herself, assume it at times, as Our Lord did. When a good workman's been at it for a whole week, surely he's due for a booze on Saturday night. Look: I'll define you a Christian people by the opposite. The opposite of a Christian people is a people grown sad and old. You'll be saying that isn't a very theological definition. I agree... Why does our earliest childhood always seem so soft and full of light? A kid's got plenty of troubles, like everybody else, and he's really so very helpless, quite unarmed against pain and illness. Childhood and old age should be the two greatest trials of mankind. But that very sense of powerlessness is the mainspring of a child's joy. He just leaves it all to his mother, you see. Present, past, future -- his whole life is caught up in one look, and that look is a smile. Well, lad, if only they'd let us have our way, the Church might have given men that supreme comfort. Of course they'd each have their own worries to grapple with, just the same. Hunger, thirst, poverty, jealousy -- we'd never be able to pocket the devil once and for all, you may be sure. But man would have known he was the son of God; and therein lies your miracle. He'd have lived, he'd have died with that idea in his noddle -- and not just a notion picked up in books either -- oh, no! Because we'd have made that idea the basis of everything: habits and customs, relaxation and pleasure, down to the very simplest needs. That wouldn't have stopped the labourer ploughing, or the scientist swotting at his logarithms, or even the engineer making his playthings for grown-up people. What we would have got rid of, what we would have torn from the very heart of Adam, is that sense of his own loneliness... God has entrusted the Church to keep [the soul of childhood] alive, to safeguard our candour and freshness... Joy is the gift of the Church, whatever joy is possible for this sad world to share... What would it profit you even to create life itself, when you have lost all sense of what life really is?
Georges Bernanos (The Diary of a Country Priest)
No woman in the history of humanity has ever found a comfortable way of dressing herself after sex.
Kay Hadashi (Kama'aina Revenge: The Hunt for Justice (The Honolulu Thriller Series Book 2))
Never did she find anything so difficult as to keep herself from losing her temper when she was suddenly disturbed while absorbed in a book. People who are fond of books know the feeling of irritation which sweeps over them at such a moment. The temptation to be unreasonable and snappish is one not easy to manage. “It makes me feel as if some one had hit me,” Sara had told Ermengarde once in confidence. “And as if I want to hit back. I have to remember things quickly to keep from saying something ill-tempered.” She had to remember things quickly when she laid her book on the window-seat and jumped down from her comfortable corner.
Frances Hodgson Burnett (Complete Novels of Frances Hodgson Burnett)
And, behold, a woman, which was diseased with an issue of blood twelve years, came behind him, and touched the hem of his garment: For she said within herself, If I may but touch his garment, I shall be whole. But Jesus turned him about, and when he saw her, he said, Daughter, be of good comfort; thy faith hath made thee whole. And the woman was made whole from that hour.
Anonymous (Holy Bible: Authorized King James Version (New Testament) BONUS Bible Study Quiz Book: King James Version Bible Church Authorized Version New Testament)
Why read at all? Why does anyone do it in the first place? Why do I? There is the element of escape, which is real enough—that’s a real-enough comfort. But also we read as a way to come to grips with the randomness of our being alive. To read a book by an observant, sympathetic mind is to see the human landscape in all its odd detail, and the reader says to him or herself, Yes, that’s how it is, only I didn’t know it to describe it.
Patrick deWitt (The Librarianist)
Tormenting whispers echoed with the beast's penetrating gaze. 'Back and forth, beautiful creature. Back and forth, Wife.' I pondered the meaning and wondered if the author was speaking of herself in it. Was it a warning about marriage or life in general, or was it simply a statement about the traps we make for ourselves, the walls we build, the prisons we are comfortable within? Was I guilty of choosing safety over happiness and freedom, like the character in the book?
Renee Carlino (Sweet Thing (Sweet Thing, #1))
Books had always been a comfort to her. More than comfort. There were times when reading came close to an addiction. When things had been tough at home, Harriet’s solution had been to remove herself from life and disappear. She’d chosen to be invisible. Sometimes physically, by hiding under the table, but sometimes psychologically by diving into a literary world unlike her own. As a child she’d liked to sink into the pages and lose herself for hours at a time. When she was reading, she didn’t just leave her own life behind, she stepped into someone else’s. There were times when she’d read for hours without noticing the passage of time or the onset of darkness. When it grew too dark to read, she simply switched on her flashlight and read under the covers so that she didn’t disturb her sister, who was sleeping in the next bed. At school, she carried her book around. When things were difficult, the weight of her bag would comfort her. It helped just to know the book was there, waiting for her. At various points in the day she’d feel the edges bump against her thigh, reminding her of its existence. It was like having a friend close by, telling her I’m still here and we can spend time together later. Even now, more than a decade on from that difficult time of her life, she found herself instinctively reaching for a book when she was stressed. Comfort was different things to different people. To some it was a bar of chocolate or a glass of wine, a run in the park or coffee with a friend. To Harriet, it was a book.
Sarah Morgan (Moonlight Over Manhattan (From Manhattan with Love, #6))
You're not going to see any former suitors in Forest Crest, are you?" An impish twinkle appeared in her eyes. "No, Mr. Morgan, I was never courted by any of the village lads." "Why not? What in God's name is the matter with all of them?" "I was never receptive to their advances," Victoria said, settling herself more comfortably on his lap. "I was absorbed in taking care of Father, and reading books, and..." Tenderly she laid her head on his shoulder. "I suppose I was waiting for you," she said, and felt his arms tighten until he nearly crushed her.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Love. Meditation of Pure Love has only one intention, that she might always love faithfully without wishing for any reward, and the Soul cannot do this unless she is deprived of herself, for Faithful Love would not deign to have any consolation which came by the Soul’s seeking. Truly not. Meditation of Love knows well that it is for the best1 that she must not exert herself2 except in what is her task, and that is to will perfectly the will of God, and she leaves God to work and to order his will as he pleases; for whoever wills that God might fulfill his wish to experience his comforts does not place his trust solely in God’s goodness, but trusts rather in those
Marguerite Porete (The Mirror of Simple Souls (Notre Dame Texts in Medieval Culture Book 6))
The next morning, of course, Betsy made a list. Lists were always her comfort. For years she had made lists of books she must read, good habits she must acquire, things she must do to make herself prettier—like brushing her hair a hundred strokes at night, and manicuring her fingernails, and doing calisthenics before an open window in the morning. (That one hadn’t lasted long.) It was fun making this list, sitting in bed with her breakfast tray on her lap…hot chocolate, crisp hard rolls, and a pat of butter. Hanni had brought it to her after closing the windows and pushing back the velvet draperies. Betsy felt like a heroine in one of her own stories; their maids always awakened them that way. 1. Learn the darn money. 2. Study German. (You’ve forgotten all you knew.) 3. Buy a map and learn the city—from end to end, as you told Papa you would. 4. Read the history of Bavaria. You must have it for background. 5. Go to the opera. (You didn’t stay in Madeira because Munich is such a center for music and art???) 6. Go to the art galleries. (Same reason.) 7. Write! Full of enthusiasm, she planned a schedule. First, each morning, she would have her bath, and then write until noon. After the midday dinner she would go out and learn the city. She would go to the galleries, museums, and churches. She would have coffee out—for atmosphere. “Then I’ll come home and study German and read Bavarian history. And after supper…” she tried not to remember the look of that dining room…“I’ll write my diary-letter, except when I go to the opera or concerts.
