Allied With Green Quotes

We've searched our database for all the quotes and captions related to Allied With Green. Here they are! All 77 of them:

Green tablet. Green space. Green eyes. Green girl.
Ally Condie (Matched (Matched, #1))
Without enemies around us, we grow lazy. An enemy at our heels sharpens our wits, keeping us focused and alert. It is sometimes better, then, to use enemies as enemies rather than transforming them into friends or allies.
Robert Greene (The 48 Laws of Power)
She thought, Two strong-minded women in a man’s world, if they do not quickly become allies, are destined to be incurable rivals.
Fonda Lee (Jade City (The Green Bone Saga, #1))
I never named anything I've written before no reason to since it would all have the same title anyway -for you- but I would call this one one night that night when we let the world be only you and only me we stood on it while it spun green and blue and red the music ended but we were still singing
Ally Condie (Crossed (Matched, #2))
But I've already broken the glass; I've given the green away; I've made my choice.
Ally Condie (Matched (Matched, #1))
Do you want to hold it?' she asked, dangling the padded envelope in front of Hale with two fingers. 'No.' 'Do you want to touch it and kiss it and wear it around your neck?' 'Don't be silly,' he told her. 'Everyone knows green isn't my color.
Ally Carter (Uncommon Criminals (Heist Society, #2))
Any other questions?" "Just one," I say. "What color are your eyes?" I want to know what he thinks, how he sees himself - the real Ky - when he dares to look. "Blue," he says sounding surprised, "they've always been blue." "Not to me." "What do they look like to you?" he says puzzled, amused. Not looking at my mouth anymore, looking into my eyes. "Lots of colors," I say. "At first I thought they were brown. Once I thought they were green..." "What are they now?" he asks. He widens his eyes a little, leans closer, lets me look as long and deep as I want. "Well?" "Everything," I tell him, "They're everything.
Ally Condie (Matched (Matched, #1))
For a moment nothing happens. The figure stands still and I stand cold and alive and- He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass- And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss.
Ally Condie (Crossed (Matched, #2))
My brother Allie had this left-handed fielder's mitt. he was left handed. The thing that was descriptive about it though, was that he had poems written all over the fingers and the pocket and everywhere. In green ink. He wrote them on it so that he'd have something to read when he was in the field and nobody was up to bat. He's dead now.
J.D. Salinger (The Catcher in the Rye)
Everything in life can be taken away from you and generally will be at some point. Your wealth vanishes, the latest gadgetry suddenly becomes passé, your allies desert you. But if your mind is armed with the art of war, there is no power that can take that away. In the middle of a crisis, your mind will find its way to the right solution. Having superior strategies at your fingertips will give your maneuvers irresistible force. As Sun-tzu says, “Being unconquerable lies with yourself.
Robert Greene (The 33 Strategies Of War (The Modern Machiavellian Robert Greene Book 1))
But then the girl moved, and smiled, and pulled her hand from the grate- a gorgeous green stone clutched tightly in her grasp. It was covered with dust and cobwebs, but it was uncracked and unharmed. And, of course, completely fake.
Ally Carter (Uncommon Criminals (Heist Society, #2))
He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore.
Ally Condie (Crossed (Matched, #2))
Your wealth vanishes, the latest gadgetry suddenly becomes passé, your allies desert you. But if your mind is armed with the art of war, there is no power that can take that away.
Robert Greene (The 33 Strategies of War)
You didn't need to speak sweetly and offer patronage at every turn to these people. You had to be honest with them and show that they had more to gain from your friendship than your enmity.
Fonda Lee (Jade City (The Green Bone Saga, #1))
Solving problems together? Yes, indeed. You and your child are going to be allies, not adversaries. Partners, not enemies.
Ross W. Greene (The Explosive Child: A New Approach for Understanding and Parenting Easily Frustrated, Chronically Inflexible Children)
Contrary to popular wisdom, bullies are rarely cowards. Bullies come in various shapes and sizes. Observe yours. Gather intelligence. Shunning one hopeless battle is not an act of cowardice. Hankering for security or popularity makes you weak and vulnerable. Which is worse: Scorn earned by informers? Misery endured by victims? The brutal May have been molded by a brutality you cannot exceed. Let guile be your ally. Respect earned by integrity cannot be lost without your consent. Don't laugh at what you don't find funny. Don't support an opinion you don't hold. The independent befriend the independent. Adolescence dies in its fourth year. You live to be eighty.
David Mitchell (Black Swan Green)
I keep my eyes down, looking now at my fingers as they twist the fabric into a knot."I'm sorry. About the way I acted yesterday." When I straighten up, Ky has already moved on. "Don't be," Ky says, pulling a tangle of climbing green vines away from a shrub so that we can pass through. He throws the vines at me and I catch them in surprise. "It's good to see you jealous once in a while." He smiles,
Ally Condie
Mentors have their own strengths and weaknesses. The good ones allow you to develop your own style and then to leave them when the time is right. Such types can remain lifelong friends and allies. But often the opposite will occur. They grow dependent on your services and want to keep you indentured. They envy your youth and unconsciously hinder you, or become overcritical. You must be aware of this as it develops. Your goal is to get as much out of them as possible, but at a certain point you may pay a price if you stay too long and let them subvert your confidence. Your submitting to their authority is by no means unconditional, and in fact your goal all along is eventually to find your way to independence, having internalized and adapted their wisdom.
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
Elias could not have prepared himself for the moment that he walked into that cottage and laid his eyes on her. Her emerald green eyes--the way they gazed upon him like there were no surroundings or time or sounds to distract her, like he was all that existed.
allie burke (Violet Midnight (The Enchanters, #1))
Bwahahahahaha! Happy Halloweeeeen!” I turn away from the closet—where I was just in the process of trying to find a Halloween-esque outfit that’s not a costume because I fucking hate dressing up—and gawk at the creature gracing my doorway. I can’t make heads or tails of what Allie is wearing. All I see is a skintight blue bodysuit, lots of feathers, and…are those cat ears? I steal Allie’s trademark phrase by demanding, “What on God’s green planet are you supposed to be?” “I’m a cat-bird.” Then she gives me a look that says, uh-doy. “A cat bird? What is…okay…why?” “Because I couldn’t decide if I wanted to be a cat or a bird, so Sean was like, just be both, and I was like, you know what? Brilliant idea, boyfriend.” She grins at me. “I’m pretty sure he was being a smartass, but I decided to treat the suggestion as gospel.” I have to laugh. “He’s going to wish he suggested something less ridiculous, like sexy nurse, or sexy witch, or—” “Sexy ghost, sexy tree, sexy box of Kleenex.” Allie sighs. “Gee, let’s just throw the word sexy in front of any mundane noun and look! A costume! Because here’s the thing, if you want to dress like a ho-bag, why not just go as a ho-bag? You know what? I hate Halloween.
