Tip Toe Quotes

We've searched our database for all the quotes and captions related to Tip Toe. Here they are! All 100 of them:

It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
Bring on the controversy. I write real life. It's harsh and sometimes gritty, but it's real. Why should we tip toe around that?
Shandy L. Kurth
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Thrill me, chill me I went in search of money and success, all I got was a bellyful of excess! Now that I've realigned myself I’m on my tip-toes because life is sweet! I'm overwhelmed with gratitude for all the blessings that are manifesting in my life … neat!
Stephen Richards
People should be left to believe what they like, so long as they harm no one else. Apart from normal expectations of politeness, it is not however clear why people should require their personal beliefs to be treated with special sensitivity by others, to the point that if others fail to tip-toe respectfully around them they will start throwing bombs.
A.C. Grayling
It was a laugh that came from the tip of his toes, gaining force and soul as it traveled through his body and out into the world in mirthful bursts. There wasn't anything fake about it; it was an amusement park of a laugh, and when it appeared, you wanted to jump on board.
David Levithan (Marly's Ghost)
He looked down at the keys and played a gentle chord. Jesper wondered at how he could have mistaken Kuwei for Wylan. Their hands were completely different, the shape of the fingers, the knuckles. “Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?” Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.” Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor. “Yeah?” “Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.” Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You’re a great player, August.” She tips up on her toes until her lips are at my ear. “But I think you’ll be an even greater man.
Kennedy Ryan (Long Shot (Hoops, #1))
THE INVITATION by Oriah Mountain Dreamer It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dreams, for the adventure of being alive. It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of future pain. I want to know if you can sit with pain, mine or your own, without moving to hide it, or fade it, or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty even when it's not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours or mine, and still stand on the edge of the lake and shout to the silver of the full moon, "yes!" It doesn't interest me who you know, or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with your and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
Do you suppose that it is within your power to insult me? You evidently are not aware to whom you are speaking? Do you imagine that the envenomed spittle of five hundred little gentlemen of your type, heaped one upon another, would succeed in slobbering so much as the tips of my august toes?
Marcel Proust
Tip toe your fingers across the globe of my skin and find a new home.
Tyler Knott
Oh dear," said Jace..."I hope that wasn't anything important." "It was a sleeping potion," she said angrily, toeing the vial with the tip of a sneaker. "And now it's gone." "If only Simon were here. He could bore you to sleep.
Cassandra Clare
I’ve been trying to stay real and true and proud of who I am, all those ideals of how to look I’ve been trying not to care. But I’m still holding my breath, I ‘m still watching every step. I’m still tip-toeing away, when I’m getting to ashamed of myself. I don’t want to be your letdown, I’m scared like hell I’m not enough. I don’t wanna be your failure anymore. — The Glass Child, Letdown
Charlotte Eriksson
If you ask all the cells in my body, they only answer your name. Follicles push the hair upwards so they may brush against your skin. Nails grow faster as well. Lungs breathe rapidly in hopes of inhaling your scent. Toes curl to smile and knees form dimples when you are near. Brain fireworks. Stomach fills with flies of butter and swallows, and swans swoon. Cattle, rhinos, and walruses too— there’s a stampede when you are near. I love you from the bottom of my liver to the tip of my lashes. One wink from you and heart stops, like a sneeze. Bless you. I cannot even begin to tell you what happens to soul, for soul is off flying with its mate.
Kamand Kojouri
Time doesn’t really ‘march on’. It tends to tip-toe. There’s no parade. No stomping of boots to alert you to its passing. One day, you turn around and it is gone.
Heather Babcock
I felt the warmth of his gaze from the tips of my hair to the tips of my toes.
Fisher Amelie (Thomas & January (Sleepless, #2))
Do ye want me?" he whispered. "Sassenach, will ye take me--and risk the man that I am, for the sake of the man ye knew?" I felt a great wave of relief, mingled with fear. It ran from his hand on my shoulder to the tips of my toes, weakening my joints. "It's a lot too late to ask that," I said.... "Because I already risked everything I had. But whoever you are now Jamie Fraser--yes. Yes, I do want you.
Diana Gabaldon (Voyager (Outlander, #3))
He lifted my foot and placed a kiss on the tip of my big toe. That toe had never been kissed in its life. I wondered if it was smart enough to know what had just happened. Would it lord it over the other toes now that it had been singled out and kissed by Frank Wells, or was it just a fucking toe and didn’t know what the hell was going on? Like me.
John Inman (Shy)
You’re mine,” he said darkly against her ear. Then he pulled back, looking at her through unfathomable, dark eyes. “Now you say it, Linnet.” She leant up on her tip toes, bringing her mouth close to his ear. “You’re mine,” she whispered and felt him go still before his breathing caught. When she leant back he had the strangest, conflicted look on his face. But he’d wanted to hear the words, she thought in puzzlement. Hadn’t he? “Let’s try again,” he said tightly.
Alice Coldbreath (Her Baseborn Bridegroom (Vawdrey Brothers, #1))
I didn't say another word to Mama that night, but I could feel something good even then: the YES in my heart, the swirling-around in my belly, the prickly tingling all the way from the freckle on my finger to the tip of my pinky toe. That much wonderful could only mean one thing: There was still magic in Midnight Gulch.
Natalie Lloyd (A Snicker of Magic)
I will not tip toe through life only to arrive safely at death.
Chris Ayres
WESTMORELAND. O that we now had here But one ten thousand of those men in England That do no work to-day! KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
If were a shower I could saturate your hair Work my way over your lips Across your shoulders Around your waist Through your knees To the tips of your toes And back again Warm wet salty Sweet
Nikki Giovanni (Love Poems)
I’ve heard people say that you have to tip-toe around a woman’s emotions, but a man’s ego is every bit as fragile, if not more so.
Trisha Wolfe (Of Silver and Beasts (Goddess Wars, #1))
I'm honest enough to say that I dinna care what the right and wrong of it may be, so long as you're here wi' me, Claire," he said softly. "If it was a sin for you to choose me...then I would go to the devil himself and bless him for tempting ye to it." He lifted my foot and gently kissed the tip of my big toe. I laid my hand on his head; the short hair felt bristly but soft, like a very young hedgehog. "I don't think it was wrong," I said softly. "But if it was...then I'll go to the devil with you, Jamie Fraser.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
His mouth landed on mine, crashed into mine, and I might've stopped breathing. He pulled me up against him, until only the tips of my toes remained on the carpet, and all the interesting parts were nearly lined up, chest to chest, hip to hip.
