Coke Can Quotes

We've searched our database for all the quotes and captions related to Coke Can. Here they are! All 100 of them:

Seriously", Macey snapped. "go. Kiss. A baby" "can you believe her?" Preston asked, coking his head towards macey." everytime she sees me, all she does is call me baby and talk about kissing." Macey looked like she wanted to kill him. But I kind of wanted to laugh.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
It's truly weird how everyone just thinks they can bring me Diet Coke and everything will be okay. Especially since it's pretty much true.-Lizzie Nichols
Meg Cabot (Queen of Babble Gets Hitched (Queen of Babble, #3))
What's great about this country is America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you can know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good.
Andy Warhol
He uncovered the boat, his hands working the knots like he'd been doing it his whole life. Under the tarp was an old steel rowboat with no oars. The boat had been painted dark blue at one point, but the hull was so crusted with tar and salt it looked like one massive nautical bruise. On the bow, the name Pax was still readable, lettered in gold. Painted eyes drooped sadly at the water level, as if the boat were about to fall asleep. On board were two benches, some steel wool, an old cooler, and a mound of frayed rope with one end tied to the mooring. At the bottom of the boat, a plastic bag and two empty Coke cans floated in several inches of scummy water. "Behold," Frank said. "The mighty Roman navy.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Mr. D," Grover asked timidly, "if you're not going to eat it, could I have your Diet Coke can?
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the Nude Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it
Frank O'Hara
[Eating disorders] are a wonderful tool for helping you reject others before they can reject you. Example: You're at a party. The popular girls are there. You know you can never be as cool as they are, but when one of the pops a potato chip into her mouth or chooses real Coke over Diet, for that moment you are better
Stacy Pershall
When it's finals week and you've been studying for five hours straight, you need three things to get you through the nigh.The biggest Slurpee you can find,half cherry half Coke.Pajama pants, the kind that have been washed so many times they are tissue-paper thin. And finally,dance breaks. Lots of dance breaks.
Jenny Han (We'll Always Have Summer (Summer #3))
There’s an organic grocery store just off the highway exit. I can’t remember the last time I went shopping for food.” A smile glittered in his eyes. “I might have gone overboard.” I walked into the kitchen, with gleaming stainless-steel appliances, black granite countertops, and walnut cabinetry. Very masculine, very sleek. I went for the fridge first. Water bottles, spinach and arugula, mushrooms, gingerroot, Gorgonzola and feta cheeses, natural peanut butter, and milk on one side. Hot dogs, cold cuts, Coke, chocolate pudding cups, and canned whipped cream on the other. I tried to picture Patch pushing a shopping cart down the aisle, tossing in food as it pleased him. It was all I could do to keep a straight face.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
They say - "they" being the great philosophers, or possibly the cast of Seinfeld - that breaking up is like pushing over a Coke machine. You can't just do it, you have to set the thing in motion, rock it back and forth a few times.
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
He was rewarded with a silver-and-red can of soda. He brandished it at the dolphin warriors as if spraying them with bug repellant. "Behold!" Percy shouted. "The god's chosen beverage. Tremble before the horror of Diet Coke!" The dolphin-men began to panic. They were on the edge of retreat. Percy could feel it.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I hope you like cherry coke, baby doll, or we can't be friends.
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
He dropped the rest of the Cokes into the grave and pulled out a white paper bag decorated with cartoons. I hadn’t seen one in years, but I recognized it — a McDonald’s Happy Meal. He turned it upside down and shook the fries and hamburger into the grave. “In my day, we used animal blood,” the ghost mumbled. “It’s perfectly good enough. They can’t taste the difference.” “I will treat them with respect,” Nico said. “At least let me keep the toy,” the ghost said.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
I didn't think past the first step of anything, that was the key. I drank a Coke and didn't worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn't worry about the offensive sexism or the lack of minorities in meaningful roles. I didn't even worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
Gillian Flynn (Gone Girl)
I think you would like Warren. He drinks Courvoisier in a Coke can, and has a laugh like you'd find in a cartoon bubble.
Amy Hempel (The Collected Stories)
Joe!' he called. 'Hey, honey, can you get the pretty girl a Coke?' 'Only if you stop calling me *honey*,' the bartender, a bearded man in his thirties, replied. 'We've had this discussion before, Harrison.' 'Aw, Joe. It's so cute that you think I listen.
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
We straighten , bu our snickering is barely contained as we attempt to focus our attention on a picture of a discarded Coke can. "This guy's lady love is kind of a slob, don't you think?" he whispers. I cover my mouth with my hands again. "A reaaaaaaaal litterbug." "Stop it," I hiss. My eyes are watering. "Ohmygod look at this one! How did he get her toenail clippings?" "If you were my girl," he whispers, "I'd take creepy pictures of your trash when I knew you weren't looking." "If you were my girl," I whisper back," I"d put the creepy pictures in a foreign museum so you wouldn't know that I take creepy pictures.
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
Any good Irwin can make going to the corner store for a candy bar and a Coke lood death defying and suicidal.
Mira Grant
For less than the cost of a Big Mac, fries and a Coke, you can buy a loaf of fresh bread and some good cheese or roast beef, which you will enjoy much more.
Steve Albini
Here. Have a Coke. That’s good for a sore throat, right?” “Good for everything,” Shane croaked, and took the extended cold can with good grace. “Thanks.” “You owe me a dollar,” Eve said. “I’ll add it to the five thousand you already owe me, though.” He blew her a kiss, and she stuck her tongue out at him, and that was the end of the subject, thankfully.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
The best part of a Mr. Goodbar is not the wrapper, is it? No, and the best part of a Coke is not the can. On those nights when you lie awake, either man or boy, wondering about yourself, peeling away one layer of oddness after another, you should remember and always be grateful that the woefully imperfect person that you are, with all your contradictions and unworthy desires, is not the best of you, any more than the wrapper is the best part of a Mr. Goodbar. -Odd Thomas - Odd Apocalypse by Dean Koonts pgs. 354-355 chapter 53
Dean Koontz (Odd Apocalypse (Odd Thomas, #5))
Derek said Andrew never went to bed before midnight. If we wanted to get him after he was sound asleep, that meant waiting until two. To my surprise, I fell asleep, so soundly that i didn't hear the alarm on the watch Derek had given me earlier. I woke to Tori shaking me with one hand, while trying to shut off the alarm with the other. I yawned and blinked hard. "Running away after you've barley slept in a week isn't a great idea," she said. "Luckily, I anticipated this." She popped open a can of coke and handed it to me. "Not as good as coffee," she said. "But I bet you don't drink coffee do you?" I shook my head as I gulped. "Kids," she said, rolling her eyes.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the Nude Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it.
Alex Flinn (Beastly (Beastly, #1))
Percy stormed over to the magical cooler. No one tried to stop him. He knocked open the lid and rummaged throught the ice. There had to be one. Please. He was rewarded with s silver-and-red can of soda. He brandished it at the dolphin warriors as if spraying them with bug repellent. "Behold!" Percy shouted. "The god's chosen beverage. Tremble before the horror of Diet Coke!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Dude, some of these kids have never even seen a fucking vegetable garden before. Can you believe it? And this one kid, he's never seen a tomato plant, right? But he makes coke into crack in his bedroom.