Elle Kennedy (The Deal (Off-Campus, #1))
Preserve the unspoken option of being able to leave at any moment and reclaim your freedom if the side you are allied with starts to collapse.
Robert Greene (The 48 Laws of Power)
the rough boundaries of East and West Germany were effectively set where the various Allied armies stopped moving forward. The day the war ended,
Mark T. Sullivan (The Last Green Valley)
The greatest writers of spy fiction have, in almost every case, worked in intelligence before turning to writing. W. Somerset Maugham, John Buchan, Ian Fleming, Graham Greene, John le Carré: all had experienced the world of espionage firsthand. For the task of the spy is not so very different from that of the novelist: to create an imaginary, credible world and then lure others into it by words and artifice.
Ben Macintyre (Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory)
It rains day and night, mildly but uncompromisingly, so Cal takes the desk inside and goes back to his wallpaper. He enjoys this rain. It has no aggression to it; its steady rhythm and the scents it brings in through the windows gentle the house’s shabbiness, giving it a homey feel. He’s learned to see the landscape changing under it, greens turning richer and wildflowers rising. It feels like an ally, rather than the annoyance it is in the city.
Tana French (The Searcher)
My perfectly measured ingredients should have mixed and turned into an epic lava. Instead it looks like an outtake from an old sci-fi movie. Green goo has killed my volcano. My chance to win the science fair at Sendak has been slimed!
Angela Cervantes (Allie, First at Last)
You must realize...that the men of the Valley have built their houses and brought up their families without help from others, without a word from the Government. Their lives have been ordered from birth by the Bible. From it they took their instructions. They had no other guidance, and no other law. If it has produced hypocrites and pharisees, the fault is in the human race. We are not all angels. Our fathers upheld good conduct and rightful dealing by strictness, but it is in Man Adam to be slippery, and many are as slimy as the adder. The wonder is to me that the men of the Valley are as they are, and not barbarians at all.I was sorry for Meillyn Lewis, too. But that session of the deacons was helpful as a preventative. It was cruel, but it is more cruel to allow misconduct to flourish without check.
Richard Llewellyn (How Green Was My Valley)
People go funny in the head when talking about politics. The evolutionary reasons for this are so obvious as to be worth belaboring: In the ancestral environment, politics was a matter of life and death. And sex, and wealth, and allies, and reputation... When, today, you get into an argument about whether "we" ought to raise the minimum wage, you're executing adaptations for an ancestral environment where being on the wrong side of the argument could get you killed. Being on the right side of the argument could let you kill your hated rival! [...] Politics is an extension of war by other means. Arguments are soldiers. Once you know which side you're on, you must support all arguments of that side, and attack all arguments that appear to favor the enemy side; otherwise it's like stabbing your soldiers in the back—providing aid and comfort to the enemy. People who would be level-headed about evenhandedly weighing all sides of an issue in their professional life as scientists, can suddenly turn into slogan-chanting zombies when there's a Blue or Green position on an issue.
Eliezer Yudkowsky
I never named anything I've written before no reason to since it would all have the same title anyway -for you- but I would call this one that night when we let the world be only you and only me we stood on it while it spun green and blue and red the music ended but we were still singing
Ally Condie (Crossed (Matched, #2))
He lifted the book from the purse. The cover sported a painting of a stunning redhead in a long, pink gown who stared out the window over rolling green hills. The cover was slightly narrower than the rest of the book, and from underneath peeked out what looked to be a second cover. He turned the page and was startled at what he saw. Another full-color painting, but this one of a shirtless man smashing the heavily bosomed redhead onto a red couch. Her clothes were torn and their torsos met violently. The man’s face was savage; the woman’s head thrown back in surrender. Sam flicked back and forth between the image of the prim, composed woman on the front cover and her ribald, passionate abandon on the inside cover. He glanced out the window to see Ally emerge onto the street below, her head held high and her gait tight and focused as she marched away, prim and composed. He flipped to the inside cover. Hot damn.
Diana Holquist (How to Tame a Modern Rogue)
When I came up choking I could tell that she saw the differences in me. Her eyes rested on the scrape on my face from the Outer Provinces. But it was as though she was a little like me. She noticed the differences and then she decided what mattered and what didn’t. She laughed with me then, and I loved the way the laugh reached her green eyes and crinkled the skin around them.
Ally Condie (Crossed (Matched, #2))
Witchcraft is part of a living web of species and relationships, a world which we have forgotten to observe, understand or inhabit. Many people reading this paragraph will not know even the current phase of the moon, and if asked for it will not instinctively look up to the current quarter of the sky, but down to their computers. Neither will they be able to name the plants, birds or animals within a metre or mile radius of their door. Witchcraft asks that we do these first things, this is presence. Animism is not embedded in the natural world, it is the natural world. Our witchcraft is that spirit of place, which is made from a convergence of elements and inhabitants. Here I include animals, both living and dead, human and inhuman. Our helpers are mammals, reptiles, fish, birds and insects. Some can be counted allies, others are more ambivalent. Predator and prey are interdependent. These all have the same origin and ancestry, they from from plants, from copper green life. Bones become soil. The plants have been nourished on the minerals drawn up from the bowels of the earth. These are the living tools of the witch's craft. The cycle of the elements and seasons is read in this way. Flux, life and death are part of this, as are extinctions, catastrophe, fire and flood. We avail ourselves of these, and ultimately a balance is sought. Our ritual space is written in starlight, watched over by sun and moon. So this leaves us with a simple question. How can there be any Witchcraft if this is all destroyed? It is not a rhetorical question. Our land, our trees, animals and elements hold spirit. Will we let our familiars, literally our family be destroyed? If we hold any real belief and experience of spirit, then it does not ask, it demands us to fight for it.
