Combat Girl Quotes

We've searched our database for all the quotes and captions related to Combat Girl. Here they are! All 90 of them:

My parents probably wanted a girl who would sit in the pews wearing pretty florals and a soft smile. They got combat boots and a mouth silent until it’s sharp as an island machete.
Elizabeth Acevedo (The Poet X)
That was the exact moment my heart threaded with hers. It was as if someone reached down with a sewing needle and stitched my soul to hers. How could one woman be so sharp and so vulnerable at the same time? Whatever would happen to her would happen to me. Whatever pain she would feel, I would feel it too. I wanted it — that was the surprising part. Selfish, self centered Caleb Drake loved a girl so much he could already feel himself changing to accommodate her needs. I fell. Hard. For the rest of this life and probably the next. I wanted her — every last inch of her stubborn, combative, catty heart.
Tarryn Fisher (Thief (Love Me with Lies, #3))
I heard a little girl shout: “Chicken man, get the moose!” You know how hard it is to feel like an extreme falcon-headed combat machine when somebody calls you “chicken man”?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Unacceptable," said Dimitri. He used to be a combat instructor, and I could understand why. "She's here on a mission. What she did was reckless and irresponsible." Sonya gave him a sly smile. "And here I thought you had a soft spot for reckless girls." "Rose never would have done anything like that," he countered. He paused to reconsider, and I could've sworn there was a hint of a smile there. "Well, at least not in such a public setting.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Selfish, self-centered Caleb Drake loved a girl so much he could already feel himself changing to accommodate her needs. I fell. Hard. For the rest of this life and probably the next. I wanted her — every last inch of her stubborn, combative, catty heart.
Tarryn Fisher (Thief (Love Me with Lies, #3))
God made me a girl. And He did that on purpose. But He asks me to become the kind of girl who is actually useful to His kingdom purposes. I need to become the sort of girl who is unafraid to poke my head into the battle of the ages and cry out, “Who is this uncircumcised Philistine who is blaspheming the armies of the living God?” God wants me to wrestle. God wants to stick grit in my girliness. He wants me to be prepared to tangle, to interlock my soul in this eternal combat—- not with other girls, not with sweaty boys, but with Him, and with the otherworldly powers of darkness. He wants me to wrestle in prayer, to grab ahold of His great and precious promises and fight to see them unfurled in living reality on this Earth.
Leslie Ludy
As for Sadie, she didn’t appear interested in strategy. She leaped from puddle to puddle in her combat boots. She hummed to herself, twirled like a little kid and occasionally pulled random things out of her backpack: wax animal figurines, some string, a piece of chalk, a bright yellow bag of candy. She reminded me of someone … Then it occurred to me. She looked like a younger version of Annabeth, but her fidgeting and hyperness reminded me of … well, me. If Annabeth and I ever had a daughter, she might be a lot like Sadie. Whoa. It’s not like I’d never dreamed about kids before. I mean, you date someone for over a year, the idea is going to be in the back of your mind somewhere, right? But still – I’m barely seventeen. I’m not ready to think too seriously about stuff like that. Also, I’m a demigod. On a day-to-day basis, I’m busy just trying to stay alive. Yet, looking at Sadie, I could imagine that someday maybe I’d have a little girl who looked like Annabeth and acted like me – a cute little hellion of a demigod, stomping through puddles and flattening monsters with magic camels.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
Without intentional efforts to combat old ways and norms, ... institutions ... reproduce dominant social ideas, hierarchies, and systems of oppression.
Monique W. Morris (Pushout: The Criminalization of Black Girls in Schools)
The eight-year-old beat your best cadet in hand-to-hand combat?” “So did the six-year-old girl, ma’am. Actually, she beat the instructor also.
James Patterson (Max (Maximum Ride, #5))
Why do adults think every girl who isn’t some overachieving nitwit needs to be reassured about her intelligence? Folks, my self-esteem is just fine, thanks. I may not be school smart, and I may do extremely stupid things sometimes, but I know I’m smart. And I’d give me some serious Vegas odds to kick the ass of Sarah Scholar at life-skills moral combat any day.
Rachel Cohn (Shrimp (Cyd Charisse, #2))
Nobody messes with a girl in combat boots, particularly when she's also a vegetarian.
Meg Cabot
Wars weren't won in a day, they required diplomacy, negotiation, and tactical strategic thought. But I suspected the trickiest battles weren't fought between tough highly trained men in combat. They were those of the quick-witted mind pitched against stubborn, nine-year-old girls!!
K.L. Shandwick (Until Levi (PulseTunes Rock Gods #2))
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5;World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
While we're talking about my dreams, about how I'm gloomy and combative, and about displacing those feelings onto my pillow instead of my loved ones.
Elizabeth Mckenzie (Stop That Girl: A Novel in Stories)
The girl’s pilot.” “And her lover,” Demarkus added. “No.” The clarity of Doran’s voice surprised even himself. He glanced at Solara and said, “Her friend.” It felt strange calling himself that, but if combat with a seven-foot-tall pirate chief didn’t upgrade them to friends, nothing would.
Melissa Landers (Starflight (Starflight, #1))
Some guys have a thing for cheerleaders,” he says, his voice easy. I roll my eyes as I start tossing socks into the bag. “Let me guess. You want to know if I still have my old uniform.” He sets the picture back on the nightstand and moves toward the door. “Nah. Not my thing. But I think I could develop a thing for girls in combat boots.” I spin around in surprise, wanting to see his face, wanting to know if he means what I think he means. But he’s already gone.
Lauren Layne (Isn't She Lovely (Redemption, #0.5))
The Give and Take Athletic Association lived up to its name. The hall of the association in Orchard street was fitted out with muscle- making inventions. With the fibres thus builded up the members were wont to engage the police and rival social and athletic organisations in joyous combat. Between these more serious occupations the Saturday night hop with the paper-box factory girls came as a refining influence and as an efficient screen.
O. Henry (The Complete Works of O. Henry)
Rachel left," he says, sighing. "Says she's never coming back." Galen nods. "She always says that. It's probably for the better tonight, though." They both wince as Rayna plants the ball of her foot in Emma's back, splaying her across the sea of shards. "I taught her that," Toraf says. "It's a good move." Neither of the combatants seem to care about the rain, lightning, or the whereabouts of their hostess. The storm billows in, drenching the furniture, the TV, the strange art on the wall. No wonder Rachel didn't want to see this. She fussed over this stuff for days. "So, it kind of threw me when she said she didn't like fish," Toraf says. "I noticed. Surprised me, too, but everything else is there." "Bad temper." "The eyes." "That white hair is shocking though, isn't it?" "Yeah, I like it. Shut up." Galen throws a sideways glare at his friend, whose grin makes him ball his fists. "Hard bones and thick skin, obviously. There's no sign of blood. And she took some pretty hard hits from Rayna," Toraf continues neutrally. Galen nods, relaxes his fists. "Plus, you feel the pull-" Toraf is greeted with a forceful shove that sends him skidding on one foot across the slippery marble floor. Laughing, he comes back to stand beside Galen again. "Jackass," Galen mutters. "Jackass? What's a jackass?" "Not sure. Emma called me that today when she was irritated with me." "You're insulting me in human-talk now? I'm disappointed in you, minnow." Toraf nods toward the girls. "Shouldn't we break this up soon?" "I don't think so. I think they need to work this out on their own." "What about Emma's head?" Galen shrugs. "Seems fine right now. Or she wouldn't have bashed the window into pieces with her forehead.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
The girl caught the eye of the Damsels, a non-combat clan that specialized in monetizing their members’ looks.