Tracy Lynn (Rx)
I think the reason why twentysomethings are so fixated on age is because we feel a pressure to be a certain way at 23, at 25, at 29. There are all of these invisible deadlines with our careers and with love and drinking and drugs. I can’t do coke at 25. I need to be in a LTR at 27. I can’t vomit from drinking at 26. I just can’t! We feel so much guilt for essentially acting our age and making mistakes. We’re obsessed with this idea of being domesticated and having our shit together. It’s kind of sad actually because I don’t think we ever fully get a chance to enjoy our youth. We’re so concerned about doing things "the right way" that we lose any sense of pleasure in doing things the wrong way. Youth may be truly wasted on the young.
Ryan O'Connell
She came back with a can of Coke and a can of Diet Coke, and handed me the nonvile one.
Jim Butcher (White Night (The Dresden Files, #9))
Yoh: Being popular with guys isn't something you can just stitch together! Haruna: What?! I Can't?! Yoh: OF COURSE NOT! Yoh: Mixing coke, tea and orange juice would taste nasty, right?! That's exactly what you're doing!
Kazune Kawahara (High School Debut, Vol. 1)
Can I have Jake and Coke--uh, Jack and Cock
J.L. Langley (With Caution (With or Without, #2))
Fuuuuuuuuuuck." Kynan scrubbed his face. "I could use a double shot of whiskey right now." "I'm sure Flicka keeps hard liquor behind the bar." "Flicka?" "I don't want to say her name." "So you're calling her horse names?" Ky coked a dark eyebrow. "I can't wait to see how she reacts to Mr. Ed.
Larissa Ione (Immortal Rider (Lords of Deliverance, #2; Demonica, #7))
There is nothing more annoying than having someone tell you that everything would be fine if you were just a better pray-er. Or if you just smiled more, or stopped drinking Diet Coke. I can tell you that “Just cheer up” is almost universally looked at as the most unhelpful depression cure ever.
Jenny Lawson
Over the weekend, Bruce introduced me to the game of backgammon, which was enjoying almost cult-like popularity in Los Angeles. He told me about a private club called PIPS that held tournaments on the weekends and was all the rage. Though I had never played the game before, something about backgammon brought the two hemispheres of my brain together, as Stuart had described. To win at backgammon, one needs strategy and luck. Bruce reveled in the role of playing teacher, and I knew if I put my mind to it, I could learn the game and become a fierce opponent, which I hoped would amuse Bruce and help keep a roof over my head. We stayed awake until dawn, snorting coke and playing backgammon. I don’t know if it was the game or the cocaine, but something made me intent on becoming the best.
Samantha Hart (Blind Pony: As True A Story As I Can Tell)
I don't want to be a great big tragedy anymore," Regulus cokes out, looking at him almost desperately. "Me neither," James admits. "Maybe someday, we won't be. Maybe, one day, well look at each other and see that other life, and maybe we actually get to have it. I can find it in we to hope for that, even after everything. I've had so much practice these last ten years, so I'll just do it for us both.
bizarrestars (Crimson Rivers)
But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool Girl – I couldn’t have been Cool Girl with anyone else. I wouldn’t have wanted to. I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
Gillian Flynn (Gone Girl)
I’ll take it. I’ll keep it locked in the box. Maybe we can trade it for medicine for Bunu.” Cici looked at me, displeased. “A Coke and a dollar. What’s going on, Pui?” she whispered. “Nothing,” I assured her. “Just good luck and bad luck.” Cici nodded slowly, suspicious. “Just remember, Pui, good luck comes at a price. Bad luck is free.
Ruta Sepetys (I Must Betray You)
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
My mate Karl once told me he’d been looking after this five-year-old boy who – not knowing enough to have an ironic inflection to his words – said, ‘I want something.’ He didn’t know what it was. Not ‘I want sweets’, or ‘a can of Coke’, or ‘to watch the Tweenies’, or whatever it is they’re into now (I like Bagpuss), but ‘I want something.’ All of us, I think, have that feeling. And what heroin does when you first start taking it is tell you what that something is.
Russell Brand (My Booky Wook)
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
If someone were crushed to death trying to get a frosty can of Diet Coke, it wouldn't be my fault. I'd tried to raise the issue.
Eileen Cook (The Education of Hailey Kendrick)
Gordon actually wore the company uniform as if he meant it, unlike Bill, who occupied his uniform like a hermit crab living in an abandoned Coke can.
Charles Stross (Dead Lies Dreaming (Laundry Files, #10; The New Management, #1))
The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.
Eavan Boland
We're like coke heads or chronic masturbators, aren't we? Attempting to crank the last iota of abandonment out of an instrinsically empty and mechanical experience. We push the plunger home, we abrade the clitoris, we yank the penis and we feel nothing. Not exactly nothing, worse than nothing, we feel a flicker or a prickle, the sensual equivalent of a retinal after-image. That's our fun now, not fun itself, only a tired allusion to it. Nevertheless, we feel certain that if we can allude to fun one more time, make a firm statement about it, it will return like the birds after winter.
Will Self (My Idea of Fun)
She was sitting on the counter, holding a can of Coke. “Looking for this?” she asked. “My savior.” I walked toward her, making grabbing motions. “Gimme. Gimme sweet, sweet caffeine.” “The word is ‘please,’ Mason.
Mira Grant (Blackout (Newsflesh, #3))
You can have a coke since you never did learn to be civilized and drink coffee.
Nora Roberts (The Liar)
Look, I know you think I have a coke problem but I do not. I can quit any time I run out.
Keith Buckley (Scale)
Andy Warhol about Coke: “The President of the United States can only get the same Coke as the bum in the street
Rory Sutherland (Rory Sutherland: The Wiki Man)
I drink Coke-zero while I score coke from an honors student in Huntington Beach.
Kris Kidd (I Can't Feel My Face (The Altar Collective Presents...))
I bet you guys can’t name three things invented in Nebraska,” Coke asked the family. “No, but I’m sure you can,” his sister replied. “Kool-Aid, CliffsNotes, and Eskimo Pies!
Dan Gutman (Mission Unstoppable)
I tried to whip some feelings up but the inside of my chest was as hollow as an empty rubbish bin; totally, absolutely dried up, with my poor, tiny heart lying at the bottom like a crushed coke can.
Deborah Kay Davies (True Things About Me)
Charlie turned out to be a blue-ink person, while I was exclusively black. FYI for nonwriters: blue versus black ink is an essential identity issue. Much like Coke versus Pepsi, or the Beatles versus the Stones, or college-ruled notebooks versus regular. You can be one kind of person or the other, but not both.
Katherine Center (The Rom-Commers)
Conservatives: Self-hating moral relativists, unless you can convince me that an intellectual class that publicly praises family values but privately engages in sodomy, coke and trophy wives is more aptly described in some other way.
John Scalzi (Your Hate Mail Will Be Graded: A Decade of Whatever, 1998-2008)
A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good. Liz Taylor knows it, the President knows it, the bum knows it, and you know it.