Jennifer L. Armentrout (The Darkest Star (Origin, #1))
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friend’s wedding; Thursday; October; “She’s Like the Wind” in a dentist’s office; driver’s license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and then touching it again for silence; playing house in the refrigerator box; letting a match burn down to the fingerprints; one hand in the Scrabble bag and then I I I O U E A; eyes racing to the end of Villette (skip the parts about the crétin, sweetheart); hamburger wrappers on a road trip; the twist of a heavy red apple in an orchard; word on the tip of the tongue; the portal, but just for a minute.
Patricia Lockwood (No One Is Talking About This)
Is he singing?” BT asked. “He is. What is that shit…REO Speedwagon? Why are you crackers always bat-shit crazy? You’d never see a black man tip-toeing through the zombies singing crappy 80’s music.
Mark Tufo (For the Fallen (Zombie Fallout, #7))
She smiled from ear to ear at the thought of knowing his name. She perched herself up onto her tip toes to try to be able to get a good look at him. He was smiling a charming smile and he escorted his bridesmaid through the manmade aisle. Again, like before as his proximity got closer, so did the intense feelings she felt burning inside of her body. She tried really hard to not feel them. She wished she had something stronger to drink to dull the uncomfortable and scary emotions he was bringing out in her.
J.B. McGee (Broken (This, #1))
You know what my favorite part was?" he says, stepping closer. "Hmm?" "We didn't fight. Not once. I hate fighting with you." "I do, too. It seems like a waste of time when..." He leans impossibly closer, holding her gaze. "When?" "When we could be enjoying each other's company instead," she whispers. "But you probably don't enjoy my company here lately. I haven't been very nice-" He brushes his lips against hers, cutting her off. They're softer than he ever imagined. And it's not enough. Moving his hand from her jawline to entwine it in her damp locks, he pulls her to him. She tips up on her toes to meet him and as he lifts her from the ground, she folds her arms around his neck. Just as hungry for him as he is for her, she opens her mouth for a deeper kiss, pressing her soft curves into him. And Galen decides there is nothing better than kissing Emma. Everything about her seems made for him. The way her mouth moves in perfect rhythm with his. The way she combs her fingers through his hair, sending a stirring jolt down his spine. The way her cool lips ignite heat through his whole being. She fits in his arms, as if her every curve fills a place on his own body...
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I love you,” he said, his eyes locked with hers. “From the roots of my hair to the tips of my toes. From yesterday to tomorrow and every tomorrow we will ever see. From this moment to the mystery beyond death. Every part of you, slow or fast, small or big, strong or weak. I love you, Holly.
Nalini Singh (Archangel's Viper (Guild Hunter, #10))
It’s hard to say how it happens. How all of the bits of me – even the broken ones – start to tumble. I think it’s my toes that go first. Next – my legs and the hallow spaces behind my ribs. And then my arms all the way down through my wrist bones to the tips of my fingers. My lips part and I realize that this is what it feels like to fall.
Autumn Doughton (In This Moment)
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
Rina Kent (Deviant King (Royal Elite, #1))
The story of Terisa and Geraden began very much like a fable. She was a princess in a high tower. He was a hero come to rescue her. She was the only daughter of wealth and power. He was the seventh son of the lord of the seventh Care. She was beautiful from the auburn hair that crowned her head to the tips of her white toes. He was handsome and courageous. She was held prisoner by enchantment. He was a fearless breaker of enchantments. As in all the fables, they were made for each other.
Stephen R. Donaldson (The Mirror of Her Dreams (Mordant's Need, #1))
I fight the urge to stand on my tip toes to reach his lips. Because my guess is that cramming my tongue down his throat right now, would be creepy
Steph Campbell (Grounding Quinn)
I want to show you something,” I say. What?” He dabs at his lips with the napkin, and for a moment I’m wishing so hard that I am that napkin that I can almost feel myself changing, becoming thin and papery and white. “Cal?” I sit back and feel myself blushing, feel it from the tips of my toes all the way to the heat at the backs of my ears.
Brad Barkley (Scrambled Eggs at Midnight)
I’m a feeler. I feel everything deep within my core. Even when I don’t want to. I don’t know where my emotions stop and my empathy begins. I feel from the tips of my toes to the follicles of my head. I feel with every fiber, every molecule, every tissue, marrow, muscle, and bone in my body. I feel.
A.J. Compton (The Counting-Downers)
there's a tether connecting us. it moves under city streets & mid-American fields; from the tips of my toes to your leaving heel.
J.R. Rogue (La Douleur Exquise)
I do not intend to tip-toe through life, but to arrive safely at death.
Christina Aguilera (Christina Aguilera - Stripped (Piano/Vocal/guitar Artist Songbook))
Do you imagine that the poisonous spittle of five hundred little men of your sort, hoisted on to each other's shoulders, could even drool down on to the tips of my august toes?
Marcel Proust (The Guermantes Way)
The fact was that despite himself, without knowing why or how it had happened and very much against his better judgement, he had fallen hopelessly in love. He had fallen as if into some deep and muddy hole. By nature he was a delicate and sensitive soul. He had had ideals and dreamed of an exquisite and passionate affair. And now he had fallen for this little cricket of a creature. She was as stupid as every other woman and not even pretty to make up for it. Skinny and foul-tempered, she had taken possession of him entirely from tip to toe, body and soul. He had fallen under the omnipotent and mysterious spell of the female. He was overwhelmed by this colossal force of unknown origin, the demon in the flesh capable of hurling the most rational man in the world at the feet of a worthless harlot. There was no way he could explain its fatal and total power.
Guy de Maupassant (Femme Fatale)
i am so terribly sorry that you eat sadness for breakfast every morning earthworms come out when it rains so they don’t drown and then end up getting stepped on anyway i feel like shit when it rains and i remember this so i always tip toe down the street you broke my heart on i think the time spent with you was the happiest of my life but i’m too sad to tell you that
likeawritingdesk
His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of the wind. I used to think that when people fell in love, they just landend where they landed, and they had no choice in the matter afterward. And maybe that's true of beginnings, but it's not true of this, now. I fell in love with him. But I don't just stay with him by default as if there's no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
Veronica Roth (Allegiant (Divergent, #3))
On the very tip of his tongue is his Firerancher. Thin as tissue paper, it looks like the moon in the daytime sky. Suddenly love is looming over the car, as big and invisible as the ghost mountains of the Comobabi range. I smile at him and turn up the radio with my toes.
Jo Ann Beard
Come to me, and I will try to heal you. I will try to heal you, if you but come back,” Sasha sang softly, the melody sweet, the lyrics heartfelt, and it fell from her lips in a husky plea. “Come to me, and I will give you shelter, I will give you shelter, if you but come back,” he added, picking up where she left off. His lips brushed the lobe of her ear, and he felt the shudder that swept from the crown of her head to the tips of her toes. Her heart galloped, her skin grew damp beneath his, and he continued to chant, making the promise all over again. “Come to me, and I will try to love you. I will try to love you, if you but come back.
