Collection Of Photos Quotes

I regretted what a serious teenager I'd been: There were no posters of pop stars or favorite movies, no girlish collection of photos or corsages. Instead there were paintings of sailboats, proper pastel pastorals, a portrait of Eleanor Roosevelt. The latter was particularly strange, since I'd known little about Mrs. Roosevelt, except that she was good, which at the time I suppose was enough. Given my druthers now, I'd prefer a snapshot of Warren Harding's wife, "the Duchess," who recorded the smallest offenses in a little red notebook and avenged herself accordingly. Today I like my first ladies with a little bite.

I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.

In the midst of all of this perfect beauty, timeless since the days of Eve, it's the touch of God creating miracles, if in your heart you just believe.

In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self. It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them! Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight. You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.

touting a “98.6 percent accuracy rate” and an enormous collection of photos unlike anything the police had used before.

to do list (after the breakup) 1. take refuge in your bed 2. cry. till the tears stop (this will take a few days). 3. don’t listen to slow songs. 4. delete their number from your phone even though it is memorized on your fingertips. 5. don’t look at old photos. 6. find the closest ice cream shop and treat yourself to two scoops of mint chocolate chip. the mint will calm your heart. you deserve the chocolate. 7. buy new bed sheets. 8. collect all the gifts, t-shirts, and everything with their smell on it and drop it off at a donation center. 9. plan a trip. 10. perfect the art of smiling and nodding when someone brings their name up in conversation. 11. start a new project. 12. whatever you do. do not call. 13. do not beg for what does not want to stay. 14. stop crying at some point. 15. allow yourself to feel foolish for believing you could’ve built the rest of your life in someone else’s stomach. 16. breathe.

I flipped to the author’s photo in the Library of America edition of O’Connor’s collected works, and forked it over. Solitary examined the photo. “Okay,” she said, handing it back, “I’ll read it.” What in Flannery O’Connor’s countenance met with Solitary’s approval? “I dunno,” she said. “She looks kind of busted up, y’know? She ain’t too pretty. I trust her.

Once you start a file, Delphine, it's just a matter of time before the material comes pouring in. Notes, lists, photos, rumors. Every bit and piece and whisper in the world that doesn't have a life until someone comes along to collect it. It's all been waiting just for you.

Mug shot extortion sites turn this sort of thing into a business. Mug shots are public record, but they’re not readily available. Owners of mug shot sites acquire the photos in bulk and publish them online, where everybody can find them, then charge individuals to remove their photos from the sites.

I post Instagram photos that I think of as testaments to my beauty and then obsessively check the likes to see if the internet agrees. I collect this data more than I want to admit, trying to measure my allure as objectively and brutally as possible. I want to calculate my beauty to protect myself, to understand exactly how much power and lovability I have.

The most insidious RATs can turn your computer’s camera on without turning the indicator light on. Not all ratters extort their victims; some just trade photos, videos, and files with each other.

By some estimates, the data-storage curve is rocketing upward at the rate of 800 percent per year. Organizations are collecting so much data they're overwhelmed. Families are no different; we have more things on disk, more photos, more items stored than we'll ever have to allocate time for. "Since Kodachrome made way for jpeg, pictures accumulate on hard drives like wet leaves in a gutter." (Jim Lewis, author of "The King is Dead")

She's going to see how bare the house is. How bleak. They don't own much, just useful furniture and filing cabinets of music. No decorations. His family collects bruises and German insults instead of crockery and photo frames.

The brunette was conducting tests on the collected blood when the older woman came into her laboratory to get the child’s photo. The old woman took the picture to a pale-skinned woman with red hair, who in turn fixed it with a morbidly curious look before handing it back.

Embedded in digital photos is information such as the date, time, and location—yes, many cameras have GPS—of the photo’s capture; generic information about the camera, lens, and settings; and an ID number of the camera itself. If you upload the photo to the web, that information often remains attached to the file.

PRISM enabled the NSA to routinely collect data from Microsoft, Yahoo!, Google, Facebook, Paltalk, YouTube, Skype, AOL, and Apple, including email, photos, video and audio chats, Web-browsing content, search engine queries, and all other data stored on their clouds, transforming the companies into witting coconspirators.

I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally

We all have a story to tell, adventures to share and memories we would like passed down from generation to generation surrounding a place we call home in a location that isn't actually where we live full time. Just snapping a photo and putting it on social media isn't the same as taking it slow, collecting your thoughts and sharing and documenting experiences.

Have you ever browsed through a family photo collection and seen photos of a boy taken over the course of many years, from babyhood through to young manhood? If you have, you’ll know that boys don’t grow up in a smooth way. They go in surges—looking the same for a year or two, then suddenly seeming to change overnight. And that’s only on the outside. On the inside, great changes are happening, too. But developing maturity and character aren’t as automatic as physical growing. A boy can get stuck. Everyone knows at least one man who is large in body but small in mind or soul. He just hasn’t developed as a mature person. Such men are everywhere—they might be rich, powerful, a president, or a tycoon, but you look at them and think, Yep, still a boy. And not a very nice one.

You’ve been wandering about Juarez like a zombie in a though experiment, an experiment in collective guilt, where the zombie is shown the morgue-slab photos, and responds by saying “I’m truly sorry”, and making out a check to Amnesty International, or Nuestra Hijas de Regreso a Casa, or maybe Save the Children or Habitat for Humanity, and then sealing the whole deal by forging his own signature. What’s that you say? You didn’t know it was forged? No wonder the authorities are beginning to get suspicious. We’re sorry to be the ones to break this to you, but the violence that man is doing to his home is not some sort of thought experiment, and the last thing on earth the world needs now is yet another anonymous onlooker, trying to get the picture; our drawing isn’t a drawing exactly, it’s more of a kind of framing device, and you, mon frère, so slow to get the picture, are not only under suspicion, but about to be framed. We didn’t exactly select you at random, and you’re not precisely The Viewer in the abstract sense, and we’re not about to give you a bird’s eye view of anything, or a view of Juarez from high atop a smelting stack; we’re about to put you back exactly where you belong, wearing Douchebag’s shoes, in the middle of the picture, because while Douchebag isn’t you in any literal sense, you appear to be standing in Douchebag shoes, and Douchebag, unfortunately, is now your problem.

1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).

Did you ever think much about jobs? I mean, some of the jobs people land in? You see a guy giving haircuts to dogs, or maybe going along the curb with a shovel, scooping up horse manure. And you think, now why is the silly bastard doing that? He looks fairly bright, about as bright as anyone else. Why the hell does he do that for living? You kind grin and look down your nose at him. You think he’s nuts, know what I mean, or he doesn’t have any ambition. And then you take a good look at yourself, and you stop wondering about the other guy… You’ve got all your hands and feet. Your health is okay, and you make a nice appearance, and ambition-man! You’ve got it. You’re young, I guess: you’d call thirty young, and you’re strong. You don’t have much education, but you’ve got more than plenty of other people who go to the top. And yet with all that, with all you’ve had to do with this is as far you’ve got And something tellys you, you’re not going much farther if any. And there is nothing to be done about it now, of course, but you can’t stop hoping. You can’t stop wondering… …Maybe you had too much ambition. Maybe that was the trouble. You couldn’t see yourself spending forty years moving from office boy to president. So you signed on with a circulation crew; you worked the magazines from one coast to another. And then you ran across a little brush deal-it sounded nice, anyway. And you worked that until you found something better, something that looked better. And you moved from that something to another something. Coffee-and-tea premiums, dinnerware, penny-a-day insurance, photo coupons, cemetery lots, hosiery, extract, and God knows what all. You begged for the charities, You bought the old gold. You went back to the magazines and the brushes and the coffee and tea. You made good money, a couple of hundred a week sometimes. But when you averaged it up, the good weeks with the bad, it wasn’t so good. Fifty or sixty a week, maybe seventy. More than you could make, probably, behind agas pump or a soda fountain. But you had to knock yourself out to do it, and you were standing stil. You were still there at the starting place. And you weren’t a kid any more. So you come to this town, and you see this ad. Man for outside sales and collections. Good deal for hard worker. And you think maybe this is it. This sounds like a right town. So you take the job, and you settle down in the town. And, of course, neither one of ‘em is right, they’re just like all the others. The job stinks. The town stinks. You stink. And there’s not a goddamned thing you can do about it. All you can do is go on like this other guys go on. The guy giving haircuts to dogs, and the guy sweeping up horse manute Hating it. Hating yourself. And hoping.

Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years. Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest. “Cecily said it was Colby,” Leta said unsteadily. “Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.” “That doesn’t sound like the life of a playboy widower,” Leta said caustically. “My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.” “I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.” “It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?” She shrugged. “Pick a reason.” He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily. “He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks. “I’ll punch him for that,” Matt said darkly. “Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.” “You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…” He turned back to Cecily and grimaced. “Good God, what did you do that for?” “Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!” “I hope you never get mad at me,” Matt said. “Fat chance.

Scavenger Hunt Day. We pair up in teams pulled out of a hat and disperse around Park City to collect photo evidence of a long list of random things Ricky and Lisa dream up for us—a silver ornament, a giant candy cane, a dog wearing a sweater, things like that. Occasionally video evidence is needed, like last year when we had to get video of a group of people doing the cancan. Permission is required, and asking strangers to do weird things can be mortifying, but mostly it’s a blast. The hunt also gives us the chance to do any last-minute Christmas shopping we might need

PRISM enabled the NSA to routinely collect data from Microsoft, Yahoo!, Google, Facebook, Paltalk, YouTube, Skype, AOL, and Apple, including email, photos, video and audio chats, Web-browsing content, search engine queries, and all other data stored on their clouds, transforming the companies into witting coconspirators. Upstream collection, meanwhile, was arguably even more invasive. It enabled the routine capturing of data directly from private-sector Internet infrastructure—the switches and routers that shunt Internet traffic worldwide, via the satellites in orbit and the high-capacity fiber-optic cables that run under the ocean.

Art lovers collect paintings that demonstrate some form of imperceptible complexity. Abstract images with vague messages and symbols that keep you guessing and wondering what it all means, if anything. What these art buffs don’t seem to realize is that true complexity—the real abstract image—lies in something as simple and as random as a family photo. If they bothered to look deeply and closely enough into these unremarkable images, they would see the lies, the sorrow and the dark secrets that hide behind the superficial smiles and forced joviality. A picture is worth a thousand words, but most of those words get lost in translation.

Everything old people say about time is true. For starters, it flies. As a kid living through semi-eternal summer vacations, this is hard to believe. But as an adult? Get married. Have children. And then sit back, stunned, watching an absolute roar of gorgeous moments and hilarious moments and exhausting moments disappear—quickly and in tragedy or marching off at the traditional pace, but disappear they must. Snap a photo or two. Read verses about futility. Watching one’s small humans age and grow up packs a serious punch. It’s like being stuck in a dream unable to speak, like being a ghost that can see but not touch, like standing on a huge grate while a storm rains oiled diamonds, like collecting feathers in a storm. Parents in love with their kids are all amnesiacs, trying to remember, trying to cherish moments, ghosts trying to hold the world. Being mortals, having a finite mind when surrounded by joy that is perpetually rolling back into the rear view is like always having something important on the tips of our tongues, something on the tips of our fingers, always slipping away, always ducking our embrace. No matter how many pictures we take, no matter how many scrapbooks we make, no matter how many moments we invade with a rolling camera, we will die. We will vanish. We cannot grab and hold.

It was because of the war, Daddy had once confided in them--- everything she loved had been lost when that bomb fell on her family home... and turned her past to rubble. She'd been determined her children would never suffer the same fate. She might not be able to spare them every heartache, but she could damn well make sure they knew where to find their class photo when they wanted it. Their mother's passion for things, for possessions---objects that could be held in one's hands and invested with deeper meaning---had verged on obsessive, her enthusiasm for collecting so great that is was hard not to fall in line. Everything was kept; nothing thrown away; traditions adhered to religiously.

The platforms, designed to accommodate and harvest infinite data, inspired an infinite scroll. They encouraged a cultural impulse to fill all spare time with someone else’s thoughts. The internet was a collective howl, an outlet for everyone to prove that they mattered. The full spectrum of human emotion infused social platforms. Grief, joy, anxiety, mundanity flowed. People were saying nothing, and saying it all the time. Strangers swapped confidences with other strangers in return for unaccredited psychological advice. They shared stories of private infidelities and public incontinence; photos of their bedroom interiors; photos, faded and cherished, of long-dead family members; photos of their miscarriages. People were giving themselves away at every opportunity.

Snowden called the NSA ‘self-certifying’. In the debate over who ruled the internet, the NSA provided a dismaying answer: ‘We do.’ The slides, given to Poitras and published by Der Spiegel magazine, show that the NSA had developed techniques to hack into iPhones. The agency assigned specialised teams to work on other smartphones too, such as Android. It targeted BlackBerry, previously regarded as the impregnable device of choice for White House aides. The NSA can hoover up photos and voicemail. It can hack Facebook, Google Earth and Yahoo Messenger. Particularly useful is geo-data, which locates where a target has been and when. The agency collects billions of records a day showing the location of mobile phone users across the world. It sifts them – using powerful analytics – to discover ‘co-travellers’. These are previously unknown associates of a target. Another

We have a civil rights photo collection in our house, a big, beautiful coffee table book with images so vivid they cause jaws to drop. When my daughters and their friends pick it up to look at the young Black boys and girls in the middle of a dangerous struggle, I remind them that our eyes are trained to look at the Black faces and their determination as they walk to school. But I tell them also to look at the white faces in the background: the young, jeering faces shouting slurs and throwing things. “All of those folks are now around your granddad’s age,” I tell my daughters. They’re still with us, and those people now walk around, every day, living with what they did, and either trying to rectify it in their brains, through penance, or voting for Donald Trump and passing that hatred down to their children’s children. That is this country. Them. We cannot afford to pretend they don’t live among us.

The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.

He mailed me a Christmas card every year, one of those newsletters that foreigners send to their friends with domestic news and photos of triumphant families. They only tell of their successes in these collective missives: travels, births and marriages. No one ever goes bankrupt, is sent to prison, or has cancer, no one commits suicide or gets divorced. Luckily that stupid tradition doesn’t exist in our culture. Harald Fiske’s newsletters were even worse than the idyllic families’: birds, birds, and more birds, birds from Borneo, birds from Guatemala, birds from the Arctic. Yes, apparently there are even birds in the Arctic. I think I already told you that the man was in love with our country, which he said was the most beautiful place in the world since we had every type of landscape: a lunar desert, long coastline, tall mountains, pristine lakes, valleys of orchards and vineyards, fjords and glaciers. He thought we were friendly and welcoming people because he judged us with his romantic heart and little real-life experience. However odd his reasons, he decided he was going to live out his final days here. I never understood it, Camilo, because if you can live legally in Norway, you’d have to be demented to move to this catastrophic country.

We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved.... Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.

Starting a little over a decade ago, Target began building a vast data warehouse that assigned every shopper an identification code—known internally as the “Guest ID number”—that kept tabs on how each person shopped. When a customer used a Target-issued credit card, handed over a frequent-buyer tag at the register, redeemed a coupon that was mailed to their house, filled out a survey, mailed in a refund, phoned the customer help line, opened an email from Target, visited Target.com, or purchased anything online, the company’s computers took note. A record of each purchase was linked to that shopper’s Guest ID number along with information on everything else they’d ever bought. Also linked to that Guest ID number was demographic information that Target collected or purchased from other firms, including the shopper’s age, whether they were married and had kids, which part of town they lived in, how long it took them to drive to the store, an estimate of how much money they earned, if they’d moved recently, which websites they visited, the credit cards they carried in their wallet, and their home and mobile phone numbers. Target can purchase data that indicates a shopper’s ethnicity, their job history, what magazines they read, if they have ever declared bankruptcy, the year they bought (or lost) their house, where they went to college or graduate school, and whether they prefer certain brands of coffee, toilet paper, cereal, or applesauce. There are data peddlers such as InfiniGraph that “listen” to shoppers’ online conversations on message boards and Internet forums, and track which products people mention favorably. A firm named Rapleaf sells information on shoppers’ political leanings, reading habits, charitable giving, the number of cars they own, and whether they prefer religious news or deals on cigarettes. Other companies analyze photos that consumers post online, cataloging if they are obese or skinny, short or tall, hairy or bald, and what kinds of products they might want to buy as a result.

