Cobalt Quotes

We've searched our database for all the quotes and captions related to Cobalt. Here they are! All 100 of them:

Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground. "Is he dead?" he inquired. "He looks dead." "No," snapped Maryse. "He's not dead." "Have you checked? I could kick him if you want." Magnus moved toward Jace. "Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I have no idea how he knows when I need him. We can go weeks without speaking, and then, when my blue moods threaten to turn black, he will show up and tell me my moods are azure indigo cerulean cobalt periwinkle and suddenly the blue will not seem so dark, more like the color of a noon-bright sky. He brings the sun.
David Levithan (The Realm of Possibility)
… our favorite Sayings from Ryke Meadows. My favorite: I fucking love you. Willow’s: I don’t fucking understand Tumblr. Lo’s: Fuck you, you fucking fuck. Lily’s: Fucking fantastic. Rose’s: No means no. Better yet, fuck no. Connor’s: Connor Cobalt is a fucking narcissist.
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
Promises from Connor Cobalt are like oaths spilled in blood.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
I can hear our hearts breaking." A tear wets my fingertips, his tears, and his other hand encases my face, the way mine does him. His lips nearly skim mine. "I’ll shield your ears from the sound of heartbreak.
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
my mind is a big hunk of irrevocable nothing which touch and taste and smell and hearing and sight keep hitting and chipping with sharp fatal tools in an agony of sensual chisels i perform squirms of chrome and ex -ecute strides of cobalt nevertheless i feel that i cleverly am being altered that i slightly am becoming something a little different, in fact myself hereupon helpless i utter lilac shrieks and scarlet bellowings
E.E. Cummings
“Lily and Lo f**k a lot,” Ryke says, each f-bomb bleeped accordingly… “If we had to rank who’s getting the most, it’d be my brother, his girlfriend, then maybe Connor Cobalt and his hand.” Beside me, Connor grins and sips his wine, finding Ryke’s comment more amusing than I would.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
I knew chemistry would be worse, because I'd seen a big card of the ninety-odd elements hung up in the chemistry lab, and all the perfectly good words like gold and silver and cobalt and aluminum were shortened to ugly abbreviations with different decimal numbers after them.
Sylvia Plath
People thought she was nuts – in a genius “I will devour your soul” kind of way. I thought she was fucking fascinating.
Krista Ritchie
You are human. You love who you love. You fuck who you fuck. That should be enough—no labels. — Connor Cobalt
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
You say you became the darkness, that it consumed you,” he said, his cobalt eyes soft on hers, “but I call bull on that. I’ve never met anyone who shines as brightly as you do.
Lynette Noni (The Gilded Cage (The Prison Healer, #2))
The Cobalt Empire is the largest, known for their regal poise, intellectual prowess, and fierce commitment to one another. Each Cobalt is prideful and passionately unique but when push comes to shove. They'll band together like an army of one.
Becca Ritchie (Damaged Like Us (Like Us, #1))
Childhood is bound like the Gordian knot with my memories of the Black Sea, and I still feel its waters welling up within me today. Sometimes these waters are leaden, as grey as the military ships that sail on their curved expanses, and sometimes they are blue as pigmented cobalt. Then would come dusk, when I would sit and watch the seabirds waver to shore, flitting from open waters to the quiet empty vastlands in darkening spaces behind me, the same birds Ovid once saw during his exile, perhaps; and the same waters the Argonauts crossed searching for the fleece of renewal. And out in the distance, invisible, the towering heights of Caucasus, where once-bright memories of the fire-thief have transmuted into something weird and many-faceted, and beyond these, pitch-black Karabakh in dolorous Armenia.
Paul Christensen (The Heretic Emperor)
Rose Calloway Cobalt has always been a series of contradictions.