Andy Warhol (The Philosophy of Andy Warhol (From A to B and Back Again))
It was when she started dealing coke so she could lose weight. It had worked, sort of. I think she still has a fat ass, and can look dumpy, and has dried-out black hair and writes awful poetry and I'm pissed off that I let her get into that position of denying me.
Bret Easton Ellis (The Rules of Attraction)
If you ever meet me, you will notice that I am a very simple person. I prefer Diet Coke over merlot. A hamburger over steak au-poivre. If I have done anything with my life it is because... when I really want to accomplish something- I always begin with the end goal in mind. I start with focusing on what I want to happen, then I work my way backwards. If you truly want to, you can make any dream possible. Have faith!
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
One afternoon while driving back from the beach, Hugh pointed out a McDonald's bag vomiting its contents onto the pavement. "I say that any company whose products are found on the ground automatically has to go out of business," he said. This is how we talk nowadays, as if our pronouncements hold actual weight and can be implemented at our discretion, like we're kings or warlocks. "That means no more McDonald's, no more Coke - none of it." "That wouldn't affect you any,"I told him. Hugh doesn't drink soda or eat Big Macs. "But what if it was something you needed, like paint? I find buckets of it in the woods all the time." "Fine," he said. "Get rid of it. I'll make my own." If anyone could make his own paint, it would be Hugh. "What about brushes?" "Please," he said, and he shifted into a higher gear. "I could make those in my sleep.
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
It didn’t smell so great, and pizza boxes and empty Coke cans had overflowed the trash can and spilled over a significant portion of the kitchen floor. You could barely walk without stepping on clothing that needed to be washed. My furniture was covered with scribbled-on papers and discarded pens and pencils.
Jim Butcher (Summer Knight (The Dresden Files, #4))
I brought you Diet Coke to compensate,” he said, opening the cooler. “Also, this conversation is boring.” “Right. Sorry.” She took the can he handed her and popped it open. “Really sorry. There’s nothing more boring than talking about food.” “No,” Cal said. “Talking about food is great. Talking about not having food is boring.
Jennifer Crusie (Welcome To Temptation / Bet Me)
All Souls’ Eve, when the spirits of the dead will come back to the living, dressed as ballerinas and Coke bottles and spacemen and Mickey Mice, and the living will give them candy to keep them from turning vicious. I can still taste that festival: the tart air, caramel in the mouth, the hope at the door, the belief in something for nothing all children take for granted. They won’t get homemade popcorn balls any more, though, or apples: rumors of razor blades abound, and the possibility of poison. Even by the time of my own children, we worried about the apples. There’s too much loose malice blowing around. In Mexico they do this festival the right way, with no disguises. Bright candy skulls, family picnics on the graves, a plate set for each individual guest, a candle for the soul. Everyone goes away happy, including the dead. We’ve rejected that easy flow between dimensions: we want the dead unmentionable, we refuse to name them, we refuse to feed them. Our dead as a result are thinner, grayer, harder to hear, and hungrier.
Margaret Atwood (Cat's Eye)
You might be surprised to learn that fruit juice is almost as bad as soda. In fact, a 12-ounce glass of orange juice contains nearly as much sugar as a can of Coke.
Rahul Jandial (Life Lessons From A Brain Surgeon: Practical Strategies for Peak Health and Performance)
The best part of a Mr. Goodbar is not the wrapper, is it? No, and the best part of a Coke is not the can. On those nights when you lie awake, either man or boy, wondering about yourself, peeling away one layer of oddness after another, you should remember and always be grateful that the woefully imperfect person that you are, with all your contradictions and unworthy desires, is not the best of you, any more than the wrapper is the best part of a Mr. Goodbar.
Dean Koontz (Odd Apocalypse: A supernatural suspense fiction novel)
Why didn't you tell me?" "I know you won't believe it, but I thought it would be best for you. You were doing so well until I came back. I thought you could go back to how it was. You still can." "Don't say that,Becks.We're going to figure something out." "I know.Even so,I understand that it would've been easier for you if I'd never come back.Maybe you and Jules..." His grip on my arm tightened,and when he spoke,his voice wavered. "Becks. I crashed when you left.Jules held together the pieces,and I will love her forever for that.But if I was with her, it wouldn't be right." He grimaced. "She told me so herself, right before I left with Will. She knew." Jack pushed my hair out of my eyes and off my forehead. "Um,she knew what?" I could barely hear my own voice. "It's always been you,Becks. Nothing will change that,no matter how much time has passed." He glanced down. "No matter if you feel the same way or not. You know what,right?" I shook my head slowly,wanting desperately to believe him, but not sure if I could. "How can you not see that? Everyone sees it." He slid his hand down my arm and grabbed my fingers, holding them in his lip,tracing them. Staring at them. "Remember freshman year? How Bozeman asked you to the Spring Fling?" Bozeman. He was two years older than me. Played offensive lineman. His first name was Zachary, but nobody had called him that since the third grade. I'd been surprised he even knew my name, let alone asked me to the dance. "Of course I remember.You came with me to answer him." We doorbell-ditched Bozeman's house, leaving a two-liter bottle of Coke and a note that said I'd pop to go to the dance with you, or something like that. Bozeman had a reputation for fast hands, but he didn't try anything with me. In fact,he barely touched me at all, even at the fling.And he never asked me out again.Or even talked to me, really.It was weird. "Yeah,well,I didn't tell you, but Bozeman actually asked my permission." "Why?" "Because it was obvious to everyone, except you,how I felt about you.And then that night with the Coke on the porch...after I dropped you off at home, I paid Bozeman a visit." His cheeks went pink and he lowered his eyes. "And?" "Let's just say I rescinded my permission. I didn't realize how much it would bother me." His eyes met mine. I could only imagine what was said between Jack and the lineman, who was twice his size. "Don't be mad," Jack said. Like I'd be angry after everything we'd been through. "I...I'm telling you this because you have to know that it's always been you. And it will always be you.
Brodi Ashton (Everneath (Everneath, #1))
Oh, for fuck's sake, quit being pussies." Montana leaned against the doorframe, Coke in hand. "You hit me. I left. Billy got shot. You have this weird...brain thing." Those dark eyes met Jack's. "I don't know what's wrong with you, except that you got that ADD thing, and hey, that's not criminal. You are Billy's friends. I'm Billy's, period. I'm not leaving. You're not leaving. You hit me again, and I'll hit you back. Hard. Now, can we all stop being weird-assed people and eat some fucking potato chips from a bag?
Sean Michael (Owned (Hammer, #5))
Pepsi. A refreshing drink. A soft tone playing when you wake up, but then it is gone and you don’t know if you dreamed it. A hallway glimpsed in the back of your refrigerator, but when you look again it is gone. The recurring feeling that your shower is losing faith in you. Desperation. Hunger. Starving, not literally, but still. That hallway again, lined with doors that you know you can open. Your fridge is empty. You haven’t left your home in days, and yet you come and go. This isn’t food. What are you eating? Pepsi: Drink Coke. The
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
I always imagined J.K. Rowling putting quill to a paper in a remote castle overlooking a spacious Scottish estate. Currently as I write this I am in my Star Wars/Marvel themed guest room,dressed in my Grumpy cat pajamas, and looking at dozens of half empty Diet Coke cans scattered across my desk.
