Collect Beautiful Memories Quotes

But you are not your bank account, or your ambition. You're not the cold clay lump you leave behind when you die. You're not your collection of walking personality disorders. You are Spirit, you are love, and even though it is hard to believe sometimes, you are free. You're here to love, and be loved, freely. If you find out next week that you are terminally ill - and we're all terminally ill on this bus - what will matter are memories of beauty, that people loved you, and that you loved them.

[E]verything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones—they are characters you have created. And your arguments with them are like meetings with an editor—please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience—with our senses and our nerves—is a vast, absurd, beautiful, ridiculous chaos.

The world is so big, so complicated, so replete with marvels and surprises that it takes years for most people to begin to notice that it is, also, irretrievably broken. We call this period of research “childhood.” There follows a program of renewed inquiry, often involuntary, into the nature and effects of mortality, entropy, heartbreak, violence, failure, cowardice, duplicity, cruelty, and grief; the researcher learns their histories, and their bitter lessons, by heart. Along the way, he or she discovers that the world has been broken for as long as anyone can remember, and struggles to reconcile this fact with the ache of cosmic nostalgia that arises, from time to time, in the researcher’s heart: an intimation of vanished glory, of lost wholeness, a memory of the world unbroken. We call the moment at which this ache first arises “adolescence.” The feeling haunts people all their lives. Everyone, sooner or later, gets a thorough schooling in brokenness. The question becomes: What to do with the pieces? Some people hunker down atop the local pile of ruins and make do, Bedouin tending their goats in the shade of shattered giants. Others set about breaking what remains of the world into bits ever smaller and more jagged, kicking through the rubble like kids running through piles of leaves. And some people, passing among the scattered pieces of that great overturned jigsaw puzzle, start to pick up a piece here, a piece there, with a vague yet irresistible notion that perhaps something might be done about putting the thing back together again. Two difficulties with this latter scheme at once present themselves. First of all, we have only ever glimpsed, as if through half-closed lids, the picture on the lid of the jigsaw puzzle box. Second, no matter how diligent we have been about picking up pieces along the way, we will never have anywhere near enough of them to finish the job. The most we can hope to accomplish with our handful of salvaged bits—the bittersweet harvest of observation and experience—is to build a little world of our own. A scale model of that mysterious original, unbroken, half—remembered. Of course the worlds we build out of our store of fragments can be only approximations, partial and inaccurate. As representations of the vanished whole that haunts us, they must be accounted failures. And yet in that very failure, in their gaps and inaccuracies, they may yet be faithful maps, accurate scale models, of this beautiful and broken world. We call these scale models “works of art.

Perfect.” He grins, completely removing my shorts and sending them to collect on the floor with the rest of my clothes. “What?” I ask as he rakes his gaze over my body without moving another muscle. “You’re beautiful, Dorothy. And I just want to look at you. Just for a few seconds, I want to commit this to memory.

It is very easy to grow tired at collecting; the period of a low tide is about all men can endure. At first the rocks are bright and every moving animal makes his mark on the attention. The picture is wide and colored and beautiful. But after an hour and a half the attention centers weary, the color fades, and the field is likely to narrow to an individual animal. Here one may observe his own world narrowed down until interest and, with it, observation, flicker and go out. And what if with age this weariness becomes permanent and observation dim out and not recover? Can this be what happens to so many men of science? Enthusiasm, interest, sharpness, dulled with a weariness until finally they retire into easy didacticism? With this weariness, this stultification of attention centers, perhaps there comes the pained and sad memory of what the old excitement was like, and regret might turn to envy of the men who still have it. Then out of the shell of didacticism, such a used-up man might attack the unwearied, and he would have in his hands proper weapons of attack. It does seem certain that to a wearied man an error in a mass of correct data wipes out all the correctness and is a focus for attack; whereas the unwearied man, in his energy and receptivity, might consider the little dross of error a by-product of his effort. These two may balance and produce a purer thing than either in the end. These two may be the stresses which hold up the structure, but it is a sad thing to see the interest in interested men thin out and weaken and die. We have known so many professors who once carried their listeners high on their single enthusiasm, and have seen these same men finally settle back comfortably into lectures prepared years before and never vary them again. Perhaps this is the same narrowing we observe in relation to ourselves and the tide pool—a man looking at reality brings his own limitations to the world. If he has strength and energy of mind the tide pool stretches both ways, digs back to electrons and leaps space into the universe and fights out of the moment into non-conceptual time. Then ecology has a synonym which is ALL.

The innocent and the beautiful Have no enemy but time; Arise and bid me strike a match And strike another till time catch; (In Memory of Eva Gore-Booth and Con Markievicz)

In Antartica, The Wright and half a dozen other valleys in the Central Transantarctic Mountains are collectively referred to as the dry valleys. It has not rained here in two million years. No animal abides, no plant grows. A persistent, sometimes ferocious wind has stripped the country to stone and gravel, to streamers of sand. The huge valleys stand stark as empty fjords. You look in vain for any conventional sign of human history- the vestige of a protective wall, a bit of charcoal, a discarded arrowhead. Nothing. There is no history, until you bore into the layers of rock or until the balls of your fingertips run the rim of a partially exposed fossil. At the height of the austral summer, in December, you smell nothing but the sunbeaten stone. In a silence dense as water, your eye picks up no movement but the sloughing of sand, seeking its angle of repose. On the flight in from New Zealand it had occurred to me, from what I had read and heard, that Antarctica retained Earth’s primitive link, however tenuous, with space, with the void that stretched out to Jupiter and Uranus. At the seabird rookeries of the Canadian Arctic or on the grasslands of the Serengeti, you can feel the vitality of the original creation; in the dry valleys you sense sharply what came before. The Archeozoic is like fresh spoor here.