Maud Hart Lovelace (Betsy and the Great World / Betsy's Wedding (Betsy-Tacy #9-10))
This book is about introversion as seen from a cultural point of view. Its primary concern is the age-old dichotomy between the “man of action”and the “man of contemplation,”and how we could improve the world if only there were a greater balance of power between the two types. It focuses on the person who recognizes him- or herself somewhere in the following constellation of attributes: reflective, cerebral, bookish, unassuming, sensitive, thoughtful, serious, contemplative, subtle, introspective, inner-directed, gentle, calm, modest, solitude-seeking, shy, risk-averse, thin-skinned. Quiet is also about this person’s opposite number: the “man of action”who is ebullient, expansive, sociable, gregarious, excitable, dominant, assertive, active, risk-taking, thick-skinned, outer-directed, lighthearted, bold, and comfortable in the spotlight.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Her family and friends administered comfort and commendation liberally. Yet it was a hard time for sensitive, high-spirited Jo, who meant so well and had apparently done so ill. But it did her good, for those whose opinion had real value gave her the criticism which is an author's best education, and when the first soreness was over, she could laugh at her poor little book, yet believe in it still, and feel herself the wiser and stronger for the buffeting she had received. "Not being a genius, like Keats, it won't kill me," she said stoutly, "and I've got the joke on my side, after all, for the parts that were taken straight out of real life are denounced as impossible and absurd, and the scenes that I made up out of my own silly head are pronounced 'charmingly natural, tender, and true'. So I'll comfort myself with that, and when I'm ready, I'll up again and take another.
Louisa May Alcott (Little Women (Illustrated))
For the last twenty years, until recently, Jhumpa Lahiri's stories were the template of ethnic fiction that supports the fantasy of Asian American immigrants as compliant strivers. The fault lies not in Lahiri herself, who I think is an absorbing storyteller, but in the publishing industry that used to position her books as the "single story" on immigrant life. Using just enough comforting ethnic props to satisfy white reader's taste for cultural difference, Lahiri writes in a flat, restrained prose, where her characters never think or feel but just do: "I...opened a bank account, rented a post office box, and bought a plastic bowl and a spoon at Woolworth's." Her characters are always understated and avoid any interiority, which, as Jane Hu writes in The New Yorker, has become a fairly typical literary affect that signals Asianness (in fact, more East Asianness than South Asianness) to readers.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Had Elizabeth’s opinion been all drawn from her own family, she could not have formed a very pleasing opinion of conjugal felicity or domestic comfort. Her father, captivated by youth and beauty, and that appearance of good humour which youth and beauty generally give, had married a woman whose weak understanding and illiberal mind had very early in their marriage put an end to all real affection for her. Respect, esteem, and confidence had vanished for ever; and all his views of domestic happiness were overthrown. But Mr. Bennet was not of a disposition to seek comfort for the disappointment which his own imprudence had brought on, in any of those pleasures which too often console the unfortunate for their folly of their vice. He was fond of the country and of books; and from these tastes had arisen his principal enjoyments. To his wife he was very little otherwise indebted, than as her ignorance and folly had contributed to his amusement. This is not the sort of happiness which a man would in general wish to owe to his wife; but where other powers of entertainment are wanting, the true philosopher will derive benefit from such as are given. Elizabeth, however, had never been blind to the impropriety of her father’s behaviour as a husband. She had always seen it with pain; but respecting his abilities, and grateful for his affectionate treatment of herself, she endeavoured to forget what she could not overlook, and and to banish from her thoughts that continual breach of conjugal obligation and decorum which, in exposing his wife to the contempt of her own children, was so highly reprehensible. But she had never felt so strongly as now the disadvantages which must attend the children of so unsuitable a marriage, nor ever been so fully aware of the evils arising from so ill-judged a direction of talents; talents, which, rightly used, might at least have preserved the respectability of his daughters, even if incapable of enlarging the mind of his wife.
Jane Austen (Pride and Prejudice)
I almost wish I hadn’t gone down that rabbit-hole—and yet—and yet—it’s rather curious, you know, this sort of life! I do wonder what can have happened to me! When I used to read fairy tales, I fancied that kind of thing never happened, and now here I am in the middle of one! There ought to be a book written about me, that there ought! And when I grow up, I’ll write one—but I’m grown up now,” she added in a sorrowful tone; “at least there’s no room to grow up any more here.” “But then,” thought Alice, “shall I never get any older than I am now? That’ll be a comfort, one way—never to be an old woman—but then—always to have lessons to learn! Oh, I shouldn’t like that!” “Oh, you foolish Alice!” she answered herself. “How can you learn lessons in here? Why, there’s hardly room for you, and no room at all for any lesson-books!” And so she went on, taking first one side and then the other, and making quite a conversation of it altogether; but after a few minutes she heard a voice outside, and stopped to listen.
Lewis Carroll (Alice's Adventures in Wonderland)
She picked up the book beside her. Jane Eyre. Used, bought recently in a bookshop in Camden Passage, shabby nineteenth-century binding, pages bearing vague stains, fingered, smoothed. She opened the book to the place she left it when the taxicab pulled up. “My daughter, flee temptation.” “Mother, I will,” Jane responded, as the moon turned to woman. The fiction had tricked her. Drawn her in so that she became Jane. Yes. The parallels were there. Was she not heroic Jane? Betrayed. Left to wander. Solitary. Motherless. Yes, and with no relations to speak of except an uncle across the water. She occupied her mind. Comforted for a time, she came to. Then, with a sharpness, reprimanded herself. No, she told herself. No, she could not be Jane. Small and pale. English. No, she paused. No, my girl, try Bertha. Wild-maned Bertha. Clare thought of her father. Forever after her to train her hair. His visions of orderly pageboy. Coming home from work with something called Tame. She refused it; he called her Medusa. Do you intend to turn men to stone, daughter? She held to her curls, which turned kinks in the damp of London. Beloved racial characteristic. Her only sign, except for dark spaces here and there where melanin touched her. Yes, Bertha was closer to the mark. Captive. Ragôut. Mixture. Confused. Jamaican. Caliban. Carib. Cannibal. Cimarron. All Bertha. All Clare.