Becca Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
Will, meet Thammuz, a minor demon from the eighth dimension. Thammuz, meet Will, a minor Shadowhunter from-Wales, was it?" "I will rip out your eyes," hissed the creature. "I will tear the skin from your face." "Don't be rude, Thammuz," said Magnus "Will has questions. You will answer them." Will shook his head. "I don't know, Magnus," he said. "He doesn't look like the right one to me." "You said he was blue. This one's blue." "He is blue," Will acknowledged, stepping closer to the circle of flame. "But the demon I need-well, he was really a cobalt blue. This one's more . . . periwinkle." "What did you call me?" The demon roared with rage. "Come closer, little Shadowhunter, and let me feast upon your liver! I will tear it from your body while you scream.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
The Ache That Would Not Leave Behind the hum and routine of daily living, there lay a persistent and wild longing for something she could not easily put into words. It felt like impulsive adventures and watching the sun rise over unfamiliar mountains, or coffee in a street café, set to the background music of a foreign language. It was the smell of the ocean, with dizzying seagulls whirling in a cobalt sky; exotic foods and strange faces, in a city where no one knew her name. She wanted secrets whispered at midnight, and road trips without a map, but most of all, she ached for someone who desired to explore the mysteries that lay sleeping within her. The truly heartbreaking part was that she could feel the remaining days of her life falling away, like leaves from an autumn tree, but still this mysterious person who held the key to unlock her secrets did not arrive; they were missing, and she knew not where to find them.
John Mark Green
Sometimes, if you want to be happy, you've got to run away to Bath and marry a punk rocker. Sometimes you've got to dye your hair cobalt blue, or wander remote islands in Sicily, or cook your way through Mastering the Art of French Cooking in a year, for no very good reason.
Julie Powell
They've been married for a little over a year, and they've withstood a lot together, with no signs of parting. They channel power from the universe that only nerd stars can access. I'm sure of it. The galaxy is on their side.
Krista Ritchie (Thrive (Addicted #4))
Those who choose differently must suffer the consequences. They must take the pain their decisions bring.
Sachin Kundalkar (Cobalt Blue)
For those who think Africa’s problems can simply be solved by the injection of money, I would recommend a crash course in cobalt economics in the Congo. In 2004 the cobalt boom meant there was plenty of money in Lubumbashi, but the presence of money did not guarantee that the local economy grew or even stabilised.
Tim Butcher (Blood River: The Terrifying Journey through the World's Most Dangerous Country)
Beyond the iced windows the sun was sinking. Shadows bloomed across the walls and multiplied in the stairwells, and as the light died it got bluer, painting everything around me a deep-sea cobalt.
Ransom Riggs (Hollow City (Miss Peregrine’s Peculiar Children, #2))
How did I acquire those habits? Perhaps that's what happens during he forging of a relationship: if nothing else, you adopt some of the other person's habits. It makes you feel those adoptions, make him one of you. Have you picked up habits from me? Do you draw circles with a finger on your thali when you have finished eating? Do you, every once in a while, squeeze shaving cream on to your toothbrush? DO you sleep with a knee drawn up to you, the bedclothes kicked away? Do you fold the newspaper neatly and put it where you found it, when you are done? Yesterday, when a cobalt blue smudge of wall ended up on my hand, I wiped on my trouser without thinking.
Sachin Kundalkar (Cobalt Blue)
Plus, if we invited Luna, we'd have to invite Jane's two brothers, Eliot Cobalt and Tom Cobalt. Which would probably end with me calling the fire department or our on-call doctor.
Becca Ritchie (Damaged Like Us (Like Us, #1))
His eyes are the perfect shade of cobalt, blue like a blossoming bruise, clear and deep and decided.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
When you're looking for a relationship, the process weakens you. you feel you have to bear with whatever the other person wants. Each of the people I have met has made this a little more clear.
Sachin Kundalkar (Cobalt Blue)
Her eyes met his, and he tried to remember if he’d ever seen such a deep shade of blue anywhere else. What was the word for it? Azure? Cobalt? Cerulean? Where was the fucking Crayola box when he needed it?
