Comedy Short Quotes

Life Is Too Short--So Kiss Slowly, Laugh Insanely, Love Truly, And Live With Passion.

Oh blind, oh ignorant, self-seeking cupidity which spurs as so in the short mortal life and steeps as through all eternity.

Enchantment and seduction were fine means of persuasion, but when time is short, an awkward but quick concussion could better serve a girl's purpose.

how short a time the fire of love endures in woman if frequent sight and touch do not rekindle it.

Without pride, man becomes a parasite – and there are already too many parasites.

For a while, Criticism travels side by side with the Work, then Criticism vanishes and it's the Readers who keep pace. The journey may be long or short. Then the Readers die one by one and the Work continues on alone, although a new Criticism and new Readers gradually fall into step with it along its path. Then Criticism dies again and the Readers die again and the Work passes over a trail of bones on its journey toward solitude. To come near the work, to sail in her wake, is a sign of certain death, but new Criticism and new Readers approach her tirelessly and relentlessly and are devoured by time and speed. Finally the Work journeys irremediably alone in the Great Vastness. And one day the Work dies, as all things must die and come to an end: the Sun and the Earth and the Solar System and the Galaxy and the farthest reaches of man's memory. Everything that begins as comedy ends in tragedy.

There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.

He looked like every glossy frat boy in every nerd movie ever made, like every popular town boy who’d ever looked right through her in high school, like every rotten rich kid who’d ever belonged where she hadn’t. My mama warned me about guys like you. He turned to her as if he’d heard her and took off his sunglasses, and she went down the steps to meet him, wiping her sweaty palms on her dust-smeared khaki shorts. “Hi, I’m Sophie Dempsey,” she said, flashing the Dempsey gotta-love-me grin as she held out her hot, grimy hand, and after a moment he took it. His hand was clean and cool and dry, and her heart pounded harder as she looked into his remote, gray eyes. “Hello, Sophie Dempsey,” her worst nightmare said. “Welcome to Temptation.

What is our life? A play of passion. Our mirth the music of division. Our mother's wombs the tyring houses be, Where we are drest for this short Comedy. Heaven the judicious sharp spectator is, That sits and marks still who doth act amiss, Our graves that hide us from the searching sun, Are like drawn curtains when the play is done. Thus march we playing to our latest rest, Only we die in earnest, that's no jest.

Shame comes in different doses.

It’s late and most of the clerks are at home in their beds, dreaming of swimming in pools filled with real money.

my happiness was never predicated first and foremost upon my career. It’s an outlook that has served me well.

At times like these, size really does matter," I point out, at I extend my ginormous umbrella over her in a way that stops any rain droplets from falling on her. My Best Valentine's Day Ever, A Short Story by Zack Love

To my beloved friends, there’s simply no life without you guys. Thanks for the advice and the love and the billion dinners and laughs. Without you all . . . I’d look for new friends and get them.

Sir Eustace was with Royce and Stefan looking over some maps when he was informed by the guard that the ladies were asking for him. "Is there no end to her arrogance!" Royce bit out, referring to Jenny. "She even sends her guards on errands, and what's more, they run to do her bidding." Checking his tirade, he said shortly, "I assume it was the blue-eyed one with the dirty face who sent you?" Sir Lionel chuckled and shook his head. "I saw two clean faces, Royce, but the one who talked to me had greenish eyes, not blue." "Ah, I see," Royce said sarcastically, "it wasn't Arrogance that sent you trotting away from your post, it was Beauty. What does she want?

This isn't where I intended to be. Killing a person has a funny way of getting your life off-track.

Do short people reach their full potential quicker?

Death is nothing at all. It does not count. I have only slipped away into the next room. Everything remains as it was. The old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no sorrow in your tone. Laugh as we always laughed at the little jokes that we enjoyed together.