Amy Harmon (The Queen and the Cure (The Bird and the Sword Chronicles, #2))
Eleanor found herself unexpectedly admiring her own feet. Theodora dreamed over the fire beyond the tips of her toes, and Eleanor thought with deep satisfaction that her feet were handsome in their red sandals; what a complete and separate thing I am, she thought, going from my red toes to the top of my head, individually an I, possessed of attributes belonging only to me. I have red shoes, she thought-that goes with being Eleanor; I dislike lobster and sleep on my left side and crack my knuckles when I am nervous and save buttons. I am holding a brandy glass which is mine because I am here and I am using it and I have a place in this room. I have red shoes and tomorrow I will wake up and I will still be here. 'I have red shoes,' she said very softly, and Theodora turned and smiled up at her.
Shirley Jackson (The Haunting of Hill House)
Are you jealous?" She has a half-smile, a laugh waiting to escape. "No. Not jealous." I squeeze her to me, lifting her off the ground back onto her tip-toes. "Possessive. You belong to me." I push her away. "Take off that dress." I allow some anger into my voice. "Now!" She jumps in place a little and reaches behind her to unzip. I grab her shoulders and twist her around. Putting my hands at the base of her neck, I rip the dress down the middle, tearing the zipper apart. She half gasps, half cries out. "You won't be wearing that again.
Willow Madison (True Nature (True, #1))
Some hugs were awkward. One person’s arm headed over the other’s shoulder just as that person was mirroring the action. So it would almost look like a defensive karate move in slow motion. Sometimes, a guy liked to hug around the waist and if the girl was shorter, he’d straighten a little and she’d end up on tip toe. This had always made her feel like a melon being weighed for juiciness. From the wrong man, from any man really, it was a creepy hug. Other hugs were comfortable, a perfect synchronization of arms crisscrossing around one another’s backs, a full, warm, brief embrace that said "I care about you" but didn’t cross any weird lines.
Victoria Kahler (Luisa Across the Bay)
I love you, Allison. My love for you continues to grow every day. I love you so much more than I can even explain. And when I thought I might lose you, when you called to me and felt such fear, I decided I would never again try to distance myself from you. I will be here when you need me for whatever you need me for. You are my world.” Normally, a woman waits for the man to kiss her, especially after the kiss we just shared. But at his declaration, I just couldn’t help myself. I lifted myself onto my tip toes and threw my arms around his neck, pulling his face closer to mine. I kissed him with everything I had, letting my love for him flow through me and into him. Before I could even react his lips were on mine. The heat that I had felt when he kissed my cheek, was like a lit match compared to the forest fire I felt now. Every inch of my body was deliciously ignited.
Theresa M. Jones (Power (The Descendant Trilogy #1))
he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
You have the lovers, they are nameless, their histories only for each other, and you have the room, the bed, and the windows. Pretend it is a ritual. Unfurl the bed, bury the lovers, blacken the windows, let them live in that house for a generation or two. No one dares disturb them. Visitors in the corridor tip-toe past the long closed door, they listen for sounds, for a moan, for a song: nothing is heard, not even breathing. You know they are not dead, you can feel the presence of their intense love. Your children grow up, they leave you, they have become soldiers and riders. Your mate dies after a life of service. Who knows you? Who remembers you? But in your house a ritual is in progress: It is not finished: it needs more people. One day the door is opened to the lover's chamber. The room has become a dense garden, full of colours, smells, sounds you have never known. The bed is smooth as a wafer of sunlight, in the midst of the garden it stands alone. In the bed the lovers, slowly and deliberately and silently, perform the act of love. Their eyes are closed, as tightly as if heavy coins of flesh lay on them. Their lips are bruised with new and old bruises. Her hair and his beard are hopelessly tangled. When he puts his mouth against her shoulder she is uncertain whether her shoulder has given or received the kiss. All her flesh is like a mouth. He carries his fingers along her waist and feels his own waist caressed. She holds him closer and his own arms tighten around her. She kisses the hand besider her mouth. It is his hand or her hand, it hardly matters, there are so many more kisses. You stand beside the bed, weeping with happiness, you carefully peel away the sheets from the slow-moving bodies. Your eyes filled with tears, you barely make out the lovers, As you undress you sing out, and your voice is magnificent because now you believe it is the first human voice heard in that room. The garments you let fall grow into vines. You climb into bed and recover the flesh. You close your eyes and allow them to be sewn shut. You create an embrace and fall into it. There is only one moment of pain or doubt as you wonder how many multitudes are lying beside your body, but a mouth kisses and a hand soothes the moment away.
Leonard Cohen
Would that be okay? It's just a day trip. I mean I know we just met yesterday, so, it's not like creepy or anything?" His confident grin falters for a quick second, long enough for me to snap out of my idiotic stupor. That sounds awesome. I nod. Let me just grab my bag. He lets out a relieved sigh and smiles. I fight the urge to stand on my tip toes and reach his lips. Because my guess is that cramming my tongue down his throat right now, would be creepy.
Steph Campbell (Grounding Quinn)
He did atrocious things, but it was him I wanted. Always, only him. Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim. “I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose. I actually felt it, even though it was on his lips. “I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.” My eyes fluttered shut, a lone tear hanging from the tip of my eyelash. “We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.” He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine. My capturer. My monster. My savior. “I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?” My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
L.J. Shen (Sparrow (Boston Belles, #0.5))
Not caring who heard, I let loose a wail I left I'd been saving up my whole life. It traveled through my body, beginning in my lungs and spreading to the tips of my fingers and toes. I screamed until there was nothing left inside that hadn't been stripped raw.
Megg Jensen (Anathema (Cloud Prophet Trilogy, #1))
I got my grade back.” I slip the paper out of my pocket, holding it up. “I aced it.” And for the first time, I say out loud, “I’m valedictorian.” Logan gazes at the paper for a long moment. And when he takes it, I feel the brush of his finger against mine. “Look at that,” he says with awe. “That’s brilliant. Smart girl.” His large hand moves to my shoulder, squeezing. And I feel it everywhere. Warmth tingles through me, from the top of my ears to the tips of my toes. "Congratulations, Ellie." My mouth stretches so far into a smile, tears spring up in my eyes. “Thanks. I just . . . I wanted to tell someone.” Him. I wanted to tell him. "I'm glad it was me.
