Comb Your Hair Quotes

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Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.
Margaret Atwood (The Robber Bride)
Yes, I'm too mad to punish you right now. We'll talk about it when we get home. Go brush your teeth, comb your hair, put on dry clothes, and get the guns. We're going to Wal-Mart.
Ilona Andrews (On the Edge (The Edge, #1))
Sammy: "How do you comb your hair so the horns don't show?" Cain: "Don't mind her. A house just fell on her sister.
Kelly Moran (Ghost of You (Phantoms #3))
Let me tell you what you feel like when you know you are ready to die. You sleep a lot, and when you wake up the very first thought in your head is that you wish you could go back to bed. You go entire days without eating, because food is a commodity that keeps you here. You read the same page a hundred times. You rewind your life like a videocassette and see the things that make you weep, things that make you pause, but nothing that makes you want to play it forward. You forget to comb your hair, to shower, to dress. And then one day, when you make the decision that you have enough energy left in you to do this one, last, monumental thing, there comes a peace. Suddenly you are counting moments as you haven’t for months. Suddenly you have a secret that makes you smile, that makes people say you look wonderful, although you feel like a shell-brittle and capable of cracking into a thousand pieces.
Jodi Picoult (Keeping Faith)
Do people your age know how to comb their fucking hair? It looks like two squirrels crawled on their head and started fucking.
Justin Halpern (Sh*t My Dad Says)
Tell me, was I the sort of person who took your elbow when cars passed on the street, touched your cheek while you talked, combed your wet hair, stopped by the side of the road in the country to point out certain constellations, standing behind you so that you had the advantage of leaning and looking up?
Nicole Krauss (Man Walks into a Room)
Strength just comes in one brand— you stand up at sunrise and meet what they send you and keep your hair combed.
Reynolds Price (Kate Vaiden)
Come here till I comb your hair, said Grandma. Look at that mop, it won't lie down. You didn't get that hair from my side of the family. That's that North of Ireland hair you got from your father. That's the kind of hair you see on Presbyterians. If your mother had married a proper decent Limerickman you wouldn't have this standing up, North of Ireland, Presbyterian hair.
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
We have not long to love. Light does not stay. The tender things are those we fold away. Coarse fabrics are the ones for common wear. In silence I have watched you comb your hair. Intimate the silence, dim and warm. I could but did not, reach to touch your arm. I could, but do not, break that which is still. (Almost the faintest whisper would be shrill.) So moments pass as though they wished to stay. We have not long to love. A night. A day....
Tennessee Williams (The Collected Poems)
Hua Cheng quietly sighed, extended his arms, and once again folded him into his embrace. "Your Highness, I've always watched you." This was the second time he had said this, but his voice was softer than before. Xie Lian clutched the red robes at his chest, asking, his mind blank, "I know, I know. But... what should I do now?" Hua Cheng's long and slender fingers gently combed through Xie Lian's mussed hair. "Then, Your Highness, do you know why I refuse to leave this world?" Xie Lian couldn't understand why Hua Cheng could still be so calm at a time like this, he was panicking so hard he was trembling. But, while feeling lost, he still simple-mindedly asked, "Why?" Hua Cheng replied quietly, "Because I have a beloved who is still in this world." Hearing this, Xie Lian was slightly stunned. He seemed to have heard this somewhere before. Hua Cheng continued, "My beloved is a brave, noble, and gracious special someone. He's saved my life; I've looked up to him ever since I was young. But, I wanted to catch up to him more, and become and even stronger person for him. Although he might not remember me well. We never really talked. I want to protect him." He gazed at Xie Lian. "If your dream is to save the common people, then my dream is only you." "..." Relying on his memory, Xie Lian asked with a trembling voice, "But... you won't... be able to rest in peace... like this...?" Hua Cheng answered, "I pray to never rest in peace.
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
I will go directly to her home, ring the bell, and walk in. Here I am, take me-or stab me to death. Stab the heart, stab the brains, stab the lungs, the kidneys, the viscera, the eyes, the ears. If only one organ be left alive you are doomed-doomed to be mine, forever, in this world and the next and all the worlds to come. I'm a desperado of love, a scalper, a slayer. I'm insatiable. I eat hair, dirty wax, dry blood clots, anything and everything you call yours. Show me your father, with his kites, his race horses, his free passes for the opera: I will eat them all, swallow them alive. Where is the chair you sit in, where is your favorite comb, your toothbrush, your nail file? Trot them out that I may devour them at one gulp. You have a sister more beautiful than yourself, you say. Show her to me-I want to lick the flesh from her bones.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was. "That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves." "Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love.
Anne Rice
He hung his head. “Am I punished?” “Yes. I’m too mad to punish you right now. We’ll talk about it when we get home. Go brush your teeth, comb your hair, put on dry clothes, and get the guns. We’re going to Wal-Mart.
Ilona Andrews (On the Edge (The Edge, #1))
Go brush your teeth, comb your hair, put on dry clothes, and get the guns. We're going to Wal-Mart
Ilona Andrews
I was inspired to write (Life Continues) to tell people dealing with MS or any other illness that if opening your eyes, or getting out of bed, or holding a spoon, or combing your hair is the daunting Mount Everest you climb today, that is okay.
Carmen Ambrosio (Life Continues: Facing the Challenges of MS, Menopause & Midlife with Hope, Courage & Humor)
I don't need these," Ian said, flashing emerald in his turquoise gaze for a split second, "when I have this." With a casual swipe of his hand, he ripped his shirt open, causing buttons to fly everywhere. Another swipe took his sleep mask all the way off. Finally, he finger-combed his shoulder-length hair and smiled at his reflection in the rearview mirror. "I am, after all, irresistible." I couldn't contain my snort. "I resisted you just fine the day we met, or don't you remember me sticking a knife in your chest?" Ian smiled with lazy wickedness. "I remember, but you seem to have forgotten that you kissed me first. And thoroughly enjoyed it.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
We got quiet. The garden was combing her hair and putting on earrings. The house was full of dancing creatures, not male and female but both, two lovers in one body. The books downstairs were reciting their poetry to each other, rubbing together, whispering through the leather covers. Wine was flowing through the water pipes. You had caught my leaping heart in your hand like a fish.
Francesca Lia Block (Wasteland)
I wanted you, nameless Woman of the South, No wraith, but utterly—as still more alone The Southern Cross takes night And lifts her girdles from her, one by one— High, cool, wide from the slowly smoldering fire Of lower heavens,— vaporous scars! Eve! Magdalene! or Mary, you? Whatever call—falls vainly on the wave. O simian Venus, homeless Eve, Unwedded, stumbling gardenless to grieve Windswept guitars on lonely decks forever; Finally to answer all within one grave! And this long wake of phosphor, iridescent Furrow of all our travel—trailed derision! Eyes crumble at its kiss. Its long-drawn spell Incites a yell. Slid on that backward vision The mind is churned to spittle, whispering hell. I wanted you . . . The embers of the Cross Climbed by aslant and huddling aromatically. It is blood to remember; it is fire To stammer back . . . It is God—your namelessness. And the wash— All night the water combed you with black Insolence. You crept out simmering, accomplished. Water rattled that stinging coil, your Rehearsed hair—docile, alas, from many arms. Yes, Eve—wraith of my unloved seed! The Cross, a phantom, buckled—dropped below the dawn. Light drowned the lithic trillions of your spawn.
Hart Crane (The Bridge)
I want to know what your five-dollar wish was for.” “Is that all?” He smiled beneath her exploring fingertips. “I wished you would find someone who wanted you as much as I did. But I knew it wouldn’t come true.” The candlelight slid over Daisy’s delicate features as she raised her head to look at him. “Why not?” “Because I knew no one could ever want you as much as I do.” Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both. “What was your wish?” Matthew asked, combing his fingers through the fall of shimmering hair. “That I could find the right man to marry.” Her tender smile stopped his heart. “And then you appeared.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
You ever feel like home is the one place you can’t go back to? It’s like you promise yourself when you got out of bed and combed your hair that this evening, when I get back I’ll be a different woman in a new place. And now you can’t go back because the house expects something from you.
