Coloured Culture Quotes

We are all equal in the fact that we are all different. We are all the same in the fact that we will never be the same. We are united by the reality that all colours and all cultures are distinct & individual. We are harmonious in the reality that we are all held to this earth by the same gravity. We don't share blood, but we share the air that keeps us alive. I will not blind myself and say that my black brother is not different from me. I will not blind myself and say that my brown sister is not different from me. But my black brother is he as much as I am me. But my brown sister is she as much as I am me.

But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled.

The downfall of the attempts of governments and leaders to unite mankind is found in this- in the wrong message that we should see everyone as the same. This is the root of the failure of harmony. Because the truth is, we should not all see everyone as the same! We are not the same! We are made of different colours and we have different cultures. We are all different! But the key to this door is to look at these differences, respect these differences, learn from and about these differences, and grow in and with these differences. We are all different. We are not the same. But that's beautiful. And that's okay.In the quest for unity and peace, we cannot blind ourselves and expect to be all the same. Because in this, we all have an underlying belief that everyone should be the same as us at some point. We are not on a journey to become the same or to be the same. But we are on a journey to see that in all of our differences, that is what makes us beautiful as a human race, and if we are ever to grow, we ought to learn and always learn some more.

If you are a woman, if you're a person of colour, if you are gay, lesbian, bisexual, transgender, if you are a person of size, if you are a person od intelligence, if you are a person of integrity, then you are considered a minority in this world. And it's going to be really hard to find messages of self-love and support anywhere. Especially women's and gay men's culture. It's all about how you have to look a certain way or else you're worthless. You know when you look in the mirror and you think 'oh, I'm so fat, I'm so old, I'm so ugly', don't you know, that's not your authentic self? But that is billions upon billions of dollars of advertising, magazines, movies, billboards, all geared to make you feel shitty about yourself so that you will take your hard earned money and spend it at the mall on some turn-around creme that doesn't turn around shit. When you don't have self-esteem you will hesitate before you do anything in your life. You will hesitate to go for the job you really wanna go for, you will hesitate to ask for a raise, you will hesitate to call yourself an American, you will hesitate to report a rape, you will hesitate to defend yourself when you are discriminated against because of your race, your sexuality, your size, your gender. You will hesitate to vote, you will hesitate to dream. For us to have self-esteem is truly an act of revolution and our revolution is long overdue.

Tell your heart to keep beating and stand strong, and eventually you will bounce back to see colour in the world.

What you knew in your childhood is true; the Otherworld of magic and enchantment is real, sometimes terribly real - and certainly more real than the factual reality which our culture has built up, brick by brick, to shut out colour and light and prevent us from flying.

Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body.

Man was, and is, too shallow and cowardly to endure the fact of the mortality of everything living. He wraps it up in rose-coloured progress-optimism, he heaps upon it the flowers of literature, he crawls behind the shelter of ideals so as not to see anything. But impermanence, the birth and the passing, is the form of all that is actual -- from the stars, whose destiny is for us incalculable, right down to the ephemeral concourses on our planet. The life of the individual -- whether this be animal or plant or man -- is as perishable as that of peoples of Cultures. Every creation is foredoomed to decay, every thought, every discovery, every deed to oblivion. Here, there, and everywhere we are sensible of grandly fated courses of history that have vanished. Ruins of the "have-been" works of dead Cultures lie all about us. The hybris of Prometheus, who thrust his hand into the heavens in order to make the divine powers subject to man, carries with it his fall. What, then, becomes of the chatter about "undying achievements"?

These rules, the sign language and grammar of the Game, constitute a kind of highly developed secret language drawing upon several sciences and arts, but especially mathematics and music (and/or musicology), and capable of expressing and establishing interrelationships between the content and conclusions of nearly all scholarly disciplines. The Glass Bead Game is thus a mode of playing with the total contents and values of our culture; it plays with them as, say, in the great age of the arts a painter might have played with the colours on his palette.

Musa Okwonga, the poet, journalist and essayist whose powerful ‘The Ungrateful Country’ closes the book, once said to me that the biggest burden facing people of colour in this country is that society deems us bad immigrants – job-stealers, benefit-scroungers, girlfriend-thieves, refugees – until we cross over in their consciousness, through popular culture, winning races, baking good cakes, being conscientious doctors, to become good immigrants. And we are so tired of that burden." (from "The Good Immigrant" by Nikesh Shukla)

But I couldn't respond. My culture had taught me all the wrong things well. So I lay completely still, and gave no reaction at all. But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled. I clenched my teeth against the stars. I closed my eyes. I surrendered to sleep. One of the reasons why we crave love, and seek it so desperately, is that love is the only cure for loneliness, and shame, and sorrow. But some feelings sink so deep into the heart that only loneliness can help you find them again. Some truths about yourself are so painful that only shame can help you live with them. And some things are just so sad that only your soul can do the crying for you.

Some people's taste is to an educated taste as is the visual impression received by a purblind eye to that of a normal eye. Where a normal eye will see something clearly articulated, a weak eye will see a blurred patch of colour.

They wept for humanity, those two, not for themselves. They could not bear that this should be the end. Ere silence was completed their hearts were opened, and they knew what had been important on the earth. Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body. The sin against the body - it was for that they wept in chief; the centuries of wrong against the muscles and the nerves, and those five portals by which we can alone apprehend - glozing it over with talk of evolution, until the body was white pap, the home of ideas as colourless, last sloshy stirrings of a spirit that had grasped the stars.

Cultures should not be like water that dissolves them evenly, but like colours that stand out distinctly.

Something must be radically wrong with a culture and a civilisation when its youth begins to desert it. Youth is the natural time for revolt, for experiment, for a generous idealism that is eager for action. Any civilisation which has the wisdom of self-preservation will allow a certain margin of freedom for the expression of this youthful mood. But the plain, unpalatable fact is that in America today that margin of freedom has been reduced to the vanishing point. Rebellious youth is not wanted here. In our environment there is nothing to challenge our young men; there is no flexibility, no colour, no possibility for adventure, no chance to shape events more generously than is permitted under the rules of highly organised looting. All our institutional life combines for the common purpose of blackjacking our youth into the acceptance of the status quo; and not acceptance of it merely, but rather its glorification.

The different shades of colours present cultural diversity.

