“
When life gives you lemons, squirt someone in the eye.
”
”
Cathy Guisewite
“
It struck me as pretty ridiculous to be called Mr. Darcy and to stand on your own looking snooty at a party. It's like being called Heathcliff and insisting on spending the entire evening in the garden, shouting "Cathy" and banging your head against a tree.
”
”
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
“
You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you - they'll damn you. You loved me - what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - Oh, God! would you like to lie with your soul in the grave?
”
”
Emily Brontë (Wuthering Heights)
“
Love can destroy you.
Love can erase you.
Love can heal you.
Love can reinvent you,
And, if you are lucky enough,
Love can make you whole again.
That's what Cathy has done to me.
”
”
Mia Asher (Arsen: A Broken Love Story)
“
How dare you open a spaceman's helmet on an uncharted planet? My eyeballs could've been sucked from their sockets!
”
”
Cathy East Dubowski (Disney's Toy Story)
“
Why did you betray your own heart Cathy? I have not one word of comfort. You deserve this. You have killed yourself. ... You loved me - then what right had you to leave me? Because ... nothing God or satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - oh God! would you like to live with your soul in the grave? [...] I forgive what you have done to me. I love my murderer - but yours! How can I?
”
”
Emily Brontë
“
Oh, Cathy! Oh, my life! how can I bear it?" was the first sentence he uttered, in a tone that did not seek to disguise his despair. And now he stared at her so earnestly that I thought the very intensity of his gaze would bring tears into his eyes; but they burned with anguish: they did not melt.
”
”
Emily Brontë (Wuthering Heights)
“
Look," I whisper to Cat, "Shooting star! That's good luck."
She rolls her eyes. "It's a plane, you idiot," she says, and when I look again I can see that she's right. Typical.
”
”
Cathy Cassidy (Lucky Star)
“
Really, lies are so easy to tell when you don't care anymore, or when you have lost all shame. That is my truth.
”
”
Mia Asher (Arsen: A Broken Love Story)
“
There will always be people for and against you, and its pointless wasting time trying to win over some of the people who are against you. Spend time with people who are for you. Those realtionships are worth it.
”
”
Cathy Hopkins
“
Oh.” Timmie gave Bones a shy peek. “Are you Cathy’s brother?”
“Whatever would give you the idea that I’m her damn brother?” Bones snapped.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
My father was English. He date-raped my mother so she's hated English men ever since. You know my boyfriend's English, and I'm, uh, I'm half-English, which she's never been real happy about. If she finds out I'm dating someone English, she'll ah, think I' turning my back on her and becoming a foreigner.'
Cathy, that's the stupidest reason I've ever heard.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Cathy, meeting you was chance, falling in love with you was destiny, and loving you is my reason to exist.
”
”
Mia Asher (Arsen: A Broken Love Story)
“
Patiently educating a clueless white person about race is draining. It takes all your powers of persuasion. Because it’s more than a chat about race. It’s ontological. It’s like explaining to a person why you exist, or why you feel pain, or why your reality is distinct from their reality. Except it’s even trickier than that. Because the person has all of Western history, politics, literature, and mass culture on their side, proving that you don’t exist.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Innocence is both a privilege and a cognitive handicap, a sheltered unknowingness that, once protracted into adulthood, hardens into entitlement.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
But that’s the great contradiction of colonialism.’ Cathy uttered this like a simple matter of fact. ‘It’s built to destroy that which it prizes most.
”
”
R.F. Kuang (Babel)
“
When I can't sleep I count the buckles on my straightjacket.
”
”
Cathie Linz (Bad Girls Don't (Girls Do Or Don't, #2))
“
Don't wait for your ship to come in, swim out to it.
”
”
Cathy Hopkins
“
Through books Cathy and I have lived a zillion lives . . . our vicarious way
to feel alive.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
You are a sad, sad little man and you have my pity.
— Buzz Lightyear
”
”
Cathy East Dubowski (Disney's Toy Story)
“
But grief is a walk alone. Others can be there, and listen. But you will walk alone down your own path, at your own pace, with your sheared-off pain, your raw wounds, you denial, anger, and bitter loss. You'll come to your own peace, hopefully, but it will be on your own, in your own time.