Peter Grey (Apocalyptic Witchcraft)
She stands on top of the hill again. A small round piece of gold in her hands: the compass. A disk of brighter gold on the horizon: the sun rising. She opens the compass and looks at the arrow. Tears on her face, wind in her hair. She wears a green dress. Her skirt brushes the grass when she bends down to put the compass on the ground. When she stands up again her hands are empty. Xander waits behind her. He holds out his hand. “He’s gone,” he tells her. “I’m here.” His voice sounds sad. Hopeful. No, I start to say, but Xander tells the truth. I’m not there, not really. I’m only a shadow watching in the sky. They’re real. I’m not anymore.
Ally Condie (Crossed (Matched, #2))
Take one famous example: arguments about property destruction after Seattle. Most of these, I think, were really arguments about capitalism. Those who decried window-breaking did so mainly because they wished to appeal to middle-class consumers to move towards global exchange-style green consumerism, and to ally with labor bureaucracies and social democrats abroad. This was not a path designed to provoke a direct confrontation with capitalism, and most of those who urged us to take this route were at least skeptical about the possibility that capitalism could ever really be defeated. Many were in fact in favor of capitalism, if in a significantly humanized form. Those who did break windows, on the other hand, didn't care if they offended suburban homeowners, because they did not figure that suburban homeowners were likely to ever become a significant element in any future revolutionary anticapitalist coalition. They were trying, in effect, to hijack the media to send a message that the system was vulnerable -- hoping to inspire similar insurrectionary acts on the part of those who might be considering entering a genuinely revolutionary alliance; alienated teenagers, oppressed people of color, undocumented workers, rank-and-file laborers impatient with union bureaucrats, the homeless, the unemployed, the criminalized, the radically discontent. If a militant anticapitalist movement was to begin, in America, it would have to start with people like these: people who don't need to be convinced that the system is rotten, only, that there's something they can do about it. And at any rate, even if it were possible to have an anticapitalist revolution without gun-battles in the streets -- which most of us are hoping it is, since let's face it, if we come up against the US army, we will lose -- there's no possible way we could have an anticapitalist revolution while at the same time scrupulously respecting property rights. Yes, that will probably mean the suburban middle class will be the last to come on board. But they would probably be the last to come on board anyway.
David Graeber (Revolutions in Reverse: Essays on Politics, Violence, Art, and Imagination)
We liked our grandparents. We liked our uncle and our aunt. They had known our dad and our brother Ben. They had some of the same memories we did. Sometimes they even brought things up, like, “Remember when your dad went out in the kayak at Aspen Lake and he flipped over and we had to save him in our paddleboat?” and we would all start laughing because we had the same picture in our minds, my dad with his sunglasses dangling from one ear and his hair all wet. And they knew that Ben’s favorite kind of ice cream wasn’t ice cream at all, it was rainbow sherbet, and he always ate green first, and so when I saw it in my grandma’s freezer once and I started crying they didn’t even ask why and I think I saw my uncle Nick, my mom’s brother, crying too.
Ally Condie (Summerlost)
ROBERT DEVEREAUX, EARL OF ESSEX, was taken to the place of execution at Tower Green on February 25, 1601. Standing before the crowd in a scarlet waistcoat, Essex made his last speech—a rather long one—with eloquence and dignity, claiming his sins “more numerous than the hairs on his head.” He was still speaking when the executioner struck his first blow. It took two more to sever Devereaux’s head. Despite his undisputed treason, Essex was remembered kindly by the English people. Nearly two years after his death, Londoners were still singing a ballad lauding their “great and celebrated noble warrior,” called “Essex’s Last Good Night.” In Ireland he was likewise revered, considered by many rebel chiefs as an ally, and by the common people as the only one of the queen’s commanders who had come over to their side.
Robin Maxwell
Hunger became an ally. My metabolism changed and my understanding of this land changed with it. On the night the wind howled, our tents rattled like bones. We were camped by a string lake. Pans of ice made of bunched crystals floated by. Pale green on top, the clear sides looked like see-through rows of teeth. When the sun came, the bunched stalks disintegrated: deconstructed chandeliers. I heard music—not Dennis’s but candle-ice tinkling. The whole lake chimed. Lying on top of my sleeping bag by the water, I lost track of my body. I wasn’t floating—there was nothing mysterious going on—but something had let go inside me. The weight of my boots, my abraded heels, ankles, and toes ceased to hurt and no longer impeded my journey. I had entered a trance state. The equation was this: hunger + beauty = movement. I wanted only to keep going.
Gretel Ehrlich (Unsolaced: Along the Way to All That Is)
Do not go gentle into that good night, Old age should burn and rage at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light. And you, my father, there on the sad height, Curse, bless me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
Ally Condie (Crossed (Matched, #2))
From the start the proportion of asocials in the camp was about one-third of the total population, and throughout the first years prostitutes, homeless and ‘work-shy’ women continued to pour in through the gates. Overcrowding in the asocial blocks increased fast, order collapsed, and then followed squalor and disease.  Although we learn a lot about what the political prisoners thought of the asocials, we learn nothing of what the asocials thought of them. Unlike the political women, they left no memoirs. Speaking out after the war would mean revealing the reason for imprisonment in the first place, and incurring more shame. Had compensation been available they might have seen a reason to come forward, but none was offered.  The German associations set up after the war to help camp survivors were dominated by political prisoners. And whether they were based in the communist East or in the West, these bodies saw no reason to help ‘asocial’ survivors. Such prisoners had not been arrested as ‘fighters’ against the fascists, so whatever their suffering none of them qualified for financial or any other kind of help. Nor were the Western Allies interested in their fate. Although thousands of asocials died at Ravensbrück, not a single black- or green-triangle survivor was called upon to give evidence for the Hamburg War Crimes trials, or at any later trials.  As a result these women simply disappeared: the red-light districts they came from had been flattened by Allied bombs, so nobody knew where they went. For many decades, Holocaust researchers also considered the asocials’ stories irrelevant; they barely rate mention in camp histories. Finding survivors amongst this group was doubly hard because they formed no associations, nor veterans’ groups. Today, door-knocking down the Düsseldorf Bahndamm, one of the few pre-war red-light districts not destroyed, brings only angry shouts of ‘Get off my patch'.