My feeling is that an observer needs to see four hundred and fifty stars to get that feeling of infinitude, and be swept away…and I didn’t make that number up arbitrarily, that’s the number of stars that are available once you get dimmer than third magnitude. So in the city, you see a dozen stars, a handful, and it’s attractive to no one. And if there’s a hundred stars in the sky it still doesn’t do it. There’s a certain tipping point where people will look and there will be that planetarium view. And now you’re touching that ancient core, whether it’s collective memories or genetic memories, or something else form way back before we were even human…astronomer Bob Berman quoted in The End of Night

That is the story of life after all, isn't it? Killing time until time kills you. Pretty desolate if one thinks about it. Well, let's collect memories, lots and lots of them, all before we might realise that our lives were just a shimmer!

There in the dark her memory was refreshed, and she succumbed to her earlier dreams. Along with the idea of romantic love, she was introduced to another - physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion. In equating physical beauty with virtue, she stripped her mind, bound it, and collected self-contempt by the heap. She forgot lust and simple caring for. She regarded love as possessive mating, and romance as the goal of the spirit. It would be for her a well-spring from which she would draw the most destructive emotions, deceiving the lover and seeking to imprison the beloved, curtailing freedom in every way." -- Toni Morrison, The Bluest Eye

The beautiful dream of young love that ventures only on half-measures, that desires and dares not ask, promises and does not give. He was homeless in the noble sense of those who, like the Vikings and pirates of beauty, have collected in their intellectual raids all that is most precious in many great cities. He was close to all the arts in the manner of a dilettante, but stronger than his love for them was his sublime disdain to serve them. Destiny does not always need the powerful prelude of a sudden violent blow to shake a heart beyond recovery. Memory is always a bond and every loving memory is a bond twice over.

At the bottom of the box were two big fairy-tale collections our father had sent us sometime after our parents divorced in 1963. I was four and my sister was five. We never saw him again. One book was a beautifully illustrated collection of Russian fairy tales inscribed, "To Rachel, from Daddy." The other, a book of Japanese fables, was inscribed to me. It had been years since I had opened them. I stared at the handwriting. Something seemed a bit off. Then it dawned on me - both inscriptions bore my own adolescent scrawl. I had always remembered the books and our father's dedications as proof of his love for us. Yet, how malleable our memories are, even if our brains are intact. Neuroscientists now suggest that while the core meaning of a long-term memory remains, the memory transforms each time we attempt to retrieve it. In fact, anatomical changes occur in the brain every single time we remember. As Proust said, "The only paradise is paradise lost.

A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.

There is no reason to deprive your body of love, beauty, creativity, and inspiration, Chopra said. I wrote out a collection of sensory memories from childhood, recalling how it felt to be nourished and soothed. Rice steaming, rain outside. Standing in a towel heated by the tall furnace, feet dripping on the hardwood floor. The smell of sun on asphalt. Cold water on my face in the morning. Eating a bowl of cereal at midnight. The sound of a page turning as I am being read to. The thud of a peach falling. The dusty smell of sand. The scorch of cocoa, the sticky film of melted marshmallow. Spongy insides of bread sopping up tomatoes and vodka sauce. I am reminded of what I am capable of feeling. The ways I consume, my senses opening to receive, at ease, indulgent.

I stayed up late that night peering up at the rafters, thinking on Thena’s words. A beautiful woman, the kindest heart, did not gossip, kept to herself. I added this to the memories of her I’d collected from the people on the Street. Thena could not know how much I needed those small jigsaws of my mother, which together, over the years, I forged into a portrait of the woman who lived in dreams, like Big John, but only as smoke.

When Rachel asks him about days before his life as a Wolff, he will scowl and fidget and so she learns to wait for his recollections and, because it is so difficult for him, she will listen without speaking, collecting the pieces of his past painstakingly like a jigsaw maker, or a batsman accumulating runs, in awe of the impossible distance between a sliver of blue and a great sky, between three runs and a century, between a shard of memory and memory itself.

It feels like someone tore away the other half of the book that I was reading. Probably, I might never get that other half again. I might spend my whole life trying to comprehend how this story would end. But while I hold this half, and read it, I end up seeing a different ending every time. While some of these are worse, and some are beautiful, they all manage to leave a void, which I'll never be able to explain with my mere words. Which makes me wish for that other half of the book even more.