Marlon James (A Brief History of Seven Killings)
We couldn't bear to be apart. So if Kizuki had lived, I'm sure we would have been together, loving each other, and gradually growing unhappy." Unhappy? Why's that?" With her fingers, Naoko combed her hair back several times. She had taken her barrette off, which made the hair fall over her face when she dropped her head forward. Because we would have had to pay the world back what we owed it," she said, raising her eyes to mine. "The pain of growing up. We didn't pay when we should have, so now the bills are due. Which is why Kizuki did what he did, and why I'm here. We were like kids who grew up naked on a desert island. If we got hungry, we'd just pick a banana; if we got lonely, we'd go to sleep in each other's arms. But that kind of thing doesn't last forever. We grew up fast and had to enter society. Which is why you were so important to us. You were the link connecting us with the outside world. We were struggling through you to fit in with the outside world as best we could. In the end, it didn't work, of course." I nodded. I wouldn't want you to think that we were using you, though. Kizuki really loved you. It just so happened that our connection with you was our first connection with anyone else. And it still is. Kizuki may be dead, but you are still my only link with the outside world. And just as Kizuki loved you, I love you. We never meant to hurt you, but we probably did; we probably ended up making a deep wound in your heart. It never occurred to us that anything like that might happen.
Haruki Murakami (Norwegian Wood)
Pam (from The Office) is not intimidating, like one of those women who wears makeup and tailored clothes, and has a good job that she enjoys, and confidence, and an adult woman's sexuality. There's nothing scary about Pam, because there's no mystery; she's just like the boys who like her; mousy and shy. The ultimate emo-boy fantasy is to meet a nerdy, cute girl just like him, and nobody else will realize she's pretty. And she'll melt when she sees his record collection because it's just like hers....and she'll never want to go out to a party for which he'll be forced to comb his hair, or buy grown-up shoes or tie a tie, or demonstrate a hearty handshake, or make eye contact, or relate to people who work in different fields, or to basically act like a man.
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
I … There is no one I want more; there is nothing I want more than to be overwhelmed by you.” “But you don’t want to kiss me?” He inhaled slowly, trying to bring order to his thoughts. This was all wrong. “In Fjerda—” he began. “We’re not in Fjerda.” He needed to make her understand. “In Fjerda,” he persisted, “I would have asked your parents for permission to walk out with you.” “I haven’t seen my parents since I was a child.” “We would have been chaperoned. I would have dined with your family at least three times before we were ever left alone together.” “We’re alone together now, Matthias.” “I would have brought you gifts.” Nina tipped her head to one side. “Go on.” “Winter roses if I could afford them, a silver comb for your hair.” “I don’t need those things.” “Apple cakes with sweet cream.” “I thought drüskelle didn’t eat sweets.” “They’d all be for you,” he said. “You have my attention.” “Our first kiss would be in a sunlit wood or under a starry sky after a village dance, not in a tomb or some dank basement with guards at the door.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Oh, I don’t know,” he said carelessly. “Put you in a fine gown and a pair of high-heeled shoes, and stick a comb in your hair, I daresay you’d pass for a lady even in a big place like Exeter.” “I’m meant to be flattered by that, I suppose,” said Mary, “but, thanking you very much, I’d rather wear my old clothes and look like myself.
Daphne du Maurier (Jamaica Inn)
The year is done. I spread the past three hundred sixty-five days before me on the living room carpet. Here is the month I decided to shed everything not deeply committed to my dreams. The day I refused to be a victim to the self-pity. Here is the week I slept in the garden. The spring I wrung the self-doubt by its neck. Hung your kindness up. Took down the calendar. The week I danced so hard my heart learned to float above water again. The summer I unscrewed all the mirrors from their walls. No longer needed to see myself to feel seen. Combed the weight out of my hair. I fold the good days up and place them in my back pocket for safekeeping. Draw the match. Cremate the unnecessary. The light of the fire warms my toes. I pour myself a glass of warm water to cleanse myself for january. Here I go. Stronger and wiser into the new.
Rupi Kaur (the sun and her flowers)
You keep asking me about my past lovers and whether I still have feelings for them. You become upset when I don’t keep a straight face. Yet, it is not my fault. I can’t help but smile when I think about later tonight and how my fingers will through comb your hair.
Kamand Kojouri
I comb her wet hair off her cheeks. “You’re beautiful, Willow Hale. Inside, outside, online, offline.
Krista Ritchie (Wherever You Are (Bad Reputation Duet, #2))
He picked up a twist of straw and began to rub her down. In the space of a blink, the twist of straw became a brush of boar’s hair. The mare stood with her ears flopping, loose-lipped with enjoyment. Vasya went nearer, fascinated. “Did you change the straw? Was that magic?” “As you see.” He went on with his grooming. “Can you tell me how you do it?” She came up beside him and peered eagerly at the brush in his hand. “You are too attached to things as they are,” said Morozko, combing the mare’s withers. He glanced down idly. “You must allow things to be what best suits your purpose. And then they will.” Vasya,
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
Well, what am I supposed to do?" "Well, you can take a nap, read a little of my book, or close your eyes. Or you could stare--get the thrill of your life." "She put her hands on her hips. "You really wouldn't care, would you?" "Not really. A bath is a serious business when it's that much trouble. And it's pretty quick in winter." He started to chuckle. "What's so funny?" she asked, a little irritated. "I was just thinking. It's cold enough in here, you might not see that much." Her cheeks went hot, so she pretended not to understand. "But in summer, you can lay in the tub all afternoon?" "In summer, I wash in the creek." He grinned at her. "Why don't you comb the snarls out of your hair? You look like a wild banshee." She stared at him a minute, then said, "Don't flirt with me. It won't do you any good." -Marcie and Ian
Robyn Carr (A Virgin River Christmas (Virgin River, #4))
The sun has come. The mist has gone. We see in the distance... our long way home. I was always yours to have. You were always mine. We have loved each other in and out of time. When the first stone looked up at the blazing sun and the first tree struggled up from the forest floor I had always loved you more. You freed your braids... gave your hair to the breeze. It hummed like a hive of honey bees. I reached in the mass for the sweet honey comb there.... Mmmm...God how I love your hair. You saw me bludgeoned by circumstance. Lost, injured, hurt by chance. I screamed to the heavens....loudly screamed.... Trying to change our nightmares into dreams... The sun has come. The mist has gone. We see in the distance our long way home. I was always yours to have. You were always mine. We have loved each other in and out in and out in and out of time.
Maya Angelou
Jonas went and sat beside them while his father untied Lily's hair ribbons and combed her hair. He placed one hand on each of their shoulders. With all of his being he tried to give each of them a piece of the memory: not of the tortured cry of the elephant, of their towering, immense creature and the meticulous touch with which it had tended its friend at the end. But his father had continued to comb Lily's long hair, and Lily, impatient, had finally wriggled under her brother's touch. "Jonas," she said, "you're hurting me with your hand.
Lois Lowry (The Giver (The Giver, #1))
[Lena] “This is crazy, you know. How can you know me well enough to love me?” “Lena.” He pressed a kiss to her temple. “I know what I need to know. I know that your laugh makes me want to smile, and I know that when you’re sad, it bothers me. I know I love to watch you, I know you blush when you realize I’ve been staring at you, even though it makes you smile, too.” He combed a hand through her hair, angled her head, and brushed her mouth with his. “I may not know everything there is to know about you, Lena, but I do know I’d like to spend my life learning the things I don’t know.
Shiloh Walker (If You Hear Her (The Ash Trilogy, #1))
Since this wedding that never happened is my fantasy, that boy is clean-­shaven on your special day, hair combed neatly, slightly nervous as he stands by the preacher, looking at you the way I always wanted a man to look at you: kind, loving, slightly in awe
Karin Slaughter (Pretty Girls)
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
She let her body go limp, moaned, and combed her fingers through his hair, ran them over his shoulders. "Your jacket," she murmured and tugged at it. When he shifted to shrug free, she had him. It was a basic tenet of hand-to-hand. Never lower your guard. She scissored, shoved, and pinned him with a knee to the crotch and an elbow to the throat. "You're tricky." He calculated he could dislodge the elbow, but the knee... There were some things a man didn't care to risk. He kept his eyes on hers and slowly, carefully skimmed his fingertips up her bare torso, circled her breast. "I admire that in a woman." "You're easy." His thumb brushed lightly over her nipple, quickening her breath. "I admire that in a man." "Well, you've got me now." He unsnapped her waistband, teased her stomach muscles to quiver. "Be kind." She grinned, levered her elbow away to brace her hands on either side of his head. "I don't think so." Lowering her head, she caught his mouth with hers.
J.D. Robb (Ceremony in Death (In Death, #5))
Refuse to look like your problems. Even if you are broke, dress well, comb your hair and smell nice. Be beautifully broke!
Unknown
There were so many things I wanted to tell you. Or rather, I wished to have things that I wanted to tell you. What a thing, to be with you and have no words for it. What a thing, to be outcast like that. And then everything unfastened. It was like something was always dissolving inside you— Already it's hard to remember how you used to comb your hair or how you tilted your broad face in green shade. Now what seas, what meanings can I place in you?