Live a life abundant in love and rich in spirit, these are the seeds of a fulfilling existence. Be the safe harbor you seek in the world. Follow your dreams, not your fear. Go into the New Year with an open mind and hopeful heart. Don't let the chains of unforgiveness weigh you down. Life is too short to live in a prison of past hurts. The futures is yours for the taking and creating. Life is bittersweet, when we can let darkness and light co-exist as illumination, we can live in true happiness. When we live life at its best, it is a symphony of feelings, of high and low notes, of tragedy and comedy, love and loss, magic and the sublime. It can be quite a spectacular journey when we fully embrace and accept it.

Books are wonderful, portable, lasting, but sitting there, in the darkened theater, the wide screen filling her vision, the world falls away, and for a few short hours she is someone else, plunged into romance and intrigue and comedy and adventure.

Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in faces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.

Only criminals and madmen walk into Central Park after midnight...or, occasionally, an actor. (Dark City Lights)

Only men with intelligence, confidence and absolutely no empathy at all can progress upstairs.

Don’t mock my suggestions, Ridley – one day in the near future, they might just save your life.” Maxwell D. Kalist.

Men circle like bees around honey, buzzing to communicate their sexual despair.

Clary,’ Jace Saïd again. ‘You know: short, redheaded, bad temper.

I flopped on the overstuffed kitchen couch and watched him go. I wondered what would happen to all his films and photographs in the upstairs closet - the documentaries on homelessness and drug addiction, the funny short subjects, the half-finished romantic comedy, the boxes of slice-of-life photographs that spoke volumes about the human condition. I wondered how you stop caring about what you've ached over, sweated over. (Thwonk)

Thus it was up to God, to Him alone in His own ways - by one or both, I say - to give man back his whole life and perfection. But since a deed done is more prized the more it manifests within itself the mark of the loving heart and goodness of the doer, the Everlasting Love, whose seal is plain on all the wax of the world was pleased to move in all His ways to raise you up again. There was not, nor will be, from the first day to the last night, an act so glorious and so magnificent, on either way. For God, in giving Himself that man might be able to raise himself, gave even more than if he had forgiven him in mercy. All other means would have been short, I say, of perfect justice, but that God's own Son humbled Himself to take on mortal clay. -Paradiso, Canto VII

...but I must not brood. The path of memory is neither straight nor safe, and we travel down it at our own risk. It is easier to take short journeys into the past, remembering in miniatures, constructing tiny puppet plays in our heads.

Gabrielle chuckled, her dark eyes twinkling. “So he’s been after you, has he? Poor Etta, pursued by a sun priest offering to pleasure—” “Every nook and cranny,” Marietta interrupted dryly and Gabrielle tipped her head back with a throaty laugh.

Canada is a sparsely populated nation, a mere 34 million people across a vast expanse of land. Consequently, as you grow up there, you encounter more weirdos who have been given a wider berth to stew in their weirdness and become gloriously eccentric. These are precisely the kinds of folks who served as our comic muses in Toronto. On top of this, the performers in Second City Toronto were a particularly nice, un-mean group,

I would be the first to admit that I drew attention to my chest since, being so short, I need to give people a reason to look down far enough to see me.

That was 1993 grunge in suburbia. This was 2003 hell in Harlem. (Dark City Lights)

This isn't where I intended to be. Killing a person has a funny way of getting your life off-track. (Dark City Lights)

everything from Hairspray to the Academy Awards. They were also my co-conspirators on my 2006 Broadway show, Fame

Da problem with today’s songwriters is, dey’re just ripping off what I did years ago. “Send In da Clowns”? I wrote da same tune back in 1910 under the title “Send Up Some Towels.

To Kalist, Baumauer’s just a timber bridge in need of a good hot fire.

Are there not times, Ridley, when you yourself wish only to hear the best in people – and not to be dragged downwards into the underworld we all regularly inhabit?

Every time I so much as blink you get an erection.