”
”
Cathy Lamb (The First Day of the Rest of My Life)
“
Cathy's lies were never innocent. Their purpose was to escape punishment, or work, or responsibility, and they were used for profit. Most liars are tripped up either because they forget what they have told or because the lie is suddenly faced with an incontrovertible truth. But Cathy did not forget her lies, and she developed the most effective method of lying. She stayed close enough to the truth so that one could never be sure. She knew two other methods also -- either to interlard her lies with truth or to tell a truth as though it were a lie. If one is accused of a lie and it turns out to be the truth, there is a backlog that will last a long time and protect a number of untruths.
”
”
John Steinbeck (East of Eden)
“
Food, love, career, and mothers, the four major guilt groups.
”
”
Cathy Guisewite
“
She's not my type,' Carter says.
'So what is your type?'
'Tall, skinny, black hair, blue eyes, freckly nose. Blue tinsel wig and snowflakes optional.'
'Skinny?' I squeal.
'Definitely. Pretending to be shy, sensible and stand-offish when really you're mad about me.'
'You sure about that?'
'No, but I'm hoping.
”
”
Cathy Cassidy (Sundae Girl)
“
It was once suggested to me that, as an antidote to crying, I put my head in a paper bag. As it happens, there is a sound physiological reason, something to do with oxygen, for doing exactly that, but the psychological effect alone is incalculable: it is difficult in the extreme to continue fancying onceself Cathy in "Wuthering Heights" with one's head in a Food Fair bag.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
Cathy, this lamb of yours threatens like a bull!' he said. 'It is in danger of splitting its skull against my knuckles. By God! Mr. Linton, I'm mortally sorry that you are not worth knocking down!
”
”
Emily Brontë (Wuthering Heights)
“
One characteristic of racism is that children are treated like adults and adults are treated like children. Watching a parent being debased like a child is the deepest shame. I cannot count the number of times I have seen my parents condescended to or mocked by white adults. This was so customary that when my mother had any encounter with a white adult, I was always hypervigilant, ready to mediate or pull her away. To grow up Asian in America is to witness the humiliation of authority figures like your parents and to learn not to depend on them: they cannot protect you.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Forget the names because names lie but remember me because when you look at me I remember myself.
Remember me because I will never forget you.
”
”
Jordan K. Weisman (Cathy's Book (Cathy Vickers Trilogy, #1))
“
When it comes to girls (and in Colin's case, it so often did), everyone has a type. Colin Singleton's type was not physical but linguistic: he liked Katherines. And not Katies or Kats or Kitties or Cathys or Rynns or Trinas or Kays or Kates or, god forbid, Catherines. K-A-T-H-E-R-I-N-E. He had dated 19 girls. All of them had been named Katherine. And all of them- every single solitary one- had dumped him.
”
”
John Green (An Abundance of Katherines)
“
This is it--what all the hoopla is about, what Wuthering Heights is about--it all boils down to this feeling rushing through me in this moment with Joe as our mouths refuse to part. Who knew all this time I was one kiss away from being Cathy and Juliet and Elizabeth Bennet and Lady Chatterley!?
”
”
Jandy Nelson (The Sky Is Everywhere)
“
But where does the silence that neglects her end, and where does the silence that respects her begin? The problem with silence is that it can’t speak up and say why it’s silent. And so silence collects, becomes amplified, takes on a life outside our intentions, in that silence can get misread as indifference, or avoidance, or even shame, and eventually this silence passes over into forgetting.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Big Data processes codify the past. They do not invent the future. Doing that requires moral imagination, and that’s something only humans can provide. We have to explicitly embed better values into our algorithms, creating Big Data models that follow our ethical lead. Sometimes that will mean putting fairness ahead of profit.
”
”
Cathy O'Neil (Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy)
“
It is so appropriate to color hope yellow, like the sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. 'Open the Window and Stand in the Sunshine.' Yet, I hesitate to name our story that. For I think of us more as flowers in the attic.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
There is tremendous trauma in the betrayal caused by a perpetual liar as they repeatedly commit psychological abuse.