When we die there are two things we can leave behind us: genes and memes. We were built as gene machines, created to pass on our genes. But that aspect of us will be forgotten in three generations. Your child, even your grandchild, may bear a resemblance to you, perhaps in facial features, in a talent for music, in the colour of her hair. But as each generation passes, the contribution of your genes is halved. It does not take long to reach negligible proportions. Our genes may be immortal but the collection of genes that is any one of us is bound to crumble away. Elizabeth II is a direct descendant of William the Conqueror. Yet it is quite probable that she bears not a single one of the old king’s genes. We should not seek immortality in reproduction. But if you contribute to the world’s culture, if you have a good idea, compose a tune, invent a sparking plug, write a poem, it may live on, intact, long after your genes have dissolved in the common pool. Socrates may or may not have a gene or two alive in the world today, as G. C. Williams has remarked, but who cares? The memecomplexes of Socrates, Leonardo, Copernicus and Marconi are still going strong.

We’re all familiar with the Hippie dress code. Long hair, beards, psychedelic colours, sandals, lots of beads, and the women could often be seen wearing long, flowery granny dresses. So much so in fact that it became a uniform. Hippies rebelled so much against inflexible dress codes that eventually they created their own rigid styles. Hippies mutinied so much against conformity that over the course of time they were forced to play the game and comply with what everyone else was wearing. The counter-culture became a counter-counter-culture. Everyone was the same

This institutional racism, the report explained, is ‘the collective failure of an organisation to provide an appropriate and professional service to people because of their colour, culture, or ethnic origin. It can be seen or detected in processes, attitudes and behaviour which amount to discrimination through unwitting prejudice, ignorance, thoughtlessness and racist stereotyping which disadvantage minority ethnic people.

The image Miisi had constructed in Britain of the noble African rooted in his cultural values shunning westernization was a myth. What he returned to were people struggling to survive, who in the process had lost the ability to discern the vivid colours of right and wrong. Anything that gave them a chance to survive was moral.

Teach your children this from a very early age: "Everybody in this world is different, you're going to meet people who don't look like you, think like you, or even feel like you. This world is filled with so many different colours and shapes, so many different thoughts and feelings. You should never expect anyone else to be the same as you and you should never expect yourself to be the same as anybody else. But everyone can have so much fun learning about each other and celebrating one another" and when you are all able to do this, the world will begin to change for the better.

But I couldn’t respond. My culture had taught me all the wrong things well. So I lay completely still, and gave no reaction at all. But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can’t be stilled.

I see, in place of that empty figment of one linear history which can be kept up only by shutting one’s eyes to the overwhelming multitude of facts, the drama of a number of mighty Cultures, each springing with primitive strength from the soil of a mother-region to which it remains firmly bound throughout it’s whole life-cycle; each stamping its material, its mankind, in its own image; each having its own idea, its own passions, its own life, will and feelings, its own death. Here indeed are colours, lights, movements, that no intellectual eye has yet discovered. Here the Cultures, peoples, languages, truths, gods, landscapes bloom and age as the oaks and the pines, the blossoms, twigs and leaves - but there is no ageing “Mankind.” Each Culture has its own new possibilities of self-expression which arise, ripen, decay and never return. There is not one sculpture, one painting, one mathematics, one physics, but many, each in the deepest essence different from the others, each limited in duration and self-contained, just as each species of plant has its peculiar blossom or fruit, its special type of growth and decline.

The desire to be famous is infantile, and humanity has never lived in an age when infantilism was more sanctioned and encouraged than now. Infantile foods in the form of crisps, chips, sweet fizzy drinks and pappy burgers or hot dogs smothered in sugary sauce are considered mainstream nutrition for millions of adults. Intoxicating drinks disguised as milkshakes and soda pops exist for those whose taste buds haven't grown up enough to enjoy the taste of alcohol. As in food so in the wider culture. Anything astringent, savoury, sharp, complex, ambiguous or difficult is ignored in favour of the colourful, the sweet, the hollow and the simple.

In other words: what we call history is the specific form in which the cycles of nature are acted out in man-made form. A quote from Goethe comes to mind as particularly illustrative: ‘Colour is a law of nature in relation with the sense of sight.’[2] By analogy we might say with Spengler that culture is a law of nature in relation with human minds (the plural is an important qualification here).

She loves filming and taking photographs. I can imagine her making beautiful films in France or India or somewhere with a gorgeously colourful culture. She somehow reminds me of my favourite place in the world, she and Paris I can romanticize and immortalize in ceaseless poetry for the rest of my life.

The Apollinian [classical Greek] Culture recognized as actual only that which was immediately present in time and place-and thus it repudiated the background as pictorial element. The Faustian [modern Western] strove through all sensuous barriers towards infinity-and it projected the center of gravity of the pictorial idea into the distance by means of perspective. The Magian [Byzantine-Arabian] felt all happening as an expression of mysterious powers that filled the world-cavern with their spiritual substance-and it shut off the depicted scene with a gold background, that is, by something that stood beyond and outside all nature-colours. Gold is not a colour.

The trouble with mimetic fiction isn’t that you can tell what’s going to happen (I defy anyone to guess what’s going to happen in Middlemarch, even from halfway through) but that you can tell what’s not going to happen. There isn’t going to be an evil wizard. The world isn’t going to be destroyed in Cultural Fugue and leave the protagonist as the only survivor. There aren’t going to be any people who happen to have one mind shared between five bodies. There are unlikely to be shape-changers. In science fiction you can have any kind of story—a romance or a mystery or a reflection of human nature, or anything at all. But as well as that, you have infinite possibility. You can tell different stories about human nature when you can compare it to android nature, or alien nature. You can examine it in different ways when you can write about people living for two hundred years, or being relativistically separated, or under a curse. You have more colours for your palette, more lights to illuminate your scene.

Can you define the colour of my pigment? Can you write a story about yourself? Can you spell your mother’s name? Do you know the skulls quiver? Depth of colour

But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one.

The uniqueness of different colours represents the uniqueness of individuals!

Lahore was a different world in its own; the busy life, the rich history, the colourful culture, and the unfamiliar faces

I love the different shades of colours. Purely beautiful!

To colour all empires black and to disavow all imperial legacies is to reject most of human culture.

Honour killing is a cocktail made of prejudice, hate and misogyny to which the colour red is contributed by religion, caste, father or brother as the occasion may demand.