Chris Colfer (The Land of Stories: The Ultimate Book Hugger's Guide)
You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it’s all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
Kathleen Glasgow (Girl in Pieces)
Whatever standard you’ve set for yourself is where you’ll end up . . . unless you fight through your instinct and change your pattern. That’s how I changed my own patterns and behaviors—how I established the rule in my life that I would no longer break a promise to myself no matter how small it was. It all began with Diet Coke.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
When I come home from school, I take my Doc Martens off and put on fake satin mules with the marabou trim, slip into my dressing gown and my movie, and I feel serene. I hold a glass of Coke to my cheek and pretend it is a glass of bourbon and I am in New Orleans. My bedroom door is the doorway onto the street and at night I can't sleep because of the heat and the commotion in this town. So I go down to the river and dance as a man with scars on his face plays an accordion. People clap along and wolf-whistle and I whip my skirt around my thighs, which are long and lean because I barely get a chance to eat, what with all my bourbon and afternoon baths. I dance until my mules get muddy, then I tiptoe home, followed by sailors and men who have hundreds and thousands of dollars playing stud poker. Steve McQueen might be there. I can't remember. I get confused at this point. Too much drink. I'm sure Karl Malden is lurking in the background, gazing at me longingly. I am kind to him because his mother is dying.
Emma Forrest (Namedropper)
Do I get to choose what she commands you to do? Come on, let me, it’ll be fun.” Jai laughed humorlessly. “I said I don’t want her commanding me to do something asinine, kid.” Charlie’s grin disappeared as quickly as it had surfaced. “I told you not to call me, kid, Jinn boy. I’m what… two years younger than you, douchebag?” “Try five. And that’s only in physical years.” “What, you trying to say I’m not mature?” “Oh those socks you’re wearing definitely are. Have you heard of detergent? A shower? Hygiene?” “I shower, you militant, glorified fucking babysitter.” “Watch it, kid.” “Kid? I am this close to taking a swing at you, you overblown piece of-” “Oh for the love of God!” Ari cried, throwing her hands up, her head pounding. So much for their strained peace treaty. “Shut up. Shut up. Shut up!”Despite their matching glowers, both of them slammed their lips closed and glared at one another. Ari heaved a sigh of relief as she pulled a chilled can of soda out of the refrigerator. At least the soda still felt nice sliding down her throat. Not the same as an ice cold Coke on a blazing summer day but still nice. She took a refreshing swig and turned towards her male companions once again. Blasts of frost shot out from Jai’s eyes only to be met by the simmering black heat of Charlie’s angry gaze. Rolling her eyes and biting back the guilt that she was somehow responsible for the animosity between the only two people she could count on right now, Ari spilled into the chair between them and Jai slowly sunk back down into his. “So what will I command you?” she asked quietly, ignoring the way her fingers trembled as she played with the tab on her soda can. When she got no answer, she glanced up to see Jai’s face going red, the veins in his head throbbing. “Dude, what’s wrong?” Charlie asked quietly, looking at Ari in alarm. “Is he choking?” Ari’s heart flipped in her chest at the thought and she reached across the table to grab his arm. “Jai?” His eyes widened and he waved a large hand at his throat and mouth and then pointed at her. What the hell?! “Jesus Christ, he can’t talk?” Charlie asked incredulously. “Is this a joke?
Samantha Young (Smokeless Fire (Fire Spirits, #1))
There's a fine line to how much stupidity I can take before it exceeds the limits of my medication. And unfortunately for you, you just crossed it. -Mig to perp
Lani Lynn Vale (Jack & Coke (Uncertain Saints MC, #2))
On the TV screen in Harry's is The Patty Winters Show, which is now on in the afternoon and is up against Geraldo Rivera, Phil Donahue and Oprah Winfrey. Today's topic is Does Economic Success Equal Happiness? The answer, in Harry's this afternoon, is a roar of resounding "Definitely," followed by much hooting, the guys all cheering together in a friendly way. On the screen now are scenes from President Bush's inauguration early this year, then a speech from former President Reagan, while Patty delivers a hard-to-hear commentary. Soon a tiresome debate forms over whether he's lying or not, even though we don't, can't, hear the words. The first and really only one to complain is Price, who, though I think he's bothered by something else, uses this opportunity to vent his frustration, looks inappropriately stunned, asks, "How can he lie like that? How can he pull that shit?" "Oh Christ," I moan. "What shit? Now where do we have reservations at? I mean I'm not really hungry but I would like to have reservations somewhere. How about 220?" An afterthought: "McDermott, how did that rate in the new Zagat's?" "No way," Farrell complains before Craig can answer. "The coke I scored there last time was cut with so much laxative I actually had to take a shit in M.K." "Yeah, yeah, life sucks and then you die." "Low point of the night," Farrell mutters. "Weren't you with Kyria the last time you were there?" Goodrich asks. "Wasn't that the low point?" "She caught me on call waiting. What could I do?" Farrell shrugs. "I apologize." "Caught him on call waiting." McDermott nudges me, dubious. "Shut up, McDermott," Farrell says, snapping Craig's suspenders. "Date a beggar." "You forgot something, Farrell," Preston mentions. "McDermott is a beggar." "How's Courtney?" Farrell asks Craig, leering. "Just say no." Someone laughs. Price looks away from the television screen, then at Craig, and he tries to hide his displeasure by asking me, waving at the TV, "I don't believe it. He looks so... normal. He seems so... out of it. So... un dangerous." "Bimbo, bimbo," someone says. "Bypass, bypass." "He is totally harmless, you geek. Was totally harmless. Just like you are totally harmless. But he did do all that shit and you have failed to get us into 150, so, you know, what can I say?" McDermott shrugs. "I just don't get how someone, anyone, can appear that way yet be involved in such total shit," Price says, ignoring Craig, averting his eyes from Farrell. He takes out a cigar and studies it sadly. To me it still looks like there's a smudge on Price's forehead. "Because Nancy was right behind him?" Farrell guesses, looking up from the Quotrek. "Because Nancy did it?" "How can you be so fucking, I don't know, cool about it?" Price, to whom something really eerie has obviously happened, sounds genuinely perplexed. Rumor has it that he was in rehab.