Emma Chase (Royally Endowed (Royally, #3))
Maybe I should make the first move,” I whispered, wrapping my fingers around his wrist. “But what if he thinks I’m too easy?” “He’ll be too busy thinking he’s damned lucky.” “Well, then …” I wriggled around to face him. “Howdy, neighbor.” He traced my eyebrow with the tip of his finger. “Hi. I really like the view around here.” “The hospitality isn’t bad, either.” “Oh? Plenty of towels?” I pushed at his shoulder. “Do you want to suck face or not?” “Suck face?” His head fell back and he laughed, his chest vibrating against me. It was a lusty, full-bodied sound and my toes curled at hearing it. Gideon laughed so rarely. My hands slid under his sweater and glided over warm skin. My lips moved over his jaw. “Is that a no?” “Angel, I’ll suck on any part of your body I can get my mouth on.
Sylvia Day
She found Jamie standing on that corner, probably one of the most civilized street corners in the whole world, consulting a compass and announcing that when they turned left, they would be heading 'due northwest.' Claudia was tired and cold at the tips; her fingers, her toes, her nose were all cold while the rest of her was perspiring under the weight of her winter clothes. She never liked feeling either very hot or very cold, and she hated feeling both at the same time. 'Head due northwest. Head due northwest,' she mimicked. 'Can't you simply say turn right or turn left as everyone else does? Who do you think you are? Daniel Boone? I'll bet no one's used a compass in Manhattan since Henry Hudson.
E.L. Konigsburg (From the Mixed-Up Files of Mrs. Basil E. Frankweiler)
Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?” Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.” Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor. “Yeah?” “Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.” Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
A sprawling North London parkland, composed of oaks, willows and chestnuts, yews and sycamores, the beech and the birch; that encompasses the city’s highest point and spreads far beyond it; that is so well planted it feels unplanned; that is not the country but is no more a garden than Yellowstone; that has a shade of green for every possible felicitation of light; that paints itself in russets and ambers in autumn, canary-yellow in the splashy spring; with tickling bush grass to hide teenage lovers and joint smokers, broad oaks for brave men to kiss against, mown meadows for summer ball games, hills for kites, ponds for hippies, an icy lido for old men with strong constitutions, mean llamas for mean children and, for the tourists, a country house, its façade painted white enough for any Hollywood close-up, complete with a tea room, although anything you buy there should be eaten outside with the grass beneath your toes, sitting under the magnolia tree, letting the white blossoms, blush-pink at their tips, fall all around you. Hampstead Heath! Glory of London! Where Keats walked and Jarman fucked, where Orwell exercised his weakened lungs and Constable never failed to find something holy.
Zadie Smith
At once, she dropped her gaze 2 the floor so she wouldn’t have 2 meet the stares because she knew exactly how she looked, which was bad, very bad, extra bad from the top of her dyed head to the tip of her tennis-shoed toes. She had an enormous urge to look up and say to the class, “I’m prettier than this. Really.
Elizabeth George
Then he started fucking, his hips pistoning in a relentless tempo, his long thick cock plunging and withdrawing from root to tip in rapid-fire thrusts. Supporting his weight entirely with his arms and the tips of his toes, he powered into me, his rigid penis nailing me straight into the mattress. I came so hard my vision went black, my body seized with pleasure so intense I was locked in it, suspended in the powerful waves of erotic sensation. I was inundated by the ferocious surge of my climax. My skin tingled from head to toe. Gideon paused on a downstroke, grinding into me, giving my body the steely length of his penis to grasp. My sex spasmed ecstatically around that delicious hardness, gripping him hungrily. “Fuck,” Gideon bit out, “you’re milking my dick so hard.” I shook violently, fighting to breathe. The moment I sagged into the mattress, replete, Gideon pulled his cock out of my trembling slit and left the bed. Bereft, I lifted a hand to him. “Where are you going?” “Hang on.” He shoved his boxer briefs all the way off. He was still hard, his cock rising high and proud, slick from my orgasm—but I wasn’t wet with his. “You didn’t come.” I was too languid to help when he stripped me of my underwear. Sliding a hand beneath my back, he lifted me and whipped my shirt over my head. His
Sylvia Day (One with You (Crossfire, #5))
It is autumn on tip-toe that silently walks the hills and treads the forested expanses, gracing in each step a billion leaves in a chorus of colors so brilliantly ingenious that a thousand museums or more could not hold the artistry because a thousand artists or more will never possess the talent to produce what autumn effortlessly creates.
Craig D. Lounsbrough
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further pain. I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy. I want to know if you can see beauty, even when it’s not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children. It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer (The Invitation)
The funnel of my family’s salvation must continue narrowing towards the gallows. That journey cannot begin at the parted tips of another woman’s toes
Taona Dumisani Chiveneko (Sprout of Disruption (The Hangman's Replacement # 1))
A contented sigh came from the tips of her toes.
Linda L. Broday (Be My Texas Valentine)
His eyes are on mine as he tips back his glass a second time. And something about that gaze, the way it drinks me in-it curls my toes within my slippers.
Tricia Levenseller (The Shadows Between Us (The Shadows Between Us, #1))
Now, from the crown of my head to the curve of my toe-nails, there was an unguent for every part of me - oil for my eyebrows and cream for my lashes; a jar of tooth-powder, a box of blanc-de-perle; polish for my fingernails and a scarlet stick to redden my mouth; tweezers for drawing the hairs from my nipples, and a stone to take the hard flesh from my heels.
Sarah Waters (Tipping the Velvet)
I consider the name. It wasn’t on the list, but as I study the baby’s flawless features, I can’t deny it fits. My muse led me into this world in the first place, then gave me the power to rule it; Jeb’s muse repainted Wonderland so many years ago, then stayed here to bring peace between two realms. Even though Morpheus would never admit it aloud, this is his way of honoring Jeb’s contribution, my other side, and human flights of fancy. The sentiment affects me deeply, warms me all the way from my wing tips to my toes, and I’m grateful beyond words. But
A.G. Howard (Untamed (Splintered, #3.5))
I love your freckles,” he murmurs from behind me, the pad of his finger tracing lines across the expanse of my back. “They remind me of all the constellations. Like I could draw lines between them, and pictures would appear.” It’s such an oddly worshipful thing to say. I wiggle my toes, hum softly, and tip my cheek against the bed to gaze back at him. “Right here, there are two so close together they almost look like one.” “Like binary stars,” I murmur. “What are binary stars?” His finger tenderly swipes across the spot he’s talking about. “It’s two stars that look like one to us when we see them in the sky. But really, they’re two. Stuck together by a gravitational pull, always orbiting one another.” “Kind of like the two of us, stuck together,” he muses.