Sarah Helm (Ravensbrück: Life and Death in Hitler's Concentration Camp for Women)
He gave me his wolf. When he was ten years old. Did you know that?” Robbie made a choked noise, face slack with shock. “I didn;’t know what it meant. Not at the time. But he gave it to me. The day after he met me. Because he knew. And when I found out what it meant, I tried to give it back. I tried to tell him he was wrong. That he’d chosen the wrong person. That I wasn’t good enough for someone like him, someone as smart and brave and kind. And he wouldn’t hear any part of it. Because I was it. He’s already decided that I was it for him.” “I didn’t know that,” Robbie said quietly. “Not that it went back that far.” “There has always been him and me,” I said. “And I think that there always will be, no matter what we decide to do. Even if we’re just friends. Or allies. Or something more, there will always be him and me, because that's what we chose.” “You love him,” Robbie repeated. I didn’t have it in me to deny it. “For a very long time,” I said, staring out to where Joe had disappeared. “I’m sorry,” Robbie said, sounding hurt and confused. “I shouldn’t have--” I held out my arm for him, and he rushed over, curling into my side, his head near my chest as he wrapped his arms around my waist, claws pricking my skin. He trembled as I dropped my arm onto his bare shoulders, running my hand through his hair. We were quiet for a time. Eventually, he sniffed. “So,” he said. “Kelly is kind of cute.” I tilted my head back and laughed
T.J. Klune (Wolfsong (Green Creek, #1))
Slowly, Tamlin's head lifted, his unbound golden hair dull and matted. 'Do you think she will forgive me?' The question was a rasp, as if he'd been screaming. I knew whom he meant. And I didn't know. I didn't know if her wishing him happiness was the same as forgiveness. If Feyre would ever want to offer that to him. Forgiveness could be a gift to both, but what he'd done... 'Do you want her to?' His green eyes were empty. 'Do I deserve it?' No. Never. He must have read it on my face, because he asked, 'Do you forgive me- for your mother and sister?' 'I don't recall every hearing an apology.' As if an apology would ever right it. As if an apology would ever cover the loss that still ate at me, the hole that remained where their bright, lovely lives had once glowed. 'I don't think one will make a difference, anyway,' Tamlin said, staring at his felled elk once more. 'For either of you.' Broken. Utterly broken. You will need Tamlin as an ally before the dust has settled, Lucien had warned my mate. Perhaps that was why I'd come, too. I waved a hand, my magic slicing and sundering, and the elk's coat slid to the floor in a rasp of fur and slap of wet flesh. Another flicker of power, and slabs of meat had been carved from its sides, piled next to the dark stove- which soon kindled. 'Eat, Tamlin,' I said. He didn't so much as blink. It was not forgiveness- it was not kindness. I could not, would not, ever forget what he'd done to those I loved most. But it was Solstice, or had been. And perhaps because Feyre had given me a gift greater than any I could dream of, I said, 'You can waste away and die after we've sorted out this new world of ours.' A pulse of my power, and an iron skillet slid onto the now-hot stove, a steak of meat thumping into it with a sizzle. 'Eat, Tamlin,' I repeated, and vanished on a dark wind.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
William Wordsworth (Tintern Abbey: Ode to Duty; Ode On Intimations of Immortality; the Happy Warrior; Resolution and Independence; and On the Power of Sound)
O God of heaven! The dream of horror, The frightful dream is over now; The sickened heart, the blasting sorrow, The ghastly night, the ghastlier morrow, The aching sense of utter woe. The burning tears that would keep welling, The groan that mocked at every tear, That burst from out their dreary dwelling, As if each gasp were life expelling, But life was nourished by despair. The tossing and the anguished pining, The grinding teeth and starting eye; The agony of still repining, When not a spark of hope was shining From gloomy fate's relentless sky. The impatient rage, the useless shrinking From thoughts that yet could not be borne; The soul that was for ever thinking, Till nature maddened, tortured, sinking, At last refused to mourn. It's over now—and I am free, And the ocean wind is caressing me, The wild wind from the wavy main I never thought to see again. Bless thee, bright Sea, and glorious dome, And my own world, my spirit's home; Bless thee, bless all—I cannot speak; My voice is choked, but not with grief, And salt drops from my haggard cheek Descend like rain upon the heath. How long they've wet a dungeon floor, Falling on flagstones damp and grey: I used to weep even in my sleep; The night was dreadful like the day. I used to weep when winter's snow Whirled through the grating stormily; But then it was a calmer woe, For everything was drear to me. The bitterest time, the worst of all, Was that in which the summer sheen Cast a green lustre on the wall That told of fields of lovelier green. Often I've sat down on the ground, Gazing up to the flush scarce seen, Till, heedless of the darkness round, My soul has sought a land serene. It sought the arch of heaven divine, The pure blue heaven with clouds of gold; It sought thy father's home and mine As I remembered it of old. Oh, even now too horribly Come back the feelings that would swell, When with my face hid on my knee, I strove the bursting groans to quell. I flung myself upon the stone; I howled, and tore my tangled hair; And then, when the first gust had flown, Lay in unspeakable despair. Sometimes a curse, sometimes a prayer, Would quiver on my parchèd tongue; But both without a murmur there Died in the breast from whence they sprung. And so the day would fade on high, And darkness quench that lonely beam, And slumber mould my misery Into some strange and spectral dream, Whose phantom horrors made me know The worst extent of human woe. But this is past, and why return O'er such a path to brood and mourn? Shake off the fetters, break the chain, And live and love and smile again. The waste of youth, the waste of years, Departed in that dungeon thrall; The gnawing grief, the hopeless tears, Forget them—oh, forget them all!
