Cole Train Quotes

We've searched our database for all the quotes and captions related to Cole Train. Here they are! All 52 of them:

With your actions, you train others how to treat you.
Kresley Cole (Shadow's Claim (The Dacians, #1))
Emma convinced herself she'd lost him because she was fast. She was also adept at convincing herself of things that might not be - good at pretending. She could pretend she took classes at night by choice, and that blushing didn't make her thirsty-- A vicious growl sounded. Her eyes widened, but she didn't turn back, just sprinted across the field. She felt claws sink into her anckle a second before she was dragged to the muddy ground and thrown onto her back. A hand covered her mouth, though she'd been trained not to scream. "Never run from one such as me." Her attacker didn't sound human. "You will no' get away. And we like it." His voice was guttural like a beast's, breaking, yet his accent was... Scottish?
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Regin the Radiant and Emmaline Troy: 'Alrighty then, have it your way- you're on your own... Now, if you come across a leech, no offense, remember your training.' 'None taken. And would that be the sword training where you fly past my defenses and swat me on the ass, chirping, 'Dead!'? Another swat. 'Dead!'? Yeah, I'll get right on that.' 'No, that would be the training where you sprint like hell whenever you hear that I'm looking for you to train.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Gods, she was as exquisite as her scent— Wham! The demons tackled him with the force of a freight train, flattening him on the field, piling on top of him.
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #9))
Sometimes, someone could stumble unannounced into the train wreck that is your life and begin to pull you out of the heavy rubble weighing down on your chest.
Tillie Cole (Sweet Fall (Sweet Home, #2; Carillo Boys, #1))
My mama has me trained well. Even if my hair is getting pulled out by the roots, I can sit still and not move.
Alyssa Cole (An Extraordinary Union (The Loyal League #1))
It was a renovated train station housing galleries of famous French impressionists and other artists of the period. Van Gogh’s Starry Night over the Rhone, my favorite of them all, was . . . here.
Kresley Cole (The Professional (The Game Maker, #1))
He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on. In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung. Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect. From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
Tom Robbins
Four hundred forty-six,” Cole whispered. “What?” she asked. He kept his head down in what seemed to be a prayer. “He counts. You’ve smiled at him four hundred and forty-six times as of a few minutes ago. He announces the number every time I see him.” “I’m ashamed to admit that I didn’t think you were real. Considering my line of work, I should have more faith in humanity.” Cole shook his head. “I think it was smile two hundred eighty-six that drove me the most crazy. It was the night train. Blake was so sick, feverish. Honestly, I was considering taking him to the hospital. But no. He didn’t want to miss a smile. He wouldn’t even let me drive him. Blake walked the whole way in the pouring rain for number two eighty-six.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
As a leader, you obtain a sense of the better soldiers during training. They have a quiet confidence about them and a swagger that sets them apart.
Cole C. Kingseed (Conversations with Major Dick Winters: Life Lessons from the Commander of the Band of Brothers)
I wanted him to see that I was dying inside, that I was on the fast train to hell and I needed him to fucking realize it and save me.
Tillie Cole (My Maddie (Hades Hangmen, #8))
Have you ever felt like a train desperate to jump the tracks? I guess that’s me. I wanted to be a train wreck.
Cole McCade (The Lost (Crow City, #1))
Suddenly an adolescent voice boomed through the train car. “Showtime! Showtime, ladies and gentlemen!
Alyssa Cole (A Princess in Theory (Reluctant Royals, #1))
Patrol dogs and Military Working Dogs were trained to protect their handlers. If the handler was attacked, and unconscious, or fighting for his or her life, the dog had to know what to do without being told. As Leland said, “These animals aren’t robots, goddamnit! They think! You train her up right, this beautiful dog will watch your back better than a squad of goddamned Marines!
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
I wanted his hushed conversations, his stories that transported me to another place. A place where homeless girls didn't live in train stations. A place where there wasn't hunger or cold. A place only my cowboy had taken me. I needed to figure out how to get there, and I needed more info on Cole to do that.