Mary Szybist (Incarnadine: Poems)
Fine, but I don’t want to make you feel weird either.” His reply was low and steady. “I’ve seen you in your underwear and combed nits out of your hair, baby. I think we’re past that.” I focused on one thing and one thing only. Baby? Me?
Mariana Zapata (Wait for It)
You ever feel like home is the one place you can't go back to? It's like you promise yourself when you got out of bed and combed your hair that this evening, when I get back I'll be a different woman in a new place. And now you can't go back because the house expects something from you.
Marlon James (A Brief History of Seven Killings)
Mother-daughter relationships can be complicated and fraught with the effects of moments from the past. My mom knew this and wanted me to know it too. On one visit home, I found an essay from the Washington Post by the linguistics professor Deborah Tannen that had been cut out and left on my desk. My mom, and her mom before her, loved clipping newspaper articles and cartoons from the paper to send to Barbara and me. This article was different. Above it, my mom had written a note: “Dear Benny”—I was “Benny” from the time I was a toddler; the family folklore was that when we were babies, a man approached my parents, commenting on their cute baby boys, and my parents played along, pretending our names were Benjamin and Beauregard, later shorted to Benny and Bo. In her note, my mom confessed to doing many things that the writer of this piece had done: checking my hair, my appearance. As a teenager, I was continually annoyed by some of her requests: comb your hair; pull up your jeans (remember when low-rise jeans were a thing? It was not a good look, I can assure you!). “Your mother may assume it goes without saying that she is proud of you,” Deborah Tannen wrote. “Everyone knows that. And everyone probably also notices that your bangs are obscuring your vision—and their view of your eyes. Because others won’t say anything, your mother may feel it’s her obligation to tell you.” In leaving her note and the clipping, my mom was reminding me that she accepted and loved me—and that there is no perfect way to be a mother. While we might have questioned some of the things our mother said, we never questioned her love.
Jenna Bush Hager (Sisters First: Stories from Our Wild and Wonderful Life)
Before she knew it the afternoon was done, and the trainees were taking their new mounts to the stables for grooming. Daine, Onua, Buri, and Sarge helped then too, though Daine couldn't see how she could ever be comfortable telling a twenty-year-old man he was missing spots on the pony he was grooming. She did try it: "Excuse me, trainee what did you say your name was?" Blue gray eyes twinkled at her over his cream-colored mare's back. "I didn't. It's Farant. " His blond hair curled thickly over his head, almost matching the pony's in color. "Thank you. Trainee Farant, you're missing spots. " "Not at all, sweetheart. I'm just combing too fast for you to see. " "Trainee Farant, you're missing spots!" Sarge boomed just behind Daine. She thought later she actually might have levitated at that moment certainly Farant had. Next time the assistant horsemistress tells you something, don't flirt correct it!" He moved on, and Daine pressed her hands against her burning cheeks. Farant leaned on his mare and sighed. "Yes, Assistant Horsemistress. Right away. " He winked at her and went back to work. Daine went to Sarge as the trainees were finishing up. "Sarge, I-" He shook his head. Daine thought if he leaned against the stable wall any harder, it would collapse. How did a human, without bear blood in him, get to be so large? "Not your fault. These city boys see you, you're young, sweet-lookin'",he winked at her,"they're gonna try to take advantage. If they can't keep their minds on the job after I've had them two weeks already in my patty-paws, then I ain't been doing my job right. " His grin was wolfish. "But that can be fixed. " Seeing her open mouthed stare, he asked, "Something the matter, my lamb?" She closed her jaw. "No, sir. I just never met nobody like you. " "And if you're lucky, you won't again, " muttered Buri, passing by.
Tamora Pierce (Wild Magic (Immortals, #1))
I am now the mother of a four-year-old daughter. Memories of my own childhood flash for a second as I’m combing my daughter’s hair or when I bathe her at night. What’s odder is that memories don’t come when I expect them summoned. Because my parents never read to me, I first felt a deficit of weight instead of being flooded with nostalgic memories when I began reading to my daughter at bedtime. There should be a word for this neurological sensation, this uncanny weightlessness, where a universally beloved ritual tricks your synapses to fire back to the past, but finding no reserve of memories, your mind gropes dumbly, like the feelers of a mollusk groping the empty ocean floor.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
She helps me to the bathroom, helps me wash, then helps me put a gazillion tangles in my hair while she shampoos it. And she actually thinks we’re going to leave it that way. “I’m not going downstairs looking like a hobo,” I tell her. “We have to comb it.” “That thick mess will break this flimsy comb. Can’t you just run your fingers through it?” It’s weird to be arguing about my hair when we still haven’t discussed my wound, how I got it, and how I came to be snoring in Galen’s bed. We both seem to appreciate the bizarreness at the same time. Mom raises a brow. “Don’t think you get special treatment just because you can make a whale do the tango. I’m still your mother.” We both laugh so hard I think I feel a tiny rip in my newly dressed wound. Without warning, Mom throws her arms around me, careful to avoid touching it. “I’m so proud of you, Emma. And I know your father would be, too. Your grandfather can’t stop talking about it. You were amazing.” Ah, the bonding power of tangled hair and dancing whales. She releases me the second before it gets awkward. “Let’s get you dressed. We have a lot to discuss. And I get you’re starving. Rachel made you…uh…Upchuck Eggs.” “She gets an A for effort.
Anna Banks (Of Triton (The Syrena Legacy, #2))
So she sells her hair to buy him a watch fob and he sells his watch to buy combs for her hair. The moral I drew was you’re always safer giving cash.
Woody Allen (Apropos of Nothing)
You could call it a performance, or you could call it presenting yourself in the best possible light, no different from putting on a suit and combing your hair.
Emily St. John Mandel (The Glass Hotel)
I’ve seen you in your underwear and combed nits out of your hair, baby. I think we’re past that.
Mariana Zapata (Wait for It)
Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did. “No one has noticed,” he said at the time. “No one gives a shit.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
Not surprisingly, Dickens was also something of a neat freak. He brushed his thinning hair hundreds of times a day, even whipping out a comb in the middle of a dinner party if he sensed a single strand out of place.
Robert Schnakenberg (Secret Lives of Great Authors: What Your Teachers Never Told You about Famous Novelists, Poets, and Playwrights)
Promise me you won't cut your hair." Sara couldn't believe he was being so ridiculous. "If I did, it would grow back." She advanced on him and made a quick grab. His arm shot up in the air, holding the turban well out of her reach. "Promise," he insisted. "If you knew the price that had been paid for that turban, you wouldn't treat it so cavalierly!" "I'll pay it a hundred times over, for your promise." An incredulous smile flitted across her lips. "Why?" she asked, combing a hand through the wild ripples of her hair. "Does my appearance mean so much to you?" "It's not that. It's..." Derek dropped the turban to the floor and circled her slowly. "I like to watch you braid it... and the way you let a few curls on your neck after you've pinned it up... and when you brush it out at night I know I'm the only man who sees it loose and long over your back. It's a part of you that only I can have.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
If you’re half as hot as I get just when you walk into a room, then I’m a happy man.” Her fingers combed through my hair then slipped to the nape of my neck. “Then you should be a totally, blissed-out, high-as-a-kite happy man.
Juliette Cross (Wolf Gone Wild (Stay A Spell #1))
I was looking at Gavin's face this morning when he saw you in that dress and, honey, he liked what he saw! Now you lie here and take a nap. When you wake up, I'll help you bathe and we'll put some of that good-smelling stuff on you and comb your hair pretty. Tonight when he comes to bed, you prance around for a while real innocent-like in your lacy undergarments. Then strip 'em off, jump into bed, and cuddle up close to 'im. If he doesn't consummate the wedding, then he deseves to be called a damn gelding!
Charlotte McPherren (Song of the Willow)
People call it regret, but it’s true awareness,” he continued. “It’s pure comprehension that the actions you take and don’t take have direct effect on others. You’re complicit. I’m complicit. We’re all complicit. The definition isn’t ‘involved in a crime’; it’s more about having done someone wrong in some way. It happens to everyone. So tomorrow morning, when you’re in front of that mirror brushing those pearly whites, think about why you do it. Not the oral health benefits. Brushing your teeth, combing your hair, buttering your toast, thinking about what the day will bring you. Everything is an invocation. Little, itty-bitty, step-by-step moments of holy summoning. But here’s the thing about it. Sometimes we are not the ones doing the summoning. Sometimes we are the ones being summoned.