Emily Jane Bronte (The Bronte Sisters: Selected Poems (Fyfield Books))
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind, With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur, other gifts Have followed; for such loss, I would believe, Abundant recompence. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man; A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense, The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
William Wordsworth (Tintern Abbey: Ode to Duty; Ode On Intimations of Immortality; the Happy Warrior; Resolution and Independence; and On the Power of Sound)
I never named anything I’ve written before no reason to since it would all have the same title anyway —for you— but I would call this one one night that night when we let the world be only you and only me we stood on it while it spun green and blue and red the music ended but we were still singing
Ally Condie (Crossed (Matched, #2))
Our feet thump on the ground, and we can no longer smell even a trace of the fishes’ bodies that once bumped up against the shore because they’re decayed now, gone to bone, the smell of them lost in the scent of our living, our flesh, the salt of our tears and sweat, the sharpness of green grass and plants trampled underfoot. We’re breathing the same air, singing the same song.
Ally Condie (Reached (Matched, #3))
I look forward to the day I can repay my debt to each of you,” Kirill straightened and braced his arms behind his back. His voice lowered to a mere whisper. “Know that I am just as serious in repaying my allies as I am in punishing my enemies. You gave me your help when I needed it, before you had any reason to help me.” He lifted his chin, staring up at the World Tree. “Until I can make the proper repayment of your kindness, I intend for this…sharing of information, to be a step in that direction. But…” He slanted hard eyes on the werewolf. “I will not apologize for my pragmatism.” He sighed. Heavily. “And for pity’s sake, didn’t we agree that you would leave some clothes here, Etienne?” The unexpected joke shattered the tension. Adonis, Patricio, and Saamal chuckled and Etienne flushed as if he’d only just noticed his nudity. “I left in a hurry.” Etienne scratched the stubble at his face and neck before threading a hand through his shaggy brown hair. Kirill raised an eyebrow and pulled a small knapsack from the dark folds of his thick forest green cloak. Eurydice leaned forward and sniffed like it would help her figure out just what else Kirill might have hidden in that cloak. Weapons, certainly, but how on earth did the vampire keep the lines of his clothes so smooth and unassuming? Surely there should have been a lump where he’d hidden that sack. Etienne caught the knapsack as Kirill tossed it across the clearing. Adonis crowed with laughter as the werewolf prince opened it to find a pair of plain, brown leather breeches. “No shirt for the werewolf, eh, Kirill?” Adonis snickered. The corner of the vampire’s mouth quirked. “Adonis, even a prince as wealthy as myself could not afford to supply our lycan friend here with a complete outfit every time he shows up skyclad.” Etienne snorted and shook his head, but raised a hand in a begrudging half-wave. “Thanks.” -Kirill, Adonis, Etienne.
Jennifer Blackstream (Golden Stair (Blood Prince, #3))
I don’t know why I didn’t carry around pictures and poems all the time before I came here. All that paper in the ports, all that luxury. So many carefully selected pieces of beauty and still we didn’t look at them enough. How did I not see that the color of the green near the canyon was so new you could almost feel the smoothness of the leaf, the stickiness like butterfly wings opening for the first time?
Ally Condie (Crossed (Matched, #2))
Historically speaking, a mathematical technique known as renormalization was developed to grapple with the quantitative implications of severe, small-scale (high-energy) quantum field jitters. When applied to the quantum field theories of the three nongravitational forces, renormalization cured the infinite quantities that had emerged in various calculations, allowing physicists to generate fantastically accurate predictions. However, when renormalization was brought to bear on the quantum jitters of the gravitational field, it proved ineffective: the method failed to cure infinities that arose in performing quantum calculations involving gravity. From a more modern vantage point, these infinities are now viewed rather differently. Physicists have come to realize that en route to an ever-deeper understanding of nature's laws, a sensible attitude to take is that any given proposal is provisional, and-if relevant at all-is likely capable of describing physics only down to some particular length scale (or only up to some particular energy scale). Beyond that are phenomena that lie outside the reach of the given proposal. Adopting this perspective, it would be foolhardy to extend the theory to distances smaller than those within its arena of applicability (or to energies above its arena of applicability). And with such inbuilt cutoffs (much as described in the main text), no infinities ever arise. Instead, calculations are undertaken within a theory whose range of applicability is circumscribed from the outset. This means that the ability to make predictions is limited to phenomena that lie within the theory's limits-at very short distances (or at very high energies) the theory offers no insight. The ultimate goal of a complete theory of quantum gravity would be to lift the inbuilt limits, unleashing quantitative, predictive capacities on arbitrary scales.
Brian Greene (The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos)
then I call for us to rest this night and to each reappear in the morning with ideas on how we might aid our allies in this…this adventure.
S.D. Smith (Ember Rising (The Green Ember #3))
I’ve been to India, Pyle, and I know the harm liberals do. We haven’t a liberal party anymore – liberalism’s infected all the other parties. We are all either liberal conservatives or liberal socialists; we all have a good conscience. I’d rather be an exploiter who fights for what he exploits, and dies with it. Look at the history of Burma. We go and invade the country; the local tribes support us; we are victorious; but like you Americans we weren’t colonialists in those days. Oh no, we made peace with the king and we handed him back his province and left our allies to be crucified and sawn in two. They were innocent. They though we’d stay. But we were liberals and we didn’t want a bad conscience.
Graham Greene (The Quiet American)
In moments of uncertainty and danger, you need to fight this desire to turn inward. Instead, make yourself more accessible, seek out old allies and make new ones, force yourself into more and more different circles. This has been the trick of powerful people for centuries.