From thence we proceeded to Oxford. As we entered this city, our minds were filled with the remembrance of the events that had been transacted there more than a century and a half before. It was here that Charles I. had collected his forces. This city had remained faithful to him, after the whole nation had forsaken his cause to join the standard of parliament and liberty. The memory of that unfortunate king, and his companions, the amiable Falkland, the insolent Goring, his queen, and son, gave a peculiar interest to every part of the city which they might be supposed to have inhabited. The spirit of elder days found a dwelling here, and we delighted to trace its footsteps. If these feelings had not found an imaginary gratification, the appearance of the city had yet in itself sufficient beauty to obtain our admiration. The colleges are ancient and picturesque; the streets are almost magnificent; and the lovely Isis, which flows beside it through meadows of exquisite verdure, is spread forth into a placid expanse of waters, which reflects its majestic assemblage of towers, and spires, and domes, embosomed among aged trees.

Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years. Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest. “Cecily said it was Colby,” Leta said unsteadily. “Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.” “That doesn’t sound like the life of a playboy widower,” Leta said caustically. “My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.” “I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.” “It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?” She shrugged. “Pick a reason.” He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily. “He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks. “I’ll punch him for that,” Matt said darkly. “Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.” “You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…” He turned back to Cecily and grimaced. “Good God, what did you do that for?” “Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!” “I hope you never get mad at me,” Matt said. “Fat chance.

THE GOLDEN CHAIN OF FRIENDSHIP Friendship is a golden chain, the links are friends so dear, And like a rare and precious jewel, it’s treasured more each year. It’s clasped together firmly with a love that’s deep and true, And it’s rich with happy memories and fond recollections, too. Time can’t destroy its beauty, for as long as memory lives, Years can’t erase the pleasure that the joy of friendship gives. For friendship is a priceless gift that can’t be bought or sold, And to have an understanding friend is worth far more than gold. And the golden chain of friendship is a strong and blessed tie Binding kindred hearts together as the years go passing by.

There in the dark her memory was refreshed, and she succumbed to her earlier dreams. Along with the idea of romantic love, she was introduced to another—physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion. In equating physical beauty with virtue, she stripped her mind, bound it, and collected self-contempt by the heap. She forgot lust and simple caring for. She regarded love as possessive mating, and romance as the goal of the spirit. It would be for her a well-spring from which she would draw the most destructive emotions, deceiving the lover and seeking to imprison the beloved, curtailing freedom in every way.

With memories of gravestones, of combing fingers through tangled hair, I wonder too ... If the rent in the canvas of our life backdrop, the losses that puncture our world, and our own emptiness, might actually become places to see. To see through to God. That which tears open our souls, those holes which splatter sight, they actually become the thin, open places to see through the mess of this place to the heart aching beauty beyond. To him. To the god whom we endlessly crave. But how? How do we choose to allow the holes to become seeing through to collect places? How do I give up resentment for gratitude, anger for spilling joy, so focus for God communion. To fully live to fully live grace enjoy with all that is beauty internal it is possible

In this peaceful city, during Tet, it was traditional to send cups of paper with lit candles floating down the Huong like flickering blossoms, prayers for health, for success, for the memory of loved ones away or departed, for success in business or in love, and perhaps for an end to the war and killing. It made a moving collective display, a vast flotilla of hope, many thousands of tiny flames. They would wind down the wide water without sound, flowing past the bright lights of the modern city to the south, framed to the north by the fortress’s high black walls. People would line both banks of the Huong to savor the spectacle, stepping up and bending to add their own offering. The ritual was Hue’s emblem and signature, a gesture of beauty and calm, of harmony between the living and the dead, an expression of Vietnam’s soul, a place far from the horrors of war. Not this year.

Recently, a judge of the prestigious 2014 British Forward Prize for Poetry was moved to observe that “there is an awful lot of very powerful, lyrical, and readable poetry being written today,” but we need education, because “we have lost the sense that poetry sits halfway between prose and music—that you can’t expect to read it like a novel.” A few years ago, the New York Times published an op-ed of mine, about learning poetry by heart. The response to it confirmed that people of all ages think about poetry as a kind of inspired music, embodying beauty and insight. On one hand, poetry has always flowed from music, as rap and hip-hop remind us big-time. Rappers know how poetry walks and talks. So we have music, or deeply felt recitations of poems that belong to collective memory. On the other hand, we have overly instructive prose poems, as well as the experiments of certain critical ideologies, or conceptual performance art. These aspects seem to represent the public, Janus face of poetry.

Memory Finally Memory’s finally found what it was after. My mother has turned up, my father has been spotted. I dreamed up a table and two chairs. They sat. They were mine again, alive again for me. The two lamps of their faces gleamed at dusk as if for Rembrandt. Only now can I begin to tell in how many dreams they’ve wandered, in how many crowds I dragged them out from underneath the wheels, in how many deathbeds they moaned with me at their side. Cut off, they grew back, but never straight. The absurdity drove them to disguises. So what if they felt no pain outside me, they still ached within me. In my dreams, gawking crowds heard me call out Mom to a bouncing, chirping thing up on a branch. They made fun of my father’s hair in pigtails. I woke up ashamed. So, finally. One ordinary Friday night they suddenly came back exactly as I wanted. In a dream, but somehow freed from dreams, obeying just themselves and nothing else. In the picture’s background possibilities grew dim, accidents lacked the necessary shape. Only they shone, beautiful because just like themselves. They appeared to me for a long, long, happy time. I woke up. I opened my eyes. I touched the world, a chiseled picture frame.