Guillermo del Toro (The Hollow Ones (Blackwood Tapes #1))
I went to my room and put some water on my hair, but you can't really comb a crew cut or anything. Then I tested to see if my breath stank from so many cigarettes and the Scotch and sodas I drank at Ernie's. All you do is hold your hand under your mouth and blow your breath up toward the old nostrils. It didn't seem to stink much, but I brushed my teeth anyway. Then I put on another clean shirt. I knew I didn't have to get all dolled up for a prostitute or anything, but it sort of gave me something to do. I was a little nervous. I was starting to feel pretty sexy and all, but I was a little nervous anyway. If you want to know the truth, I'm a virgin. I really am. I've had quite a few opportunities to lose my virginity and all, but I've never got around to it yet. Something always happens. For instance, if you're at a girl's house, her parents always come home at the wrong time – or you're afraid they will. Or if you're in the back seat of somebody's car, there's always somebody's date in the front seat – some girl, I mean – that always wants to know what's going on all over the whole goddam car. I mean some girl in front keeps turning around to see what the hell's going on. Anyway, something always happens. I came quite close to doing it a couple of times, though. One time in particular, I remember. Something went wrong, though – I don't even remember what any more. The thing is, most of the time when you're coming pretty close to doing it with a girl – a girl that isn't a prostitute or anything, I mean – she keeps telling you to stop. The trouble with me is, I stop. Most guys don't. I can't help it. You never know whether they really want you to stop, or whether they're just scared as hell, or whether they're just telling you to stop so that if you do go through with it, the blame'll be on you not them. Anyway, I keep stopping. The trouble is, I get to feeling sorry for them. I mean most girls are so dumb and all. After you neck them for a while, you can really watch them losing their brains. You take a girl when she really gets passionate, she just hasn't any brains. I don't know. They tell me to stop, so I stop. I always wish I hadn't, after I take them home, but I keep doing it anyway.
J.D. Salinger (The Catcher in the Rye)
Susan was haunted by the gap between the sensation of three boys climbing her torso like a tree, combing sticky fingers through her hair, muttering into her ears—and the constraint of adulthood: How are you, honey? You look a little tired. Is there anything I can do? How about a hug for your old mom? If she’d had an inkling, back then, of the ache this constraint would cause her, she would never—not once!—have said, “Let go of me, boys, I just need a minute,” and shaken them off. She would have held still and let them pick her clean, understanding that there would be nothing better to save herself for.
Jennifer Egan (The Candy House)
THIS ISN’T CHINA Hold me close and tell me what the world is like I don’t want to look outside I want to depend on your eyes and your lips I don’t want to feel anything but your hand on the old raw bumper I don’t want to feel anything else If you love the dead rocks and the huge rough pine trees Ok I like them too Tell me if the wind makes a pretty sound in the billion billion needles I’ll close my eyes and smile Tell me if it’s a good morning or a clear morning Tell me what the fuck kind of morning it is and I’ll buy it And get the dog to stop whining and barking This isn’t China nobody’s going to eat it It’s just going to get fed and petted Ok where were we? Ok go if you must. I’ll create the cosmos by myself I’ll let it all stick to me every fucking pine needle And I’ll broadcast my affection from this shaven dome 360 degrees to all the dramatic vistas to all the mists and snows that moves across the shining mountains to the women bathing in the stream and combing their hair on the roofs to the voiceless ones who have petitioned me from their surprising silence to the poor in the heart (oh more and more to them) to all the thought-forms and leaking mental objects that you get up here at the end of your ghostly life
Leonard Cohen (Book of Longing)
I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me. He stands. Good. He will leave, and then I will be able to wrangle my hair alone. But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.' My shoulders tense. I am unused to people touching me. 'You don't need to-' I start. 'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...' His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration. 'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little. He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head. 'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft. This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close. When I look up, his smile is all invitation. We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules. With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
The inventory of your scars, in particular the ones on your face, which are visible to you each morning when you look into the bathroom mirror to shave or comb you hair. You seldom think about them, but whenever you do, you understand that they are marks of life, that the assorted jagged lines etched into the skin of your face are letters from the secret alphabet that tells the story of who you are, for each scar is the trace of a healed wound, and each wound was caused by an unexpected collision with the world – that is to say, an accident, or something that need not have happened, since by definition an accident is something that need not to happen.
Paul Auster (Winter Journal)
But as to your writing me that I don’t love you very much, I don’t know whether you’re saying this in earnest or whether I should realise that you’re joking with me. Still, what you say disturbs me. You are measuring a very healthy expression of a wife’s loyalty by the standard of the insincere flattery of well-worn phrases. But I shall love you, my husband. What does it mean to you that you reassure me with those trivial little compliments? Do you want me to believe that you expect me to comb my hair in a stylish fashion for your homecoming? Or to feign adoring looks with a painted face? Let women without means, who worry and have no confidence in their virtue, flutter their eyelashes and play games to gain favour with their husbands. This is the adulation of a fox and the birdlime of deceitful bird hunting. I don’t want to have to buy you at such a price. I’m not a person who lays more stock in words than duty. I am truly your Laura, whose soul is the same one you in turn had hoped for.
Laura Cereta
So many people had tried for Blake, but so many had failed. All it takes is one to be the glue. It’s going to be me. Livia moved quietly to straddle him. She put her hands on his scruffy cheeks. “I know all that you are. You almost don’t belong here, your soul’s so pure.” Livia put a hand on his chest. “You’re perfect to me. You’re chivalrous to me. I adore your manners. You can’t disappoint me. It’s not possible.” Livia leaned in and kissed him sweetly. See? See how much I can fix? Blake became absorbed by her hair, grabbing handfuls of it. He pulled her to his chest, combing it out with his fingers as he hummed a soothing song in her ear. The liquid velvet of his voice lifted her into dreams.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
My mother, who hated what she called his Americanisms, ended up calling him Il cauboi—the cowboy. It started as a putdown and soon enough became an endearment, to go along with her other nickname for him, conferred during his first week, when he came down to the dinner table after showering, his glistening hair combed back. La star, she had said, short for la muvi star.
André Aciman (Call Me by Your Name)
Now you fall across the bed when you're not sleepy but just tired of the way you live--or aren't living. From the outside you shouldn't be complaining, but success and a good credit score can't love you. Or give you an orgasm. You even empty the trash and wonder what you're really throwing away. You comb your hair and put on makeup and buy something pretty to wear and get your nails and toes painted hot pink even though you don't feel hot, and you wonder who will even notice. You shave your legs and under your arms and get your eyebrows waxed, and you wonder who will notice. And then, one day, out of nowhere, you stop wondering and start worrying that the best part of your life is behind you. Is this how it's going to be forever? Is this all there is? God, you hope not.
Terry McMillan (I Almost Forgot About You)
When it came to my turn in the super spelling bee everyone had already been given really easy words. “Ryan,” Mr H said, “I want you to spell the word icup.” “Icup?” I thought.  I clammed up and my face went all warm and prickly, that feeling you get when you know you’re going to get the answer wrong. It’s a bit like the feeling you get when you walk up on stage to collect an award and you trip going up the stairs in front of everyone, or worse still, your pants fall down. It’s called embarrassment and I was feeling it big time. Actually it was worse than big time. It was humongous, mammoth, big time. All those long, boring afternoons sitting with Mom on the couch spelling word after word meant nothing anymore. I’d never heard of the word ‘icup’. “Oh no,” I thought. If I got this wrong I might not make the necessary criteria to get a raffle ticket before the big draw. Panic stations set in. This was going to be disastrous. ​Mom always said that if you get nervous or frightened, just imagine everyone around you is only in their underwear. It will make you laugh and you’ll forget your nerves. So I did, but it wasn’t a pretty sight. ​ “Ok get a grip of yourself Rino,” I said in my head. “Think about it and just sound the word out.” I could hear my Mom’s words bleating in my head as she so often did when I got stuck on a word. I began slowly, deep in thought and not willing to put one foot wrong sounding out each letter, “I … c.. u .. pee.”  There was silence and then the whole class erupted into hysterics, laughing their heads off, followed by Mr Higginbottom. Then I realised what I had just said when I sounded out the word; “I see you pee,” and I burst out into an embarrassed sort of laughter too. Mr Higginbottom came over and gave me a friendly pat on my head and ruffled my hair. It didn’t worry me that I’d combed it just the right way and put gel in it that morning. It was ok for Mr H to mess it up, but if my sister ever did it, she’d be dead meat. “Well
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
Mommy gets up to give you a glass of water in the middle of the night. Mom invites your friends inside when it’s raining. Mama burns your ears with the hot comb to make your hair look pretty for class picture day. Ma is sore and worn out from wringing your wet clothes and hanging them to dry; Ma needs peace and quiet at the end of the day. We don’t have one of those. We have a statement of fact.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
In and Out of Time The sun has come. The mist has gone. We see in the distance... our long way home. I was always yours to have. You were always mine. We have loved each other in and out of time. When the first stone looked up at the blazing sun and the first tree struggled up from the forest floor I had always loved you more. You freed your braids... gave your hair to the breeze. It hummed like a hive of honey bees. I reached in the mass for the sweet honey comb there.... Mmmm...God how I love your hair. You saw me bludgeoned by circumstance. Lost, injured, hurt by chance. I screamed to the heavens....loudly screamed.... Trying to change our nightmares into dreams... The sun has come. The mist has gone. We see in the distance our long way home. I was always yours to have. You were always mine. We have loved each other in and out in and out in and out of time.
