Colt Gun Quotes

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I've heard it said that God made all men, but Samuel Colt made all men equal. We'd see what Mr. Colt could do for a woman.
Cherie Priest
Layne - “Do you have a gun or do you need me to get you one?” Colt – “My wife was kidnapped and nearly shot in the head, man. I got guns everywhere
Kristen Ashley (Golden Trail (The 'Burg, #3))
If God didn't make men equal, Samuel Colt did.
Colt
I dreamed kind Jesus fouled the big-gun gears; and caused a permanent stoppage in all bolts; and buckled with a smile Mausers and Colts; and rusted every bayonet with His tears.
Wilfred Owen (The Poems of Wilfred Owen)
I quickly scrawled my number and Colt across the paper and placed it in her palm. She looked down at my number and smiled. "Colt. Like a horse?" "Like the gun, sweetheart." I winked and her face brightened with a nervous smile.
Teresa Mummert (Safe Word)
The shots left a hard ringing sound within the closeness of the brick walls. Terry held the pistol at arm's length on a level with his eyes--the Russian Tokarev resembling an old-model Colt .45, big and heavy--and made the sign of the cross with it over the dead. He said, "Rest in peace, motherfuckers," turned, and walked out of the beer lady's house to wait at the side of the road.
Elmore Leonard (Pagan Babies)
One of the first significant, substantial purchases I made after starting testosterone, was a Compact Colt .45 1991 A1 automatic pistol. It's just about the best penis substitute I've ever waved at a sex partner. I love my gun. Can I get an a-a-ay-men? You better fucking believe I lo-o-ove my gun. I love to take it apart and put it back together and admire...oh,you sexy little death-machine...I suppose I oughta feel guilty or something, loving and fetishizing to the point of anthropomorphizing it it. But I don't. I won't either-don't matter to me whether or not I'm supposed to keep this a dirty little secret. I got a dick and I can kill you with it. Yeah, baby, trip my trigger, why dontcha. Heh.
Allen James (GenderQueer: Voices From Beyond the Sexual Binary)
His gaze moved from her face to the gun, then back to her face, an annoyingly smug expression creeping across his features. “I don’t think so. You ain’t got the first notion how to shoot that thing. Can’t even find the trigger, can you.” He took a menacing step toward her. Nicole raised her left brow. “You mean this trigger?” She cocked the hammer of the Colt Paterson revolver and released the folding trigger mechanism. Will stopped. “You forget, Will Jenkins—I’m a Renard. Daughter of Anton Renard and granddaughter to Henri Renard, privateer and compatriot of Jean Lafitte himself. I know a thing or two about weapons.
Karen Witemeyer (Full Steam Ahead)
You sold a story last week," said Pettit, "about a gun fight in an Arizona mining town in which the hero drew his Colt's .45 and shot seven bandits as fast as they came in the door. Now, if a six-shooter could—" "Oh, well," said I, "that's different. Arizona is a long way from New York. I could have a man stabbed with a lariat or chased by a pair of chaparreras if I wanted to, and it wouldn't be noticed until the usual error-sharp from around McAdams Junction isolates the erratum and writes in to the papers about it." (from "The Plutonian Fire")
O. Henry (Selected Stories)
The guy's name was Colt. Colt, said Thebes. Like a baby, male horse? I guess, said the guy, or a gun. Well, which do you prefer? she said. What do you mean? he asked. Like, how do you prefer to think of yourself? As a baby, male horse? No, he said, he didn't really like to think of himself that way. Well, then, as a gun? she said. No, not really, he said. He preferred basically not to think of himself at all.
Miriam Toews (The Flying Troutmans)
I open the shoe box dusted with seven winters & here, sunk in folds of yellowed news -paper, lies the Colt .45—silent & heavy as an amputated hand. I hold the gun & wonder if an entry wound in the night would make a hole wide as morning.
Ocean Vuong (Night Sky with Exit Wounds)
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
The good people of this world are very far from being satisfied with each other and my arms are the best peacemakers.” —Samuel Colt, 1852
Chris Kyle (American Gun: A History of the U.S. in Ten Firearms (P.S.))