Sam was about to travel to Asia with her boyfriend and she was fretting about what her backers would think if she released some of her new songs while she was 'on vacation'. She was worried that posting pictures of herself sipping a Mai Tai was going to make her look like an asshole. What does it matter? I asked her, where you are whether you're drinking a coffee, a Mai Tai or a bottle of water? I mean, aren't they paying for your songs so that you can... live? Doesn't living include wandering and collecting emotions and drinking a Mai Tai, not just sitting in a room writing songs without ever leaving the house? I told Sam about another songwriter friend of mine, Kim Boekbinder, who runs her own direct support website through which her fans pay her monthly at levels from $5 to $1,000. She also has a running online wishlist of musical gear and costumes kindof like a wedding registry, to which her fans can contribute money anytime they want. Kim had told me a few days before that she doesn't mind charging her backers during what she calls her 'staring at the wall time'. She thinks this is essential before she can write a new batch of songs. And her fans don't complain, they trust her process. These are new forms of patronage, there are no rules and it's messy, the artists and the patrons they are making the rules as they go along, but whether these artists are using crowdfunding (which is basically, front me some money so I can make a thing) or subscription services (which is more like pay me some money every month so that I can make things) or Patreon, which is like pay per piece of content pledge service (that basically means pay me some money every time I make a thing). It doesn't matter, the fundamental building block of all of these relationships boils down to the same simple thing: trust. If you're asking your fans to support you, the artist, it shouldn't matter what your choices are, as long as you're delivering your side of the bargain. You may be spending the money on guitar picks, Mai Tais, baby formula, college loans, gas for the car or coffee to fuel your all-night writing sessions. As long as art is coming out the other side, and you're making your patrons happy, the money you need to live (and need to live is hard to define) is almost indistinguishable from the money you need to make art. ... (6:06:57) ... When she posts a photo of herself in a vintage dress that she just bought, no one scolds her for spending money on something other than effects pedals. It's not like her fan's money is an allowance with nosy and critical strings attached, it's a gift in the form of money in exchange for her gift, in the form of music. The relative values are... messy. But if we accept the messiness we're all okay. If Beck needs to moisturize his cuticles with truffle oil in order to play guitar tracks on his crowdfunded record, I don't care that the money I fronted him isn't going towards two turntables or a microphone; just as long as the art gets made, I get the album and Beck doesn't die in the process.

His biggest hit so far is making the first investment in Pinterest, the popular social network used to share photos, organized as collections of pictures on a pin board. Launched in March 2010, it has become one of the most visited sites, with 23 million users in 2012 and a valuation of over $1.5 billion. Pinterest was founded in Palo Alto, Silicon Valley, by three youngsters under 30. “I helped them start and guided them as a mentor to become what they are,” says Cohen. “With this single investment I’m done. As soon as I get my liquidity event I will party like there’s no tomorrow.” All the angels dream of “the big hit,” says Cohen, who has written a book on the subject.[24] They are the ones providing 90% of startup capital, by writing checks out of their own pocket. But they don't do it just thinking of financial returns. “I think we do it because it’s fun. There’s no question that everyone thinks he or she is smarter than everyone else,” the Chairman of the New York Angels says half-jokingly. “In reality no one makes money, although some are luckier and hit the jackpot. Then there is the fashion factor. Everyone today wants to be an angel because it is cool. In other words, we are the prima donnas; we have a big ego. But there is also the idea of doing good, to have the satisfaction of helping start new emerging companies.” The pleasure of giving back: an important part of Jewish culture, and of American culture in general.

A New Yorker by birth is David Karp, the child prodigy who at age 21, in 2007, founded Tumblr, whose headquarters are located just one block east of Hunch. The son of a composer and a science teacher, at 14 Karp began working as an intern in an online animation company; at 15, tired of traditional school, he continued to study at home alone, learning, among other things, Japanese; then he became the chief technology officer of the Internet site UrbanBaby and at 17 he went to Tokyo for five months by himself. In 2006, UrbanBaby was bought by CNET, and Karp used his share of proceeds to establish Tumblr, a blogging platform with elements of social networking that allows its users to follow other bloggers. Tumblr allows users to build a collection of content according to their own tastes and interests. Easy to use, with a format of short entries to be enriched with photos and videos, Tumblr has quickly gained many followers among the creative community as well as the public at large. Today it is home to nearly 70 million blogs, including those of Lady Gaga and Barack Obama, with a total audience of 140 million users. At 26, Karp is leading a company with over 100 employees, valued at more than $800 million, with shareholders of the caliber of Virgin Group’s Richard Branson. He defines Tumblr as new media, as opposed to technology, and seeks to attract non-traditional ads, inviting brands to create awareness and desire in their ads, rather than just trying to capture intent. Karp has already received several acquisition offers from other media groups, but he has always refused because he thinks big: he wants to reach billions, not millions of users and one day be in a position to acquire rather than be acquired. Meanwhile, in order to grow he is convinced that New York City, the capital of media and advertising, is the right city.[47]

Each year, Gracie Henderson moons a thousand strangers, collects their shocked faces in an annual photo album.

Establish rituals. Develop your own unique rituals. In my home, we collect all of the photos friends send to us as Christmas cards in a special prayer box, and every night we take out one photo and pray for that family.

Barca became my team in 1994 on a winter trip through the city. My visit coincided with the annual gratis opening of Barca’s museum. It is the most visited museum in the city, even ahead of a massive collection of Picasso canvases. With no admission fee, lines crawled across the stadium parking lot, filled with eight-year-old boys and their mothers, silver-haired men paying a visit to old friends in the trophy case, and teenage girls apparently brushing up on team history. The transcendent enthusiasm for a bunch of artifacts and sepia photos moved me. I felt like a nonbeliever watching a religious pilgrimage. And the sheer depth of their faith made me a believer, too.

One of their first projects involved collecting thousands of photographs from Libby and assembling them as an extended photo essay about their town’s future.

Now she volunteered to open an account in her name at Yandex Money, the largest online payment service in Russia, in order to collect donations to support the protests. The organizing committee agreed. With Romanova in charge, it meant that nobody would question where the money went, given her unblemished reputation for integrity. The money would be safe from government pressure too; any attempt to intimidate Romanova would clearly be futile. The account at Yandex Money became known as Romanova’s Purse.11 On December 20 Yandex published on Facebook a new application that facilitated crowdfunding through Facebook for Yandex Money. Previously Yandex Money had become a common way for Moscow’s middle class to carry out e-commerce online; people trusted Yandex with their credit cards and used it to make purchases. Now the crowdsourcing application took it to a new level. Protesters were quickly able to utilize a transparent way to collect money for the demonstrations, and it was all done thanks to Internet technology. Romanova was a fearless overseer. Yandex said it was pure coincidence that the new crowdsourcing app was rolled out at the same time that protesters were raising money for the next rally. The next big protest rally was scheduled for December 24 on Prospect Sakharova. Ilya Klishin renamed the main protest event page on Facebook, with the cover photo depicting a wide image of the Bolotnaya crowd and the slogan, “We Were on Bolotnaya and We Are Coming Back,” and on the side carried a picture with the words, “We Are for Fair Elections.” Organizers announced they needed 3 million rubles, about $100,000. Romanova soon collected more than 4 million rubles online and immediately posted a detailed report of how the money would be spent.