Tawna Fenske (About That Fling)
There are some people that we know all our lives and yet never really feel we know them at all. But there are other people—” Unable to resist the temptation, he ran a feather-light caress down the curve of her cheek with one leather-sheathed knuckle. The cobalt depths of her eyes flickered with response, but she said nothing, heeding his every word. “—people we meet in a day, and instantly, it feels as though we’ve known them all our lives.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
I sometimes go and sit there. it is my museum of broken things.
Sachin Kundalkar (Cobalt Blue)
Broken souls are mended every day by mended souls that were once broken.” ~ Connor Cobalt
Krista Ritchie (Wherever You Are (Bad Reputation Duet, #2))
I have comic-book loving, pop-culture-obsessed parents. The coolest. I’m sure the two Meadows girls and the seven Cobalt children would protest and say their parents are cool, but there’s no comparison. Hands down, mine are the goddamn best.
Krista Ritchie (Damaged Like Us (Like Us, #1))
Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.
Michael Ende (The Neverending Story)
Our daily lives are powered by a human and environmental catastrophe in the Congo.
Siddharth Kara (Cobalt Red: How the Blood of the Congo Powers Our Lives)
If kisses had colors, this one would reflect the tatters of control swirling around us, a symphony of crimson and amber and pure, stunning cobalt. They sank beneath my skin, sending electric currents over every raw, exposed nerve.
Ana Huang (King of Sloth (Kings of Sin, #4))
I felt the kind of peace you feel when you come in from a hot afternoon and pour cold water over your feet.
Sachin Kundalkar (Cobalt Blue)
What made it so galling to me, the outsider, was that of the large sums paid by the various mining companies, brokers and traders, only a tiny fraction ever reached the local economy. The vast bulk was lost in bribes demanded by corrupt officials at all levels. Lubumbashi’s cobalt bonanza brought home to me how money alone will not solve Africa’s problems. Until the Congo’s economy is underpinned by the rule of law and transparency, it will remain stagnant, chaotic and unproductive.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
Oscar reties his bandana. 'You'll see, little bro. Soon you'll be taking European vacations with Jane and the rest of the Cobalt Empire - while Farrow, here, will be stuck at comic book conventions with the geek squad.'
Becca Ritchie (Damaged Like Us (Like Us, #1))
Once you start living together and you see the same person day in and day out, you begin to wonder: was it for this I struggled and toiled? Did he feel that way?
Sachin Kundalkar (Cobalt Blue)
People hope to touch the sky. I dream of kissing it.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
It flourished on the air softly in vapors of cobalt light, whispering and sighing.
Ray Bradbury (The Martian Chronicles)
We both disliked rude rickshwalas, shepu bhaji in any form, group photographs at weddings, lizards, tea that has gone cold, the habit of taking newspaper to the toilet, kissing a boy who'd just smoked a cigarette et cetra. Another list. The things we loved: strong coffee, Matisse, Rumi, summer rain, bathing together, Tom Hanks, rice pancakes, Cafe Sunrise, black-and-white photographs, the first quiet moments after you wake up in the morning.
Sachin Kundalkar (Cobalt Blue)
I don't love you, you know. I'm merely crazy about you.
Margaret Way (The Girl at Cobalt Creek)
24 carat gold is a pure naturally occurring yellow metal. There are 4 basic shades of gold alloys: yellow gold, white gold, rose gold and green gold. A huge range of other colored golds are also possible including red (gold and copper), grey (gold, iron and copper), purple (gold and aluminum), blue (gold and iron) and black (gold and cobalt), depending on the amounts of different metals alloyed together.
Sybrina Durant (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns)
It’s like abusing a kid that’s been shit on his whole life. I’m not going to add to those bruises.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Now you understand how people like us work?” “I believe so.” “Tell me.” “You work in horrible conditions and—” “No! We work in our graves.
Siddharth Kara (Cobalt Red: How the Blood of the Congo Powers Our Lives)
Water: hydrate, you gorg mfer Question of the Day: Does Papa Cobalt ever sneeze?