Amie Knight (The Line)
Cole envisioned the next few weeks passing as a sort of painless montage: there'd be music, and different moments of the townspeople hard at work building a defensive wall around the perimeter of the town, and digging holes to serve as traps, and training with the few weapons they had. There'd be a wiping of perspiration and drinks raised to one another and the exchange of friendly smiles between comrades, and perhaps deeper, more meaningful glances between him and MaryAnn. But by midmorning of the first day, Cole had come to the unavoidable conclusion that the remainder of the experience would in fact drag on in exceedingly real time, with lots of heaving and hoing and digging and hauling under the hot sun, full of the kind of intense straining that raised the danger of a really spectacular hernia. And, judging from the few tense conversations he'd had so far, he foresaw a series of increasingly strident arguments with Nora regarding matters strategic. Plus, of course, at the end of all this effort they'd all probably be dead.
Michael Rubens (The Sheriff of Yrnameer)
Out of all the train cars in all the world you had to walk into mine.” Likotsi switched up which ankle was resting on which knee, the action forcing Fab to take a step back, then tilted her chin toward the doors separating the cars. “You’re only supposed to use those in case of emergency.” “I’d say that seeing you a few feet away counts as an emergency.
Alyssa Cole (Once Ghosted, Twice Shy (Reluctant Royals, #2.5))
As Blake leaned down to accept her hug she whispered, “Remember when you and Livia tried to hog the spotlight at my wedding? Just when you and Livia get to the good part, Cole and I are going to have porno sex right there.”She and John took one small step at a time. She was obviously much more concerned about tripping than Kyle had been. During her descent, Blake just looked. Her white gown fit her frame perfectly, and the strapless dress revealed the gentle, tempting curves of her shoulders. Her bouquet contained the paper-napkin roses he’d made for her, combined with baby’s breath. A flowing train cascaded down the stairs behind Livia, and an even longer veil billowed in the gentle breeze like a blown wish.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
That Sunday, the sun floated bright and hot over the Los Angeles basin, pushing people to the beaches and the parks and into backyard pools to escape the heat. The air buzzed with the nervous palsy it gets when the wind freight-trains in from the deserts, dry as bone, and cooking the hillsides into tar-filled kindling that can snap into flames hot enough to melt an auto body.
Robert Crais (L.A. Requiem (Elvis Cole, #8))
walked away from the training grounds, I let out a huge breath of relief. Whew… that was something else. I hope the rest of my talks aren’t like that at all. I wandered over to the potion shop, but it was completely empty. Hm… where could she be? Ah! Maybe she’s with Arceus. Right when I had that thought, someone called out my name. “Hey, Steve.” I turned around and saw Bob. “Hey, Bob! Where have you been? I haven’t been seeing much of you lately.” “Oh, I’ve been busy staying over at Cole’s workshop. As a matter of fact, I’m headed over there now.” “Cole’s workshop? What are you doing over there?” “Did you forget already? He’s helping me out by developing a taste buds and digestive system, remember?” “Oh, that! I totally forgot about that. How’s it going?” “Great! We’re going to install the finished product today.” “Oh, wow, it’s done already? That’s great news, man.” “Yeah, for real. Want to come see?” “Um, well, I’m supposed to be looking for Cindy, but I guess a slight detour is okay.” “Why are you looking for Cindy?” “Er, I have an odd request for her.