I was in a unique position. I joined the New Church organization as an innocent new member, a seeker for truth. I was welcomed with open arms. The old folks shared their stories with me, what people had done, what ministers had said, why someone had left, or died. When I expressed an interest in the priesthood, older ministers began to share their own stories. This time from the inside of the organization. I was after all a new soldier, carrying the hope of the future. In the theological seminary we were instructed how to interpret doctrine. The old ladies of Bryn Athyn gossiped about neighbors. College students talked about growing up here. In a men’s group I witnessed tales of in-family pain and abuse, shared in confidence. I sat in on board meetings and heard about land deals, donations, and powerful families that had their own agenda for the church. From the bishop we got the background on hirings and firings, divorces, rogue ministers who had not toed the party line. We listened to, but did not believe, reports from African congregations. There was the occasional suicide. I got ordained and sent to Sweden. Now I had insight into the paperwork, the contracts, the long term plans. I had the keys to the doors and the passwords to the computers. I got copies of the financial records. My job required it. In the library I read ancient New Church magazines with some very strangely slanted articles in Swedish or Norwegian. Photos of men in uniforms. I collected it all. This would make a good book some day, I thought.

There are no beautiful women writers.’ ‘Yes there are.’ No there aren’t. Well, except for Edna O’Brien, who is actually a kind of genius and gained my undying admiration when she said plots are for precocious schoolboys (Book 2,738, Writers at Work, The Paris Review Interviews, 7th Series, Secker & Warburg, London). ‘Here, look at Emily Dickinson,’ I said, and showed him the passport-sized photo on the back cover of the Collected Poems. ‘Her face, two prunes in porridge.’ ‘I don’t know, I think she looks nice,’ he said. ‘Nice?’ ‘She does. She looks interesting.’ Reader, pick any Brontë. Any one, doesn’t matter. What do you see? You see intelligence, you see an observer, you see distance, you don’t see beauty.

we are living in an age of hero worship, and Christendom itself is infected by this evil spirit. Man is eulogized and magnified on every hand, not only out in the world, but even in the so-called churches, Bible conferences, and religious periodicals—seen in the advertising of the speakers, the printing of their photos, and the toadying to them. O how little hiding behind the Cross, how little self-effacement there is today. "Cease ye from man" (Isa. 2:22), needs to be placed in large letters over the platforms of all the big religious gatherings in this man-deifying age. No wonder the Holy Spirit is "grieved" and "quenched," yet where are the voices being raised in faithful protest?

After fifteen minutes in the air, Sharko started leafing through the book on mass hysteria. As Dr. Taha Abou Zeid had briefly explained, this phenomenon had cut across time periods, nationalities, and religions. The author based his thesis on photos, eyewitness accounts, and interviews with specialists. In France, for instance, witch hunts in the Middle Ages had provoked an inordinate fear of the devil and mass acts of insanity: screaming crowds hungry for blood, mothers and children who cheered to see “witches” burning alive. The cases in the book were astounding. India, 2001: hundreds of individuals from different parts of New Delhi swear they were attacked by a fictional being, half man, half monkey, “with metal claws and red eyes.” Certain “victims” even leap from the window to flee this creature, who’d surged right out of the collective imagination. Belgium, 1990: the Belgian Society for the Study of Space Phenomena suddenly receives several thousand sightings of UFOs. The most likely cause was held to be sociopsychological. A sudden mania for looking for flying objects, exacerbated by the media: when you want to see something, you end up seeing it. Dakar: ninety high school students go into a trance and are brought to the hospital. Some speak of a curse; there are purification rituals and sacrifices to remedy the situation. Sharko turned the pages—it went on forever. Sects committing group suicide, panicked crowds, haunted house syndrome like the Amityville Horror, collective fainting spells at concerts…There was even a chapter on genocides, a “criminal mass hysteria,” according to the terms of certain psychiatrists: organizers who plan coldly, calculatingly, while those who execute sink into a frenzy of wholesale destruction and butchery.

se "in-between times" to get things done. For example, it takes 15 minutes or less to change the sheets on a bed. So when you're waiting for dinner to finish cooking, to go somewhere, or for something to finish up, make a bed. Planning saves you time. Know what you have to do-and set your priorities. ere's a fun idea! Why not lighten a gathering together load a little by hosting a tea "potluck." It's a great way to widen your circle of friends and expand your recipe files. You provide the beautiful setting-and, of course, the tea. Invite each guest to bring a wonderful tea-time treat to share, along with the recipe. Have fun sampling all the goodies. You can also invite someone to play the piano, the guitar, or even do a dramatic reading of some sort. After the gathering, create a package of recipes and send them to each participant, along with a "thank you for coming" note. Friends are the continuous threads that help hold our lives together. f you have a fireplace, make it the focus of the room. Add plants, a teddy bear collection, or whatever you like to catch the eye. Add homey touches with a favorite stuffed toy, a framed picture of yourself with your grandmother. Photos and vacation souvenirs are great to liven up a room. Slipcovers help you make incredible changes in your decor simply. In winter months, toss an afghan over a sofa or chair. When you're not using afghans or blankets, stack them neatly under a shelf or a table to add texture to a room. Instead of a lamp table, stack wooden trunks or packing boxes together. These make great tables and provide storage.

ave you thought of your family photos as a collection? One of my tables held photos of many generations of women in our family. I displayed them in a variety of frames, and the mother-daughter-granddaughter theme pulled the collection together. No one could resist stopping and taking a peek. Group as black-and-white photos or formal or informal in groups. Another idea is to keep the same frames but change the photos for the seasons. If you have a ton of photos, rotate them so you can enjoy your entire collection. And for a designer touch, add a surprise to your grouping-something that doesn't "match," such as that silly picture of your Aunt Lily. The idea is to share yourself with others in a way that is interesting. ant to change your room? Put two lamps of different sizes on a side table with books, a small clock, a pot of flowers, or a ceramic creation. These change the look and provide better lighting. Your coffee table is an ideal spot for a plant or a terracotta pot with candles. For a softer look, add a throw rug made of mohair or wool-something warm and inviting. And I don't know about you, but I like bookshelves in the living room-complete with books, family pictures, and a mixture of the things I collect. I also love to frame favorite scriptures to welcome me as I go from room to room.

Prayer is conversation with God. ~ Shirley Tye         What Is A Prayer Partner?     “And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints” (Ephesians 6:18).     As a teenager, I read Dale Carnegie’s book, How To Win Friends and Influence People. His simple advice to win friends by becoming genuinely interested in them intrigued me. To show interest all you needed to do was to ask questions and listen to their responses.   But for me, even better than being listened to is being prayed for. I am delighted to have formal prayer partners and to be a member of prayer groups.   One such partner is JoAnn. We met briefly at a 3-day women’s conference. When we first arrived at this conference, the organizers took our photos. On the last day, we were given the picture of another woman – our prayer partner. I keep a picture of her beside my computer. She is posed in front of a stone fireplace with a shy smile. On the back of the photo, I have written her name and address with the names of her husband and two grown children. Although I have not talked to JoAnn in many years, I still pray for her and I am confident that she prays for me.   I am also a member of a Christian writers’ group, The Word Guild. I have joined a smaller team within this group, aptly called the Prayer Team. Members of the Guild submit their prayer requests via email, and we pray for these people. On top of that, the organizer picks four specific members to pray for each week. Many of these people I may never meet and may know nothing more than their names. But I pray for them regularly and I am confident that they pray for me.   Lastly, at my church, a program called Secret Sisters has been introduced. I filled out an information form, including my favourite scripture verse, and submitted it to the organizer. In return, I received the name of a church “sister” to pray for over the next year. At the end of the year, we will reveal ourselves to our secret sisters. I pray for my sister regularly and am confident that she prays for me.   I hold these partners in high esteem and count them as some of my best friends. There is power in prayer. If you are not already praying for someone specific, I challenge you to seek out a partner.       Prayer is talking to Him and listening to Him, too. Sweet communion! ~ Pat Gerbrandt        