Maya Angelou
The now-famous yearly Candlebrow Conferences, like the institution itself, were subsidized out of the vast fortune of Mr. Gideon Candlebrow of Grossdale, Illinois, who had made his bundle back during the great Lard Scandal of the '80s, in which, before Congress put an end to the practice, countless adulterated tons of that comestible were exported to Great Britain, compromising further an already debased national cuisine, giving rise throughout the island, for example, to a Christmas-pudding controversy over which to this day families remain divided, often violently so. In the consequent scramble to develop more legal sources of profit, one of Mr. Candlebrow's laboratory hands happened to invent "Smegmo," an artificial substitute for everything in the edible-fat category, including margarine, which many felt wasn't that real to begin with. An eminent Rabbi of world hog capital Cincinnati, Ohio, was moved to declare the product kosher, adding that "the Hebrew people have been waiting four thousand years for this. Smegmo is the Messiah of kitchen fats." [...] Miles, locating the patriotically colored Smegmo crock among the salt, pepper, ketchup, mustard, steak sauce, sugar and molasses, opened and sniffed quizzically at the contents. "Say, what is this stuff?" "Goes with everything!" advised a student at a nearby table. "Stir it in your soup, spread it on your bread, mash it into your turnips! My doormates comb their hair with it! There's a million uses for Smegmo!
Thomas Pynchon (Against the Day)
The reasaon I'm shy of objects is because I like them. I transfer the thoughts that are against me onto them. Then these thoughts go away, unless I talk about them - just like my wariness of people. Maybe it all collects in your hair. After I separated from my husband, in the quiet days when no one was shouting at me anymore, I started noticing other people's wariness of strangers. I saw how they combed their hair in public. In the factory, in the city, in the streets, and trams, buses, and trains, while waiting in front of a counter or standing in a line for milk and bread. People comb their hair at the movies before the light goes out, and even in the cemetery. While they're parting their hair you can see their wariness of others collecting in their combs. But they can't comb it out completely if they go on talking about it. The fear of strangers sticks to the comb and makes it greasy. People who talk about it can't get rid of their fear of strangers; their combs are always clean.
Herta Müller (The Appointment)
I love you." He combed her fingers through her hair,drawing her head back so that their eyes met. "I don't like it, I may never get used to it, but I love you." With a sigh,he brought her close again. "You make my head swim." With her cheek against his chest, Gennie closed her eyes. "You can take time to get used to it," she murmured. "Just promise you won't ever be sorry it happened." "Not sorry," he agreed on a long breath. "A little crazed, but not sorry." As he ran a hand down her hair, Grant felt a fresh need for her, softer, calmer than before and no less vibrant. He nuzzled into her neck because he seemed to belong there. "Are you really in love with me, or did you say that because I made you mad?" "Both.I decided this morning I'd have to bend to your ego and let you tell me first." "Is that so?" With his brows drawn together, he tilted her head back again. "My ego." "It tends to get in the way because it's rather oversized." She smiled, sweetly.In retaliation, he crushed his mouth to hers. "You know," he managed after a moment. "I've lost my appetite for breakfsat." Smiling again, she tilted her face back to his. "Have you reall?" "Mmm. And I don't like to mention it..." He took his fingertips to the lapel of the robe,toying with it before he slid them down to the belt. "But I didn't say you could use my robe." "Oh, that was rude of me." The smile became saucy. "Would you like it back now?" "No hurry." He slipped his hand into hers and started toward the steps. "You can wait until we get upstairs.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
You are good, Slade. Every single day, I am proud of you. And it’s not because of these spikes on your arms or the magic in your veins. It’s not for the blood you are born from or the status you will one day have.” She drops a hand and places it on my chest, right over my racing heart. “I am proud of you for this. Not for what you can do, but for who I know you will be.” “Who will I be?” She leans forward and kisses my forehead, combing my damp hair away from my face. “You will be completely yourself. And you will be proud.
Raven Kennedy (Glow (The Plated Prisoner, #4))
Who do I write for? I thought about this again and again over the next few days until the answer crystalized in my consciousness. I write for all readers. But my primary interest is in representing the complex but universal experience of Somalis. I do this because the media representation of the global Somali community is one that is carved out of derivative clichés crammed with pirates, warlords, terrorists, passive women and girls whose entire existence seems to be nothing more than a footnote on the primitive dangers of female genital mutilation. I write because I want to give a long-overdue voice to a community that has experienced a tremendous array of challenges but who constantly face these challenges with the most wicked sense of humour, humility and dignity. My father always used to tell me that in our culture, the done thing when you’re facing hardship and your belly is empty is to moisturize your face, comb your hair, press your clothes and step out into the sun with your sense of humanity intact. It’s a lesson I’ve carried with me to this day.
Diriye Osman
Meanwhile the Zenias of this world are abroad in the land, plying their trade, cleaning out male pockets, catering to male fantasies. Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur. The Zenias of this world have studied this situation and turned it to their own advantage; they haven't let themselves be moulded into male fantasies, they've done it themselves. They've slipped sideways into dreams; the dreams of women too, because women are fantasies for other women, just as they are for men. But fantasies of a different kind.
Margaret Atwood (The Robber Bride)
Greta's cedar hope chest Is full of pamphlets Glass shelves of romantic vignettes A journal laced with sedimentary prose Norma gathers and collects vintage photoplays Hair combs valentines Lillian allows the animals to scratch And the leather crack And the mail collect in the box as coatings peel Agnes veiled cathedral dweller Smiles with benevolent pain But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Marguerite vigilant She dwells upon frigid casements Sarah's thoughts in high velocity Accusations always pierce and pass Clara abandons her passions for distastes A Miss Lenora P. Sinclair Early for coffee in the pool "I'm resituating all your words" Capital Space Colon Paragraph Sylvia keeps beasts in jars labeled by Kingdom Phylum Class Order Family Genus Species But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Down the way a silk design This face is mine Tis I, Katrina! Katrina, I.
Natalie Merchant
Quick. Don’t think about it. Imagine an English professor in your head. No, a male English professor. What do you see? Tweeds? Elbow patches? A high pale forehead with thinning hair combed over? Eyeglasses with designer frames? Oh God, do you see a cravat? His fingernails are clean and white. His palms are silky and uncalloused. If you grip him by his upper arm, your fingers plunge to the bone. He prefers wine to beer. But when he drinks beer, he favors pretentious microbrews that he sniffs and swirls, while waxing on about oaky hints and lemony essences. You are imagining a man, yes, but one whose masculinity is so refined, so sanded down and smoothed away, that it’s hard to see how it differs from femininity. It has been said that the humanities have been feminized. In English departments, where the demographics of professors and students now skew strongly female, this is literally so. But English departments have also been feminized in spirit. There’s a sense in which if you are a guy who wants to be a literature professor, it’s wise to actively suppress all of the offensive cues that you are actually a guy. Or at least that’s how it has always seemed to me. And I think that’s how it seems to most people. In the public mind, teaching English is about as manly as styling hair.
Jonathan Gottschall (The Professor in the Cage: Why Men Fight and Why We Like to Watch)
He lives near me so we do some things together.” His throat felt tight. “Well, lots of things, actually. But of course we have our own lives. Both know it’s important we don’t get in each other’s way. It’s not like he needs me, needs my help for anything.” “But you do.” Garry turned his head so swiftly, he heard it crick. “You need him,” Emily announced, gravely. “Don’t you?” And while he desperately searched for something to say that would stop this right now, she peered carefully at his shoulders and neck. “You need him to do your hair, to comb out those very nasty dangles. It’s difficult, I know. I can’t do my plates on my own.” Max caught Garry’s eye. “Tangles,” he mouthed. “Plaits.
Clare London (Between a Rock and a Hard Place)
Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
I see you staring at him,' Nicasia says, sitting down beside me. Tonight she wears a gown of gold lacework. Her dark tourmaline hair is pulled up with two golden combs the shape of a shark jaw, complete with golden teeth. 'Perhaps I am looking only at the trinkets and gold with which your mother thinks she can buy the Court's favour,' I say.' She picks up one of the violets from my plate and places it delicately on her tongue. 'I lost Cardan's love for Locke's easy words and easier kisses, sugared like these flowers,' she says. 'Your sister lost your love to get Locke's, didn't she? But we all know what you lost.' 'Locke?' I laugh. 'Good riddance.' Her brows knit together. 'Surely it's not the High King himself you were gazing at.' 'Surely not,' I echo, but I don't meet her eyes.