All mankind’s institutions, of every sort, have their own death, though in what long endures it is hidden from you, your own lives being short. [XVI:79-81]

Farewell, ungrateful traitor, Farewell, my perjured swain; Let never injured creature Believe a man again. The pleasure of possessing Surpasses all expressing, But 'tis too short a blessing, And love too long a pain. 'Tis easy to deceive us In pity of your pain; But when we love you leave us To rail at you in vain. Before we have descried it There is no bliss beside it, But she that once has tried it Will never love again. The passion we pretended Was only to obtain, But when the charm is ended The charmer you disdain. Your love by ours we measure Till we have lost our treasure, But dying is a pleasure When living is a pain.

Rare contact creates a stir. Gossip spreads. Tensions build. Denying Pissec, miserable Obelmäker and repressed Baumauer are all seething-jealous – openly or reservedly – within the hour. The pay rise promise is working a treat. Brichacek’s licking the tip of a pencil with her sticky pink tongue. “Stop flirting,” he tells her, but he looks at her breasts and thinks, The girls with the bruises in the sex films are just dead dolls, but this pretty toy is alive.

But once it's been agreed when that real-world decision has to happen, why make it before the deadline arrives? Why Well, it would be foolish, because if you can wait longer, two incredibly important things may happen.: You may get new information. You may get new ideas. So why would you make a decision when you don't need to?

Mrs Touchet allowed herself a private smile. As long as we profess to believe that two people may happily - or feasibly - invest all love and interest in the world solely in one another, till death do them part - well, then life, short as it is, will continue to be a human comedy, punctuated by tragedy. So she generally thought. Then there were those moments of grace, when she startled herself with the idea that if anybody truly understood what is signified by the word 'person', they would consider twelve lifetimes too brief a spell ion which to love a single soul.

Far back in the impulses to find this story is a storyteller's belief that at times life takes on the shape of art and that the remembered remnants of these moments are largely what we come to mean by life. The short semihumours comedies we live, our long certain tragedies, and our springtime lyrics and limericks make up most of what we are. they become almost all of what we remember of ourselves.

Henry, I know it seems unimaginable, but you are being empowered tonight,” I told him. “You are being given something that is horrible, but is also a life lesson. This will make you stronger. This will make you more determined. You’ll be in your office somewhere, someday, and some pompous asshole will say something to you. And you’ll supposedly be upset, and you’ll supposedly be fearful of your boss’s reaction. But then you’ll think, ‘This is gravy. This is fine. I couldn’t care less about this prick. I’m not upset now. I was upset the night my mother died.

Of all the inventions Addie has seen her ushered into the world — steam-powered trains, electric lights, photography, and phones, and airplanes, and computers — movies might just be her favorite one. Books are wonderful, portable, lasting, but sitting there, in the darkened theater, the wide screen filling her vision, the world falls away, and for a few short hours she is someone else, plunged into romance and intrigue and comedy and adventure.

In the course of your life you will be continually encountering fools. There are simply too many to avoid. We can classify people as fools by the following rubric: when it comes to practical life, what should matter is getting long term results, and getting the work done in as efficient and creative a manner as possible. That should be the supreme value that guides people’s action. But fools carry with them a different scale of values. They place more importance on short-term matters – grabbing immediate money, getting attention from the public or media, and looking good. They are ruled by their ego and insecurities. They tend to enjoy drama and political intrigue for their own sake. When they criticize, they always emphasize matters that are irrelevant to the overall picture or argument. They are more interested in their career and position than in the truth. You can distinguish them by how little they get done, or by how hard they make it for others to get results. They lack a certain common sense, getting worked up about things that are not really important while ignoring problems that will spell doom in the long term. The natural tendency with fools is to lower yourself to their level. They annoy you, get under your skin, and draw you into a battle. In the process, you feel petty and confused. You lose a sense of what is really important. You can’t win an argument or get them to see your side or change their behavior, because rationality and results don’t matter to them. You simply waste valuable time and emotional energy. In dealing with fools you must adopt the following philosophy: they are simply a part of life, like rocks or furniture. All of us have foolish sides, moments in which we lose our heads and think more of our ego or short-term goals. It is human nature. Seeing this foolishness within you, you can then accept it in others. This will allow you to smile at their antics, to tolerate their presence as you would a silly child, and to avoid the madness of trying to change them. It is all part of the human comedy, and it is nothing to get upset or lose sleep over.