He wore his gun as often as he wore his cowboy boots, an old 44-40 Colt, single action revolver,3
LaVoy Finicum (Only by Blood and Suffering: Regaining Lost Freedom)
The center console rattled when it hinged open, and after futilely pawing around for a bottle of aspirin, Steele settled on the FN Five-seven instead. Most of the time Steele carried a modified Colt 1911. The .45 was an old gun, and the only thing his father left at the house before he disappeared. It was Steele’s most cherished possession, but not the right weapon for what he had planned
Sean Parnell (Man of War (Eric Steele #1))
He turned the cylinder of the Colt and listened to the small, clear clicks it made. The grip was wood, the barrel cool and blue; the holster had kept a faint smell of saddle soap. He slipped the gun back in its holster, put the gun belt around his waist and felt the gun’s solid weight against his hip. When he walked out into the lots to catch his horse, he felt grown and complete for the first time in his life.
Larry McMurtry (The Lonesome Dove Series)
Miriam really hates for me to ride to and from the ranch alone so your coming along should make her feel better. Right, Miriam?" Miriam cast her a don't-play-my-own-tricks-on-me look. For her benefactress's peace of mind, less than for Rider's knowledge, Willow added, "I've told Miriam she doesn't need to worry about me. I always carry a pistol." Rider's brows shot up. "You pack a gun?" "Uh-huh, an old Colt .45. It was a present from Nick, my oldest brother." "And I bet you know how to shoot it, too." He smiled wryly. "I ain't no quick draw, but I usually hit what I aim at.
Charlotte McPherren (Song of the Willow)
Here's a good one. God made man. Guns made man equal. Guns are the legacy of liberty. Just because...just because our magazine doesn't feature a naked woman on the cover! Hell, no, there's no naked women. The sickos would rather squeeze a trigger than a woman's breast. Guns are good old boys! They got them wham-whap two-fisted names, like...like Savage, Colt, Ruger, Baretta, Sigs, Winchester... Springfield! Browning! Luger. Smith & Wesson. Remington Viper. Glock. Don't forget Glock! Markov, Walther! H and K. Mauser parabellum. Anschutz. Magnum! All sorts of mags. I quit, you win. Mags are it.
Leon Uris (A God in Ruins)
Why don’t you take a turn now,” she suggested. “I want to see an expert in action.” A flush climbed his cheeks, but he took the Colt from her, reloaded, and stepped over to the steer. With an effortless lift of his arm, he rapidly shot five rounds dead center into the heart area. He lowered the gun, turned, and, lifting an eyebrow, waited for her reaction. Impressed by his quiet confidence, Elizabeth mirrored his raised eyebrow. “You make it look so easy.” Nick laughed. “Been shootin’ since I was Mark’s age.” She teased back. “That’s not so long ago.” “A man grows up fast in these parts. When you need to survive,” he spun the words into a drawl, “you learn to hit what ya aim for.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Well, he said. I think these people mostly come from Tennessee and Kentucky. Edgefield district in South Carolina. Southern Missouri. They were mountain people. They come from mountain people in the old country. They always would shoot you. It wasnt just here. They kept comin west and about the time they got here was about the time Sam Colt invented the sixshooter and it was the first time these people could afford a gun you could carry around in your belt. That’s all there ever was to it. It had nothin to do with the country at all. The west. They’d of been the same it dont matter where they might of wound up. I’ve thought about it and that’s the only conclusion I could ever come to.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
And I know it scares you through and through No one knows you like I do Try to tell me that ain’t true Oh, we could be lovely If this could get ugly C’mon now, honey Let yourself think about it Can you really live without it? Oh, we could be lovely If this could get ugly IMPOSSIBLE WOMAN Impossible woman Let her hold you Let her ease your soul Sand through fingers Wild horse, but she’s just a colt Dancing barefoot in the snow Cold can’t touch her, high or low She’s blues dressed up like rock ’n’ roll Untouchable, she’ll never fold She’ll have you running In the wrong direction Have you coming For the wrong obsessions Oh, she’s gunning For your redemption Have you headed Back to confession Sand through fingers Wild horse, but she’s just a colt Dancing barefoot in the snow Cold can’t touch her, high or low She’s blues dressed up like rock ’n’ roll Untouchable, she’ll never fold Walk away from the impossible
Taylor Jenkins Reid (Daisy Jones & The Six)
And a gun was taken,” I said. “That was yours?” She handed me the cup and saucer. “Yes. A pistol my husband had given me.” “Thirty-eight caliber.” “Yes. A Colt, I think. I’d never fired it, and it wasn’t loaded. My husband bought it as a joke several years ago.” “A joke?” She smiled and sipped at her drink. “We were having an argument once, I don’t even remember now what about, and I got so angry I told him that if I had a gun I’d shoot him. The next day he gave me the gun.” Very droll. The rich are different.