Bret Easton Ellis (American Psycho)
Like a child, I close my eyes as if they can't see me either. The fire from the kiss broadcasts itself all over me in the form of a full-body blush. Galen laughs. "There it is," he says, running his thumb over my bottom lip. "That is my favorite color. Wow." I'm going to kill him. "Galen. Please. Come. With. Me," I coke out. Gliding past him, my bare feet slap against the tile until I'm stomping on carpet in the hallway, then up the stairs. I can tell by the prickles on my skin that he's following like a good dead fish. As I reach the ladder to the uppermost level, I nod to him to keep following before I hoist myself up. Pacing the room until he gets through the trap door, I count more Mississipis than I've ever counted in my whole life. He closes the door and locks it shut but makes no move to come closer. Still, for a person who's about to die, he seems more amused than he should. I point my finger at him, but can't decide what to accuse him of first, so I put it back down. After several moments of this, he breaks the silence. "Emma, calm down." "Don't tell me what to do, Highness." I dare him with my eyes to call me "boo." Instead of the apology I'm looking for, his eyes tell me he's considering kissing me again, right now. Which is meant to distract me. Tearing my gaze from his mouth, I stride to the window seat and move the mountains of pillows on it. Making myself comfortable, I lean my head against the window. He knows as well as I do that if we had a special spot, this would be it. For me to sit here without him is the worst kind of snub. In the reflection, I see him run his hand through his hair and cross his arms. After a few more minutes, he shifts his weight to the other leg. He knows what I want. He knows what will earn him entrance to the window seat and my good graces. I don't know if it's Royal blood or manly pride that keeps him from apologizing, but his extended delay just makes me madder. Now I won't accept an apology. Now, he must grovel. I toss a satisfied smirk into the reflection only to find he's not there anymore. His hand closes around my arm and he jerks me up against him. His eyes are stormy, intense. "You think I'm going to apologize for kissing you?" he murmurs. "I. Yes. Uh-huh." Don't look at his mouth! Say something intelligent. "We don't have any clothes on." Fan-flipping-tastic. I meant to say he shouldn't kiss me in front of everyone, especially half naked. "Mmm," he says, pulling me closer. Brushing his lips against my ear, he says, "I did happen to notice that. Which is why I shouldn't have followed you up here.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The key here is food choice while fasting. If you eat a diet high in protein and healthy fat during times of nonfasting, your sex drive will likely increase. If your diet has a deficit of healthy protein and fats—or if it is, in fact, that Coke and Doritos diet we discussed before—you may still encounter issues in the bedroom. As I often say, intermittent fasting will benefit you regardless of how you eat—but there are limits to what it can do.
Dave Asprey (Fast This Way: Burn Fat, Heal Inflammation, and Eat Like the High-Performing Human You Were Meant to Be (Bulletproof Book 6))
Pleasure died forty years ago in America, perhaps further back, in a wave of carbon monoxide, gasoline, cigarettes for dames, the belief in everything and everybody, tolerance for the intolerable, the hatred of being alone in silence for more than twenty seconds, the assurance that immortality was Americans eating all-cow franks, with speeded-up peristalsis while talking to a crowd of fifteen trillion other same-bodies eating sandwiches, gassing cokes, peristalsing, and talking, while baseball-sound-movie-TV tomorrow's trots off track betting howled roared farted choked gagged exploded reentered atmo honked bawled deafened pawed puked croaked shouted repeated repeated REPEATED, especially SAY IT AGAIN LOUDER SAY IT AGAIN, stick that product in every God-damned American's mouth and make him say I BOUGHT IT, GOD I BOUGHT IT AND IT'S GREAT IT's HOLLYWOOD IT'S MY ARSE GOING UP AND DOWN AGAIN, IT'S USA, GOD, and if you can't get it in his mouth and make him SWEAR IT SWEAR IT USA, stick it in his anal sphincter (look it up in the dictionary, college graduates, on account of you didn't have time to learn it in the College of Your Choice).
James Purdy
In that moment, I wanted to tell this stranger, this Merle, this girl from the tiny island of Montserrat, that I had commensurate preferences too, but I couldn’t be a brave warrior like her. I wanted to tell her about Morris. I wanted to sing his name out into the night. His name is Morris. He is my Morris and he always been my Morris. He’s a good-hearted man, a special man, a sexy man, a history-loving man, a loyal man, a man who appreciates a good joke, a man of many moods, a drinking man, and a man with whom I can be myself completely. Yes, I was in the throes of a Malibu-and-Coke-soaked madness, a madness that could lead to the demise of my life as I’d hitherto known it. But I was on the verge.
Bernardine Evaristo (Mr Loverman)
I work at T-Town, which is about ninety-nine percent men, and all of them either are alpha personalities or think they are. That said, what we have here is the standard dynamic for sexual tension. I'm moderately good-looking. I have big boobs, and I get hit on by everyone from the pastor of my church to baristas at Starbucks, and by every single guy at T-Town except for my boss and the range master. I don't blame them and I don't judge them. It's part of the procreative drive hardwired into us, and we haven't evolved as a species far enough exert any genuine control over the biological imperative. You, on the other hand, are a very good-looking man of prime breeding age. Old enough to have interesting lines and scars--and stories to go with them--and young enough to be a catch. You probably get laid as often as you want to, and you can probably count on the fingers of one hand the number of times women have said no to you. Maybe--and please correct me if I've strayed too far into speculation--being an agent of a secret government organization has led you to buy into the superspy sex stud propaganda perpetuated by James Bond films." "My name is Powers," I said. "Austin Powers." She ignored me and plowed ahead. "We're in the middle of a crisis. We may have to work closely together for several days, or even several weeks. Close-quarters travel, emotions running high, all that. If it's all the same to you, I'd rather not spend the next few days living inside a trite office romance cliche. That includes everything from mild flirtation to sexual innuendo and double entendre and the whole ball of wax." She sipped her Coke. The ball landed in my court with a thump.
Jonathan Maberry (The King of Plagues (Joe Ledger, #3))
Your head is pounding with voices of confession and revelation. You followed the rails of white powder across the mirror in pursuit of a point of convergence where everything was cross-referenced according to a master code. For a second, you felt terrific. You were coming to grips. Then the coke ran out; as you hoovered the last line, you saw yourself hideously close-up with a rolled twenty sticking out of your nose. The goal is receding. Whatever it was. You can't get everything straight in one night.
Jay McInerney (Bright Lights, Big City)
In 1978, the typical teenage boy in the United States drank about seven ounces of soda every day; today he drinks nearly three times that amount, deriving 9 percent of his daily caloric intake from soft drinks. Soda consumption among teenaged girls has doubled within the same period, reaching an average of twelve ounces a day. A significant number of teenage boys are now drinking five or more cans of soda every day. Each can contains the equivalent of about ten teaspoons of sugar. Coke, Pepsi, Mountain Dew, and Dr Pepper also contain caffeine. These sodas provide empty calories and have replaced far more nutritious beverages in the American diet. Excessive soda consumption in childhood can lead to calcium deficiencies and a greater likelihood of bone fractures. Twenty years ago, teenage boys in the United States drank twice as much milk as soda; now they drink twice as much soda as milk. Soft-drink consumption has also become commonplace among American toddlers. About one-fifth of the nation’s one- and two-year-olds now drink soda.
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
Time is weird. That much is obvious. Sometimes I think everything happens at once, which is anything but obvious and even weirder. I feel sorry for people who brag about 'living in the moment'; they're like people who come into the cinema after the film has started or people who drink Diet Coke—they're missing out on the best part. I think time is like the dial on a radio. Most people like to settle on a station with a clear signal and no interference. But that doesn't mean you can't listen to two or even three stations at the same time; it doesn't mean synchrony is impossible. Until quite recently, people believed it was impossible for a universe to fit inside two atoms, but it fits. Why dismiss the idea that on time's radio you can listen to the entire history of humanity simultaneously?