Holly Black (The Wicked King (The Folk of the Air, #2))
And then she sat me down and combed out my hair, which was gentle and soothing, and she said, Grace, you will be a beauty, soon you will turn the men’s heads. The worst ones are the gentlemen, who think they are entitled to anything they want; and when you go out to the privy at night, they’re drunk then, they lie in wait for you and then it is snatch and grab, there’s no reasoning with them, and if you must, you should give them a kick between the legs where they’ll feel it; and it is always better to lock your door, and to use the chamber pot. But any kind of man will try the same; and they’ll start promising things, they’ll say they will do whatever you want; but you must be very careful what you ask, and you must never do anything for them until they have performed what they promised; and if there’s a ring, there must be a parson to go with it.
Margaret Atwood (Alias Grace)
It's time for us to join the line of your madmen all chained together. Time to be totally free, and estranged. Time to give up our souls, to set fire to structures and run out in the street. Time to ferment. How else can we leave the world-vat and go to the lip? We must die to become true human beings. We must turn completely upside down like a comb in the top of a beautiful woman's hair. Spread out your wings as a tree lifts in the orchard. As seed scattered on the road, as a stone melts to wax, as a candle becomes the moth. On a chessboard the king is blessed again with his queen. With our faces so close to the love mirror, we must not breathe, but change to a cleared place where a building was and feel the treasure hiding inside us. With no beginning or end, we live in lovers as a story they know. If you will be the key, we'll be tumblers in the lock.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
But believe me, Henry. You’re not the first Snow White I’ve seen, and you probably won’t be the last. You’ll do what you can with the resources you have, and you’ll serve your story by trying to save me.” Sloane dropped her head again. “I should be trying to save you. That would subvert the narrative. But instead here we are, you saving me, or dying in the process. Dying is a lot more likely.” “Only if you take things at face value,” I said. “I’m not going to eat anything you hand me, drink anything you’ve touched, borrow your comb, or put on any of your rings. You know what I will do?” “What?” asked Sloane, not sounding as if she believed that the answer could matter in the slightest. “I’ll shoot you in your goddamn head if I really and truly feel that you’ve become a danger to yourself and others. And then I’ll take your body down to the folks in Agricultural and ask them to use you to fertilize an apple tree. And when you’ve grown to a lovely size and started bearing fruit, I will sit underneath you and not eat a single one of your inevitably poisoned apples.” Sloane glanced at me through her hair, and for a moment I actually saw a wisp of a smile on her face. “You’d do that for me?” she asked.
Seanan McGuire (Indexing (Indexing, #1))
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
She could sense the approach of land- taste when the waters changed, feel when currents turned cool or warm- but it didn't hurt to keep an eye on the shore now and then, and an ear out for boats. The slap of oars could be heard for leagues. Her father had told tales about armored seafarers in days long past, whose trireme ships had three banks of rowers to ply the waters- you could hear them clear down to Atlantica, he'd say. Any louder and they would disrupt the songs of the half-people- the dolphins and whales who used their voices to navigate the waters. Even before her father had enacted the ban on going to the surface, it was rare that a boat would encounter a mer. If the captain kept to the old ways, he would either carefully steer away or throw her a tribute: fruit of the land, the apples and grapes merfolk treasured more than treasure. In return the mermaid might present him with fruit of the sea- gems, or a comb from her hair. But there was always the chance of an unscrupulous crew, and nets, and the potential prize of a mermaid wife or trophy to present the king. (Considering some of the nets that merfolk had found and freed their underwater brethren from, it was quite understandable that Triton believed humans might eat anything they found in the sea- including merfolk.)
Liz Braswell (Part of Your World)
So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.
Cat Marnell (How to Murder Your Life)
You see how agitated I am,” he said. She waited, and her heart set to thumping without her permission. He wildly combed his hair with his fingers. “I can’t bear to be out there with you right now, all those indifferent people watching you, admiring you, but not really caring. Not as I do.” Jane: (hopeful) Really? Jane: (practical) Oh, stop that. Mr. Nobley sat in the chair beside her and gripped its arm. Jane: (observant) This man is all about arm gripping. “Well do I remember the first night we met, how you questioned my opinion that first impressions are perfect. You were right to do so, of course, but even then I suspected what I’ve come to believe most passionately these past weeks: from that first moment, I knew you were a dangerous woman, and I was in great peril of falling in love.” She thought she should say something witty here. She said, “Really?” “I know it seems absurd. At first, you and I were the last match possible. I cannot name the moment when my feelings altered. I recall a stab of pain the afternoon we played croquet, seeing you with Captain East, wishing like a jealous fool that I could be the man you would laugh with. Seeing you tonight…how you look…your eyes…my wits are scattered by your beauty and I cannot hide my feelings any longer. I feel little hope that you have come to feel as I do now, but hope I must.” He placed his gloved hand on top of hers, as he had in the park her second day. It seemed years ago. “You alone have the power to save me this suffering. I desire nothing more than to call you Jane and be the man always by your side.” His voice was dry, cracking with earnestness. “Please tell me if I have any hope.
Shannon Hale (Austenland (Austenland, #1))
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
There was a tap at the door, and it opened. His lips parted to snarl at the visitor. "May I come in?" he heard a girl ask softly. The curse died on Kev's lips. His senses were overwhelmed. He closed his eyes, breathing, waiting. It's you. You're here. At last. "You've been alone for so long," she said, approaching him, "I thought you might want some company. I'm Winnifred." Kev drew in the scent and sound of her, his heart pounding. Carefully he eased to his back, ignoring the pain that shot through him. He opened his eyes. He had never thought any gadji could compare to Romany girls. But this one was remarkable, an otherworldly creature as pale as moonlight, her hair silver-blond, her features formed with tender gravity. She looked warm and innocent and very soft. Everything he wasn't. His entire being responded so acutely to her that he reached out and seized her with a quiet grunt. She gasped a little but held still. Kev knew it wasn't right to touch her. He didn't know how to be gentle. He would hurt her without even trying. And yet she relaxed in his hold, and stared at him with those steady blue eyes. Why wasn't she frightened of him? He was actually frightened for her, because he knew what he was capable of. He hadn't been aware of pulling her closer. All he knew was that now part of her weight was resting on him as he lay on the bed, and his fingertips had curled into the pliant flesh of her upper arms. "Let go," she told him gently. He didn't want to. Ever. He wanted to keep her against him, and pull her braided hair down and comb his fingers through the pale silk. He wanted to carry her off to the ends of the earth. "If I do," he said gruffly, "will you stay?" The delicate lips curved. Sweet, delicious smile. "Silly boy. Of course I'll stay. I've come to visit you.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
She remembers her name. She remembers the name of the president. She remembers the name of the president’s dog. She remembers what city she lives in. And on which street. And in which house. The one with the big olive tree where the road takes a turn. She remembers what year it is. She remembers the season. She remembers the day on which you were born. She remembers the daughter who was born before you – She had your father’s nose, that was the first thing I noticed about her – but she does not remember that daughter’s name. She remembers the name of the man she did not marry – Frank – and she keeps his letters in a drawer by her bed. She remembers that you once had a husband, but she refuses to remember your ex-husband’s name. That man, she calls him. She does not remember how she got the bruises on her arms or going for a walk with you earlier this morning. She does not remember bending over, during that walk, and plucking a flower from a neighbour’s front yard and slipping it into her hair. Maybe your father will kiss me now. She does not remember what she ate for dinner last night, or when she last took her medicine. She does not remember to drink enough water. She does not remember to comb her hair. She remembers the rows of dried persimmons that once hung from the eaves of her mother’s house in Berkeley. They were the most beautiful shade of orange. She remembers that your father loves peaches. She remembers that every Sunday morning, at ten, he takes her for a drive down to the sea in the brown car. She remembers that every evening, right before the eight o’clock news, he sets two fortune cookies on a paper plate and announces to her that they are having a party. She remembers that on Mondays he comes home from the college at four, and if he is even five minutes late she goes out to the gate and begins to wait for him. She remembers which bedroom is hers and which is his. She remembers that the bedroom that is now hers was once yours. She remembers that it wasn’t always like this...