Dan Sugralinov (The Destroying Plague (Disgardium #3))
A little girl hitting a violent predator with a log is hand-to-hand combat and that’s honest. A man, who is represented by a hand, shooting a series of unknown henchmen is dishonest.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Fisherman?", Butcher scoffed. "I ought to box your bloody ears, girl. Could a fisherman slay Caelinus the Longshanks in single combat in front of twenty thousand people? Or gut Marcinio of the Werewood like a fish?" "Aye", Sid said. "A fisherman could probably gut a man like a fish, Butcher." "I was a pirate, you fucking cunts", the Liisian blustered. "But...", Mia frowned. "You were seasick, Butcher. You spewed your guts out the entire way from Whitekeep to Galante." "Well, I was a shitty pirate, wasn't I?", the man cried. "How d'you think I ended up a damned slave?" "O...", Mia nodded. "That... makes a surprising amount of sense, actually." "Point is I grew up here", Butcher scowled. "I know this city like I know women." Ash raised her hand -- "Don't", Mia hissed.
Jay Kristoff (Darkdawn (The Nevernight Chronicle, #3))
Courage is a fleeting commodity and can be crushed effortlessly by a single fond memory of home. A backyard barbecue, a fragmented flashback to a moonlit dance with a beautiful girl--those are psychological bullets in combat. One glimpse of what has been makes a soldier yearn for what can be again. That yearning can be as caustic as acid. It burns away the resolve you need to get the job done. One stray thought can paralyze just as effectively as a bullet in the spine.
Sean Parnell (Outlaw Platoon: Heroes, Renegades, Infidels, and the Brotherhood of War in Afghanistan)
painted an indelible picture in my mind. A picture that taught me this: Black girls like me did not matter in a white world. I will spend the rest of my life tearing down this picture and painting a new one that reflects the truth: Black girls matter. Everywhere.
Layla F. Saad (Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor)
She knows I hate that name, mostly because I never have a good comeback. She’s the daughter of Athena, which doesn’t give me a lot of ammunition. I mean, “Owl-head” and “Wise Girl” are kind of lame insults. “You know you love it.” She bumped me with her shoulder, which I guess was supposed to be friendly, but she was wearing full Greek armor, so it kind of hurt. Her gray eyes sparkled under her helmet. Her blond ponytail curled around one shoulder. It was hard for anyone to look cute in combat armor, but Annabeth pulled it off.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
What I’ve come to realize I that I don’t like action for action’s sake. Mindless explosions, super close ups of combat and gore, and unnecessary effects make me zone out incredibly fast. What I do love is a fight that is well choreographed and in which I actually care about the outcome. And hopefully not riddled with cliches. Even more so, I have had a long, deep-seated appreciation for watching chicks kick ass. Watching some lone-wolf-type hero beat the crap out of the bad guys is okay, but watching a BAMF femme do it is 10000% times better.
J.M. Richards
For I am no orator. What would I have said if they had let me go on? That it is worse to beat a man's feet to pulp than to kill him in combat? That it brings shame on everyone when a girl is permitted to flog a man? That spectacles of cruelty corrupt the hearts of the innocent?
J.M. Coetzee
The girl moved from throwing weapons to hand-to-hand combat: a punch of power, a sweeping kick of flame. Her flames had become gloriously varied—golds and reds and oranges. And her technique—not the magic, but the way she moved … Her master had been a monster, there was no doubt of that. But he had trained her thoroughly. She ducked and flipped and twisted, relentless, raging, and— She swore with her usual color as the wall sent the punch of ruby flame back at her. She managed to shield, but still got knocked on her ass. Yet none of the sentries laughed. Rowan didn’t know if it was because of his presence or because of her. He got his answer a heartbeat later, as he waited for her to shout or shriek or walk away. But the princess just slowly got to her feet, not bothering to brush off the dirt and leaves, and kept practicing.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Despite the occasional backlash, I’ll continue to speak on this topic until people stop assuming that this debate is about whether or not to allow women into combat. Women are already fighting in combat with or without anyone’s permission, and they’re doing so valiantly. What they aren’t doing is being trained alongside their comrades-in-arms, given credit for doing the same jobs as their counterparts, given promotions to jobs overseeing combat operations, or being treated like combat veterans by people back home (even some in the Veterans Administration). Not every man has the skill set or warrior spirit for combat. Not every woman does, either. But everyone that does have that skill set should be afforded the opportunity to compete for jobs that enable them to serve in the way their heart calls them. For some people, that calling is in music or art. Some are natural teachers. There are those who will save lives with science. I was called to be a warrior and to fly and fight for my country. I was afforded the opportunity to answer that call, and because of that, I have lived a full and beautiful life. People will always be afraid of change. Just like when we integrated racially or opened up combat cockpits to women, there will always be those who are vocal in their opposition and their fear. History will do what it always does, however. It will make their ignorant statements, in retrospect, seem shortsighted and discriminatory, and the women who will serve their country bravely in the jobs that are now opening up will prove them wrong. Just like we always have.
Mary Jennings Hegar (Shoot Like a Girl: One Woman's Dramatic Fight in Afghanistan and on the Home Front)
Boldness is exactly what you need to run your own business, girl. Boldness, skill, and a lot of hard work. When you get that shop of yours, hardships are sure to find their way to your doorstep. Confidence is the only way to combat them--confidence in yourself and in the God who equips you to overcome. Never forget that.
Karen Witemeyer (A Tailor-Made Bride)
Sweetness peppered with spice. A smidgen of naughtiness with the nice. Toss in some goofiness with the smart. Throw in some strength to support the heart. Cupfuls of love to even it all out and tenaciousness sprinkled in to combat the doubt. Cook over some fire to meld it all in and you've got one good woman underneath this skin. 2012
Jenna Cornell
Lise was on only the first day of what would be a three-day bicycle ride over small back roads “through thick enemy formations” to the combat zone. She slept in ditches when she tired, then picked up her vélo and began traveling again to her headquarters. She was nowhere near a radio when the communiqué from General Dwight D. Eisenhower, supreme commander of Allied forces, aired for the people of Normandy: The lives of many of you depend on the speed with which you obey. Leave your towns at once—stay off the roads—go on foot and take nothing with you that is difficult to carry. Do not gather in groups which may be mistaken for enemy troops. The largest armada the world had ever known was minutes away from landing on the northern beaches of France. The hour of your liberation is approaching.
Sarah Rose (D-Day Girls: The Spies Who Armed the Resistance, Sabotaged the Nazis, and Helped Win World War II)
Coriolanus acted engrossed in the show as 8, 6, and 11 called their tributes, but his brain spun with the repercussions of landing Lucy Gray Baird. She was a gift, he knew it, and he must treat her as such. But how best to exploit her showstopping entrance? How to wrangle some success from a dress, a snake, a song? The tributes would be given precious little time with the audience before the Games began. How could he get the audience to invest in her and, by extension, him, in just an interview? He half registered the other tributes, mostly pitiful creatures, and took note of the stronger ones. Sejanus got a towering fellow from District 2, and Livia’s District 1 boy looked like he could be a contender as well. Coriolanus’s girl seemed fairly healthy, but her slight build was more suited to dancing than hand-to-hand combat. He bet she could run fast enough, though, and that was important. As the reaping drew to a close, the smell of food from the buffet wafted over the audience
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
You know, there’s no need for you to stay here against your will. You could come home.” Kestrel splattered oil onto Cheat’s feet and smeared it into the rough skin. “No. There’s nothing there I want.” She felt his gaze on her bowed head, on her hands moving over his feet. “Do you do this for Arin?” “No.” “What do you do for him?” Kestrel straightened. Her palms were greasy. She rubbed them into her skirts, not caring that disgust was at least one of the things Cheat wanted to see. Why, why would he want that? She turned to leave. “We’re not done,” he said. “We are,” said Kestrel, “unless you’d like to see how much my father taught me about unarmed combat. I’ll drown you in that fountain. If I can’t, I’ll scream loud enough to bring every Herrani in this house running, and make them wonder what kind of man their leader is, that a Valorian girl so easily snapped his self-control.” She walked away, and he didn’t follow, though she felt his eyes on her until she turned a corner. She found the kitchens, the most populated place in the house, and stood by a fire, listening to the metal clatter of kettles. She ignored the strange looks. Then she was shaking, as much with fury as anything else. Tell Arin. Kestrel waved that thought away. What good would telling Arin do? Arin was a black box hidden below a smooth tile. A trap door opening beneath her. He wasn’t what she’d thought he was. Maybe Arin had known that this would happen, or something like it. Maybe he wouldn’t even mind.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Someone behind me coughed. Then Max stepped forward and said: "Um . . . sir? If I may ask . . . what is your . . . Combat score? Sir." Razberry snickered again. "Seven," the elder said proudly. "Yes, sonny boy, I've smashed a few zombies in my time. I once beat a zombie upon the head with a stick. Rest assured, I'll teach you all you need to know!" "I'm sure," Max said. "Did that zombie die?" asked a girl. "Well, no," said Urf. "But it became very, very angry." Someone groaned. There were a few more snickers.