Marcelo Figueras (Kamchatka)
Will she go pop? Will she explode? Will she go flying down the road? Will she go poof in a puff of smoke? Start fizzing like a can of Coke? Who knows? No I. Let’s wait and see. (I’m glad it’s neither you nor me.) Oh Grandma, if you only knew, What I got in store for you!
Roald Dahl (George's Marvellous Medicine)
The dining table was covered with platters of food: everything and pumpernickel bagels, everything minibagels, everything flagels, bialys, cream cheese, scallion cream cheese, salmon spread, tofu spread, smoked and pickled fish, pitch-black brownies with white chocolate swirls like square universes, blondies, rugelach, out-of-season hamantaschen (strawberry, prune, and poppy seed), and “salads”—Jews apply the word salad to anything that can’t be held in one’s hand: cucumber salad, whitefish and tuna and baked salmon salad, lentil salad, pasta salad, quinoa salad. And there was purple soda, and black coffee, and Diet Coke, and black tea, and enough seltzer to float an aircraft carrier, and Kedem grape juice—a liquid more Jewish than Jewish blood. And there were pickles, a few kinds. Capers don’t belong in any food, but the capers that every spoon had tried to avoid had found their way into foods in which they really didn’t belong, like someone’s half-empty half-decaf. And at the center of the table, impossibly dense kugels bent light and time around them. It was too much food by a factor of ten. But it had to be.
Jonathan Safran Foer (Here I Am)
1 I watched TV. I had a Coke at the bar. I had four dreams in a row where you were burned, about to burn, or still on fire. I watched TV. I had a Coke at the bar. I had four Cokes, four dreams in a row. Here you are in the straw house, feeding the straw dog. Here you are in the wrong house, feeding the wrong dog. I had a Coke with ice. I had four dreams on TV. You have a cold cold smile. You were burned, you were about to burn, you’re still on fire. Here you are in the straw house, feeding ice to the dog, and you wanted an adventure, so I said Have an adventure. The straw about to burn, the straw on fire. Here you are on the TV, saying Watch me, just watch me. 2 Four dreams in a row, four dreams in a row, four dreams in a row, fall down right there. I wanted to fall down right there but I knew you wouldn’t catch me because you’re dead. I swallowed crushed ice pretending it was glass and you’re dead. Ashes to ashes. You wanted to be cremated so we cremated you and you wanted an adventure so I ran and I knew you wouldn’t catch me. You are a fever I am learning to live with, and everything is happening at the wrong end of a very long tunnel. 3 I woke up in the morning and I didn’t want anything, didn’t do anything, couldn’t do it anyway, just lay there listening to the blood rush through me and it never made any sense, anything. And I can’t eat, can’t sleep, can’t sit still or fix things and I wake up and I wake up and you’re still dead, you’re under the table, you’re still feeding the damn dog, you’re cutting the room in half. Whatever. Feed him whatever. Burn the straw house down. 4 I don’t really blame you for being dead but you can’t have your sweater back. So, I said, now that we have our dead, what are we going to do with them? There’s a black dog and there’s a white dog, depends on which you feed, depends on which damn dog you live with. 5 Here we are in the wrong tunnel, burn O burn, but it’s cold, I have clothes all over my body, and it’s raining, it wasn’t supposed to. And there’s snow on the TV, a landscape full of snow, falling from the fire-colored sky. But thanks, thanks for calling it the blue sky You can sleep now, you said. You can sleep now. You said that. I had a dream where you said that. Thanks for saying that. You weren’t supposed to.
Richard Siken (Crush)
I wonder if I'm being disloyal, if being with Didier means I'm forgetting about Jones. But every time I go in a drain, or past a church, I think of him. Every time I see a can of Coke, I think of Jones. And don't even start me on how I feel when I see department-store Santas. A girl doesn't forget a guy like Jones in a big hurry. Even ow, when none of us are front-page news any longer, he's always in my head. My name is Dodie. Doe - as in don't change a thing (well, a couple of things I'd change). Dee - as in delighted to have known you, Sebastian Worthington Jones. Dodie Farnshaw.
Gabrielle Williams (The Reluctant Hallelujah)
You “burn” your way into the mind by narrowing the focus to a single word or concept. It’s the ultimate marketing sacrifice. Federal Express was able to put the word overnight into the minds of its prospects because it sacrificed its product line and focused on overnight package delivery only. In a way, the law of leadership—it’s better to be first than to be better—enables the first brand or company to own a word in the mind of the prospect. But the word the leader owns is so simple that it’s invisible. The leader owns the word that stands for the category. For example, IBM owns computer. This is another way of saying that the brand becomes a generic name for the category. “We need an IBM machine.” Is there any doubt that a computer is being requested? You can also test the validity of a leadership claim by a word association test. If the given words are computer, copier, chocolate bar, and cola, the four most associated words are IBM, Xerox, Hershey’s, and Coke. An astute leader will go one step further to solidify its position. Heinz owns the word ketchup. But Heinz went on to isolate the most important ketchup attribute. “Slowest ketchup in the West” is how the company
Al Ries (The 22 Immutable Laws of Marketing)
We are supposed to consume alcohol and enjoy it, but we're not supposed to become alcoholics. Imagine if this were the same with cocaine. Imagine we grew up watching our parents snort lines at dinner, celebrations, sporting events, brunches, and funerals. We'd sometimes (or often) see our parents coked out of our minds the way we sometimes (or often) see them drunk. We'd witness them coming down after a cocaine binge the way we see them recovering from a hangover. Kiosks at Disneyland would see it so our parents could make it through a day of fun, our mom's book club would be one big blow-fest and instead of "mommy juice" it would be called "mommy powder" There'd be coke-tasting parties in Napa and cocaine cellars in fancy people's homes, and everyone we know (including our pastors, nurses, teachers, coaches, bosses) would snort it. The message we'd pick up as kids could be Cocaine is great, and one day you'll get to try it, too! Just don't become addicted to it or take it too far. Try it; use it responsibly. Don't become a cocaine-oholic though. Now, I'm sure you're thinking. That's insane, everyone knows cocaine is far more addicting than alcohol and far more dangerous. Except, it's not...The point is not that alcohol is worse than cocaine. The point is that we have a really clear understanding that cocaine is toxic and addictive. We know there's no safe amount of it, no such thing as "moderate" cocaine use; we know it can hook us and rob us of everything we care about...We know we are better off not tangling with it at all.