Michelle Cliff (No Telephone to Heaven)
As she stepped through the front door onto the verandah, a warm breeze brushed her face and she felt a heavy wave of deep familiarity: the smell of eucalyptus and sunbaked dirt, the light so bright it put creases around her eyes just to look at it. The slender blue gums on the ridge, ancient and watchful. This was the landscape of her childhood and she would never be able to escape its influence. But just as Daniel Miller had brought her to Halcyon, the books that she'd read as a child, lying beneath the ferns at Darling House, had taken her to lands where trees with names like oak and chestnut and elm grew in great, ancient forests, and the soil was moist and the sun was gentle, where there were magical words like "hedgerow" and "conker," and snow kissed the glass of windows in winter, and children went sledding at Christmas and ate "pudding" and "blancmange." And so, she had come to know another landscape, not just intellectually, but viscerally: a landscape of the imagination as real to her as the geographical landscape in which she moved. When she first arrived in England as a twenty-year-old graduate, she had stepped off the plane and known it already. Standing here now, looking across the valley toward the facing hill, Jess could imagine how homesick Isabel must have felt at times. She herself had been thinking about "home" a lot. Home, she'd realized, wasn't a place or a time or a person, though it could be any and all of those things: home was a feeling, a sense of being complete. The opposite of "home" wasn't "away", it was "lonely." When someone said, "I want to go home," what they really meant was that they didn't want to feel lonely anymore.
Kate Morton (Homecoming)
But she had learned about love through books, knew enough of it to recognize its absence in her life. Everywhere she looked, she was blinded by other forms of love, as if God were taunting her. From her bedroom window, she’d watch mothers pushing strollers, or children hanging from their father’s shoulders, or lovers holding hands. At doctors’ offices, she’d flip through magazines to find families smiling wildly, couples embracing, even women photographed alone, their bright faces shining with self-love. When she’d watch soap operas with her grandmother, love was the anchor, the glue that seemingly held the whole world together. And when she flipped through American channels when her grandparents weren’t looking, again love was the center of every show, while she, Deya, was left dangling on her own, longing for something other than her sisters to hold on to. As much as she loved them, it never felt like enough. But what did love even mean? Love was Isra staring dully out the window, refusing to look at her; love was Adam barely home; love was Fareeda’s endless attempts to marry her off, to rid herself of a burden; love was a family who never visited, not even on holidays. And maybe that was her problem. Maybe that’s why she always felt disconnected from her classmates, why she couldn’t see the world the way they did, couldn’t believe in their version of love. It was because they had mothers and fathers who wanted them, because they were coddled in a blanket of familial love, because they had never celebrated a birthday alone. It was because they had cried in someone’s arms after a bad day, had known the comforts of the words “I love you” growing up. It was because they’d been loved in their lives that they believed in love, saw it surely for themselves in their futures, even in places it clearly wasn’t.
Etaf Rum (A Woman Is No Man)
You said, Mother, that criticism would help me. But how can it, when it's so contradictory that I don't know whether I've written a promising book or broken all the ten commandments?" cried poor Jo, turning over a heap of notices, the perusal of which filled her with pride and joy one minute, wrath and dismay the next. "This man says, `An exquisite book, full of truth, beauty, and earnestness. All is sweet, pure, and healthy.'" continued the perplexed authoress. "The next, `The theory of the book is bad, full of morbid fancies, spiritualistic ideas, and unnatural characters.' Now, as I had no theory of any kind, don't believe in Spiritualism, and copied my characters from life, I don't see how this critic can be right. Another says, `It's one of the best American novels which has appeared for years.' (I know better than that), and the next asserts that `Though it is original, and written with great force and feeling, it is a dangerous book.' 'Tisn't! Some make fun of it, some overpraise, and nearly all insist that I had a deep theory to expound, when I only wrote it for the pleasure and the money. I wish I'd printed the whole or not at all, for I do hate to be so misjudged." Her family and friends administered comfort and commendation liberally. Yet it was a hard time for sensitive, high-spirited Jo, who meant so well and had apparently done so ill. But it did her good, for those whose opinion had real value gave her the criticism which is an author's best education, and when the first soreness was over, she could laugh at her poor little book, yet believe in it still, and feel herself the wiser and stronger for the buffeting she had received. "Not being a genius, like Keats, it won't kill me," she said stoutly, "and I've got the joke on my side, after all, for the parts that were taken straight out of real life are denounced as impossible and absurd, and the scenes that I made up out of my own silly head are pronounced `charmingly natural, tender, and true'. So I'll comfort myself with that, and when I'm ready, I'll up again and take another.
Louisa May Alcott (Little Women)
Hypnotherapy You may have seen scenes on television in which hypnotists make people act like chickens or take off their clothes. In reality, hypnotherapy is nothing like that. You actually might experience a hypnotic state many times every week, or possibly every day. It is essentially no different than being engrossed in a book or movie, or being in the meditative state you may reach while exercising. During hypnosis you are highly focused and are not distracted by random thoughts. At the same time, you are aware of outside events, such as the telephone ringing or a door slamming. When you see a hypnotherapist, he or she is simply a guide helping you reach a deeply relaxed state. The therapist may begin by having you picture a pleasant and safe environment. Or, he or she might ask you to focus on an object in your line of vision until your eyes become heavy. Once you are in the hypnotized state, it is easier to focus on your anxiety. You can talk about past experiences, can work on your self-esteem, and can prepare for upcoming social events. You won’t have distracting thoughts or be monitoring everything you say. You may remember events you had forgotten, or may come up with new ways to help yourself cope with the symptoms of anxiety. Adriana was really nervous when her therapist suggested they use hypnosis to work on her fear of meeting new people, but she decided to try it. First, the therapist asked her to visualize a quiet place where she felt completely relaxed and comfortable. When Adriana’s body felt heavy and warm, the therapist asked her to describe how she feels when she speaks with strangers. Adriana discussed how she feels embarrassed and worried, how her face gets red and hot, and how her mind is distracted by negative thoughts. Next, the therapist asked Adriana to visualize being introduced to a stranger. She imagined herself feeling calm and relaxed and looking the person in the eyes. She rehearsed what she would say about herself and said it over and over, sounding more confident each time. The therapist then asked her to think of three things that could help her in those situations. Adriana decided to try relaxing, making sure she is breathing properly, and focusing on the other person instead of on her negative thoughts. Later that week, she dined with a friend and his cousin, whom she had never met before. She was able to take deep breaths and remain relaxed. Once initial introductions went well, Adriana felt more confident and was able to maintain conversations for the entire evening.