Krista Ritchie (Misfits Like Us (Like Us, #11))
but if I had to put money on a match between these two, I’d always bet on Connor Cobalt.
Krista Ritchie (Addicted for Now (Addicted #3))
Broken souls are mended every day by mended souls that were once broken.” ​— ​Connor Cobalt
Krista Ritchie (Bad Reputation)
Mining might convey an image of industry or technology, but I found this was not the case in the Congo. In the so-called ‘mines’, a brutally primitive process was in place involving what was effectively slave labour clawing minerals from the earth so that they could be shipped to eager cash buyers in the developed world. President Kabila headed what was effectively a cobalt and diamond cartel, while two rival factions (one backed by neighbouring Uganda, the other by Rwanda) divided up the rest of the country’s resources. Crudely, Uganda got gold and timber, and Rwanda got tin and coltan – a mineral used in mobile telephones.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
Dear God... I, I have caused a miracle. I gave her the eyes. I gave her the blue, blue, two blue eyes. Cobalt blue. A streak of it right out of your own blue heaven. No one else will see her blue eyes. But she will. And she will live happily ever after.
Toni Morrison (The Bluest Eye)
Now time, afternoon time, which in the Midi is as elemental as air and light, expanded and rolled billowingly outwards across the rest of the day, and upwards to the vaults of the cobalt sky, freeing everyone in its delicious sprawl from their obligations.
Ian McEwan (Black Dogs)
I unzipped my duffel bag and started to rifle through it. “What the hell is all that?” Jesse asked. “A diamond core drill,” I replied. “It can go through cobalt and it lets me use this.” I pulled out a tiny scope camera that had a monitor attached to it. “This lets me see where the grooves are in the lock. Each groove corresponds to a number on the combination and I just have to line them up.” Jesse and Roux looked at me like I was speaking Martian. “Where do you even get this stuff?” “Sweet Sixteen present from my parents.” Roux shook her head. “I got a Fabergé egg. What a ripoff.
Robin Benway (Also Known As (Also Known As, #1))
Richard Connor Cobalt.” I gave her an amiable smile. She procured the corresponding nametag. “Welcome to this year’s Model UN, Richard. Good luck.” Her last phrase—while nothing more than a meaningless farewell—punctured a part of my head, poking at a nerve. Good luck. I liked having control of my fate. And luck meant that I had none. That I’d have to let someone inferior decide my outcome.
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
She has no interest in the composition from ten or twenty feet—that will come later. What she wants is topography, the impasto, the furrows where sable hairs were dragged into tiny painted crests to catch the light. Or the stray line of charcoal or chalk, glimpsed beneath a glaze that’s three hundred years old. She’s been known to take a safety pin and test the porosity of the paint and then bring the point to her tongue. Since old-world grounds contain gesso, glue, and something edible—honey, milk, cheese—the Golden Age has a distinctively sweet or curdled taste. She is always careful to avoid the leads and the cobalts. What
Dominic Smith (The Last Painting of Sara de Vos)
I'd be staring at you and thinking, I should ask, I should ask, I should ask; do you want to be in a stable monogamous relationship for the rest of your life?
Sachin Kundalkar (Cobalt Blue)
When I think about my childhood, I feel the best times came before one began to seek pleasure in the bodies of others.
Sachin Kundalkar (Cobalt Blue)
Well-being, or wholeness, implies integrity and harmony between all existing elements, providing freedom for the whole.
Darrell Calkins (Re:)
Laughter has got to be the single healthiest activity one can perform. Just think how healthy you would be if you could sincerely laugh at that which now oppresses you.
Darrell Calkins (Re:)
That you should not be here when something we've both wanted happens is no new thing for me. Today too, as always, you're not here.
Sachin Kundalkar (Cobalt Blue)
The infinite possibilities that exist in any given moment cause infinite possibilities in response. The wording is correct here; the possibilities exist already, and have already caused the existing possibilities of response.