Julie Otsuka
When we made up our minds to leave for Medina,” one emigrant would remember, “three of us arranged to meet in the morning at the thorn trees of Adat,” about six miles outside Mecca. “We agreed that if one of us failed to appear, that would mean that he had been kept back by force, and the other two should go on without him.” Only two of them reached Adat. The third was intercepted halfway there by one of his uncles, accompanied by abu-Jahl, who told him that his mother had vowed she would neither comb her hair nor take shelter from the sun until she had seen him again. On the way back, they pushed him to the ground, tied him up, and forced him to recant islam. This was how it should be done, the uncle declared: “Oh men of Mecca, deal with your fools as we have dealt with this fool of ours.” Women were not dealt with much more kindly. Umm Salama, who was later to become Muhammad’s fourth wife after she was widowed, told how her kinsmen were enraged when they saw her setting out by camel with her then husband and their infant son. “You can do as you like,” they told her husband, “but don’t think we will let you take our kinswoman away.” “They snatched the camel’s rope from my husband’s hand and took me from him,” she remembered. Then to make matters worse, her in-laws turned up, and a tussle developed over who would take custody of the child she was cradling in her arms—her family or her husband’s family. “We cannot leave the boy with you now that you have torn his mother from our kinsman,” her in-laws declared, and to her horror, both sides “dragged at my little boy between them until they dislocated his shoulder.” In the end, her husband’s family took the child, Umm Salama’s family took her, and her husband left alone for Medina. “Thus was I separated from both my husband and my son,” she would say. There was nothing she could do but “sit in the valley every day and weep” until both families finally relented. “Then I saddled my camel and took my son in my arms, and set forth for my husband in Medina. Not a soul was with me.
Lesley Hazleton (The First Muslim: The Story of Muhammad)
Ironically,” she commented, “this will be the first time I’ve ever done anything to please my father.” With a sympathetic murmur, Matthew gathered Daisy close against him. He knew her father as well as anyone, having become well acquainted with the man’s tempers, his self-absorption, his impossible standards. And yet he understood what it had required for Bowman to build a great fortune from scratch, the sacrifices he’d had to make. Bowman had discarded everything that would have gotten in the way of achieving his goals. Including closeness with his wife and children. For the first time it occurred to Matthew that Bowman and his family would benefit from someone acting as a mediator, to ease their communications with each other. If such a thing were in his power, he would find a way to do it. “You,” he whispered in Daisy’s hair, “are the best thing he’s ever done. Someday he’ll realize that.” He felt her smile against his skin. “I doubt it. But it’s nice of you to say so. You don’t have to be concerned on that account, you know. I reconciled myself to the way he was a long time ago.” Once again Matthew was taken unaware by the extent of the feelings she inspired in him, his own limitless desire to fill her with happiness. “Whatever you need,” he whispered, “Whatever you want, I’ll get it for you. Just tell me.” Daisy stretched comfortably, a pleasant shiver running through her limbs. She touched his lips with her fingers, tracing the smoothness. “I want to know what your five-dollar wish was for.” “Is that all?” He smiled beneath her exploring fingertips. “I wished you would find someone who wanted you as much as I did. But I knew it wouldn’t come true.” The candlelight slid over Daisy’s delicate features as she raised her head to look at him. “Why not?” “Because I knew no one could ever want you as much as I do.” Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both. “What was your wish?” Matthew asked, combing his fingers through the fall of shimmering hair. “That I could find the right man to marry.” Her tender smile stopped his heart. “And then you appeared.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Kato’s expression shifts into something I could almost call a smile for the first time since I found him. He plucks the chordsagain in the beginnings of a tune I recognize, a ballad popular in southern Sinta. His fingers move with skill and subtlety over the strings. I had no idea he was musical. “Maybe we’re not meant to kill it.” He keeps playing. “Doesn’t music soothe the beast? I’ll play, you sing.” “I sound like a strangled Satyr when I sing.” He smiles. “Somehow that doesn’t surprise me.” “There’s no need for mudslinging,” I say with a huff. He chuckles softly. “I can carry a tune.” “Great!” I pat his arm. “That’ll be your job. I’ll stand back—waaaaay back—while you calm the beast. I’m confident you’ll sound as good as you look.” His chest puffs out. “How do I look?” “Terrible.” I grin. “You needed a bath, a shave, and a comb before we even set foot on the Ice Plains. Now, I can just barely make out your eyes and your nose. The rest is all”—I flap my hands around—“hair.” His chest deflates. He eyes me wryly. “I could say the same about you.” I gasp. “I grew a beard? Do you think Griffin will like it? I’ve been trying to keep it neat, but I may have picked up an eel.” Kato laughs outright, and he really is unbearably handsome. Some of the grimness evaporates from his eyes. “I was talking about this.” He gives one of my tousled waves a light tug. I once saw Griffin do that to Kaia. It’s brotherly. Affectionate. My heart squeezes in my chest. My love for Griffin is completely different, but Kato has a piece of me that no man ever had, not even Aetos. Kato sees me, and accepts. In that moment, I realize he’s slipped inside my soul right next to Eleni. They’re a blond-haired, blue-eyed, sunny pair—my light in the dark. Clearing my throat doesn’t drive away the thick lump in it, or dispel the sudden tightness, so I make a show of smoothing down my hair—a lost cause at this point. “Ah, that. It’s getting to the stage where it deserves a name. The Knotted Nest? The Twisted Tresses?” “What about the Terrible Tangle?” I nod. “That has serious possibilities.” “The Matted Mess?” he suggests. My jaw drops. “It’s not that bad!” Grinning, Kato pats my head. “Let’s get out of here.” Yes, please! “I have your clothes. They’re even dry, thanks to your Eternal Fires of the Underworld Cloak.” He quirks an eyebrow, taking the things I hand him. “That gets a name, too?” “I should think so,” I answer loftily.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.
Elizabeth Lim (Reflection)
When he lifted his head, Savannah nearly pulled him back to her. He watched her face, her eyes cloudy with desire, her lips so beautiful, bereft of his. “Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul, I can see it shining in your eyes.” She touched his face, her palm molding his strong jaw. Why couldn’t she resist his hungry eyes? “I think you’re casting a spell over me. I can’t remember what we were talking about.” Gregori smiled. “Kissing.” His teeth nibbled gently at her chin. “Specifically, your wanting to kiss that orange-bearded imbecile.” “I wanted to kiss every one of them,” she lied indignantly. “No, you did not. You were hoping that silly fop would wipe my taste from your mouth for all eternity.” His hand stroked back the fall of hair around her face. He feathered kisses along the delicate line of her jaw. “It would not have worked, you know. As I recall, he seemed to have a problem getting close to you.” Her eyes smoldered dangerously. “Did you have anything to do with his allergies?” She had wanted someone, anyone, to wipe Gregori’s taste from her mouth, her soul. He raised his voice an octave. “Oh, Savannah, I just have to taste your lips,” he mimicked. Then he went into a sneezing fit. “You haven’t ridden until you’ve ridden on a Harley, baby.” He sneezed, coughed, and gagged in perfect imitation. Savannah punched his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. “It was you doing all that to him! The poor man— you damaged his ego for life. Each time he touched me, he had a sneezing fit.” Gregori raised an eyebrow, completely unrepentant. “Technically, he did not lay a hand on you. He sneezed before he could get that close.” She laid her head back on the pillow, her ebony hair curling around his arm, then her arm, weaving them together. His lips found her throat, then moved lower and found the spot over her breast that burned with need, with invitation. Savannah caught his head firmly in her hands and lifted him determinedly away from her before her treacherous body succumbed completely to his magic. “And the dog episode?” He tried for innocence, but his laughter was echoing in her mind. “What do you mean?” “You know very well what I mean,” she insisted. “When Dragon walked me home.” “Ah, yes, I seem to recall now. The big bad wolf decked out in chains and spikes, afraid of a little dog.” “Little? A hundred-and-twenty-pound Rottweiler mix? Foaming at the mouth. Roaring. Charging him!” “He ran like a rabbit.” Gregori’s soft, caressing voice echoed his satisfaction. He had taken great pleasure in running that particular jackass off. How dare the man try to lay a hand on Savannah? “No wonder I couldn’t touch the dog’s mind and call him off. You rotten scoundrel.” “After Dragon left you, I chased him for two blocks, and he went up a tree. I kept him there for several hours, just to make a point. He looked like a rooster with his orange comb.” She laughed in spite of her desire not to. “He never came near me again.” “Of course not. It was unacceptable,” he said complacently, with complete satisfaction, the warmth of his breath heating her blood.