Heather Moehn (Social Anxiety (Coping With Series))
NOTE: The character of Aoleon is deaf. This conversation takes place in the book via sign language... “Feeling a certain kind of way Aoleon?” She snapped-to and quickly became defensive. “What in the name of the Goddess are you on about?” Shades of anger and annoyance. The old Aoleon coming out. “I’m sorry. I shouldn’t poke at you like that. It’s okay you know. There’s nothing wrong about the way you feel.” As if suddenly caught up in a lie, Aoleon cleared her throat and ran her fingers absentmindedly over her ear and started to fidget with one of the brass accents in her snowy hair. A very common nervous reaction. “No…I mean…well I was…uh...” “Aoleon, I know about you and Arjana.” he admitted outrightly as he pointed at the drawing. She coughed, stuttered, smiled, but could bring herself to fully say nothing. Words escaped her as she looked about the room for answers. “My sight is Dįvįnë, lest we forget. I knew you were growing close.” “Yes. Well…she’s…something else.” “Indeed?” he responded. Images flashed briefly in Aoleon’s head of her father’s old friend. Verging on her fiftieth decade of life. She was a fierce woman by all accounts. One who’d just as soon cut you with words as she would a blade. Yet, she was darling and caring towards those she held close to her. Lovely to a fault; in a wild sort of way. Dark skin, the colour of walnut stained wood. Thick, kinky hair fashioned into black locs that faded into reddish-brown tips that were dyed with Assamian henna; the sides of her head shaved bare in an undercut fashion. Tattoos and gauged ears. Very comfortable with her sexuality. Dwalli by blood, but a native of the Link by birth although she wasn’t a Magi. Magick was her mother’s gift. “I heard her say something very much the same about you once Aoleon.” “Really?” Aoleon perked up right away. “Did she?” “Yes. After she first met you in fact. Nearly exactly.” Aoleon’s smile widened and she beamed happiness. She sat up assertively and gave a curt nod. “Well, of course she did.” “She’s held such a torch for you for so long that I was starting to wonder if anything would actually come of it.” “Yeah. Both you and Prince Asshole.” Aoleon exclaimed with a certainty that was absolute as she once again tightened up with defensiveness. Samahdemn walked his statement back. “Peace daughter. I didn't know your brother had been giving you a row about her. Then again, he is your brother. So anything is possible.” Aoleon sighed and nodded. “Not so much problems as he’s been giving me the silent treatment over it. Na’Kwanza. It’s always Na’ Kwanza.” Samahdemn nodded knowingly and waived a dismissive hand. “He’s just jealous. He always has been.” “So I’ve noticed.” “Why would you hide it? Why not tell me?” “I don’t know.” she said; shrugging her shoulders. “I didn’t know how you’d take it I suppose.” “Seriously? You were afraid of rejection? From me? Love, have I ever held your individuality against you? Have I ever not supported you or your siblings?” She shook her head; a bit embarrassed that she hadn't trusted him. "No, I suppose not." -Reflections on the Dįvonësë War: The Dįvįnë Will Bear Witness to Fate
S.H. Robinson
At first Tatiana could not get through her day without physically holding herself together. There was no comfort inside her, and she knew it. There was nowhere she could turn to inside herself to leave the darkness. No memory she could fondly think of, no gentle joke, no musical refrain. There was no part of her body she could touch without shuddering. Nowhere she could look without seeing Alexander. This time she didn’t have the hunger to dull her sorrow. She didn’t have infected lungs. There was nothing for her healthy body to do but grit its teeth and lift the buckets that went on her shoulders every morning, and milk the goat and pour the warm milk for Raisa, who could not pour it herself, and hang the clothes on the line and have the women say at night how wonderful the clothes smelled, having been hung by Tania in the sunshine. Tatiana sewed for them and for herself, she read to them and to herself, she bathed them and herself, she tended their garden and looked after their chickens and took the apples off the trees, and little by little, bucket by bucket, book by book, shirt by shirt, their need enveloped her again, and Tatiana was comforted. Just like before.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Usually her reserve kept people -- men especially -- at a distance, but Sam was different. She felt at ease with him, comfortable. More herself. How was it possible to be more yourself when you were with another person?
Katherine Howe (The Physick Book of Deliverance Dane (The Physick Book, #1))
Over and above this, however, she found that half of her honestly desired to stay. As well as the courage, she lacked the pure inclination to go which she had felt a few moments ago. A new sensation had replaced it. A permeating coma, a warm haze of noises and conversation, wrapped her comfortably around – together with something more. What that something more was she did not quite know. She sat there and let it flow through her. It was a glow, and a kind of premonition. It was certainly a spiritual, but much more emphatically a physical, premonition of good about to befall. It was like the effect on the body of good news, without the good news – a delicious short cut to that inconstant elation which was so arduously won by virtue from the everyday world. It engendered the desire to celebrate nothing for no reason. She asked herself whether this was intoxication. She decided that at any rate it was a foretaste of it, and in a flash understood what had been a closed book to her until now – the temptations and perils of alcohol. She decided that she was growing up – that yet another of the veiled mysteries of the world had been illuminated by experience. Experience – that was the thing. Sitting there, she exulted in experience.Over and above this, however, she found that half of her honestly desired to stay. As well as the courage, she lacked the pure inclination to go which she had felt a few moments ago. A new sensation had replaced it. A permeating coma, a warm haze of noises and conversation, wrapped her comfortably around – together with something more. What that something more was she did not quite know. She sat there and let it flow through her. It was a glow, and a kind of premonition. It was certainly a spiritual, but much more emphatically a physical, premonition of good about to befall. It was like the effect on the body of good news, without the good news – a delicious short cut to that inconstant elation which was so arduously won by virtue from the everyday world. It engendered the desire to celebrate nothing for no reason. She asked herself whether this was intoxication. She decided that at any rate it was a foretaste of it, and in a flash understood what had been a closed book to her until now – the temptations and perils of alcohol. She decided that she was growing up – that yet another of the veiled mysteries of the world had been illuminated by experience. Experience – that was the thing. Sitting there, she exulted in experience.