”
”
Cathy Burnham Martin (The Bimbo Has Brains: And Other Freaky Facts)
“
love comes from the heart not from the mind. you will love and be loved. don't force things good things take time.one good reason for people to love you is for who you are not who someone else is. your beautiful and wonderful don't change that just because one person dislikes like you for who you are
”
”
Cathy Cassidy
“
Mom is calculated, logical, business-minded; kind but very, very direct. Makes you better by giving you these little pointers but doesn’t baby you. My dad is a Chatty Cathy, the social butterfly; friendly; knows everybody in the whole world by six degrees; tells me that every performance is the greatest he’s ever seen, every new outfit is the coolest. Constant cheerleader. It’s cool to have pie-in-the-sky Dad, down-to-earth Mom.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
Eat drink and be merry for tomorrow we may diet.
”
”
Cathy Hopkins
“
Heathcliff. The "hero" of Wuthering Heights. Although no one knows why.
He's mean, moody, and possibly a bit on the pongy side. Cathy loves him, though. She shows this by viciously rejecting him and marrying someone else for a laugh. Still, that is true love on the moors for you.
”
”
Louise Rennison (A Midsummer Tights Dream (The Misadventures of Tallulah Casey, #2))
“
If Freud turns to literature to describe traumatic experience, it is because literature, like psychoanalysis, is interested in the complex relation between knowing and not knowing, and it is at this specific point at which knowing and not knowing intersect that the psychoanalytic theory of traumatic experience and the language of literature meet.
”
”
Cathy Caruth (Unclaimed Experience: Trauma, Narrative and History)
“
Each of us wages a private battle each day between the grand fantasies we have for ourselves and what actually happens.
”
”
Cathy Guisewite
“
Closeness means you get hurt; closeness means letting down your defences and letting people see the tender skin under the carapace.
”
”
Cathy Kelly (Never Too Late)
“
Liars are highly unlikely to admit their lies, never mind apologize for the hurt they’ve caused. Liars don’t genuinely apologize. Deceit has become their full-out lifestyle. They are centered on themselves with no thoughts of the consequences of their lies. In cowardly style, they tell more lies to try and cover their tracks. They are not good at admitting they actually have shortcomings.
”
”
Cathy Burnham Martin (The Bimbo Has Brains: And Other Freaky Facts)
“
He heaved a sigh. “You suck, Cathy.”
“You actually went there?” I asked, grinning.
Timmie grinned back. “Sorry. Sometimes I forget you’re . . . you know.
”
”
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
“
I love my murderer--but yours? How can I?
”
”
Emily Brontë (Wuthering Heights)
“
Come in! come in !’ he sobbed.
‘Cathy, do come. Oh do -once more! Oh! my heart’s darling! hear me this time - Catherine, at last!
”
”
Emily Brontë (Wuthering Heights)
“
I’d rather be indebted than be the kind of white man who thinks the world owes him, because to live an ethical life is to be held accountable to history.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity. In the popular imagination, Asian Americans are all high-achieving professionals. But in reality, this is the most economically divided group in the country, a tenuous alliance of people with roots from South Asia to East Asia to the Pacific Islands, from tech millionaires to service industry laborers. How do we speak honestly about the Asian American condition—if such a thing exists?
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
It was Cathy who taught me the true meaning of the word “risk.” Whenever I see that word written or hear it spoken, I see her face. I see her faith. I see her love and her youth when she took on this challenge. She perceived a need and didn’t wait for everything to fall into place before doing something about it. She did not wait until someone wrote the manual on How to be a Mother to a 19-Year-Old African Orphan When You’re Only 23.
”
”
Maria Nhambu (America's Daughter (Dancing Soul Trilogy, #2))
“
A miracle is a single mom who works two jobs to care for her kids and still helps them with their homework at night. A miracle is a child donating all the money in their piggy bank to help victims of Hurricane Katrina. That's where you'll find the hand and face of God.
”
”
Cathie Linz (Good Girls Do (Girls Do Or Don't, #1))
“
I laughed until my fat hurt.
”
”
Cathy Lamb
“
As the poet Prageeta Sharma said, Americans have an expiration date on race the way they do for grief. At some point, they expect you to get over it.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Life offers more than one chance, Cathy, you know that.