What Is A Prayer Partner?     “And pray in the Spirit on all occasions with all kinds of prayers and requests. With this in mind, be alert and always keep on praying for all the saints” (Ephesians 6:18).     As a teenager, I read Dale Carnegie’s book, How To Win Friends and Influence People. His simple advice to win friends by becoming genuinely interested in them intrigued me. To show interest all you needed to do was to ask questions and listen to their responses.   But for me, even better than being listened to is being prayed for. I am delighted to have formal prayer partners and to be a member of prayer groups.   One such partner is JoAnn. We met briefly at a 3-day women’s conference. When we first arrived at this conference, the organizers took our photos. On the last day, we were given the picture of another woman – our prayer partner. I keep a picture of her beside my computer. She is posed in front of a stone fireplace with a shy smile. On the back of the photo, I have written her name and address with the names of her husband and two grown children. Although I have not talked to JoAnn in many years, I still pray for her and I am confident that she prays for me.   I am also a member of a Christian writers’ group, The Word Guild. I have joined a smaller team within this group, aptly called the Prayer Team. Members of the Guild submit their prayer requests via email, and we pray for these people. On top of that, the organizer picks four specific members to pray for each week. Many of these people I may never meet and may know nothing more than their names. But I pray for them regularly and I am confident that they pray for me.  

...another city, existing alongside the glossy one I knew. This city was composed of dead ends and blind alleys and back streets full of garbage bags, and had its own cast of inhabitants, who lived in a permanent stench of urine and decay and had to be nudged to life with a toe before one could question them as to Droyd’s whereabouts. Sometimes they were too intoxicated to speak; sometimes they tried to make up stories in the hope of getting some change. Sometimes they didn’t respond to the toe, and we would have to roll them over and squint at their grubby faces till we were sure they weren’t him. The sheer volume of these wretched people was incredible. And as we made our way back down Grafton Street, I realized that they were here too, had been here all along, living their heroiny lives: slumped by cash machines, lurking in suspicious-looking groups around dustbins, making lunatic speeches to office workers who scurried by pretending not to hear, or simply ghosting wall-eyed through the crowd, with beakers from McDonald’s and misspelled cardboard signs. It was slow, painful work. As the day dragged on, and yet another pile of garbage bags disclosed yet another human form, it started to seem as if there could hardly be anyone left who hadn’t, in some fashion, fallen through the cracks; and the city began to take on the appearance of a newspaper photo, when you look at it close up and at some unannounced point the image gives way, leaving you with a collection of unsignifying dots in a vast empty space; so much space that you forget there had ever been a picture at all.

FOAP – these guys offer smartphone users and photographers the opportunity to earn money from their photos. You’ll collect $5 every time your photo is sold.

Klop Ustinov, Russian-born German journalist, secret agent for Britain and father of the actor Peter Ustinov. Photo: PRIVATE COLLECTION

She snatched the photo away and sighed. Could one’s life be measured in the collective spent oxygen of sighs one received? Christ, I hoped not.

The aesthetics alone are inspiring. New York–based photographer Richard Barnes, best known for his starkly artistic portraits of Unabomber Ted Kaczynski’s cabin, released a captivating collection of black-and-white images of starling flocks over Rome in 2005. His photos are carefully framed against urban horizons. Some are simply beautiful, others sinister and Hitchcockian, but all are somehow magnetic (more on that later). In a statement accompanying Barnes’s images, author Jonathan Rosen observes, “Part of the fascination of the starlings is the way they seem to be inscribing some sort of language in the air, if only we could read it.

Recently, Filipino politics kinda looks a lot like the United States,” he continued, rolling his eyes and gesturing with his hands. “You’ve got a president who was Trump before Trump was Trump, and you have relationships with people close to him with SCL and Cambridge Analytica. And you had a lot of data being collected—the second largest amount of data after the United States being collected in the Philippines. Also if you look at how SCL and Cambridge Analytica operated in a lot of countries . . . one of the things they talk about is that they use . . . they don’t go into a country as Cambridge Analytica. They don’t go into a country as SCL Group because it’s too obvious. So you use local partners—” “Proxies,” I clarified. “You use proxies,” he continued. “. . . They’re on camera admitting this. They go into countries, set up bullshit companies that are just fronts and they send in staff. It makes it very difficult for regulators or opposition parties to actually identify what’s happening. And as they also have admitted, once an election is done, they just get out. So they’re in. They’re out. They’ve got their guy in, and then you know they can come back and ask for favors.” “Okay,” I interrupted, “Alexander Nix [the Cambridge Analytica president] came to the Philippines at the end of 2015 before the campaigns began, and there was a photo of him—”13 “Yeah, he met with people there,” said Chris. “—the staff of Duterte,” I finished. “Yeah! What do you think he was doing there?” Chris asked.14

Here are a few different types of emails you can send: Common FAQs – An email that answers repeat questions you get from readers and subscribers Affiliate case study – An email that details the results from taking a course or using a tool that you’re an affiliate for Teaser to an existing post – An email that links to pillar or cornerstone pieces on your blog Tools and resources – An email that shares your favorite tool collection The Start Here – An email that links to your most important resources Break the myths – An email that lays out myths that your subscribers may think are true Behind the scenes – An email that gives an insiders’ peek into what’s going on with your business Personal story – An email that gives an insiders’ peek into your struggles or backstory One-click survey – An email that asks a simple question to segment subscribers or allows them to choose their own email journey Survey or How can I help you? – An email asking for responses or providing an offer to help Postpurchase welcome email – An email sent immediately after purchase to buyers of your offer Unexpected incentive email – A simple cheat sheet, guide, or PDF that subscribers were not expecting Favorite thing – A collection of your favorite books/blogs/stock photo sites, etc. I have used every one of these emails in my email marketing mix. Doing so breaks up the monotony of sending the same style of email each week, and each of these emails feeds your marketing goals differently as well.

For every community of angsty kids who pretend they are secretly vampires, there are seven different forums of white nationalists who sincerely believe that Jewish people are secretly vampires. For every Kiki and silly toy collectors community, there are forums full of dudes collecting upskirt photos of random women and girls who had no idea that they were about to become porn.

Kleeman, Muczynski, nor their RIOs expected this engagement to devolve into a dogfight. Collectively, they expected this to be just another “close encounter”—perhaps with a photo opportunity and a good round of colorful hand gestures. Muczynski even told Anderson to get his camera ready.

You don’t take any photos!” he comments, incredulous. “No,” I reply. “I would rather look at something with my eyes unhampered by a wall of cumbersome machinery.” “Ouch,” he says. “That stung!” Then he adds, “But y’know, it’s a great feeling to be building up a collection of fabulous memories, for the future.” “I’m not in the business of building up memories for the future,” I inform him. “The present will do.

Our Journey Together' is a collection of beautiful photos captured during our very successful time in the White House.

A picture is a picture, it doesn't matter what camera you use!" - Chris Geiger

Birds may commemorate some human deaths. On June 12, 2016, Omar Mateen, a twenty-nine-year-old security guard, killed fortynine people and wounded fifty-three others in a mass shooting inside Pulse, a gay nightclub in Orlando, Florida. Orlando Police Department officers shot and killed him after a three-hour standoff. In a subsequent vigil, the names of the forty-nine victims were being read as a flock of birds flew by. A photographer noticed them and snapped a photo. Later, she counted the birds in the photo. There were forty-nine. The photographer showed other people and asked them to count. “We were all stunned,” she said. A spokesman for the Dr. Phillips Center for the Performing Arts, where the vigil was held, said that the center had not released the birds during the vigil. The mind was the collective and individual grief of the mourners of forty-nine deaths. The object was the forty-nine birds.

For me, the ultimate aim is always to get my work on print. To get my photos into a photo book, or a collection - to be able to look at it once it's completed, and feel satisfied I've done a good job. Getting a good book out, it's worth going through a bit of hassle or criticism, isn't it, for that? You can't care too much about what other people say. You've got to have guts.