A persons race, religion, culture, colour is not important. What is important is how that person treats you, and how you treat that person. We are all the same inside.

all men, just of different cultures, wearing different uniforms, having different-coloured skins perhaps, but simply men nevertheless

Naturalness?’ I said, loudly. ‘This lot’ll tell you anything is natural; they’ll tell you greed and hate and jealousy and paranoia and unthinking religious awe and fear of God and hating anybody who’s another colour or thinks different is natural. Hating blacks or hating whites or hating women or hating men or hating gays; that’s natural. Dog-eat-dog, looking out for number one, no lame ducks . . . Shit, they’re so convinced about what’s natural it’s the more sophisticated ones that’ll tell you suffering and evil are natural and necessary because otherwise you can’t have pleasure and goodness. They’ll tell you any one of their rotten stupid systems is the natural and right one, the one true way; what’s natural to them is whatever they can use to fight their own grimy corner and fuck everybody else. They’re no more natural than us than an amoeba is more natural than them just because it’s cruder.

Why do you consult [women's] words when it is not their mouths that speak? Consult their eyes, their colour, their breathing, their timid manner, their slight resistance, that is the language nature gave them for your answer. The lips always say 'No,' and rightly so; but the tone is not always the same, and that cannot lie. Has not a woman the same needs as a man, but without the same right to make them known? Her fate would be too cruel if she had no language in which to express her legitimate desires except the words which she dare not utter.

Think of a nectarine, what we eat is the precious, sweet, nectar flesh that surrounds the stone/seed of the plant. The seed is clearly separate from the flesh. The flesh is the thing that is, so to say, given karmically freely. Think of a melon, what we eat is the deliciously tasting flesh of the melon. Not the seeds in the centre which generally get left out of the digestive experience. (Yes, I'm aware that some cultures roast them, but fresh out of the fruit they are none too appealing in my eyes). Think of a papaya, we eat the life giving, juicy, vibrantly colourful, sweet flesh of the papaya. the small black seeds get released back into nature. Or should. Think of an apple. The flesh is savoured, the core, discarded. I could continue ad infinitum.

In this nation people assume they can write your story from beginning to end, and wait for you to fall into place on the stage that has been set, it is why every conversation scans like a hostage negotiation, with your humanity being the item that's up for deliberation.

Culture always tells you to look to illusions for answers. ‘Look at me’, it says, ‘I’ve worked it all out’. Celebrities grow too powerful because people mistake their colour for content. They allow them to create a hole at the heart of our culture, in which they then flourish.

There are no lower orders. There are no lesbians or transgender people or fill in the blank. There is only people, a wild mix of energy, different abilities, colours ranging from ebony to bleached white. We’re everything and everybody. I don’t even believe in male and female, it’s a sliding scale and we are hag-ridden by a binary culture: male-female, black-white, straight-gay, rich-poor and so it goes. The gradations are infinite and the silliest mistake of all is to define people by their material possessions. It’s even worse if people define themselves by money.

Probably in no other place on earth, is there a gathering of all mankind with different skin pigmentation, hair colours and textures, eye colours, tongues, cultures, beliefs or lack of any thereof, inclinations, and desires, and they peacefully (mostly) coexist. This is what makes America, the United States.

But where should he begin? - Well, then, the trouble with the English was their: Their: In a word, Gibreel solemnly pronounced, their weather. Gibreel Farishta floating on his cloud formed the opinion that the moral fuzziness of the English was meteorologically induced. 'When the day is not warmer than the night,' he reasoned, 'when the light is not brighter than the dark, when the land is not drier than the sea, then clearly a people will lose the power to make distinctions, and commence to see everything - from political parties to sexual partners to religious beliefs - as much-the-same, nothing-to-choose, give-or-take. What folly! For truth is extreme, it is so and not thus, it is him and not her; a partisan matter, not a spectator sport. It is, in brief, heated. City,' he cried, and his voice rolled over the metropolis like thunder, 'I am going to tropicalize you.' Gibreel enumerated the benefits of the proposed metamorphosis of London into a tropical city: increased moral definition, institution of a national siesta, development of vivid and expansive patterns of behaviour among the populace, higher-quality popular music, new birds in the trees (macaws, peacocks, cockatoos), new trees under the birds (coco-palms, tamarind, banyans with hanging beards). Improved street-life, outrageously coloured flowers (magenta, vermilion, neon-green), spider-monkeys in the oaks. A new mass market for domestic air-conditioning units, ceiling fans, anti-mosquito coils and sprays. A coir and copra industry. Increased appeal of London as a centre for conferences, etc.: better cricketeers; higher emphasis on ball-control among professional footballers, the traditional and soulless English commitment to 'high workrate' having been rendered obsolete by the heat. Religious fervour, political ferment, renewal of interest in the intellegentsia. No more British reserve; hot-water bottles to be banished forever, replaced in the foetid nights by the making of slow and odorous love. Emergence of new social values: friends to commence dropping in on one another without making appointments, closure of old-folks' homes, emphasis on the extended family. Spicier foods; the use of water as well as paper in English toilets; the joy of running fully dressed through the first rains of the monsoon. Disadvantages: cholera, typhoid, legionnaires' disease, cockroaches, dust, noise, a culture of excess. Standing upon the horizon, spreading his arms to fill the sky, Gibreel cried: 'Let it be.

Women with dark skin are sharing selfies on social media after decades of being underrepresented in the mainstream media. From what I have observed much of the dark skin adoration on social media appears to come from us - black women. We tend to use the appreciation hashtags with our own pictures of photographs of dark skin women whom we feel are stunning. While I am loving this fierceness.. There is just one sidetone to this revolution: I feel as if we are much more appreciated if we show more skin. The timelines are filled with absolutely beautiful dark-skinned women but most sadly most of the time they are all oiled up and showing their body parts in different angles. Now, I am definitely in to art and as a model I know that this comes with the territory. But we most not forget that we are Queens.. We need to stop degrading ourselves for likes on the gram. You don't have to be naked to show the world you're beautiful. You my sister are an African Queen. I feel as if black women are only appreciated if they wear very provocative clothes or if they do naked photoshoots. To me, it's degrading and reminds me of the time that we couldn't ride the bus because we were black. Women were seen as servants. The black women that weren't servants were sex slaves. We are not objects, we are not meat and people need to stop looking at us as sex objects. BUT we need to start respecting ourselves first! A black woman is a woman first and it should not even be necessary to specify the colour but this is the society we live in and I feel like I had to share this.

our modern Canadian identity is no longer based on ethnic, religious, historical, or geographic grounds. Canadians are of every possible colour, culture, and creed, and continue to celebrate and revel in our diversity. We have created instead a national identity that is based on shared values such as openness, respect, compassion, justice, equality, and opportunity. And while many of the almost one hundred countries I’ve travelled through in my life aspire to those values, Canada is pretty much the only place that defines itself through them. Which is why we’re the only place on earth that is strong not in spite of our differences but because of them.