”
”
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
“
well, there were three of us in this marriage, so it was a bit crowded
-Diana, Princess of Wales
”
”
Cathy Lowne (Speeches That Changed The World)
“
We keep our heads down and work hard, believing that our diligence will reward us with our dignity, but our diligence will only make us disappear. By not speaking up, we perpetuate the myth that our shame is caused by our repressive culture and the country we fled, whereas America has given us nothing but opportunity. The lie that Asians have it good is so insidious that even now as I write, I’m shadowed by doubt that I didn’t have it bad compared to others. but racial trauma is not a competitive sport. The problem is not that my childhood was exceptionally traumatic but that it was in fact rather typical. Most white Americans can only understand racial trauma as a spectacle.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
When I was little, my mother told me there are basically two kinds of people in the world: town people and circus people. The kind who stay are town people, and the kind who leave are circus people.
”
”
Cathy Day (The Circus In Winter)
“
Sisters are the worst. And they are the best. A sister can be awful and complicated and loving and protective and petty and competitive, and when you die she is the person you want beside you holding your hand. Somebody's gotta organize the potluck after the service and you know your husband's not gonna be up to the job.
”
”
Cathy Lamb (Henry's Sisters)
“
The most damaging legacy of the West has been its power to decide who our enemies are, turning us not only against our own people, like North and South Korea, but turning me against myself.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
I have struggled to prove myself into existence.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
If someone yells at me, they are not expressing love. They may be threatening me. They may be expressing great frustration with me. They may simply be trying to control my behavior. However, they are not communicating love.
”
”
Cathy Burnham Martin (The Bimbo Has Brains: And Other Freaky Facts)
“
The very way that fiction works – the process of conflict and resolution at the heart of every story – means that novels are full of people encountering challenging situations and, usually, surviving them. Books are a masterclass in how to carry on.
”
”
Cathy Rentzenbrink (Dear Reader: The Comfort and Joy of Books)
“
My term “minor feelings” is deeply indebted to theorist Sianne Ngai, who wrote extensively on the affective qualities of ugly feelings, negative emotions—like envy, irritation, and boredom—symptomatic of today’s late-capitalist gig economy. Like ugly feelings, minor feelings are “non-cathartic states of emotion” with “a remarkable capacity for duration.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Food is Essential to life, therefore make it good.
”
”
S. Truett Cathy
“
Before he had time to figure it out, his walkie-talkie crackled and a voice came on. He punched a button. "Sheriff here. What's up?"
"Someone called about a public disturbance behind schmitty's bar," a woman's voice reported. "Cathy use the proper code number," Billy growled. "There ain't no number for a guy acting like a cockroach!" the woman yelled. "he climbed into their Dumpster and he's wallowing in the trash.
”
”
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
“
You know what? Let’s have the fucking truth. I’ve heard your pathetic excuses, how about you hear me out now? Let me tell you something, Cathy, I hope you’re happy because Arsen may own your heart, your body, but you’ll always be empty because I own your fucking soul. Your soul is part of mine and it always will be. I will heal, I will learn to love again, but you…I pity you.
”
”
Mia Asher (Arsen: A Broken Love Story)
“
I remember the master, before he fell into a doze, stroking her bonny hair - it pleased him rarely to see her gentle - and saying - 'Why canst thou not always be a good lass, Cathy?' And she turned her face up to his, and laughed, and answered, 'Why cannot you always be a good man, father?
”
”
Emily Brontë (Wuthering Heights)
“
Persephone had it right.
If you must go, might as well
take all of spring with you—
”
”
Cathy Linh Che (Split)
“
Don’t allow anything to dent your reading pleasure. Don’t let anyone tell you that what you like isn’t proper, that what brings comfort and ease to your soul isn’t good enough.
”
”
Cathy Rentzenbrink (Dear Reader: The Comfort and Joy of Books)
“
Grab the love. Hold on tight. Treasure it. Put that love you have for your husband first, arrange everything else around it, and all else will work out. Love must be cradled and nurtured and enjoyed and danced with. Never, ever, forget the love. It's why we want to live.