Patrick Hamilton (Twenty Thousand Streets Under the Sky (Twenty Thousand Streets Under the Sky, #1-3))
Going off in a corner with a book is, on a basic level, a selfish act. It was something Chela had found herself forced to defend, financial comfort notwithstanding. Thank God for feisty women, rich or poor. Thank God for anyone who’ll fight for the right to sit down with a good book—and then, the right to sit down with some good friends and that good book.
Amy Elizabeth Smith (All Roads Lead to Austen: A Yearlong Journey with Jane)
I was never receptive to their advances,” Victoria said, settling herself more comfortably on his lap. “I was always absorbed in taking care of Father, and reading books, and…” Tenderly she laid her head on his shoulder. “I suppose I was waiting for you,” she said, and felt his arms tighten until he nearly crushed her.
Lisa Kleypas (Someone to Watch Over Me)
shoulder. “If your young man is innocent he’ll be all right. British justice is deservedly respected all the world over.” “But the p’lice, they’re something chronic; they’ll worm anything out of you,” blubbered Nellie. “Don’t get any wrong ideas about our excellent police force into your head,” Mr. Slocomb admonished her. “They are the friends of the innocent. Of course this is very unfortunate for your young man, but surely——” “There ’e is, my poor Bob, in a nasty cell! Oh, sir, d’you think they’ll let me see ’im?” “Well, really——” began Mr. Slocomb; but the conversation was interrupted by a strident call. “Nellie! Nellie! What are you about? Pull yourself together, girl! We have to dine even if...” Mrs. Bliss, the proprietress of the Frampton, flowingly clothed in black satin, paused in the doorway. “Dear me, Mr. Slocomb; you must be wondering what’s come to me, shouting all over the house like this! But really, my poor nerves are so jangled I hardly know where I am! To think of dear Miss Pongleton, always so particular, poor soul, lying there on the stairs—dear, dear, dear!” Nellie had slipped past Mrs. Bliss and scuttled back to the kitchen. Mr. Slocomb noticed that Mrs. Bliss’s black satin was unrelieved by the usual loops of gold chain and pearls, and concluded that this restraint was in token of respect to the deceased. “Yes, indeed, Mrs. Bliss, you must be distraught. Indeed a terrible affair! And this poor girl is in great distress about young Bob Thurlow, but I would advise you to keep her mind on her work, Mrs. Bliss; work is a wonderful balm for harassed nerves. A dreadful business! I only know, of course, the sparse details which I have just read in the evening Press.” “You’ve heard nothing more, Mr. Slocomb? Nellie’s Bob is a good-for-nothing, we all know”—Mrs. Bliss’s tone held sinister meaning—“but I’m sure none of us thought him capable of this!” “We must not think him so now, Mrs. Bliss, until—and unless—we are reluctantly compelled to do so,” Mr. Slocomb told her in his most pompous manner. “And Bob was always so good to poor Miss Pongleton’s Tuppy. The little creature is very restless; mark my words, he’s beginning to pine! Now I wonder, Mr. Slocomb, what I ought to do with him? What would you advise? Perhaps poor Miss Pongleton’s nephew, young Mr. Basil, would take him—though in lodgings, of course, I hardly know. There’s many a landlady would think a dog nothing but a nuisance, and little return for it, but of course what I have done for the poor dear lady I did gladly——” “Indeed, Mrs. Bliss, we have always counted you as one of Tuppy’s best friends. And as you say, Bob Thurlow was good to him, too; he took him for walks, I believe?” “He always seemed so fond of the poor little fellow; who could believe ... Well! well! And they say dogs know! What was that saying Mr. Blend was so fond of at one time—before your day, I daresay it would be: True humanity shows itself first in kindness to dumb animals. Out of one of his scrap-books. Well, the truest sayings sometimes go astray! But I must see after that girl; and cook’s not much better, she’s so flustered she’s making Nellie ten times worse. She can’t keep her tongue still a moment!” Mrs. Bliss bustled away, and Mr. Slocomb, apparently rather exasperated by her chatter, made his escape as soon as she had removed herself from the doorway. As Mrs. Bliss returned to the kitchen she thought: “Well, I’m glad he’s here; that’s some comfort; always so helpful—but goodness knows what the dinner will be like!” CHAPTER TWO THE FRUMPS DINNER at the Frampton that evening was eaten to the accompaniment of livelier conversation than usual, and now and again from one of the little tables an excited voice would rise to a pitch that dominated the surrounding talk until the owner of the voice, realizing her unseemly assertiveness on this solemn evening, would fall into lowered tones or awkward silence. The boarders discussed the murder callously. One’s
Mavis Doriel Hay (Murder Underground)
Preventing Separation Anxiety We wish our dogs could be with us all day, every day, but it’s not possible, and puppies do need to learn to spend time alone. A dog who can never be left home alone without destroying the house may be suffering from separation anxiety. Teach your Lab to feel safe and comfortable at home alone while she’s still a puppy, even if you’re home all day. Your life or job situation may change someday, and you’re heading off future trauma by teaching this lesson now, when she is young. Your puppy’s not yet mature enough to have the run of an entire house or yard, so confine her in her crate or pen when you’re gone. What you might think is separation anxiety might really be simple puppy mischief. When you’re not there to supervise, she’s free to indulge her curiosity and entertain herself in doggie ways. She knows she can’t dump the trash and eat the kitty litter in front of you, but when you’re gone, she makes her own rules. Teach your puppy not to rely on your constant attention every minute you’re at home. Set up her crate, pen, or wherever she can stay when you’re gone, and practice leaving her in it for short rests during the day. She’ll learn to feel safe there, chewing on her toy and listening to household noises. She’ll also realize that being in her pen doesn’t always mean she’s going to be left for long periods. Deafening quiet could unnerve your puppy, so when you leave, turn on the radio or television so the house still has signs of activities she’d hear when you’re home. Background noise also blocks out scary sounds from outdoors, so she won’t react to unknown terrors. HAPPY PUPPY Exercise your puppy before you leave her alone at home. Take her for a walk, practice obedience, or play a game. Then give her a chance to settle down and relax so she won’t still be excited when you put her in her pen. She’ll quickly learn that the rustle of keys followed by you picking up your briefcase or purse, getting your jacket out of the closet, or picking up your books all mean one awful thing: you’re going, and she’s staying. While you’re teaching her to spend time alone, occasionally go through your leaving routine without actually leaving. Pick everything up, fiddle with it so she can see you’re doing so, put it all back down, and go back to what you were doing. Don’t make a fuss over your puppy when you come and go. Put her in her pen and do something else for a few minutes before you leave. Then just leave. Big good-byes and lots of farewell petting just rev her up and upset her. When you come home, ignore her while you put down your things and get settled. Then greet her calmly and take her outside for a break.
