Coldplay Love Song Quotes

Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.

Yellow" Look at the stars Look how they shine for you And everything you do Yeah, they were all yellow I came along I wrote a song for you And all the things you do And it was called "Yellow" So then I took my turn Oh what a thing to have done And it was all yellow Your skin Oh yeah your skin and bones Turn into something beautiful Do you know You know I love you so You know I love you so I swam across I jumped across for you Oh what a thing to do 'Cause you were all yellow I drew a line I drew a line for you Oh what a thing to do And it was all yellow Your skin Oh yeah your skin and bones Turn into something beautiful Do you know For you I'd bleed myself dry For you I'd bleed myself dry It's true Look how they shine for you Look how they shine for you Look how they shine for Look how they shine for you Look how they shine for you Look how they shine Look at the stars Look how they shine for you And all the things that you do Coldplay Parachites (2000)

Luca leans forward, propping his elbows on the bar table, and I think he’s going to ask me something, maybe what some particularly nonsensical Coldplay lyrics mean: but instead he starts to speak in Italian, so smoothly, the words so soft and liquid, that I swiftly realize he’s quoting some lyrics. The words flow over me, winding around me like velvet: “‘Ci sono trenta modi per salvare il mondo, ma uno solo perche il mondo salvi me--che io voglia star con te, e tu voglia star con me.’” I gaze at him, and now I do feel hypnotized. I have no idea what he’s saying--he could be reading the phone book in Italian and I’d stare at him across the little bar table, unable to take my eyes from him. “That is from a song by Jovanotti. Shall I translate for you?” he asks gently. All at once, I panic. What if the words are so lovely I can’t bear them? It’s as if he’s casting a spell over me, and I need to break free before it settles so tightly around me that I’m completely in his power.

Chris made the new album sound all the more enticing when he revealed to VH1 some of the personal events that had surrounded its writing (virtually all of which the band kept a closely guarded secret): “[It’s] born from all the places we’ve been and the things we’ve experienced. Some of our friends have died and some of us have fallen in love. Some of us have fallen out of love and some of us have been to Haiti and some us have been to Australia. Some of us have met Bono and some of us have met someone with nothing. It’s like a massive culture gun fired at our heads. All this stuff has been happening to us, and now we have the opportunity to put it into some songs.