Elsie Silver (Flawless (Chestnut Springs, #1))
I tried to bend over and touch my toes this morning,” I tell the girls. “I tipped over, hit my head on the desk, and then had to call for Nana to get up. I’m literally the size of an Oompa Loompa.” “You’re the most beautiful Oompa Loompa in the world,” Hope declares. “Because she’s not orange.” “Oompa Loompas were orange?” I try to conjure up a mental picture of them but can only recall their white overalls. Carin purses her lips. “Were they supposed to be candies? Like orange slices? Or maybe candy corn?” “They were squirrels,” Hope informs us. “No way,” we both say at once. “Yes way. I read it on the back of a Laffy Taffy when I was like ten. It was a trivia question and I’d just seen the movie. I was terrified of squirrels for years afterwards.” “Shit. Learn something new every day.” I push my body upright, a task that takes a certain amount of upper body strength these days, and toddle over to inspect the crib. “I don’t believe you,” Carin tells Hope. “The movie is about candy. It’s called Willy Wonka and the Chocolate Factory. Since when are squirrels candies? I can buy into a bunny because, you know, the chocolate Easter bunnies, but not a squirrel.” “Look it up, Careful. I’m right.” “You’re ruining my childhood.” Carin turns to me. “Don’t do this to your daughter.” “Raise her to believe Oompa Loompas are squirrels?” “Yes
Elle Kennedy (The Goal (Off-Campus, #4))
For every trial there has been an answering blessing, for every loss, something gained. And I was right, too, that day in Westfall, because looking out over the rolling waves I know that this journey was worth every step. It has given us time to mend our broken places inside, make peace with the losses we’ve suffered, and forgive ourselves for the impossible choices we made. And now we’re here, the foam-tipped waves nibbling at our bare toes. A reminder that no matter what damage we do—to ourselves, to each other, to the world—life can still surprise us with its depth of possibility.
Amy Engel (The Revolution of Ivy)
Of course change is hard. It has to be. It carries with it - every single time - the potential to elevate, even revolutionize your life in ways you can never truly realize until you're already transformed, safely on the other side of your resistance and fear. Change is hard, but rarely as difficult as not doing anything. Now is the time - really, right now - to start making those changes you know you need to make in your life. Dive into change, into the sea of possibility it creates, and trust that all the hard work will bring you some deeply wonderful things - like a greater sense of calm and happiness, and a truer taste of freedom. If you can’t dive in, that’s okay. Tip toe, baby step, crawl if you have to. Just keep moving forward, no matter what, into what is already becoming your new and beautiful reality.
Scott Stabile
hadn’t heard either of them move, but they were standing toe to toe, and Archer was touching her cheeks with only the tips of his fingers as he gazed into her eyes. There was something sort of poignant about the moment. Yeah, I sounded like I’d be writing love sonnets by the end of the year, but in a moment of empathy and maturity I really hadn’t realized I was capable of, I didn’t lose my cool. She needed this—she needed Archer,
Jennifer L. Armentrout (Opposition (Lux, #5))
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing. It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
Reaching out, he touches my chin. “You did so good,” he replies in a gravelly tone I can feel from the top of my head to the tips of my toes. “You like me telling you that, don’t you?” “Mm-hm.” His thumb strokes my chin. “That’s what I thought.
Sara Cate (Praise (Salacious Players Club, #1))
There is much to be said for contentment and painlessness, for these bearable and submissive days, on which neither pain nor pleasure is audible, but pass by whispering and on tip-toe. But the worst of it is that it is just this contentment that I cannot endure. After a short time it fills me with irrepressible hatred and nausea. In desperation I have to escape and throw myself on the road to pleasure, or, if that cannot be, on the road to pain. When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so-called good and tolerable days, I feel so bad in my childish soul that I smash my mouldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols, to provide a few rebellious schoolboys with the longed-for ticket to Hamburg, or to stand one or two representatives of the established order on their heads. For what I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.
Hermann Hesse (Steppenwolf)
Peter lifted his head. Hook's hair was tangled around his face like a lion's mane and his eyes were painfully clear, all teasing and mirth gone from his mouth. He took Peter's chin in his hand, his fingers calloused but gentle, and kissed him. Everything in the world grew quiet and Peter's body grew loud. The caress of Hook's fingertips under his chin made his pulse catch, his throat flushing, shoulders tightening. He could only seem to breathe in, breathe Hook in deeper. Hook's lips were dry, and he tasted like salt and sweet wine. He smelled like gunpowder and the sea and he was everywhere, shifting closer across the leaves, his other arm snaking around Peter's waist, the iron claw pressed flat between his shoulder blades. Peter dug his fingers into fistfuls of earth, trying to ground himself as Hook pulled them together, tipping Peter's head back with the gentle thrust of his kiss, a momentum that threatened to tilt them both to the ground. Peter was impossibly hot, hot to his fingertips and toes and his skin was crawling with the need to be touched, the shock of that need. Sweat caught at the back of his shirt. His skin was stark canvas begging for ink, and Hook's touch was going to stain him forever. It was too much, too sudden. Peter recoiled, yanking a knife from his boot and holding it between them. He didn't mean it as a threat, just a way to make distance where none had been.
Austin Chant (Peter Darling)
Johann learned what sort of creature he was by accident. One day he slipped on a patch of ice. His ankle turned in the wrong direction and plunged him off a roof like a crow with a clipped wing. The ground swallowed him up, and the crunch of his neck against rock reverberated through every joint in his spine. It shuddered through his limbs and popped out the tips of his fingers and toes, a tiny earthquake that made ruin of his bones. He lay absolutely still for ten minutes, and then he stood up and wrenched his skull back into place. “Well,” he said aloud. “That was fucked up.
Jennifer Giesbrecht (The Monster of Elendhaven)
It doesn’t interest me what you do for a living. I want to know what you ache for and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love for your dream for the adventure of being alive. It doesn’t interest me what planets are squaring your moon... I want to know if you have touched the centre of your own sorrow if you have been opened by life’s betrayals or have become shrivelled and closed from fear of further pain. I want to know if you can sit with pain mine or your own without moving to hide it or fade it or fix it. I want to know if you can be with joy mine or your own if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful to be realistic to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself. If you can bear the accusation of betrayal and not betray your own soul. If you can be faithless and therefore trustworthy. I want to know if you can see Beauty even when it is not pretty every day. And if you can source your own life from its presence. I want to know if you can live with failure yours and mine and still stand at the edge of the lake and shout to the silver of the full moon, “Yes.” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up after the night of grief and despair weary and bruised to the bone and do what needs to be done to feed the children. It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the centre of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you from the inside when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
Oriah Mountain Dreamer
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
Days passed, and she felt herself split down the middle, a wound that would never heal, and which she would never regret; because of him her heart would always be exposed to wind and weather. She worshiped him with many small acts of devotion, wondering at his marvelous foot, its skin like the thin silk covering of a cushion; she passed hours in stroking it with the tip of her finger and seeing how he spread his toes in delight—that he could take pleasure! That she could give it! His curled hand was a cockleshell warmed by the sun—she held it between her lips—she was astonished by him, that those small hands, those feet, contained such multitudes.