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
snuck into the vacant copilot’s room next to our victim, carrying a bucket with the sea cucumber. I crept through the room, being careful not to make any noise. I removed the sea cucumber and slid it into our victim’s toilet, being careful not to splash any water. The sea cucumber looked like a world record, giant turd. It was jet black, about fourteen inches long and thick around as a coke can. Neither of our pilots was a scuba diver and I guessed they would never suspect the giant turd was really a sea creature. The humongous turd impersonator lay motionless in the bottom of the toilet bowl, leaking a faint reddish dye. When they discovered the state of the toilet the pilots began a heated argument, blaming each other for not flushing the disgusting mound of excrement. This was a serious breach of etiquette for an officer and gentleman. The hapless pilots finally tried flushing and the toilet backed up and flooded the bathroom. They had to summon a plumber who immediately recognized the turd for what it was, a sea cucumber, and said it must have somehow crawled up through the pipes. Neither pilot ever guessed they were the victims of a practical joke. The prank was flawless and I still have the picture of the cucumber in their toilet.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Well, there is a piece of famous advice, grand advice even if it is German, to forget what you can't bear. The strong can forget, can shut out history. Very good. Even if it is self-flattery to speak of strength--these aesthetic philosophers, they take a posture, but power sweeps postures away. Still, it's true you can't go on transposing one nightmare into another, Nietzsche was certainly right about that. The tender-minded must harden themselves. Is this world nothing but a barren lump of coke? No, no, but what sometimes seems a system of prevention, a denial of what every human being knows. I love my children, but I am the world to them, and bring them nightmares. I had this child by my enemy. And I love her. The sight of her, the odor of her hair, this minute, makes me tremble with love. Isn't it mysterious how I love the child of my enemy? But a man doesn't need happiness for himself. No, he can put up with any amount of torment--with recollections, with his own familiar evils, despair. And this is the unwritten history of man, his unseen, negative accomplishment, his power to do without gratification for himself provided there is something great, something into which his being, and all beings can go. He does not need meaning as long as such intensity has scope. Because then it is self-evident; it is meaning.
Saul Bellow (Herzog)
I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
Gillian Flynn (Gone Girl)
So he asked her what she’d like to drink. Her choice would be crucial. If she orders a decaf, he thought, I’m getting up and leaving. No one was entitled to drink a decaf when it came to this type of encounter. It’s the least gregarious drink there is. Tea isn’t much better. Just met, and already settling into some kind of dull cocoon. You feel like you’re going to end up spending Sunday afternoons watching TV. Or worse: at the in-laws’. Yes, tea is indisputably in-law territory. Then what? Alcohol? No good for this time of day. You could have qualms about a woman who starts drinking right away like that. Even a glass of red wine isn’t going to cut it. François kept waiting for her to choose what she’d like to drink, and this was how he kept up his liquid analysis of first impressions of women. What was left now? Coke, or any type of soda … no, not possible, that didn’t say woman at all. Might as well ask for a straw, too, while she was at it. Finally he decided that juice was good. Yes, juice, that was nice. It’s friendly and not too aggressive. You can sense the kind of sweet, well-balanced woman who would make such a choice. But which juice? Better to avoid the great classics: apple, orange, too popular. It would have to be only slightly original without being completely eccentric. Papaya or guava—frightening. No, the best is choosing something in between, like apricot. That’s it. Apricot juice: perfect. If she chooses it, I’ll marry her, thought François. At that precise instant, Natalie raised her head from the menu, as if emerging from a long reflection. It was the same reflection in which the stranger opposite her had just been absorbed. “I’ll have a juice…” “…?” “Apricot juice, I guess.” He looked at her as if she were a violation of reality.
David Foenkinos (Delicacy)
In recent years behavioral scientists have shed some light on why these waiting techniques can be powerful. Let’s first look at the notion that texting back right away makes you less appealing. Psychologists have conducted hundreds of studies in which they reward lab animals in different ways under different conditions. One of the most intriguing findings is that “reward uncertainty”—in which, for instance, animals cannot predict whether pushing a lever will get them food—can dramatically increase their interest in getting a reward, while also enhancing their dopamine levels so that they basically feel coked up. If a text back from someone is considered a “reward,” consider the fact that lab animals who get rewarded for pushing a lever every time will eventually slow down because they know that the next time they want a reward, it will be waiting for them. So basically, if you are the guy or girl who texts back immediately, you are taken for granted and ultimately lower your value as a reward. As a result, the person doesn’t feel as much of an urge to text you or, in the case of the lab animal, push the lever.
Aziz Ansari
Dell pulled out his cell phone, speed-dialed a number, and put the phone on speaker. A woman answered with a professionally irritated tone: “What do you need now?” “Jade,” Dell said. “Nope, it’s the Easter Bunny. And your keys are on your desk.” Dell shook his head. “Now darlin’, I don’t always call you just because I’ve lost my keys.” “I’m sorry, you’re right. You wallet’s on your desk, too. As for your little black book, you’re on your own with that one, Dr. Flirt. I’m at lunch.” Dell sighed. “What did we say about you and the whole power-play thing?” “That it’s good for your ego to have at least one woman in your life that you can’t flash a smile at and have them drop their panties?” Dell grinned. “I really like it when you say ‘panties.’ And for the record, I knew where my keys and wallet were.” “No you didn’t.” “Okay, I didn’t, but that’s not why I’m calling. Can you bring burgers and fries for me and Brady? Oh, and Adam, too, or he’ll bitch like a little girl.” “You mean ‘Jade, will you pretty please bring us burgers and fries?’” “Yes,” Dell said, nodding. “That. And Cokes.” He looked at Brady, who nodded. “And don’t forget the ketchup.” “You forgot the nice words.” “Oh, I’m sorry,” Dell said. “You look fantastic today, I especially love the attitude and sarcasm you’re wearing.” Jade’s voice went saccharine sweet. “So some low-fat chicken salads, no dressing, and ice water to go, then?” “Fine,” Dell said, and sighed. “Can we please have burgers and fries?" “You forgot the ‘Thank you, Goddess Jade,’ but we’ll work on that. Later, boss.
Jill Shalvis (Animal Magnetism (Animal Magnetism, #1))
... bright young men of disheveled appearance, often with sunken glowing eyes, can be seen sitting at computer consoles, their arms tensed and waiting to fire their fingers, already poised to strike, at the buttons and keys on which their attention seems to be riveted as a gambler’s on the rolling dice. When not so transfixed, they often sit at tables strewn with computer printouts over which they pore like possessed students of a cabbalistic text. They work until they nearly drop, twenty, thirty hours at a time. Their food, if they arrange it, is brought to them: coffee, Cokes, sandwiches. If possible, they sleep on cots near the printouts. Their rumpled clothes, their unwashed and unshaven faces, and their uncombed hair all testify that they are oblivious to their bodies and to the world in which they move. These are computer bums, compulsive programmers ...
Joseph Weizenbaum
It had been a nice night, but not one they’d repeat. Like, ever. Why was he dialing his phone? A few rings later, a familiar voice picked up on the other end. “Whitman.” Dammit, my subconscious really is out to get me. “Matt? Brennan. I was wondering if…” make it something good, “…you…wanted to…” his gaze flew around the room, settling on his DVD shelf, “…watch Star Wars with me?”Star Wars? A hundred DVDs on the shelf and he settled on fucking Star Wars? He was never going to get in Matt’s pants ever again. There was a pause on the other end. Great, I’ve scared him off with my closet geekery. Go me. “Which one?” His heart skipped a beat. Or not.“I have all six.” “My favorite is Strikes Back. I can be at my place in about twenty. I’ll bring food?” Brennan’s eyes squeezed closed and he grinned, kicking his feet in delight. I am such a girl. “You know we can’t watch Strikes Back without immediately going to Return, right?” “We should pace ourselves. Star Wars is serious business. Usually I don’t watch them without consuming about five pounds of Skittles and three bottles of Coke.” “I’ll grab the junk food. We can pull an all -nighter.” “It’s a weeknight.” Matt sounded ridiculously disappointed about the fact, which was so happy-dance-worthy that Brennan almost literally jumped out of his chair. “But maybe we could turn it into a three-part date? Start tonight? End Friday?