In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.

The Blue Mind Rx Statement Our wild waters provide vast cognitive, emotional, physical, psychological, social, and spiritual values for people from birth, through adolescence, adulthood, older age, and in death; wild waters provide a useful, widely available, and affordable range of treatments healthcare practitioners can incorporate into treatment plans. The world ocean and all waterways, including lakes, rivers, and wetlands (collectively, blue space), cover over 71% of our planet. Keeping them healthy, clean, accessible, and biodiverse is critical to human health and well-being. In addition to fostering more widely documented ecological, economic, and cultural diversities, our mental well-being, emotional diversity, and resiliency also rely on the global ecological integrity of our waters. Blue space gives us half of our oxygen, provides billions of people with jobs and food, holds the majority of Earth's biodiversity including species and ecosystems, drives climate and weather, regulates temperature, and is the sole source of hydration and hygiene for humanity throughout history. Neuroscientists and psychologists add that the ocean and wild waterways are a wellspring of happiness and relaxation, sociality and romance, peace and freedom, play and creativity, learning and memory, innovation and insight, elation and nostalgia, confidence and solitude, wonder and awe, empathy and compassion, reverence and beauty — and help manage trauma, anxiety, sleep, autism, addiction, fitness, attention/focus, stress, grief, PTSD, build personal resilience, and much more. Chronic stress and anxiety cause or intensify a range of physical and mental afflictions, including depression, ulcers, colitis, heart disease, and more. Being on, in, and near water can be among the most cost-effective ways of reducing stress and anxiety. We encourage healthcare professionals and advocates for the ocean, seas, lakes, and rivers to go deeper and incorporate the latest findings, research, and insights into their treatment plans, communications, reports, mission statements, strategies, grant proposals, media, exhibits, keynotes, and educational programs and to consider the following simple talking points: •Water is the essence of life: The ocean, healthy rivers, lakes, and wetlands are good for our minds and bodies. •Research shows that nature is therapeutic, promotes general health and well-being, and blue space in both urban and rural settings further enhances and broadens cognitive, emotional, psychological, social, physical, and spiritual benefits. •All people should have safe access to salubrious, wild, biodiverse waters for well-being, healing, and therapy. •Aquatic biodiversity has been directly correlated with the therapeutic potency of blue space. Immersive human interactions with healthy aquatic ecosystems can benefit both. •Wild waters can serve as medicine for caregivers, patient families, and all who are part of patients’ circles of support. •Realization of the full range and potential magnitude of ecological, economic, physical, intrinsic, and emotional values of wild places requires us to understand, appreciate, maintain, and improve the integrity and purity of one of our most vital of medicines — water.

Try to picture this: For the next few months, each day, You -being the only person remaining in an immense room (where a beautiful event was held, but you were not invited). And your only duty is to put in order all that room back in place, without guidance and without any assistance. You, completely alone. On your first few days, you let yourself get extremely curious and you admire the splendor and majesty of the immense room. From the paintings adorning the walls to each and every single piece of furniture. In the next few weeks, you start admiring the crystal glasses & plates. You even eat or taste what they left, the guests before you. You sit on each piece of furniture, and pretend to imagine yourself in that event… After a period of time, and repeating this same exact responsibility, you acquire a great facility in collecting and putting this same immense room in order; and consequently, with the remaining time that you have left, you begin to show more interest to what you can see from each window (that room no longer carries the same interest it once had on you). And you look forward to be out from it. I am that huge room that shines and catches the attention of many. And you, you are that person who shares a private life with me, and who knows all my imperfections. Maybe it's often like this, and one gets bored of the room one lives in, even disgusted or weary - so you think you have to leave it behind… Leave it. Hope you had a good time till then. Hope you have good memories and a smile when you think of this time. It was not wasted. It was an enrichment for your life (and of the life of the other one). But not after you tried everything to get along, not after you fought for your "love". If it’s over, it’s over. But if you manage to stay, it will be the best time of your life.

Gossip, even malicious rumors, are worth more than the most expensive publicity campaign in the world. What alarmed me most in the course of my stay in the United States was the habit of spending enormous sums of money in order to achieve so little real luxury. America represents the triumph of quantity over quality. Mass production triumphs; men and women both prefer to buy a multitude of mediocre things rather than a smaller number, carefully chosen. The American woman, faithful to the ideal of optimism with the United States seems to have made its rule of life, spends money entirely in order to gratify the collective need to buy. She prefers three new dresses to one beautiful one and does not linger over a choice, knowing perfectly well that her fancy will be of short duration and the dress which she is in the process of buying will be discarded very soon. The prime need of fashion is to please and attract. Consequently this attraction cannot be born of uniformity, the mother of boredom. Contemporary elegance is at once simple and natural. Since there is no patience where vanity is concerned, any client who is kept waiting considers it a personal insult. The best bargain in the world is a successful dress. It brings happiness to the woman who wears it and it is never too dear for the man who pays for it. The most expensive dress in the world is a dress which is a failure. It infuriates the woman who wears it and it is a burden to the man who pays for it. In addition, it practically always involves him in the purchase of a second dress much more expensive - the only thing that can blot out the memory of the first failure. Living in a house which does not suit you is like wearing someone else's clothes. There will always be women who cling to a particular style of dress because they wore it during the time of their greatest happiness, but white hair is the only excuse for this type of eccentricity. The need for display, which is dormant in all of us, can express itself nowadays in fashion and nowhere else. The dresses of this collection may be worn by only a few of the thousands of women who read and dream about them, but high fashion need not be directly accessible to everyone: it need only exist in the world for its influence to be felt.