Steve the Noob (Diary of Steve the Noob 39 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
Fiona Cole (Lovers (Voyeur, #2))
The Platoon’s training facility was a low cinder-block building at the edge of a fenced grass field. The building was divided into two small offices and a makeshift kennel, where dogs could be penned between sessions. The Platoon’s daily shift didn’t begin until mid-afternoon, but several black-and-white K-9 cars already dotted the parking lot. A lone Bomb Detection K-9 truck stood out among them like a rhino among cattle. Scott
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
Pike knew how to remain calm during the chaos of combat. He had been trained for it, and had survived withering fire in overwhelming combat situations dozens of times. He had learned to keep his head by thinking about one thing at a time. Access the situation, plan a single action, then commit yourself to that action. A war is won one maneuver at a time. Pike
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
Jon Stone looked like a demented surfer with his spiky, bleached hair and pierced ear, but I knew his background with Delta. Sometimes you forget what that means. Most people think Delta, they’re thinking of Rambo, with the big gun and even bigger muscles. D-boys are deadly warriors, for sure, but you won’t find many who look like Rambo. This is because you can’t rescue hostages or snatch high-value targets from hostile villages unless you find them, so D-boys are also selected to gather intelligence. They are off-the-charts smart, look ordinary, and are trained to blend in anywhere with anyone. This is why D-boys are called operators. Jon Stone had worked the two drunk ex-ROK gangsters for no other reason than gathering intelligence was in his nature. As
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
The front door was a standard wood entry, stained dark to match the house. A Master deadbolt was set in the frame above the knob lock. Cole pulled on a pair of vinyl gloves, selected a pick and a tension wrench from his pick kit, and went to work. Two minutes for the deadbolt, one for the knob. On-the-job training courtesy of the United States Army. Cole
Robert Crais (The Sentry (Elvis Cole, #12, Joe Pike, #3))
The yard and the walk outside grew crowded with cops and media people and rubberneckers from the neighborhood drawn by gathering news vans. Between questions I watched the on-air television talent fan out among the cops. A woman I’d seen a thousand times on the local NBC affiliate was talking with her camera operator when the camera operator saw me standing in the window and pointed me out. The reporter said something and the operator trained his camera on me. The reporter ducked past Flutey and hurried over to the window. She was all frosted hair and intelligent eyes. “Are you the detective who found the kidnappers?” I gave her Bill Dana. “My name José Jimenez.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Pike noticed details. The Marines had trained him to maintain situational awareness
Robert Crais (A Dangerous Man (Elvis Cole, #18; Joe Pike, #7))
At least they aren’t talking about the girls.” I cracked an eye open. “What?” “Cole’s fucking his way through half of Hollywood right now. I haven’t seen that hit newsstands yet.” The gossip was delivered in a hushed voice, Ben’s hands happily clapping as if he might be the next stop on the Cole Masten Penis Train.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
Fight or flight, fight or flight, fight or flight. But women aren't meant to do that anymore, Iris has learned. Stay and suffer through. Or lose your job, your house, your kids, your dog, your sanity, your self-respect, your life. Stand and stay and suffer in what you've been trained to think is noble silence.
Megan Gail Coles (Small Game Hunting at the Local Coward Gun Club)
anything is permissible against those who harm you for no reason.
Firenza Cole (The Ultimate Guide To Lying: How to lie, spot liars, lie in official documents, get hidden information, train accomplices, use agents and more)
This is the wandring wood, this Errours den, This is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, each one Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. Their dam vpstart, out of her den effraide, And rushed forth, hurling her hideous taile About her cursed head, whose folds displaid Were stretcht now forth at length without entraile. For light she hated as the deadly bale, Ay wont in desert darknesse to remaine, Where plaine none might her see, nor she see any plaine. Which when the valiant Elfe perceiu’ed, he lept As Lyon fierce vpon the flying pray, And with his trenchand blade her boldly kept From turning backe, and forced her to stay: Therewith enrag’d she loudly gan to bray, And turning fierce, her speckled taile aduaunst, Threatning her angry sting, him to dismay: Who nought aghast, his mightie hand enhaunst: The stroke down from her head vnto her shoulder glaunst. Much daunted with that dint, her sence was dazd, Yet kindling rage, her selfe she gathered round, And all attonce her beastly body raizd With doubled forces high aboue the ground: Tho wrapping vp her wrethed sterne arownd, Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. (...) That welnigh choked with the deadly stinke, His forces faile, ne can no longer fight. Whose corage when the feend perceiu’d to shrinke, She poured forth out of her hellish sinke Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. (...) Thus ill bestedd, and fearefull more of shame, Then of the certaine perill he stood in, Halfe furious vnto his foe he came, Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse.
Edmund Spenser
The train's wheels scraped the steel tracks, accelerating. With every rotation, Trey's heart hardened, like a popcorn kernel waiting to explode.