Walter Satterthwait (Wall of Glass)
Toss your piece over here.” Luke’s gaze was on Jack’s Colt. “Nice and easy.” Jack kept his aim steady, sighting on Luke’s forehead. “If you think I’m going to hand over my weapon just because you’re pointing a gun at Ms. Killeen, you’ve been watching too much television.” Luke glared at him. “You don’t understand. All I have to do is pull this trigger—” “Harm the woman I love, and there will be no escape for you anywhere on this earth. Do you understand me?” Jack waited for an answer, then repeated his question, this time shouting. “Do you understand me?
Pamela Clare (Soul Deep (I-Team, #6.5))
The M-16 sure is a marvelous gun, and in a god-awful war it provides some keen fun. The bullet it fires appears too small to harm but it makes a big hole and can tear off an arm. Single shot, semi, or full automatic, a real awesome weapon, ’tho in performance sporadic. But listen to Ichord and forget that stuck bolt, for you aren’t as important as a kickback from Colt. So carry your rifle (they don’t give a damn), just pray you won’t need it while you’re in Vietnam. The M-16 is issue, though we all feel trapped. More GIs would protest, but somehow they got zapped.
C.J. Chivers (The Gun)
Owen stepped into the saddle and reached a hand down as he took his foot out of the stirrup, so Bay could mount behind him. Once she was settled, he said, “Hang on. And don’t be wiggling around. We can’t afford any more accidents.” Bay glowered at him. She clamped her hands on either side of his waist at his beltline, but his Colt .45 was holstered on one side, which kept her from getting a comfortable hold. She put her right hand above the gun, but that meant it was practically under his armpit. Then she moved it below the gun, but that put her hand low on hips close to his crotch. “Sonofabitch.” He grabbed her hands and pulled them around his midriff. “Now hang on.” Bay kept her breasts rigidly distanced from Owen’s back, but her nipples puckered anyway. It was that damned washboard of male abdominal muscle under her hands. The man could do commercials for those workout machines they advertised on TV. The horseflies were a surprise. Where had they come from? She let go with one hand and swatted at one that seemed determined to bite her on the nose. And knocked Owen’s hat askew. “That does it. Off.” “It wasn’t my fault,” Bay said. “I was getting bitten.” “Off.” He grabbed her arm and levered her out from behind him and onto the ground.