Sarah Perry (The Essex Serpent)
Theodora dreamed over the fire just beyond the tips of her toes, and Eleanor thought with a deep satisfaction that her feet were handsome in their ed sandals; what a complete and separate thing I am, she thought, going from my red toes to the top of my head, individually an I, possessed of attributes belonging only to me. I have red shoes, she thought —that goes with being Eleanor; I dislike lobster and sleep on my left side and crack my knuckles when I'm nervous and save buttons. I am holding a brandy glass which is mine because I am here and I am using it and I have a place in this room. I have red shoes and tomorrow I will wake up and I will still be here.
Shirley Jackson
One question I feel compelled to ask; Before they agreed to marry, did all the Cynster females behave as irrationally as Heather is?" He glanced briefly up, but Richard didn't look up from the lure he was tying off as he unperturably replied, "Prickly at the best of times, then 'have-at-you' the instant you set a foot, nay, a toe, wrong?" "Exactly." "Then yes." Richard straightened, tipping his head as he examined his lure. "It seems to be a family failing, even when they're not Cynster-born." Breckenridge humphed. He was carefully placing the fresh hook into his clamp when Richard continued, "There seems to be this prevailing wisdom, not just over marrying for love, but what that actually equates to. They seem to all have it firmly in their heads that without some cast-iron assurance, preferably in the form of an open declaration from us, then no matter the reality of any love, that love won't be solid and strong." Unwinding the vise to release his completed lure, Richard grimaced. "It's almost as if they think that unless we state our feelings out aloud, we won't know what they-our feelings-are." He snorted. "As if we somehow might not notice that our lives have suddenly shifted to revolve solely about them and their well-being." Breckenridge grunted in masculine agreement. "Sadly," Richard said, selecting another hook, "it appears futile to expect them to go against the familial grain.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Stance in Strategy Adopt a stance with the head erect, neither hanging down, nor looking up, nor twisted. Your forehead and the space between your eyes should not be wrinkled. Do not roll your eyes nor allow them to blink, but slightly narrow them. With your features composed, keep the line of your nose straight with a feeling of slightly flaring your nostrils. Hold the line of the rear of the neck straight: instill vigor into your hairline, and in the same way from the shoulders down through your entire body. Lower both shoulders and, without the buttocks jutting out, put strength into your legs from the knees to the tips of your toes. Brace your abdomen so that you do not bend at the hips. Wedge your companion sword in your belt against your abdomen, so that your belt is not slack - this is called "wedging in".
Miyamoto Musashi (Book of Five Rings: The Classic Guide to Strategy)
The night candle on the bedside table burst into spontaneous flame. The golden glow revealed a creature whose pale white skin was marked with dark blue swirls, like some barbarian war paint. Fins jutted from her arms and legs, and the claws tipping fingers and toes clung to the house’s woodsiding. A host of slender tendrils squirmed around her face in place of hair, and her grin revealed row after row of shark’s teeth. Oh, thank heavens. Nothing to be afraid of after all
Jordan L. Hawk (Undertow (Whyborne & Griffin, #8.5))
St. Clair tucks the tips of his fingers into his pockets and kicks the cobblestones with the toe of his boots. "Well?" he finally asks. "Thank you." I'm stunned. "It was really sweet of you to bring me here." "Ah,well." He straightens up and shrugs-that full-bodied French shrug he does so well-and reassumes his usual, assured state of being. "Have to start somewhere. Now make a wish." "Huh?" I have such a way with words. I should write epic poetry or jingles for cat food commercials. He smiles. "Place your feet on the star, and make a wish." "Oh.Okay,sure." I slide my feet together so I'm standing in the center. "I wish-" "Don't say it aloud!" St. Clair rushes forward, as if to stop my words with his body,and my stomach flips violently. "Don't you know anything about making wishes? You only get a limited number in life. Falling stars, eyelashes,dandelions-" "Birthday candles." He ignores the dig. "Exactly. So you ought to take advantage of them when they arise,and superstition says if you make a wish on that star, it'll come true." He pauses before continuing. "Which is better than the other one I've heard." "That I'll die a painful death of poisoning, shooting,beating, and drowning?" "Hypothermia,not drowning." St. Clair laughs. He has a wonderful, boyish laugh. "But no. I've heard anyone who stands here is destined to return to Paris someday. And as I understand it,one year for you is one year to many. Am I right?" I close my eyes. Mom and Seany appear before me. Bridge.Toph.I nod. "All right,then.So keep your eyes closed.And make a wish." I take a deep breath. The cool dampness of the nearby trees fills my lungs. What do I want? It's a difficult quesiton. I want to go home,but I have to admit I've enjoyed tonight. And what if this is the only time in my entire life I visit Paris? I know I just told St. Clair that I don't want to be here, but there's a part of me-a teeny, tiny part-that's curious. If my father called tomorrow and ordered me home,I might be disappointed. I still haven't seen the Mona Lisa. Been to the top of the Eiffel Tower.Walked beneath the Arc de Triomphe. So what else do I want? I want to feel Toph's lips again.I want him to wait.But there's another part of me,a part I really,really hate,that knows even if we do make it,I'd still move away for college next year.So I'd see him this Christmas and next summer,and then...would that be it? And then there's the other thing. The thing I'm trying to ignore. The thing I shouldn't want,the thing I can't have. And he's standing in front of me right now. So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have? Screw it.Let the fates decide. I wish for the thing that is best for me. How's that for a generalization? I open my eyes,and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
We're not the same," Dad had said, voice gentle and soft. "But know that I was alone and sad before you Cale into my world. You gave me hope, Victor. It started in the tips of my toes before it rose through the rest of my body and latched firmly in my chest. It has never left. It evolved into something so much greater. and it's because of this feeling that I can say I don't need you to be like me. I need you to be you." Vic hasn't spoken. Not then. But he listened, and he never forgot.
T.J. Klune (In the Lives of Puppets)
1. Whenever you walk through a doorway at home, stop, press the palms of your hands flat against the top of the door frame, get up on your toes, then push up with your arms and try to get your heels back on the floor. But don't let them budge - you're pushing against the calf muscles and recontouring them. Hold it for few seconds and then go on about you chores. 2. Sit on a straight chair, point your toes out straight, and kick up as high as you can with each leg. You'll feel a healthy pull in the calf muscles. 3. After a few kicks, stand up on your toes and lower yourself very slowly to a squatting position, still keeping your weight on the balls of your feet. Then pull slowly up again. It’s fair to balance yourself lightly with your hands on the back of a chair if you have to. 4. Put a book on the floor and place the balls of your feet on the book and your heels on the floor. Raise yourself slowly until you’re on tiptoe on the book. Then lower yourself just as slowly. The thicker the book, the better the results/ These four exercises will slim down fat calves and build up thin ones. The point is that the muscles are being firmed, and no matter what your problem the result is lovelier legs.