This point was driven home for me for the first time when I was traveling in Asia in 1978 on a trip to a forest monastery in northeastern Thailand, Wat Ba Pong, on the Thai-Lao border. I was taken there by my meditation teacher, Jack Kornfield, who was escorting a group of us to meet the monk under whom he had studied at that forest hermitage. This man, Achaan Chaa, described himself as a “simple forest monk,” and he ran a hundred-acre forest monastery that was simple and old-fashioned, with one notable exception. Unlike most contemporary Buddhist monasteries in Thailand, where the practice of meditation as the Buddha had taught had all but died out, Achaan Chaa’s demanded intensive meditation practice and a slow, deliberate, mindful attention to the mundane details of everyday life. He had developed a reputation as a meditation master of the first order. My own first impressions of this serene environment were redolent of the newly extinguished Vietnam War, scenes of which were imprinted in my memory from years of media attention. The whole place looked extraordinarily fragile to me. On my first day, I was awakened before dawn to accompany the monks on their early morning alms rounds through the countryside. Clad in saffron robes, clutching black begging bowls, they wove single file through the green and brown rice paddies, mist rising, birds singing, as women and children knelt with heads bowed along the paths and held out offerings of sticky rice or fruits. The houses along the way were wooden structures, often perched on stilts, with thatched roofs. Despite the children running back and forth laughing at the odd collection of Westerners trailing the monks, the whole early morning seemed caught in a hush. After breakfasting on the collected food, we were ushered into an audience with Achaan Chaa. A severe-looking man with a kindly twinkle in his eyes, he sat patiently waiting for us to articulate the question that had brought us to him from such a distance. Finally, we made an attempt: “What are you really talking about? What do you mean by ‘eradicating craving’?” Achaan Chaa looked down and smiled faintly. He picked up the glass of drinking water to his left. Holding it up to us, he spoke in the chirpy Lao dialect that was his native tongue: “You see this goblet? For me, this glass is already broken. I enjoy it; I drink out of it. It holds my water admirably, sometimes even reflecting the sun in beautiful patterns. If I should tap it, it has a lovely ring to it. But when I put this glass on a shelf and the wind knocks it over or my elbow brushes it off the table and it falls to the ground and shatters, I say, ‘Of course.’ But when I understand that this glass is already broken, every moment with it is precious.”5 Achaan Chaa was not just talking about the glass, of course, nor was he speaking merely of the phenomenal world, the forest monastery, the body, or the inevitability of death. He was also speaking to each of us about the self. This self that you take to be so real, he was saying, is already broken.

He looked up at her. Age and worry had taken their toll on her frail body, but she was kind and beautiful. And for a moment, memories and thoughts swam to the surface, the world coming into utter clarity. And all of them revolved around Amanda, his wife of fifty years.

ant to give a memorable tea party? Want a wonderful moment to share God's love? For my granddaughters and their friends I carefully selected old teacups-all different and lovely. Then I put out clean hankies to use as napkins, along with spoons for each girl. We had special tea treats and a lovely time. Once we'd had our delightful tea, we collected all the cups and carefully washed them together. As I handed a cup back to each girl to take home, I said, "The teacup you hold in your hand is beautiful, just as you are in God's sight. Look closely at your teacup. Do you see a chip or crack? That's okay. Life brings cracks and chips, but the teacup is still beautiful and can still be used. And even though you may get a bit chipped and cracked here and there, you're still beautiful and useful to God. He loves you! Remember this every time you look at this cup." ave family photographs copied at your local camera shop and give copies as gifts. Take your children on a memory journey-visit and talk about the places you frequented as a child.

Find beauty in the little things. Collect memories. Never give up on dreams that you believe in. Live, don't exist.

life, but leave a rich heritage of beautiful memories in their going — one of those summers which, in a fortunate combination of delightful weather, delightful friends and delightful doings, come as near to perfection as anything can come in this world.

[E]verything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones—they are characters you have created. And your arguments with them are like meetings with an editor—please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience—with our senses and our nerves—is a vast, absurd, beautiful, ridiculous chaos.” ― Keith Ridgway

[Kerala; Communism, ballots over bullets… Promises, experiments, egalitarianism… Last remaining memory of a shared dream… Beautiful, regretful… Beautiful dreams disappearing on waking up to realities… Realities, regrets that remain… Dialectics eschewed, materialism that remains… These villages are notorious for infanticide, foeticide, STDs, malaria, TB and the more rampant malnourishment, poverty and casteism. All of it killed its people. Along with snake bites, sorcery and quackery. These are the little miracles that my kind take for granted, for we believe we are born with certain entitlements. We fail to see the miracles. Maybe it is for this reason there aren’t many rationalists and atheists hailing from the houses of the poor.