If one starts a serious cgange, the beginning has to be with comedy.

How ’bout you take this Cajun injector here,” I say, gripping the steel rod in his shorts, “and give me a shot of protein instead.

Bye! . . . Love you! . . . Call me!” After she’d hung up, I asked her, “Who was that?” and Gilda said, “Wrong number.

The train hit her with the sound of a meat-filled hefty bag smacking the pavement, and the effect was much the same, I guess. (Dark City Lights)

He had to die someday too. He might do it on sheets with a six-hundred-plus thread count, but he'd die just the same. Death wouldn't forget about him.

The first thing you lose when you die is your motor skills.

You are a more powerful person than you might have ever imagined.” Maxwell D. Kalist.

He’s in a side room alone with her and it’s far too fucking hot.

I’m warning you because you’re young and vulnerable. He’s a dirty, lying, conniving piece of shit and he’s dangerous.” Gottfried Baumauer.

Secrets are dangerous.” Gottfried Baumauer.

He detested hierarchy and enjoyed the friendship of people in all walks of life. He was, like Shakespeare, an actor with a talent for comedy.

His short hair is damp and a few strands are plastered to his forehead. His eyes are bluer than blue when he assesses me coolly. "Ready for me?" DEAR GOD YES.

Nora’s e-mailed response was, “Oh, Kathleen . . . How could I ever say no to you—and yet I have.

As I write this, I am sixty-four years old, with, I hope, many more years to live and lots more to do. And, by the way, no face work. I know you’re thinking, “No kidding.” But cosmetic surgery just doesn’t work on a man. Were I to take the plunge, no one would ever say, “Whoa, who’s that really hot thirty-eight-year-old dude?” They’d say, “Who’s that sixty-four-year-old who’s been in a fire?” Being

Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.

I almost wrote lyrics for this tune, but realized that lyrics were somehow, mysteriously, implied. It is dedicated to the memory of Nancy Short, whose vitality and love of laughter made elegies easy but grief doubly hard.

This lesson is, I suppose, a major reason I wrote this book: because along the way I’ve picked up the wisdom that bad things happen, and yet the sun still comes up the next day, and it’s up to you to carry on living your life and keeping your setbacks in perspective. You also have to understand that on some level, these horrible and sad things happen to everyone; the mark of a man is not just how he survives it all but also what wisdom he’s gained from the experience.

Thus the esthetically sensitive man stands in the same relation to the reality of dreams as the philosopher does to the reality of existence; he is a close and willing observer, for these pictures afford him an interpretation of life, and it is by these processes that he trains himself for life. And it is not only the agreeable and friendly picture that he experiences in himself with such perfect understanding: but the serious, the troubled, the sad, the gloomy, the sudden restraints, the tricks of fate, the uneasy presentiments, in short, the whole DIVINE COMEDY of life, and the inferno, also pass before him, not like mere shadows in the wall - for in these scenes he lives and suffers - and yet without that fleeting sensation of appearance.

There are no short cuts to that totally encompassing experience. Salvation must grow out of understanding, total understanding can follow only from total experience, and experience must be won by the laborious discipline of shaping one's absolute attention.

I decided that, as a stand-up, I’d position myself as a cerebral, observational comic, making references to Camus and Kierkegaard. I wasn’t so much concerned with getting laughs as I was with seeing audience members turn to each other at any given moment and say, “Exactly!