Joan Johnston (The Texan (Bitter Creek, #2))
We put him to the test that afternoon after the Kid woke up. I piled every weapon we had into the wagon and trucked the arsenal halfway across the San Simon Valley. One by one I fired off a round from each of the borrowed weapons and wrote down the order in which I had sent the reports. When I returned at midafternoon, we compared my notes to the Kid’s. Jack had not once failed to identify gun make and model, caliber, and brand of ammunition. He was even able to tell whether I had fired off a report with my right or left hand. Lord knows how he did that. I, of course, had to see it for myself. We sent Pate off to the South Pass of the Dragoons and he commenced to fire off rounds at dusk. BAM! came the first report, aborning to us from the distant mountains and then quickly disintegrating into the maw of the desert sky. “Remington forty-four,” Jack said. “Eighteen sixty-nine model.” He sat on a rock with his hands splayed over his stumpy knees and his head cocked for the next selection. POW! Jack pursed his lips. “Colt’s Lightning . . . forty-one caliber . . . iv’ry grips.” BOOM! At this report Jack chuckled. “Well, first off . . . forty-five caliber Peacemaker, seven-and-a-half-inch barrel,” he announced proudly. Then he smiled. “That ol’ dodger Pate . . . he’s a slick one, tryin’ to pull one on me.” “What do you mean?” I asked. “Along with the Colt he let go with a derringer, thirty-two caliber. Sounded like it ain’t been cleaned in a while.” I sat down next to Jack and draped my arm over his rounded shoulders. “Jack, I believe you’ve given credence to the saying that every man on this earth serves a role.” Jack gave me a look. “ ‘Serves a roll?’ Are we in the restaurant business again?
Mark Warren (The Westering Trail Travesties, Five Little Known Tales of the Old West That Probably Ought to A' Stayed That Way)
his Colt. He took his Winchester from the corner where it leaned and filled a coat pocket with extra shells from his saddlebag. He told Belivev, “I’ll ride double with you to the livery stable and get my horse. Then we’ll see what we can do about
Tabor Evans (Legend with a Six-Gun (Longarm Double, #4))
$20,ooo to $40,000.
Aidin Safavi (Guns: Weapons Guide for Total Beginners - Guns, Colts Revolvers and Rifles (Firearms training - Firearms for Beginners - Firearms Books Book 1))
Dad never wore the gun home. David didn’t even know he had a boot knife. And he always wore an immaculately clean uniform, and shiny boots. Dad said it was just part of his job as a United States Air Force officer. But now he could line up with the homeless men on the sidewalk at the downtown Mission for a free meal, no questions asked. Dad
Colt Triarii (Nuclear War Club: Seven high school students are in detention when Nuclear War explodes.Game on, they are on their own)
different than they were, and they appreciated having five shovels working rather than four. He no longer lived at home, but still spent a good portion of his rare free time with his family, especially on Sundays. His new residence was the room in the pump house that had been previously occupied by Horace Breedlove. Horace Breedlove hadn’t gone away as quietly as John Wittemore had hoped and after he was officially replaced a year later and sent back to the coal face eight hundred feet below the ground, he had more than once expressed his displeasure to Dylan when he caught him alone. That very real danger pushed Dylan into purchasing a Colt Baby Dragoon pistol two years ago. He kept the .31 caliber pistol in his jacket pocket which was usually in his office residence. He didn’t advertise that he had the five-shot revolver, but still managed to do quite a bit of practice with the gun inside the large pump house. Even with the engine shut down at night or on Sunday for maintenance, it was only quiet when Dylan wasn’t inside. The routine clanging and ringing easily disguised his gunfire. When it was time for their lunch break, Dylan and Bryn each took one of their mother’s sandwiches in hand, but rather than sit down, as they munched Dylan began giving his younger brother a tour of
C.J. Petit (Dylan's Journey: Book One of the Evans Family Saga)
