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Shakespeare’s women are rebellious and clever, critical of women’s subordinate status, quick to point out the folly of men, and adept at outwitting patriarchal controls. “Why should their liberty than ours be more?” Adriana exclaims in The Comedy of Errors, bemoaning the limitations of her life. Instructed that “a wife’s will must be bridled by her husband’s,” she retorts, “There’s none but asses will be bridled so!” When Beatrice’s uncle suggests she find a husband in Much Ado About Nothing, she laughs and says, “Not till God make men of some other metal than earth. Would it not grieve a woman to be overmastered with a piece of valiant dust? To make an account of her life to a clod of wayward marl? No, Uncle, I’ll none.” Shakespeare’s women follow their own consciences, refusing to be subdued into feminine silence, and they use language itself as a tool of liberation.
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Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)