I have no idea what you’re talking about.” I spin to leave. “No fucking way.” It clicks in his mind. “Little Vee?” Here he is. “You’re that girl Finn and I used to…” He doesn’t complete his sentence, but I know all too well what he was going to say. “Annoy? Tease? Torture? Why, yes, that would be me. Did you seriously just figure that out? A bit slow, are we?” I snark. My outburst only seems to amuse him. “Look, in my defense, your mom only ever called you ‘Vee.’ I thought it was short for Vicky or Vivian or something. And it was ten years ago. I can’t even remember what I had for dinner last night.” “Whatever.” I shrug. “Shit, I’ve got to say, Vee.” He gives me a once-over. “Puberty did you a solid.” My cheeks combust. “Wish I could say the same about you,” I lie through my teeth. Xavier smiles at my failed attempt to deny the undeniable. Let’s not pretend like puberty didn’t do every female on earth a solid when Xavier Emery went from “cute” to “sinfully hot” in the span of a summer. “I think you mispronounced thank you.” He flashes a smug grin that makes me want to knee him where it hurts.

The house in the story is based on my friend Tori's house in Kinsale, Ireland, which is obviously not actually haunted, and the sound of people upstairs moving wardrobes around when you are downstairs there and alone is probably just something that old houses do when they think they are unobserved.

Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing. “Do you really like it? You’re just saying that so that you can check out my belly!” “And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?” “No. I just thought it would look cool…Do you have any piercings?” “Actually, I do,” Heeb replied. “Where?” “My appendix.” “Huh?” “I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?” “That’s pretty original,” she replied, amused. “Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.” Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?” “Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.

Misery comes to miser; joy comes to wiser. (A Very Hot Cup of Tea, Empathy) Juvenile invites, youth tries, adult applies, and the old man dies. (A Straw Man, Empathy) In everyone, there lives a superhero. (The Medicine Man, Empathy) Faith is the strongest word in any dictionary. (The Wisdom Beard, Empathy) I’ve entered into your feelings; it’s your turn now. (Empathy)

He swims easily to the side of the boat and pulls himself up on the ladder, water droplets clinging to his chest and abs. Still hanging on to the rope, he brings himself effortlessly over the side of the railing and onto the deck. His khaki shorts are completely soaked through, and they hang low and loosely on his hips. I have to force myself, consciously, not to ogle him.

Short, square, cleanshaven, his head seemed carved out of an elephant's tusk, the whole massive cone of ivory left more or less complete in its original shape, eyes hollowed out deep in the roots, the rest of the protuberance accommodating his other features, terminating in a perfectly colossal nose that stretched directly forward from the totally bald cranium. The nose was preposterous, grotesque, slapstick, a mask from a Goldoni comedy.

We arranged to spend the next day, a Sunday, looking at apartments together, followed by a round of tennis, since we both played. Before Nancy left the Pilot that night, I said to her lasciviously— I don’t know what possessed me—“Have you ever tried a comedian before?” Which was either very sexy or very creepy, depending on your opinion of me. She just stared at me, betraying no emotion, and said, “I hope you have a racket. I’m pretty good.” Our

In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.

A footfall crunched behind him. He turned to see Reyna heading his way with the cat at her side. He grinned at them, and Reyna stopped short, glancing over her shoulder as if looking for the cause of his grin. "Someone spike you prefight Gatorade?" she asked. "No, I'm just happy to see -" He rocked back on his heels. "Happy to see the cat is still with you. Have you picked a name yet?" "What are my options again?" "Trjegul, Bygul, and Heyyu." "Tree-gool and Bee-gool?" she said. "And Hey-yu?" She stopped. "Hey, you. Oh. Ha-ha. Leave comedy to the professionals, Thorsen." He shrugged. "You could always ask the cat what her name is." "Nope. I pick Trjegul." She looked down at the calico. "You're Trjegul now. Even if you're really Bygul." The cat only blinked. "So if I call you by your name, you'll come, right?" Trjegul got up and wandered off in the other direction. "Watch out or I'll trade you for a swan!" Reyna called after her. "A giant, killer stealth swan that eats ungrateful kitties for breakfast.