Donnah M. Cole (The Popcorn Fields)
The SEALs represented an inherent contradiction. For all their specialized training and elite capabilities, many struggled with foundational, almost rudimentary, ethical actions: to not steal, to obey authority, to tell the truth. They were ill-equipped to confront failures and the accountability that came with them.
Matthew Cole (Code Over Country: The Tragedy and Corruption of Seal Team Six)
The SEALs represented an inherent contradiction. For all their specialized training and elite capabilities, many struggled with foundational, almost rudimentary, ethical actions: to not steal, to obey authority, to tell the truth. They were ill-equipped to confront failures and the accountability that came with them.
Matthew A. Cole (Code Over Country: The Tragedy and Corruption of SEAL Team Six)
No one on the train spoke and no one seemed, knew anyone else. it was as though we were all listening closely to the rattle of the train on the tracks. The lights were dim. I knew then that I was no longer heading directly home.
Teju Cole (Open City)
(Errour's Den) This is the wandring wood, this Errours den, A monster vile, whom God and man does hate: Therefore I read beware. Fly fly (quoth then The fearefull Dwarfe:) this is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made “A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, eachone Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. [The monster] Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto your force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. ... Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. ... Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse. Her scattred brood, soone as their Parent deare They saw so rudely falling to the ground, Groning full deadly, all with troublous feare, Gathred themselues about her body round, Weening their wonted entrance to haue found At her wide mouth: but being there withstood They flocked all about her bleeding wound, And sucked vp their dying mothers blood, Making her death their life, and eke her hurt their good.
Edmund Spenser (The Faerie Queene)
But atrocity is nothing new, not to humans, not to animals. The difference is that in our time it is uniquely well-organized, carried out with pens, train carriages, ledgers, barbed wire, work camps, gas. And this late contribution, the absence of bodies.
Teju Cole (Open City)
We train our focus on beauty here or there—this poem, that architecture—because it is easier than bearing witness to our own story. We begin to gravitate not toward beauty but toward illusion. In this state, you are not approaching what you seek. You are running from your own face. But this is not the way of wonder. Wonder requires a person not to forget themselves but to feel themselves so acutely that their connectedness to every created thing comes into focus. In sacred awe, we are a part of the story.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
Collective memory requires that we piece together the fragments of individual memory and behold something not necessarily larger but with greater depth and colour. I think the whole Bible is predicated on collective remembrance. You have feast and fast days, storytelling, and most conspicuously, the Eucharist. A shared table and a shared loaf. Take, eat, drink. The Christian story hinges on a ceremony of communal remembrance. This should train us toward an embodied memory. My hand on a ballet barre, and every muscle knows how to come awake again. My father takes up my detangled hair in his hands, and his fingers dip and twist so fast they blur and become one. Do this in remembrance of me.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
Cole hopes to go around the world one day. One of his favorite words is explorer. During the pandemic people weren't allowed to travel anywhere unless they absolutely had to, and even now it's not the way it was before. There aren't as many airplanes. There aren't as many buses or trains, and there aren't as many cars on the highways.
Sigrid Nunez (Salvation City)
India is a country that cannot afford to employ all the doctors it trains, which explains why some of them have migrated to Europe or America. It depends on volunteers and voluntary contributions to make up for services that the government cannot afford to provide. Sikhs do this by setting up clinics or dispensaries and day wards at gurdwaras. Here, medical care is given free of charge and minor operations can be performed.
W. Owen Cole (Sikhism - An Introduction: Teach Yourself)
When a family of grandparents, the sons and wives, their grandsons who may also be married, live together, perhaps under the same roof and sharing the same hearth and kitchen, it is important that its members should be compatible to the greatest possible degree. Suppose a young man from a rural area went to agricultural college in Ludhiana and somehow met a medical student who, it may be adduced, came from a well-to-do urban family with servants who did the cooking and cleaning. They fall in love and marry. She gives up her training, as would normally be expected, to live with her husband’s family where she is expected to cook, clean, help on the farm and perhaps even lay a cow dung floor. This may be an extreme example but hopefully it demonstrates the importance of arranged marriages in an extended family culture and the sense of marrying within the occupational group. Even in a less contrasting situation a girl has to fit in with her mother-in-law who rules the kitchen, and with existing and therefore senior sisters-in-law.