You’ve been uploading photos on social media for long, but CoSign lets you turn them into cash. Just tag images you upload to social media with information about the products pictured in them.

They called it heartbreak, But my whole body ached for you when you left. I didn’t cry puddles of tears — I cried enough to fill rivers That became a swimming pool I would dip into From time to time When I saw old photos, That I would sink in to When the reality that you were gone Hit me like a tornado, Shook my world like an earthquake. They called it heartbreak, But my tongue stung from the times I bit it so hard, I tasted blood To stop myself from telling our story. My head ached from the screaming, Chanting, repeating I pushed myself to do To force myself to get over you — He’s gone, he doesn’t love you; He’s gone, silly girl, move on. They called it heartbreak, But despite the pain I felt In every inch of my body, It was my legs that ached the most, Because every step forward without you Was the worst pain I had ever felt.

Before I ever took a photo of anyone, I’d take the time to get to know them—asking them about their childhood dreams, their cherished memories, the people they loved most,” Claudia said. “And then, as they were talking, I’d start clicking the shutter.

The Israeli social media strategy aimed to involve both domestic and global supporters of its military missions. By doing so, and asking backers to post their own supporting tweets, Face-book posts, or Instagram images, the IDF created a collective mission that other nations could easily mimic by stirring up nationalist fervor online. During Operation Pillar of Defense, the IDF encouraged supporters of Israel to both proudly share when “terrorists” were killed while at the same time reminding a global audience that the Jewish state was a victim. It was a form of mass conscription to the cause through the weaponization of social media.12 This was war as spectacle, and the IDF was spending big to make it happen. The IDF media budget allowed at least 70 officers and 2,000 soldiers to design, process, and disseminate official Israeli propaganda, and almost every social media platform was flooded with IDF content. Today, the IDF Instagram page regularly features pro-gay and pro-feminist messaging alongside its hard-line militaristic iconography.13 On October 1, 2021, the IDF posted across its social media platforms a photo of its headquarters swathed in pink light with this message: “For those who are fighting, for those who have passed, and for those who have survived, the IDF HQ is lit up pink this #BreastCancerAwarenessMonth.” Palestinian American activist Yousef Munayyer responded on Twitter: “An untold number of women in Gaza suffer from breast cancer and are routinely denied adequate treatment and timely lifesaving care because this military operates a brutal siege against over 2 million souls.” On Instagram, however, most of the comments below the post praised the IDF.

This photobook is more than just a collection of images; it is a narrative that invites viewers to break free from ageist stereotypes. It serves as a reminder that beauty is diverse, timeless, and ever-evolving. As viewers, we are compelled to admire, respect, and celebrate the ageless vitality of the silver-haired woman, who, with every image, redefines the essence of femininity for the modern age.

GRAYHATHACKS CONTRACTOR HELPED ME GET PROOF THAT MY HUSBAND WAS HAVING AN AFFAIR Hi there. You know, the kind of situation where you're not sure if you're making the right decision, but you know you need answers. That's where I was a few months ago. My husband had been acting so distant, so suspicious, and so overprotective of his phone. The gut-wrenching feeling of not knowing what was happening was eating me up inside. I'd catch him smiling at his screen when he thought I wasn't looking, and then he'd quickly switch it off when I walked into the room. The whispers and secret calls were just too much to bear. That's when I stumbled upon Grayhathacks Contractor. At first, I was skeptical, but desperation can make you consider things you never thought you would. I reached out to them, and from the get-go, they were so understanding and professional. They made me feel like I wasn't alone, like I was doing the right thing for my peace of mind. And boy, did they come through for me! The process was surprisingly simple. They had me send over my husband's phone details, and they got to work right away. Within a week, they sent me a detailed report that had me floored. It was like they had peeled back the layers of deceit and laid bare his infidelity. The damning data they harvested from his phone and laptop was overwhelming. They found text messages, emails, and WhatsApp chats that left no doubt in my mind. He was having an affair with a colleague from work. The conversations were explicit, filled with lovey-dovey language and promises that should've been reserved for me. There were dates, times, and even hotel bookings that coincided with nights he claimed to be working late. And the photos! The raw pain of seeing those images of him with someone else is something I'll never forget. The thing that really got me, though, was the voice memos. Hearing his voice, saying things to her that he hadn't said to me in years, was devastating. But it was also the proof I needed to finally confront him. And when I did, he couldn't lie his way out of it. The evidence was right there, cold and clear. Their spyware was top-notch. It was undetectable, and it gave me access to everything: his calls, messages, emails, social media, and even his location history. It was like having a pair of invisible eyes and ears. They even helped me understand the technical side of things, guiding me through the process of checking the data they had collected. If you're in the same boat I was, I totally get it. The thought of hiring a hacker is daunting, but sometimes you just need to know the truth. And let me tell you, Grayhathacks Contractor will give you that truth. They're not just hackers; they're detectives of the digital age, helping people like you and me uncover the painful realities that are often hidden in plain sight. I'm not saying what they do is pretty, but sometimes you have to get a little dirty to find the truth. And when you do, you can start to rebuild your life, piece by piece. It's been a tough journey, but thanks to Grayhathacks Contractor, I'm on the path to healing. I now know exactly what happened, and I can make informed decisions about my future. So, if you're feeling lost and need answers, don't hesitate to reach out to them via email at grayhathacks@contractor.net. And who knows, maybe one day you'll be writing a review like this, sharing your own story of how they helped you get your life back.

Images began scrolling. Crime scene photos. Scanned newspaper clippings. Pictures of flipped cars and fire-gutted buildings. Obituaries. Autopsy reports. Each item related to an accident or crime. I paused the slideshow to scan several articles. Detected the theme. Every crime was unsolved. Every accident was freakish and unexplained. Many incidents had numerous victims. Some were grisly. All were terrible. One after another the entries flashed on-screen. A few settings were identifiable. Seattle. New York City. Las Vegas. The majority were unrecognizable. Shelton turned to me. “So what, he’s into police reports? Disaster stories?” “They’re his work.” My stomach churned with revulsion. “Everything on here. This must be the Gamemaster’s private archive. A diary of his twisted games.” “Trophies.” Hi’s voice was hushed. “His collection. Every serial killer has one.” Ben’s fist slammed the coffee table. “I’ll kill this sick freak!” Suddenly the screen went blank. There were sounds like a videogame, then a new program opened. The Gamemaster’s face appeared. “Hello, Tory.” He smiled. “Welcome to my humble home.

In my room later, I placed Gran’s photo in my memory box. Inside were mementos I’d collected over the years: a lock of my real hair in a little see-through bag, birthday cards, holiday souvenirs, a lucky penny and the hair clip Gran had given me for my twelfth birthday, before I’d developed alopecia

Kelly found it poignantly depressing that all that was left of Mary’s life were a few framed photos and a warm blanket, some books and a bedspread, but it was also a reminder that everything we need is right here with us. The things we collect are but elements of passing time.

It really makes you realise how at the end of it all, people are nothing but a collection of memories. Nothing more than old photos, trinkets and clothes, stuffed into a carboard box.