Robert Greene
You’re supposed to believe all of the same things as your friends and your allies. These days, everything is a battle, and so you can’t give any credibility to your opponents’ views. Even when you do understand where your opponents are coming from, you’re not supposed to say so.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
when the Americans liberated Ohrdruf, one of Buchenwald’s sub-camps. Ohrdruf is particularly important because General Dwight Eisenhower, the Supreme Commander of Allied Forces in Europe, visited it on 12 April, just a week after it had been discovered. He brought with him Generals Omar Bradley and George Patton, and insisted on seeing ‘every nook and cranny’ of the camp, ‘because I felt it my duty to be in a position from then on to testify at first hand about these things in case there ever grew up at home the belief or assumption that the stories of Nazi brutality were just propaganda’.23 Here they observed torture devices, a butcher’s block used to smash the gold fillings from the mouths of the dead, a room piled to the ceiling with corpses, and the remains of hundreds of bodies that had been burned in a huge pit, as if on ‘some gigantic cannibalistic barbecue’.24 Patton, a man well used to the horrors of the battlefield, took one look at the ‘arms and legs and portions of bodies sticking out of the green water’ in the pit, and was obliged to retire behind a shed to throw up.25
Keith Lowe (Savage Continent: Europe in the Aftermath of World War II)
In the heat of battle, the mind tends to lose its balance. Too many things confront you at the same time—unexpected setbacks, doubts and criticisms from your own allies. There’s a danger of responding emotionally, with fear, depression, or frustration. It is vital to keep your presence of mind, maintaining your mental powers whatever the circumstances. You must actively resist the emotional pull of the moment—staying decisive, confident, and aggressive no matter what hits you. Make the mind tougher by exposing it to adversity.
Robert Greene (The 33 Strategies of War)
Thus FDR, being a shrewd, smart sonofabitch now in his third term as President, knew that despite the cries of the isolationists who wanted Amer ica to have nothing to do with another world war it was only a matter of time before the country would be forced to shed its neutral status. And the best way to be prepared for that moment was to have the finest intelligence he could. And the best way to get that information, to get the facts that he trusted because he trusted the messenger, was to put another shrewd, smart sonofabitch in charge-his pal Wild Bill Donovan. The problem was not that intelligence wasn't being collected. The United States of America had vast organizations actively engaged in it-the Federal Bureau of Investigation, the Office of Naval Intelligence, and the Military Intelligence Division chief among them. The problem was that the intelligence these organizations collected was, in the word of the old-school British spymasters, "coloured." That was to say, the intel tended first to serve to promote the respective branches. If, for example, ONI overstated the number of, say, German submarines, then the Navy brass could use that intelligence to justify its demands for more funds for sailors and ships to hunt down those U-boats. (Which, of course, played to everyone's natural fears as the U-boats were damn effec tive killing machines.) Likewise, if MID stated that it had found significantly more Axis troop amassing toward an Allied border than was previously thought, Army brass could argue that ground and/or air forces needed the money more than did the swabbies. Then there was the turf-fighting FBI. J. Edgar Hoover and Company didn't want any Allied spies snooping around in their backyard. It followed then that if the agencies had their own agendas, they were not prone to share with others the information that they collected. The argument, as might be expected, was that intelligence shared was intelli gence compromised. There was also the interagency fear, unspoken but there, as sure as God made little green apples, that some shared intel would be found to be want ing. If that should happen, it would make the particular agency that had de veloped it look bad. And that, fear of all fears, would result in the reduction of funds, of men, of weapons, et cetera, et cetera. In short, the loss of im portance of the agency in the eyes of the grand political scheme. Thus among the various agencies there continued the endless turf bat tles, the duplications of effort-even the instances, say, of undercover FB agents arresting undercover ONI agents snooping around Washington D.C., and New York City.
W.E.B. Griffin (The Double Agents (Men at War, #6))
You're supposed to believe all of the same things as your friends and allies. These days, everything is a battle, and so you can't give any credibility to your opponents' views. Even when you do understand where your opponents are coming from, you're not supposed to say so.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
Part Two: When St. Kari of the Blade Met Darth Vader, Star Wars Dark Lord of the Sith  (Earlier, the Emperor commanded Lord Vader to make contact . . . “I have felt a non-tremor in the Nether-Force” “I have not, my master.” “Yes, well, that is why I’m ‘the Emp’ and you are not . . . Um, we have a new enemy, the non-entity known as Blade Kári. She’s running around all over the place gunning for that brat kid of yours.” “Hmm. Interesting,” tight-lipped Darth. “Anyway, I–hey, how can all this mish-mash be?” “Search your feelings, Lord Vader” the Emperor solemnized. “If you feel nothing as usual, you know it to be true or false. By now your guess is as good as mine with this Force stuff.” “Damn!–If you say so,” Vader said smacking his hand. “If she could be turned she would make a powerful ally.” “Yesss . . . can it be done? Bring the Valkyrie creature to me. See to it personally, Lord Vader. The more she is loose the more of a train wreck waiting to happen she becomes to us. Besides, it will break up the monotony until Bingo Wednesday night.” “Okay. She will join us or die–again and again and again–until we all get it right. “Now, what about my son?” grumbed Vader deeply. “Why fish for guppies when you can land a Megalodon? Go on. Get out of here. You Annoy me.” “Yes, my Mahhster . . . ”). back to the action . . . “—Oh yeah? Who is he, this Vader person? Someone I should meet?” Kari percolated. Luke mulled. “No. He is evil and very powerful. A ȿith lord.” “A Scythian, eh? Humm.—for a minute there, you had me worried. “Look—there he is!” Luke shouted scrunching down and pulling the girl besides him. Vader stwalked down the landing craft’s platform decked in his usual evil attire looking at the pile of messy clones. “He doesn’t look so tough’st to me. Pretty trippy wardrobe though. Maybe that is why he is evil. Clothes do that, costuming up n’ all. I think I’ll go down and see him.” Kari launched off to meet him. Luke trying to pull her back, she running up to the battle line strewn with dead clones. “Hey Darth’st.” “Did you do all this? Hmmph. The Force is with you, young Blade Kári, but you are not a Valkyrie yet.” “Sez ‘st who? You’st? Do not be so blamed melodramatic. This ’tain’t no movie ʎ’know’st, well leastways, not yet. I shall have you know I am a charter member of your friendly neighborhood Valkyrie club and my dues are so in.” Vader ignited his red lightsaber (he was not one for small talk). “Where can I get one of those, she asked Vader, pointing to his glowing blade of laser evil. Do they come in assorted colors? I want one!” she yelled back at Luke. Vader struck savagely at the girl, she mildly pirouetting on her heels to evade the cut then giggling, diminutively popped him squarely in his breather-chest contraption bugging him. Again, he struck, the blade harmlessly passing through her. “Impressive, most impressive. And you say you can’t get a date?” “Best take it easy Sith-meister. You’re riling me.” Luke’s eyes bulged. He could not believe it, remembering his own stupid head words to Yoda, his spry little green master. Vader paused, breathing heavily as was typical of him like he was a 20-pack a day smoker. “Your destiny lies with me, young Kári. Look here, if you really want one of these red glow in the Nether dark cutters, come with me.” “Honestly?” Luke nodded his head back and forth as if agreeing with himself. Where had he heard that before . . . ? The kid was going to be nothing but trouble from here on out he foresaw. end stay tuned for part iii  
Douglas M. Laurent
Now that I've found the way to fly, which direction should I go into the night? My wings aren't white or feathered; they're green, made of green silk, which shudders in the wind and bends when I move- first in a circle, then in a line, finally in a shape of my own invention. The black behind me doesn't worry me; neither do the stars ahead.