Working in Britain, particularly in the public services, they should be prepared to accept the terms and conditions of their employment. To claim special communal rights (or should one say rites?) leads to a dangerous fragmentation within society. This communalism is a canker; whether practised by one colour or another it is to be strongly condemned.

The other dangerous delusion from which those who are wilfully or otherwise blind to realities suffer, is summed up in the word "integration." To be integrated into a population means to become for all practical purposes indistinguishable from its other members. Now, at all times, where there are marked physical differences, especially of colour, integration is difficult though, over a period, not impossible. There are among the Commonwealth immigrants who have come to live here in the last fifteen years or so, many thousands whose wish and purpose is to be integrated and whose every thought and endeavour is bent in that direction. But to imagine that such a thing enters the heads of a great and growing majority of immigrants and their descendants is a ludicrous misconception, and a dangerous one.

Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside. You tick: Other.

I believe a writer is...the scribe-griot of his/her nation. S/he has the power to incite, ignite, excite, pacify, edify, motivate and eliminate others with the slash of a pen, click of a mouse or swipe of a finger. Though coloured by time, class, age, geography, childhood and other factors, a writer crystallises a slice of his/her society's culture, mores and its dark and light truths. A writer makes everything real.

Luck sets its stamp upon a man outwardly. Whence had the Northmen their keenness of vision, which enabled them to apprize a man at a glance? At the first meeting they would say either: he is a man promising luck and honour (sæmligir and hamingjusamligr), one luck is to be expected of(giptuvænligr), or: he bears the mark of unluck (úgiptubragð). Partly on the strength of intuition, as we say — or, as the ancients put it, because the mind of the beholder told him what to think of the stranger, — but partly on external criteria; luck manifested itself openly in the newcomer's mien, gait, behaviour, bearing, and not least in his well-nourished appearance, his health, his dress, and his weapons. Only a family of wealth and speed is able to send its youngling out in many-coloured clothes and with a splendid axe, an “heirloom” of a weapon.

Sometimes, sexual violence is a ‘cultural problem’ (but only when this culture is non white). Sometimes, it is a product of male anatomy (but only when this anatomy is assigned to a trans woman or a man of colour). Sexual violence is never the violence of heteropatriarchy or globalising racial capital. Instead, representatives of patriarchy, capitalism and colonialism weaponise the idea of ‘women’s safety’ against marginalised and hyper-exploited groups.

One of the ways to distance ourselves from the madnesses of our times is to retain an interest in politics but not to rely on it as a source of meaning. The call should be for people to simplify their lives and not to mislead themselves by devoting their lives to a theory that answers no questions, makes no predictions and is easily falsifiable. Meaning can be found in all sorts of places. For most individuals it is found in the love of the people and places around them: in friends, family and loved ones, in culture, place and wonder. A sense of purpose is found in working out what is meaningful in our lives and then orientating ourselves over time as closely as possible to those centres of meaning. Using ourselves up on identity politics, social justice (in this manifestation) and intersectionality is a waste of a life. We may certainly aim to live in a society in which nobody should be held back from what they can do because of some personal characteristic allotted to them by chance. If somebody has the competency to do something, and the desire to do something, then nothing about their race, sex or sexual orientation should hold them back. But minimizing difference is not the same as pretending difference does not exist. To assume that sex, sexuality and skin colour mean nothing would be ridiculous. But to assume that they mean everything will be fatal.

Inhabiting this universe is not a cultural prerogative, or a lifestyle decision. And I don’t have to forgive or forget a single act of enslavement, theft, imperialism, or patriarchy, in order to be a physicist – or to approach the subject with whatever intellectual tools I need. Every scientist sees further by standing on a pile of corpses – and frankly, I don’t care what kind of genitals they had, what language they spoke, or what the colour of their skin was.

In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32

In my view, the West is not a concept to be explored, analyzed, or enlarged through a study of the history and great ideals that created it; it has always been an instrument. It is when we use it as instrument that does not exist in our own history and culture because we see it in Europe, and we legitimize our demands with Europe's prestige. In our own country, the concept of Europe justifies the use of force, radical political change, the ruthless severing of tradition. From improvement of women's rights to violation of human rights, from democracy to military dictatorship, many things are justified by an idea of the West that stresses this concept of Europe and reflects a positivist utilitarianism. Throughout my life I've heard all our daily habits, from table manners to sexual ethics, criticized and changed because "that's how they do it in Europe." It is something I have heard over and over: on the radio, on television, from my mother. It is not an argument based on reason and indeed precludes reason.

Sewing is a visual language. It has a voice. It has been used by people to communicate something of themselves — their history, beliefs, prayers and protests. For some, it is the only means to tell of what matters to them: those who are imprisoned or censored; those who do not know how or are not allowed to write of their lives. For them needlework can carry their autobiographies and testimonies, registering their origin and fate. Using patterns as syntax, symbols and motifs as its vocabulary, the arrangement of both as its grammar, sewing is a graphic way to add information and meaning. But is not a monologue, it is part of a conversation, a dialogue, a correspondence only fully realised once it is seen and its messages are read. It connects the maker to the viewer across time, cultures, generations and geographies. As a shared language, needlework transmits — through techniques, coded symbols, fabrics and colour — the unedited stories, not just of women, but often of those marginalised by oppression and prejudice.

You’ll also notice that there’s an awful lot of swearing in the pages that follow. I don’t apologise for that. It’s not ‘bad language’, it’s ordinary language. I don’t understand the snobbishness about swearing. I grew up swearing. Everybody around me swore. It’s part of our culture. It can be poetic, it can be violent, and it can be very funny. It’s the rhythm of how we speak, and the colour of how we communicate – at least when we’re being honest and open and raw. So, if you’re likely to be offended by the swearing, you may as well fuck off now.

So I gardened as I could, learning my few plants intimately, handling them, getting to know their likes and dislikes by smell and touch. “Book learning” gave me information, but only physical contact can give any real knowledge and understanding of a live organism. To have “green fingers” or a “green thumb” is an old expression which describes the art of communicating the subtle energies of love to prosper a living plant. Gradually I came to recognise through idiosyncrasies of colour, texture, shape and habit the origin of a plant and its cultural needs.