Aunt Lydia's character, Julia's Chocolates
”
”
Cathy Lamb
“
It is about being born downtrodden and staying that way. Hard work makes no difference, he is saying. My lot, the lots of those around me, were cast the moment we were born into the gutter to parents who never managed to step outside the gutter themselves.
”
”
Cathy Marie Buchanan (The Painted Girls)
“
In many Asian American novels, writers set trauma in a distant mother country or within an insular Asian family to ensure that their pain is not a reproof against American imperial geopolitics or domestic racism; the outlying forces that cause their pain—Asian Patriarchal Fathers, White People Back Then—are remote enough to allow everyone, including the reader, off the hook.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
May you never forget what is worth remembering, nor ever remember what is best forgotten.
”
”
Cathy Glass (The Night the Angels Came: The Heartbreaking True Story of a Young Boy's Loss)
“
Sometimes things are so insanely private, you don't even want to talk about them with yourself. Don't talk about them, don't wrestle with them, don't let them run you over. Let it be.
”
”
Cathy Lamb (Henry's Sisters)
“
Back then, only select professionals from Asia were granted visas to the United States: doctors, engineers, and mechanics. This screening process, by the way, is how the whole model minority quackery began: the U.S. government only allowed the most educated and highly trained Asians in and then took all the credit for their success. See! Anyone can live the American Dream! they’d say about a doctor who came into the country already a doctor.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Women can go mad with insomnia.
The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home.
Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.
”
”
Cathy Ostlere (Lost: A Memoir)
“
Sanity is tenuous. Tenuous. Comes and goes. Many of the brightest people floating about this planet have only a finger's grip on sanity, if that.
”
”
Cathy Lamb
“
He shall never know how I love him
”
”
Emily Brontë (Wuthering Heights)
“
Do you know that an Irishman always respond to a question with another?"
And the Irish guy replies "Who told you that?
”
”
Cathy Kelly (Never Too Late)
“
When our fingers touch a crackle of electricity passes between us.
”
”
Cathy Cassidy (Marshmallow Skye (The Chocolate Box Girls, #2))
“
We, as citizens of a supposedly free country, should not permit our government to restrict any information that protects criminal activity under the guise of National Security.
”
”
Cathy O'Brien (TRANCE Formation of America: True life story of a mind control slave)
“
I want to stay a while, wrapped in silence, the way the trees and rocks and the ground beneath my feet are wrapped in moss and ivy and soft, green lichen.
”
”
Cathy Cassidy (Scarlett)
“
Running away from a problem never helps. At some point it has to be confronted and dealt with.
”
”
Cathy Glass (Cut: The True Story of an Abandoned, Abused Little Girl Who Was Desperate to Be Part of a Family)
“
Who says you only get one? If you're lucky, you will meet The One, The Two, The Three.....and so on.
Nesta
”
”
Cathy Hopkins (Mates, Dates, and Tempting Trouble (Mates, Dates, #8))
“
Racial self-hatred is seeing yourself the way the whites see you, which turns you into your own worst
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
To recite my poems to an audience is to be slapped awake by my limitations. I confront the infinite chasm between the audience’s conception of Poet and the underwhelming evidence of me as that poet. I just don’t look the part. Asians lack presence. Asians take up apologetic space. We don’t even have enough presence to be considered real minorities. We’re not racial enough to be token. We’re so post-racial we’re silicon.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
In those clouds I have seen aberrations-flecks of shimmering silver, orbs of color a shade more intense than their surroundings. I have seen them more than once, and I haves decided they are prayers, mine and everyone else's, too.
”
”
Cathy Marie Buchanan (The Day the Falls Stood Still)
“
The best sex takes us somewhere. Somewhere warm and expansive, a paradise of lust and happiness. Sex is and can be and should be but only very rarely is an act of communion with something bigger than ourselves. Men fuck and women make love, people say, but we men make love when we fuck a woman we adore: it’s the same thing to us. We mean it sincerely. I had places inside me only Cathy could fill with her body, and I made her happy with my body more than I ever thought I could.