You do know who I am, don’t you, Trip? You understand how serious I am about protecting my clients while paving their way into history. Can you really be that stupid to think I would take you at your word? I protect my investments…even from themselves.” “I have a wife, daughters.” “You should have thought of them before you hired two sex workers in less than twenty-four hours.” He was visibly shaking now. “I warned you what would happen if you crossed me,” I reminded him. “I didn’t cross you. This isn’t what it looks like,” he sputtered. “The girl you hired this morning? She turned eighteen last week. Your oldest daughter is what? Sixteen?” I asked. “I-It’s a sex addiction. I’ll get help,” Trip decided. “We’ll keep it quiet, I’ll get treatment, and everything will be fine.” I shook my head. “I see it’s not sinking in yet. You’re finished. There’s no way for you to throw yourself on the mercy of the court of public opinion, because they’ll eat you alive. Especially seeing as how you missed the vote on veterans benefits because you were paying to have your cock sucked.” Little beads of sweat dotted his forehead. “You threw it all away because you couldn’t keep your dick in your pants. Your career, your future. Your family. Your wife will leave you. Your daughters are old enough that they’ll hear every salacious detail of Daddy’s extracurricular sex life. They’ll never look at you the same again.” I nodded at the open folder in his lap. “I’ve already had a press release drafted about how my firm was forced to sever ties with you after learning about your sexual exploits.” He closed his eyes, and I had to turn away when his lip began to tremble. “Please. Don’t do this. I’ll do anything,” he begged. He was yet another weak, pathetic addition to the long list of men who risked everything just to get off. “I’ll give you a choice. You’ll resign from Congress immediately. You’ll go home and tell your wife and daughters that you had an epiphany and that your time together is precious. You don’t want to work a job that keeps you away from them so much anymore. You’ll go to fucking therapy. Or you won’t. You’ll save your marriage or you won’t. One thing you won’t do is ever cheat on your wife again. Because if you do, I’ll deliver copies of every photo and every video to your wife, your parents, your church, and every member of the media between here and fucking Atlanta.” Trip put his head in his hands and let out a broken moan. I almost wished he’d put up more of a fight, then smothered that feeling. “Get out. Go home, and don’t ever give me a reason to share the information I’ve collected.” “I can be better. I can do better,” he said, rising from the chair like a puppet on strings. “I don’t give a fuck,” I said, leading the way to the door. He was weak. No one could build a foundation on weakness.

1 It was early December. The streets of Milan glistened with Christmas decorations, with people coming and going carefree, carrying elegant shopping bags. It was past eight, and several minutes earlier I had closed behind me the door of Passerella, the modelling agency I ran. I had let my assistant, Giovanni, file the photos of the new faces we had initially chosen for Dante’s summer collection. He was an up-and-coming designer. The minute I walked down Monte Napoleone, one of the city’s most commercial streets, the chilly air forced me to wrap up well in my brand new light green coat. An original piece of cashmere, the five letters embossed on its lapel making it even more precious in that cold weather. My fingers contentedly groped for the word “Prada” before I stuck my hand into its warm pocket, while clutching my favourite handbag tight. A huge red ostrich Hermes where you could find cosmetics, scarves, and accessories, which I could use throughout the day, giving a different twist to my appearance. I wanted to walk a little bit to let off steam. My job may have been pleasant as it had to do with the world’s most beautiful creatures, men and women, but it wasn’t without its tensions. Models went to and fro, trade representatives looking for new faces, endless castings, phone calls, text messages, tailors, photographers, reports from my secretary and assistants—a rowdy disorder! I had already left the building where my job was, and I was going past another two entrances of nearby premises, when my leg caught on something. I instantly thought of my brand new Manolo Blahnik shoes. I’d only put them on for the second time, and they were now falling victim to the rough surface of a cardboard box, where a homeless man slept, at the entrance of a building. My eyes sparked as I checked if my high heels were damaged. On the face of it, they were intact. But that wasn’t enough for me. I found a lighter, and tried to check their red leather in the dim light. Why should the same thing happen over and over again every time I buy new shoes? I wondered and walked on, cursing. Why had that bloke chosen that specific spot to sleep, and why had I headed for his damn cardboard box! As I held my lighter, my angry gaze fell on the man who was covered with an impermeable piece of nylon, and carried on sleeping. He looked so vulnerable out in the cold that I didn’t dare rouse him from his sleep. After all, how could I hold him responsible in this state? I quickened my gait. Bella was waiting for me to start our night out with a drink and supper at Galleria Vittorio Emanuele, the imposing arcade with a dome made of glass, its ambience warm and romantic. Bella’s office was nearby, and that meeting place was convenient for both of us. That’s where we made up our minds about how to spend the night.I walked several metres down the road, but something made me stop short. I wanted to have a second look at that man. I retraced my steps. He was a young man who, despite his state, seemed so out of place. His unkempt hair and unshaven face didn’t let me see anything else but his profile, which reminded of an ancient Greek statue, with pronounced cheekbones and a chiselled nose. This second time, he must have sensed me over him. The man’s body budged, and he eyed me without making me out, dazzled by the lighter flame. As soon as I realised what I had done, I took to my heels. What had made me go back? Maybe, the sense of guilt I felt inside my warm Prada coat, maybe, the compassion I had to show as Christmas was just around the corner. All I knew was that a small bell jingled within, and I obeyed it. I walked faster, as if to escape from every thought. As I left, I stuck my hand in my bag, and got hold of my mobile. My secretary’s voice on the other end of the line sounded heavy and imposing. Giovanni wasn’t the embodiment of “macho” man, but he had all it takes to be the perfect male. Having chosen to quit modelling, he still looked gorgeous at the age of

War is a terrible thing which incurs suffering for everyone involved in it. This book is not about taking sides. It is not about passing moral verdicts. Whatever your personal views may be, it’s unquestionable that Erwin Rommel was an important historical figure. This photo collection is significant because it sheds new light on his personality, allows us to view him from a creative standpoint, and adds a groundbreaking dimension to the history of World War II.

You don't have to part the waters or move the mountain for me; just help me get across them, Lord, for I can do all things through Thee.

Every emotion we feel is like one drop of rain in our heart. When our heart rain starts to overflow, it leaks out the window to our soul as a tear.

I hurried to the Post Office and was given two fat parcels, which I opened with the scissors in the kitchen. Shakespeare’s Collected Works, T.S. Eliot’s Collected Poems and Plays, Oscar Wilde’s Collected Works and a book with photos of naked women.

Like the clichéd serial killer, Gosnell kept souvenirs of his crimes. All of those little baby feet in formaldehyde-filled glass jars were trophies. Kareema Cross was so disturbed by them that she took photos of them as far back as 2008. If anyone from the Pennsylvania Department of Health had bothered to inspect the Women’s Medical Society, they would have seen them at once. Gosnell didn’t hide them. But the feet were not his only trophies. Gosnell also collected pictures of women’s genitals. He snapped pictures when his patients were unconscious during their abortions. Steve Massof testified that he often saw Gosnell take out his cell phone and take pictures, ostensibly for “research” or for “teaching.” Gosnell was not in fact conducting any research that Massof was aware of, nor did he teach. The doctor told Massof that he had an academic interest in female genital mutilation...

1. Give your toddler some large tubular pasta and a shoelace.  Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor.  Give him a small ball such as a Ping Pong ball to roll down the tube.   3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste.  Then let her have fun stacking them.     4. Wrap a small toy and discuss what might be inside it.  Give it to him to unwrap. Then rewrap as he watches.  Have him unwrap it again.    5. Cut  such fruits as strawberries and bananas into chunks.  Show her how to slide the chunks onto a long plastic straw.  Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it.   6. Place a paper towel over a water-filled glass.  Wrap a rubber band around the top of the glass to hold the towel in place.  Then place a penny on top of the paper towel in the centre of the glass.  Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass.   7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool.  Show him how to place these lengths of wool on the sandpaper and how the strands stick to it.   8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper.  Cut it into several pieces to create a puzzle.   9. Give her two glasses, one empty and one filled with water.  Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass.   10. Tie the ends/corners of several scarves together.  Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid.  Let your toddler enjoy pulling the scarf out of the container.   11. Give your child some magnets to put on a cookie sheet.  As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc.   12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern.  Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do.    13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters.  Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact.  See if your child can place the cookie cutters back into their appropriate holes.        14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish.   15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper.  Make sure you have several of the same colour.  Choose primary colours.  See if he can match the colours.  Initially, he may be just content to play with the colored chips stacking them or making patterns with them.

Years into this tunnel of research, I’ve solved the mystery of the collection of nightgowns and coats: she was a sick person. She wore, predominately, nightgowns, and often put a beautiful coat over them in photos.