Darrell Calkins (Re:)
Everything looks so much brighter today. The sky is a magnificent cobalt blue, the clouds look like puffy white marshmallows, and I'm happy. not the fake, suck-it-up-and-put-a-smile-on-your-face-happy. Really happy. For the first time in a long time.
Beth Michele (Love Love)
Transcendence is more about the personal act of not engaging the enemy, finding a way out of the cage that is being designed for you at a particular moment by others, circumstance, or your own bad habits and ignorance.
Darrell Calkins (Re:)
I wonder if I should believe what she says. But when you're not strong in yourself, anyone can tell you anything and you'll fall for it.
Sachin Kundalkar (Cobalt Blue)
Please tell the people in your country, a child in the Congo dies every day so that they can plug in their phones.
Siddharth Kara (Cobalt Red: How the Blood of the Congo Powers Our Lives)
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
As a soul, you have the freedom – and earned responsibility – to transpose your personal process of evolution, to manifest your greatest talents and vision, into the work that matters to you most as a means to personal redemption.
Darrell Calkins
There wasn’t a cloud in the cobalt sky. Gone were the miseries of winter and the encumbered horrors of the recent past. Gone were the naked trees that looked like fingers on a skeleton. The landscape sprouted bits of greenery signaling the advance of spring and the dawning of a new season, year, life.
Clay Anderson (Though I Walk)
Nina bobo, ni ni bobo," he was singing in his deep, beautiful voice, an Indonesian lullaby, much older than Magnus himself. He rocked their child in his arms. Max was waving his hands as though to conduct the song, or to catch the firefly-bright and cobalt-blue sparks of magic floating around the room. Magnus was smiling down at Max, a small, tender, and impossibly sweet smile, even as he sang. Alec meant to let them be and return to bed, but Magnus paused in his song and tossed Alec a glance as though he knew he'd been watching. Alec leaned in the doorway of the bedroom, resting his hand over his head against the doorframe. "Is that your bapak?" he said to Max. After some consideration, Max said, "Bapak." The look Magnus gave Alec was golden as a coin, as Nephilim wedding cloth, as the morning light through the windows of home.
Cassandra Clare (The Lost Book of the White (The Eldest Curses, #2))
Eric lifted the long lock of hair that he dyed a different vibrant color every forty-nine days without fail and stared at it. His memory had served him correctly. It was currently cobalt blue—the exact same shade as the under-layer of her hair. What were the chances? It had to be kismet. Destiny. Fate. Providence. All of the above... She’d said her name was Rebekah. That was Eric’s favorite name. At least, now it was.
Olivia Cunning (Wicked Beat (Sinners on Tour, #4))
Cobalt mining is the slave farm perfected—the cost of labor has been nullified through the degradation of Africans at the bottom of an economic chain that purports to exonerate all participants of accountability through a shrewd scheme of obfuscation adorned with hypocritical proclamations about the preservation of human rights.
Siddharth Kara (Cobalt Red: How the Blood of the Congo Powers Our Lives)
Connor combs my hair back and leans close to whisper, “So long as I may be living, I live with you.” I reply what I replied nearly three years ago, “In spirit and in mind, I live with you.” He brushes my tears with his thumb, one kiss away from my lips, he breathes, “I live with you.
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
Look at this one.” I picked up a small painting of a man with dark hair and a short, dark beard. He wore a loose shirt, cobalt blue, unbuttoned at the top, showing a prominent, knobby collarbone. He looked…complicated and hungry. She’d captured him focused intensely on a book, his face pressed against a wall like he was resting. Or waiting.
Laura Anderson Kurk (Perfect Glass)
There are many truths in life, but as I stand opposite Rose across a table with our many beautiful children, I wield one that I condemned for years on end. I’m in love. With so much more than just myself. This truth will never fracture.
Krista Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
At the meeting you behaves exactly as Marathi novelists of the last century tell is husbands do in sari shops.
Sachin Kundalkar (Cobalt Blue)
Sometimes I wonder how much of our suffering we allow or impose on ourselves simply in search of our worthiness to accept our own respect and appreciation.