In my short time in South Africa of only a few days, I have learned two things about South Africans. First, they are collectors of little moments. They love to collect beautiful memories that they can treasured for a lifetime. Second, they are bookends people. First impressions and last impressions kind of people. They remind me of Dr. Maya Angelou’s words when she said that people will forget what you said, but that they will never forget how you made them feel.” I think she was describing South Africans – bookend people: Strong beginning and lasting endings…

... she thought about back home, about how she had been all alone most of the time then too, but that this lonesomeness was different. Then she stopped staring at the green chairs, at the delivery truck; she went to the movies instead. There in the dark her memory was refreshed, and she succumbed to her earlier dreams. Along with the idea of romantic love, she was introduced to another -- physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion. In equating physical beauty with virtue, she stripped her mind, bound it, and collected self-contempt by the heap. She forgot lust and simple caring for. She regarded love as possessive mating, and romance as the goal of the spirit. It would be for her a well-spring from which she would draw the most destructive emotions, deceiving the lover, and seeking to imprison the beloved, curtailing freedom in every way.

Create beautiful memories; at some point in time, that is all that you might be left with.

Sometimes, it is only in the hands of another that a memory can be fully encountered. All of a sudden it is not the front of the car you see but the street from the back side window. The memory expands past two dimensions. This is the beauty of collective memory.

Yesterday, she said, referring to the collective past of her tribe, the people of these forests knew the secret. They made the finest silk thread from the cocoon of a beautiful sleeping butterfly. The women reeled the silk thread on the spinning wheel, slowly and gently. Such delicate work it was, that the silk remembered, at last, the moth which had created it. And the women were awed at the silver shine of the silk produced. If the silk is so divine, they thought, what must be the beauty of the butterfly waiting to be born? They stopped breaking the cocoons and looked for the crimson wings of the butterflies emerging from the torn nests of raw silk. The sight took them aback. They became sages and storytellers. My mother’s mother was one of them.

To die, I knew, meant you were never, ever coming back. From that moment on, you only existed in people’s memories.

I’d often watched as lifetimes of memories were unceremoniously discarded by bereaved family members eager to sell a home of the recently departed. The promise of a chunk of money often robbed people of their scruples.

Behind every person is a story, a collection of moments that shape the contours of their existence. It's a narrative woven with threads of joy and sorrow, painted with strokes of laughter and tears. Each individual carries within them a unique history, a composition of experiences that define who they are. Beyond the surface, there are layers of emotions, a complex interplay of happiness, pain, and everything in between. It's a journey marked by footprints of relationships, imprints of challenges, and echoes of accomplishments. Behind every person is a living novel, a mosaic of memories, and a reflection of the intricate dance between resilience and vulnerability. So, in the weave of life, let's explore the myriad stories that make each person extraordinary and incomprehensibly beautiful.

I understood implicitly the way smell helped imprint memories

Memories While on Everest; Chapter 6 Something transcendental happened to me today, that caused an awakening in me While taking a break while climbing, I saw a huge cumulonimbus cloud Move down over Mount Everest’s Knife’s Edge ridge A cloud so empyreal, so illuminating and brilliant, it was revelatory Mystically, it gave me a higher understanding. It gave me a sort of, sacred knowledge Knowledge about things that’d been bouncing ‘round inside my mind and heart Things that relate to those whom we love and share our lives with And things that relate to that which we dedicate our gifts to Things that endlessly idles and ruminates inside me Things of utmost importance to me, such as life, Love and Poetry What that cloud made me see keenly, with acuity and celerity, is that Love is the seeking of a way of life. A way that cannot be sought alone Poetry is the residence of all spiritual and physical things Love is the acceptance of the things we find whilst we seek Poetry is the marriage of both love and art Love is the giving of life. It’s not charity, which is the giving of things Poetry is the giving of self. It’s the taking and giving of all things beautiful When combined, love and poetry collude to turn on the lights of our inner folds Which then heightens our collective empathy and humanity And informs our inner awareness, that we are always in the presence of Source