Cube Kid (Diary of a Wimpy Villager #3 (An Unofficial Minecraft book))
That’s not shooting,” Dov said. “That’s violence. A little girl hitting a violent predator with a log is hand-to-hand combat and that’s honest. A man, who is represented by a hand, shooting a series of unknown henchmen is dishonest. It’s not violence that I hate anyway. It’s lazy games that act as if the only thing you can possibly do in life is shoot at something. It’s lazy, Florian. And the problem with your game is not that it’s a shooter, but that your game isn’t any fun to play. Let me ask you a question: Did you play
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Astrid turned, slowly and deliberately, toward Reyna. She looked her up and down, and then frowned, as if she couldn't quite place her. "Reyna? I didn't recognize you without the emo girl costume. Still not quite the goddess of light and beauty, are you? Big heels to fill. It'll take a while to grow into them." She looked Reyna over again. "Maybe a long while." "Oh, I fit my shoes just fine. Today, they're a sweet pair of combat boots, because today, I'm playing a different aspect of Freya. Goddess of kick-your-butt-if-you-mess-with-me. Or mess with anyone else.
K.L. Armstrong (Thor's Serpents (The Blackwell Pages #3))
Until I began to build and launch rockets, I didn't know my hometown was at war with itself over its children and that my parents were locked in a kind of bloodless combat over how my brother and I would live our lives> I didn't know that if a girl broke your heart, another girl, virtuous at least in spirit, could mend it on the same night. And I didn't know that the enthalpy decrease in a converging passage could be transformed into jet kinetic energy if a divergent passage was added. The other boys discovered their own truths when we built our rockets, but those were mine.
Homer Hickam
The events of the day overcame me all at once, and I struggled to breathe without crying. As darkness fell over Qalat Sukkar, I sat alone in the dim green light of the radios. I felt sick for the shepherd boys, for the girl in the blue dress, and for all the innocent people who surely lived in Nasiriyah, Ar Rifa, and the other towns this war would consume. I hurt for my Marines, goodhearted American guys who’d bear these burdens for the rest of their lives. And I mourned for myself. Not in self-pity, but for the kid who’d come to Iraq. He was gone. I did all this in the dark, away from the platoon, because combat command is the loneliest job in the world.
Nathaniel Fick
She had humor and common sense and she soon knew what she must do. She must have done with her dream world, laugh at the ridiculous Mary who had lived in it and get to know the Mary whom she did not want to know, find out what she was like and what her prospects were. It sounded an easy program but she found it a grueling one. The phantasy world, she discovered, had tentacles like an octopus and cannot be escaped without mortal combat, and when at last her strong will had won the battle it seemed as though she were living in a vacuum, so little had the real world to offer the shy, frustrated, unattractive girl who was the Mary she must live with until she died. But free of the tentacles she was able now to sum up the situation with accuracy. She would not marry and being a gentlewoman no other career was open to her. She was not gifted in any way and she would never be strong and probably never free from pain. She was not a favorite with either of her parents, both of whom were vaguely ashamed of having produced so unattractive a child, and yet she was the one who would have to stay at home with them. The prospect was one of lifelong boredom and seemed to her as bleak as the cold winds that swept across the fens, even at times as terrible as the great Cathedral in whose shadow she must live and die. For at that time she did not love the Cathedral and in her phantasy life the city had merely been the hub from which her radiant dreams stretched out to the wide wheel of the world. What should she do? Her question was not a cry of despair but a genuine and honest with to know. She never knew what put it into her head that she, unloved, should love. Religion for her parents, and therefore for their children, was not much more than a formality and it had not occurred to her to pray about her problem, and yet from somewhere the idea came as though in answer to her question, and sitting in Blanche's Bower with the cat she dispassionately considered it. Could mere loving be a life's work? Could it be a career like marriage or nursing the sick or going on the stage? Could it be adventure?
Elizabeth Goudge (The Dean's Watch)
Jordan Peterson, a Canadian clinical psychologist and author, dubbed the new guidelines ‘reprehensible, infuriating and disheartening’, claiming that the APA was dominated by ‘political types’ and ‘hard-left leaning political activists’.27 AVFM described it as a ‘war on masculinity’, calling the APA ‘armed combatants in the war of ideas’. Their objection? That the guidelines acknowledged men as beneficiaries of privilege within a patriarchal society and suggested that certain forms of masculinity were harmful. But what they seemed to miss entirely was that that harm is damaging men and boys, not just women and girls. The male suicide rate is one of the genuine areas of serious concern most commonly cited by MRAs.
Laura Bates (Men Who Hate Women: From Incels to Pickup Artists, the Truth About Extreme Misogyny and How it Affects Us All)
Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let’s see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, cyclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, unprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buries the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Colette"s "My Mother's House" and "Sido" After seeing the movie "Colette" I felt so sad that it didn't even touch the living spirit of her that exists in her writing. 'What are you doing with that bucket, mother? Couldn't you wait until Josephine (the househelp) arrives?' "And out I hurried. But the fire was already blazing, fed with dry wood. The milk was boiling on the blue-tiled charcoal stove. Nearby, a bar of chocolate was melting in a little water for my breakfast, and, seated squarely in her cane armchair, my mother was grinding the fragrant coffee which she roasted herself. The morning hours were always kind to her. She wore their rosy colours in her cheeks. Flushed with a brief return to health, she would gaze at the rising sun, while the church bell rang for early Mass, and rejoice at having tasted, while we still slept, so many forbidden fruits. "The forbidden fruits were the over-heavy bucket drawn up from the well, the firewood split with a billhook on an oaken block, the spade, the mattock, and above all the double steps propped against the gable-windows of the attic, the flowery spikes of the too-tall lilacs, the dizzy cat that had to be rescued from the ridge of the roof. All the accomplices of her old existence as a plump and sturdy little woman, all the minor rustic divinities who once obeyed her and made her so proud of doing without servants, now assumed the appearance and position of adversaries. But they reckoned without that love of combat which my mother was to keep till the end of her life. At seventy-one dawn still found her undaunted, if not always undamaged. Burnt by fire, cut with the pruning knife, soaked by melting snow or spilt water, she had always managed to enjoy her best moments of independence before the earliest risers had opened their shutters. She was able to tell us of the cats' awakening, of what was going on in the nests, of news gleaned, together with the morning's milk and the warm loaf, from the milkmaid and the baker's girl, the record in fact of the birth of a new day.