Christine Feehan (Dark Magic (Dark, #4))
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
Jacob Grimm (Grimm's Fairy Stories)
Love is so different here In another hemisphere All I can do is sit and stare at your lovely, Stare at your lovely face We've been out every night You're mine without a fight Holding on to you is simple and new, I'm dying for you Living away from you is killing and bleeding My lungs are receding Something about you just makes me whole Come down for a drink or two And sit beside the window's view Make room for the looks we'll share As I focus on you And you comb through your hair I know that I'm not your choice But the girl I was wasn't who you loved And so I'm gonna sit outside And think of you Is that alright? You cannot flee from love Knicks and bruises are just trophy cups I've got your scent embroidered, and stuck in my senses Latched onto my front brain Call me never; leave no voicemails How can I be sure you're still around? It's not addiction, I'm just affixed to you And your open wounds Living away from you is killing and bleeding My lungs are receding Something about you just quits me cold Come down for a drink or two And sit beside the window's view Make room for the looks we'll share As I focus on you And you comb through your hair I know that I'm not your choice But the boy I was wasn't who you loved And so I'm gonna sit outside And think of you Is that alright? He can't afford what I give you Love that is truly eternal His ring can't mean what you mean to me It's not touch I need Just for you to know me But you'll never know me 'Cause you're just a fantasy Come down for a drink or two And sit beside the window's view Make room for the looks we'll share As I focus on you And you comb through your hair I know that I'm not your choice But the boy I was wasn't who you loved And so I'm gonna sit outside And think of you Is that alright?
Anonymous
A man with dry, graying skin and a mop of white hair came in with a plastic tray of herbal potions for sale. “No, no, no,” Aisha said to him, palm raised as though to ward him off. The man retreated. Ifemelu felt sorry for him, hungry-looking in his worn dashiki, and wondered how much he could possibly make from his sales. She should have bought something. “You talk Igbo to Chijioke. He listen to you,” Aisha said. “You talk Igbo?” “Of course I speak Igbo,” Ifemelu said, defensive, wondering if Aisha was again suggesting that America had changed her. “Take it easy!” she added, because Aisha had pulled a tiny-toothed comb through a section of her hair. “Your hair hard,” Aisha said.
Chimamanda Ngozi Adichie (Americanah)
A brick could be used as a comb, if you’re bald and have no hair.

Jarod Kintz (Rick Bet Blank)
Bundy was right. All you have to do is comb your hair and wear a suit and you can be one crazy motherfucker. And get away with it.
Angela S. Choi (Hello Kitty Must Die)
This morning, try your best to practice custody of the eyes when it comes to the mirror. It will be hard to comb your hair, wash your face, and brush your teeth without your own reflection to guide you, but since you do the same things every day, it's likely that gazing into the mirror is simply a habit. As you move through the house, think about how often you glance into the mirror to see if you pass muster. Think also about the harsh judgments you've made about your own appearance over the years, along with the occasional vainglorious “highs” of believing you've never looked so good. Pray to move beyond surface appearances, both with yourselves and with others, and into a state of true seeing.
Paula Huston (Simplifying the Soul: Lenten Practices to Renew Your Spirit)
4 tbsps coconut oil 3 drops lavender essential oil 1 tbsp olive oil   Apply heat to the coconut oil until it begins to liquefy and then add the remaining ingredients. Apply the mixture to your hair and then comb it throughout your head.  Let the solution sit in your hair for 20-30 minutes and then wash.  Make sure you rinse and shampoo a few times to make sure you get the solution completely out of your hair.
Brian Night (Coconut Oil and Apple Cider Vinegar: How To Use Apple Cider Vinegar and Coconut Oil To Lose Weight, Prevent Allergies, And Boost Your Immune System)
Don’t trouble yourself with me.” The thought of a heavy meal for breakfast made Lily’s stomach churn. “I’ll be happy enough with a cup of coffee—if you have any to spare.” Vera stopped in midswirl and took in Lily’s appearance. “Coffee? My, my, my. You need more meat on your bones, girl. You’ll blow away with the slightest breeze. Don’t you agree, Connell?” Lily glanced to the corner spot, only to find the young man she’d met the previous evening staring at her above spectacles perched on the end of his nose. He quickly looked back at the open book in front of him, but the slight reddish tint creeping up his neck above his collar was evidence that he’d been paying more attention to her than to his books. “I’m sure Miss Young would appreciate whatever you’re willing to provide.” The young man pulled out his pocket watch and peered at it. “Especially considering the fact that breakfast has been over for exactly one hour and twelve minutes.” His hair was neatly combed, except for one sun-bleached streak that fell across his forehead. He’d shaven the scruff from his face, revealing skin that was rough and bronzed from long days outdoors. “Connell McCormick.” Vera thumped her hands onto her hips. “You sure don’t seem to mind when I sneak you an extra doughnut or two. I think half the reason you loiter here in the mornings is because you hope I’ll feed you more.” The faint red streaks climbed up to the base of his cheeks. He didn’t say anything and instead dipped his head and scribbled something into one of his books, as if there were nothing more important at that moment than the page in front of him.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
The music had started, the couples had begun a promenade, but Mr. Nobley paused to hold Jane’s arm and whisper, “Jane Erstwhile, if I never had to speak with another human being but you, I would die a happy man. I would that these people, the music, the food and foolishness all disappeared and left us alone. I would never tire of looking at you or listening to you.” He took a breath. “There. That compliment was on purpose. I swear I will never idly compliment you again.” Jane’s mouth was dry. All she could think to say was, “But…but surely you wouldn’t banish all the food.” He considered, then nodded once. “Right. We will keep the food. We will have a picnic.” And he spun her into the middle of the dance. While the music played, they didn’t speak again. All his attention was on her, leading her through the motions, watching her with admiration. He danced with her as though they were evenly matched, no indication that she was the lone rider of the Precedence Caboose. She had never before felt so keenly that Mr. Nobley and Miss Erstwhile were a couple. But I’m not really Miss Erstwhile, thought Jane. Her heart was pinching her. She needed to get away, she was dizzy, she was hot, his eyes were arresting, he was too much to take in. What am I supposed to do, Aunt Caroline? she asked the ceiling. Everything’s headed for Worse Than Before. How do I get out of this alive? She spun and saw Martin, and kept her eyes on him as though he were the lone landmark in a complicated maze. Mr. Nobley noticed her attention skidding. His eyes were dark when he saw Martin. His recent smile turned down, his look became more intense. As soon as the second number ended, Jane curtsied, thanked her partner, and began to depart, anxious for a breath of cold November air. “A moment, Miss Erstwhile,” Mr. Nobley said. “I have already taken your hand for the last half hour, but now I would beg your ear. Might we…” “Mr. Nobley!” A woman with curls shaking around her face flurried his way. Had Mr. Nobley been making visits to other estates while he was supposed to be hunting? Or was this a repeat client who might’ve known the man from a past cast? “I’m so happy to find you! I insist on dancing every dance.” “Just now is not…” Jane took advantage of the interruption to slip away, searching above the tops of heads for Martin. He’d been just over there…a hand grabbed her arm. She turned right into Mr. Nobley, their faces close, and she was startled by the wildness in him now, a touch of Heathcliff in his eyes. “Miss Erstwhile, I beg you.” “Oh, Mr. Nobley!” said another lady behind him. He glanced back with a harried look and gripped Jane’s arm tighter. He walked her out of the ballroom and into the darkened library, only then releasing her arm, though he had the good grace to look embarrassed. “I apologize,” he said. “I guess you would.” He was blocking the escape, so she gave in and took a chair. He began to pace, rubbing his chin and occasionally daring to look at her. The candlelight form the hallway made of him a silhouette, the starlight from the window just touching his eyes, his mouth. It was as dark as a bedroom. “You see how agitated I am,” he said. She waited, and her heart set to thumping without her permission. He wildly combed his hair with his fingers. “I can’t bear to be out there with you right now, all those indifferent people watching you, admiring you, but not really caring. Not as I do.” Jane: (hopeful) Really? Jane: (practical) Oh, stop that. Mr. Nobley sat in the chair beside her and gripped its arm. Jane: (observant) This man is all about arm gripping.
Shannon Hale (Austenland (Austenland, #1))
If Jack had a rough night, he didn’t show it. He was playing a rock tape and tapping his fingers on the dashboard. When Julie rushed down the steps and climbed into the truck, he had a poem ready for her: She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes . . . Julie laughed as she pulled out her comb and tried to fix her windblown hair. “Thanks, Jack. It’s not very accurate, but I appreciate the thought.” “You memorized that?” I asked him. “I tried to, but I gave it up.” He showed me the slip of paper in his hand, then put the truck in gear. “I kept forgetting the middle part.” Julie reached over and kissed him on the cheek. “That’s sweet.” Jack grinned. “Hey, you’ve got to work on your aim. You missed my lips by three inches.
P.J. Petersen (The Freshman Detective Blues)