But the greatest human problems are not social problems, but decisions that the individual has to make alone. The most important feelings of which man is capable emphasise his separateness from other people, not his kinship with them. The feelings of a mountaineer towards a mountain emphasise his kinship with the mountain rather than with the rest of mankind. The same goes for the leap of the heart experienced by a sailor when he smells the sea, or for the astronomer’s feeling about the stars, or for the archaeologist’s love of the past. My feeling of love for my fellowmen makes me aware of my humanness; but my feeling about a mountain gives me an oddly nonhuman sensation. It would be incorrect, perhaps, to call it ‘superhuman’; but it nevertheless gives me a sense of transcending my everyday humanity. Maslow’s importance is that he has placed these experiences of ‘transcendence’ at the centre of his psychology. He sees them as the compass by which man gains a sense of the magnetic north of his existence. They bring a glimpse of ‘the source of power, meaning and purpose’ inside himself. This can be seen with great clarity in the matter of the cure of alcoholics. Alcoholism arises from what I have called ‘generalised hypertension’, a feeling of strain or anxiety about practically everything. It might be described as a ‘passively negative’ attitude towards existence. The negativity prevents proper relaxation; there is a perpetual excess of adrenalin in the bloodstream. Alcohol may produce the necessary relaxation, switch off the anxiety, allow one to feel like a real human being instead of a bundle of over-tense nerves. Recurrence of the hypertension makes the alcoholic remedy a habit, but the disadvantages soon begin to outweigh the advantage: hangovers, headaches, fatigue, guilt, general inefficiency. And, above all, passivity. The alcoholics are given mescalin or LSD, and then peak experiences are induced by means of music or poetry or colours blending on a screen. They are suddenly gripped and shaken by a sense of meaning, of just how incredibly interesting life can be for the undefeated. They also become aware of the vicious circle involved in alcoholism: misery and passivity leading to a general running-down of the vital powers, and to the lower levels of perception that are the outcome of fatigue. ‘The spirit world shuts not its gates, Your heart is dead, your senses sleep,’ says the Earth Spirit to Faust. And the senses sleep when there is not enough energy to run them efficiently. On the other hand, when the level of will and determination is high, the senses wake up. (Maslow was not particularly literary, or he might have been amused to think that Faust is suffering from exactly the same problem as the girl in the chewing gum factory (described earlier), and that he had, incidentally, solved a problem that had troubled European culture for nearly two centuries). Peak experiences are a by-product of this higher energy-drive. The alcoholic drinks because he is seeking peak experiences; (the same, of course, goes for all addicts, whether of drugs or tobacco.) In fact, he is moving away from them, like a lost traveller walking away from the inn in which he hopes to spend the night. The moment he sees with clarity what he needs to do to regain the peak experience, he does an about-face and ceases to be an alcoholic.

The people of Earth cannot progress in isolation from each other. The family unit, community spirit, and society as a whole are fragmenting at alarming rates as we sit inert behind our devices and social media. Fear of cultural appropriation inhibits the inspiration necessary for others to create new things. We must build on the towering achievements of all those who have gone before us. Then, by pooling our resources, regardless of race, colour, creed, gender, sexuality, or physical ability, we ensure that our legacy is a rich inheritance for all those yet to be born.

It so happened I was barefoot, as was often the case, and had pants on which had grown too short over time. Suddenly he looked up at me from his work and said: "Would you like to have your feet greased?" I had always held the man to be a great marvel and felt honoured by his familiarity and so stretched both my feet out to him. He dipped his spoon into the bung-hole, brought it over and drew a long streak down each of my feet. The liquid spread out nicely over the skin, had an exceptionally clear, golden brown colour and wafted its pleasent resinous odour up to me. It gradually spread across and down the curves of my feet.

How can I define white privilege? It’s so difficult to describe an absence. And white privilege is an absence of the negative consequences of racism. An absence of structural discrimination, an absence of your race being viewed as a problem first and foremost, an absence of ‘less likely to succeed because of my race’. It is an absence of funny looks directed at you because you’re believed to be in the wrong place, an absence of cultural expectations, an absence of violence enacted on your ancestors because of the colour of their skin, an absence of a lifetime of subtle marginalisation and othering – exclusion from the narrative of being human.

Apollo, outraged at the treatment of his friend Hektor, practically describes Achilleus as a brute and a barbarian. He is not. He is a man of culture and intelligence; he knows how to respect heralds, how to entertain estranged friends. He presides over the games with extraordinary courtesy and tact. He is not only a great fighter but a great gentleman, and if he lacks the chivalry of Roland, Lancelot, or Beowulf, that is because theirs is a chivalry coloured with Christian humility which has no certain place in the gallery of Homeric virtues. Above all, Achilleus is a real man, mortal and fallible, but noble enough to make his own tragedy a great one.

First up, Blackwell [1972] did a set of experiments on fifty-seven college students to determine the effect of colour—as well as the number of tablets—on the effects elicited. The subjects were sitting through a boring hour-long lecture, and were given either one or two pills, which were either pink or blue. They were told that they could expect to receive either a stimulant or a sedative. Since these were psychologists, and this was back when you could do whatever you wanted to your subjects—even lie to them—the treatment that all the students received consisted simply of sugar pills, but of different colours. Afterwards, when they measured alertness—as well as any subjective effects—the researchers found that two pills were more effective than one, as we might have expected (and two pills were better at eliciting side-effects too). They also found that colour had an effect on outcome: the pink sugar tablets were better at maintaining concentration than the blue ones. Since colours in themselves have no intrinsic pharmacological properties, the difference in effect could only be due to the cultural meanings of pink and blue: pink is alerting, blue is cool. Another study suggested that Oxazepam, a drug similar to Valium (which was once unsuccessfully prescribed by our GP for me as a hyperactive child) was more effective at treating anxiety in a green tablet, and more effective for depression when yellow. Drug

The eyes have been used to signify a perverse capacity - honed to perfection in the history of science tied to militarism, capitalism, colonialism, and male supremacy - to distance the knowing subject from everybody and everything in the interests of unfettered power. The instruments of visualization in multinationalist, postmodernist culture have compounded these meanings of dis-embodiment. The visualizing technologies are without apparent limit; the eye of any ordinary primate like us can be endlessly enhanced by sonography systems, magnetic resonance imaging, artificial intelligence-linked graphic manipulation systems, scanning electron microscopes, computer-aided tomography scanners, colour enhancement techniques, satellite surveillance systems, home and office VDTs, cameras for every purpose from filming the mucous membrane lining the gut cavity of a marine worm living in the vent gases on a fault between continental plates to mapping a planetary hemisphere elsewhere in the solar system. Vision in this technological feast becomes unregulated gluttony; all perspective gives way to infinitely mobile vision, which no longer seems just mythically about the god-trick of seeing everything from nowhere, but to have put the myth into ordinary practice. And like the god-trick, this eye fucks the world to make techno-monsters. Zoe Sofoulis (1988) calls this the cannibal-eye of masculinist extra-terrestrial projects for excremental second birthing.