The individual most responsible for the triumph of the documentary style was probably Roy Stryker of the government’s Farm Security Administration (FSA), who sent a platoon of famous photographers out to record the lives of impoverished farmers and thus “introduce America to Americans.” Stryker was the son of a Kansas Populist, and, according to a recent study of his work, “agrarian populism” was the “first basic assumption” of the distinctive FSA style. Other agencies pursued the same aesthetic goal from different directions. Federal workers transcribed folklore, interviewed surviving ex-slaves, and recorded the music of the common man. Federally employed artists painted murals illustrating local legends and the daily work of ordinary people on the walls of public buildings. Unknowns contributed to this work, and great artists did too—Thomas Hart Benton, for example, painted a mural that was actually titled A Social History of the State of Missouri in the capitol building in Jefferson City.16 There was a mania for documentary books, photos of ordinary people in their homes and workplaces that were collected and narrated by some renowned prose stylist. James Agee wrote the most enduring of these, Let Us Now Praise Famous Men, in cooperation with photographer Walker Evans, but there were many others. The novelist Erskine Caldwell and the photographer Margaret Bourke-White published You Have Seen Their Faces in 1937, while Richard Wright, fresh from the success of his novel Native Son, published Twelve Million Black Voices in 1941, with depictions of African American life chosen from the populist photographic output of the FSA.

Data Information generated, collected or created by users — such as songs, photos, or news clippings — are examples of stored value in the form of content. But sometimes users invest in a service by either actively or passively adding data about themselves or their behaviors.

I felt the weight of that responsibility even more now that I had seen firsthand what life here had been like. I took the donuts and juice to a little table we had set up in the Blue Room. I opened the box and set out some paper cups. Matthews was the first to arrive at the table. “Thank you, Carrie Jo.” “My pleasure. Have you heard anything from C. M. Lowell on those mantelpieces? I know it’s only been a few weeks, but TD is going to need to install them before they cut the molding for the rest of the room.” “Right. I’ll put a call in to them this morning. I’d forgotten about that. I’ve got some leads on paintings for the two main parlors. One is pretty incredible; I emailed you photos of both of them. Don’t forget, we’ve got boxes of paintings in the attic. And good news—we have air up there now, too. If you can’t find what you want, there is plenty of room in the budget, but many of the local families are willing to allow us to use their pieces. With all credits, of course.” I couldn’t figure Hollis Matthews out: one minute he was cold and distant, and the next he was kind and friendly. One thing I knew for sure—he was always a man with a plan. “Great. I’ll check out those pictures and let you know. I’ve got some plans ready for the ladies’ parlor, including a significant display of Augusta Evans books. I’ll have those to you by the end of next week.” With a nod of his salt-and-pepper head, he walked away, probably off to call about those mantelpieces. I invited the interns to have a donut and took a few minutes to get to know them. There were two Rachels, Rachel Kowalski and Rachel McGhee, and James Pittman. All of them were excellent archaeological students who had earned their spots on our team. I’d Skyped with them individually before I came to Mobile, but this was the first time we’d met in person. “Well, guys, are you ready for the grand tour? It’s the same one visitors will take once the museum is open.” We started in the ladies’ parlor, continued on to the men’s parlor and the Blue Room, and then went up the opposite side of the hall to the servants’ waiting area, the music room and the ballroom. There were of course a myriad of

The shimmering tarmac of the deserted basketball court, a line of industrial-sized garbage cans, and beyond the electrified perimeter fence a vista that twangs a country and western chord of self-pity in me. For a brief moment, when I first arrived, I thought of putting a photo of Alex - Laughing Alpha Male at Roulette Wheel - next to my computer, alongside my family collection: Late Mother Squinting Into Sun on Pebbled Beach, Brother Pierre with Postpartum Wife and Male Twins, and Compos Mentis Father Fighting Daily Telegraph Crossword. But I stopped myself. Why give myself a daily reminder of what I have in every other way laid to rest? Besides, there would be curiosity from colleagues, and my responses to their questions would seem either morbid or tasteless or brutal depending on the pitch and role of my mood. Memories of my past existence, and the future that came with it, can start as benign, Vaselined nostalgia vignettes. But they’ll quickly ghost train into Malevolent noir shorts backlit by that great worst enemy of all victims of circumstance, hindsight. So for the sake of my own sanity, I apologize silently to Alex before burying him in the desk alongside my emergency bottle of Lauphroaig and a little homemade flower press given to me by a former patient who hanged himself with a clothesline. The happy drawer.

was commanded, in a dream naturally, to begin the epitaphs of thirty-three friends without using grand words like love pity pride sacrifice doom honor heaven hell earth: 1. O you deliquescent flower 2. O you always loved long naps 3. O you road-kill Georgia possum 4. O you broken red lightbulb 5. O you mosquito smudge fire 6. O you pitiless girl missing a toe 7. O you big fellow in pale-blue shoes 8. O you poet without a book 9. O you lichen without tree or stone 10. O you lion without a throat 11. O you homeless scholar with dirty feet 12. O you jungle bird without a jungle 13. O you city with a single street 14. O you tiny sun without an earth 15. Forgive me for saying good-night quietly 16. Forgive me for never answering the phone 17. Forgive me for sending too much money 18. Pardon me for fishing during your funeral 19. Forgive me for thinking of your lovely ass 20. Pardon me for burning your last book 21. Forgive me for making love to your widow 22. Pardon me for never mentioning you 23. Forgive me for not knowing where you’re buried 24. O you forgotten famous person 25. O you great singer of banal songs 26. O you shrike in the darkest thicket 27. O you river with too many dams 28. O you orphaned vulture with no meat 29. O you who sucked a shotgun to orgasm 30. Forgive me for raising your ghost so often 31. Forgive me for naming a bird after you 32. Forgive me for keeping a nude photo of you 33. We’ll all see God but not with our eyes

Achieving perpetual organization means, first, clarifying your values and ideal life, and then clearing and organizing your space to support that life. Who you are is, in many ways, reflected by the stuff you keep: the memorabilia, collections, photos, books, furniture, clothing, knickknacks, tools, sporting goods, artwork, and all your worldly goods. So taking care of your things is part of how you take care of yourself; your useful, treasured belongings deserve care and appreciation.

I climb to the very top step and look behind me at the wall of memories. Who are we in the end? A collection of photos? How do we know what is truly lived if we cannot remember it?

One thought of the past as a collection of dusty photos in the attic of the mind, a bundle of old letters, a grief that the years had dulled. But the past was never over. It was here in the room with them. It was the enemy on the other side of the city.

- How do you like my new photo with dog filter in snapchat? - Oh, this was a filter? I should say you don’t even need a dog filter, dude!

Those vestal virgins found guilty of being unchaste”—their leader’s voice ricochets off the surrounding walls—“were whipped to death in the public square.” She pauses so they can take photos and ask questions. “Public deaths were popular,” I hear her answer someone. “As were blood shows—known as munera. After lunch we will see the slave quarters beneath the Colosseum.” There are collective oohhs and aahhs, and I wonder if they would watch one, or if I would. The ripping of flesh, the breaking of man. Suddenly I get a cramp. When was the last time I had my period? Three, five weeks ago? I can’t remember. I should have been recording it in that damn diary. One of the tour members is watching the couple, who are back at it. Our eyes meet, and I feel myself blush. He’s short and hefty, wearing pleated pants and a sweat-stained polo shirt. His hand rests on a camera that hangs around his neck. He smiles, waggles his eyebrows. Yes, hi, hello. I give him a polite grimace and turn so I can sit more comfortably. Then slowly, out of the corner of my eye I see him raise his camera and click. I don’t know if he’s taking a picture of me or the couple or the ruins. Maybe all three. When the cramp subsides, the tour has moved on. The couple too. At the entrance, I flag down a cab, feeling more spent than I should. “Signora, signora.” The cabby rattles off something in Italian. Usually a migraine precedes my period, and I think I feel one coming on. “Where to?” he finally asks in English.