We’ll get him eventually, but I sure wouldn’t want anything happening before we do.” Nolan shook the sheriff’s hand. “No hard feelings, Sheriff. You were doing your job. I’ll have to admit, the last three weeks were like a vacation, especially when you started leaving the jail cell door open. I know I haven’t eaten that good in a long time.” The two men laughed. Nolan shrugged into his coat and handed his rifle to Rocky. “Here you go, Button. You can carry that for me. Just be sure you don’t let that muzzle point at anyone.” “Yes, sir,” Rocky said. His little chest puffed out like a strutting rooster as he followed Nolan out of the sheriff’s office. The two of them headed down to the stable. Free. It feels good. I wonder if Melinda will have me? I hope I’ve found a home. It’s about time for an old, broken-down cowboy like me. In fact, I think I might buy the Slash Bar. Couldn’t ask for a better neighbor than Cletus. Rocky was chattering away as they walked to the stable. Nolan was looking forward to seeing Duke. They neared the door to the barn and started to turn in when Whitey growled. Without pausing, Nolan pushed Rocky to the ground and drew his Colt. Grady was standing deep inside the shadowed stable. He had his rifle against his shoulder, hammer back, waiting for Nolan. Lester was lying at his feet, unconscious. He pulled the trigger as Nolan came into view, but Nolan dove. He moved just enough so that Grady’s bullet hit the door facing where he had been standing when Whitey growled his warning. Nolan watched as Grady attempted to worked the lever of the Winchester, holding his fire, not wanting to kill the young man. “Don’t do it, Grady. Drop the rifle.” “I’m going to kill you, Parker.” He waited until he could wait no longer. Grady continued to fumble, trying to close the lever, his bum finger still hampering him. Nolan had been in several gunfights. He knew the smart move was always to shoot for the body. He had learned that as a young man and had never deviated. But today was different. He raised his Colt in front of him and took a steady aim. It took only a slight amount of pressure on the sensitive trigger to send a 255 grain chunk of lead flying toward Grady. The bullet slammed into the forearm of the Winchester, coursed down the right side, plowing into the knuckles of the index and trigger finger of Grady’s right hand, then drove through the hand, exiting out at the wrist. The boy screamed like a panther and fell to the ground, cradling his ruined right hand in his left. Blood poured from between his remaining fingers. Nolan glanced at Rocky, made sure he was okay, and then moved quickly to Grady. Grady was moaning and rocking back and forth. “You ruined my shooting hand.” “I could have killed you. Prison will give you plenty of time to think about that. You’ve got a chance now, boy. Change your ways.” He reached down and pulled Grady’s six-gun from its holster and walked out of the stable.
Donald L. Robertson (Because of a Dog: A Western Novella)
Shut it, right there, or I’ll give you a hole that won’t shut.” He pointed the Colt at Clinton, clicking back the hammer.
C.G. Faulkner (Unreconstructed (The Tom Fortner Trilogy #1))
What’s the matter, chile? The debil chasin’ after you?” Emma paused to take a deep breath and recover her dignity. “Yes,” she said. “Do you know where Chloe put Mr. Fair—Steven’s pistol?” “She done locked it up in her desk drawer with the derringer. Why? You gonna give it back to him?” Emma nodded, then proceeded toward the hallway. “I most certainly am.” “Why you wanna do that?” Daisy fussed, following her out of the kitchen and into Chloe’s study. Finding the key in its customary hiding place, Emma unlocked Chloe’s desk and lifted the formidable Colt .45 gingerly from its depths. “There’s always the hope that he’ll shoot himself,” she said cheerfully. Daisy shrank back against the doorway. “Miss Emma, you put that thing down right now, or I’s gonna take you over my knee and paddle you!” Emma raised the gun and sited in on a book shelf across the room. She wondered what it would be like to fire the weapon. In the next instant she found out, for the gun went off with no intentional help from Emma, and several of Chloe’s leatherbound books exploded into a single smoldering tangle of paper. Daisy screamed and so did Emma, who dropped the gun in horror only to have it fire again, this time splintering the leg of Big John’s favorite chair. “Don’t you dare touch that thing again!” Daisy shrieked, when Emma bent to retrieve it. Emma left the pistol lying on the rug and straightened up again, one hand pressed to her mouth in shock. The two women stood in their places for a long time, afraid to move. Emma, for her part, was busy imagining all the dreadful things that could have happened. She was amazed to see Steven stumble into the room, fully dressed except for his boots, drenched in sweat from the effort of making his way down the stairs in a hurry. The expression in his eyes was wild and alert, almost predatory. “What the hell’s going on in here?” he rasped. Emma pointed to the pistol as though it were a snake coiled to strike. “It went off—twice.” Steven was supporting himself by grasping the edge of Chloe’s desk. “Pick it up very carefully and hand it to