Street Ballad From high above the birds look down and sing because they see the monstrous comedies they miss, living several storeys higher: the dirty degradations and the gross humiliations, they, like the gods, without pity, look down upon from a telephone wire. but as they sit there high above and gaze down upon our brutal short and messy circumstances, they do not see the one who stands behind a cardboard tree examining them coldly with one eye closed and the other staring along the barrel of a gun.

He has time for gossip, for prophecies, for marvelous dramatic interplays, for treatises on history, for analyzing the French monarchy, the corruption of the Church, the decay of Italian politics. He has time for all sorts of metaphysical treatises on such matters as the nature of the generative principle, literary criticism, meteorology—in short, for his whole unfinished encyclopedia. And he still has time to invent a death for Ulysses, to engage in a metamorphic contest with Ovid, to make side remarks to his friends.

To this period of Modeste’s eager rage for reading succeeded the exercise of a strange faculty given to vigorous imaginations, — the power, namely, of making herself an actor in a dream-existence; of representing to her own mind the things desired, with so vivid a conception that they seemed actually to attain reality; in short, to enjoy by thought, — to live out her years within her mind; to marry; to grow old; to attend her own funeral like Charles V.; to play within herself the comedy of life and, if need be, that of death.

Each day of the week, Kalist indulges himself in a different, secret ritual. On Mondays, he wears cologne. On Tuesdays, he eats meat for lunch. On Wednesdays, he places a bet after work. On Thursdays, he smokes one cigarette (but claims he’s not a smoker). On Fridays, he treats himself to his favourite pastime: horse practice – he grew up with horses and likes to try and emulate their distinctive whinnies, snorts, neighs, snuffles, sighs, grunts, fluttering nostrils, the occasional aggressive outburst and the especially beautiful nicker of a mare to her foal. And, on Saturdays, lest we forget, Maxwell D. Kalist drinks wine from a chalice.

A man phones home from his office and says to his wife, “I have the chance to go fishing for a week. It’s the opportunity of a lifetime. I have to leave right away. Pack my clothes, my fishing equipment, and especially my blue silk pajamas. I’ll be home in an hour to pick them up.” The man rushes home to grab everything. He hugs his wife, apologizes for the short notice, and then hurries off. A week later, the man returns and his wife asks, “Did you have a good trip, dear?” The man replies, “Yep, the fishing was great...but you forgot to pack my blue silk pajamas.” His wife smiles and says, “Oh, no I didn’t...I put them in your tackle box!

Of all the inventions Addie has seen ushered into the world—steam-powered trains, electric lights, photography, and phones, and airplanes, and computers—movies might just be her favorite one. Books are wonderful, portable, lasting, but sitting there, in the darkened theater, the wide screen filling her vision, the world falls away, and for a few short hours she is someone else, plunged into romance and intrigue and comedy and adventure. All of it complete with 4K picture and stereo sound. A quiet heaviness fills her chest when the credits roll. For a while she was weightless, but now she returns to herself, sinking until her feet are back on the ground.

Maxwell D. Kalist is a receiving teller at a city bank, Orwell and Finch, where he runs an efficient department of twenty two clerks and twelve junior clerks. He carries a leather-bound vade mecum everywhere with him – a handbook of the most widely contravened banking rules. He works humourlessly (on the surface of it) in a private, perfectly square office on the third floor of a restored grain exchange midway along the Eastern flank of Květniv’s busy, modern central plaza. Behind his oblong slate desk and black leather swivel chair is an intimidating, three-storey wall made almost entirely of bevelled, glare-reducing grey glass in art-deco style; one hundred and thirty six rectangles of gleam stacked together in a dangerously heavy collage.