Ally Condie (Matched (Matched, #1))
In the classic comedy movie The Producers by Mel Brooks, there is a scene where dozens of glitter-clad Nazis sing a joyous song called “Springtime for Hitler.” At the end of the song, the opening night audience, adorned in black tie and gala dresses, are stunned into a deafening silence with mouths literally stuck open. That was the effect of Trump’s speech. His followers loved it. When their senses came back to them, it was the consensus of the Washington punditocracy that this was the darkest inaugural speech given in American history. It would simply be referred to as the “American carnage” speech. Republican Michael Green told Foreign Policy magazine: “Where friends and allies around the world look to new presidents’ inaugural addresses in hopes of seeing Aragorn, they heard from Trump only Gollum.”9 Former president George W. Bush was overheard to mutter, “That was some weird shit.
Malcolm W. Nance (The Plot to Betray America: How Team Trump Embraced Our Enemies, Compromised Our Security, and How We Can Fix It)
You’ve taken the last of my Marmalade Surprises!” cries Mrs. Quoad, having now with conjuror’s speed produced an egg-shaped confection of pastel green, studded all over with lavender nonpareils. “Just for that I shan’t let you have any of these marvelous rhubarb creams.” Into her mouth it goes, the whole thing. “Serves me right,” Slothrop, wondering just what he means by this, sipping herb tea to remove the taste of the mayonnaise candy—oops but that’s a mistake, right, here’s his mouth filling once again with horrible alkaloid desolation, all the way back to the soft palate where it digs in. Darlene, pure Nightingale compassion, is handing him a hard red candy, molded like a stylized raspberry . . . mm, which oddly enough even tastes like a raspberry, though it can’t begin to take away that bitterness. Impatiently, he bites into it, and in the act knows, fucking idiot, he’s been had once more, there comes pouring out onto his tongue the most godawful crystalline concentration of Jeez it must be pure nitric acid, “Oh mercy that’s really sour,” hardly able to get the words out he’s so puckered up, exactly the sort of thing Hop Harrigan used to pull to get Tank Tinker to quit playing his ocarina, a shabby trick then and twice as reprehensible coming from an old lady who’s supposed to be one of our Allies, shit he can’t even see it’s up his nose and whatever it is won’t dissolve, just goes on torturing his shriveling tongue and crunches like ground glass among his molars.
Thomas Pynchon (Gravity's Rainbow)
To what do we owe the pleasure, Ally? Oh, that’s right,” he said mildly, as if he were suddenly remembering. “Nepotism.
L.J. Greene (Side Effects)
Unbeknownst to King Aegon, the Hand, or the Queen Dowager, he had allies at court as well, even on the green council…
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
THE GRANDS BOULEVARDS WERE EMPTY, shop fronts were shuttered, buses, trams, cars, and horse cabs had disappeared. In their place flocks of sheep were herded across the Place de la Concorde on their way to the Gare de l’Est for shipment to the front. Unmarred by traffic, squares and vistas revealed their purity of design. Most newspapers having ceased publication, the kiosks were hung meagerly with the single-page issues of the survivors. All the tourists were gone, the Ritz was uninhabited, the Meurice a hospital. For one August in its history Paris was French—and silent. The sun shone, fountains sparkled in the Rond Point, trees were green, the quiet Seine flowed by unchanging, brilliant clusters of Allied flags enhanced the pale gray beauty of the world’s most beautiful city.
Barbara W. Tuchman (The Guns of August)
Do not be one of the many who mistakenly believe that the ultimate form of power is independence, Power involves a relationship between people; you will always need others as allies, pawns or even as weak masters who serve as your front. The completely independent man would live in a cabin in the woods--he would have the freedom to come and go as he pleased, but he would have no power. The best you can hope for is that others will grow so dependent on you that you enjoy a kind of reverse independence: Their need for you frees you.
Robert Greene (The 48 Laws of Power)
Oh,’ Vigot said, ‘I had to take charge of these on behalf of the American Legation. You know how quickly rumour spreads. There might have been looting. I had all his papers sealed up.’ He said it seriously without even smiling. ‘Anything damaging?’ ‘We can’t afford to find anything damaging against an ally,’ Vigot said.
Graham Greene (The Quiet American)
If Franklin became antagonistic toward him, as would be expected after what had happened with the battle over the clerk position, he would confirm any unpleasant notions Norris had entertained of him and convert him into an implacable foe. On the other hand, if he ignored him, Norris might read this as an example of Franklin’s haughtiness and hate him all the more. To some it might seem to be the strong and manly thing to go on the attack and fight back, proving he was not someone to mess with. But would it not be infinitely more powerful to work against Norris’s expectations and subtly convert him into an implacable ally?
Robert Greene (Mastery)
Historians believe that western Allied soldiers may have raped as many as eighty thousand German and ethnic German women during the last part of the war and its immediate aftermath. They believe Soviet soldiers may have raped more than one million German women in that same time period.
Mark T. Sullivan (The Last Green Valley)
Lately, the Army has found new worlds to conquer under the cloak of the Green Berets who operate with the CIA. Even the Air Force welcomes the utilization of the once proud B-52 strategic bomber in a function that is totally degrading—the blind bombardment of Indochina’s forests and wastelands on the assumption that there are worthwhile targets on the Ho Chi Minh trail. The only reason State and Defense can give for what they have permitted themselves to become engaged in is that “the intelligence reports” say the “enemy” is there. No one asks, What is the national objective in Indochina? No one has a national plan for Indochina. We have become counterpunchers without a game plan, and we have become that because we take our cues from raw intelligence data.