me,” he said. Emma bit her lower lip, remembering what had happened when she’d handled the gun before. “You can do it,” Steven urged. “Just make sure you don’t touch the hammer or the trigger.” Emma crouched and picked it up cautiously. The barrel was hot against her palm. “Here,” Steven said, holding out his hand. Emma surrendered the gun, and leaning back against the desk, Steven spun the chamber expertly, dropping the four remaining bullets into his palm. He gave a ragged sigh, then just stood there, cradling the pistol in his hands like a kitten or a puppy. “I was going to bring it to you,” Emma confessed in a small voice. “She was hopin’ you’d blow your brains out with it,” Daisy muttered, before she turned and went back to the kitchen. Steven
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
an instant, a simple swatch of light, then movement: the blond-haired executioner. She stood in a doorway just beyond the street corner, hiding, waiting, arms raised and weapon trained. The reflection in the car window saved Dewey from what would have been, in five feet or so, a warm bullet in the back of the head. Dewey stopped just before the corner, feet away from where the blond assassin lurked. He looked behind him, down the block he’d just run down, and saw a Laundromat. He dropped back and entered the Laundromat. He ran through the store, pushing his way past piles of laundry and women folding articles, to the back room, where a man sat, smoking a cigarette in front of a pile of papers. “Lo siento,” murmured Dewey as he charged through the office toward an alley entrance, gun in hand. The sirens became louder, multiple vehicles joining in the distance. Out the door and across the alley and through a dented steel door. Inside, stacks of bread loaves, other boxes of food, the smell of meat. He moved through the storage room and entered the back of a bodega. Colt .45 cocked in front of him, he passed a middle-aged woman who fainted as she saw the weapon in his hand. Catching the eye of the man at the cash register, Dewey held a finger to his lips. There, at the side of the entrance, her back to the store, stood the blond assassin. Suddenly another customer, an elderly woman, screamed as she saw Dewey with gun. The blonde turned abruptly, leveling what he now saw was an HK UMP compact machine gun with a six-inch suppressor on the end. A full auto hail of bullets crashed through the windows as she swept the weapon east-west. The elderly woman’s screams ended abruptly as a bullet ripped through her head and killed her. The assassin’s bullets shattered the storefront’s glass, but Dewey was already down and partially hidden by a chest freezer, which shielded him from the slugs. As soon as the blonde’s gun swept past him, Dewey had a clear sight. He fired twice, two quick shots into the assassin’s neck and chest, flinging her backward onto the brick sidewalk in a shower of blood and glass. Dewey ran
Ben Coes (Power Down (Dewey Andreas, #1))
After a moment’s thought, he opened the diplomatic case and threw in an extra set of identification papers, under a Belgian passport. It had served him well in the past and it never hurt to plan ahead. The case also contained his Colt .45, two loaded magazines, and a box of Federal Hydra-Shok hollowpoints. Being able to carry the gun through security was one of the benefits of his diplomatic immunity. If he was forced to use it…well, that was another story
Stephen England (Pandora's Grave (Shadow Warriors #1))
The Colt was loaded, as it always was. He racked the slide and chambered a round, carefully putting the safety on before slipping the big pistol into the paddle holster on his hip. Cocked and locked. Moving across the room, he laid the second weapon, a Taser X3, on the table. The stun gun, which looked for all the world like an artist’s conception of a laser pistol gone bad, had been developed in 2009 as a response to the law enforcement community’s main critique of the original X26: its limited, single-shot capability
Stephen England (Day of Reckoning (Shadow Warriors #2))
Captain Madonna’s assessment of Colt’s assault rifle, circa 1967. “It was a pretty good bayonet holder,” he said. “I knew those weapons were failing. I didn’t know what the rate was, but I knew I couldn’t rely on them anymore.
C.J. Chivers (The Gun)
The American City was not unlike the first great products of American industrialism itself: the Colt revolver and the Winchester rifle. Gun manufacturing taught American industry about mass production, standardization, and the virtues of interchangeable parts, and the American city that industrialism produced was itself a very big gun: standardized, hugely profitable, and morally indifferent about any victims.