Darrell Calkins (Re:)
I grew up wanting to reach the peak of physical and mental perfection. It’s an unattainable goal. But one I set. One I seek.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Whatever happens, happens for the best.' That's how any domestic counselling starts in a Marathi family. Everyone in every family has an inner psychiatrist who rises to the occasion with some home-made mottos, a few lines from Jagjit Singh ghazal. An older generation may quote Tukaram but underlying all this is the bedrock phase: Whatever happens, happens for the best.
Sachin Kundalkar (Cobalt Blue)
I didn't like Dali: now, like you, I do. Like you, I began to drink my Coke with a pinch of salt . Like you, I stopped bothering about ironed clothes. Like you, I sit with a dictionary while reading the papers. Like you, I sit on the compound wall after a bath.
Sachin Kundalkar (Cobalt Blue)
Recovery through sleep isn’t going to happen if the majority of the components of your being aren’t getting enough stimulation or resistance to work against. Your brain may be tired after work, but if your body and emotions haven’t been challenged through the day, they’re going to keep irritating you even if you’re asleep. They don’t need rest; they need work for real recovery to take place.
Darrell Calkins (Re:)
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Such colours, such colours. When you breathe out, I see red and yellow flashes in front of my eyes. When we’re in the bath together, surrounded by a surfeit of steam, it’s a misty blue. When the sun is shining and we look at each other from a distance, and we smile, it’s white, a shining white. If I’m talking to someone and mention you, my face changes, it’s a dark blue. Dark brown when I call out to you; peaceful green when you call out to me.
Sachin Kundalkar (Cobalt Blue)
One night I went for a walk by the sea along the empty shore. It was not gay, but neither was it sad; it was- beautiful. The deep blue sky was flicked with clouds of a blue deeper than the fundamental blue of intense cobalt, and others of a clearer blue, like the blue whiteness of the Milky Way. On the blue depth the stars were sparkling, greenish, yellow, white, rose, brighter, flashing more like jewels than they do even in Paris. The sea was a very deep ultramarine.
Vincent van Gogh (Dear Theo: The Autobiography of Vincent Van Gogh)
I have started to feel that the friends you make in school, the ones you've known forever, begin to turn into fossils. They merge into their families, losing all identity.You don't know the new ones as much as you should. They can fool you.
Sachin Kundalkar (Cobalt Blue)
Pen realized it: Sometimes there is nothing to do but surrender yourself to wonder... You must stop measuring - over and over - the line between loving and being in love. You must offer yourself, whole, to the cobalt starfish (and the orange one and the pale pink one and the biscuit-colored one with the raised, chocolate-brown art deco design) and to the clear, clear water and to the sweep of shining sky and to the silver scattershot of leaping fish (an entire school skipping across the ocean like a stone.)
Marisa de los Santos (Falling Together)
Thrice, to the mighty heave-ho of his invisible tossers, he would fly up in this fashion, and the second time he would go higher than the first and then there he would be, on his last and loftiest flight, reclining, as if for good, against the cobalt blue of the summer noon, like one of those paradisiac personages who comfortably soar, with such a wealth of folds in their garments, on the vaulted ceiling of a church while below, one by one, the wax tapers in mortal hands light up to make a swarm of minute flames in the mist of incense, and the priest chants of eternal repose, and funeral lilies conceal the face of whoever lies there, among the swimming lights, in the open coffin.
Vladimir Nabokov (Speak, Memory: An Autobiography Revisited)
My mom started her fashion company when she was only fifteen. Ladies and gentlemen, let all of that sink in. Fifteen. I’m twenty-three and I can hardly decide which brand of toothpaste to use. It’s becoming shamefully easier to say, I am not worthy to be a Cobalt. Confidence should be engrained in my DNA, but to reach into the well, I have to constantly remind myself that I am good enough. I won’t devalue her achievements just to find value in myself. My mom is brilliant and beautiful. And so I am. Just in my own way.