Terry Albert (Your Labrador Retriever Puppy Month by Month: Everything You Need to Know at Each Stage to Ensure Your Cute and Playful Puppy Grows into a Happy, Healthy Companion)
I’m not going to the ball.” “Of course you are,” Everett argued before Abigail had the chance. “My mother is counting on you being there, and I’d look at it as a great privilege if you’d honor me with a dance.” “I don’t know how to dance. And I never intended on attending the ball. I thought I was simply supposed to escort the children, and then stay with them as they peeked through a banister. Although . . . I do think that window off the side terrace might be a better choice, given that it’s far away from where any guests will be.” Everett narrowed his eyes as much as he could, which wasn’t much, since they’d taken to swelling. “I’m not comfortable with the idea of you hiding in the shadows, Millie. You’ve become an integral part of my family, and as such, I’d like you at the ball.” Millie drew herself up and suddenly looked rather fierce. “If you’ve forgotten, this is Caroline’s ball. She’s been looking forward to it for months, which means it would not be fair to her to have me anywhere near the ballroom. My presence would only ruin her evening, and I’m sorry, but I won’t be responsible for that.” Everything
Jen Turano (In Good Company (A Class of Their Own Book #2))
You have to hit it,” she told herself. “This could be life or death.” She positioned her rifle and made herself comfortable on the rock. Chief had disappeared. A hawk screed high overhead. She
Lauraine Snelling (Valley of Dreams (Wild West Wind Book #1))
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Cade?" He twisted in his saddle and looked at her questioningly. "What did you mean when you said we were married?" "You accepted my horse, didn't you?" He nodded at the huge gray she rode even now. "You invited me into your house and brought me a dowry of two mustangs. My father approved. That is all that is necessary." His satisfied tone raised her anger. "You know that isn't all that is necessary!" Cade shrugged and walked his mount through a particularly narrow strip between trees. "We can go to town and sign the alcalde's book, if you like. There are no priests. I would take you to San Antonio and a church, but your rebels are probably already there trying to blow holes in the city with their cannon. What more would you have me do?" "You could have at least asked me," Lily answered spitefully. He was too close to truth for comfort. Marriages were a haphazard thing in this country. She would have preferred San Antonio, but after taking Goliad, the rebels were undoubtedly marching to the next city. She didn't want a church that much. But she would have liked to have been asked and to have had her father and son present. She didn't feel in the least married. "If I'm married, what is my name? Mrs. Cade?" He tilted his head as if to consider the notion. "Probably not. It might be easiest if you call yourself Senora de Suela. That's my grandfather's name." "Do you have an Indian name?" "Just my birth name. I did not stay with the tribe long enough to give myself an adult name. My father is Lipan and does not have a family name." "What is your birth name?" They had reached the grassy plain, and Cade could turn and watch her now. Lily supposed the flicker in his eyes could be called amusement. She had never seen him laugh, and rarely did he smile, but she was beginning to understand some of his expressions. Or lack of them. "My father called me something that translates roughly as 'Mighty Quiver.' I never asked him what he was thinking about at the time. My mother called me Luis Philippe, after her father. Do you prefer either of those?" A grin quirked Lily's mouth. Mighty Quiver. She could just imagine a screaming baby boy being called that. She suspected his father had a sense of humor even if Cade did not. He was definitely not a Luis Philippe. She shook her head in reply. "Where does Cade come from?" "The Spanish word for music, cadenza. They thought they insulted me, but they were unaware of the other poor names I had to choose from." Lily didn't want to ask who "they" were or why they would wish to insult him for his love of music. She knew absolutely nothing about this man. "Cade suits you," she answered decisively. "And de Suela?" He lifted his eyebrows questioningly. "Or shall I give myself an adult name now? No one will know the difference." Lily considered this briefly, then shook her head. "I think that is your decision." "De Suela is an old and respected name. I will stay with it, then." Lily de Suela. Considering the state of current affairs, a Mexican name wasn't any better than an Indian one, but she wasn't even certain that either belonged to her. Lily supposed if a child came of their night together, she would be glad of a name for it, but she couldn't reconcile herself to the position of wife just yet. She was just now learning to be herself again. She
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
If the woman I loved fell sick, I would be at her side, day and night. And even if my duties took me from her, I would write every day.” The roughness in his voice took her aback, and for a moment, she found herself caught up in his stare. She couldn’t read his emotions, for his anger was blended with an intensity that stole her breath. “I cannot understand why any man wouldn’t do the same for you.” His mouth rested above hers, and she felt the heat of his breath upon her lips. Against her will, her body responded to his nearness, making her soften to his touch. Though he crossed no boundaries, she trembled at the hushed sense of the forbidden. “You’re too good for him, a chara. If he truly loved you, he would not have left you when you were ill. And I think you know that.” Her face flooded with color, for he was the first one to openly say this. “Then why would Lord Burkham bother writing to me?” He hesitated at that. “I cannot say. Except that perhaps he feels guilty for not treating you as he should.” She didn’t want to believe it. Not when Thomas represented her hopes and dreams for the future. No, she would take comfort in the fact that he had continued to write letters, and she was glad of it. She let out a sigh. “I am tired, Lord Ashton. I think we are finished for today.” He regarded her with solemnity. “It wasn’t my intent to hurt your feelings, a chara.” “I know.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