Colette (My Mother's House & Sido)
Knightmare. Breezeo’s archenemy. Where Breezeo is light, a breath of fresh air, the nice breeze on a warm summer day, Knightmare is the storm that rolls in and takes it all away. Darkness, thick and suffocating, the shadows you can’t escape in the night in back alleyways. Black leather framed with dark armor, head to toe, from the combat boots the whole way up to the oversized black hood with a metal mask covering part of the face, rendering him unrecognizable. I’ve always been envious of the costume. Beats the damn pseudo-spandex, that’s for sure. “I, uh, wow.” Kennedy stands in the doorway of her apartment with a look of awe as her eyes scan the costume. “That’s just… wow.” “Wow, huh?” I glance down. “Good or bad?” “It’s just, uh, you know…” “Wow?” I guess. She nods, fighting off a smile. “Wow.” I smirk. “It’s the original.” “Seriously?” “Straight from the second movie,” I say, touching an armored chest plate with a fingerless glove-clad hand. “Well, except for these gloves. The real ones wouldn’t fit because of the cast, so I had to improvise.” “It’s, uh…” “Wow?” “Nice,” she says, touching the costume, fingertips grazing the armor. “Kind of weird seeing you like this, but still, it’s nice.” “Thanks,” I say as she steps aside for me to come in the apartment. “I talked them into letting me borrow it. Might not give it back, though. I’m kind of enjoying it.” “You should keep it,” she says, her eyes still scanning me as she closes the door. “It’s, uh…” “Nice?” “Wow.” She smiles playfully as she walks away. “I need to finish getting ready for work. Maddie, you've got a visitor!” A moment after Kennedy disappears, Madison runs in. She skids to a stop when she spots me, eyes wide, mouth popping open. “Whoa.” I push the hood off, shoving the mask up, her expression changing when she sees it’s me, face lighting up. She runs right at me, slamming into me so hard I stumble. I laugh as she hugs me. “Hey, pretty girl.” She looks up at me. “You think I’m pretty?” “What? Of course.” I kneel next to her, grinning as I press a finger to the tip of her nose. “You look like your mom.” “You think Mommy’s pretty, too?” “I think she's the most beautiful woman in the world.” Her expression shifts rapidly when I say that before her eyes widen. “Even more beautifuler than Maryanne?” I lean closer, whispering, repeating her words. “Even more beautifuler than Maryanne.” “Whoa
J.M. Darhower (Ghosted)
PROLOGUE Some years ago in the Planet Orfheus ... It was dark when Lucius reached the rendezvous which had been chosen to be the new hideout. The latter had been used for several months and they were concerned that they were being followed and were close to being discovered. "I thought you were not coming. I've been waiting for you for almost an hour. I was getting anxious," Sofia said, relieved. "Sorry, love. It is becoming increasingly difficult. I almost didn't make it today. The troops were ambushed in the last invasion. Igor and many warriors returned seriously injured," Lucius replied. He looked worried. Why this sudden encounter? They had agreed that the next would be the following week. Lucius gave her a big hug, pulled her close to him, and remained silent for a few moments. His longing and desire consumed him. She meant the world to him. Without Sofia, his life would never make sense. He would never forget those eyes, serene and sincere, with a blue so bright and clear that were able to see the soul of the tormented warrior that was he. With her golden hair, Sofia looked like an angel. "Is there a problem? You're so quiet and deep in thought," she asked, puzzled. He answered, "I'm thinking about us. How long are we keeping it secret?" He walked away from her, sighing. "We can't keep lying and pretending that all is well. You have no idea how much I have to endure when you are away from me, or when I see you with him." "Love, not now. We have already discussed this subject several times. You know that our only alternative would be to flee and pray they will never find us," she replied. Sofia knew very well that the laws of the kingdom could not be disregarded. Love, respect, and loyalty were key factors that were part of the hierarchy of Orfheus. Although she had always been in love with Lucius who had never shown any interest in her, Sofia was bound to his brother Alex as a result of a pact. Over the centuries, Lucius began to change and express loving feelings for her. She never ceased to love him and both succumbed to the temptation and passion of it. Inevitably, a love affair developed between the two. Interrupting her thoughts, Lucius grabbed her by the hand and led her into the hut. This hut was located inside a vast and beautiful forest. He pulled her by the waist, gave her a passionate kiss, stroked her hair, and said softly, "Love, I missed you so much." "I also felt homesick but the real reason I came here today is to tell you something very important. I need you to listen carefully and keep calm," she said as she ran her hands through her hair which contrasted with her pale skin. Sofia did not want to scare him. However, she imagined that he would be upset and angry with the news. Unfortunately, the revelation was inevitable and sooner or later, everything would come out. "I'm pregnant," she said unceremoniously. For a brief moment, Lucius said nothing. He just stared at her without any reaction. He seemed to be in a silent battle with his own thoughts. "But how?" he babbled, not believing what he had just heard. It was surely a bombshell revelation. That would be the end for them. Sofia said, "Stay calm, love. I know this changes everything. What we were planning for months is no longer possible." She sat on a makeshift stool and continued with tears in her eyes. "With the baby coming, I cannot simply go through the portal. The baby and I would die during the crossing." Lucius replied, "Could we ask for help from Aunt Wilda? She is very powerful. Probably she would be able to break through the magic of the portals." Sofia had already thought of that. She was well aware that it was the only choice left. Aunt Wilda had always been like a mother to her. The sorceress adopted her when she was a girl, soon after her family had died in combat.
Gisele de Assis
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
If you ask any good sniper, he will tell you that making the kill is better than sex. If you offer this sniper an opportunity to shoot twelve enemy soldiers or to hop in bed with a Playboy playmate, the sniper will choose the chance to make the kills first—then he will want the girl, too!
Hans Halberstadt (Trigger Men: Shadow Team, Spider-Man, the Magnificent Bastards, and the American Combat Sniper)
It’s just instinct. Faulty learning. He takes a step back, groping for his sidearm instead of swinging the rifle like a club. Wastes a second that he doesn’t have, and it’s all over. Except that it isn’t. In combat, Parks narrows down. It’s not even a conscious thing, so much, or a trick he’s learned. It just happens. He does the job that’s in front of him, and pretty much shunts everything else into a holding pattern. So
M.R. Carey (The Girl With All the Gifts)
Wonder Woman' was conceived by Dr. Marston to set up a standard among children and young people of strong, free, courageous womanhood; and to combat the idea that women are inferior to men, and to inspire girls to self-confidence and achievement in athletics, occupations, and professions monopolized by men." She wasn't meant to be a superwoman; she was meant to be an everywoman.
Jill Lepore
I want them to come get us right now.” The little girl drew her mouth down in a pout. “I’m all dirty and hungry. I’m cold too.” “Poor little princess,” her brother mocked. “I’ve got something you can eat.” Kobie’s smile brightened before he dashed across the small clearing to retrieve his backpack. “Just how long are we going to be stuck here?” Wade demanded. He took a step toward the others who were gathered around the fire, then coughed as a wave of thick smoke hit him. “I have important business in Chicago.” “Oh yeah, real important,” Bryan sneered. “You’re just afraid your girlfriend might find someone else before you get back.” “Bryan!” Chelsea spoke in a warning voice. Wade took a step toward his son, his fists clenched and fury showing on his face. Web shifted his weight, prepared to intercede should Wade attempt to strike his son. “Look! M&Ms!” Kobie stepped between the combatants, waving a large package of the candy-coated chocolate pieces over his head, oblivious to the confrontation between Bryan and Wade. He hurried to Rachel’s side. “My grandma gave them to me, but you can have some.” “Perhaps you can share with everyone,” Shalise said. “I think we’re all hungry.” “And thirsty,” Emily added. “Don’t you think it’s ironic that we spent all that time and effort escaping water, and now we don’t have any to drink?” “Actually we do.” It was Cassie’s turn to retrieve her backpack. From its depths she produced a plastic bottle of water and three granola bars, which she quartered and passed around. The tiny squares of breakfast bars and a handful of candy were soon washed down with a squirt of water from the plastic bottle. Web listened for more planes as he munched on his share of the meager rations. Occasionally he caught the drone of the small plane that had flown over earlier, but it seemed to be concentrating its attention on the other side of the main canyon. He wished he could communicate with the sheriff or the pilot of that plane, but his radio and supplies had been left behind in his cruiser. He wouldn’t even have been able to light a fire last night if Bryan hadn’t slipped him a cigarette lighter when his mother wasn’t looking. Gage walked up beside him.“How bad is the slide?” the younger man asked. Web knew he was referring to the slide blocking the trail out of the canyon. “There’s no way we can cross it.” “And there’s no way a chopper can set down here.” Gage answered back, gesturing at the small clearing where they sat dwarfed by towering pines. “By now the water will have receded a great deal, but it will be days before we’ll be able to walk out.” Gage hadn’t heard Cassie approach, but he nodded his head at her words, acknowledging that her judgment was correct. “That means we’ve got to find a spot where the rescuers can reach us.” Gage stared thoughtfully at the steep mountain towering above them. “There is a place . . .” Gage paused and Web turned to him, anxious to hear what he might suggest that could possibly lead them out of this nightmare. CHAPTER 5 Shalise sat beside Chelsea Timmerman on one of the logs near the fire pit. They changed position each time a fickle breeze shifted the plume
Jennie Hansen (Breaking Point)
Es el momento decisivo en casi cualquier combate. Es el momento en que las fuerzas salen inesperadamente del cuerpo y la adrenalina sube con tanta intensidad que se convierte en una carga paralizadora, y una resignada capitulación se materializa como un fantasma... Es el momento que separa al aficionado del profesional, al ganador del perdedor.