W. Owen Cole (Sikhism - An Introduction: Teach Yourself)
Steven Cole says that the best cure for loneliness or disconnection is to combine a sense of mission and purpose in your life with community engagement. Spending time in service marries connection with deep fulfillment, and the result is a boost in health. Prosocial behavior, including volunteering, has also been shown to boost our immune system, combat the physical stress caused by loneliness, and extend our longevity. Sadly, says Cole, these days too many of us have actually dialed back our engagement with others to pursue individual health-enhancing goals, like training for a triathlon, taking yoga classes, or trying to find our “one true love.” Those things are all great, but the biggest benefit for all comes when, as Cole describes it, your health is a “means to an end, which is, essentially, to make some meaningful stuff happen, not just for you but for others.” What
Jay Shetty (8 Rules of Love: How to Find It, Keep It, and Let It Go)
The air buzzed with the nervous palsy it gets when the wind freight-trains in from the deserts, dry as bone, and cooking the hillsides into tar-filled kindling that can snap into flames hot enough to melt an auto body.
Robert Crais (L.A. Requiem (Elvis Cole, #8))
Another claims, "Every Christian is a church planter, every home is a church, and every church building is a training center.
Neil Cole (Organic Church: Growing Faith Where Life Happens (Jossey-Bass Leadership Network Series))
At sea, navigators need to know how fast their vessel is moving through the water. Prior to the GPS, this was done with a nautical instrument known as a log. The devise that was attached to the handrail around the stern of the ship was known as a taffrail log. These instruments consisted of an impeller, or rotator made of brass, usually with four blades, a reading dial accurately calibrated, and a line that connected the two parts. As the impeller was dragged through the sea it rotated, turning the dial that registered the ships speed in knots, which equal one nautical mile per hour. The taffrail log usually registered the ships speed in knots, and tenths of a knot….. The earliest known taffrail log, also known as patent log, was designed in 1688 by an Englishman, Humphry Cole. Taffrail logs were later manufactured by the Lionel Corporation, perhaps better known for the manufacturing of model trains. They remained in business from 1900 to 1995, producing “Taffrail Logs” for the US Navy during World War II.
Hank Bracker
I think I'm falling in love with her, and I'm powerless to stop it. I can feel it, like a train with no brakes, coming faster and faster, straight for me. Soon, it's going to crash, and it's not going to be pretty.
Carian Cole (Torn (All Torn Up, #1))
Children were unlucky really. They were born without any say in things whatsoever. It was a lottery for them in some respects, what kind of mother they would acquire once out of the warmth of a snug and comfortable womb. A loving caring individual who would rush to fulfil their every whim? Or a selfish one who resented their intrusion into her otherwise orderly life? Children were a shock to the system for most women. The idea of a baby was wonderful; the reality of a toddler devastating. They drained you, made you realise you would never again be your own person. They kept you up half the night and ran around all the day. They needed feeding, training, time, effort, sweat and tears.
Martina Cole (Faceless)
D-Day was my first time in combat. I was mentally prepared and felt that I had done everything necessary to prepare myself for this precise moment. And yet you never know if you will measure up as a leader until the minute arrives when you face the enemy for the first time. Baptism by fire is a soldier’s sacrament. There is always doubt. Hopefully, in combat, you perform as you train.
Cole C. Kingseed (Conversations with Major Dick Winters: Life Lessons from the Commander of the Band of Brothers)
If you have no idea about anything, she says, then I think you're on the right track. If you though you had it all figured out, that's when I'd be worried. Look at it this way: not you have less to unlearn.
Olivia A. Cole (Ariel Crashes a Train)
I know how it feels to be on a ride and think you'll never get off
Olivia A. Cole (Ariel Crashes a Train)
I am afraid of the people I love hurting me, and me not loving myself enough to stop them.
Olivia A. Cole (Ariel Crashes a Train)