”
”
Deborah Smith (The Crossroads Cafe)
“
When I hear the phrase “Asians are next in line to be white,” I replace the word “white” with “disappear.” Asians are next in line to disappear. We are reputed to be so accomplished, and so law-abiding, we will disappear into this country’s amnesiac fog. We will not be the power but become absorbed by power, not share the power of whites but be stooges to a white ideology that exploited our ancestors. This country insists that our racial identity is beside the point, that it has nothing to do with being bullied, or passed over for promotion, or cut off every time we talk. Our race has nothing to do with this country, even, which is why we’re often listed as “Other” in polls and why we’re hard to find in racial breakdowns on reported rape or workplace discrimination or domestic abuse. It’s like being ghosted, I suppose, where, deprived of all social cues, I have no relational gauge for my own behavior. I ransack my mind for what I could have done, could have said. I stop trusting what I see, what I hear. My ego is in free fall while my superego is boundless, railing that my existence is not enough, never enough, so I become compulsive in my efforts to do better, be better, blindly following this country’s gospel of self-interest, proving my individual worth by expanding my net worth, until I vanish.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
I obeyed, so far as to quit the chamber; when, ignorant where the narrow lobbies led, I stood still, and was witness, involuntarily, to a piece of superstition on the part of my landlord which belied, oddly, his apparent sense. He got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears. 'Come in! come in!' he sobbed. 'Cathy, do come. Oh, do - ONCE more! Oh! my heart's darling! hear me THIS time, Catherine, at last!' The spectre showed a spectre's ordinary caprice: it gave no sign of being; but the snow and wind whirled wildly through, even reaching my station, and blowing out the light.
”
”
Emily Brontë (Wuthering Heights)
“
Suddenly Americans feel self-conscious of their white identity and this self-consciousness misleads them into thinking their identity is under threat. In feeling wrong, they feel wronged. In being asked to be made aware of racial oppression, they feel oppressed. While we laugh at white tears, white tears can turn dangerous. White tears, as Damon Young explains in The Root, are why defeated Southerners refused to accept the freedom of black slaves and formed the Ku Klux Klan. And white tears are why 63 percent of white men and 53 percent of white women elected a malignant man-child as their leader.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
Whiteness has already recruited us to become their junior partners in genocidal wars; conscripted us to be antiblack and colorist; to work for, and even head, corporations that scythe off immigrant jobs like heads of wheat. Conscription is every day and unconscious. It is the default way of life among those of us who live in relative comfort, unless we make an effort to choose otherwise.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
At the federal level, this problem could be greatly alleviated by abolishing the Electoral College system. It's the winner-take-all mathematics from state to state that delivers so much power to a relative handful of voters. It's as if in politics, as in economics, we have a privileged 1 percent. And the money from the financial 1 percent underwrites the microtargeting to secure the votes of the political 1 percent. Without the Electoral College, by contrast, every vote would be worth exactly the same. That would be a step toward democracy.
”
”
Cathy O'Neil (Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy)
“
Here we see that models, despite their reputation for impartiality, reflect goals and ideology. When I removed the possibility of eating Pop-Tarts at every meal, I was imposing my ideology on the meals model. It’s something we do without a second thought. Our own values and desires influence our choices, from the data we choose to collect to the questions we ask. Models are opinions embedded in mathematics.
”
”
Cathy O'Neil (Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy)
“
Cathy, don't look so defeated. She was only trying to put us down
again.
Maybe nothing did work out right for her, but that doesn't mean we are
doomed. Let's go forth tomorrow with no great expectations of finding
perfection. Then, expecting only a small share of happiness, we won't
be disappointed."
If a little hill of happiness would satisfy Chris, good for him. But
after all these years of striving, hoping, dreaming, longing-I wanted a
mountain high! A hill wasn't enough. From this day forward, I vowed
to myself, I was in control of my life. Not fate, not
God, not even Chris was ever again going to tell me what to do, or
dominate me in any way. From this day forward, I was my own person, to
take what I would, when I would, and I would answer only to myself. I'd
been kept prisoner, held captive by greed. I'd been betrayed,
deceived, tied to, used, poisoned ... but all that was over now.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
Stevie: "If you think he's a lecher and all men are disgusting, why do you want me to date?"