Curtis White (We, Robots: Staying Human in the Age of Big Data)
Now the saying is common that Sam Colt made men equal. But if it is true then our town wouldn’t have burned up in the rain; instead that Bad Man would have been buried with due honors and a proper notice sent to the Territory Office. He would have had a hole in his chest, or his back, and the one who shot him would have Avery standing him a drink and maybe redheaded Flo and Molly smiling his way. Colt gave every man a gun, but you have to squeeze the trigger for yourself. A few times during that long cold night I thought the Bad Man was coming back.
E.L. Doctorow (Welcome to Hard Times: A Novel)
The London press often regaled readers with hair-raising stories from California and other western parts of America, and Colt’s guns were regularly featured in these. “Scarcely a week passes,” reported one London paper, “without some dispute, when revolvers and bowie-knives are immediately produced and someone is killed.” Stories of shoot-outs were not only entertaining, they confirmed what many in Britain thought about Americans, which is that they lived under barely civilized conditions in bullet-peppered air. Colt’s revolver fit perfectly into this portrait.
Jim Rasenberger (Revolver: Sam Colt and the Six-Shooter That Changed America)
The revolver was chambered for .442 rounds, which meant there was only room for five. "These are large caliber bullets for such a short gun," Merritt remarked. "It's designed to stop someone at close range," Ethan said, absently arching up to rub a spot on his chest. "Being hit by one of those bullets feels like a kick from a mule." "Why is the hammer bobbed?" "To keep it from catching on the holster or clothing, if I have to draw it fast." Keeping the muzzle of the gun pointed away from him, Merritt reassembled the revolver, slid the extractor rod into place, and locked it deftly. "Well done," Ethan commented, surprised by her assurance. "You're familiar with guns, then." "Yes, my father taught me. May I shoot it?" "What are you going to aim for?" By this time, the others had come out from the parlor to watch. "Uncle Sebastian," Merritt asked, "are those pottery rabbits on the stone wall valuable?" Kingston smiled slightly and shook his head. "Have at it." "Wait," Ethan said calmly. "That's a twenty-yard distance. You'll need a longer-range weapon." With meticulous care, he took the revolver from her and replaced it in his coat. "Try this one." Merritt's brows lifted slightly as he pulled a gun from a cross-draw holster concealed by his coat. This time, Ethan handed the revolver to her without bothering to disassemble it first. "It's loaded, save one chamber," he cautioned. "I put the hammer down to prevent accidental discharge." "A Colt single-action," Merritt said, pleased, admiring the elegant piece, with its four-and-a-half-inch barrel and custom engraving. "Papa has one similar to this." She eased the hammer back and gently rotated the cylinder. "It has a powerful recoil," Ethan warned. "I would expect so." Merritt held the Colt in a practiced grip, the fingers of her support hand fit neatly underneath the trigger guard. "Cover your ears," she said, cocking the hammer and aligning the sights. She squeezed the trigger. An earsplitting report, a flash of light from the muzzle, and one of the rabbit sculptures on the wall shattered. In the silence that followed, Merritt heard her father say dryly, "Go on, Merritt. Put the other bunny out of its misery." She cocked the hammer, aimed and fired again. The second rabbit sculpture exploded. "Sweet Mother Mary," Ethan said in wonder. "I've never seen a woman shoot like that." "My father taught all of us how to shoot and handle firearms safely," Merritt said, giving the revolver back to him grip-first.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The pistol used on the show is actually an impressively accurate replication of one of the first guns designed by the legendary American gun maker Samuel Colt—the 1836 Texas Paterson Colt.
Nathan Robert Brown (The Mythology of Supernatural: The Signs and Symbols Behind the Popular TV Show)
The gun's roots go straight back to the last days of the nineteenth century. The U.S. Army was deep in the jungles of the Philippine Islands, which they inherited after the Spanish-American War. Our soldiers were fighting a fierce counterinsurgency war against radical Islamist Moro tribesmen. The tribesmen had a habit of charging Americans with long knives while wearing wood-and leather body armor. The Moro fanatics supposedly fought under the influence of powerful narcotics, which made them almost immune to pain. Shoot them, and they just kept coming. It was like something out of a zombie movie. The regulation firearms at the time, .38 Long Colt revolvers and .30 Krag rifles, didn't have the man-stopping power for this kind of an attack.