The awareness of mortality casts a bittersweet shadow over the vibrancy of life and love. We exist in a state of impermanence, where beauty fades and connection dissolves. Yet, it is precisely this impermanence that imbues life with its preciousness and love with its urgency. In the face of oblivion, love becomes a defiant act, a bridge we build across the chasm of the ephemeral, a testament to the enduring power of connection in a fleeting existence." The quote's appreciation for love in the face of life's fleeting nature echoes Epicurean ideals. This emphasizes the existentialist concept of living in a finite world and the absurdist notion of creating meaning in the face of nothingness. It highlights love as a way to transcend the impermanence of life and forge a connection that defies the inevitable. The concept of finding meaning and beauty in a world wracked by impermanence aligns closely with the philosophy of Epicurus. Epicureanism emphasizes living a virtuous and pleasure-filled life while minimizing pain. Though often misinterpreted as mere hedonism, Epicurus also stressed the importance of intellectual pursuits, close friendships, and facing mortality with courage. Unfortunately, Epicurus himself didn't write any essays or novels in the traditional sense. Most of his teachings were delivered in letters and discourses to his students and followers. These were later compiled by others, most notably Hermarchus, who helped establish Epicurean philosophy. The core tenets of Epicureanism are scattered throughout various ancient texts, including: *Principal Doctrines: A summary of Epicurus' core beliefs, likely compiled by Hermarchus. *Letter to Menoeceus: A letter outlining the path to happiness through a measured approach to pleasure and freedom from fear. *Vatican Sayings: A collection of sayings and aphorisms attributed to Epicurus. These texts, along with Diogenes Laërtius' Lives and Sayings of the Philosophers, which includes biographical details about Epicurus, provide the best understanding of his philosophy. Love is but an 'Ephemeral Embrace'. Life explodes into a vibrant party, a kaleidoscope of moments that dims as the sun dips below the horizon. The people we adore, the bonds we forge, all tinged with the bittersweet knowledge that nothing lasts forever. But it's this very impermanence that makes everything precious, urging us to savor the here and now. Imagine Epicurus nudging us and saying, "True pleasure isn't a fleeting high, it's the joy of sharing good times with the people you love." Even knowing things end, we can create a life brimming with love's connections. Love becomes an act of creation, weaving threads of shared joy into a tapestry of memories. Think of your heart as a garden. Love tells you to tend it with care, for it's the source of connection with others. In a world of constant change, love compels us to nurture our inner essence and share it with someone special. Love transcends impermanence by fostering a deep connection that enriches who we are at our core. Loss is as natural as breathing. But love says this: "Let life unfold, with all its happy moments and tearful goodbyes. Only then can you understand the profound beauty of impermanence." Love allows us to experience the full spectrum of life's emotions, embracing the present while accepting impermanence. It grants depth and meaning to our fleeting existence. Even knowing everything ends, love compels us to build a haven, a space where hearts connect. It's a testament to the enduring power of human connection in a world in flux. So let's love fiercely, vibrantly, because in the face of our impermanence, love erects a bridge to something that transcends the temporary.

Let Me Hold Your Hand Take my hand and let us walk past this meadow, Where we are surrounded by sunshine, and only our shadow, That spreads over the tips of grass blades, Where your beauty my every sense invades, There let me surrender my prudence before your beauty, And let me love you Irma, with all my piety, To erect your sweet memories as Goddesses in the temple of my existence, To kiss you with devotion and submit myself to your love and its trance, Then let me stare at your beautiful face till eternity, And as I get submerged in this sea of passion and renewed feeling of sanity, Let me hold you in my arms and lift you unto the Heaven, To make Gods jealous, for in you I have already found my heaven, So what shall They offer me now to own my loyalties, For from you my love, I draw my life’s royalties, Then let me bargain with the Gods from the above, And seek eternity for you and for me only your love, So it shall be done my darling and so it shall be now, I belong to you, and before your grace I shall take an obedient bow, To love you forever in the sanctum of my life and place you as the highest God, While I love you Irma, let me thank the Gods too, for without you and me they might feel a bit odd, So as we walk past the meadow of life holding our hands, I shall always love you in the midst of this myriad collection of flower bands!

wouldn't it have been more beautiful still, Anne, if there had been NO separation or misunderstanding . . . if they had come hand in hand all the way through life, with no memories behind them but those which belonged to each other?

We believed Harriet had been collected in 1835 by Charles Darwin himself. She was brought to Australia from England in 1841 by Captain Wickham aboard the HMS Beagle. Actually, three giant Galapagos tortoises had been donated to the Brisbane Botanic Gardens, after Darwin realized they did not flourish in England, where he had originally taken them in 1835. How could we determine whether Harriet was one of the Darwin Three? Scott Thomson found a giant tortoise in the collection of the Queensland Museum that had been mislabeled an Aldabran tortoise. Carved on the carapace was the animal’s name. “Tom,” and “1929.” We now had potentially found two of the three Darwin tortoises. Harriet and Tom had been seen together in living memory. The third tortoise was never found and was presumed buried somewhere in the botanic gardens. Harriet lived on. Steve and I became very excited at this news. Our studies and research into Harriet’s history continued for years, and it was amazing to learn what a special resident we had at the zoo. Despite her impressive background, Harriet remained attractively modest. She had a sweet personality like a little dog. She loved hibiscus flowers, and certain veggies were her favorites. Steve carried on a practice that his parents had implemented: Whatever you feed animals should be good enough for you to eat. Thus Harriet got the most beautiful mustard greens, kale, eggplant, zucchinis, and even roses. In return, Harriet gave zoo visitors a rare chance to watch her keepers cuddle and scratch one of the grandest creatures on earth. She was the oldest living chelonian and the only living creature to have met Charles Darwin and traveled aboard the Beagle. And she gave us all something else, too--a lesson in how to live a long life. Don’t worry too much. Take it easy. Stop and munch the flowers. It was a lesson Steve noted and understood but could never quite take to heart. He was a meteor. Harriet was more of a mountain. In this world, we need both.