Stieg Larsson (The Girl Who Played with Fire (Millennium, #2))
Rooms were set aside for bookbinding and herb mixing and broadsword training and hand-to-hand combat practice. The Sisters were skilled in all known languages, astronomy, the art of poisons, dance, metallurgy, martial arts, decoupage, and the finer points is assassinry.
Kelly Barnhill (The Girl Who Drank the Moon)
They were also pretty fearsome fighters: trained in lightning-fast combat with staves, canes, knives, spears, swords, even their bare hands, the girls used their smaller, more lithe frames to their advantage against large male opponents. Thus prepped, kunoichi could infiltrate the homes of high-ranking men as maids, geisha, or friends in ways that no other spy could. Black Widow, eat your heart out.
Sam Maggs (Wonder Women: 25 Innovators, Inventors, and Trailblazers Who Changed History)
Katelyn blows Cindy Lou a kiss with a big "Mwah! You wanna stay with Auntie Katelyn tonight, sweet girl?" Cindy Lou smiles, kicking her pink-striped stock-covered feet, and then returns the kiss. Except it's more like she blows a raspberry, and orange baby food goes everywhere, getting all over James and dribbling down Cindy Lou's chin. "Sum of a bifch!" he shouts in shock, disgust wrinkling his brow. "Oh gawd, it's in ma mouf! I 'eed a 'apkin!" We're all fighting back laughter as Sophie, who hasn't missed a beat of her own dinner, hands him a paper towel. To his credit, he wipes his daughter down first then scrubs at his own face. "Language," Mama Louise corrects. You'd think she'd give up on that by now. We're all pretty rough around the edges, even though we have some decent manners. The language rule just doesn't seem to be one that stuck ... to any of us. Hell, I've even heard the girls go off worse than any of us boys before, depending on the topic and their level of excitement or fury. Mama Louise's fighting a losing battle on a sinking ship, but she combats every instance in her presence and says what we do when she's not around is something we'll have to make our own peace with. "I think it was warranted, Mama. Do you know how gross those carrots are? Blech,
Lauren Landish (Rough Love (Tannen Boys, #1))
Whoever wrote it, “Wonder Women of History” was entirely consistent with Marston’s hope, in creating Wonder Woman, “to combat the idea that women are inferior to men, and to inspire girls to self-confidence and achievement in athletics, occupations and professions monopolized by men.
Jill Lepore (The Secret History of Wonder Woman)
Lilian?” Kevin needed a moment to register that, indeed, Lilian was standing before him. “What are you doing here? I thought you were taking a bath with the others.” “I was going to,” Lilian admitted, “but then I realized that my mate and I haven’t been able to spend much time alone together because my family kept getting in the way, and I thought this would be the perfect opportunity for us to bond.” “Bond?” He studied the girl, and eventually realized that she wasn’t looking at his face. Feeling a sense of unease growing in the pit of his stomach, Kevin looked down. His face grew red. He let out a loud “eep!” and tried to cover himself with his hands. “Ufufufu,” Lilian chuckled. “You’re still too cute when you get embarrassed like that.” Kevin tried to glare at her, but the blush on his face lessened the effect. “It’s got nothing to do with being embarrassed and everything to do with common decency,” he insisted, lying through his teeth. “Most people don’t stand around in the nude while someone else is present, not even if they’re dating that person.” “Most people aren’t mated to a kitsune.” “Ugh…” She had him there. “Kevin” Lilian’s eyes were warm and so incredibly earnest that Kevin was unable to look away, “you are my mate; the person I love more than anyone else in this world.” Delicate hands reached up and cupped his face. “This isn’t some random person wanting to see you naked. This is me, your mate, who wants to become more intimate with you. If it helps, I promise not to touch anything below the belt.” Staring at the girl with an uncomprehending gaze, Kevin’s mind became a warzone, a battle the likes of which no one had ever seen before—mostly because it was all happening in his mind. *** The desolate wasteland spread out for miles, its borders traveling far beyond the distant horizon. Cracks traversed the ground like a myriad system of interconnecting spiderwebs. There was no flora or fauna in this wasteland. It was the perfect place… for war. Two forces stood on opposite ends of each other, armies of nearly equal might. Multi-segmented plates clicked together as figures moved and jostled each other. Horned helms adorned the many heads, their faceplates masking their identities. Hands gripped massive halberds with leaf-shaped blades that gleamed like a thousand suns. The army on the northern border wore white armor, while those in the southern quadrant wore red. A moment of silence swept through the clearing. A tumbleweed rolled across the ground. It was the unspoken signal for the battle to start, and the two forces rushed in toward the center, yelling out their battle cries. “For Lilian!!” “For chastity!!” Thunder struck the earth as these two titanic armies fought. Bodies were thrown into the air with impunity. Halberds clashed, the sound of metal on metal, steel ringing against steel, rang out in a symphony of chaos. Sparks flew and shouts accompanied the maelstrom of combat. It was, indeed, a battle worthy of being placed within the annals of history. A third party soon entered the fray. From one of the many cliffs surrounding the battlefield, an army appeared. Unlike the two forces duking it out down below, this army was bereft of nearly all their clothes. Wearing nothing but simple loincloths and bandoleers similar to Tarzan’s, the group of individuals looked identical. Messy blond hair framed bright blue eyes that glared down at the battlefield. With nary a thought, this force surged down the cliff, their own battle cry echoing across the land. “DEATH TO THE CHERRY!!” And so more chaos was unleashed upon the battlefield. ***
Brandon Varnell (A Fox's Family (American Kitsune #4))
Hawa! It’s my family!” Camellia’s smile was brighter than a star as she waved at them. “Kirikiri, Iris, Lilian, Kevin-kyun! Hullo!” “Um, hello, Camellia,” Kevin muttered, warily eying the soldiers, who were looking at them stupidly. “My Lady, are… are you well? You’re not hurt, are you?” Kirihime asked, her fingers twitching, clearly longing to reach for the daggers under her dress. “Um!” Camellia nodded joyfully. “These nice people kept me company.” The “nice people” that Camellia mentioned snapped out of their fugue. They looked from the group of kitsune to Camellia, then back to the kitsune. Camellia again. Then the kitsune one more time. For good measure. “So, wait, these are the people you’re looking for?” one of the soldiers asked. “Yes!” Camellia’s sunny smile hadn’t changed in the slightest. She was completely unaware of the heavy tension pervading the atmosphere. “Those two are my daughters, and that’s Kevin-kyun, and that one is Kirikiri.” “Daughters,” one of the men muttered, eyes straying to the tails writhing behind the backs of the three kitsune. “Your daughters are kitsune.” “Of course,” Camellia said as if the answer should have been obvious. “I’m a kitsune, too.” As she spoke, five tails emerged from underneath her magical girl skirt, and her ears sprouted fur and became long and pointed. The group of spandex-clad men eyed each other. Anxiety was written all over their faces. They looked at Camellia’s still smiling face, then at the other four people. Kirihime had now taken out her knives, Lilian had several orbs of light orbiting her, and Iris had summoned some void fire, which hovered over her tails. Kevin didn’t have a weapon, or superpowers, but that didn’t stop him from preparing for combat. “We’re screwed, aren’t we?” asked one of the men. Everyone sans Camellia nodded. “Thought so.” ***
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
On further reflection, I realized that I often become my own worst enemy, constantly signing myself up for combat duty when I really want to stay home, pet my cat, and read a book. Or, I harm myself when I truly want to see a friend, but make no time for it because I am too busy meeting the real or imagined needs of others. This story of being a rescuer comes from a long time ago, when I was a needy little girl who could only feel safe if I reassured myself that I was helpful. I don’t judge that little girl. Her story was, I still believe, quite close to reality.