I want to know I can pick up and go if I feel the need. If I’m feeling all done with what I’m doing, I want to be able to go do something else, somewhere else, soak in new scents, new scenery, new people, new challenges.” She smiled. She realized something else. “I miss the restlessness. The pull to head somewhere new, find something I’ve never seen, learn something I didn’t know.” “It’s comfortable, I would imagine,” he said. “And comforting. It’s what you know, what you understand. Makes you feel like you.” She nodded. “That’s exactly it.” It was a little overwhelming at times, how well he seemed to understand her, to get what she meant. But in the best possible way. “There’s one more part,” she said, finding the courage, knowing she needed to tell him the rest of it. “Of the all I want to have.” “Which is?” She lifted her head then, propped her chin on his chest, and looked into his beautiful blue eyes. “You.” The light that leaped into those eyes was almost startling in its fierceness. His hand stilled in her hair, his body seemed to vibrate a little, as if injected with a sudden shot of life. But he otherwise said nothing, didn’t move, didn’t roll her to her back and kiss her senseless. He just held her gaze and let her see everything her declaration made him feel. That emboldened her to go on, to give voice to the rest of it. “I want to go back to Cameroo, see everyone again, see if it feels the same, if it still calls to me like it did before.” She clung to his gaze. “Feel what it would be like to be there and be with you. Really with you.” She expected him to say something like he’d book her the next flight back, but instead he regarded her for a long moment, and she realized she was trembling by the time he spoke. “That’s a lot of all,” he said. She nodded, unable to say anything more. Then he surprised a gasp out of her by reaching for her and pulling her up on top of him, slowing rolling to his other side and tucking her under the shelter of his body. He slid his leg between hers, leveraged his weight on one forearm, and cupped her cheek in his free hand. He stared down so intently, so deeply into her eyes, she thought she might drown in all that deep, dark, bottomless blue. “Cooper,” she whispered, for once not having any idea what he was thinking. “Maybe there is a way to have it all,” he said, lowering his head to hers. “If you want me, Starfish, we’ll find that way.” “I do,” she said, the sudden prickle of tears surprising her, but it was such a huge rush finally to admit it, to tell him. To tell herself. “But--” “No buts,” he said, kissing the damp from the corner of one eye, then the other. “We’ll sort it out,” he said. “It’s what we do for the people we love.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
She changed her position, contemplated a row od apple shrubs that she had put in last autumn at the bottom of the terrace, and slowly filled up again with comfortable thoughts. Things wee coming to a head. Her inner life, her restless inner life, was still and lay asleep. She was at liberty now to think of material things; positions of wardrobes and chests-of-drawers; lists of books to be piled by her bed; dressing jackets; white wooly vests and pants. It was not often she could thus play dolls and doll-houses without feeling she ought to be doing something else; that life was short; that she was threatened by the melancholy of life itself whose vapors sometimes reached her with overpowering strength. from her present sea-deep content two things were absent now - the horror of the ultimate departure, and the need to express herself before the end. The baby seemed to swim and strike like a dolphin. "it is a mystery," she said. "Women bearing children, bulbs becoming hyacinths, acorns … sheep… lambs. Feet that never touched the earth… I shall become two people." She stared between the apple trees; hypnotized, drugged by that sea-deep peace; wonder drifting weedily in and out. She was a vase, a container, a plot oak for a gnome to live in, a split oak, a hollow elm.
Enid Bagnold
up the pathway to the front door.  She’d called and left him a message, letting him know that she was coming, and that she’d leave the documents with the housekeeper if he wasn’t there.  Ringing the doorbell, she couldn’t stop the blush that stole up her cheeks as she remembered the last time she’d been here.  Had it really been only two days ago?  It seemed like a lot longer.  Did he still have those stockings?  Surely he’d tossed them out by now.  And no, she hadn’t dared to purchase another pair.  Not after the last debacle.  When the door opened, she was bracing herself to face Hunter once again.  Her plan was to congratulate him, just as she would any other client, hand him the champagne and the closing documents, and then leave as quickly as possible.  Just as she would all of her other clients.  They were all trying to unpack, overwhelmed with the process but excited about their new purchase.  She very seriously doubted if anything overwhelmed Hunter, but she was going to go through her routine anyway.  All of her clients deserved the same treatment, and she shouldn’t slack off with Hunter simply because…well, because he could make her feel things that… “Goodness, come in out of the heat, my dear!” the housekeeper urged, waving Kara into the cool interior.  “Mr. West is out back in the pool, but he said he was expecting you and that you’d know the way.  If he needs anything at all,” she said, as she hefted a purse onto her shoulder that Kara suspected could substitute for a suitcase, “just tell him to give me a ring.” Kara opened her mouth to stop the woman as the two of them exchanged places, the housekeeper moving to the outside even as Kara was nudged inside.  Kara went so far as to lift her hand, trying to indicate that she wanted to say something, but the efficient woman bustled out of the house, closing the front door in the process.  Kara stared at the closed door for several long moments, wondering how that had just happened.  Her plan had been simple.  Just hand over the bottle and documents, convey her congratulations and head back.  What had just happened?  Kara turned around.  It felt strange to be standing here, alone, in Hunter’s house.  She’d been here two days ago, but the house hadn’t been his.  The man now owned the house, all the furniture, and the acres of land and waterfront.  It felt much more intimate now for some reason.  Looking around, she wished that she could just leave the documents on the kitchen counter or the rough, wooden coffee table that looked perfect next to the white sofas.  Everything felt and looked clean and comfortable, exactly as she would have decorated this area.  The pops of green were vibrant and exhilarating, a perfect accompaniment to the fresh, white furniture.  With a sigh, she turned away from the alluring great room décor and searched out the man of the moment.  As she stepped past the sofas, she saw him.  In the pool.  Without any clothes on! Oh goodness, she thought with a strangled breath.  It took her several moments to realize that she needed to inhale, her breath caught in her throat as she watched the man’s bare skin, and all the muscles, and…well, all of him!  Okay, so he wasn’t naked, he was wearing a bathing suit but his broad, muscular back and those arms…they were even more ridged with muscles than she’d thought.  He was spectacular!  Never in her wildest imaginings had she pictured him that buff, but there
Elizabeth Lennox (His Indecent Proposal (The Jamison Sisters Book 3))
Her eyes held no humor as she turned and stared at me, her vibrant light snuffed out. She was silently pleading, desperately begging me to keep her sister safe. I decided then and there that this woman should never beg. I understood she cared for her sister, but who cared for her? At that moment, she seemed so innocent. She was not the vicious, fire-wielding beast I had first met. She was just a girl who had been born into chaos. Kaden had backed her into a corner, her choices taken until she had reformed herself into a weapon. She had become what she needed to be to protect the only person who still saw good in her. Not able to bear the sight of her so alone in the dark, I reached out and took her hand the same way she had done mine during my night terrors. It had comforted me, and I wanted to do the same for her. “I promise to make sure Gabby is safe. I also promise that he will never lay a hand on you again. If he even tries to take you away, I promise I’ll make him regret ever being born.