Chris Kyle (American Gun: A History of the U.S. in Ten Firearms)
Klassman realized that Holden had a love-hate relationship with his public fame that carried over to his private life. He was so bothered by the constant recognition that it made him fearful. For Holden, stardom wasn’t a blessing, it was a curse. Back at the house, Holden confided to Klassman that he owned a gun and showed him a Colt snub-nose revolver that he kept in a shoulder holster. He often carried the concealed weapon in public. He was becoming more paranoid and felt increasingly guilty about the way he had treated his wife and family.
Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
There was something assured in the way he blended in with the surrounding mountains and lake. A sense of quiet deadliness was suggested by the low-slung gun belt, its holster tied down, and the Colt butt positioned for a quick draw. His movements had an ease about them, giving the impression of a man who did not look for trouble, but would handle it if the need arose.
Bobby Underwood (Whisper Valley (The Wild Country, #3))
Finally, he says, “What is the shortest distance between two points?” I look at him in the rearview mirror. “Swordfish.” “Come again?” “It’s a joke from an old movie. What’s the secret password? Swordfish.” “I see. Well, it is not swordfish this time. Would you like to know the answer?” “Sure.” I hit the accelerator. Feel the RPMs rumble from my feet and up into my chest as the Charger tears up the cracked desert road, leaving a gray cloud behind us. The Magistrate takes my Colt and puts one bullet in the chamber. Spins it and slams it shut. Puts the gun to his head and pulls the trigger. Nothing happens. He says, “The answer is death. In nothingness, distance has no meaning.” “But death isn’t nothingness. I’m dead and I’m here now.” He puts the Colt to my head. “Perhaps you are not dead enough.” “I still think ‘swordfish’ is a better answer.” “But you are not the one asking the question.” He pulls the trigger.
Richard Kadrey (Hollywood Dead (Sandman Slim, #10))
have to kill whoever’s chasing you. Can you do that?” Corman hesitated. “I—I never kilt nobody before,” Corman said. Slocum weighed the man’s words. Corman was obviously frightened, scared of losing his life. But was he also afraid of killing someone, even in self-defense? That was what separated the men from the boys. Corman had years on him, but perhaps not much wisdom. “Ever shoot a Winchester? Or a Henry?” Corman nodded. “Both,” he said. “I have a Yellow Boy.” He paused. “Back at my digs.” “That’s a heavy rifle,” Slocum said. “The Winchester is lighter.” “I know.” “Well, if push comes to shove, you can have my Winchester. It’s loaded. Just jack a shell into the chamber and start shooting.” “Do you think it will come to that?” “You’re the one being chased, Corman. What do you think?” Corman went silent. But he listened to the wind, and wisps of fog, or cloud, were beginning to seep into the cracks of the boulders around them and creep along the ground like thin cotton batting, ever so slowly. Slocum checked the Winchester and handed it to Corman. He went to his bedroll and took out the sawed-off Greener shotgun that he kept rolled up in it. He grabbed some shells from his saddlebag and put two in the shotgun, and snapped the barrel back into the receiver, where it locked. The shotshells were all double-ought buck and, at close range, would tear a man to pieces. Besides the Colt .45 six-gun on his
Jake Logan (Slocum and the Teton Temptress)
other yesterday,” Clint said, letting the front legs of his chair come down. “You ready?” “As I’ll ever be.” He indicated the pistol he had in his belt. “Let me see that.” Gustav took it out and passed it over. “Navy Colt,” Clint said. “Forty-four. These came out in eighteen-fifty-one, but they’re still reliable. Slow, but reliable.” “Well, I am not looking to be a fast gun,” Gustav said. “I would just like to hit what I aim at.” “That’s your first mistake,” Clint said. “What
J.R. Roberts (Little Amsterdam (The Gunsmith Book 433))