One of the many inconveniences of real life is that it seldom gives you a complete story. Some incident has excited your interest, the people who are concerned in it are in the devil’s own muddle, and you wonder what on earth will happen next. Well, generally nothing happens. The inevitable catastrophe you foresaw wasn’t inevitable after all, and high tragedy, without any regard to artistic decency, dwindles into drawing-room comedy. Now, growing old has many disadvantages, but it has this compensation (among, let us admit, not a few others), that sometimes it gives you the opportunity of seeing what was the outcome of certain events you had witnessed long ago. You had given up the hope of ever knowing what was the end of the story, and then, when you least expected it, it is handed to you on a platter.

Where's Mason?” “Planting explosives.” Zinio did a double take. “You actually handed that man explosives?” “Damn it, Zinio. Let other people have some fun.” The explosion in the distance was followed by Mason yelling, “Yahoo!” Zinio and Delaney stared speechless as Mason flew by in the adjoining tunnel, riding the concussion wave of the blast. Finally, Zinio stomped after him. He peeled him off the floor in the adjoining tunnel. “You having fun yet?” “Hell yeah!” “Wanna go again?” “Hell yeah I wanta go again!” A short while later, Zinio watched Mason fly by on a concussion wave from the latest explosion, as Mason shouted, “Hot Diggity!” Zinio made his way over to the somewhat more charcoaled Mason. “You had enough yet?” Mason nodded shakily. “Good—because it'd be nice if we actually put a hole in the fricking wall! That is the object of this little exercise.

A DINNER AT POPLAR WALK This is the first published work of Charles Dickens, which appeared in the Monthly Magazine in December 1833. It was later retitled Mr. Minns and His Cousin and can also be found in Sketches by Boz. However, since it is the beginning of the great writer’s oeuvre, it is presented at the very front of this collection. In reading this short story, we can at once detect the inimitable nature of Dickensian writing: varied characters, telling human and social understanding and, of course, hilarious comedy. Here is an account by Dickens, explaining how he felt when first publishing this story: “...my first copy of the Magazine in which my first effusion - dropped stealthily one evening at twilight, with fear and trembling, into a dark letter-box, in a dark office, up a dark court in Fleet Street - appeared in all the glory of print; on which memorable occasion - how well I recollect it! - I walked down to Westminster Hall, and turned into it for half-an-hour, because my eyes were so dimmed with joy and pride, that they could not

In order to grasp how exploitation is overcome by sublimation, it is not enough to stay with this standard definition of sublimation as the elevation of an ordinary object to the dignity of a Thing. As Lacan aptly demonstrated apropos courtly love, an ordinary object (woman) is there elevated to the dignity of the Thing, she becomes an “inhuman partner,” dangerous to get too close to, always out of reach, mixing horror and respect. The paradox of desire is here brought to an extreme, turning the experience of love into an endlessly postponed tragedy. In true love, however, comedy enters: while the beloved remains a Thing, it is simultaneously “desublimated,” accepted in all her ridiculous bodily imperfections. A true miracle is thus achieved: I can hold the Thing-jouissance in my hands, making fun of it and playing games with it, enjoying it without restraint – true love doesn’t idealize – or, as Lacan put it in his seminar on anxiety: “Only love-sublimation makes it possible for jouissance to condescend to desire.” This enigmatic proposition was perspicuously interpreted by Alenka Zupančič who demonstrated how, in the comedy of love, sublimation paradoxically comprises its opposite, desublimation – you remain the Thing, but simultaneously I can use you for my enjoyment: “to love the other and to desire my own jouissance. To ‘desire one’s own jouissance’ is probably what is the hardest to obtain and to make work, since the enjoyment has trouble appearing as an object.” One should not shirk from a quite concrete and graphic description of what this amounts to: I love you, and I show this by fucking you just for pleasure, mercilessly objectivizing you – this is how I am no longer exploited by serving the Other’s enjoyment. When I worry all the time whether you also enjoy it, it is not love – “I love you” means: I want to be used as an object for your enjoyment. One should reject here all the Catholic nonsense of preferring the missionary position in sex because lovers can whisper tender words and communicate spiritually, and even Kant was too short here when he reduced the sexual act to reducing my partner to an instrument of my pleasure: self-objectivization is the proof of love, you find being used degrading only if there is no love. This enjoyment of mine should not be constrained even by the tendency to enable my partner to reach orgasm simultaneously with me – Brecht was right when, in his poem “Orges Wunschliste,” he includes in the wish-list of his preferences non-simultaneous orgasms: “Von den Mädchen, die neuen. / Von den Weibern, die ungetreuen. / Von den Orgasmen, die ungleichzeitigen. / Von den Feindschaften, die beiderseitigen.” “Of the girls, the new. / Of the women, the unfaithful. / Of orgasms, the non-simultaneous. / Of the animosities, the mutual.