Mary Pipher (Women Rowing North: Navigating Life’s Currents and Flourishing As We Age)
Rose, a girl who attacks full force, eyes icy and hard, ready to combat with claws and power.
Krista Ritchie
All at once Floyd felt what a game of child's play caps and gowns were. Graduation, for a boy, might have been youth's last call before he faced minimum wage at the diner, or years of combat, or the dark maze of the coal mines. Sobered by their own futures, those boys couldn't see that girls like Ruby and Ivy had grown up long before. They know how to feed other mouths before their own, to lie about leaving home after dark, to avert their eyes when men stared at them too long.
Amy Jo Burns (Shiner)
Misss Scott shows the class photographs of a burned, naked girl running, crying down a dirt road of people climbing, screaming. desperate to get on the last helicopter out of Saigon of skeletal refugees, crammed aboard a sinking fishing boat, reaching up to the heavens for help of mounds of combat boots abandoned by soldiers of the loosing side. She's telling the class Where I'm from. She should have shown something about papayas and Tet. No one would believe me but at times I would choose wartime in Saigon over peacetime in Alabama.
Thanhhà Lại (Inside Out & Back Again)
Girlhood Interrupted: The Erasure of Black Girls’ Childhood” was published by the Georgetown Law Center on Poverty and Inequality. The study provided—for the first time—data showing that adults view Black girls as less innocent and more adult-like than their white
Layla F. Saad (Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor)
Peace is the girl next door, Violence is a Diva!
Vineet Raj Kapoor
It must be appreciated that Nazi Germany in 1939 was not the place to be a nonconformist. There was no freedom of speech, much music (including American jazz) was banned, and undesirable people often just disappeared. Marseille simply didn't care. He drank, which was a serious offense, and fast became one o f the most infamous womanizers in the Luftwaffe. He was in trouble so often that, according to one of his friends, "it was a noteworthy occasion when he was not on restriction."........... ......Restricted to his quarters, he didn't take that to include the town, so he borrowed (stole) his commander's car and went barhopping. Coming back drunk with two French girls certainly did not endear him to his new commander, Johannes Steinhoff. One could forgive his utter lack of military bearing and even his rebelliousness up to a point, but no his seeming disregard for his fellow pilots. But in studying the man, I don't think that was truly his attitude. He was a warrior and a loner. The cold fact was that he really didn't need anyone's help in the air and was better alone.
Dan Hampton (Lords of the Sky: Fighter Pilots and Air Combat, from the Red Baron to the F-16)
He'd always lived off by himself in a hut, keeping a small garden and a hutch of rabbits. On some nights, his fellow pilots would see the red glow from a signal flare stuck in the ground, and Ball's dark silhouette as he played the violin in his pajamas. One of the reasons for his introspection was a woman. He'd fallen in love during his time off in England, but he refused to marry the girl until the war ended. It appears he didn't believe he'd survive; he once said to his father, Sir Albert Ball, that "no fighter pilot who fought seriously could hope to escape from the war alive.
Dan Hampton (Lords of the Sky: Fighter Pilots and Air Combat, from the Red Baron to the F-16)
So, you put in a no-show for the turkey,” Sean said. “What’s up with that? You’re stateside, you’re not that far away….” “I have things to do here, Sean,” he said. “And I explained to Mother—I can’t leave Art and I can’t take him on a trip.” “So I heard. And that’s your only reason?” “What else?” “Oh, I don’t know,” he said, as if he did know what else. “Well then, you’ll be real happy to hear this—I’m bringing Mother to Virgin River for Thanksgiving.” Luke was dead silent for a moment. “What!” Luke nearly shouted into the phone. “Why the hell would you do that?” “Because you won’t come to Phoenix. And she’d like to see this property you’re working on. And the helper. And the girl.” “You aren’t doing this to me,” Luke said in a threatening tone. “Tell me you aren’t doing this to me!” “Yeah, since you can’t make it to Mom’s, we’re coming to you. I thought that would make you sooo happy,” he added with a chuckle in his voice. “Oh God,” he said. “I don’t have room for you. There’s not a hotel in town.” “You lying sack of shit. You have room. You have two extra bedrooms and six cabins you’ve been working on for three months. But if it turns out you’re telling the truth, there’s a motel in Fortuna that has some room. As long as Mom has the good bed in the house, clean sheets and no rats, everything will be fine.” “Good. You come,” Luke said. “And then I’m going to kill you.” “What’s the matter? You don’t want Mom to meet the girl? The helper?” “I’m going to tear your limbs off before you die!” But Sean laughed. “Mom and I will be there Tuesday afternoon. Buy a big turkey, huh?” Luke was paralyzed for a moment. Silent and brooding. He had lived a pretty wild life, excepting that couple of years with Felicia, when he’d been temporarily domesticated. He’d flown helicopters in combat and played it loose with the ladies, taking whatever was consensually offered. His bachelorhood was on the adventurous side. His brothers were exactly like him; maybe like their father before them, who hadn’t married until the age of thirty-two. Not exactly ancient, but for the generation before theirs, a little mature to begin a family of five sons. They were frisky Irish males. They all had taken on a lot: dared much, had no regrets, moved fast. But one thing none of them had ever done was have a woman who was not a wife in bed with them under the same roof with their mother. “I’m thirty-eight years old and I’ve been to war four times,” he said to himself, pacing in his small living room, rubbing a hand across the back of his neck. “This is my house and she is a guest. She can disapprove all she wants, work her rosary until she has blisters on her hands, but this is not up to her.” Okay, then she’ll tell everything, was his next thought. Every little thing about me from the time I was five, every young lady she’d had high hopes for, every indiscretion, my night in jail, my very naked fling with the high-school vice-principal’s daughter…. Everything from speeding tickets to romances. Because that’s the way the typical dysfunctional Irish family worked—they bartered in secrets. He could either behave the way his mother expected, which she considered proper and gentlemanly and he considered tight-assed and useless, or he could throw caution to the wind, do things his way, and explain all his mother’s stories to Shelby later.
Robyn Carr (Temptation Ridge)
At the American Center for Law and Justice (ACLJ), we have worked with our international affiliate in Pakistan to combat the egregious international crimes that spring from this and other bigoted and intolerant cultures. One of our more high-profile cases revolves around Parwasha, an eight-year-old Christian girl in Pakistan whom Muslim men attacked in the public streets. Why? Because of the honor and shame culture. Here’s what happened. Parwasha’s maternal uncle, Iftikhar Masih, was visiting his Muslim girlfriend, Samina, late one night at her home. Interreligious romantic relationships are not accepted in Pakistan, largely due to the Muslim faith and the surrounding culture impacted by being predominantly Muslim. Therefore the girlfriend’s Muslim family was furious. Parwasha’s uncle admitted to the relationship and explained that he was invited over. But this did nothing to assuage the dishonor felt by Samina’s family, who called the village elders’ council. The family lied, telling the council that Iftikhar had robbed their house the night before and stolen a lot of money. Iftikhar told the council the true story. But the Muslim family decided that their honor had been besmirched. In their minds, the only way to correct this would be by humiliating a woman in the Christian family. So when young Parwasha was walking home from school the next day, they kidnapped her, stripped her naked, beat her, and left her in the streets. When Parwasha’s family sought help from the village elders (who were Muslim), they didn’t respond. When Parwasha’s grandfather went to the police station to file charges, he discovered that the Muslim family had already filed trumped-up charges against his family, charging them with assaulting and shaming Samina. The local police arrested members of Parwasha’s family and detained them until the village elders’ council could work everything out between the Muslim and Christian families. The council determined that the Christian family would have to sell its property and leave the area within thirty days. This is a common punishment doled out to non-Muslim families who are targeted by Muslims angry at them for any given reason.