Let us sail to the colourful island of mixed identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboard. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let’s toast to the minorities who are the majority. There is no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now.

Some series teach us that ethnic features must be "fixed," by drastic means if necessary. Plastic surgeons with questionable ethics give insecure women of all ethnicities boob jobs, liposuction, and face-lifts on shows such as Extreme Makeover, The Swan, and Dr. 90210, ignoring medical risks and reinforcing problematic ideas about women's worth. Yet they don't make white surgical candidates feel like their cultural identity should also be on the chopping blocking - or that they'd be so much more attractive and fulfilled if only they didn't look so... Caucasian. In contrast, TV docs' scalpels reduce or remove racial markers on patients of colour. Black women's noses and lips are made smaller. In an increasingly common procedure targeting Asian women, creases are added to Asian women's eyelids.

In Delhi we drove past dozens of Jain Sādhu holy men in saffron-coloured clothing which symbolises their saṃnyāsa (the ashrama life stage of renunciation). The Sādhu are respected for their holiness and feared for their curses, and 2000 years ago military generals laid down arms rather than wage war against a city protected by the Sādhu. In ancient Vedic verses they were called the long-haired ones and even today they have long stringy locks of hair that resemble dreadlocks, and many smoke sacred chillums of hashish all day long. They survive off alms or the goodness of others, often eating food provided only by prostitutes or low-ranking ‘sweeper’ caste people. The ones we saw, we were told, had walked 838km from the holy Ganges River carrying a spoonful of holy water. And it is with profound sadness that we missed the photographic opportunity.

To development belongs fulfilment — every evolution has a beginning, and every fulfilment is an end. To youth belongs age; to arising, passing; to life, death. For the animal, tied in the nature of its thinking to the present, death is known or scented as something in the future, something that does not threaten it. It only knows the fear of death in the moment of being killed. But man, whose thought is emancipated from the fetters of here and now, yesterday and tomorrow, boldly investigates the “once” of past and future, and it depends on the depth or shallowness of his nature whether he triumphs over this fear of the end or not. An old Greek legend — without which the Iliad could not have been — tells how his mother put before Achilles the choice between a long life or a short life full of deeds and fame, and how he chose the second. Man was, and is, too shallow and cowardly to endure the fact of the mortality of everything living. He wraps it up in rose-coloured progress-optimism, he heaps upon it the flowers of literature, he crawls behind the shelter of ideals so as not to see anything. But impermanence, the birth and the passing, is the form of all that is actual — from the stars, whose destiny is for us incalculable, right down to the ephemeral concourses on our planet. The life of the individual — whether this be animal or plant or man — is as perishable as that of peoples of Cultures. Every creation is fore-doomed to decay, every thought, every discovery, every deed to oblivion. Here, there, and everywhere we are sensible of grandly fated courses of history that have vanished. Ruins of the “have-been” works of dead Cultures lie all about us. The hubris of Prometheus, who thrust his hand into the heavens in order to make the divine powers subject to man, carries with it his fall. What, then, becomes of the chatter about “undying achievements”?

Was the decline and decay of those houses inevitable, absent the political pressure and military conflicts of those times? How do they look now, dimly descried from this distance of time? What is it that veils their images now? Is it the sooty dark of the past, or the pink haze of nostalgia and longing? How did these people regard themselves? What value did they put on their own selves? What kind of light coloured their self-perception? Did they apprehend or even imagine that the glorious sheathing that was their culture was soon to be rent asunder so that their value systems would mutate into the impenetrable smoke of a country in conflagration, with the smoke destined to dissolve itself into the ocean of the new age, and that the discontinuity wrought by this dissolution would be a gulf whose depth no one could sound and into which men’s power to recall the past would weaken and dissolve, and their memories would lose their way forever?

I love football. I love the aesthetics of football. I love the athleticism of football. I love the movement of the players, the antics of the coaches. I love the dynamism of the fans. I love their passion for their badge and the colour of their team and their country. I love the noise and the buzz and the electricity in the stadium. I love the songs. I love the way the ball moves and then it flows and the way a teams fortune rises and falls through a game and through a season. But what I love about football is that it brings people together across religious divides, geographic divides, political divides. I love the fact that for ninety minutes in a rectangular piece of grass, people can forget hopefully, whatever might be going on in their life, and rejoice in this communal celebration of humanity. The biggest diverse, invasive or pervasive culture that human kinds knows is football and I love the fact that at the altar of football human kind can come worship and celebrate.

When we die there are two things we can leave behind us: genes and memes. We were built as gene machines, created to pass on our genes. But that aspect of us will be forgotten in three generations. Your child, even your grandchild, may bear a resemblance to you, perhaps in facial features, in a talent for music, in the colour of her hair. But as each generation passes, the contribution of your genes is halved. It does not take long to reach negligible proportions. Our genes may be immortal but the collection of genes that is any one of us is bound to crumble away. Elizabeth II is a direct descendant of William the Conqueror. Yet it is quite probable that she bears not a single one of the old king’s genes. We should not seek immortality in reproduction. But if you contribute to the world’s culture, if you have a good idea, compose a tune, invent a sparking plug, write a poem, it may live on, intact, long after your genes have dissolved in the common pool. Socrates may or may not have a gene or two alive in the world today, as G. C. Williams has remarked, but who cares? The meme-complexes of Socrates, Leonardo, Copernicus, and Marconi are still going strong.

I think Shakespeare would have been amazed if people had to limit him to English themes, and if they had told him as an Englishman, he had no right to compose Hamlet, whose theme is Scandinavian, or Macbeth, whose theme is Scottish. The Argentine cult of local colour is a recent European cult which the nationalists ought to reject as foreign. Some days past I have found a curious confirmation of the fact that what is truly native can and often does dispense with local colour; I found this confirmation in Gibbon's Decline and Fall of the Roman Empire. Gibbon observes that in the Arabian book par excellence, in the Koran, there are no camels; I believe if there were any doubt as to the authenticity of the Koran, this absence of camels would be sufficient to prove it is an Arabian work. It was written by Mohammed, and Mohammed, as an Arab, had no reason to know that camels were especially Arabian; for him they were a part of reality, he had no reason to emphasize them; on the other hand, the first thing a falsifier, a tourist, an Arab nationalist would do is have a surfeit of camels, caravans of camels, on every page; but Mohammed, as an Arab, was unconcerned: he knew he could be an Arab without camels. I think we Argentines can emulate Mohammed, can believe in the possibility of being Argentine without abounding in local colour.