Joan Crawford (My Way of Life)
Being held by him, kissed and mastered, taken under and swept away, enthralled her in a way she—an independent woman if nothing else in this life—could not have understood until forced to understand. From the tips of her toes to the ends of her hair, finally, a man's strength dominated her. Suddenly, she understood why women wanted so deeply. Why they wanted him. If they sensed even one-tenth of his passion, his power, his vitality, they would break his door down to get to him. And this, she learned as quickly as any pupil could, was what had been missing before: Zachariah Garrett's full participation. In all fairness to the dare, she locked her arms around his neck and consented to a draw. He murmured something low and unintelligible, his wine glass dropping to the grass with a soft thump. The arm around her waist tightened, the other climbing, his fingers delving into her loose chignon and tilting her head as he deepened the kiss, drawing down on her bottom lip and sucking. Instinct had her following his lead, shifting to better accommodate, parrying each thrust of his tongue with her own, rising on the tips of her toes to better sink into him, to gorge herself in vast, voracious gulps. The frantic nature of their joining melted her stiff posture and her cocksure bearing, rolling through her in a languid, glorious wave of sensation and recognition. It was a peculiar time to realize she had built her sense of self around an erroneous ideal. She was no different than other women.
Tracy Sumner (Tides of Passion)
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.” I came to my feet. “And ask the stars about them?” Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday. “Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.” “No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.” “Bugger you, waif.” “And you.” He walked past both of us without another glance or another word, opened the door, and disappeared into the night. I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too. “I don’t want to go,” I whispered. I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.” “Which part?” “All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.” I frowned up at him. “What do you mean?” Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“ “That is not bloody going to happen.” “When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?” “My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.” To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his. Sweeter than raspberry jam, warmer than candle flame, softer than bread. People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke. I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting. “I’ll walk you out,” I said and followed him to the door. Ivy was still digging through my clothes and called out a good-bye. “Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.” I grimaced. “You’re probably right.” He grinned. “I’ll call you later, ‘kay?” I nodded. He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me. My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes. My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down. The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward. A low laugh vibrated his chest and he pulled back. “Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.” I nodded, barely comprehending his words. He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name. He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us. “Thanks, baby.” I swear every girl within earshot sighed. I couldn’t even blame them. I shut the door and leaned against it. Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.” I smiled.
Cambria Hebert (#Hater (Hashtag, #2))
[I]t's a con, at children's expense. When self-esteem advocates tell us to flatter the young about their views, in reality they ask adults to abandon the difficult task of disciplining them. Emphasizing that adults must 'express unconditional positive regard and acceptance for children' effectively destroys the inter-generational duty of passing on knowledge, setting boundaries for behavior and the broader task of socialization. It is not good for children and can mean adults indulging even the most destructive aspects of young people's behavior. In 2013, a self-harming pupil at Unsted Park School in Godalming, Surrey was given a disposable safety razor to slash himself with, supervised by a teacher. A spokeswoman from selfharm.co.uk justified this irresponsible collapse of adult judgement using the mantras of pupil voice and self-esteem: 'The best way to help is to listen without judging, accept that the recovery process may take a while and avoid "taking away" the self-harm' because 'self-harm can be about control, so it's important that the young person in the center feels in control of the steps taken to help them'. That's an extreme case but it touches on how focusing on the schoolchild's self-esteem can create the impression that the world should circle around pupils' desires. This in turn puts pressure on adults to tip-toe around young people's sensitivities and to accede to their opinions. Combined with student voice orthodoxies, this can lead to the peculiar diktat that teachers express respect for pupils' views, however childish or even poisonous.
Claire Fox (‘I Find That Offensive!’)
Caleb told me that our mother said there was evil in everyone, and the first step to loving someone else is to recognize that evil in ourselves, so we can forgive them. So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me? “Hey,” I say, crushing Caleb’s directions into my back pocket. He turns, and his expression is stern, familiar. It looks the way it did the first few weeks I knew him, like a sentry guarding his innermost thoughts. “Listen,” I say. “I thought I was supposed to figure out if I could forgive you or not, but now I’m thinking you didn’t do anything to me that I need to forgive, except maybe accusing me of being jealous of Nita…” He opens his mouth to interject, but I hold up a hand to stop him. “If we stay together, I’ll have to forgive you over and over again, and if you’re still in this, you’ll have to forgive me over and over again too,” I say. “So forgiveness isn’t the point. What I really should have been trying to figure out is whether we were still good for each other or not.” All the way home I thought about what Amar said, about every relationship having its problems. I thought about my parents, who argued more often than any other Abnegation parents I knew, who nonetheless went through each day together until they died. Then I thought of how strong I have become, how secure I feel with the person I now am, and how all along the way he has told me that I am brave, I am respected, I am loved and worth loving. “And?” he says, his voice and his eyes and his hands a little unsteady. “And,” I say, “I think you’re still the only person sharp enough to sharpen someone like me.” “I am,” he says roughly. And I kiss him. His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of wind. I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that’s true of beginnings, but it’s not true of this, now. I fell in love with him. But I don’t just stay with him by default as if there’s no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
Veronica Roth (Allegiant (Divergent, #3))
Oscar pushed a strand of her loose raven hair behind her ear, and Camille knew she hadn’t completely failed. The man she loved, and who loved her, was alive when, under all normal circumstance, he shouldn’t be. How could that be seen as failure? “You know, and I know.” Oscar paused to take a breath. “William would never have approved of us being together.” He held his eyes level with hers, as if trying to detect any flicker of doubt or apprehension in her. “We won’t be tying bait bags for a living, will we?” she asked, willing to give up her wealth, her good name, but never her dignity. Oscar laughed. “No bait bags.” “Well, of that my father would at least approve. And even if he didn’t,” she said with a sly grin, “I do.” She rose to the tips of her toes and kissed him. “Oy, lovebirds!” Ira shouted from the ground. He and Samuel had reached the base and now looked into the sunlight, shielding their eyes with the planes of their hands. “Should I build a campfire and start sending smoke signals? Here we are, beasties! Come have lunch!” Oscar’s familiar sarcasm slipped back into place. “No smoke signals needed, Ira, the shouting will do just fine.” He released his arms from around her waist, and Camille reluctantly let him go, too. He descended the first boulder. “I’ll go first, in case you slip.” Oscar’s eyes came level with Camille’s ratty wool stockings. He looked up at her, his dimples as irresistible as the first time she’d seen them. “Well, at least it’s an improvement from bare feet,” he said. Camille wiggled her toes, laughing. She started down the mound of boulders toward the world that lay ahead, her footing sure and steady.