Jay Sekulow (Unholy Alliance: The Agenda Iran, Russia, and Jihadists Share for Conquering the World)
Schools, in a noble effort to interest more girls in math and science, often try to combat stereotypes by showing children images of famous female scientists. “See, they did it. You can do it, too!” Unfortunately, these attempts rarely work, according to the research. Girls are more likely to remember the women as lab assistants. This is frustrating for those of us who try to combat gender stereotypes in children.
Christia Spears Brown (Parenting Beyond Pink & Blue: How to Raise Your Kids Free of Gender Stereotypes)
The biological aftereffects of sexual abuse that Putnam and Trickett have uncovered are even more startling, indicating that prolonged sexual abuse may lead to the same kind of disturbances in the physiological response to stress that have been found in combat veterans with posttraumatic stress disorder. The abused girls were found to chronically excrete higher levels of catecholamines—the chemicals epinephrine, norepinephrine, and dopamine released by the brain and adrenal gland in response to stress—than the nonabused girls. An excess of these chemicals in the body causes hyperarousal and has been found in Vietnam War veterans suffering from PTSD.
Marilee Strong (A Bright Red Scream: Self-Mutilation and the Language of Pain)
The Mann Act, passed into law just five years earlier as a means of prosecuting pimps, panders, fancy men and macquereau who transported women across state lines for the purpose of prostitution, would haunt Wrieto-San, as has been seen. Its intention was to combat the very real abuses of “white slavery,” in which young immigrant girls were approached with offers of employment (in many cases as they stepped off the boat from Ellis Island), only to find themselves opiated, locked away in a room and gang-raped, starved and brutalized till all sense of dignity and individuality was destroyed, after which they were sold into prostitution.
T. Coraghessan Boyle (The Women)
The man was tall and thin, with ratty brown hair and pale skin. He had ochre eyes and a black clinical mask. What he didn't have was any taste in clothes, anyone with half a brain would know that purple and khaki green make an appalling combination, and those were the colours on his combat jacket with its feather boa-style collar. Even more weirdly he'd gone for a black dress shirt and silver tie beneath. Okay maybe now wasn't the time for Bakugou to judge the guy's dress sense. But it was fucking shitty.
whimsical_girl_357 (The Emerald Prince)
In other ways my story didn’t follow the tradition. Its subversive elements attracted little attention, no doubt because I was deliberately sneaky about them. A great many white readers in 1967 were not ready to accept a brown-skinned hero. But they weren’t expecting one. I didn’t make an issue of it, and you have to be well into the book before you realize that Ged, like most of the characters, isn’t white. His people, the Archipelagans, are various shades of copper and brown, shading into black in the South and East Reaches. The light-skinned people among them have far-northern or Kargish ancestors. The Kargish raiders in the first chapter are white. Serret, who both as girl and woman betrays Ged, is white. Ged is copper-brown and his friend Vetch is black. I was bucking the racist tradition, “making a statement”—but I made it quietly, and it went almost unnoticed. Alas, I had no power, at that time, to combat the flat refusal of many cover departments to put people of color on a book jacket. So, through many later, lily-white Geds, Ruth Robbins’s painting for the first edition—the fine, strong profile of a young man with copper-brown skin—was, to me, the book’s one true cover.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
Shame is an emotion that many rape survivors struggle with for reasons that can be more complicated than we might think. It is a distinctly insidious form of humiliation, the result of a serious injury to our self-esteem, which can be exacerbated by the feeling that we’ve done something wrong. Humiliation is par for the course when your body is used sexually against your will—that part of the aftermath of sexual violence is pretty well understood. Less well appreciated is why rape survivors may end up feeling responsible for what has happened to them. A common assumption is that women blame themselves because of low self-esteem: if only I had dressed differently, if only I had not looked at him that way, if only I had made better decisions for myself. While a woman’s self-image may play a role in how she comes to understand what has happened to her, the sense of responsibility held by many rape survivors is at least partly driven by a dominant worldview regarding personal safety and harm. Although this picture is slowly changing, historically, at least in the West, girls have been taught from a young age that the world is basically a safe place and that so long as you are sufficiently careful and intelligent, you can protect yourself from any serious harm. Underscoring this narrative is the fact that in our entertainment-saturated media culture, the everydayness of sexual violence against women is overlooked in favour of sensationalized stories of extreme violence. And because rape is typically experienced in private, unlike other traumatic experiences, like combat fighting in war, for instance, the clear evidence of its pervasiveness is obscured from our collective vision. This further reinforces the mistaken notion that the world is a benign place for women—and worse, it makes incidents of sexual violence against women look like a series of unrelated, isolated events when in fact they are the systematic consequence of patriarchal social structures. So how does the rape survivor reconcile this dominant worldview with what has happened to her? After all, it cannot be true both that the world is a safe place and that you were raped, unless, of course, the rape was your fault. The other alternative is to reject the dominant worldview, but this means accepting the fact that we live in a world where women, by virtue of being women, are at risk. For a variety of reasons, it can be easier and less painful to believe instead that being raped was a result of your own poor choices.
Karyn L. Freedman (One Hour in Paris: A True Story of Rape and Recovery)
Bear the very erratic of those whom you're so close and hold tightly the most atrocious attitude of such soul mates. But if you can't carry and control over such immoral doings then have a combating way with yourself and welcome to the most interesting life, full of conflicts.
Raj Kumar Koochitani
XI. Almost Out Of The Sky" Almost out of the sky, half of the moon anchors between two mountains. Turning, wandering night, the digger of eyes. Let's see how many stars are smashed in the pool. It makes a cross of mourning between my eyes, and runs away. Forge of blue metals, nights of stilled combats, my heart revolves like a crazy wheel. Girl who have come from so far, been brought from so far, sometimes your glance flashes out under the sky. Rumbling, storm, syclone of fury, you cross above my heart without stopping. Wind from the tombs carries off, wrecks, scatters your sleepy root. The big trees on the other side of her, uprooted. But you, cloudless girl, question of smoke, corn tassel. You were what the wind was making with illuminated leaves. Behind the nocturnal mountains, white lily of conflagration, ah, I can say nothing! You were made of everything. Longing that sliced my breast into pieces, it is time to take another road, on which she does not smile. Storm that buried the bells, muddy swirl of torments, why touch her now, why make her sad. Oh to follow the road that leads away from everything, without anguish, death, winter waiting along it with their eyes open through the dew.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
Hana, the bravest wireless operator in the entire camp. No one is quite like her. She does the night shift in the wireless room, and goes with the girls to her military positions.” I looked at her. Her eyes were green, her hair was tied back in a pony tail. She had a feminine air despite the seriousness which her difficult assignments imparted to her. I asked her: “It’s unusual for a girl to be on duty at night all by herself!” “I’m not afraid of the night. Sometimes I used to be on duty at night, and I was not scared. The young men would be tied up along the combat lines and I would keep operating the wireless. At first, my parents wouldn’t agree to my work because they were worried about me. But I’ve done a three-month militia training course. I did it when the revolution entered the camp, and training began. They offered a course for girls. I was fourteen years old. It was a very strenuous course and I was in the third preparatory class at school.