Krista Ritchie (Tangled Like Us (Like Us, #4))
He tip-toed past the double bed that had been placed in a corner - wrought-iron headboard, embroidered pillows, amulets against the evil-eye and a satiny, cobalt-blue bedspread. Blue was Iskender's favourite colour. It was the colour for boys, which meant the sky was a boy. So were the rivers and lakes. And the oceans, though he had yet to see one.
Elif Shafak
Soeur Marie Emelie" Soeur Marie Emelie is little and very old: her eyes are onyx, and her cheeks vermilion, her apron wide and kind and cobalt blue. She comforts generations and generations of children, who are "new" at the convent school. When they are eight, they are already up to her shoulder, they grow up and go into the world, she remains, forever, always incredibly old, but incredibly never older... She has an affinity with the hens, When a hen dies,she sits down on a bench and cries, she is the only grown-up, whose tears are not frightening tears. Children can weep without shame, at her side... Soeur Marie Emelie... her apron as wide and kind as skies on a summer day and as clean and blue.
Caryll Houselander (Flowering Tree (Prayer & Practice))
If one follows what is in one’s heart (let’s leave out mind for the moment), one ends up with what one truly values and loves in life—and one acts accordingly. One’s own private indulgent cyclic habitual reactive subjective transitory feelings are, hopefully, not at the head of that list.
Darrell Calkins (Re:)
In the last four days I have got the (results) given by Tantalum, Chromium, Manganese, Iron , Nickel, Cobalt and Copper ... The chief result is that ... the result for any metal (is) quite easy to guess from the results for the others. This shews that the insides of all the atoms are very much alike, and from these results it will be possible to find out something of what the insides are made up of.
Henry Moseley
While endowed with the morose temper of genius, he [Lakes, Arts Professor] lacked originality and was aware of that lack; his own paintings always seemed beautifully clever imitations, although one could never quite tell whose manner he mimicked. His profound knowledge of innumerable techniques, his indifference to 'schools' and 'trends', his detestation of quacks, his conviction that there was no difference whatever between a genteel aquarelle of yesterday and, say, conventional neoplasticism or banal non-objectivism of today, and that nothing but individual talent mattered--these views made of him an unusual teacher. St Bart's was not particularly pleased either with Lake's methods or with their results, but kept him on because it was fashionable to have at least one distinguished freak on the staff. Among the many exhilarating things Lake taught was that the order of the solar spectrum is not a closed circle but a spiral of tints from cadmium red and oranges through a strontian yellow and a pale paradisal green to cobalt blues and violets, at which point the sequence does not grade into red again but passes into another spiral, which starts with a kind of lavender grey and goes on to Cinderella shades transcending human perception. He taught that there is no such thing as the Ashcan School or the Cache Cache School or the Cancan School. That the work of art created with string, stamps, a Leftist newspaper, and the droppings of doves is based on a series of dreary platitudes. That there is nothing more banal and more bourgeois than paranoia. That Dali is really Norman Rockwell's twin brother kidnapped by gipsies in babyhood. That Van Gogh is second-rate and Picasso supreme, despite his commercial foibles; and that if Degas could immortalize a calèche, why could not Victor Wind do the same to a motor car?
Vladimir Nabokov (Pnin)
Nevertheless, we react to one a bit differently than we do to Rothko’s hovering panels or Barnett Newman’s stripes, though Whistler does approach their extremity of abstraction; part of our pleasure lies in recognizing bridges and buildings in the mist, and in sensing the damp riverine silence, the glimmering metropolitan presence. … The painting - a single blurred stripe of urban shore - is additionally daring in that the sky and sea are no shade of blue, but, instead, an improbable, pervasive cobalt green. Human vision is here taken to its limits, and modern painting, as a set of sensations realized in paint, is achieved.
John Updike (Still Looking: Essays on American Art)
Nothing looks the same after a trip to the Congo. The world back home no longer makes sense. It is difficult to reconcile how it even inhabits the same planet. Neatly arranged mountains of vegetables at grocery stores seem vulgar. Bright lights and flushing toilets seem like sorcery. Clean air and water feel like a crime. The markers of wealth and consumption appear violent.