Amber V. Nicole (The Book of Azrael (Gods and Monsters, #1))
It didn't mean she wasn't scared, but she was stronger now, altered forever by this journey. The Ceres who had first arrived would not have been capable of walking through that doorway--or more correctly, would not have believed herself capable of it, which was not the same thing. That Ceres was lost, and melancholic, but had forgotten for a while that this was the human condition: often to be lost, confused, or anxious, but finally to comprehend that, at crucial instances, we will find ourselves lost precisely where we were meant to be; that there is little use to be learned from the familiar--one may gain comfort from it, but not knowledge--only from what is strange and new; and that everything worth experiencing or embracing is, because unknown, first touched by fear.
John Connolly (The Land of Lost Things (The Book of Lost Things #2))
You get the Grump and the hellhound?” Ivy said, making herself comfortable on the floor. “There must be something very wrong with you.” Her grin was huge. "I love it!
D.N. Hoxa (The Elysean Illusion (The Holy Bloodlines, #3))
Nora was only able to think of herself in terms of the things she wasn't. The things she hadn't been able to become. The regrets which were on permanent repeat in her mind.
Matt Haig (The Comfort Book / The Midnight Library)
Analise snuggled into a more comfortable position and let herself get lost in the movie. Before long her eyes started to get heavy and she drifted off into a dream where she was the damsel being rescued by the rough and rowdy desperado with a heart of gold.
Ciana Stone (Honky Tonk Angels: A seven book set)
He had mastered the art of conducting a love affair through all its stages, from infatuation to consummation, wholly within its mind. How could he do that? The indispensable first step was to capture what he called “a living image” of the beloved and make it his own. Upon this image he would then dwell, giving breath to it, until he had reached a point where, still in the realm of the imagination, he could begin to make love to this succubus of his and eventually conduct her into the utmost transports; and this whole passionate history would remain unbeknown to the earthly original. [ On the erotic life ] It all hinged, he replied, on being able to capture, through the closest, most dedicated attention, that unique unconscious gesture, too slight or too fleeting to be noticed by the average eye, by which a woman gave herself away - gave away her erotic essence, that is to say, her soul. The way she turned her wrist to look at her wristwatch, for example, or the way she reached down to pull tight the strap of a sandal. Once that unique movement was caught, the erotic imagination could explore it at leisure until the woman’s every last secret was laid open, not excluding how she moved in the arms of a lover, how she came to her climax. From the giveaway gesture all followed “as if by fate”. [ On the erotic life ] That’s the beauty of thoughts, isn’t it, that distance doesn’t matter, and separation. [ On compassion ] The woman from Lausanne complains above all of loneliness. She has created a protective ritual for herself in which she retires to bed at night with music playing in the background and lies cosily reading a book, immersed in what she tells herself is bliss. Then, as she begins to reflect on her situation, bliss turns to disquiet. Is this truly the best that life affords, she asks herself - lying in bed alone with a book? Is it such a good thing to be a comfortable, prosperous citizen of a model democracy, secure in her home in the heart of Europe? Despite herself, she grows more and more agitated. She rises, dons dressing gown and slippers and takes up her pen. [ On fan mail ]
J.M. Coetzee (Diary of a Bad Year)
Fag Bush Betty leaned against the sink and the supports whined under her weight, but she leaned anyway and picked stuff out of her teeth, using the mirror as a reference. She stopped after a few crevices and looked at herself. I’d seen a ton of women give themselves that look to themselves in the mirror before. Those eyes were searching for the answer. The way her eyebrows made her forehead wrinkle up, and her chapped lips and skin that was loose on parts of body gave her a very gaunt texture and appearance. I didn’t need a change of light or a particular aimed luminescence to see the extreme parts of her. I could see her spine, and every bone in it. She turned the faucet on and ran water into her hands, splashing it onto her face and letting the beads run down her cheeks, over the edge of her chin and down beside the veins in her neck. “I do that sometimes too,” I said. She turned her head with her back still facing me. “That, right there, stand above the sink and using the water like that,” I said, “never helps though, but it’s funny how it makes your eyes burn. I’ll take a shower sometimes and get real clean. I’ll wash everything. Later that night I’ll have a freak out and walk over to the sink, same as you, naked as hell. I’ll splash water on my face but still when it gets in my eyes it burns. Like there’s some dirt or sweat that I missed while in the shower. It always happens that way. I can’t seem to get everything, and my eyes just… burn. Sometimes the sweat really makes them sting. And there’s nothing you can really do about it, ya have to let it burn until it washes out.
Dave Matthes (The Sounds From the Hills Go Away When the Sun Goes Down)
The rest of our drive was quiet but comfortable, and when we reached Ceder Ridge, Clementine was damn near bouncing in her seat with excitement. “Which trail are we taking?” she asked while I grabbed the book bag I packed with water and other supplies. “Cattail.” “My favorite,” she mused to herself. “We can stop at the butterfly garden along the way.” I nodded and led us to the trail’s entry.
Asia Monique (Maybe in this Lifetime)
On the other side of the boy was a fireplace with a small fire burning in the grate. It was a much smaller fire than all the smoke outside suggested, but then this was obviously only a back room in the castle. Much more important to Sophie, this fire had reached the glowing rosy stage, with little blue flames dancing on the logs, and placed beside it in the warmest position was a low chair with a cushion on it. Sophie pushed the boy aside and dived for that chair. “Ah! My fortune!” she said, settling herself comfortably in it. It was bliss. The fire warmed her aches and the chair supported her back and she knew that if anyone wanted to turn her out now, they were going to have to use extreme and violent magic to do it.
Diana Wynne Jones (Howl's Moving Castle (Howl's Castle Book 1))
He's not an ugly guy. Pretty young, just… plain. I can't believe Belle had to look at his glum mug for three years. Not only is he plain, but he's an insufferable prude too. So, he doesn't care for sex. Not a problem. But that doesn't give him the right to shove his belief on others. Belle told me about the time he took away her books. This prick denied my beautiful Omega her smut, and how dare he… He will will pay. He not only took away her joy but he deprived her of comfort whenever she did something he didn't like. Francis made her feel like she was the only person left in the world and that no one was coming to rescue her. In the end, she had to save herself, and if only we had been there for her…
Violet Fox (Sacrificed (The Beta Trials #4))
And having let herself into her room on the fourth floor, Anna would change into a simple dress (after hanging her gown in the closet), make herself comfortable with a book, and wait for the Count to arrive.
Amor Towles (A Gentleman in Moscow)