Liana Badr (The Eye of the Mirror)
One of these men was a guy who loved cyberpunk and post-apocalyptic fiction. (It was San Francisco, after all, and my childhood sci-fi obsessions had transformed me into a dystopian dream girl.) We wrote each other stories and went shopping for survivalist supplies at REI and did an apocalypse photo shoot with combat boots and machetes among the rubble at Albany Bulb. I shaved half my head because he said it would be hot. Less than a year into our relationship, he took me to a gun range for the first time, and I was delighted to find I was a great shot: All of my bullets traveled right through the head of the paper man-shaped target. A week later, the guy dumped me. He said it was because I was too intimidating; he was afraid that one day, I’d wake up and shoot him in the head, too.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Until I was eleven, I lived with a Checquy Pawn and her husband in Oxford,” Pamela told me. “They were lovely—I still write to them. They schooled me and three other girls in the basic skills of reading, writing, firearms, arithmetic, religious education, history, unarmed combat, science, sketching and watercolors, armed combat, and, of course, the core skill of any Checquy operative.” “Which is?” I asked her. “Keeping one’s abilities secret.
Daniel O'Malley (Blitz (The Checquy Files, #3))
Any other girl at La Brea High would have been flattered to have him pursue her. They found his laid-back scruffy look irresistible, even with his bad reputation as a heartbreaker. Serena had caught him staring at her in English class and had wondered what he wanted with her. She wasn't the glam type of girl he normally dated, not with her combat boots, black fishnet hose, and graffiti-painted nails. But it didn't take much to realize he had a huge crush on her. He always seemed to show up where she was. At first Serena had been impressed that he wasn't the kind of guy who judged a girl by the way she dressed. She might have even dated him if she hadn't discovered the truth. He lied about the girls he had gone out with. It wasn't as if Serena didn't know guys did that. She knew they exaggerated sometimes, but Jerome did more. She couldn't confront him or even tell others what she knew, though, because no one would believe her.
Lynne Ewing (Possession (Daughters of the Moon, #8))
Leopard girl gave a decisive nod and dug out her walkie talkie. “Shadows, we’re pulling out. Disengage in combat and prepare to leave,” she said before frowning at Esmeralda, the sphinx, and Madeline as the blonde popped back up on her feet after pushing the blindfold out of her eyes. “How will you notify your companions that we are leaving the premises?” “The old fashioned way,” Madeline said before turning on her heels and shouting at the top of her lungs, “HEY GUYS! WE’RE LEAVING!” she said as Frank and Frey took down a pair of goblins. Leopard girl did not groan, but her face went completely blank. (Madeline has that effect on most people.)
K.M. Shea (Vampires Drink Tomato Juice (The Magical Beings' Rehabilitation Center, #1))
Cockroaches were a problem, too, and to me the people who invented Combat, the little black roach-trapping contraption, are urban folk heroes.
Kim Gordon (Girl in a Band)
Via the power of the swamplands I cast a double-decker Gris-Gris on my pirogue, to give Ol’ Alfonse a VERY, Very Nasty bellyache.” “Hey now Cricket,” How-Ya-Do scolded, “you better watch-out playing around with them Voodoo spells.” “Says who,” Cricket countered combatively. “You know you ain’t supposed to Conja no Gris-Gris. You be just “a little Cajun-girl,” not a Voodoo Priestess, like Madame Teche” How-Ya-Do reminded her, “what are you gonna do if that Gris-Gris bounces off of a tree `n whammies somebody-else by mistake?
Darwun St. James (CRICKET)
women must continuously tell our stories to combat the slyly suffocating, subordinating effects of male-dominant religion.
Jennifer Crumpton (Femmevangelical: The Modern Girl's Guide to the Good News)
Thurgood Marshall arranged a meeting with agents of the New York office of the FBI "in connection with his efforts to combat communist attempts to infiltrate the NAACP," as the FBI put it. The future U.S. Supreme Court justice informed them that Robert Williams had been suspended from the NAACP "due to his actions in connection with the defense of two Negro children who were sent to a North Carolina Training School for allowing white girls to kiss them." Williams should be investigated, Marshall allegedly told them, because he "will seek to arouse the people in the North Carolina area to take action which could become violent and cause racial unrest and tension." Marshall was, the FBI report stated, "afraid of people agitating on such matters in the South since race tension can be easily aroused, especially during the summer months.
Timothy B. Tyson (Radio Free Dixie: Robert F. Williams and the Roots of Black Power)
a leader, and she was one of the only girls I knew who didn’t wither in the face of Cara’s haughty, combative tone.
Maggie Dallen (Love at First Fight (Geeks Gone Wild, #1))
Armed combatants in war, who surrender their individuality and usually their capacity for moral choice, become part of a herd of dehumanized killers. Sex in wartime is reduced to its crudest biological function. It is referred to in marching cadences and ribald small talk like defecation. Pornography, prostitution, and rape are ubiquitous in war zones. In war, empathy, compassion, and love are banished. Human beings, especially women, become objects, to exploit or kill. The violence and commodification of human beings for profit are the quintessential expressions of global capitalism. Our corporate masters are pimps. We are all being debased and degraded, rendered impoverished and powerless, to service the cruel and lascivious demands of the corporate elite. And when they tire of us, or when we are no longer of use, we are discarded. If the United States accepts prostitution as legal and permissible in a civil society, as Germany has done, we will take one more collective step toward the global plantation being built by the powerful. The fight against prostitution is the fight against a dehumanizing corporate capitalism that begins, but will not end, with the subjugation of impoverished girls and women.
Chris Hedges (America: The Farewell Tour)
hours.” “I need longer than nineteen minutes,” Jennifer said, running to the bathroom. “You already have on your combat gear, stupid head!” Carrie shouted from the loft. Laughing at Carrie, Lance looked over at Ian as he headed to the stairs. “Will you get the ARs we put together for Denny, Lori, and the one the ladybugs wanted for Jodi?” Lance asked, reaching the stairs. “They haven’t even met the girl and
Thomas A. Watson (Dark Crossing (Forsaken World #4))
Wow, kitty, you look just like a ninja,” Misa said. “When did that happen?” In response, the catgirl drew her dagger, crouched, and silently approached the lone guard. The other three members of The Mob Squad exchanged bewildered glances. “She’s not going to …?” Riley began. “Oh, no chance in hell, not our big-eyed people-charmer,” Misa said. “I don’t know …” Fox said, “she’s never shied away from combat.” “It’s not the same as–” Riley said, but he stopped abruptly, his eyes widening as the girl reached her target from behind and with a practiced motion slit his throat while covering his mouth with her other hand. “Oh, bloody hell.” Misa covered her own mouth. “She just murdered him in cold blood.” Raystia turned, flashed a mischievous grin at her friends, and then disappeared before their astonished eyes. “That girl is full of surprises,” Fox said. “When she gets back, we’re going to have a long conversation about hiding things from her party.” Riley swallowed hard. “You’re going to have to be the one doing the questioning. After what I’ve seen, I’m just going to stand back, nod, and smile.
Shemer Kuznits (Hobnobbing (New Era Online, #3))
Miss Mile, you know that this is a home tutoring request, right? You won’t be the student, but the teacher.” “Of course!” Mile was indignant. “B-but, this is for a scholarship exam for the August Academy… um, the August Academy is a private school here in the capital, for wealthy commoners and poor—um, nobles who don’t have very much room in their budgets. It’s an all-girls school. The entrance exam is a written test and a magic practicum. The physical and combat exams are just a practical assessment, so…” “Wh-what are you implying?! I was an outstanding pupil at the academy in my home country!” “Huh?” “Whaaaaaaaaat????” Upon overhearing that Mile was trying to take yet another strange job, the other hunters all butted in at once. “And just what barbaric country was that?!?!?!?!” “What on earth do you think is wrong with me?!?!
FUNA (Didn't I Say To Make My Abilities Average In The Next Life?! Light Novel Vol. 2)
The Geneva Convention expressly prohibits women combatants. ...We’d be risking the lives of wives, daughters and mothers.
Pam Jenoff (The Lost Girls of Paris)