Zena: "Because, Stevie. Now and then, when the moon is full and bluish, when the galaxy is all calm and peaceful and serenity rules and even the falling stars are falling gracefully, and the wind creates a beautiful song, that's when you find one outstanding man. Kind. Loyal. Funny and smart, great in bed but not kinky. A lover in his head and in his body. A man who doesn't think as a dick-obsessed monkey with a brain the size of a testicle, but one who is thoughtful and can hold his emotions in one hand and hug you close with the other. A man who is a hunky, manly man but who can talk to you like your best girlfriend, because that's what he wants to be for you. Your best friend."
(Page 44)
”
”
Cathy Lamb (Such a Pretty Face)
“
At the college where I teach, I'm surrounded by circus people. We aren't tightrope walkers or acrobats. We don't breathe fire or swallow swords. We're gypsies, moving wherever there's work to be found. Our scrapbooks and photo albums bear witness to our vagabond lives: college years, grad-school years, instructor-mill years, first-job years. In between each stage is a picture of old friends helping to fill a truck with boxes and furniture. We pitch our tents, and that place becomes home for a while. We make families from colleagues and students, lovers and neighbors. And when that place is no longer working, we don't just make do. We move on to the place that's next. No place is home. Every place is home. Home is our stuff. As much as I love the Cumberland Valley at twilight, I probably won't live there forever, and this doesn't really scare me. That's how I know I'm circus people.
”
”
Cathy Day (The Circus In Winter)
“
Cathy smiled back ‘Rules were meant to be broken.’
‘Don’t disagree,’ Oversteegen replied immediately. ‘Indeed they are. Providin’, however, that the one breakin’ the rules is willin’ t’ pay the price for it, and the price gets charged in full. Which you were, Lady Catharine. I saluted you for it then–at the family dinner table that night, in fact. My mother was infinitely more indisposed thereafter; tottered back t’ her bed cursin’ me for an ingrate. My father was none too pleased either. I salute you for it, again. Otherwise, breakin’ rules becomes the province of brats instead of heroes. Fastest way I can think t’ turn serious political affairs int’ a playpen. A civilized society needs a conscience, and conscience can’t be developed without martyrs—real ones—against which a nation can measure its crimes and sins.
”
”
David Weber (Crown of Slaves (Honorverse: Wages of Sin, #1))
“
From invisible girlhood, the Asian American woman will blossom into a fetish object. When she is at last visible—at last desired—she realizes much to her chagrin that this desire for her is treated like a perversion. This is most obvious in porn, where our murky desires are coldly isolated into categories in which white is the default and every other race is a sexual aberration. But the Asian woman is reminded every day that her attractiveness is a perversion, in instances ranging from skin-crawling Tinder messages (“I’d like to try my first Asian woman”) to microaggressions from white friends. I recall a white friend pointing out to me that Jewish men only dated Asian women because they wanted to find women who were the opposite of their pushy mothers. Implied in this tone-deaf complaint was her assumption that Asian women are docile and compliant. Well-meaning friends never failed to warn me, if a white guy was attracted to me, that he probably had an Asian fetish. The result: I distrusted my desirousness. My sexuality was a pathology. If anyone non-Asian liked me, there was something wrong with him.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
My mother’s English has remained rudimentary during her forty-plus years living in the United States. When she speaks Korean, my mother speaks her mind. She is sharp, witty, and judgmental, if rather self-preening. But her English is a crush of piano keys that used to make me cringe whenever she spoke to a white person. As my mother spoke, I watched the white person, oftentimes a woman, put on a fright mask of strained tolerance: wide eyes frozen in trapped patience, smile widened in condescension. As she began responding to my mother in a voice reserved for toddlers, I stepped in. From a young age, I learned to speak for my mother as authoritatively as I could. Not only did I want to dispel the derision I saw behind that woman’s eyes, I wanted to shame her with my sobering fluency for thinking what she was thinking. I have been partly drawn to writing, I realize, to judge those who have unfairly judged my family; to prove that I’ve been watching this whole time.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you?
And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone.
And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water.
But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked.
Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing.
And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))