Angie Frazier (Everlasting (Everlasting, #1))
She was about to take a step back when his hand slid onto her leg. Slow and lazy. “You don’t wear your scrubs home,” he murmured, his fingers idly stroking just behind her knee, the denim of her jeans no barrier to the sensations sweeping up her leg. Joss willed herself to move but not one damn synapse obeyed. It was as if his fingers had injected them with a paralyzing agent. “No.” Her voice was hushed yet high. Breathy. “It’s against hospital policy.” “Pity.” He smiled at her. “You look hot in them.” If it was possible to orgasm through compliments alone, she’d just moved into the red zone. He was dangerously good for her ego. He was bleary-eyed, rubbing his right hand over his hair, his biceps and abs shifting nicely. A flush of heat surged from the tips of her toes to the top of her head. Sweet baby cheeses. Maybe she was perimenopausal? Thirty-four was young but it wasn’t unheard of…
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
Here, beneath this tree, she had lain on her back in the sun and watched the butterflies, and Godolphin had called upon her for the first time, surprising her with her ringlets in disorder and the flowers behind her ears. And in the woods there had been bluebells, where there were bluebells no more, and the bracken had been young which was now waist-high and darkly green. So much loveliness, swiftly come and swiftly gone, and she knew in her heart that this was the last time of looking upon it all, and that she would never come to Navron again. Part of her would linger there for ever: a footstep running tip-toe to the creek, the touch of her hand on a tree, the imprint of her body in the long grass. And perhaps one day, in after years, someone would wander there and listen to the silence, as she had done, and catch the whisper of the dreams that she had dreamt there, in midsummer, under the hot sun and the white sky.
Daphne du Maurier (Frenchman's Creek)
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley
She looked at him defiantly, "I know I am not beautiful.I laughed at myself for thinking such impossible things." Rides the Wind was quiet for so long that she wondered if her rush of words had overreached his abilities in English. But just when she started to question him,he turned his own face to the horizon so that she could view only his profile. "When Rides the Wind was young, he danced about the fire like no other brave.It was then that Dancing Waters came to be his woman.She would watch, and her eyes danced with the flames. But one day Rides the Wind went to hunt.His pony fell and crushed his leg. Marcus Whitman fixed the leg, but it would not grow straight.Rides the Wind could dance no more. The fire died in the eyes of Dancing Waters." He encircled her with his arms before continuing. "Walks the Fire sees Rides the Wind when he walks like the wounded buffalo.She sees, but the fire does not die in her eyes.Beautiful is in here," he placed his hand over her heart. "So do not laugh when you think you are beautiful.Rides the Wind sees the fire in your eyes.And to him,you are beautiful." Jesse reached for his hand,and, holding it palm up,she kissed it. He growled, "...and so you give me more of the white man's ways." In a moment of uncharacteristic abandon, Jesse stood on tip-toe and placed a less-than-chaste kiss upon the mouth of her husband.She smiled in spite of the resulting blush on her cheek, reaching up to tug childishly on his flowing hair. Then,to his delight and amazement she spoke the Lakota words: "Mihigna-my husband-Walks the Fire is an obedient wife.If he wishes her to stop this strange touch,he must tell her.Walks the Fire will obey." Rides the Wind took her hand, and they started back to the tepee.As they climbed the hill together he replied, "Many of the white man's ways must be forgotten to live among my people...but not all.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
Wyatt." She tore it open and stood there, drinking him in.Just the sight of him had her heart doing a happy dance in her chest. "Don't throw me out." He lifted a hand. "I come in peace.With food." When she didn't say a word he added, "Pizza.With all your favorite toppings.Sausage, mushrooms, green..." "Well,then." To hide the unexpected tears that sprang to her eyes,she turned away quickly. "Since you went to so much trouble,you may as well come in." "It was no trouble.I just rode a hundred miles on my Harley,fought my way through the smoke screen at the Fortune Saloon,had to fend off Daffy's attempts to have her way with me, and discovered that I'd left my wallet back at the ranch,which meant I had to sign away my life before Vi would turn over this pizza,wine,and dessert. But hey, no trouble at all.It's the sort of thing I do nearly every day." He followed her to the kitchen, where he set down the pizza box and a brown bag. He glanced over at the stove. "Are you going to lift that kettle, or did I interrupt you making a recording of you whistling along with it in harmony?" Despite her tears,she found herself laughing hysterically at his silly banter. Oh,how she'd missed it. He set the kettle aside.The sudden silence was shocking. Because she had her back to him, he fought the urge to touch her.Instead he studied the way her shoulders were shaking. Troubled,he realized he'd made her cry. "Sorry." Deflated,his tone lowered. "I guess this was a bad idea." "Wyatt." He paused. "It was a good idea.A very good idea." She turned,and he saw the tears coursing down her cheeks. "Oh,God,Marilee,I'm sorry.I didn't mean to make you..." "I'm not crying." She brushed furiously at the tears. "I mean I was,but then you made me laugh and..." "This is how you laugh?" He caught her by the shoulders and held her a little away. "Woman,I didn't realize just how weird you are. Wait a minute.Do you think being weird might be contagious? Maybe I ought to get out of here before I turn weird,too." The more she laughed,the harder the tears fell. Through a torrent of tears she wrapped her arms around his waist and held on, burying her face in his neck. "You can't leave.I won't let you." He tipped up her face,wiping her tears with his thumbs. "You mean that? You really don't want me to go?" "I don't.I really want you to stay, Wyatt." "For dinner?" "And more." "Dessert?" "And more." His smile was quick and dangerous. "I'm beginning to like the 'and more.'" She smiled through her tears. "Me,too." "Maybe we could have the 'and more' as an appetizer, before the pizza." Her laughter bubbled up and over, wrapping itself around his heart. "Oh, how I've missed your silly sense of humor." "You have?" "I have.I've missed everything about you." "Everything?" He leaned close to nibble her ear,sending a series of delicious shivers along her spine. "Everything." Catching his hand,she led him to the bedroom. "I worked very hard today making up the bed with fresh linens. Want to be the first to mess it up?" He looked from the bed to her and then back again. "Oh,yeah." He drew her close and brushed her mouth with his. Just a soft,butterfly kiss, but she felt it all the way to her toes. "I mean I want to really, really mess it up." "Me,t..." And then there was no need for words.
R.C. Ryan (Montana Destiny)