Siddharth Kara (Cobalt Red: How the Blood of the Congo Powers Our Lives)
You began what you described as your accomplished solitude from that day. This term—accomplished solitude—struck me deeply. And it slowly began to dawn on you that you did not need people around you when you were painting or reading, when you were watching a film with deep concentration, or when you sat down to eat, chewing every mouthful and savouring every flavour. You made loneliness easy on yourself.
Sachin Kundalkar (Cobalt Blue)
Three blind hummingbirds hang in the air like jewels of iridescent scarlet and cobalt; then, one by one, they fade, all color leeched from them, and fall lifeless into the mists, to be eaten by rats. Despair feels uncomfortable. In her world there are so many windows. Each opening shows her an existence that's fallen to her - some only for moments, others for lifetimes. Able at this moment neither to savor them, nor to understand her own disquiet, she stares away from all the windows as she walks. Silent rats run unmindfully over her feet, invisible in the mist. She misses him. It is over three hundred years since last she and her brother were alone together. Like a flood, the memories come, and she is drowning in them. Against her will her chest heaves, and she begins to weep: deep, helpless, racking sobs... No. Despair places the cold metal barb of her hook onto the surface of her eye. And then she pushes, piercing cornea and lens, and ripping free the aqueous humor and vitreous humor to run like tears down her cheek, into her hand... The pain distracts her, a little. But still, she remembers...
Neil Gaiman (The Sandman, Vol. 7: Brief Lives)
The ability to remain constant, whole and playful, even while working technically, concentrating and upholding urgency, is essential to achieve a state of balance that will allow for this to happen. This has to come to life, and cannot stay just an idea or hope or intention or imitation, or ignored. The guarantee and proof that this balance and power is real is in its actualization. That is, that it manifests in functional reality. As in any intention, whether that be vague or specific, an ambition or desire, a goal or state of being, a question or hope, a curiosity or purpose, there exist natural and unnatural obstacles to its realization.
Darrell Calkins (Re:)
The typical image of a depressed, lazy and tired person is someone hunched over and inert. Often, the assumption is that if one had more enthusiasm and inspiration, he would then stand up straight and move. In many cases, this equation is backward. But, as with everything related to one’s physicality, balance is the key. An overly erect and rigid posture may convey confidence and power to some, but it also causes a subtle accumulation of tension and rigidity on various levels, including psychological and emotional.
Darrell Calkins (Re:)
Holy shit, Riley." The human lowered his glass with a look of disbelief and horror. "The Order chapterhouse itself? So, what you're telling me is you've gone insane?" "Very likely," I muttered. "One of your hatchlings?" "No." I scrubbed a hand through my hair. "One of them." He stared at me, then used both hands to point at himself. "Okay, see this face? This is my what-the-hell face. Seriously, Riley. What. The. Hell. You snuck into enemy territory, dropped a figurative wasp down their pants and then brought that mess here, so I have to deal with it? Are you out of your freaking mind? Why would you do such a thing? "It's...complicated." He continued to give me his what-the-hell expression, and I scowled.
Julie Kagawa (Rogue (Talon, #2))
It is tempting to point the finger at local actors as the agents of the carnage---be it corrupt politicians, exploitive cooperatives, unhinged soldiers, or extortionist bosses. The all played their roles, but they were also symptoms of a more malevolent disease: the global economy run amok in Africa. The depravity and indifference unleashed on the children working at Tilwezembe is a direct consequence of a global economic order that preys on the poverty, vulnerability, and devalued humanity of the people who toil at the bottom of global supply chains. Declarations by multinational corporations that the rights and dignity of every worker in their supply chains are protected and preserved seem more disingenuous than ever.
Siddharth Kara (Cobalt Red: How the Blood of the Congo Powers Our Lives)
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
Kim Bongiorno (Part of My World: Short Stories)
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))