Christine Price
(...)"He said we all have this different idea of what love is and that's what makes our circle. The more ideas and misconceptions you throw in, the larger the diameter and the harder it is to connect with someone. We," he said, squeezing Hunter's hand and signaling Margie and everyone around them, "all sit around the edge looking at everyone else around the circle. Sometimes we just settle for the person next to us because it's easy or convenient and we skip our way around its circumference, never really knowing what love is all about." He took a sip of his Coke and kept his eyes on Margie. "But other times, you see that person across from you, staring back at you, and you fight like hell trying to get across while he does the same. If you're lucky, there's a rope you can toss over and help draw each other in, never looking away, never worrying about those still on the circumference; just you and him, pulling each other in, deeper and deeper."
Brandon Shire (Afflicted (Afflicted, #1))
Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high. Just across the bridge is the gigantic marketplace, the insatiable consumer machine that drives the violence here. North Americans smoke the dope, snort the coke, shoot the heroin, do the meth, and then have the nerve to point south (down, of course, on the map), and wag their fingers at the “Mexican drug problem” and Mexican corruption. It’s not the “Mexican drug problem,” Pablo thinks now, it’s the North American drug problem. As for corruption, who’s more corrupt—the seller or the buyer? And how corrupt does a society have to be when its citizens need to get high to escape their reality, at the cost of bloodshed and suffering of their neighbors? Corrupt to the soul. That’s the big story, he thinks. That’s the story someone should write. Well, maybe I will. And no one will read it.
Don Winslow (The Cartel (Power of the Dog #2))
Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.
Josh Kilmer-Purcell (I Am Not Myself These Days)
I was thinking, The last thing I want to do is get in a wreck and lose another limb. I completely lost it and blew up at my father. “Why did you do that? I can’t get injured again! Pull over. I’ll drive!” I screamed. Dad is not the kind of person who would have ever taken that kind of behavior from me in the past, but I think he understood the paranoia. I’d asked him while I was in the hospital, “Did you ever think one of your kids would ever lose a limb?” And he said, “No, it never crossed my mind. I was always more afraid I would lost another limb.” It wasn’t until later that I realized how great it was of him that he kept his cool and understood where I was coming from. He just let me freak out and let me drive. I think in some ways it was the same kind of lesson he taught me as a child without ever saying a word. I watched him just get on with things with one arm. He never made a fuss about it. It was an example that growing up I didn’t know I’d need eventually. So I got in the driver’s seat and we continued on our way. After a while we stopped at a gas station to stretch our legs and get some snacks. I grabbed a lemon-line Gatorade and Dad grabbed something to drink and we got back in the car. I turned the car on, so the air and the radio were going as I tried and tried to get my Gatorade bottle open, but the top was too big and I couldn’t quite get my fingers to grab it, hold it, and twist it open. My finger strength just wasn’t there yet. So I put it between my legs and tried to hold it still while I twisted the top. I heard the creak of release as I managed to break the seal of the plastic orange cap but my legs were squeezing the bottle so hard that the bright yellow liquid squirted all over me. “Crap!” I yelled. I heard my dad snicker. I turned to look at him and he smirked while holding a can of Coke in his hand. “And that’s why I drink out of a can,” he declared with a smug grin. Click. Fizzzz. With one hand, Dad popped that can open and took a big slug of his soda.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Now Janie ordered a drink and glanced at the bar menu, choosing the goat curry because she'd never had it before. "You sure about that?" the barman said. He was a boy, really, no more than twenty, with a slim body and huge, laughing eyes. "It's spicy." "I can take it," she said, smiling at him, wondering if she might pull an adventure out of her hat on her next-to-last night, and what it would be like to touch another body again. But the boy simply nodded and brought her the dish a short time later, not even watching to see how she fared with it. The goat curry roared in her mouth. "I'm impressed. I don't think I could eat that stuff," remarked the man sitting two seats down from her. He was somewhere in the midst of middle age, a bust of a man, all chest and shoulders, with a ring of blond, bristling hair circling his head like the laurels of Julius Caesar and a boxer's nose beneath bold, undefeated eyes. He was the only other guest that wasn't with the wedding party. She'd seen him around the hotel and on the beach and had been uninspired by his business magazines, his wedding ring. She nodded back at him and took an especially large spoonful of curry, feeling the heat oozing from every pore. "Is it good?" "It is, actually," she admitted, "in a crazy, burn-your-mouth-out kind of way." She took a sip of the rum and Coke she'd ordered; it was cold and startling after all that fire. "Yeah?" He looked from her plate to her face. The tops of his cheeks and his head were bright pink, as if he'd flown right up to the sun and gotten away with it. "Mind if I have a taste?" She stared at him, a bit nonplussed, and shrugged. What the hell. "Be my guest." He moved quickly over to the seat next to hers. He picked up her spoon and she watched as it hovered over her plate and then dove down and scooped a mouthful of her curry, depositing between his lips. "Jee-sus," he said. He downed a glass of water. "Jee-sus Christ." But he was laughing as he said it, and his brown eyes were admiring her frankly over the rim of his water glass. He'd probably noticed her smiling at the bar boy and decided she was up for something. But was she? She looked at him and saw it all instantaneously: the interest in his eyes, the smooth, easy way he moved his left hand slightly behind the roti basket, temporarily obscuring the finger with the wedding ring.
Sharon Guskin (The Forgetting Time)
In Group, Casper doesn't like us to say cut or cutting or burn or stab. She says it doesn't matter what you do or how you do it: it's all the same. You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it's all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
Kathleen Glasgow (Girl in Pieces)
When I exited the bathroom this time, Marlboro Man was standing right outside the door--just as he’d been at his grandmother’s house when I’d had my flop sweat episode at his cousin’s wedding. He put his arm around me as I dabbed the corners of my eyes with a Kleenex. The gagging had sent my tear ducts into overdrive. “What’s wrong, honey?” It was the first time he’d called me that. I felt married. “I have no idea!” I said. “I must have picked up a stomach bug or something. I’m so sorry!” “It’s okay--we can just head back to the hotel.” “No! I want you to eat…” “I’m fine--I just ate a whole basket of bread and had two Cokes. I’m good to go.” The nausea hit again, and I ran back into the bathroom. After vomiting again, I decided to take him up on his offer. Exiting the cab back at the hotel, I found walking to be difficult. I hadn’t ingested a single drop of liquor, but I suddenly couldn’t walk in a straight line. Grabbing Marlboro Man’s arm, I used him to steady myself until we got to the room, where I immediately fell on the bed and wrapped myself in the comforter. “I feel so sorry for you,” Marlboro Man said, sitting down on the bed beside me and gently playing with my hair, a gesture that proved to be too much for me. “Could you please not do that?” I said. “The motion kinda makes me sick.” I was a complete and utter mess. I was a nauseated loser. It was Marlboro Man who deserved the sympathy.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)