L. Fletcher Prouty (The Secret Team: The CIA & its Allies in Control of the United States & the World)
Hey, suit guy!" The man bellowed. Chris bit back the urge to yell. He turned, expecting to be confronted by a hand held out for money. What he saw was a pair of enormous eyes, the same color as the spring sky, set in a face with high cheekbones and a delicate chiseled jaw. The man's short, spiked hair was dyed a vibrant purple, making his creamy pale skin glow. Letting his gaze shift downward in a sudden still silence, Chris took in the sleek, sculpted muscles under the snug green t-shirt, the faded jeans molded to slim hips and thighs. He'd never in his life's seen anyone so beautiful.
Ally Blue (Love's Evolution)
It has been suggested that Wodehouse actually performed a great service for the Allies, by convincing the Germans that his Drones Club was an accurate depiction of the British as dopey, ineffectual phebes.
James J. O'Meara (Green Nazis in Space: New Essays in Literature, Art, and Culture)
I took the train to New York, where Bill Sweets put me up overnight. In Philadelphia I roomed with Frank Gentile, Universalist minister from St. Johnsbury. Progressive Party convention, July, 1948 Frank and I read copies of the proposed platform: plank after plank condemned United States foreign policy. Not that we wholly disagreed, in most instances, but the implication was that our policy was all wrong while the Soviet policy was all right. This rubbed Frank and me the wrong way. In the first place we didn’t believe this was true. In the second place, the press had been predicting that Wallace would allow his Communist allies to dominate the thinking of the convention; this kind of platform would support the charge. A mischievous thought occurred to Frank, and I guess to me at the same moment: a resolution putting the convention on record as not giving blanket approval to the foreign policy of any nation would a) satisfy those of us who were disinclined to blame Washington for ALL the world’s ills, b) demonstrate that our Communist friends were not dictating to the convention, and thus c) give us a defense, however slight, against some of the Red-baiting we knew we were all going to be subjected to in campaigning for Wallace and the “Progressive Party,” as we soon voted to call ourselves.
Rick Winston (Red Scare in the Green Mountains: The McCarthy Era in Vermont 1946-1960)
Graham Greene, a wartime intelligence officer in West Africa, based his novel Our Man in Havana, about a spy who invents an entire network of bogus informants, on the Garbo story.
Ben Macintyre (Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory)
It is no accident that Montagu and Cholmondeley were both enthusiastic novel readers. The greatest writers of spy fiction have, in almost every case, worked in intelligence before turning to writing. W. Somerset Maugham, John Buchan, Ian Fleming, Graham Greene, John le Carré: all had experienced the world of espionage firsthand. For the task of the spy is not so very different from that of the novelist: to create an imaginary, credible world and then lure others into it by words and artifice.
Ben Macintyre (Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory)
we handed him back his province and left our allies to be crucified and sawn in two. They were innocent. They thought we’d stay. But we were liberals and we didn’t want a bad conscience.
Graham Greene (The Quiet American)
By the grace of the Mother, she was paranoid enough about any new allies or companions that she hid the Horn and Harp. She created a pocket of nothingness, she told me, and stashed them there. Only she could access that pocket of nothingness—only she could retrieve the Horn and Harp from its depths. But she remained unaware that Pelias had already told the Daglan of their presence. She had no idea that she was allowed to live, if only for a time, so they might figure out where she’d concealed them. So Pelias, under their command, might squeeze their location out of her. Just as she had no idea that the gate she had left open into our home world … the Daglan had been waiting a long, long time for that, too. But they were patient. Content to let more and more of Theia’s forces come into the new world—thus leaving her own undefended. Content to wait to gain her trust, so she might hand over the Horn and Harp. It was a trap, to be played out over months or years. To get the instruments of power from Theia, to march back into our home world and claim it again … It was a long, elegant trap, to be sprung at the perfect moment. And, distracted by the beauty of our new world, we did not consider that it all might be too easy. Too simple. Midgard was a land of plenty. Of green and light and beauty. Much like our own lands—with one enormous exception. The memory spanned to a view from a cliff of a distant plain full of creatures. Some winged, some not. We were not the only beings to come to this world hoping to claim it. We would learn too late that the other peoples had been lured by the Daglan under similarly friendly guises. And that they, too, had come armed and ready to fight for these lands. But before conflict could erupt between us all, we found that Midgard was already occupied. Theia and Pelias, with Helena and Silene trailing, warriors ten deep behind them, stood atop the cliff, surveying the verdant land and the enormous walled city on the horizon. Bryce’s breath caught. She’d spent years working in the company of the lost books of Parthos, knowing that a great human civilization had once flourished within its walls, but here, before her, was proof of the grandeur, the human skill that had existed on Midgard. And had been entirely wiped away.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
And after all that searching, someone finally answered. A Daglan who had been using his army of mystics to scour galaxies for our world. The Daglan promised him every reward, if only he could nudge my mother toward this moment, to use the Dread Trove to open a portal to the world he indicated. A step beside her, Nesta clicked her tongue in disgust. My mother did not question Pelias, her conspirator and ally, when he told her to will the Horn and Harp to open a doorway to this world. She did not question how and why he knew that this island, our misty home, was the best place to do it. She simply gathered our people, all those willing to conquer and colonize—and opened the doorway. In a chamber—this chamber, if the eight-pointed star on the floor was any indication, though the celestial carvings had not yet been added—beside red-haired Fae who looked alarmingly like Bryce’s father, Helena and Silene appeared, grown and beautiful, and yet still young—gangly. Teenagers. In the center of the chamber, a gate opened into a land of green and sunshine. And standing there among the greenery, waiting for them … “Oh fuck.” Bryce’s mouth dried out. “Rigelus.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Two strong-minded women in a man’s world, if they do not quickly become allies, are destined to be incurable rivals.
Fonda Lee (Jade City (The Green Bone Saga, #1))