*Africans, Embrace One Another* -------------------------- My fellow African, when you look at another African, what do you see? Do you not see the reflection of yourself? Do you not see someone who was once a victim of the dark past? Someone who has now emerged as a survivor at last; just as your forefathers did before the shadows enslaved your kins! Do you not see the same colour of your skin? Do you not see the same texture of your hair? Yes, you see yourself, it's clear. Now, since you're looking at your reflection, don't you wish to cover yourself with affection? Beloved Africans, you were once the victims of confusion in the past. But you shouldn't remain in that disillusioned class. Today you're free and enriched with resources to maintain yourselves. Let the victim mentality go as a start. Like the three wise men, embrace your survivor status. Be wise and be resourceful. Africans, you have the permission to celebrate your roots, your heritage, and the teachings of your books. Go on and heal your bodies with your traditional herbs. And teach your children the secrets of your ancestors. Tell your children that your ancestors were self-sufficient. Efficient, your ancestors lived well — with little to nothing. Yet, they were the happiest. The merriest. Embrace the secrets of your traditions, just like the seas. You're safe and free.

Editing is the most obvious way of manipulating vision. And yet, the camera sometimes sees what you don’t - a person in the background, for example, or an object moving in the wind. I like these accidents. My first full-length film, Esperanza, was about a woman I befriended on the Lower East Side when I was a film student at NYU. Esperanza had hoarded nearly all the portable objects she had touched every day for thirty years: the Chock Full O’Nuts paper coffee cups, copies of the Daily News, magazines, gum wrappers, price tags, receipts, rubber bands, plastic bags from the 99-cent store where she did most of her shopping, piles of clothes, torn towels, and bric-a-brac she had found in the street. Esperanza’s apartment consisted of floor-to-ceiling stacks of stuff. At first sight, the crowded apartment appeared to be pure chaos, but Esperanza explained to me that her piles were not random. Her paper cups had their own corner. These crenellated towers of yellowing, disintegrating waxed cardboard stood next to piles of newspapers … One evening, however, while I was watching the footage from a day’s filming, I found myself scrutinizing a pile of rags beside Esperanza’s mattress. I noticed that there were objects carefully tucked in among the fraying bits of coloured cloth: rows of pencils, stones, matchbooks, business cards. It was this sighting that led to the “explanation.” She was keenly aware that the world at large disapproved of her “lifestyle,” and that there was little room left for her in the apartment, but when I asked her about the objects among the rags, she said that she wanted to “keep them safe and sound.” The rags were beds for the things. “Both the beds and the ones that lay down on them,” she told me, “are nice and comfy.” It turned out that Esperanza felt for each and every thing she saved, as if the tags and town sweaters and dishes and postcards and newspapers and toys and rags were imbued with thoughts and feelings. After she saw the film, my mother said that Esperanza appeared to believe in a form of “panpsychism.” Mother said that this meant that mind is a fundamental feature of the universe and exists in everything, from stones to people. She said Spinoza subscribed to this view, and “it was a perfectly legitimate philosophical position.” Esperanza didn’t know anything about Spinoza … My mother believed and I believe in really looking hard at things because, after a while, what you see isn’t at all what you thought you were seeing just a short time before. looking at any person or object carefully means that it will become increasingly strange, and you will see more and more. I wanted my film about this lonely woman to break down visual and cultural cliches, to be an intimate portrait, not a piece of leering voyeurism about woman’s horrible accumulations.

the most colourful characters of the historical advocates of vegetarianism was George Bernard Shaw (1856-1950). When Shaw decided to eliminate meat from his diet, it was so contrary to his culture that his physician was alarmed. He cautioned the young Shaw that if he continued to insist on this meat-free diet, he would surely die of malnutrition in short order. Shaw replied that he would sooner die than consume a “corpse.” One can appreciate the irony of the situation when, as he approached his eighty-fifth year, Shaw proclaimed: The average age (life expectancy) of a meat eater is 63. I am on the verge of 85 and still work as hard as ever. I have lived quite long enough and I am trying to die; but I simply cannot do it. A single beef steak would finish me; but I cannot bring myself to swallow it. I am oppressed with a dread of living forever. That is the only disadvantage of vegetarianism.

I can imagine no more dissatisfied human being than an educated, cultured, and refined colored man in the United States.

The soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled.

The food’s very good,” I offer defensively. “It’s not that”—she gazes past my shoulder—“it’s the culture. It’s very Californian. I wasn’t expecting the rot to have reached London yet.” “We are Bay Aryans from Berkeley: prepare to be reengineered in an attractive range of colour schemes for your safety and comfort!” “Something like that.” A waitron

But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can’t be stilled.

My objection is supported by the fact that archaeological evidence about the origins of human culture shows that self-decoration with coloured ochre, and simple shell necklaces, only started occurring around 100,000 years ago, but even this is not symbolic behaviour. (What, for example, is the symbolic meaning of a woman’s lipstick?—nothing whatever.) The first clear evidence for symbolic culture comes from Europe about 40,000 years ago

If one sexual partner is economically dependent on the other, then the question of sexual coercion, of contractual obligation, raises its ugly head in the very abode of love and inevitably colours the nature of the sexual expression of affection. The marriage bed is a particularly delusive refuge from the world because all wives of necessity fuck by contract. Prostitutes are at least decently paid on the nail and boast fewer illusions about a hireling status that has no veneer of social acceptability, but their services are suffering a decline in demand now that other women have invaded their territory in their own search for a newly acknowledged sexual pleasure. In this period, promiscuous abandon may seem the only type of free exchange.

The building of railways seems to be a simple, natural, democratic, cultural and civilising enterprise; that is what it is in the opinion of the bourgeois professors who are paid to depict capitalist slavery in bright colours, and in the opinion of petty-bourgeois philistines.

Let me tell you a secret which everybody knows but nobody will admit. In this world everything is ten times less difficult, if you are white.

Melanin Maniacs (The Sonnet) White guy writes a couple of sonnets and plays, And he is idolized as an olympian deity. Colored guy smashes the paradigm to ashes, And it warrants absolute unacceptability. Apparently, greatness is only greatness, If it can be credited to a caucasian. Otherwise they only end up pondering, What's the deal with this non-white person! It's a sad, sad world we live in, All the advancement is on the outside. Inside we are dumber than Donald Duck, Which has ruined all hope for real insight. Enough of this obsession with white aphrodisiacs! It's time to act as humans, and not melanin maniacs.

the collective failure of an organization to provide an appropriate and professional service to people because of their colour, culture or ethnic origin. It can be seen or detected in processes, attitudes and behaviour which amount to discrimination through unwitting prejudice, ignorance, thoughtlessness, and racist stereotyping which disadvantage minority ethnic people.