Life as a retiree took some adjustment. My first trip through self-checkout at the grocery store had all the makings of vaudeville comedy, and the short-term protective-detail officer assigned to me seemed quite amused.

You know, speaking from experience, I can tell you that there’s no aphrodisiac more potent than Watergate-themed cabaret music.

Ah, Clifford—what to make of it? Let’s see: poor box office, bad studio karma, critical excoriation . . . all the prerequisites for a cult hit.

Barbara Fredrickson from the University of North Carolina, along with other researchers who study the impact of positive emotions, have found that happiness brings out our best potential in four concrete ways.5 Intellectually. Positive emotions help you learn faster, think more creatively, and resolve challenging situations. For example, Mark Beeman at Northwestern University has shown that people have an easier time solving a puzzle after watching a short comedy clip. Fun, by easing tension and activating pleasure centers in the brain, helps spark neuronal connections that facilitate greater mental flexibility and creativity.6 It’s no surprise then that multiple studies have shown that happiness makes people 12 percent more productive.7

Even light comedy should be well motivated. It’s foolish to assume that a shorter book needs any less attention in the GMC department. In fact, a shorter book needs stronger GMC. By that I mean clear, understandable GMC. Short books can’t waste time rambling. You’ve got to set up your characters and get out of the way. A

Dominic’s black shorts hung so low I refused to look at the waistband in fear I’d misstep and break my neck. Only, today he paired them with… So fucking hot. A white wife-beater No words. Brain splat. Now, don’t ask me why, but for some reason a tank like that on a man like him did wild things to me. My common sense immediately shut down and the wailing sirens of an emergency evacuation alarm sounded in my head. Well, that along with a mass exodus of logic, reason and intellect out my ear holes. Whoosh. Gone.

Sometimes, you just have to punch your vic in the throat.

Here are some good disciplines and traditions to rebuild into your marriage to ensure that it will grow from now on: A weekly date night Praying together and going to church Taking walks together Taking short, overnight, or weekend trips Talking face-to-face without distractions every day Planning times to have sex when you are both rested Not going to bed angry. Talking things out and forgiving each other Read a marriage book together (especially one of mine :)) Going to a marriage conference Watch a romantic comedy together Finding something you both enjoy doing and doing it regularly

The Derek and Simon (2007) short films for HBO were about two friends who cockblock each other, reliably. A cast of young amazings including Zach Galifianakis, Jake Johnson, Ashley Johnson, and Eric Edelstein joined us. It

It was surprisingly sunny for Swampshire. There were only two short hail showers, and frost coated the ground with a hoary sparkle.

Then I’d grabbed the book he was reading and read a bit out loud, doing funny voices, but he’d stopped that because apparently The Lovely Bones isn’t a comedy.

long as we profess to believe that two people may happily – or feasibly – invest all love and interest in this world solely in one another, till death do them part – well, then life, short as it is, will continue to be a human comedy, punctuated by tragedy. So she generally thought. Then there