I can recount our small collection of memories from the time we spent exploring through those trees, running carelessly as if we were children again. I can easily remember the fallen tree serving as a bridge over the stream, the one that we both hung upside down from and felt all of the blood rush to our heads. I would give anything to regain that childlike sense of innocence we shared in our sparse moments of escaping from our problems. Unfortunately, they crept back as soon as the trees were fading into the horizon and the front door shut behind us.

Collect the positives in your past In the Old Testament, God commanded His people to have certain feasts and certain celebrations. One of the main reasons was so they would remember what He had done. Several times a year they would stop what they were doing so everybody could take off. They would celebrate how God brought them out of slavery and how God defeated their enemies and how He protected them. They were required to remember. In another place it talks about how they put down what they called “memorial stones.” These were big stones. Today, we would call them historical markers. The stones reminded them of specific victories. Every time they would go by certain stones they would recall an event. “This stone was for when we were brought out of slavery. This stone is for when our child was healed. This stone is for how God provided for our needs.” Having these memorial stones helped them to keep God’s deeds fresh in their memories. In the same way, you should have your own memorial stones. When you look back over your life, you should remember not when you failed, no when you went through a divorce, not when your business went down, not when you lost that loved one, not when the boss did you wrong. That’s remembering what you’re supposed to forget. You need to switch over to the other channel. Remember when you met the love of your life, remember when your child was born, remember when you got that new position, remember when the problem suddenly turned around, remember the peace you felt when you lost a loved one. Remember the strength you had in that difficult time. It looked dark. You didn’t think you’d see another happy day again, but God turned it around and gave you joy for mourning, beauty for ashes, and today you’re happy, healthy, strong. We should all have our own memorial stones.

Harry was fascinated by the Hathaways, the mysterious connections between them, as if they shared some collective secret. One could almost see the wordless understanding that passed between them. Although Harry knew a great deal about people, he knew nothing about being part of a family. After Harry’s mother had run off with one of her lovers, his father had tried to get rid of every remaining trace of her existence. And he had done his best to forget that he even had a son, leaving Harry to the hotel staff and a succession of tutors. Harry had few memories of his mother, only that she had been beautiful and had had golden hair. It seemed she had always been going out, away from him, forever elusive. He remembered crying for her once, clutching his hands in her velvet skirts, and she had tried to make him let go, laughing softly at his persistence. In the wake of his parents’ abandonment, Harry had taken his meals in the kitchen with the hotel employees. When he was sick, one or another of the maids had taken care of him. He saw families come and go, and he had learned to view them with the same detachment that the hotel staff did. Deep down Harry harbored a suspicion that the reason his mother had left, the reason his father never had anything to do with him, was because he was unlovable. And therefore he had no desire to be part of a family. Even if or when Poppy bore him children, Harry would never allow anyone close enough to form an attachment. He would never let himself be shackled that way. And yet he sometimes knew a fleeting envy for those who were capable of it, like the Hathaways.

Except now I think that she isn’t just beautiful in spite of the scar, she’s somehow beautiful with it, like Lynn with her buzzed hair, like Tobias with the memories of his father’s cruelty that he wears like armor, like my mother in her plain gray clothing.

The best legacy a man can leave his children is the memory and influence of a large, broad, finely developed mentality, a well-disciplined, highly cultured mind, a sweet, beautiful character which has enriched everybody who came in contact with it, a refined personality, a magnanimous spirit. To leave a clean record, an untarnished name, a name which commanded respect for honesty and integrity which were above suspicion ; this is a legacy worthwhile, a wealth beyond the reach of fire or flood, disaster or accident on land or sea. This is a legacy allied to divinity.

Just as I collect books and textiles, I collect memories and friends. I love to remember. It’s not that I dwell in nostalgia, but that I love intimacy. It is the opposite of small talk. It is the closest thing to truth. “Beauty is truth, truth beauty,” as I learned in Oxford when I studied the English poet John Keats.

A soldier once said, “War is not hell. It is the gates of hell.” Memorial Day is when we remember those who have fallen at those gates. We call it a holiday, but it really feels more like a day of collective mourning, a day when we grieve those beautiful boys and young women who made a sacrifice that can never really be repaid.

Most were beautiful memories, warm ones, because her mother had been the constant thread of goodness woven throughout Cait’s life. Goodness that had given Cait the space to be bad, to try and fail, to find herself. While Cait’s father had been stern and a little remote with both his children, never quite accepting of Cait, Mum had always shown by example just what it meant to love someone. Shown that true love was bottomless and unconditional.

Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit. She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres. Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter. After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling. She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful. Fill me. The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence. Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems. For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms. Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat. And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.

His body, hard-corded muscle and superhuman strength, shimmered, dissolved, became a faint crystal mist seeping beneath the door, streaming into the night air. Droplets beaded, collected, connected, formed a large winged bird. It dipped, circled, and swept across the darkened sky, silent, lethal, beautiful in its deadly deception. Mikhail reveled in the power of flight, the wind rushing against his body, the night air speaking to him, whispering secrets, carrying the scent of game, of man. He followed the faint psychic trail unerringly. So simple. Yet his blood was surging hotly, no memory, but real excitement. A woman, young, full of life and laughter, a human with a psychic connection to him. A human filled with compassion, intellect, and strength. Death and damnation could wait another day while he satisfied his curiosity.