From the beginning no serious Christian has been able to say ‘This is my culture, so I must adapt the gospel to fit within it’, just as no serious Christian has been able to say ‘This is my surrounding culture, so I must oppose it tooth and nail’. Christians are neither chameleons, changing colour to suit their surroundings, nor rhinoceroses, ready to charge at anything in sight.

First, the idea of ‘race’ contains both biological and cultural elements, for example skin colour, religion, and behaviour. Second, the biological and cultural appear to combine in variable proportions in any definition of a racial group, depending upon the group and the historical period in question. And racial status, as in the ‘whitening’ of Jews, the Irish, and others, is subject to political negotiation and transformation.

We didn’t need to read the puranas or epics, we just grew up listening to the stories narrated by our grandmothers. It caught our fancy, it fired and enriched our imagination, gave ideas and metaphors, and colour to our language! It is sad that the oral tradition kept alive by grandmothers is slowly dying! Though there are exceptions! I was pleasantly surprised when I heard my daughter-in-law sing Krishna songs in her mother tongue Gujarati, and Ashtapati while bathing her babies or when putting them to sleep!

The way yoga has been stolen is not a unique example of the way money and capital blind us from our social responsibility, but it's one of the most glaringly obvious cases. .... As if yoga was for white women only. This claim that whiteness has enforced, the claim all white people always seem to have to the other, always centring themselves in every narrative, is a very bid problem that needs to be addressed and unlearned. This has to be included in the necessary evolution of yoga. If white people spent more time humanising themselves, maybe they could see non-white people with more depth and complexity a well. This means not treating us like we're the other, unconsciously objectifying our difference, only to expect sympathy of the very definitions that were created by white people. All black, indigenous, and other people of colour deserve your respect and humanity, not your sympathy. If you're a white person who profits off of yoga, what we need now is your action, your commitment, find trusted organisations and give at least a quarter of what you make on work in India.

No society wants you to be wise. It’s a painstaking fact. As the winds gather momentum and their energy is felt on the bellies of the wise, the fools are led to the epicenter of death. The world has changed so many books were hidden from a black man, under the skies of colonialism the majority forced from knowledge and we built a culture of straight education which is not education but instilling slogans of slavery. Lone reading, lone understanding, lone accumulation is what we fought for, just a social forgery we are still under post colonialism barbarism

Excluding the language barrier, the worst thing in Brazil is being a woman in a very male dominated, looks obsessed culture. I thought the United States was bad when it came to presenting girls with unrealistic body expectations. Brazil is so much worse. Now that I’m raising a daughter, I realize just how bad it is. All girls are called princessa and told not to cry because it’s ugly (Não chora! Vai ficar feia!). I could not find baby girls clothes in any other colour than pink. Toddlers go with their moms to the salons and get mani-pedis. On billboards, in magazines, everywhere you see advertisements for plastic surgery that you can pay for in 20 instalments! Brazil has more plastic surgeries per capita than any country in the world. It will be an uphill battle to raise a girl who does not think makeup is necessary for the gym.

There is no crueller tyranny,” said Montesquieu, “than the one exercised in the shadow of the law, and with the colours of justice.

Now, the other problem is this: where we are going, it is illegal for a man to lie with another,” he said slowly, looking between Tom and Jon. “Punishable by death.” Tom lifted his head and let out a short laugh with no humour. Next to him, Jon just gaped at the captain with horror plain on his face. Baltsaros lifted his hand. “When Polas assumed you were my son, Tom, I told him the truth, and he was, I’m sorry to say, absolutely horrified. However, he admitted that different cultures had the right to different customs. I may have exaggerated somewhat when I told him that in our lands it was normal for men to lie together, but it was necessary for him not to see our arrangement as an aberration,” explained Baltsaros, running his finger along the edge of his cup. At the time he had felt nothing but a shocked sort of curiosity at the discovery that they were in a realm of strict moral values that made his uncle Romas’ faith look like a bunch of idol-worshiping whoremongers. Jon’s strained voice broke the silence. “Why do we have to go to this city at all?” Baltsaros lifted his eyes. “The city is rich… There’s gold inlaid in the very streets themselves. Perhaps we can set up trade once I figure out how to counteract the effects of the spores,” he replied with a smile. “Polas speaks of other wonders. They have harnessed lightning… I want to see this with my own eyes.” It was nearly the whole truth. The captain thought that Jon and Tom needn’t concern themselves with his primary motivation: the deep fascination with a city that was governed by gods who demanded constant human sacrifice. In Baltsaros’s esteem, the streets were coloured by something far richer than mere gold.

My culture had taught me all the wrong things well. So I lay completely still, and gave no reaction at all. But the soul has no culture. The soul has no nations. The soul has no colour or accent or way of life. The soul is forever. The soul is one. And when the heart has its moment of truth and sorrow, the soul can't be stilled.

Mollycoddling was the mother's duty; the father's lay elsewhere. As a consequence, his four older children feared and respected him, as they had been taught to do, and the love the professed to feel, had they been asked and had they answered truthfully or even had access to the truth, was of a duty-bound, obligatory kind too, a love issuing from commandment and tradition and the notion of family, not one from the tides of the heart or the unbridled, inexplicable pull of feelings. If painted, that love would take the form of a polite and manicured wash of pleasant colours, not the hurl-and-splatter of impastoed reds.

Lord Sacks, Chief Rabbi of the United Hebrew Congregations of the Commonwealth says in the Times London that multiculturalism was intended to create a more tolerant society, one in which everyone, regardless of colour, creed or culture, felt at home. But, he says, multiculturalism's message is "there is no need to integrate".

For understanding Shakespeare’s confrontation with L.A, it is important to see how these practices helped make L.A into a wasteland. Since American popular culture was self-consciously constructed as only novelty, action without precedent, or form without tradition, L.A., as the emblem of American media, was transformed into a cultural black hole (forgive the colour-coding of the metaphor). L.A., like “covered” music, seemed not only to have no taste for humanly-felt culture but even to drain authenticity from culture. American media forms, derived from this world of premeditated amnesia, seemed to reproduce on their own as formulaic knock-offs of current hits. The banality of this way of making popular culture was palpable, but the social sources of it were profound. Knock-offs were echoes of the covering processes that obscured the roots of pop songs in heart-felt working class, folk culture.